Marilyn Monroe watching a Yankees training at St. Petersburg, Florida, March 1961.
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Steve Ditko.
Note his distinctive method for drawing hair.
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Marilyn Monroe and Rupert Allan photographed at the Golden Globe Awards, 1960.
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SHARON TATE photographed by GERARD DECAUX while filming ‘Eye of the Devil’ in Dordogne, 1965.
“I'm so afraid of hurting other people's feelings I don't speak out when I should. I get into big messes that way.” — Sharon Tate in Screen Stories magazine, 1967.
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The Sandman, 1966
By Salvador Dalí
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Richard Avedon - Twiggy Wearing a Dress by Antonio Castillo (Vogue 1967)
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“STILL LIFE WITH SNAKE”
ANDRÉ KERTÉSZ // 1960
[gelatin silver print | 24.8 × 19.7 cm.]
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Ads for Badoit, c. 1961
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Mooovin' right along
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Dairy cow isopod ^^
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Batman #181 (June 1966) cover by Carmine Infantino and Murphy Anderson.
Reprinted in Läderlappen #13/1966 and Batman (Brazilian version) #79 (January 1968).
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Addams Family Hand Puppets (1964)
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Marilyn Monroe photographed for VOGUE magazine in “The Last Sitting”, California, late June 1962. Photo by Bert Stern.
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Marilyn Monroe photographed by John Florea, 1953.
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SHARON TATE and her husband photographed by Dove in their Rolls Royce outside Heathrow Airport in London, Spring 1969.
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Richard Avedon - Jean Shrimpton for Germaine Monteil (Vogue 1966)
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“Compared to the limp hippie flock of 1969, Led Zeppelin stood out like rampaging pariahs” - Nick Kent (NME Journalist) remembers their arrival.
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I am interested in anything about revolt, disorder, chaos, especially activity that seems to have no meaning. It seems to me to be the only road toward freedom. — Jim Morrison
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