Tumgik
#90's satires
irregularbillcipher · 9 months
Text
something funny about that flatland film is that because i submitted it as one of my college finals, it was part of an art show at a relatively prestigious art college, and i had a fifteen minute recorded interview where two very distinguished art professors/admin asked me about my film and then had to listen to me ramble about how um the character design inspiration? yeah! yeah i definitely had some solid inspirations and yeah it DOES remind me of kandinsky too but actually uh... so there's this cartoon that was on disney called gravity falls and--
8 notes · View notes
Photo
Tumblr media
79 notes · View notes
schlock-luster-video · 6 months
Text
On October 30, 1998, Fear and Loathing in Las Vegas debuted in Greece.
Tumblr media
Here's some new Johnny Depp art!
2 notes · View notes
daikondreams · 2 years
Text
Fukumoto creating Kaiji: This is a story about how evil corporations can be, it’s a very serious matter.
Me reading it 26 years later: Aww, cute little gambler man!
28 notes · View notes
bluzlbee · 1 year
Photo
Tumblr media
4 notes · View notes
theholymuffintin · 2 years
Text
So I decided to check out the thing . . .
Tumblr media
5 notes · View notes
spookartoons · 1 year
Text
Tumblr media
Haunted by the 90s
0 notes
belphiesgirlfriend · 9 months
Text
Obey me! Brothers music taste headcanons
——————————————————————————
more like ramblings than headcanons tbh but i had this stuck in my head and needed to get it out, also feel free to send requests for diff headcanons!
Cw’s: none!
Little bit satirical (i over exaggerate sometimes cuz it’s funny) but pretty in character overall i thinkk
——————————————————————————
Lucifer:
• You know this motherfucker listens to classical music and classical music only cuz he’s boring
• Okay but jokes aside i see him listening to like 30’s 40’s 50’s music especially the love songs.
• Like straight up fallout 4 soundtrack music, he’d listen to it while doing paperwork or unwinding
• He’d definitely be really prideful (no duh) about his taste in music, he’d feel all fancy and refined when he tells people
• Type of dude to be like “modern music simply can’t compare to the classics…” shut up grandpa we get it u know bach’s zodiac sign, penis size, and mothers maiden name
• Wants to be different so bad, he’d strictly listen to music from his vintage record player or some shit cause it’s the “most authentic” way to listen, fr acts like a manic pixie dream girl (he’d hit me upside the head if he heard me say that sorry luci🫶)
——————————————————————————
Mammon:
• r&b and spanish music
•but i feel like he’d like 2000s party music from all the clubbing and casinos
• def a weekend listener and like 90’s rap
• but also like i wouldn’t be surprised if he listened to some 90s rock too
• he’d listen 2 sublime or nirvana or local h (i’m projecting on the last one)
• but anyways he’d be a #1 rihanna fan he’d blast her music in his room but then deny liking her💀make it make sense!!
• also he knows her best album is loud CAUSE HE HAS TASTE!!
• also tyler the creator i get the vibe he’d love him
• kali uchis fan too
•ALSO i feel like he had a phase where he listened to juice wrld and was like “these cheating lying females….” after he got his heart broken by a witch YOU CANG TELL ME IM WRONG😭😭 it’s okay though cause he’s embarrassed by it now
• oh childish gambino too duh forgot about him
ALSO LET ME MENTION DINERO IS LITERALLY HIS SONG ITS ACTUALLY HIS
——————————————————————————
Levi:
• this one’s gonna be real fucking short IM SORRYYY
• he listens to anime openings and game soundtracks strictly
• that’s literally all i can think of dude
• he’d be like “i don’t have time for normie music…”
• his room is literally that old caramelldansen meme from 2019/2020
——————————————————————————
Satan:
• this one was harder for me to pinpoint
• first instinct would be classical music but it’s canon he likes ska music too so 🤷‍♀️
• i really do feel like he’d listen to all types of music, like a true jack of all traits, if he likes it he likes it so his playlist is allllll over the place
• for some reason i get a vibe he’d really like 80s music in particular though
• the song that pops into my head is who can it be now? by men at work idk why
• maybe even older music i feel like he’d like sam cooke
• OH both him and belphie would like mazzy star and fiona apple idk why but they would
——————————————————————————
Asmo:
• okay crucify me for this one but…mitski I JUSG FEEL LIKE HE WOULD
• but i also see him loving lady gaga a lot cuz he has taste
•omg he’d listen to old katy perry too
•but yea also probably lil nas x he’d have a celeb crush on him
• oh tyler the creator too with his gay ass, him and mammon both love him, they def have done a duet to see u again
• he’d be a barb probably defend nicki too😭
• and as much as it pains me to say it, he’d fucking listen to ayesha erotica and be like “this is so good!!!”, hed post a devilgram story with one of her songs and then get cancelled on twitter
• “I made a severe and continuous lapse of judgement…” and then did the same thing a week later
——————————————————————————
Beel:
• type of guy when you ask him what music he listens to he goes “idk i don’t really listen to music”
• he legitimately looks up “hype playlist” on youtube to work out and that’s the extent of it
• really can’t see him being a big music guy
• if u invited him to a concert or something he’d go though for food
•he’d give you a piggy back ride so u can see better
• tbh if u were to put on music he would not care much no matter how good/bad it is
• you could walk in on him working out and literally listening 2 cbat or some shit
• HE LITERALLY IS CBAT GUY😭 he’d be like “i always use this song when i’m working out..
——————————————————————————
Belphie:
• emo fucker
• i feel like he’d like emo/ 90s rock ( but more “rockish” than mammons 90’s rock)
• but he’d also love any more relaxing music with softer vocals
• he’d be a deftones fan I KNOW GHATS FUCKING BASIC AND UR ROLLING UR EYES BUT LISTEN
• they have the combination of 90s rock but also more soothing calming vocals, theyd literally b perfect
• and for that reason his favorite albums r koi no yokan and saturday night wrist, also their self titled,
• would call mammon a poser for his music taste “nirvana isn’t even *real* rock idiot🙄”
• but nah, also like i said in satans fiona apple and mazzy star fan
• he’d suck so bad though he’d go on twitter and be like, “if you like deftones ur a poser” (while being their number 1 fan, fucking brat) then turn off his phone and take a nap for the funny
208 notes · View notes
charlottan · 5 months
Text
every book i read at least a good chunk of in 2023 ranked under the cut grin😁
1. American Gods (2001)  by Neil Gaiman (currently reading) - simply a terrific book. Neil Gaiman at what I believe to be his best. Classic novel
2. Dhalgren (1975) by Samuel R. Delaney (currently reading) - monolithic 70s postmodern book that touches on issues of gender and race. very very good
3. Shantaram (2003) by Gregory David Roberts (currently reading) - very loveable and long book about the true story of an Australian man, arrested on heroin charges, who escapes prison to India and gets involved in arms trading. I'm only on like page 70 out of 900 but I'm deeply in love.
4. Going Postal (2004) by Terry Pratchett (currently reading) - discworld’s postal service! Plenty of hijinks. excellent book
5. Catch-22 (1961) by Joseph Heller (currently reading) - classic anti war satire, what can you say. Still ridiculously funny, the humor really doesnt age at all. it’s very screwball in a way that holds up. Such a joy to read
6. Sirens of Titan (1959) by Kurt Vonnegut - beautiful book, definitely my favorite of the three Vonnys that i finished this year. you can feel his love, as always
7. Cloud Cuckoo Land (2021) by Anthony Doerr- Charming book that spans multiple characters and time periods, all concerned with an ancient codex that symbolizes a sense of faith. I don't really remember this one much but I know I had a lot of fun reading it. Would recommend to anybody
8. Hell’s Angels (1967) by Hunter S. Thompson (currently reading) - very interesting book about, of course, the Hell’s Angels motorcycle club. Thompson becomes a fly on the wall, giving the reader a very, very, perhaps almost too close look at the bikers’ ways and rituals. Very good book if you’re into that sort of thing
9. Infinite Jest (1996) by David Foster Wallace (currently reading)- not much to say about the old Jest. classic annoying book. i read a good chunk this year :thumbsup:
10. Bag of Bones (1998) by Stephen King - average 90s era King. still just as gripping as his 70s and 80s work but with a more comfortable writing style i think. pretty good
11. Detransition, Baby (2021) by Torrey Peters (currently reading) - not much to say about this one really. Its pretty good so far though, pretty classic transfem lit
12. The Dead Zone (1979) by Stephen King - this book had a terrifically gripping second act but then it kindof goes off in a different direction in act 3. Or rather, it feels like act 3 could have been its own decent short story, with the first two acts together being their own novel.
13. Equal Rites (1987) by Terry Pratchett - transmasc king. Girl wants to be a wizard instead of a witch, average discworld novel, nothing memorable but still pretty good
14. Galapagos (1985) by Kurt Vonnegut - Ok vonny book. It definitely had some strong Vonny moments but overall felt a little Different from the rest of his stuff. But maybe in a good way
15. Deadeye Dick (1982) by Kurt Vonnegut - middling vonnegut novel. It was ok. But an ok kurt vonnegut book is still a really good book
16. On the Road (1957) by Jack Kerouac - classic beat novel. pretty good if you're into slice of life 1940s/50s stuff, which you probably arent, but if you are and you haven’t checked this out, go for it!
17. Nevada (2013) by Imogen Binnie - Decent, however it felt very bare bones in a way that, for instance, Detransition, Baby makes up for.
18. The Rum Diary (1998) by Hunter S. Thompson - To be honest I don’t remember this one At All but i know i read it in like 3 days so its gotta be good. Still cant put it too high in the ranking though sorry hunter
19. And the Hippos Were Boiled in Their Tanks (1945) by Jack Kerouac and William Burroughs - first ever book written by either of them, and it’s ok. It’s supposed to be a murder mystery but the murder doesnt happen until like the last 20 pages so idk
20. The Colour of Magic (1983) by Terry Pratchett - first discworld. Not that memorable but i wouldnt say it was bad either
21. 1Q84 (2009) by Haruki Murakami (dropped) - I really wanted to like this one. And i did, *mostly*. However, Murakami has this writing style that is obsessively technical and formal and makes for incredibly unnatural monologues, for one thing. This is just a personal preference though; I know it's very acclaimed. I'm honestly sad I couldn't make it past the writing style to enjoy it at least enough to make it through.
22. The Road (2006) by Cormac McCarthy (dropped) - too edgy
91 notes · View notes
thebunniesgrim · 7 months
Text
Helluva boss needs to slow down  
I know I know take of the century I'm so big brained  
What I mean is the show is too excited  
Its given us some good episodes sure but goodness  
(You just can’t top Ozzie's there will never be a better episode and I'm trying cope frankly)  
I understand that as a show grows older and is still in development things change visions shifts yeah, I got it.  
But Viv has said that that she plans for Helluva Boss to have multiple seasons like at least 3 or so she has time to work out all her ideas  
Why is she rushing?   
like slow down babes the show isn't going anywhere
This show is so excited to get to the fun stuff they don’t want to build it up. They want Stolas and Blizto’s slow burn and love story but don’t want to really build them up as people outside their relationship or even together in the relationship. anytime blitzo and Stolas hangout together its whenever some other 3rd party is around. In LooLoo Land its Octavia, in Ozzie's its moxxie and Millie, and in Seeing Stars its Octavia again I mean at this point she’s the catalyst for their relationship. When they don’t have someone else involved its sex for the book. Bltzo and Stolas haven't hanged out in a meaningful way. Without sex  
I saw in a tumbler post that in the Helluva boss poster the fact that Stolas is bigger on the poster than the main characters who are small and off to the side. It really tells you how the show is going so far.  
And it's true so?  
If you knew nothing about Helluva boss and saw that poster you’d think Stolas was a main character, the protagonist, or the villain.  
Stolas is in 90% of the episodes and is a side/supporting character, at least that’s what the wiki says.  
A supporting character is supposed to not be important to the main plot but still helpful to the protag  
The folks behind Helluva boss are picking favorites and you can tell in the eps  
How come we didn’t get to Moxxie’s family life till season 2? a main character! But we got to see Stolas family life? A supporting character? and we see his wife her reaction to the cheating, his daughter and her view on the situation. But we don’t know about Moxxies family till season 2 or Millies family where it’s dropped to focus on Moxxie and Striker and the pain games (Sally Mae wasn’t in the pain games).  
Helluva boss made it seem like from episode one it was going to be about a trio of imps and a hellhound going to the human world to kill people for sinners and how many times did they do that? Let's see 
Murder family   
C.H.E.R.U.B. 
Truth seekers off screen at the being (I'm assuming because why would they be on earth as a group? the only people I think who’d go on earth to fuck around is Blizto and Loona)  
And  
Ozzie's off screen at the beginning  
Imp has only done their job like what? A few times? On screen that we’ve seen  
The synopsis of the show says according to IMDb says: 
Tumblr media
And then the wiki says:  
Tumblr media
Like what is this show about? because we haven't got what we were promised like?  
Tumblr media
Like I get that helluva Boss is a satirical show and we aren't supposed to really be reading into it but what is it satirizing? hell? Office shows? What?  
Even “edge” adult shows have some semblance of structure or plot you know? Like Rick and Morty or smiling friends (can't wait for more episodes tbh) 
Rick and Morty didn't have an episode about not physically going to alternate universe still what? Ep 8 season 1? I could be wrong  
And Smiling Friends didn’t have Pim and Charlie do their job (I.e., making someone smile) still the Halloween episode or if you don’t count holiday episodes. Episode 5 Who Violently Killed Simon S. Salty   
They stick to the structure of the show for a few episodes and then do other stuff you know?  
Helluva boss was like nah speed run! And did the other stuff in the second episode and didn’t return to it till ep 4. I don’t count Spring Broken because it doesn’t really feel like they're doing their job basically it's not the same set up of sinner comes to them, tell them back story, they go to earth shenanigans ensue, and they kill the target. They've only done their job twice on screen  
Even non adult shows like  
Wonder Over Yander (I'd love another season) they don’t have a story not about Wonder or Syliva till season 1 episode 7 about Westley  
Steven Universe didn’t have a townie episode till episode 5  
In the episodes about killing, we could have gotten more intel on how the characters feel about their job. How they feel about each other and stuff  
Also, this show can't take plot points seriously or do good foreshadowing or set up  
Ok so Ozzie’s my favorite episode I love it :) 
But  
So stolas and Bilzto have a falling out in the end of the episode.
gasp drama!  ikr?
Tumblr media
But here’s the thing they messed up the flow with Seeing Stars let me explain (studios)  
It makes since to me that they wouldn’t talk the next episode sure give them time to stew in their misery. sure  
So, the next episode is Queen Bee, then The Circus all goes good gives us some backstory cool  
it's going well... Until  
Uh no
Oops
Fuck 
Seeing Starts where Stolas and Blizto are just talking to each other like normal like nothing is happening between them  
and  
Don’t say they're worried about Octivia because if that’s the problem they get sidetracked so much and Stolas just forgets about his daughter.  
Like instead of just killing the humans stopping them from getting to Octivia. you're telling me that Blizto couldn’t shoot the van door open? Or overtook the drivers and drove around LA?  
Press x to doubt bitch  
Also, the fact that Stolas “has his ways” to find blitzo without his book he couldn’t use that to find Octavia? Really?  
I'm starting to think they aren't royalty. More like upper middle class you know that family with a 2 story house and pool you feel me?  
Because you're telling me that you “need” security to a theme park but you're only child and heir is out here magically unsupervised? wow  
Also, Stolas hasn’t taught Octava how to use the book. You would think that with how many hits he has out for his head he’d teach Octavia to use the book by now. Stolas started when he was like 7? Just saying  
Anyways what I'm saying is they fucked up the flow for western energy.  
If they didn’t have Seeing Stars there it would have been fine frankly  
Also  Stolas getting hospitalized and being fine in Opps was much a slap in face  
Like homeboy was fucked up right?  
Like leg messed up  
arm broken  
he was stab! With a holy weapon!  
Tumblr media
And 1 episode later he’s fine... what? You almost died dude! Are you not traumatized? Worried about your daughter? No? Ok.  
And then the conflict in Ozzie's gets resolved through text  
>laugh track<
Also set up for like villains is kinda screwy  
So, first 
Villains we haven't seen again  
The Cherubs and D.O.R.K.S. we haven’t seen then since episode 4 and 6 respectively we don’t know where they are or what they're up to at all.  
The cherubs are a direct conflict to they’re business and the dorks are literally a threat if they catch them all of hell is in trouble and Stolas, Blizto, Moxxie, Mille and Loona (possibly Octivia and Stella if they know about it) are like fucked and will most likely be killed by higher ups for putting everyone in danger. Idk seems more important than Blizto and Stolas sex life  
(Also, if heaven and hell exist for a fact does that mean in the Helluva and Hazbin verse does that mean there are people in hell who didn’t believe in the Christan God? Also, what if they were good people? no wonder hells overcrowded) 
It's fine if they did a villain of the week thing like the powderpuff girls but in PPG the villains came back! No matter how irrelevant or lame (unless it’s the cooties kid then sure also did that episode make anyone else uncomfortable as a kid?)  
Now Villains that did comeback 
Striker, Stella and Crimson or the S.S. Crim. as I call them  
heh you know like a boat :)
So stella was obviously a villain from the start but she didn’t openly threat stolas till Western energy as well as Striker that was his grand entrance. So stella and striker were a threat and stella didn’t show back up still and pose a threat till like 4 or 5 episodes later. Striker didn’t come back till like what 7 or 8 episodes later lol and Crimson only had to wait 2 episodes to come back. Quickest we have so far honestly.  
(also, we were rob of more robot Fizz I like the way they made his voice it was fun to listen to)  
And the reason they came back is because they're popular! And favorites of the fandom and the writers and the creator  
No one's making horny fan edits of the dork agents no one's putting the cherubs in their favorite characters list unless its Collon because Collon is cutest of the 3 so... they got that going for them  
But other than that  
They most likely aren't coming back and if they do color me surprised  
The show keeps setting up problems and setting up major events then just not doing anything with them  
Like?  
If Helluva Boss slowed down then Western energy could have been a perfect way to wrap up Ozzie's, made a call back to Blitzo’s trip in Truth Seekers, and foreshadowed Oops.  
Imagine  
Tumblr media
The episodes are  
Ozzie's(the best episode) , Queen Bee, circus, (get rid of Seeing stars put it in season one or hold off) Exes and Oohs, then western energy 
Give Stolas and Blizto some room to brood over what happened at Ozzie's  
(throw unhappy campers somewhere in there if you have too)  
Stolas moxxie and Mille just got done fighting Striker to save Stolas (so many s’ in one place lol) or better yet Blizto by himself saving Stupid ass I mean Stolas. Oops sorry  
Because let's be honest the hospital scene was unneeded and Moxxie and Millie could have took Loona to the hospital. It wasn’t a bonding moment between Loona and Blizto it was a waste of animation and time.  
Blizto (and the M&M’S) are fighting Striker having some witty banter back and forth. Striker playing into Blizto’s insecurity about the relationship with Stolas to the point the background of the cave is becoming goopy before fixing itself and they win agent striker as he flees to spouts “I'll get you my pretty and your little dog too!” setting up his return in Oops before one more cheap shot at Stolas maybe dropping a stalactite on Stolas or shooting Stolas with Holy bullet in a place that’s not fully lethal.  
Have stolas think he’s actually going to die from his injuries to keep Stolas from passing out or to stay conscious or whatever have Blizto talk to him (if moxxie and Mille are there have them drive and Blizto is the back with stolas). Stolas is using what little life he has left to apologies to Blizto fully say he’s sorry for getting him in this situation, sorry he put in a situation he doesn’t want to be in for his business, sorry for being embarrassed at Ozzie’s, sorry for treating him like a play toy. Yada yada yada yada  
Have Blizto be covered in the goop from his trip and have some of it drip on Stolas. The person he views as untouchable and clean being corrupted and stained by his goop.  
Have Blizto try to reassure Stolas that he’s going to be ok and that he’s not going to lose him too. Have green flames subtly lick at the background and foreground as he stares at stolas slowly dying. He’s going to lose him but he’s not going to let what he has with Stolas slip from him like his mother, sister, Fizz, Verosika, etc. He’s going to save him like he couldn’t save his mom or Fizzarolli. maybe have the voices from truth seekers whisper failure, loser, and other demeaning things to bilzto.  
Have Blitzo declare he isn't going to let Octavia go through what he went through with the loss of his mom. When they get to the hospital and help is on the way have Blizto about to say something to him like “we’re at the hospital everything is going to be ok” before his sentence cuts off and Stolas is unconscious and unresponsive. Have Blizto yell his name a few times heart broken and worried as the nurses and doctors whisk him away. And a single feather from stolas falls infront of Blitzo as he whispers “please be ok” or a soft sorry  
But hey I’m not writer or showrunner so hey what do I know  
¯\_(ツ)_/¯ 
60 notes · View notes
whoiwanttoday · 19 days
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
I am pretty excited about the new Fallout show that is coming and this is just because I am inclined to like this sort of thing. I don't do a lot of TV but I have a real weakness for the setting, both specifically the Fallout universe and just post apocalyptic fiction of a certain sort. Not the bleak kind but more of the trashworld kind where we have a new society built on the bones of an old one. I think it just tweaks a part of my imagination. Like, my favorite writer is Raymond Carver and I love minimalism in general, which part of it is it paints a picture but leaves a lot of gaps that your brain fills in. This tends to make for a richer world than something full of purple prose, we project ourselves onto it and our own ideas and it resonates more. And a lot of the post apocalyptic stuff gets us there. Like as a kid I loved Thundar the Barbarian because it created this sort of new Earth where I could see stuff I knew about but other than it's the future and there was a comet we don't really find out how we got there but my brain could draw the connections. Much more satisfying than someone explaining it all. Anyway, Fallout 1 and 2 are among my favorite games ever and once upon a time that was a strange thing cause no one really knew the series, they were computer only RPGs from the late 90's so you had to be a certain type of person to even know they exist. I played them because I had heard the universe was inspired by A Canticle of Libowitz, one of those books from High School I deeply loved. Anyway, I love this sort of thing and it means I am inclined to like the show because the setting is interesting enough to me that they just have to basically make a show for it to scratch that itch. It could all go poorly of course, Fallout is a pretty cynical universe and handled poorly that can be more bleak than fun, and it's humor and satire can always be mishandled but I have hope. Ella Purnell being in it is exciting too because she was one of the things I liked best about Yellowjackets for that one season I liked it. This seems to be a very different character from the trailers, though obviously we'll see, but she was very good at playing a self centered sort of person who doesn't seem aware she's kind of awful and I will be interested in seeing how she plays someone different than that. Anyway, there has been premier stuff for the show all this week and she has looked nice and so I am posting her. Today I want to fuck Ella Purnell.
13 notes · View notes
writerofweird · 7 months
Text
Tumblr media
I've been thinking about The Addams Family's "rogues gallery". Most of the villains throughout the various adaptations either want to steal the Addams fortune, kick the Addamses out of town for "being too weird" or some combination of the two, and often the family (except maybe Wednesday) will think they're being friendly. The best villains were in Values, with Debbie being delightfully sadistic and the Camp Councellors providing sadly still-relevant social commentary.
The main antagonist of the 90's Addams Family cartoon show was Norman Normanmeyer, an underwear salesmen who hated the Addamses and their macabre sensibilities and whose son was Wednesday and Pugsley's friend. While Debbie in Values could have happily fitted in with the rest of the Addamses were she not infuriated with Fester's indestructibility and failed attempts to get his money, Norman Normanmeyer was so normal it was weird. Not only his name, but because his family in manners and appearance embodied the old sitcom tropes The Addams Family mocked.
Norman's voice was an impression of that of Paul Lynde and with that in mind, you probably could make the argument that Norman was in the closet and attempting to put on a charade as the typical heteronormative family patriarch as that's what he was gaslit into believing was "normal" and thus "better" and that's the image that would sell his wares better. Such a thing would make his hatred of the Addamses tragic; he's either angry that they can unashamedly be themselves or he can't, or his hatred stems from his own internalised homophobia. It would fit in with Gomez and Morticia either being considered a t4t couple or a gay person's straight couple.
What's more, if he talked about what he was forced to hide with the Addamses, they would probably help him out, but his judgement is too clouded by his past for him to do so. I could actually see something like that happening in the Sonnenfeld movies, given they were probably the most successfully satirical Addams adaptations. Like they could give Norman a redemption arc, and the Addamses could do to whoever made Norman feel like that what they did with Tully and Abigail in the first movie. They could do that to all homophobes.
48 notes · View notes
mendelpalace · 2 years
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Front cover (by Geof Darrow) and some interior illustrations from Underground: It's 2021 and the Dream is Dead, the core rulebook for Ray Winninger's satirical gritty superhero role-playing game Underground. It's heavily inspired by cyberpunk fiction, late 80's-early 90's deconstructions of superheroes, and early 90's political unrest.
225 notes · View notes
consanguinitatum · 7 months
Text
David Tennant's Obscure Performances: His Involvement with Read Not Dead (pt 3) - What You Will
Okay - I promised to fill everyone in on the two unattributed plays David did for the Globe's Read Not Dead project, didn't I? So I'll begin the first never-before-talked-about-in-the-fandom play right now. If you want to catch up on the first two parts and understand a little bit of the history behind the Read Not Dead project before diving into this one, go here for the first part, and here for the second. Then come on back!
The second and third of the four Sunday afternoon staged readings David did while working with the Globe's Read Not Dead (heretofore called RND) project were written by the same author: John Marston. But before we get into the plays themselves, let's take some time to learn a little about John Marston.
Marston was an English playwright whose best known work is 1604's The Malcontent. He began writing in 1598. Much of his work was written for the boy’s theatre company Children of Paul’s and for the Blackfriars. If you went back to one of my previous posts about the Read Not Dead project and David's involvement in their staged reading of 1606's The Fleer by Edward Sharpham, you'll recall reading a bit about the Blackfriars (but if not, they were the Blackfriars Children, a theatre company wholly made up of boy actors.) Anyway, John Marston was a Blackfriars shareholder.
Marston's plays were very popular. He was a consummate satirist who made sure to include lust, violent imagery and impropriety in almost every play he wrote - his poetry was burned by church order! He even dared to satirize the King (though he had to apologize for that of course!) His satirical, critical work caused many a political scandal. Eventually in 1608 Marston was sent to Newgate Prison. After his release, he decided to abandon the theatre, move out of London, and take holy orders. He died in 1634, and to our knowledge never wrote another play. ( As an aside, I encourage you to learn more about Marston. As well as being a contemporary of Shakespeare, he's quite the fascinating character! Here's a good start.)
Tumblr media Tumblr media
Okay. Let's go back to the "present" of 2002.
David was a busy boy! He began 2002 starring as Robert in Push Up, an ensemble play about ambition at work. Written by Roland Schimmelpfennig and directed by Ramin Gray, it opened 8 Febuary 2002 at the Jerwood Theatre at the Royal Court.
Push Up was a vignette-style play, and The Telegraph had this to say about it: "The meat of this 90-minute play consists of three edgy, aggressive dialogues between rivals in the firm." David played Robert, who "turns down a proposal from Patrizia for a new TV ad, identical, it turns out, to the one we have already heard described, except that the puddle is now located in New York's Central Park. The fact that these two once had great illicit sex together in Kramer's office, and were both too proud to contact the other afterwards, merely adds to their animosity."
(FYI, I've listened to an audio recording of this play, as it's archived at the British Library. It's stellar!)
Tumblr media Tumblr media Tumblr media
David Tennant as Robert in Push Up, 2002
If you've read my previous threads, you'll recall David's first reading with RND was 1999's Edward III and his last was 2004's The Fleer. But now we're in 2002. And David hadn't done another staged reading with RND since 1999. But that was about to change.
Reviews for Push Up were very favorable. The acting was called outstanding, David's was called "a fine performance", and one reviewer said the "undertow of lust between Tennant and [co-star Jaqueline] Defferary [was] particularly riveting." Push Up's run ended in March 2002.
(Oh...I asked director Ramin Gray if there had ever been a programme for Push Up. He told me a printed edition of the play text with the cast list was available, but as far as he was aware, an official Royal Court programme wasn't made for the run. Published by Nick Hern Books, you can find it on Amazon!)
Tumblr media
A month later (April 2002) David was treading the boards again as young security guard Jeff in Lobby Hero by Kenneth Lonergan. Set in the lobby of a middle-income Manhattan high rise, the play presented moral dilemmas about things like culpability, justice, and the dangers of truth. Lobby Hero opened at the Donmar from 10 April 2002 to 4 May 2002, then reopened at the New Ambassadors Theatre from 1 July 2002 to 10 August 2002. During its run, the play (& DT!) got rave reviews. It earned David a Olivier nomination for Best Actor, and the play for Best New Comedy.
Tumblr media Tumblr media Tumblr media
David Tennant as Jeff in Lobby Hero, 2002
David was probably riding a bit high. Push Up had done well and he'd immediately gone to do Lobby Hero, which was generating awards buzz. But did you notice something about the Lobby Hero dates? David had a month off between runs. And he didn't just sit around twiddling his thumbs -- nope nope nope -- because we all know twiddling has never been David's style.
So on 26 May 2002, David showed up once again to participate in RND. This time it was for a comedy called What You Will, which the aforementioned playwright John Marston likely wrote around 1601 but which was not published until around 1607. What You Will was written while Marston was duking it out (in literary-fashion) with a contemporary writer called Ben Jonson. To say the two men didn't like each other was an understatement. They traded satirical jabs and placed caricatures of each other in their plays. And oh....if the play's title feels vaguely familiar to you, you're not wrong there either! Marston pinched the name of the play from a little old thing you might've heard of called Twelfth Night, written by some fellow called Shakespeare.
What You Will was full of song, music and dance, as it had been written for a children's theatre company. It had a large number of younger parts - pages and the like, and women - for the boys to fill (as I'm sure you'll recall, at this time women's roles were played by men and boys.) In addition to the music, it was also a satire as well as a romantic comedy. Set in Venice, it tells the story of Celia, who believes her husband drowned in a shipwreck. She plans to marry, but another of her suitors, Jacomo, schemes with her family to prevent this. David played the role of Jacomo.
And here's the cast list - again, all thanks and credit for the digitized list goes to the Globe Archives!
Tumblr media
Here's a more in-depth look at the plot, and here's a link to the full text of the play, if you're interested.
This performance was recorded, though I haven't listened to it (and sadly, the archive notes the last part of the audio is cut off.) You can listen to the recording of the performance and others from the series, as the recordings are archived in the Globe Archive and Library in London. Access to the archive is available by appointment only for professionals and academics affiliated with institutions of higher education.
So on that Sunday in 2002, David joined in to perform the satirical musical romantic comedy What You Will, directed by James Wallace. And speaking of musical parts - there was singing and dancing to do, scripts in hand. And Jacomo had at least one song to sing!
I'm sure many of you have wondered whether David's done any honest to goodness musicals during his career. Well, I'm here to tell you that while he's burst into song relatively recently and briefly with Don Juan In Soho and Good, and quite possibly with What You Will as well (I haven't listened to the recording of the play to see if David actually sang) - I can provide a partial answer to that question. In a previous interview he mentioned an early play he did in drama school called The Hired Man and said he was a member of the chorus. Yes, that's true, he was, and yes, he did sing in that 1989 production (listen here to hear him sing part of what he sang then.) So he's certainly flirted with the genre. But as I've done much research into those early days of his, there miiiiiight be a few other productions in which he sang. *ahem* I'm just sayin'.
All that comes later. For now, here ends the tale of What You Will. But don't despair - I mentioned earlier we've got one more staged RND reading of David's to explore, and I hope you'll tune in to hear about it, too!
24 notes · View notes
rollercoasterwords · 1 year
Text
10 books!! :•)
ty 4 the tag @otrtbs (+ @serethereal i'm just doing it on this blog) <3 here r 10 books 2 get 2 know me
1. a history of glitter and blood, by hannah moskowitz
favorite book of. all time probably. first read this when i was like 16 i think and since then i've reread it about once a year. keep waiting for it to like...hit me less hard but every time i read it i am still v much moved in the same sort of way that i was the first time!!
2. the last unicorn, by peter s. beagle
feel like this story is like. integral 2 me as a person. first encountered it in the form of the 1982 movie as a child + then discovered it was a book in high school. there are differences between the two of course but the central themes are the same + i do think the ending like. permanently altered my brain as a child such that it has shaped my worldview ever since
3. the archive of alternate endings, by lindsey drager
newest addition 2 the list!! just read this book like a month ago and it was so good that it now has a place of honor on my favorites list <3 made me full-body sob but is like. so exactly perfect for me as a book that it felt like it was written 4 me
4. animorphs, by k.a. applegate
surprisingly not a childhood series 4 me bc i watched one episode of the tv show they made in the 90s + it scared me so much that i never touched the books. however i read the entire series in college and. it is now one of my favorite works of literature ever.
5. gormenghast, by mervyn peake
this book means a lot 2 me personally bc it's like. tied 2 my dad 4 me <3 he's a big reader but our tastes only have a small overlap, so it's not super often that we'll both love the same book. but when i was in high school i was looking for something 2 read + he pulled gormenghast off his bookshelf + was like try this nobody's ever heard of it bc peake is not well-known but it's like. sprawling dark fantasy. + it ended up being one of the most beautiful + unique stories i have ever read <3
6. you too can have a body like mine, by alexandra kleeman
a favorite satire <3 love kleeman's writing style + the sort of weird suburbia-horror of this story
7. the man who laughs, by victor hugo
generally speaking i am not a big ~classics~ person however. my final year of hs this was the book i chose for my like big final english paper + it's like. the first book i really had 2 study on a deeper level + i loved all the twisting symbolism + the tragedy of it all
8. six of crows, by leigh bardugo
technically this is 2 books bc i'm thinking of the entire duology but. yeah <3 fave like. fun fantasy story 2 reread when i want a book that makes me feel like i'm watching a movie while i read it. also love love love all the characters <3
9. this is how you lose the time war, by max gladstone and amal el-mohtar
first time i read this book i felt like my brain was melting!!! so short but the exact kind of story that i love; sort of scrambled poetic writing style + weird dark fantasy + sci-fi elements
10. no future: queer theory and the death drive, by lee edelman
i actually. do not recommend this book as it is so dry + dense and an absolute slog 2 read. however it makes the list bc encountering lee edelman's writing abt reproductive futurity + the death drive was like. top 10 life-altering moments that fundamentally changed the way i think in college. so!!!
no-pressure tags: @steelycunt @dykefever @pomegranate-pill @suspendedinbush @mayescapade :•)
64 notes · View notes
thekimspoblog · 2 months
Text
For the record, I did finally see "American Fiction" a few nights ago. I am recommending you watch this movie, so I don't want to spoil it too much, but I wanted to share my thoughts.
When a slice-of-life movie is done well, I can really enjoy it, but if that aspect fails, a movie can become very cloying and tedious. In this case however, it was done well. "American Fiction" is a very cozy, very digestible movie that just follows this one family through the highs and lows of their summer. There are multiple subplots which have little to do with eachother, let alone the main story, but that's okay; it feels more realistic that way and the subplots are quite charming in their own right. The dialogue expresses familiar sentiments from other movies, but in a way that still feels fresh. In a sense, the trailer almost feels like a prank on the audience; white moviegoers were promised a mean-spirited satire on race relations, and instead what we got was 90 minutes of black people existing comfortably with minimal conflict. But if you're disappointed, that's on you. Setting aside the politics altogether, it's just refreshing to - every once in a while - watch a quieter movie about normal people being kind to eachother. Nobody has to die in order for a drama to be good... well... almost nobody.
The A-Story is basically just a rip-off of Spike Lee's "Bamboozled". Like I said, the story we saw in the trailer really only made up less than a third of the plot. And if you're upset about the bait-and-switch, "American Fiction" succeeded at what it was trying to do, but... also if you really wanted a movie about a writer pushing the envelope of prejudice for personal gain, you can still just go and watch "Bamboozled". For that matter, "Bamboozled" was already vaguely the same plot as Mel Brooks' "The Producers". I guess my main question is what it says about the psyche of white people, when you compare "American Fiction" to a movie made 24 years prior which had basically the same premise. Does it represent improvement, that a film can make the same social commentary without resorting to the same extremes to get the point across? Or have we grown more sensitive; is "American Fiction" a more toned-down version of the story simply because you could never make "Bamboozled" in the PC world of today? I hope it's the former. You probably couldn't remake "Bamboozled" today, but more importantly, "American Fiction" couldn't have been made in the 90's; the imagery of Monk's book was so commonplace back then, I don't think it would have occurred to white audiences that anything was even amiss. On the other hand, I think the white people in "American Fiction" are somehow more cartoonish; I remember a few moments while watching "Bamboozled" where I went, "Oh shit! Ok, I have said/done/thought stuff like that IRL", and I never had that moment watching "American Fiction". I call the movie "digestible" and "cozy" because I was able to get through the whole thing and not once did it feel like the movie was attacking me. But again, even if your movie sets out to make white people uncomfortable, that's still centering the story too much around our emotions; "American Fiction" had the more important goal of simply telling a story where black people are allowed to be happy.
The cringe comedy is extremely funny. This is the main reason I'm recommending the movie as lighthearted fun. Half the jokes boil down to "Jeffery Wright is annoyed" (and IMO that itself is enough to sustain a film), but there were also some lines of dialogue which completely caught me off guard. The movie is still more CUTE than it is FUNNY, but for a "cute" movie I was laughing almost all the way through. The other film I'd compare "American Fiction" to is "Dan in Real Life", and I definitely prefer this one, both in terms of likeable characters and quality of dialogue.
Spoilers ahead! I liked how the story had three endings, and like "Clue", the audience is left to pick which one they want. I still won't be spoiling what happens but I did want to talk about this part: It's fine that Ending A was never explained in detail; Monk has made his feelings about the situation pretty clear at this point; anyone with two braincells to rub together can use their imaginations and guess what he would have said at that podium. Ending B is pretty obviously the correct answer. Not only does a "rom-com" ending fit with the tone of the rest of the movie, but I think it gives the best resolution to what the story was actually about. I said none of the racist characters made me embarrassed about my own behavior, but that doesn't mean I didn't see Monk's personality flaws as a reflection of myself. "Tortured artist realizes at the 11th hour that his judgmental attitude has been isolating him from the people he cares about" is a theme I very much relate to, and it's the kind of story I've been wanting to write for years. Ending C was a little bit predictable, but still worked as the climactic punchline. It was the moment the story went from feeling like an unintentional ripoff of "Bamboozled" to a more direct parody of it. Ending D causes the rest of the story to become confusing, but it at least retroactively excuses some of the more contrived/cliched moments which happened at the beginning of the film.
So yeah. In conclusion, good movie, little forgettable but pretty damn funny. Go see it. Jeffery Wright is a DILF and I could watch another 90 minutes of him meandering around the beach, staring soulfully out at the ocean.
12 notes · View notes