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#911 T
ayo-edebiri · 17 days
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I lost him, Eddie. No, You saved him. That's how he remembers it. And now, it's his turn to do the same for you.
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jeeyuns · 9 days
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the buckley-diaz family 🫶
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aircooled911 · 1 month
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moonstonediaz · 20 days
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Eddie, on his fridge, has a day calendar. Under a takeout menu…Thursday: B. B. P. U. double-U backslash Tommy. and it’s circled.
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meep-meep-richie · 9 months
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They both know it; they´re just too scared to admit it
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kananjarus · 13 days
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the moment before the hug, after buck has let out his little relieved giggle, when eddie stops at the door and just looks back him and buck lifts his head and eddie is so clearly fond and proud of his best friend that he has to return for a hug, because he his heart is so full of emotion and he realizes how vulnerable buck must be feeling - yeah that's where I live now 🥰
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itcars · 9 months
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First Look: The Porsche 911 S/T
Porsche is celebrating the 60th anniversary of the 911 with a special edition built for maximum driving enjoyment: in a limited run of 1,963 examples, the Porsche 911 S/T offers lightweight design and a purist driving experience. For the first time, the 386 kW (525 PS) high-revving engine from the 911 GT3 RS delivers its power to the road via a manual gearbox and lightweight clutch.
To mark the special anniversary of the iconic 911 sports car, the engineers in Weissach have designed a highly purist sports car dedicated to sheer driving enjoyment: the 911 S/T. The exclusive anniversary model unites the strengths of the 911 GT3 with Touring Package and the 911 GT3 RS and delivers a unique combination of agility and driving dynamics. It combines the naturally aspirated, 386 kW (525 PS) 4.0-litre boxer engine from the 911 GT3 RS with a short-ratio manual transmission. This is complemented by a resolutely lightweight construction and a running-gear setup optimized for agility and drivability. The 911 S/T weighs just 1,380 kilograms, making it the lightest model of the 992 generation. The optional Heritage Design Package draws inspiration from the racing version of the 911 S from the late 1960s and early 1970s.
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buddiebeginz · 21 days
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I can't believe there are people who are still worried about Tommy/Buck or Buddie not happening. Buck was literally talking about Eddie seconds before Tommy kissed him
Also think about the exact dialogue that was exchanged right before the kiss went down:
Buck: "Cause trying to get your attention has been kind of exhausting"
Tommy: "My Attention?"
Buck: "Yeah I guess so. I mean I did maim my best friend."
This makes me feel like Tommy has already clocked into something going on between Eddie and Buck. Maybe when he's been with Eddie all Eddie did was talk about Buck. Remember when Tommy was talking to Buck near the helicopter and Buck mentioned Eddie was in the army and I think Tommy said, yeah you said that. Buck had probably been bringing up Eddie a lot. I feel like Eddie was probably doing the same thing. I also think Tommy was interested in Buck early on but then probably wasn't sure if he was into men or what the deal with him and Eddie was. He also probably didn't think Buck was interested because Buck always only had heart eyes for Eddie. I mean look at what happened when Eddie showed up.
So then you have Buck telling Tommy that he's been trying to get his attention and when Tommy questions that because I'm sure when he saw how Buck was acting at the basketball court he thought it was something between him and Eddie.
But Buck's response isn't yeah I like you or some other variation it's I guess so. He's unsure. Which is definitely okay when you're still figuring things out but the telling part to me is that he immediately brings up Eddie again. They literally talk about Eddie multiple times while Tommy is there.
I do think Buck is attracted to Tommy but I think a lot of the intense stuff he's actually feeling is about Eddie. I don't think Buck has realized yet just how deep his feelings for Eddie go but I think him realizing he's into guys will force him to examine his relationship with Eddie to some degree.
As for Tommy I think right now it's easier in some ways for Buck to explore this part of himself with someone who doesn't know him as well and where there are less emotional risks. Ultimately everything is pointing the direction of Buddie. Besides Tim is not going to let a character like Eddie just languish in a nothing ship like he's doing with Marisol. I can already feel that abc and Tim have big plans for Buddie that they've set into motion. I'm not crazy about seeing Buck with anyone besides Eddie either but if it means we get to see Buck exploring his bisexuality and bonus we get Buddie down the line too I'm all for it.
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housewifebuck · 9 months
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lover-of-mine · 11 months
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Okay, this is a very random framing meta that started as an "it's interesting that even though Oliver is a pretty big guy they pretty much never use Buck's size for intimidation" and it evolved to something buddie from there. It actually started because the one instance I could think of where they highlight Buck's size, that being the "what's your problem, man" conversation.
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Because here's the thing, Ryan is what? 2 inches shorter than Oliver? But they really made a point of making Buck look bigger in this scene because Buck is mad and he's trying to be intimidating, and it makes Eddie looks smaller even if he's not small by any definition. So I went to the other fight they had, the grocery store scene, they actually frame it so Eddie looks bigger even though he's not because Eddie is the one whos mad. And even though we can see Eddie when the focus is on Buck, we can't see Buck when the focus is on Eddie. It's all very Buck is seeing Eddie, Eddie is not seeing Buck.
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So I went looking for all the Big Conversations to look at the framing choices and I'm gonna type out thoughts I guess.
I separated this into categories, the first one being Conversations About Christopher. The thing with the talks about Chris is that they are always sitting down for them. They're on the same level.
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When Shannon comes back and Eddie is confused about what to do about it, the close-ups actually don't try to make it seem like either of them is bigger, but the wider angle puts Eddie in the center and Buck angled in a way where Buck looks smaller, obviously because even though Buck has a place on Eddie's life, his space on Christopher's isn't that established.
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Then we have the skateboard discussion. At this point, we know that Buck loves Christopher and that he is a established as part of Chris' life. And it's interesting that they are talking here where none of them is highlighted and Buck actually comes up with a solution for a parenting problem while Eddie is spiraling.
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Then we have everyone's favorite conversation about Christopher. Yes the discussion of the will is very layered but it is about Chris, and again, they are on the same level, none of them is highlighted and even the close-ups leave them about the same size and showing roughly the same amount of the other at all times. This is Eddie making it clear that he also understands Buck's space on Christopher's life.
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There's also when Eddie is struggling with the fact that Chris is scared and missing Shannon, again, they are always shown at the same level while Buck tries to help Eddie and we are always seeing both of them while working the problem.
Then we have the Buck Needs Reassurance talks. During this type of conversation, Eddie is always standing up and Buck is sitting down, making a point of having Buck look up at Eddie. Those scenes being when Maddie leaves and Chim punches Buck and the conversation after Buck's death.
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I think it's interesting here too that they made a point of having Buck in comfortable clothes because he's in a vulnerable place and but he is comfortable enough in looking up at Eddie (literally and figuratively).
Then we have the Eddie Needs Reassurance talks. Those are very interesting because they usually start with them being at different levels, but equalizing once they start talking.
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The most intense example of this is the talk about the panic attacks, Buck approaches Eddie when he's laying down and Buck's standing up, but once the conversation actually becomes a conversation not just Eddie avoiding the topic, they are both sitting down and being shown as the same size as they work it out.
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Same with the aftermath of Eddie's breakdown, they start with Buck standing up but once they start talking, they are both sitting down and on the same level.
Then there are the Intense Conversations That Feel Somewhat Unresolved. (I'm not sure how to categorize this one, coincidentally they are talking about Buck almost dying in both)
It starts with Eddie dropping Christopher off at the loft before the tsunami.
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They're on the same level but they are not seeing eye to eye, Eddie is trying but Buck refuses to look at him. Something that's interesting about this one is that Buck is usually in very tight shirts and Eddie's are usually looser, but since we are supposed to think that Buck is wasting away, Eddie's shirt is very well fitted, even the seam on the shoulders are in the exact right spot but Buck's is on the looser side (seriously, most of Buck's shirt look like they will rip off his arm if he flexes a little, the fact that there's space in that sleeve is crazy lol). Something important here I think is the way they are on the same side of the screen during close-ups, so they never try to make it seem like they are looking at each other and the other one is not shown, and the wider angle they are facing different directions, so they really aren't on the same page here.
I think the grocery store scene kinda fits into this category, but it's a bigger blowout and there's more at stake since it's in a very public setting with an audience. But they are facing each other, they are just not on the same side of the conflict.
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And there's the cemetery scene, where even though they are talking and on the same level, they are NOT seeing eye to eye, and it's interesting because they pretty much never look at each other at the same time in this scene. They are having an important conversation, but there's tension and they are not agreeing on what's going on here. Even the close-ups make a point of cutting the other one from the frame.
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Something else I think it's interesting about this particular scene is that when they do show us them looking at each other when the focus is supposed to be on Eddie, they show us Buck's face, but when the focus is supposed to be on Buck, we don't see Eddie's.
Then we have Conflict Resolution Talks.
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In contrast with the talk they have before the tsunami, the talk they have after, they are finally looking at each other. And even though both of them are centered on both scenes, they are finally facing each other, so, they are finally getting on the same page.
Then we have them making up after the lawsuit.
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The framing of this scene fascinates me. There's a literal obstacle between them. They put something physical between them to show how much this conflict was in their way and they put them both on the edges of the frame. But the way the scene progresses is also interesting because we see a lot more of Buck when the focus is on Eddie than we see of Eddie when the focus is on Buck.
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They go as far as to make Eddie look smaller, making more of a show of the distance between them when the focus is on Eddie and it shows that Eddie sees Buck's side but Buck is not really seeing his. But that equalizes as they talk, Buck being the one that starts closing the distance between them, coming to be resolved when they both meet in the middle. In a quite literal representation of the way this gets resolved (It started because Buck didn't reach out leaving Eddie unsure of his space, Buck reaches out to close the gap, they meet in the middle because they're a team <3)
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And there's our favorite kitchen scene.
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Something interesting here is that we see Eddie when the focus is on Buck but we don't see Buck when the focus is on Eddie. Even in the wider angle, Eddie is closer to the edge of the frame and Buck is pretty centered. Buck is doing all the moving in this scene, Eddie leans into the sink when he starts drinking and Buck is the one closing the space between considering Eddie is still in the same spot he started when the scene ends. It kinda shows that while Eddie is willing to talk, Buck is gonna have to put in some work. Eddie is also in a headspace that might need some more reaching out and it shows.
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I don't really have a category for this scene, the point here is Buck giving Eddie hope. What I think it's interesting here is that even though they are facing different directions, they are always on the same side of the screen in the close-ups. Buck's in Eddie's space and Eddie is letting him and in the context of this scene is the first time in a while. Even the wider angle has them to the side. Buck is trying to step into the mess with Eddie, and Eddie is finally letting him. (Hoping we get a mirror of this scene in the future tbh)
This is all for now.
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flimsy-spine · 3 months
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Evan Buckley in 911 -> Treasure Hunt, 4.12
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tarlossource · 1 year
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TK x Carlos comforting each other || 2 x 12 "The Big Heat" -> 4 x 16 "A House Divided"
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jeeyuns · 19 days
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eddie diaz: giving himself grace to be silly & goofy -> healing a little more each day from trauma <3
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aircooled911 · 4 months
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moonstonediaz · 15 days
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have we talked about how tommy says “i’d love that” when bucks says he should buy him a beer 😵‍💫😵‍💫😵‍💫 he doesn’t brush him off with a noncommittal oh yeah we should do that sometime, no. he’s so earnest and genuine yes buck i would LOVE that slskslsk tomtom had it bad from 0:01
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I want to talk about ace Eddie so I’m going to talk about ace Eddie! this episode was absolutely delicious and I know many many people will tell me that I’m reading too much into this and it is simply what the show said: his catholic guilt. Which is compelling enough already but stick with me.
ace Eddie is so so near and dear to my heart and I enjoy analyzing his arcs and his relationships through that lens. The fact that ABC allows characters to have these candid conversations is !!!
this episode in particular is delicious in terms of ace Eddie (I’m sorry, I’m not wording this wonderfully, it’s been a very bad pain day). He initially says to Buck:
“I got here early to avoid not having sex” and yes, the reason he gives is his catholic guilt. But I also just want to pay attention to the way he was speaking about it after revealing to Buck that he was avoiding being home. He was purposefully using vague, almost immature (in the sense of the way younger people take about sex) language and justifying himself by saying that Christopher was away, so they had time to themselves so naturally… it felt very much like this was how he was supposed to be feeling and what he was supposed to doing because his son was away because they had free time, the natural conclusion to him was that they would have sex.
he also says “Marisol likes to have it in the morning” which, granted, could simply indicate that he prefers it at other times but if we look at it through the perspective of ace!Eddie indicates that they have sex when Marisol wants to rather than when Eddie wants to (if he ever broaches the subject at all). This also lines up with the way he spoke about having sex with Shannon which primarily centered around her desires and his ability to fulfill them rather than his own wants and needs. The discussion with Bobby only further solidified this. He suggests that this is simply Eddie’s reaction to moving too quickly, indicating that there was very little that he had heard about Marisol prior to her moving in. Now, and again I recognize I may be reading too much into it, but for me the way they framed Marisol moving in by opening with them having sex, it reinforces this idea that for Eddie, sex is easy and expected and there’s a natural progression of a relationship that he’s meant to follow (mentioned in his conversation with Bobby). He’s meant to have sex, enjoy sex, ask a girl to move in with him etc.
at any point in time, he could have texted Marisol or gone back to the house and simply told her that he didn’t want to have sex with her just then. If he was seriously concerned that she would be upset or ignore him, that’s a different issue entirely. However, he has so much anxiety over sex and his own role as a man in a relationship that he ignores this idea altogether. He would rather avoid her all day than face the idea of coming home and not being able to provide sex. Sex that he doesn’t even necessarily want. I also think that’s why it’s so important to his character that his restarting with Marisol wasn’t predicated on a sexual encounter but rather on his own terms. It’s the first time that we’ve seen him take the time to say ‘maybe this isn’t necessarily something I’m ready for.’ And it’s WONDERFUL to see that.
Eddie’s relationships and his relationship to sex specifically is something that is incredibly fascinating to me because it screams amatanormativity and over compensating for something you’ve been told you should want and provide. Noted, I don’t necessarily like Eddie and Marisol and I certainly don’t like Marisol’s actress (I truly hope she leaves the series soon). However, I do like what this relationship is teaching Eddie about himself. I like that he’s slowing down and taking the time to think about what he wants rather than what’s expected of him.
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