Pyxis with representations of Christ, the Virgin Mary, and two archangels - Syria, 6th century
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Attic black-figure cup
* Athens
* 6th century BCE
* Medelhavsmuseet, Stockholm
Stockholm, November 2023
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Terracotta vase in the form of a swan (6th century BCE, Greek, Corinthian).
Image and text information courtesy The Met.
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Hestia Polyolbus ('Hestia full of blessings') 6th C. CE
"The Hestia tapestry is a Byzantine-era Pagan tapestry made in the Diocese of Egypt in the first half of the 6th century. It is now in the Dumbarton Oaks Collection in Washington DC, but generally not on display.
The Hestia tapestry, which is made of wool, is a late representation of the Goddess Hestia. It measures 114 x 136.5 cm (44.9 x 53.7 inches). It shows the Goddess enthroned with two attendants and six putti. The tapestry is identified in Greek as “Hestía Polýolbos" or "Hestia full of Blessings" (Greek: Ἑστία Πολύολβος) and is depicted mainly through the use of pomegranate fruit. Her headdress and earrings are made from pomegranates while the blessings that Hestia gives out are in the form of the fruit.
The tapestry's history and symbolism are discussed in Friedlander (1945). Scholars note that this Pagan artifact is often displayed in Christian households in Egypt."
-taken from wikipedia
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The Zennor Mermaid Chair in the church of St Senara, Cornwall, 6th-12th century
Long ago, a beautiful and richly dressed woman occasionally attended services at St. Senara's Church in Zennor, and sometimes at Morvah. The parishioners were enchanted by her beauty and her voice, for her singing was sweeter than all the rest. She appeared infrequently for scores of years, but never seemed to age, and nobody knew whence she came, although they watched her from the summit of Tregarthen Hill. After many years, the mysterious woman became interested in a young man named Mathey Trewella, "the best singer in the parish." One day he followed her home, and disappeared; neither was ever seen again in Zennor Church.
The villagers wondered what had become of the two, until one Sunday a ship cast anchor about a mile from Pendour Cove. Soon after, a mermaid appeared, and asked that the anchor be raised, as one of its flukes was resting on her door, and she was unable to reach her children. The sailors obliged, and quickly set sail, believing the mermaid to be an ill omen. But when the villagers heard of this, they concluded that the mermaid was the same lady who had long visited their church, and that she had enticed Mathey Trewella to come and live with her.
The parishioners at St. Senara's commemorated the story by having one end of a bench carved in the shape of a mermaid. The famed "mermaid chair" was the same bench on which the mermaid had sat and sung, opposite Trewella in the singing loft.
There are many reasons as to why there might have been a mermaid carved into a chair at a church, as mermaids represented two things to medieval Christians. They were thought to be a symbol of lust, due to their connection with the Greek goddess Aphrodite, and they were also thought to be an illustration of Jesus Christ, because of their fish-human form, for, just as mermaids are both human-like and fish-like, Jesus can be both human and divine.
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Spangenhelm Helmet thought to be from Istanbul, Turkey dated to around 500 CE on display at the Weltmuseum in Vienna, Austria
Spangenhelms, made up of an iron rim, clasp connections and individual plates, were primarily worn by Germanic high nobility and were sent from the Eastern Roman Empire as gifts to honour these nobles, primarily Frankish Princes. However these helmets can also be found in Vandal occupied North Africa, in the Balkans and Gotland, Sweden. The strangely complicated type of the helmet goes back to ancient Pontic and Iranian models and were brought to Europe by the migration of numerous Germanic tribes and trade with the Iranian nomadic peoples.
Photographs taken by myself 2022
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#MosaicMonday for #LunarNewYear #YearOfTheRabbit:
Mosaic Panel with Rabbit
Roman, from Syria, possibly Emesa (present-day Homs)
5th-6th century
Stone tesserae
68.6 cm × 114.3 cm
[Getty Museum 75.AH.118]
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