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vizuel · 2 months

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#astral projection #90s trance

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haunted-recordings-music · 3 months

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1990s Trance style in 2024 #EDM #Trance #1990s

#trance classics #melodic trance #classic trance #trance mix #kai tracid #uplifting trance #melodic uplifting trance #trance music (musical genre)#progressive trance #euphoric trance #euphoric uplifting trance #female vocal trance #1990 #90s trance #dj set #paul van dyk #aurora trance project #Youtube

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thedepartmentofdiscoveries · 1 year

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Kirsty Hawkshaw the vocalist for short-lived 90s British Electronic/Trance/Rave/Acid House/Progressive House group Opus III who were known for their biggest hit was "It's a Fine Day", which reached number five in the United Kingdom in February 1992. The song had previously been recorded by the singer Jane in 1983, and its lyrics had been taken from a song by poet Edward Barton.

The group consisted of vocalist Kirsty Hawkshaw and producers/musicians Kevin Dodds, Ian Munro and Nigel Walton. The group members promoted a strong environmental and feminist message through their lyrics, album liner notes and photo and video imagery.

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https://en.wikipedia.org/wiki/Opus_III_(band)

#kirsty hawkshaw #opus iii #90s electronic #acid house #90s rave #90s trance #it's a fine day #90s progressive house #enviromental #feminist #new age #Youtube

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itsbeon · 2 years

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was just jamming to this at midnight

#music #drax ltd.#amphetamine #trance #90s trance #rave #90s rave #old school rave #Spotify

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nouru-vi · 8 months

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I'm thinking my neurodivergence is very likely also a factor, plus the fact that I grew up with the genre, but classic trance/techno will always tickle my brain in that same special way. The structured buildup. The melodies. The raw virtual instruments. The beat- and basslines that make ur brain go at 600 mph even when sitting still. Insurmountable

#i will never be able to wrap my head around the workings of people's brains who can't appreciate good non-vocal edm #like this isn't criticism or snobbery. I genuinely don't understand how anyone's brain's music department can be built that way #it would be really interesting to see whether there's any link or co-incidence between neurodivergence and liking this sort of music tbh #cause it's like. extremely distilled sound. it doesn't make meaning the way music with lyrics does #I suppose it's probably not for everyone the same way very high cocoa content dark chocolate or plain strong black coffee isn't for everyon #music #ramblings #90s trance

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krannaken-music-marketing-blog · 1 year

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New Krannaken Release 19th May 2023

#youtube #Krannaken #new music #new single release #new music releases #trance music #uplifting trance #90s trance #trance #coming soon

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obtain-rai · 1 year

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This album mentally puts me in such a happy place

#trance #ayla #90s trance

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thisisrealy2kok · 29 days

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Sony Music Media - Dream Dance Vol.11 (1999)

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mariosnightshade · 2 years

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(Marios NightShade)

#SoundCloud #music #Marios NightShade #90s trance #techno #eurodance #euro house

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no-1-rosalind-lang-apologist · 7 months

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The way Chloe Gong pulls off fake deaths the way she does is an amazing testament to her skill as an author.

Usually fake deaths cheapen the blow of losing a character. You have to go through all of the emotional turmoil of losing a beloved character and watch everyone mourn them only for everything to be okay because actually they were kind of integral to the plot and the author needs them but also they also wanted to make the book sad for a little bit but hey everything is okay now!

But Chloe Gong doesn't do this. She gets you invested in what you usually know from the start is a doomed story. She makes you very desperately want to believe that the character that you know is going to die won't die. And then. She kills them.

And it's horrible. You mourn for them. You have to watch the other characters react to the death. But most of the time, it's a fake death. And even if you know or suspect this from the beginning, it still hurts, often just as much, if not more, than it would if the death were real.

And not just because of the way she writes grief, which gets more and more painful with each new book she releases. But instead of killing off a character for a quick gut punch and bringing them back because they were actually way too important to kill and she needs them for the plot, she uses fake deaths to create these absolutely insane scenarios that are often, at least in my opinion, more painful then just killing off the character.

When Marshall fake died, for example, she could've just had him die and forced Juliette to deal with the grief and guilt of killing her friend as well as the implications of Marshall's death for her relationship with Roma plus everyone else's grief and then created a weird situation where Roma can just,,, get over her killing Marshall and still like her. Instead, she creates this absolutely insane situation where Juliette is still grieving for the loss of her relationship with Roma, and Roma and Ben are grieving for Marshall all with Marshall still being alive. And rather than just using Marshall as a plot device to be sacrificed to make the other characters more interesting, she makes him more interesting as well. She forces him to watch as Benedikt and Roma grieve for him, making his relationship with both of them, as well as Juliette more interesting in the process.

And then when Roma and Juliette fake died at the end of OVE, even if you suspected it, it being fake doesn't take away from the pain very much, especially knowing what happens in Foul Lady Fortune. Alisa, whose only real family was arguably Roma and Benedikt, is left behind to raise herself and she is too afraid to check to see if Roma and Juliette are really dead. Because if they are dead, then she's truly alone, clinging onto the false belief that hope won out while everything she ever knew disintegrates around her. Plus, even though Benedikt and Marshall figure out pretty quickly that the death was fake, they're still forced to cope with the grief and guilt of having had a hand in the situation and forced to flee the country with only each other, thrust into a world where their best friends are dead and the hope that they are relying on to get themselves away from everything is based on the same sense of hope that ultimately lead to the "deaths" of Roma and Juliette. And then there's the cruelty of the sense of responsibility Rosalind feels for their deaths. And how after they died, she became deathly ill, but like them, was inexplicably saved. But she can't move on from their deaths and spends every waking hour and every unsleeping night of her immortal life trying to put the broken world they left behind back together. And Celia sees Alisa and Rosalind regularly. As she watches two people who she cares about immensely suffer for years after the deaths occurred, she can't say anything. Even though her first loyalty is to her sister, she's forced to watch Rosalind grieve and become a ghost of a person who seems to derive purpose solely from the pursuit of an impossible mission. And Roma and Juliette, who so deeply wanted to make the city better are forced to watch as things get worse and worse and the people that they seemingly sacrificed everything to save continue to suffer.

In Foul Lady Fortune, the fake deaths are a little different. So far, the only characters who have fake died are Dao Feng and Lady Hong, the later of which falls into this trope a bit more loosely. In Dao Feng's case, it leads to worry then betrayal on Rosalind's part. Her worry was all for nothing, and she's once again put in a place where one of the few people she dared to care about has left her and likely never truly cared about her in return (at least as of the end of FLF). Assuming that he did genuinely care about her based on As You Like It, I am very interested to see how this ends up playing out.

Lady Hong's case is somewhat similar. Although we never really think with absolute certainty that Lady Hong died, Orion suspects that his father could have done something to her and has no concrete explanation for her disappearance. He grieves her absence even though her relationship with him was always iffy at best. Only to find out that she never cared for him as anything other than a tool for her to take advantage of. Like Rosalind, he is left feeling used and as if all of his grief and pain were for nothing.

(Hiding the part below this because of huge Immortal Longings spoilers)

In Immortal Longings, you know that either Calla or Anton is going to have to die at the end because of the structure of the games. And as their relationship progresses, you dread the resolution more and more. You want a fake death. You want them to find some hole in the rules that will allow them both to survive. And Calla comes up with a plan that allows this. She gives you false hope. She lets you cling to the idea that the horrible ending you can so clearly see coming won't happen. And then that hope is snatched away, and you're even closer to the ending. And you know what's coming. You know that Anton has to die. And then the final crumb of hope is snatched away from you and they're in the ring together. And just when it's too late, Anton tells Calla that they could run for the wall together. He's finally willing to set aside Otta Avia, without who they wouldn't even be there in the first place. But it's too late. Because this is bigger than either of them. And Calla knows that she has to kill him. And she sinks her knife into his back in some of the most excruciating paragraphs I have read in my life. You see Anton realize that although he was willing to make a run for it with her, she has bigger plans. She isn't doing him a kindness by killing him first, and even though she may be planning on ending her own life as well soon, she cares more about killing King Kasa than she ever did about him. So when, at the very end, it is revealed that Anton somehow survived, it's somehow a million times worse than if he had actually died. Even though you so desperately wanted the book to not end in on or both of them dying, this isn't what you wanted. Now, he's alive and remembers just how willing she was to sink a knife through his back. And Calla must grieve for him all over again because even though he's alive, she surely can never truly have him back after what she did.

In conclusion, Chloe Gong is a legend and a genius. Thank you for coming to my tedtalk I guess.

#help i just realized how long this post is i genuinely have no idea how long i spent writing this i think i was in a trance #this has been sitting in my drafts since i finished immortal longings ooops #this is also a testament to how she handles miscommunication incredibly well #will forever defend 90% of the most hated tropes because usually they're just badly carried out and not recognized when done well #i think this is probably the longest analysis i've ever written oops #oh the things i will do to procrastinate my homework #chloe gong #secret shanghai #these violent delights #our violent ends #foul lady fortune #foul heart huntsman #last violent call #tvd #ove #flf #fhh #lvc #immortal longings #flesh and false gods #il #fafg #juliette cai #roma montagov #marshall seo #benedikt montagov #rosalind lang #celia lang #alisa montagova #orion hong

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snackugaki-jestsjapesjokes · 6 months

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blep blah, here have some old ass backrooms doodle content when the topic of "the beach episode" concept came up bluhp blooh brain nyooming but art hand isn't arting

i think what is super cute in modern fandom expression that I've seen is that in terms of making OCs or AUs is that sound seems to have a bigger role now than from what I remember when I was young. which I'm thinking has a lot to do with being able to clip audio easily or being able to make multi-track playlists whenever. y'all out here with reels of your art with voice claims and some of the most thoughtfully and artfully crafted soundtracks-- not even playlists, some of that shit is a straight up soundtrack level be real

89% tempted to try one of those shady "free" video/audio editing programs to make a LoFi chill beats study girl visualizer playlist with my iteration's boys ...

anyway gonna contemplate music headcanons for my iteration under the cut

From Turtle Tracks fan letter section, Archie run, #24

so real quick, my iteration is literally just them chilling, hanging out, being together in their mid 30s- early 40s, and then sometimes flashing back to their child/teen years in the 90s because tl;dr i have miiiiiinor beef my childhood turtles weren't quite as "90s" as they "could have been" (nvm I'm cackling at the milennial pop culture refs in Mutant Mayhem drop kicking me back into my adolescence)

but mehehehehe, keeping that they listened to Public Enemy and The Jungle Brothers

and aside from Top 40 musicians of the time... I feel like being outsiders themselves, having to sneak around to explore and learn about people and what's above the sewers had them eavesdropping into a lot of nighttime venues and getting into the underground and various niche subculture scenes that daytime Top 40 didn't play.

cannot tell me the lights, thumping and noise from bands playing hardcore or house or hosting cyphers or raves didn't attract these curious and funky little green dudes like moths to a flame

... Leo definitely fell in deep with the gregorian chant phase, soothing sounds of nature fads , a big fan of Orbital and he fell into that electronic, house, trance, eurodance rabbit hole right after. he also got into Celtic folk music but when his brothers caught his ass studying Michael Flatley to incorporate Riverdance footwork into his ninjutsu he got teased so mercilessly that he took great care to hide listening to it... which just made his stealth better so joke's on them heehoo

Not to mention they're from New York City, the underground music scene is always bangin' no matter the decade; feel like rap and punk got a lot of tracks on their mix tapes back in the day

Raph getting into the metal scene in his own exploring the city trips, and then progressed to music with that boom bap sound (cuz baby boy needs a way to come down off those high intensity moods idk ijs)

Donnie... just the amalgamation of his brothers, he needs that background noise while he's chewing on schematics and protoype development, he would definitely have been the mixtape maker/recording bootlegger (along with Mikey)

Mikey absolutely tagged along with his brothers sometimes whenever they went to their spots for music, though he himself backflipped into ska 'cuz Mikey is always for the people

my tmnt iteration (where everyone made it past their 20s, splinter’s alive just old, venus is here, and they deserve some goddamn respite and shenanigans)

tmnt iteration omake 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11

lny visit 1 | 2

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