#8: 2x01 | Explore Tumblr Posts and Blogs

lightbluetown · 5 months

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i saw some people say ed and zheng are master strategists while stede is just some guy with ridiculous luck, but i think that's unfair. sure stede's ideas are insane, but they fit the looney tunes ass universe of ofmd perfectly. they're mostly well-thought-out, well-executed and they showcase stede's strengths and growth! so allow me to talk about them:

1- ghost of the forest - 1x02

a fuckery™ before stede even knows what a fuckery™ is! this is amateurish and stupid in every way. he's not even threatening izzy with a real dagger-- that's a letter opener. does izzy actually believe that stede has a huge crew hiding behind the bushes? doubt it! but this weird little act is enough to establish stede as a (ridiculous) pirate figure to the legendary izzy hands and to accomplish his goal of taking a hostage back

2- lighthouse - 1x04

imagine coming up with the exact same idea at the exact same time as the most brilliant tactician of the seven seas! we don't know who came up with which parts of the plan (honestly it was probably mostly ed) but this is still bloody impressive

3- stark revelations - 1x05

stede's first big success! he uses his knowledge of the aristocratic world to get a shipful of rich assholes to destroy each other, but he's also showcasing what sets him apart from them: this plan only comes to fruition because stede talks to frenchie, olu and abshir as equals. as people he can learn from, as sources of inspiration

4- duel with izzy - 1x06

this one was absolutely unhinged, but its success was far from dumb luck. only stede could think of using a brazillian cherry wood mast and ed's weird stabbing lesson to win a duel, and that's what makes this plan so undeniably stede and brilliant

5- faking his death - 1x10

i love that he just had to "die" in the most dramatic way possible. a heroic fight (tiger), a realistic accident (carriage) and the most cartoony death in the book (piano)... not only is his triple-death able to convince everyone in barbados that he's dead for good, it also allows him to have closure with his family. it's filled with stede's ridiculous unique flair, but it's designed to be a fuckery™ through and through. ed would be SO proud

6- stealing jackie's indigo dye - 2x01

quick little stealth mission. did ricky manipulate stede into trying this out? sure. did ricky also ruin it? absolutely. but it was working until then! the swede isn't part of stede's crew at this point, but his respect for stede is what gets him to cooperate and risk his relationship with his beautiful wife. also, it's thanks to his love for fine things that stede immediately recognizes the value of "blue dirt"

7- prison break - 2x03

in my eyes no scene depicts stede's growth better than this one. knocking zheng's entire crew out with tea is the most stede thing out there, and this plan uses the cherry wood mast as well! this plan relies on stede's (unrealistic) tea knowledge, overly-fancy ship and ability to coordinate his crew. what makes it breathtaking is that he secretly sets this plan into motion while actively mourning the "death" of the love of his life. he's putting his life on the line to rescue ed's "killers" because he's emotionally mature enough to look at things from their perspective and forgive them

8- inciting a mutiny - 2x06

yet another brilliant plan that could only be executed by stede. this entire episode revolves around his idea of "turning poison into positivity" and here he, well, fights poison with positivity. stede captains his pirates with respect and care (best he can) which just so happens to be the opposite of ned. he exploits this and gently gets ned's crew to turn on him. he singlehandedly saves himself and his entire crew from a notorious pirate! oh he also literally invents walking the plank right after this

9- "it's only suicide if we die" - 2x08

okay, yes, this one didn't go that well (sorry iz). but it's not like ed, zheng or anyone else had any other ideas! stede's weird suicide mission, for the most part, worked. they needed to get through british soldiers to reach their ship and they did exactly that. if only they'd remembered to check if ricky had his gun... oh well, you live and you learn

sure, ed and zheng are legends and stede is a silly newbie with wild luck. but he's also quick-witted, creative, confident and brave! he's a damn good captain and he deserves to be recognized as a good strategist!

#ofmd #our flag means death #stede bonnet #ofmd meta #i love my boy so much i will not let anyone disrespect him thank u #🏴‍☠️

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sevensoulmates · 21 days

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if it was about his feelings for eddie why did he kiss tommy, like i want to have faith I do but it's hard after episodes like that. is buck ever going to realize his feelings for eddie? idk

First of all, Tommy kissed BUCK, so jot that down. Tommy was the initiator here.

Second of all, Buck obviously had no clue he could feel attracted to men UNTIL Tommy kissed him (as evidenced by his claim in 7x01), so how on earth was he supposed to realize he's into Eddie 2.5 seconds after kissing a man for the first time?

Third of all, kissing Tommy gives Buck a digestible target to place all of his Big Bisexual Boyfeelings for Eddie. Not recognizing what his feelings are DOES NOT EQUAL him not having feelings at all. As evidenced by this episode and every episode since 2x01, Buck has romantic feelings for Eddie but BOTH of them have been living this heteronormative lie that they can ONLY be best friends. Up until now, Buck FIRMLY believed he could only ever be Eddie's friend because Eddie's a guy and they're both hetero, but now that's not true.

Let Buck have a MINUTE to process his feelings for christ's sake.

I need y'all to start treating this season as if it was Buddie in the very very beginning stages. Because it is. Obviously, Fox was not letting it happen and ABC is only just now giving them the green light to let it happen. They don't want to jump the gun and trust me we will ALL be thankful they took their sweet time in the end.

Get used to things taking a while and learn some patience. Some of us have been waiting for an episode like this for seven years. This arc is only just starting and we just got greenlit for season 8. Let the show unveil the story at its own pace, and don't stress needlessly.

#911 abc #buddie #had to stop myself before I wrote out the whole meta here lol #anyway I'm gonna go rewatch the episode and bask in queer joy

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brigdh · 6 months

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Okay. My thoughts on the Our Flag Means Death finale. Obviously I'm not very happy with the ending, though I'm also not as upset as some people are. I would say I'm discontent. Unsatisfied. Too aware of how it could have been improved, and a bit bitter that we didn't get a better version, but I also don't hate what we did get.

I know a lot of meta has attributed the problems to a shorter season, and absolutely I would have loved to get 10 episodes instead. I would have loved 22 episodes! Why don't we do that anymore? But I don't think the 8 episode length was the ultimate problem. A) The showrunner and writers knew they had only 8 episodes, so they needed to choose a story that fit into that length, but even more importantly, B) my problem is not that they had too much story for too little time, but actually that they had plenty of time and chose to fill it with too little story.

As I've sat with it over the last few days and thought more about the season's arc, it feels to me like we got eight episodes of filler. Filler episodes can be great! Filler episodes can have some of the funniest lines, the greatest scenes, the most intriguing ideas. But filler episodes do not progress character arcs or major themes, and that's exactly the problem this season had.

The only characters who got arcs this season are Izzy, and to a lesser and more rushed extent, Lucius. Which sure is a choice.

Ed and Stede and their relationship did not meaningfully change from S1. (Okay, yes, they had sex, they said I Love You – but these are external changes, not internal. They don't represent character growth. Stede realized he loved Ed and was telling everyone back in 1x10. Ed clearly would have slept with him in S1 if they'd had a little more time.) Ed and Stede in 2x08 are not different from who they are in 2x01. If Ed had asked Stede to be innkeepers in 2x01, does anyone think Stede wouldn't have immediately agreed? One of the big moments in 2x08 is Ed reading a letter that Stede wrote in 2x01! Stede's exact words from the very beginning of the season! What better way to underline that none of the subsequent seven episodes had important growth or changes?

Another one of 2x08's big shippy moments is Ed and Stede running to each other across a beach – deliberately paralleling the dream Stede had in 2x01. What are we supposed to take from this parallel? My original thought was that we're supposed to see how different the real version is from the dream, but there's honestly not many differences. Neither one has a beard, now? The dream mocked how Stede knew they needed to have a conversation about their relationship that he wanted to avoid, but they don't have a conversation in the "real" version either. They exchange about two sentences (which includes Ed's I Love You, yes, which is a big deal but still isn't a conversation) and then they charge right back into the fight, without discussing anything like Ed abruptly dumping Stede to go be a fisherman, Stede killing Ned Low when Ed asked him not to, their differences of opinion on being pirates, if having sex was a mistake or if that's only a thing Ed said because he was panicking, etc etc. They have just as many issues to address as they did in the dream, but just like the dream they act like everything is magically okay without talking about it!

So I think we're meant to take the beach-run parallels as "here's what Stede's been wanting, and after waiting for so long he finally gets it". Which is fine, a very sweet take-away for a finale. But it underlines what I'm saying is the problem of the season: Stede has just been waiting for eight episodes for his dream to come true. Not changing. Not growing. Not doing anything to bring the dream about, other than trying to get himself and Ed into the same physical location. Just... waiting.

This is an extra surprising development, because the show was really good at giving Ed and Stede character arcs in S1! Ed and Stede in 1x10 are significantly different than they were in their first introductions. Also, just to preempt some criticism, by 'progressing' I do not mean 'wrap up literally every loose end and make a firm final ending' – S1's finale is an excellent example of both moving the characters forward and leaving a ton of room for future stories. I wasn't expecting for 2x08 to show us a Stede and Ed who were perfectly on the same page and would never again have a problem. I was expecting them to be somewhat different than they were in 2x01, and I just don't see that.

Instead of arcs, we got little pieces of single-episode growth here and there that never added up to an overall whole. The season brought up a ton of potential arcs for Ed – violence, piracy, guilt, suicide, daddy issues, self-loathing, apologies, redemption, his tendency to idealize escaping into a different life – but didn't do anything with any of these options. Stede had nothing resembling a season arc at all.

Stede works to improve as a captain! Stede kills someone and has regrets! Stede confronts Ed's dark side! <- All potential arcs, but none of which lasted for more than an episode or had consequences. We don't even know what the ending means for Stede: does he want to be an innkeeper because he failed as a pirate in 2x07? Because piracy was always just a displaced search for love, and now that he has love, he doesn't need piracy? What does the crew of the Revenge leaving mean to him? Stede's understanding of their new arrangement literally happens off-screen and we're left to fumble at guesses for its significance to him as an individual.

Ed and Stede's last big conversation in the season is their break-up fight in 2x07, which is a shocking way to send off your main couple in a rom-com. Yes, there's the I Love You on the beach (again: two sentences) and the brief 'let's try to be innkeepers' conversation at the very end, but that's it for them in 2x08, except for their inclusion in some brief large group conversations about their fighting skills and the plan for escaping the British. How can you end your rom-com with the main couple exchanging only a paragraph's worth of dialogue in the finale? None of the stuff was brought up in the fishing fight in 2x07 is ever addressed at all!

Again, I don't think this is solely a matter of time crunch. Instead of using the eight episodes to progress the two main characters, we got a bunch of filler episodes that used the time in amusing side tangents instead of forward progress. I don't think that's the inevitable result of having to work with eight episodes.

Look, I can come up with a better Ed/Stede relationship arc without needing more episodes, and despite only thinking about this for a couple days and not having an entire writing room to work with:

(Note: this only addresses the Ed/Stede relationship. It doesn't fix Stede completely lacking an independent character arc and Ed having about ten thousand of them, none of which went anywhere.)

In 2x05 to 2x07, I would make Ed's motivations in their relationship very clearly that he's pushing Stede away so he doesn't get hurt again. Basically play up Ed's comment about "I was all in" in 2x04, and make him determined not to get 'all in' this time around. This aligns the "let's take it slow" conversation in 2x05, the "sex was a mistake" in 2x06, and Ed running away to be a fisherman in 2x07 into a single arc. He wants Stede, but he's afraid of what that wanting will do to him. He's trying to find a way to have a relationship without making himself vulnerable. He keeps pushing off commitment and openness.

Then, in 2x08, I'd make it more explicit that Ed thinks/fears Stede is dead when he sees the pirate ships burning. I think it's subtext in the episode as-is, but give him a line or two to make it really clear. Ed and Stede still see each other on the beach, have their dramatic run to each other, and Ed says, "I love you". Now this moment is Ed acknowledging his love, exactly what he's been avoiding for the last three episodes.

Near the end of the episode, Ed and Stede have a conversation where Ed says something like, "I didn't want to get hurt again, I was afraid of the risk of falling in love and you leaving again, but thinking you were dead made me realize that never loving you would be worse" (but better written, ha, this is a tumblr post that's already too long). (Also possibly you could tie in Izzy's death here to underline both Ed and Stede not wanting to lose another person they care about, if we must have that plot point for some reason.) We actually get to see Ed asking Stede to come be innkeepers with him, paralleling asking him to run away to China (and paralleling NOT asking Stede to a fisherman), Stede voices some of his worries (paralleling him keeping them inside in 1x09, but also giving him a chance to explain what piracy and love mean to him and why he'd give up one for the other), but ultimately they agree that they at least want to try.

This both puts them into a much clearer place for a happy ending, has clear growth from S1 and the beginning of this season, but also leaves open a ton of room for S3, because welp, it turns out trying to have a relationship entails all sorts of problems! Especially with these two. It also would make me feel like they'd at least addressed some of the issues between them.

Right now I feel like S3 will have to spend at least the first few episodes running through exactly the same "don't talk – break up – get back together dramatically" arc that Stede and Ed have already done twice but have never discussed and never learned from. I liked it, but I don't need to see it yet again. That will – ironically – feel like yet more wasted time, more episodes that are just churning through beats without moving the characters forward. I wanted them to have new, different fights in S3, but now I don't even feel like they've made enough progress to have a fresh set of problems.

#ofmd meta #our flag means death #ofmd 2x08 #ofmd season 2 #ofmd critical #(I guess)

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chirpsythismorning · 3 months

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Fun fact: the shot of Mike stepping off the cliff in s1 was likely a visual parallel to Sarah jumping off the stairs in this shot from Labyrinth (1986).

For those that haven't read this theory, please do because I didn’t make these observations myself and the original post goes a lot deeper into the details from Labyrinth, which in some ways align a little too conveniently with the narrative we’re seeing unravel on the show with Mike over the seasons.

For some basic context, in s4, we even get a reference to M.C. Escher’s Relativity hanging on the wall in Mike’s room, which is also on the wall of Sarah’s bedroom, along with that work being what inspired the scene in Labyrinth.

This next part has actually been talked about before quite a bit in the fandom, even outside of tumblr, so it’s not exactly some breakthrough as a concept on its own.

Every season, in the first scene (re)introducing the main characters, Mike is running late in some capacity. In 1x01 it’s around 3 minutes, in 2x01 it’s around 6 minutes, in 3x01 it’s around 8 minutes, and in 4x01 it’s around 13 minutes.

So technically not the literal season opener, as that’s usually reserved to a flashback at some different location, but obviously still within those first 15 minutes, following directly after the opener…

And since we already have an idea of what the opening of s5 is going to be, what do we think the scene directly after it is going to be? You know, in the scene that Mike has been consistently running late in, for four seasons now?

Speaking of 15 minutes, I think that if they were to keep this trend going for the final season (the full circle-ness of it all is honestly too epic to pass up), it’s likely that this final time it will happen around the 15 minute mark of 5x01, as that would make the build up for it each season pretty consistent.

And not only that, but it would also literally be a callback to what Karen says to Mike that first time he’s late in s1:

And here’s my other favorite line from one of these scenes, in the context of this theory, because it literally acknowledges this concept directly and with this air of foreshadowing I cannot stress enough:

Interestingly, another detail that ties all these ‘Mike being late’ scenes together, is stairs.

In s1 he’s running up the stairs to convince his mom to let them keep playing.

In s2 he’s rushing down the stairs trying to avoid Nancy’s wrath.

In s3 he’s awkwardly bumping into strangers going down the escalator in Starcourt Mall.

And in s4 he’s hurrying down the stairs on his way to school.

The whole point of Labyrinth is that it’s an allegory for growing up, with Sarah going from dressing up as a princess to reenact one of her favorite fairytales after being chastised by her step-mom for not going on more dates like girls her age, to Sarah rejecting her childhood and it leading to an unfortunate series of events, forcing her to face reality and take responsibility of her own life.

Does this sound like anyone we know?

Mike, who starts the show in s1 playing DND animatedly with his friends before being interrupted by his mom to end the campaign despite protests, to his mom in s2 punishing his bad behavior by having him get rid of some of his favorite toys, to him in s3 insisting that they’re 'not kids anymore' and that it was inevitable for them to stop playing games and grow up and get girlfriends, to him now in s4 reverting back to this earlier version of himself, sporting the Hellfire shirt proudly, to then reverting back to pretending when showing up at the airport with Argyle calling his outfit a shitty knock off (aka calling Mike a shitty knock-off), and without the story ever acknowledging why those shifts happened in the first place, and with one season left?

Hint? Forced conformity. That’s what’s killing the kids. That’s the real monster.

They literally told us already that out of all the monster we've seen in the show, this is what is worse than all of that. Meaning that what is about to go down, most likely topping everything we've seen up to this point, is likely going to involve forced conformity.

I also think it’s interesting that the scene in Labyrinth happened during the climax of the film, because arguably if you were to watch Stranger Things in its entirety, from s1-5, the beginning of s5 is going to feel very much like the climax to the overall story.

Things are going to be happening fast. The stakes are insane because they need to top everything that they’ve done up to this point. Something’s gotta give. And Mike is just not looking safe out here guys.

I could go on and on about all the hints that Mike is danger, but I’ll just share my favorites.

How am I gonna survive a whole week without you guys? Mike says, at the tail end of his opening scene in s4, and with s5 set to start at the end of said week.

Mike sitting in front of an antique funeral home fan in the s4 promotional pictures of the party in the Creel attic.

Nancy saying she saw Mike die in the vision Vecna showed her, with the early stages of said vision coming true as season 4 nears its end.

Mike getting hit in the head with an arrow front and center by Suzie’s brother, in a sequence that was loaded with foreshadowing for the end of s4 (and beginning of s5?).

Watch out dominos. Your dominos are gonna fall. Argyle says, with Mike equally in the frame behind him.

Without heart, we’d all fall apart. Will says, after telling Mike he’s the heart.

A Karen lookalike standing in front of the missing person's board at the end of s4.

Mike’s very first line in the show (also the literal first line in the show) being A shadow grows on the wall behind you, swallowing you into the darkness. It is almost here…

So maybe, theoretically speaking, what we could get by that 15 minute mark going into s5, is Mike running late one last time, and it potentially being a callback to that cliff scene ie. Labyrinth.

Another scene that I think might've been foreshadowing what is currently going down, is Max and Mike both getting knocked out by Billy at the end of s3. Max goes down first and Mike follows right after, though Max is the first to come to and help them both up.

We know Max is unlikely to be separated from the rest of the characters the whole season, that’s just not feasible. She'll at least be on-screen despite maybe not being back with the others right away, even if it’s just a cryptic cliffhanger at the end of 5x01, followed by her returning more consistently on screen after that leading up to her rescue. With the way things ended in s4 though, we need to know where she’s at and get to finding her. Which is why I think at most it will be a 1-2 episode arc.

So maybe, this moment from s3 was a hint about Max and Mike’s impending doom at the hands of Vecna, as a result of not only their emotional states, but also their bonds with El, and them then being isolated for a short time (presumed dead), only to find their way back?

It’s also worth noting Mike was the only person to witness any of Max’s symptoms from the curse prior to her finding out about it, with the camera focusing on him beside her and looking at her worriedly as her nose bled. We don’t know who Vecna’s fourth victim was going to be, because Max threw herself in as bait, but could it have originally been Mike?

I know a lot of people don't like the Mike getting Vecna'd theories or Mike is depressed takes and so if you find yourself in that position, feel free to subtweet away or whatever you need to cope with my nonsense.

I'm not a big Mike is suicidal truther or anything even, nor do I think it makes sense for him to get Vecna'd in the traditional sense like how it happened with the others in s4 because the gates are open. But Vecna still hasn’t carried out his entire plan, a plan that includes Mike dying. And the imagery surrounding it all leading up to this is compelling regardless.

If one shot at the end of s3, with Max sitting in Billy's room while Hopper was in the background saying and yeah sometimes it's painful and sometimes it's sad was enough to hint at her whole depression arc in s4, then Mike being focused on for multiple shots while Hopper was in the background saying But, lately, I guess I've been feeling... distant from you. Like you're pulling away from me or something.-- And I guess, if I'm being really honest, that's what scares me. I don't want things to change, with Mike looking longingly at the Byers house, cutting to Will looking out the car window crying, then cutting back to Mike walking into his mom's arms with a dead stare on his face, has gotta be enough to justify dude going through some shit, which coincidentally matches up with everything talked about here.

Turns out getting to Mike, now that was the key…

Maybe the first episode of s5 is about Mike ending up wherever Max is, somewhere caught in between, and them ‘crawling’ back ie. The Crawl.

Definitely might add some context to that funkopop shot-listing video Ross posted, followed by one other photo a few days later with the caption being that they finished shot-listing for 5x01-5x02. Meaning the initial video posted was likely from 5x01...

#stranger things #mike wheeler #are they cool enough to pull this off?#remains to be seen #but why break a four season streak?#something something fifteen after #something something you’re late. again! we’re gonna miss the opening!#something something running up that hill and smalltown boy having almost the exact same fucking beat #also blankly staring at sadie and finn sitting close to each other in the s5 filming announcement pic #with finn being the only one out of all of them holding a script for the crawl 😀

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ladyluscinia · 6 months

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I think they were so worried about not getting a season 3 they ruined both the viewers expecting one and the viewers who would've liked it to end there. they've created an easily destroyable status quo because of course something needs to happen to get everyone back together for season 3. so it's not even a happy ending; it's so fragile, it's designed to fall apart the second that anyone learns that the show is back on. i get not wanting to bank on having a third season and wrapping it up but like. Galavant did that and did it better. WITH THE HEROES RETIRING AND THE TWO MINUTE MARRIAGE CEREMONY TO BOOT. But it gave an outline of where the plot might go from there and how the adventure will continue if it gets to. And it never got to, and season 2's ending is good because it's not /fragile/--it's not a cliffhanger, but you get the idea that they could keep going from there still. whereas this one didn't want to be a cliffhanger so much that they created the most breakable new status quo in history and if there is a season 3 it'll immediately be undone and I'll probably still watch it but like I'll /know/, y'know? They could fix everything in the first episode of season 3 and I'd still have to know that at one point, this was considered an acceptable outcome.

The thing that is driving me absolutely insane is they DID NOT HAVE TO DO THIS!

There's so many people looking at it like "well it's a shame that 2x08 clearly had to cram several episodes into one for budget reasons and it made the development weaker but that's the situation MAX put them in" and I cannot emphasize enough how much that is not true.

MAX did not break it to them after episodes 2x01 - 2x07 were written and half filmed that they would have to wrap up the whole plot in 30 minutes. Like absolute worst case scenario they had 10 eps mostly written and budget came back 20% over and they had to reduce to 8 total. More likely they knew they were getting 8 from the start.

It is absolutely nobody's fuck up except David Jenkins and his writers' room if they were unrealistic about what character beats were needed and would fit in the timeframe to reach a satisfying wrap up.

Worries about no S3 were on the table the moment it took until JUNE to get confirmation of S2. This wasn't sprung on them. If they wanted their story to have a "just in case" happy ending and then a "fully realized arc" happy ending, they should have fucking acted like it???

I was shocked when the first three episodes that dropped were so hardcore on destroying Edward's relationships and laying bare exactly how deep his issues went. It only made sense to me if they were going all in on getting a S3 and prepared to spend all of S2 focused on the implications of all that, and then the not-even two week in-universe timeline of the season reinforced my understanding that was happening.

"Shame we don't have time for our main couple to even start addressing their relationship or having moments of self-realization and sharing their issues," says guy who decided to make the first half of S2 about adding more problems on top of well established ones from S1 and the second half of S2 about throwing in a second breakup cycle instead of dealing with the fallout from the first.

Want Edward to end on a beat of feeling part of the found family? Well maybe adding a timeskip after 2x05 and then a crew chat in 2x06 where you make it clear he did an apology tour offscreen could help, but you also could have just not focused hard on him poisoning his relationship with every single one of them in the first place???

There's multiple different ways you can do Act 2 of a three act structure, and they did not have to choose one that ends on another dark cliffhanger beat or right at the open ended turning point toward growth? Like they didn't even do the one they picked in a way they could fit in their season. I feel like by the end of a struggles Act 2 both your protagonists need to have self-realized their issues and maybe had one conversation about it? Edward still wasn't talking about his guilt, and Stede wasn't talking about anything.

They aren't even at the turning point of growth and out of the backsliding / lessons learned era yet, that's why potential S3 will start on another backslide when status quo breaks and Stede starts "that's nice, dear"-ing Edward during the day and slipping out at night to vicariously listen to pirate stories or whatever (and they frame it like he's cheating).

We have two out of three seasons in a show that might only get two, and I feel like the characters have barely moved from their starting position.

Like idk maybe they are really good at coming up with character flaws - ex: Stede is repressed and bottles up his traumas until he mentally checks out / runs away - and just drawing blanks on how to believably "fix" them, but just going "well what if we just used this flaw to throw another miscommunication roadblock in their relationship?" is not getting them where they want to be.

The season was fundamentally designed against their stated goal and did not make what seem to be necessary writing concessions to the reduced screentime if they wanted their finale to land as an even plausibly happy ending. It's hollow.

And possibly not even salvageable in S3 since they aren't demonstrating the skills to salvage it.

#our flag means death #ofmd s2 #ofmd s2 spoilers #ofmd 2x08 #david jenkins #ask #ladyluscinia #ofmd meta #ofmd critical

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goodwhump-temp · 10 months

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Jake Peralta Whump | Brooklyn 99

1x01 Pilot - Manhandled, thrown, held at gunpoint 1x02 The Tagger - Career in jeopardy/threatened 1x03 The Slump - Really bad day, "cursed" 1x04 M.E. Time - Squeamish 1x05 The Vulture - Angry, spanked twice 1x06 Halloween - Falls from the ceiling, concussion, falls into Terrys arms, handcuffed, painfully slams onto table 1x07 48 Hours - Exhausted 1x08 Old School - Very hungover, aches/pain, reprimanded 1x09 Sals Pizza - Punched, manhandled, talks about childhood trauma 1x10 Thanksgiving - Talks about sad childhood x2, manhandled, choked 1x11 Christmas - Santa fight, held at gunpoint 1x12 Pontiac Bandit - Exhausted 1x14 Ebony Falcon - Chest bumped to the ground, worried, punched multiple times, numb arms 1x15 Operation Broken Feather - Denial, feels betrayed 1x17 Full Boyle - Pepper sprayed 1x18 The Apartment - Daddy issues, feels doomed from eventual homelessness 1x19 Tactical Village - Jealous, heartbroken 1x21 Unsolvable - Very sleep deprived, depressed/heartbroken, drunk 1x22 Charges and Specs - Very drunk, reprimanded, fired

2x01 Undercover - Picked up/arrested, punched, balls knee'd, cuts burn/pain, held at gunpoint, bummed 2x02 Chocolate Milk - Head manhandled, back issues from Terrys 'body slam,' exhausted x2, feelings hurt, tortured (forced to eat carrots) 2x03 The JimmyJab Games - Attacked by fire hydrants, still heartbroken 2x04 Halloween II - Robbed by bears, falls, hurt by barbedwire, arrested 2x05 The Mole - Feels betrayed, exhausted, slapped 2x06 Jake and Sophia - Hurts his hand 2x07 Lockdown - Passes out (flashback) 2x09 The Road Trip - Slapped 2x10 The Pontiac Bandit Returns - Daddy issues, gut punched 2x11 Stakeout - Punched 2x13 Payback - Exhausted, collapse, numb, sad 2x14 The Defense Rests - Heartbroken/depressed 2x15 Windbreaker City - Heartbroken/depressed, obsessive 2x17 The Boyle-Linetti Wedding - Finger pain, hearbroken 2x18 Captain Peralta - Major daddy issues, major denial, abandoned, feels hurt, confrontation 2x19 Sabotage - Suspended, feels betrayed, almost hit by a truck, held at gunpoint, kidnapped, restrained, gagged, life threatened, trust rooted daddy issues 2x20 AC_DC - Painful fall, limping the whole episode, cracked ribs/broken toes/thumb fractured, hit by box, extreme pain, addicted to work, hit by a car, hospitalized 2x21 Det. Dave Majors - Drinks really strong drink, annoyed, nervous, hurts his fingers, goat jumpscare

3x01 New Captain - Punched x3, briefly sad 3x05 Halloween III - Witch jumpscare, exhausted, throws up x2 3x06 Into The Woods - Falls, surrounded by poison ivy 3x09 The Swedes - Annoyed the whole episode, disgusted, briefly held at gunpoint 3x10 Yippie Kayak - Diehard situation, punched unconscious, hostage/restrained, headache, held at gunpoint, checked out by EMTs 3x11 Hostage Situation - Handcuffed/betrayed, daddy issues !??! 3x12 9 Days - Has Mumps, constant pain, drunk from cold medicine, delerious, mump painfully poked multiple times 3x14 Karen Peralta - Slams into multiple things, falls, major daddy issues, angry 3x15 The 9-8 - (Making Boyle jealous), uncomfortable between friends, punched, nards kicked, pain, tackled 3x16 House Mouses - Flattened by Scully, knocked unconscious, restrained 3x17 Adrian Pimento - Knife to throat/restrained, jumpscared, daddy issues, talks about therapy, held at gunpoint 3x19 Terry Kittens - Daddy issues, screaming scared, sleep deprived 3x21 Maximum Security - Worried, beaten up 3x22 The Bureau - Exhausted (1 pullup) 3x23 Greg and Larry - In danger, life threatened

4x01 Coral Palms, Pt.1 - Depressed, Holt jumpscare, hit by gokart, weird wrist, scared of snakes, tackled, reprimanded (redepressed) 4x02 Coral Palms, Pt.2 - Punched multiple times, headlocked 4x03 Coral Palms, Pt.3 - Falls over fence, calf scratched, queasy/gagging, (+great Holt bonding), throat punched, held at gunpoint, shot 4x04 The Night Shift - Crutches, hair intervention, picked up by Terry, limping, pain, falls over fence 4x05 Halloween IV - Terry jumpscare overreaction, betrayed 4x06 Monster in the Closet - Falls through roof 4x08 Skyfire Cycle - Relived trauma pantsing people 4x09 The Overmining - Angry 4x10 Captain Latvia - Cut palm (bleeding), thrown against a wall, unconscious 4x12 The Fugitive, Pt.2 - Betrayed, held at gunpoint 4x14 Serve & Protect - Feelings hurt 4x15 The Last Ride - Bruised thigh, crying 4x16 Moo Moo - Talks about depressing childhood 4x17 Cop-Con - Hungover, chest pain, literally on fire, gag/dizzy 4x18 Chasing Amy - Scared, worried, slams into bars 4x19 Your Honor - Claustrophobic, daddy issues 4x20 The Slaughterhouse - Water & milk drugged, extremely jittery 4x21 The Bank Job - Hungover, held at gunpoint, framed, arrested 4x22 Crime & Punishment - Hardcore framed

5x01 The Big House Pt.1 - Life threatened multiple times, jumpscared, aggressively beaten up x3 (limping/cuts), scared 5x02 The Big House Pt.2 - Solitary confinement, daddy issues/panic, blackmailed, life threatened multiple times, on meth, very jittery 5x03 Kicks - Daddy issues, nightmare, prison trauma, confession/suspends himself, sad 5x04 HalloVeen - Jumpscare x2, prison trauma, restrained, betrayed 5x06 The Venue - Daddy issues 5x07 Two Turkeys - Sad childhood + daddy issues 5x08 Return to Skyfire - Tired, painfully thrown to the wall 5x09 99 - Daddy issues 5x10 Game Night Pt.1 - Emotional 5x11 The Favor Pt.2 - Emotional/daddy issues 5x12 Safe House - Stir crazy, throat punched, tear off mustache pain, held at gunpoint, daddy issues 5x13 The Negotiation - Held at gunpoint, hostage, sad childhood, brokenheart 5x14 The Box - Embarrassed, relationship tested, angry outburst, hit by a chair, bloody nose 5x15 The Puzzle Master - Hand twisted, jealous, hand cramp 5x17 Dfw - Very nervous, shared daddy issues 5x18 Gray Star Matual - Intimidated 5x19 Bachelor/ette Party - Sickly drunk, guilt, heartbroken 5x20 Show Me Going - Daddy issues, worried, scared 5x21 White Whale - Stressed, 5x22 Jake & Amy - Life threatened, jealous, emotional

6x01 Honeymoon - Stressed 6x02 Hitchcock & Scully - Trapped 6x03 The Tattler - Annoyed, angry outburst, therapy denial, betrayed, angry 6x04 Four Movements - Body slammed, beaten up and sobbed offscreen, pain 6x05 A Tale of Two Bandits - Emotional 6x06 The Crime Scene - Bad childhood, sleep deprived, losing sanity, looks horrible, guilt 6x09 The Golden Child - Choking, heimliched, probably broken rib, punched unconscious, kidnapped 6x10 Gintars - Nervous, guilt 6x11 The Therapist - Massively in denial, hates therapists, held at gunpoint/captured, confesses, emotional 6x12 Casecation - Daddy issues/bad childhood, scared, life threatened (bomb) 6x13 The Bimbo - Emotional x2, bad childhood, height insecurity 6x14 Ticking Clocks - Arm punched x2 6x15 Return of the King - Feelings hurt, angry 6x16 Cinco de Mayo - Tazed x2, betrayed, emotions manipulated 6x17 Sicko - Career threatened x2, almost bit, insulted 6x18 The Suicide Squad - Punched, betrayed, imprisoned, depressed

7x01 Manhunter - Undermined 7x02 Captain Kim - Stepdaddy issues/trust issues x2 7x03 Pimemento - Scared of heights 7x04 The Jimmy Jab Games II - Falls from the ceiling, pain, trips, ceiling falls on him, extreme pain 7x05 Debbie - Knocked unconscious, restrained 7x06 Trying - Hungover, sad 7x07 Ding Dong - Daddy issues, uncomfortable the whole episode, emotional 7x08 The Takeback - Angry, feels betrayed, smushed, threatened 7x09 Dillman - Sad, framed 7x10 Admiral Peralta - Punched 7x11 Valloweaster - Trips, therapy 7x12 Ransom - Held at gunpoint, kidnapped, restrained/threatened

#whump #emotional whump #whump list #whumplist #brooklyn 99 #brooklyn nine nine #jake peralta #andy samberg #b99 #b99 whump #andy samberg whump #jake peralta whump

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phrynefishersfrocks · 9 months

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Hats & Hairpieces Recap

Season Two

Phryne wears a total of 36 hats and hairpieces throughout the second season, nine more than the 27 items in the first season. Her headwear ranges jeweled hair slides to elegant cloches to feathered headbands. The clear favorite of both this season and overall is her breaking and entering cat burglar beret with sixteen uses - ten of which are in season two alone. Coming in second is her linen detective hat, with seven uses this season and fourteen appearances overall.

1.Spanish Hat - A traditional Spanish hat in black felt with a wide brim and black ribbon hatband - 2x01, 2x01

2. Hello Jack - Blue straw hat with a curved brim, and antique ash-brown, blue, and black feathers attached to the black hatband - 2x01

3. Burlesque Headpiece - Spiral headpiece adorned with strands of glass beads - 2x01

4. Sequined Headpiece - Headpiece made in-house by the costume team stringing sequins onto very fine pieces of wire - 2x01, 2x01

5. Cemetery Hat - Black straw with green and white feather detail - 2x01, 2x02, 2x06 (base seen in 1x13)

6. Cat Burglar Beret - Classic black French beret made in a circular fashion - 2x01, 2x03, 2x04, 2x05, 2x05, 2x06, 2x07, 2x11, 2x12, 2x12 (also 1x05, 1x05, 1x06, 1x09, 1x10, 1x10)

7. Tan Straw Hat - Finely woven straw hat with a modest brim and brown ribbon trim with a matching wide hatband - 2x01

8. Grey Summer Hat - Grey straw hat with blue overtones, organza petal detail and pearl decoration - 2x02

9. Beaded Headband - Black headband with black beaded detail - 2x02

10. Detective Hat - Tan linen wide-brimmed hat dyed to match her car coat - 2x02, 2x03, 2x04, 2x06, 2x07, 2x10, 2x12 (also 1x02, 1x02, 1x04, 1x06, 1x08, 1x09, 1x13)

11. Spiral Hair Slides - Jeweled spiral hair combs - 2x03 (also 1x12)

12. Beach Holiday Hat - Cream straw hat with pink and white silk organza band and button - 2x03

13. Beach Sunhat - Cream wide brim summer hat with raffia embroidery detail - 2x03, 2x03

14. Harlequin Hat - White felt with original Victorian twisted raw silk trim, osprey feathers, silkworm thread, and velvet bind with crystal buttons that match the coat - 2x04

15. White Felt with Bronze Motif Hat - Cream felt hat with bronze period flower motifs and hand-painted ‘pearlized’ beads - 2x04, 2x07 (also 1x05, 1x07, 1x12)

16. Pearl Headdress - Silver headdress made with glass beads and pearls - 2x04

17. Pom-Pom Hat - Plum felt hat with a 1920's silk pom-pom, navy vintage feathers, and antique navy ribbon - 2x05, 2x08

18. French Navy Hat - Antique silk moire band with buttons on a French Navy felt hat - 2x05

19. Showstopper Headband - Yellow feather pom-pom attached to a black headband - 2x05

20. Navy Velvet Hood with Tassel - Lucious navy velvet with silk satin insert and tassel - 2x06 (also 1x03, 1x07)

21. Red Flower Cloche - Burgundy red felt with cut out flowers and feather detailing - 2x07 (also 1x01, 1x01, 1x02, 1x04, 1x04, 1x05, 1x06, 1x09)

22. Red Felt Circle Hat - Red felt hat with black, red, and cream felt interlocking circles set on matching ribbons - 2x07 (also 1x05)

23. Racing Cap - Tan leather driving cap with metal guides at the sides to hold googles in place - 2x07

24. Leopard Print Cloche - Cream cloche with leopard spots, thin black ribbons holding cream and black feathers - 2x08

25. Maroon Day Hat - Deep pink felt hat with a pom-pom decoration of colorful modern and antique feathers - 2x08

26. Hollywood Felt - Chartreuse felt hat with pink velvet hat band, pink and black feather detail and bronze leaf - 2x09

27. Golden Girl Headpiece - Antique metal leaf with diamantes and black feathers - 2x09

28. Blue Feather Cloche - 1960's navy felt hat modified into a cloche, with 1920's feather band added - 2x09

29. Director's Hat - Green felt fedora with a matching hatband - 2x09

30. Vineyard Hat - Hat quality felt with green and black antique feathers with a black hatband and crystal button - 2x10

31. Radio Station Hat - Pink felt hat with brown hatband and a variety of colored feathers - 2x11

32. Green Velvet Hood - Green velvet hat with green silk organza insert - 2x11

33. Butterfly Hair Slide - Jeweled hair slide with a butterfly shape in the center and two loops extending to either side - 2x11

34. White Cloche with Grey Swirl - White felt cloche with icy grey velvet swirls - 2x12

35. Dr. Zhivago Fur Hat - White faux fur circular hat with felt insert - 2x13, 2x13

36. Christmas Party Headband - Dyed orange and black feathers with a 'nest' and small egg-like bead inside - 2x13

Hat and headpiece photos from the official Pinterest, official Facebook, Screencapped.net, Alekino Plus (now defunct) and various sources (x, x, x, x, x, x, x, x, x, x).

#hat recap #season two #miss fisher's murder mysteries #mfmm #phryne fisher #phryne fisher's frocks #hat photos

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xofemeraldstars · 1 year

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9-1-1: LONE STAR REWATCH 8/∞ — 2x01 ❝ back in the saddle ❞

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elizadushkudaily · 2 months

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Dollhouse masterlist!

February 2009 - January 2010 | Dollhouse. Eliza Dushku plays Echo and others - full 27 episode masterlist below! (Eliza appears in every episode.) Echo is part of a top secret corporate operation, and she is based out of the Los Angeles "Dollhouse."

You can also find the episode list by season in the Dollhouse posters. Episodes in parentheses did not air live on TV.

Masterlist: (1x00 Echo) 1x01 Ghost 1x02 The Target 1x03 Stage Fright 1x04 Gray Hour 1x05 True Believer 1x06 Man on the Street 1x07 Echoes 1x08 Needs 1x09 A Spy in the House of Love 1x10 Haunted 1x11 Briar Rose 1x12 Omega (1x13 Epitaph One) 2x01 Vows 2x02 Instinct 2x03 Belle Chose 2x04 Belonging 2x05 The Public Eye 2x06 The Left Hand 2x07 Meet Jane Doe 2x08 A Love Supreme 2x09 Stop Loss 2x10 The Attic 2x11 Getting Closer 2x12 The Hollow Men 2x13 Epitaph Two: Return multi [multiple episodes, sometimes also tagged by episode] all [everything! can also be viewed in archive mode] bts [sometimes with other cast] cast [not on set] icons [and gifpacks, etc] promos and stills

Dollhouse aired in the 9 pm Friday night timeslot, and has an overall IMDB rating of 8 / 10. S1 was shot on 35 mm film but S2 was shot on high-definition video. Eliza also served as series producer on Dollhouse. This was Eliza's second TV show where she was a series regular cast member, after Tru Calling.

In case you haven't seen this show: On Dollhouse a corporation runs numerous underground establishments (known as "Dollhouses") that program individuals referred to as Actives (or Dolls) with temporary personalities and skills. The series follows the Active known as "Echo" on her journey toward self-awareness. (x)

(both gifs thanks to brainpocalpyse!)

#dollhouse #eliza dushku #masterlist #masterlist: dollhouse #episodes #episodes: dollhouse S1 #episodes: dollhouse S2 #there are still plans for a masterlist for tru calling

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wikiangela · 6 months

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Weekend WIP Game

tagged by @jesuisici33 <3

Rules: List your WIPs below (if you only write one fic at a time, feel free to include future WIPs/ideas!) then answer the following questions. Then, tag as many people as you have WIPs (or more)

1. WIP List:

alive shannon

sick eddie

buddie coffee shop

new buddie chris' school

roommates

bi eddie

buddie death cast fic

cheating fic

untitled natalia fic

buddie 2x01

5+1 nicknames

coffee buddie

2. Which of your WIPs is currently the longest?

alive shannon with 20k words so far

3. Which WIP do you expect will end up the longest?

alive shannon, since it's kinda a canon rewrite and I still haven't decided to which point it's gonna go, we'll see when it'll feel right to end it haha

4. Which WIP is your favourite to write/the most enjoyable to write? Why?

once again, alive shannon haha - it's just so fun to explore what all those dynamics could've been, and giving Eddie and Shannon some closure, and I love exploring Shannon's character, too, speculating on her thoughts and motivations, and diving into everyone's heads, and I'm so excited to see it all develop!!

5. Which WIP do you find the most intimidating to write? Why?

I think it's either alive shannon or the cheating fic alive shannon bc I've never written s2/s3 buddie and I wanna get their characters semi-right, and I don't remember a lot of details so I need to get on with my rewatch lol - and also writing Shannon's and Eddie's feelings on their relationship and how it all ended is not easy haha and the cheating fic bc it's so not my thing but a song inspired it and it got stuck in my head and it's happening haha and I hope I'll make it make sense haha

6. Which WIP do you experience the most self-doubt about. Why?

tbh all of them - some more, some less, but there are moments, especially lately, when veeeery often I'm just like: everything I write sucks wtf

7. Which of your WIPs will you seek out a beta/sensitivity reader for? Why?

@giddyupbuck agreed to beta the alive shannon fic, and I spam them with snippets if I'm in doubt and it's sooo helpful fr ily <3 and I'll need alive shannon beta-read bc it's gonna be so long, and I keep changing my mind about things bc of how many ideas I have, so I just need someone else to look at it and tell me if everything makes sense haha - and Ro's helped me so much with some previous fics so they have my full trust with my baby that is the alive shannon fic haha

8. Have any of your WIPs been struck by the curse of writer's block?

all of them at some point lol - a few of these are actually on hold bc of that - I will get back to them tho!

9. Which WIP has your favourite OC? Tell us about them?

as of now there's no ocs in any of these, but we'll see haha

10. Which WIP is the sexiest?

cheating fic and maaaaybe coffee buddie (if I'll ever get back to this one) - no actual smut in my wips yet atm

11. Which WIP is the angstiest?

buddie death cast fic - if you've read 'they both die at the end' you know why lol this is not gonna have a happy ending

12. Which WIP has the best characterisation (in your humble opinion)?

so far I'm loving everyone in alive shannon so I guess let's go with that haha

13. Which WIP has the best scene setting (in your humble opinion)?

oh I am so bad this - but maybe let's say buddie coffee shop au bc i think it's the only one where I put even a little bit of focus on the setting lmao

14. Which WIP have you worked the hardest on?

alive shannon, been thinking about it and making notes for months before I started writing, and I don't think i've ever been this invested in a fic

15. Which WIP do you have the highest expectations for? Why?

alive shannon - - like I said, it's my most precious baby, and I'm so excited to not only write it but read it, and I hope it's gonna be as good as it is in my head, and I hope I'll make the story make sense with Shannon there, but also keeping some important buddie moments from canon hah

16. Do you dream about any of your WIPs?

not sure if i've ever dreamt about a wip, but i do get new ideas in my sleep sometimes lol

17. Do any of your WIPs have particular complexities that your other fics don't?

alive shannon will have switching povs which i rarely do, so it's gonna be a challenge to write three distinct voices - and diving into Shannon's head and feelings and motivations will also definitely be hard

18. Which WIP is the funniest or has the most humour?

I think sick eddie - he's so ridiculously stubborn and difficult istg haha or buddie coffee shop with how fucking awkward buck's being

19. Do any of your WIPs contain outside POVs or a deep dive on a character other than the main ship? How are you finding that process?

yep, once again, alive shannon - it's as much a buddie fic as it is a shannon fic, so it's not exactly outside pov, bc I'm just excited to focus on her equally as much, on how she's settling into their lives, becoming a better mom, being involved in Chris' life - she's gonna have as much focus as buddie sns it's not easy, bc it's alternating povs and once I get stuck in Eddie's head it's hard to leave, but so far it's been fun

20. Tell us one thing we don't know about one or more of your WIPs

uhhh, I think I share like everything lol okay, so maybe: alive shannon will definitely go at least up until s4 and will include Eddie dating Ana 👀 purely bc I want a buddie-shipping Shannon to be like wtf eddie??? also, there will be more than one mcd in the death cast fic and coffee buddie was loosely inspired by a small thing from luke cage lol

no pressure tags: @daffi-990 @fortheloveofbuddie @elvensorceress @gaydiaz @diazass @thebravebitch @silentxxsoul @shortsighted-owl @eddiebabygirldiaz @arthursdent @diazblunt @911onabc @eddiediaztho @housewifebuck @lover-of-mine @gayhoediaz @rogerzsteven @watchyourbuck @hoodie-buck @monsterrae1 @ladydorian05 @forthewolves @honestlydarkprincess @wildlife4life @theotherbuckley @weewootruck @thewolvesof1998 @disasterbuckdiaz @loserdiaz @underwater-ninja-13 @giddyupbuck @hippolotamus @eowon @callaplums @spotsandsocks

#alive shannon is like most of these answers lmao #but i'll talk about this fic at every and all opportunities istg i just love it so much #sorry to annoy y'all with it haha - if anyone doesn't wanna be tagged in only alive shannon stuff just lmk fr #weekend wip game #wip asks #writer asks #wikiangela writes #my wips #fanfic ask game #buddie #buddie wip #the alive shannon fic

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thisbuildinghasfeelings · 8 months

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I had kind of an epiphany about why the Lone Star timeline is so terrible…at least in part. I’ve come to the conclusion that they seem to be trying to have two separate timelines going at the same time.

We have the in-universe timeline, which would be bad enough, as it is itself incredibly inconsistent and provides us with such gems as "the entirety of season 4 happens within 8 weeks." But to make matters worse, they're also trying to have the episodes occur roughly around the same date that they're airing in real life. And they add in references to the real-world airing date without any regard as to how this fits in with the in-universe timeline.

Season 4 provides some really good examples of this. In 4x05, Asha says that the mobile home rescue from 4x02 that led to Marjan getting in trouble happened on January 9, which would mean 4x02 was happening in January, the same month the episode aired. In 4x18, when Owen walks in on TK with a bunch of papers stressing about postponing the wedding, Owen jokes, "tax season was last month." In the US, tax season is in April, so this was a clear indication that 4x18 was supposed to be happening in May, which, of course, was the same month the episode aired. If you go by this, then the season took place over about 4 months, just as it did while airing. But these references to the real-world airing dates of the episode are included side-by-side with references to the supposed fact that the entire season is happening within the span of 8 weeks. For some reason that I can't even begin to comprehend, they are trying to have two separate and distinct timelines going at once.

This whole idea really hit me while I was re-watching season 2. Early in that season, they make some comments about the state of the pandemic that would make the most sense placing the episode in early 2021--which, of course, is when season 2 began airing. For example, Marjan says in 2x01 that it's been a year since there's been a decent military funeral, which was the state of things in the real world in early 2021. HOWEVER, the pandemic hadn’t happened yet at the end of season 1, so it must have started sometime between seasons 1 and 2. For Marjan's comment to make sense, a year would have had to pass between the seasons. Judging by the show's in-universe timeline, there's just no way. From things Gwyn and Owen say in the same episode about how long Gwyn has been in Austin, it seems more likely that the time between seasons was about 4 months. Clearly, they wanted to have season 2 be happening around the same time it was airing without any regard to the fact that it just wouldn't work with the in-universe timeline.

There is no way to reconcile these separate timelines. Of course, even if you take out all references to the real-world airing date and go by the in-universe timeline alone, you still can't reconcile it (8 WEEKS 🤯). But this whole two timelines thing makes it far worse!

#911 lone star #lone star timeline discourse #I’ll tag my timeline discourse because I know some people get annoyed when I talk about this #alas I will never stop #the timeline is so terrible that it fascinates me #i'm just trying to understand how they can be so bad at this #if i could ask tim minear anything it would be to explain himself!#is this on purpose?#is he just really bad at timelines?#is he messing with us??

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seawilde · 2 years

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"You stand red-handed. You want to wash yourself in earth, in rocks and grass

What are you supposed to do with all this loss?"

— trying to wash the guilt away

1. franz kafka, letters to milena 2. album art for el pintor by interpol 3. margaret atwood, morning in the burned house 4. somto ihezue, all the stones that built me 5. jihoon yang, "blue rain", 2020 6. matthew nienow, lupa 7. succession 2x01 8. mitski, "humpty" 9. william shakespeare, macbeth, 2.2.78-81 10. alfred stevens, "lady macbeth".

#web weaving #guilt #cleanliness #purity #franz kafka #succession #margaret atwood #somto ihezue #macbeth #a very personal and cathartic web for me #seawilde.txt #— without guilt which is also an art

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thefutureiswhat · 4 months

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Gator Tillman & Rye Gerhardt: The 27 Club

Fargo Season 5 seems to be drawing quite a few parallels between Gator Tillman and Season 2 character Rye Gerhardt.

In 5x06, as Gator turns on the tracker he's attached to Munch's car, we hear a piece of music that sounds a lot like "Wrench and Numbers" but is actually a take on "Rye's Theme" (which was in turn a take on "Wrench and Numbers").

youtube

"Rye's Theme" appears in 2x01, as Rye drives to Skip Sprang's typewriter shop, kicking off a string of bad decisions and general fuck-uppery.

As we've seen, Gator's plan to track down Munch and kill him also doesn't go to plan. You might even say it goes... a-Rye.

There's also this line from Gator in 5x03, which brings to mind Rye's close encounter after the Waffle Hut massacre:

But back to Gator and Rye's colossal fuck-ups. In 5x07, Gator's plan to kill Munch and take back the money Roy paid him results in the death of Munch's "Mama," who is named Irma.

You know who else was named Irma? Judge Mundt, one of the three people Rye killed at the Waffle Hut.

Wanna hear the kicker? According to his tombstone, Rye Gerhardt was 27 years old when he died (November 8, 1951 - March 17, 1979), the same age as Gator during the events of Season 5, according to Dot.

That in itself seems to spell doom for Gator. And it doesn't look any better for him when you consider the famed "27 Club" -- a list of celebrities who died at age 27.

The list includes Jimi Hendrix, Janis Joplin, Jim Morrison, Kurt Cobain, and Amy Winehouse.

Gator may not be a celebrity in the traditional sense of the word, but his picture was in the paper, so...

#fargo #fargo fx #fargo season 5 #gator tillman #rye gerhardt #season 5 #season 2 #my posts #gator #rye

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kvetchinglyneurotic · 2 months

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a list of things from my season 2 rewatch, in no particular order:

there's a mundane practicality to Nate that's kind of embarrassingly relatable. "I was going to buy a suit but it was really expensive so I borrowed one from my dad" in season 1; "he's going to use a lot of water" about Dani's breakdown in the showers in 2x01. This is... basically exactly how I would respond to both these situations

Very funny that the man Roy describes as "settling for fine" is almost exclusively shown telling stories about almost beating up elderly celebrities

"Do you believe the return of Jamie Tartt will impact that so called 'vibe'" I don't have a point I just love this line.

love everyone supporting Sam in the Dubai Air protest but I feel like researching the sponsorships is probably supposed to be someone's job? That being said they were already the sponsor in season 1 and Rupert probably wouldn't care that their parent company was polluting Nigeria, and I can see how re-doing all the due diligence on the established sponsorships wouldn't be high up in the line of priorities

start of some tonal problems — trying to reintegrate Jamie into the team by shouting and flipping tables comes off a bit weird as a comedy beat when the previous episode has Jamie openly discussing his abusive father

kind of hilarious that the kebab guy thinks Ted is Roy's dad when he's like. maybe 8 years older

the end of 2x05 is very clearly a reference to something (presumably a romcom) and I believe the fact that I don't know what it is makes it much funnier. I do feel kind of bad that Roy has to spend the entire match in a suit when it appears to be quite cold outside, though

"maybe there's a good reason she hasn't replied. maybe she got hit by a bus." (Isaac) "or a train?" (Dani) they are so good at comforting

I tend to need a fair bit of personal space myself so I absolutely understand where Keeley is coming from in 2x07, and the way Roy responds to learning that she feels smothered ("I feel like a fucking idiot," "you've been making out like I'm following you around like some creepy shadow" (paraphrased)) is obviously a product of his own insecurities and he doesn't initially seem to understand that alone time is a legitimate need that doesn't inherently reflect poorly on him, but ultimately I think the problem itself is more a result of Keeley's difficulty expressing her own needs than of Roy failing to intuit them

The first time I heard Jamie say his thing about giving Richard space I thought he was trying to subliminal message Roy. He definitely wasn't but I was very impressed for a second there

The hug. The HUUUUUG. I am having a feeling

my controversial favourite episode is Beard After Hours — it feels like an episode of a different show, but TL is a bit of an outlier in terms of my tastes and 2x09 is closer to the norm. That being said I didn't start watching until after all of season 2 had come out and might feel differently if I'd been watching the episodes as they came out

the bit where they're singing at the funeral makes me want to crawl out of my skin with vicarious embarrassment. I have never managed to listen to this entire bit with the sound up.

Is sparkling water actually much more common in the UK than in the US? I'm Canadian and it's generally not the default kind of water to offer people, but it's also not as much of a novel concept as it seems to be to Ted.

#ted lasso #i actually finished season 2 a couple of days ago i just forgot to post my long rambling list at the time #kvetch oc

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erikiara80 · 25 days

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Joyce, Hopper and Terry's message

I've already talked about the many Kali-Henry parallels, but there are other very interesting things. For example, like other people pointed out, Axel's mask is also at Melvald's (and the girl's mask is a tiger, hm)

Brain damaged. The only close up we get of the tattoo is in 2x01. Mike also mentions brain damage in S3, when he's worried about El. So, 2x01, the first time we see Kali, starts with a police chase, Brain Damaged tattoo and Kali creating an illusion that causes a car accident. What could it mean for El? If you follow my blog, you know my car crash theory. A car accident in the past that involved Hopper, maybe drowning, and then being revived? (Breath! She wasn't breathing)

A bald man even says to El: You're dead! We're all dead! (Ten in 4x01: Ellis and Six. Dead. They're both dead)

The only bald child in the show is Sarah. And she's dead. And the other scene where we see bald people (the prisoners) and kids are mentioned, is when Hopper yells at Dimitri that his son is not his son.

But this also seems connected to Joyce. In this scene we see Kali and El in front of a wrecked green car (there's also a green car in Terry's memory), the words mom and Janice (J, like Joyce), No. (number) and Ace.

Green car, mom J, police, El, car accident and Kali (Number One)

But speaking of Sarah. Dottie wears a clown mask. There are clowns on Sarah's pajamas, and Will was scared of clowns.

In 2x07 we see a flashback of what Kali does before the police chase in 2x01. I think it could be another hint at what happened in the past, maybe even what caused the car chase and the accident. Kali kills a man connected to the lab: one of the articles El reads in 2x05 is about the abduction of a newborn boy from a hospital by a nurse, who is later found dead from a gunshot wound in her house. Name of the journalist: Frank Williams

This extra, a blonde pregnant woman. El's mother? But the number on the bus is 4+2+2= 8 (or ten, if we count the other 2). Not eleven. Eight/Kali makes people see or not see whatever she chooses, so I wonder what is true and what not in Terry's memories.

The song that plays in this scene is Runaway

All your life all you asked is when's your daddy gonna talk to you. But you were living in another world, trying to get your message through

Then shot of the cops. This reminds me of Hopper seeing and hearing Sarah, but telling himself that it was all in his mind.

(end of the episode, when El sees her dad in the void, Mike says almost the same words. He too is trying to get a message through. I need to get through! I need to get through! I need to warn them. It's a trap!)

The cops are drinking coffee. Like coffee and contemplation (and donut). First thing Hopper says, when Flo tells him that Joyce can't find her son. And he has his coffee mug in S2, when he and Murray talk about the girl, the "russian spy".

In 2x05, at Terry's, before El enters the room, this is what they're saying on the TV:

Name a way you occupy your time when you're having a boring day at work. Drink coffee. "Drink coffee" said Mike. ... Yeah! Five answers will beat it, Lynn. [Lynn] Visit with other employees. [host] "Visit with other employees!" Terry: Rainbow.

Mike? Well, maybe not our Mike. I'm thinking about the many Michael Myers references, and Mikhail not being Dimitri's son.

Drinking coffee when you have a boring day at work -> coffee and contemplation. So, the first thing they do is connecting Terry and Hopper. And they do it in S1 too, when Becky says twice, with a smile, that Terry and Hopper would get along. They even have the same octagon table. Eight again...

The name Lynn. Like Vera Lynn? Her song, We'll meet again, plays after the sauna scene in S3, when we see the crowd of Flayed people. A song about Vera Lynn is in Pink Floyd album The Wall (Ross posted the photo of the poster a few weeks ago) which was released in 1979. I could be wrong, but...

Vera Lynn-> 1979, and Terry's first word, after Lynn says "visit with other employees", is rainbow

Could this be a hint that Terry wasn't just a subject of the experiments, but worked with Brenner? (employee) That she was Mama to Brenner's Papa?

Back to the coffee. Not only do they mention it on the TV, but then Terry shows El two coffee mugs, when she changes the channels, after a police chase (Kali calls Hopper policeman) But why would Terry show El police chases and coffee mugs? The other commercials seem about the lab. Terry is not just randomly changing the channels. She's talking. And for some reason, she's including Hopper in her message.

Blonde woman. Not sure if she stands for Terry or Virginia.

The score: 91, 64 -> 9+1, 6+4. Ten and ten. One and One. Or two. Lol, or eleven. I have to make a post about all the other things they show on that TV.

After the blonde woman, Terry shows El donuts. Many identical donuts and Was it worth the trip? Imo, a hint at the lab kids.

Then a Computer Supercenter. The Lab. MkUltra. I think Will's visual aid about Alan Turing hints at that too, not just at his queerness.

Then the police chase and the coffee mugs. But, like I said, if all this is about Terry and El's past, what does Hopper have to do with it?

Unless Terry is connecting El and Sarah. Maybe in S5 we're going to see Sarah's story in the lab, but I doubt it, or maybe Sarah and El were swapped at the hospital (after the car chase?) and that's why there are so many parallels between Hopper, Joyce and Terry?

Joyce and her coffee mug! But the coffee is drugged. Interesting.

Another big clue, imo. Ray was in Vietnam (here) And there's an extra who resembles Hopper in Terry's memory

It's just crazy how connected Joyce, Hopper and Terry are.

#el hopper #kali prasad #terry ives #jim hopper #joyce byers #st parallels #st theory #st analysis #stranger things

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