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#911 layouts
iinryer · 5 months
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“the devil gave me a crooked start when he gave me crooked feet”
lyrics from raise hell by brandi carlile
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iconsfilm · 15 days
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oliver stark behind the scenes as “buck” in 911 icons | like or reblog if you save
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buckeddi · 2 years
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RAVI PANIKKAR APPRECIATION WEEK DAY TWO: THE 118
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dangerpronebuddie · 6 months
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I cannot, for the life of me, figure out the layout of Eddie's house! First the living room is to the right of the door. Then the left. Now the right again. The kitchen has definitely changed. And I'm pretty sure Eddie's bedroom has too. I think Chris' room has been the only constant!
I just... I don't get it
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gregmarriage · 26 days
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slightly wanna change my layout at some point, but i don’t know what to 🤔
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aspecbuddie · 5 months
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procrastinated on the form I'm meant to be filling out by charging up my tablet for the first time in months and creating a new header for myself because the old one was bugging me
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(thanks to @artemis-the-sinister for the opinion on which version to use <3 )
and used the momentum to change the rest of the appearance of my blog lmao (which includes adding my name because I didn't realise it wasn't on there before so, hey guys, I'm Sam 😅)
(also a small change of pronouns from they/he to he/they, not that it makes much difference but oh well xD)
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lover-of-mine · 6 months
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Can Buck and Eddie be more married????? What was the reason behind the "he takes Christopher there all the time, got the place memorized" and that face eddie's doing while he says it????????????????????????????
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blorbodiaz · 2 years
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hey, remember that fic i wrote about buck, and margaret’s dementia?
well i did some art for the buddie reunion scene and completely forgot to post it so.
here <3
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wh0re-behavi0r · 2 years
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my editing software isnt working as fast as it used to I'm gonna have to use i- 🤢 i- 🤢 imovie 🤮
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carlovershub · 7 months
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Porsche 911 1964
The Porsche 911 isn’t just an iconic sports car; it’s a symbol of automotive excellence. With its timeless design and unique rear-engine layout, it’s captured the hearts of car enthusiasts worldwide.
Fun Fact: The 911’s distinctive silhouette has remained largely unchanged for decades, a testament to its enduring design and the enduring love it receives from its loyal fanbase.
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iconsfilm · 18 days
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oliver stark icons | like or reblog if you save
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queerbuckleys · 2 years
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@911creators EVENT 02: FAMILY DYNAMICS » Buckley-Diaz Family
[image description: 9 gifs from 911 featuring the Buckley-Diaz Family. gif 1: from season 2 episode 4, Buck and Eddie help Christopher down the fire pole at the station, they are all smiling. The large pink block letter text reads, "Buckley” gif 2: from season 4 episode 10, 3 gifs in a layout, the first small gif is in the upper left, is Chimney asking, "Can't you both be good cops?" the quote is in a speech bubble. second just below, is a small gif of Bobby who is looking between Chimney and Buck and Eddie, the text up the left side reads "*observing*". finally the third gif to the right of buck and Eddie answering, "no" simultaneously, there is an arrow pointing toward Eddie labeled "bad" cop and one pointing to buck labeled "good" cop. gif 3: from season 2 episode 3, Eddie spins Christopher around in a hug in his school's hallway, they are both over joyed to be reunited after the earthquake. In a soft circle to the left, is an overlayed gif of Buck's face as he observes with a fond look. gif 4: from season 2 episode 10, in the left corner, in an oval shape Eddie lifts Christopher up and carries him off screen as Buck watches with a soft look. Arching over the smaller gif there is text that reads, "you two have an adorable son." The larger gif is Buck's response, where he smiles, pauses, looks after them, and settles on replying, "...thank you." gif 5: from season 3 episode 9, Buck, Christopher, and Eddie cheer on Buck's couch while playing video games. The same gif is inlaid in a heart with a pink coloring. over their heads large pink block text reads, "Diaz" gif 6: from season 4 episode 3, 5 gifs in a layout, the first large gif on the left, Eddie stands in front of the tv in his living room with his hands on his hips, below there is an arrow pointing to him labeled "technophobe dad". To the right there are two small gifs, the first of Buck who is trying to reason with Eddie, and the other of Chris laughing. Below are two rectangular gifs, the first a close up of Eddie's face as he exclaims his paranoia over technology and the second a side view of all three of them as Eddie bends down to pick up the remotes from the coffee table. gif 7: from season 3 episode 2, Eddie, Hen, and Chimney look at his phone while on a call, overlayed in a soft circle is the view of Eddie's phone featuring a selfie of a smiling Buck and Chris with a large stack of pancakes. gif 8: from season 4 episode 8, 6 gifs in a layout, the first row features, Buck walking towards Christopher on the loft couch after he's called Eddie, second is Chris's face tucked into Buck's shoulder as they hug he looks content, third is Buck smiling as he hold Christopher. The second row features Chris explaining why he is upset and ran away to Buck as he sits on the couch, second is Buck scrunching his brow in concern as he asks Chris a question, and third is Eddie sighing with his phone lifted to his ear and the other hand on his hip as he hears that Chris is with Buck. gif 9: from season 3 episode 12, Eddie and Buck push Chris in his adaptive skateboard, below them in large pink block letters it reads "family" /end ID]  
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lonely-layla · 3 months
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An aggressive confession pt.2
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Umeji Kizuguchi x chubby!fem! Reader
Umeji smiled as he placed his hands on your waist. He now had you in a tight hug as you rested your head on his chest. This moment was really making him happy because he finally got to have the person who he loved the most, it felt great. However, there was still some confusion in his mind. “Can I ask you something?”
You look up at him, in his golden eyes “mhm?” Umeji kept quiet for a moment and thought before finally speaking, “why did you like me, of all people?... I've never really been kind towards you. Why is it that you felt this way for a person like me?” He says adverting his gaze from you.
“I just hoped you were a good person.And I know someone who’s hiding their feelings when I see one” you give him a mischievous side eye as he scoffs.
“Tch- takes one to know one doenst it?” He teases rubbing your back. You two stay there for a while when the bell rings for class. You two walk back upstairs for class to start, when he gives you another kiss on the lips before parting.
You got into my class, which was surprising the class next to umejis’ and when you sat down and started your studies. Musume and her friends could not whisper a louder. “Yall are the shittiest whisperers ever” you turn around and tell them. All they do is laugh “No wonder you ended up with a delinquent reject like umeji, let’s see how long it lasts before he breaks up with your overweight ass!” Hoshiko yells out as they all laugh. The bell rings for class to get out and everyone leaves except them. they all walk over to your desk and they push you out of my seat, you fall on the floor, and they start stomping on your stomach. You couldn’t breathe as you see Kashiko pull out a knife. Your eyes widened as she slashed a cut that went through my uniform and across your stomach. You scream out in unbearable pain they all walk away and leave you bleeding out on the floor alone.
Umeji had just gotten out of his class, he was walking over to your class when he saw the girls run out of the room. He suspected something was up so he walked into the door opened it and his heart dropped to the sight of you bleeding out o m the floor. Before he knew it, he found himself running towards you and he got close to check your wound. He had an idea of what happened and for the the popular girls sake, he hoped it wasn’t true.
Your perception was getting blurry due to the blood loss”Umeji?” Was all you could whisper out. The fact that someone hurt you made him angry but the sight of you being drenched in blood made his blood boil. He took off his coat and wrapped it around the wound. “It’s going to be okay. You’re going to be okay. Stay with me, I’m gonna get you the infirmary” He asked you but you couldn’t respond and you were losing consciousness.
He pick you up with ease and carried you to the infirmary where the nurse called the police. If you weren’t borderline unconscious you woulda asked him how was sable to pick you up so quickly.
He was doing his best to move quickly but not to the point where he would end up hurting you. He was really hoping they'd make it to the infirmary in time before you ended up being unconscious. As he got to the infirmary, he placed you on the bed and they started checking your wound and helping to clean it. They called 911. And they took you away on a bed to the hospital.
They treated you at the hospital and gave you medication for the helping you heal. After a few days, you were let out but advised to stay at home until your recovery was complete. The medication they had given you had made you gain a lot of weight. But that was the least of your concern, until you heard the first knock at your door in a couple of weeks.
Layout opened the door to Umeji standing there, “hey, I just came by to see if you were oka-” before he cold finish his sentence, you engulfed him in a hug. He felt relieved that you survived but was angry to hear that it was Musume and her friends who were behind it all. He really wanted to get back at her because of what she did to you. But he had to keep those feelings back, right now all he wanted was to see you after this whole time.
After you left go of the hug and invited him inside, Umeji noticed the changes your changes. And to be honest, he didn't mind them one bit. He thought you looked beautiful no matter what and he didn't see any flaw in your appearance he especially didn’t mind that it made your ass and breasts bigger. You noticed how he looked at you and it made u feel some type of way. You threw a meal you made for yourself beforehand in the trash so he wouldn’t think you’re eating too much.
Umeji noticed this and wondered why you just wasted a whole plate of food instead of finishing it. Something was up with you. He got snapped back to reality when you speak up. “Would you like something to eat or drink?” You ask awkwardly.
Umeji noticed you subtly trying to clean something off the counter but he never asked you about it. Now that he thinks about it, he was actually pretty thirsty as well so he accepted your offer. “I think I'll take a drink, you don't have to make anything to eat for me”.
You nod and begin getting some juice from the fridge. You know he had noticed your weight gain and saw him staring at you, yo u weren’t sure if it was good or bad to him. Your thoughts raced as you subconsciously chose that it was bad to him. You put the juice and give it to him. “S-so! What’s been going on at Akademi since I was gone” you ask trying to change the subject and distract my mind.
“I don’t know the same shit as always, a couple murders, everyday stuff really” he swirls his drink around drinking from the straw. You slip off to your bedroom to change into something that more loose fitting so he doesn’t notice. And come back.
Umeji's eyes immediately noticed the new clothes once you came out. He wondered why you changed, you were fine in what you were wearing before. But you looked really cute and it suited you so well. Your extra weight gain made those clothes fit you more and it made you even cuter than before. The sight of you made his heart beat a little faster because he really liked what his eyes saw.
“Uhm- do you wanna, watch a movie or something” you suggest to him to break the silence. He suddenly snaps out of his trance state as you ask him to watch a movie together. He felt a little embarrassed when he remembered that fact, he never took you on a proper date so he was definitely up for it. “Sure that sounds cool” he responds, getting up and walking to your room.
Once he stepped inside, his eyes wandered again. The sight of you was just too attractive. He tried keeping himself from glancing over at you too much as he looked around your room. You noticed the way he looks at you the second he walked into the house and it made you feel insecure. Was me gaining weight really getting on his nerves that much?? Was he going to leave you? The thoughts were too much as you both ego bro the bed. You sit next to him instead of cuddling like you would normally do and that’s when he decided to speak up.
“Alright cut the crap!” He exasperates as he grabs your hips and pulls you onto his lap. You keep forgetting he’s strong enough to fucking carry you.
You start freaking out “Umeji! No I’m too heavy” you protest trying to get off of his lap, but his hands on your thighs are keeping you from getting off.
“If you were too heavy ya think I would’ve been able to carry you to the infirmary the other day? How weak do you think I am babe?” He says in return for your protesting.
You feel tears in your eyes as you still try to get off of his lap. “I was lighter and then, I weighed less! Just please, I don’t want to hurt you” you cry still trying to get off when Umeji’s grip lightens to hear you say this.
“Is that what this is all about? A little weight you put on? Baby~ you don’t needa worry about that.~” he begins to comfort you.
“No, you’re just saying that to make me feel better. I saw the way you looked at me when you first saw me at the door. I’m afraid you’re gonna leave me because of how fat I am” you cry more, letting out the baggage you’ve been carrying with you.
He pulls your head down to rest on his chest as you cry into him. Gently caressing your back. He seemed surprised at the fact that you didn't believe him. He could see no reason why he wouldn't be attracted to you. “You know I love every inch of you, your new body isn't any different. Yes, you may have put on some weight but I don't mind that at all. It doesn’t change what’s on the inside baby.”
He gently caresses your thighs, feeling your body soften as the rest of your weight falls on him. His hands roam your body as he praises you for every part of your body. His hands began to slowly roll down the waist of your shorts. The more he rolled the waistband, the more he revealed of your stomach. Seeing this made you feel a little self conscious but Umeji only looked and stared. “I love every part of you, every. fuckin. part.”
He takes your shirts off all the way and makes his way to your shirt. He lifts it up and over your head and throws both pieces of clothing to the side. “God you’re so fuckin sexy~ how could I not love you~” he praises you. He stops when he feels something wet on his crotch area.
He looks down at your pantries that have sweet spot on them. “Hm, didn’t think you’d get this turned on just by me just touching you~” he teases as he starts to take your panties off.
“D-doesn’t my body disgust you?” You ask as he smiles at you. “you kidding me? There is nothing about you that disgusts me right now. I see nothing but cute n’ sexy, just seeing you like this turns me on~” he says. Just as he says that you feel something poking at your womanhood.
You begin to take his bands off and his boxers until his half hard dick is out. You lean in to a heated kiss as you take his shirt off to reveal his laden upper half. You break the kiss to see the sight before you, his chest and torso were scattered with scars and his and his abs were prominent. “No wonder you were able to carry me so easily” you say out loud on accident, your hands trailing down his abs. “Yeah, I’ve carried heavier, trust” he laughs.
He continues the kiss as lifts you onto his cock and starts to bounce you. Your head flys back as you let out huffy moans. “Ahh~ mm fuck umeji~” you bounce yourself, all of your weight giving pressure to his cock.
You lean in for another kiss, feeling yourself get close. He then flips you over as you feel your head hit the pillow. He then starts plowing into you harder. Seeing your body ripple beneath thin only fueled his urges more.
“Yeah? You like that don’t you~ mm~ haah~” he lets out deep moans as he’s trying to hold back the real ones.
You could feel your climax comeing fast than you thought “hmm~ f-fuck I’m gonna cum~” yiu yell out as you come all over his cock.
Seeing the warm white rings of cum come out everytime he pumps in pulls him over the edge as he comes inside of you. Feeling the hot ropes of semen fill your hole.
“F-fuck~” his voice scratches as he pulls you into a kiss. “I love you and only you, don’t ever let your brain make you thing differently baby” he reassures you once more time as you two both fall asleep. “Thank you” you mumble out.
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So, there's many of you now. I know we're in the How Sweet It Is Not To Know Follower Counts website and I do cherish that, but still, more people than ever in my life clicked a button that in some capacity says "I care what this dork has to tell me" and I want to acknowledge and celebrate that - especially now that this growth seems to have settled into its rhythm.
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Spot when @identifying-cars-in-posts reblogged my pinned, lol.
So, for my 100th post, I felt like celebrating our love for reaching round numbers. And little in the automotive world represents it more iconically than what reigned supreme above all cars in the 1980s.
Porsche started out as an engineering firm, whose most notable contract was what would become known as the Volkswagen Beetle (and boy what a story that is). The first car of its own was the 356 seen below - a sporty body laid over Beetle underpinnings and thus still mostly made by Volkswagen. But by God, they were going to run with that recipe and perfect it 'til the sun burst.
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Meanwhile, in England, a chap called Colin Chapman decides the next of his company's track cars will actually be drivable on the street, to need no trailer to go race. Thus the Lotus Seven is born and sold in kit, which avoids high taxes on the exporting of cars to the US (but those taxes would have remained had they been sold with assembly manuals… so they were sold with disassembly manuals for you to read backwards. No, seriously.).
The Porsche 356 kept getting less and less Volkswagen and more and more Porsche until in 1964, the year of the Beatles, the year of the Stones, the stone-age Beetle was left behind for good with the Porsche 911 (seen below), a blank-canvas take on the same recipe of an air-cooled rear boxer engine powering the rear wheels of a squished-Beetle-shaped sportscar. 'Twas good.
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In 1973, Lotus was doing pretty well for itself. The Seven's whole 2500 sales had carried it through producing a number of other models, and a few were even in production concurrently - a lineup! Exciting stuff! Well, that and an F1 team so successful its Wikipedia page features the section "Domination in the 60s and '70s". The exciting opportunity to move upmarket, with bigger models with AC and automatics and all that bougie shit, pushed them to move away from the image of scruffy old kit car makers, ceding the Seven's production to the last two dealers that sold it, main one being Caterham Cars.
The 911 headed into the 80s old enough to drive, and Porsche's plans considered it at the end of the line, with staff already mourning it. But then the yankee at his third week as CEO saw those plans (which to Germans are basically scripture), said "to hell with that" and extended that line off the chart. Literally. He went to the lead engineer's office and physically took a marker at a development chart. They all secretly liked that.
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Still, it was clear the game was changing - intercoolers, all wheel drive, active suspension... how hard could the 911 layout go if it didn't stick to its simple air-cooled roots? Well, Porsche resolved to find out by filling it with the cusp of automotive advancements and then some. And I do mean filling - a chassis that didn't even need space for a radiator was suddenly tasked with storing it, two turbos, two intercoolers, and a good half dozen oil pumps.
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Yeah good luck with that, buddy. Oh, and materials? The body was kevlar, the frame was aluminium, the floor was Nomex (ever even heard of Nomex???), the wheels were magnesium and the spokes were hollow!!!! You could blow into the spokes!!! And don't get me started on the technology! Variable height, an all-wheel-drive system that distributed torque at will, electronics galore... As you may be able to guess, development was… complex.
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At one point a test driver was doing 180km/h (112mph) to go get the car un-on-fire-d, and that's just one of the plenty horror stories. Hell, work started in 1983 to create a car for Group B and took so long that when said rally series died in 1986, production was just starting. Not that development would stop at the start of production, either - the first cars just got updated when the owners took them in for their service. (Can't blame them, I fix wording in weeks-old posts...) But however long it took, the resulting Porsche 959 answered the originating question "How hard can this chassis go?" with a resounding "Hard and then some".
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It was comfortable and refined enough to be driven every day, but so capable it extended the limits of the concept of production car. Put it this way: it reached car people's favorite round number, 100km/h (to yankee doodles, 60mph) in 3.6 seconds. The second fastest production car did so in 4.6. That's one second of margin in a race that ends in five. Oh, and if you want to put it another way: the 959 was the first production car to ever surpass 300km/h, let alone come 1 shy of the mythical 200mph (322km/h).
Meanwhile, the handful of chaps at Caterham was still producing the Caterham Seven. It's the Lotus Seven (specifically the third revision, from 1968), but I guess in '83 the engine changed. We were saying?
They couldn't sell the 959 stateside for lack of crash test data, and America's ban on importing foreign cars under 25 years of age had no exception. That is, until Bill Gates wanted a 959 so bad he spent 13 years getting an exception passed. That's how hot this car is.
And yet, this record-breaking, boundary-pushing, master-of-all-trades hypercar sits atop the 80s automotive landscape engulfed in shadow. But how? Why? Because it failed to contend with the greatest automotive headache: humans. It was planted, practical, reliable, predictable - docile, domesticated, amicable. Perfect. But these are not meant to be cars, they're meant to be posters. And you don't get posters of what is perfect, but of what excites you. And what excites us is the visceral, the raw, the uncompromising - the wild, the feral, the dangerous. And, of course, reaching round numbers. What excites us is a lot more like the first production car to break 200mph, the Ferrari F40.
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Remember how the 959 was being developed for Group B racing and then the series died? Well, Ferrari got screwed over too, with the 288 GTO Evoluzione they were developing (seen here to the right of the base 288 GTO) suddenly having no reason to be.
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The lead engineer then asked Enzo Ferrari to let him turn that weekend project (literally, they couldn't spend work week time on it) into a road car to celebrate their 40 years. Enzo, nearing the end of his days, thought "Ah, what the hell, let's leave with a bang", so they set off to build what would become the anti-959. Not anti as in response, but as in antithesis. Where the 959 was an attempt to modernize the noisy, unrefined, old-school 911 -to make a supercar "tested for everyday usability to the most strenuous standards", by Porsche's words- the F40 was a reaction to, per Ferrari's words, "customers saying Ferraris were becoming too plush and comfortable": "nothing but sheer performance. Not a laboratory for the future, as the 959 is. Not Star Wars."
To exemplify: left is the 959 - note the leather and electric seats, right is the F40, note the string you open the door with.
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The F40 was noisy, crashy, torrid, and the turbo lag painstakingly smoothed out in the 959 here kicked you in the back like a locked door. It would rip your head off the moment it sensed you didn't know what you were doing. But it was more exciting - to look at, to hear, to drive. And that's what won people over - including the buyers, which were near four times as many as Porsche's despite the price tag being double.
Had the 959 lost then? Well, not quite. Enter the 959 S. Doing away with much of the 959's luxuries, like adjustable suspension, electric windows, AC, central locking, and even backsea- wait, the 959 had BACKSEATS???? Holy FUCK why does no one talk about that??? Take the family on a trip to 300kphville! I was saying. They schlapped some bigger turbos on too and power went from 444hp right past the F40's 470hp to a healthy 508, that propelled it over what any roadgoing F40 ever managed at 211mph, or 339km/h. Presumably for bragging rights.
And I want to stress, these were titans clashing here. This was leagues beyond what other production cars could even comprehend. Again, the 959 hit 100km/h in 3.6 seconds. The F40 held a record by taking less than 16 seconds to go from 0 to 160km/h(100mph) and back to 0. This was witnessing superhumans fighting through the clouds.
And then in 1992, the two chaps that 'developed' Caterhams (i.e. banged new ones together in the shed) told the chap they worked for "Hey, let's make one that's really barebones and fast", rang up their ol' mate (and ex-F1 racer) Jonathan Palmer to ask to lend a hand, and bought some of the 250hp engine that powered the Vauxhall (British for Opel) Cavalier GSi in the British Touring Car Championship.
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Thus, the Caterham Seven Jonathan Palmer Evolution - a raw, uncomfortable, uncompromising beast that went fast as all fuck. Now, if you don't know Sevens you may think "Ah, so just like the F40, what with its handcrank windows and the string to open the doorlatch and all". And to illustrate how far off that is: in the Seven the windows were sown on and you latched the door yourself with a button.
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And that's the standard version which had windows and doors. The JPE didn't.
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The JPE had a carbon tub you were meant to call a seat, the controls, a rev counter and a tach that didn't even bother with speed under 30mph, and fuck you. And this one is not even as barebones as it gets: this one is painted.
So while the F40 went from 1,250kg (2760lb) to 1370kg (3020lb) when adjusted to comply with US regulations and the 959 went from 1450kg (3200lb) to the lightweight S version's 1350kg (2975lb), the Seven JPE weighed 1170. As in 1170lb. 530kg. Read that again if you need to, but it had about half the power of those two and considerably less than half the car to move. And so, in January 1993, this thing -this '50s coffin with a Vauxhall engine banged together by one guy in a shed- took the Guinness World Record for fastest car to 100km/h with a time of 3.46 seconds - and the 0-160km/h-0 record with 13.1 seconds. Close your eyes and picture that.
Yet the Seven JPE is hardly known to anyone but the most hardcore of enthusiasts, and owned by barely four dozens of 'em. So did it, perhaps, ultimately lose? Not at all. In fact, none of these cars did.
Every 959 cost Porsche twice what they sold it for, but the project proved the 911's layout could stand the test of time, and its development gave Porsche technologies it gradually infused into the 911 keeping it relevant, competitive, and most importantly alive to this day.
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And I think we can safely say that when Enzo Ferrari died in 1988, a year after the F40's launch, his wish to leave with a bang was perfectly fulfilled - so much so that the F40 is commonly regarded as the peak of his legacy.
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And the JPE was simply the greatest Seven ever - the most raw, thrilling, pure automotive experience the streets had ever witnessed. If driving a fast car was like biking down a hill, the Seven JPE was skydiving. Hell, it was the cover car of éX-Driver, an anime about a team using old-school sportscars to rescue haywire autonomous vehicles!
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Not that culturally relevant but MAN was it cool as a kid. I need to hang those damn posters one of these days. I was saying.
These are three success stories in three radically different ways. Because, as much as I've made this post all about the numbers, sometimes it's not about that. Sometimes it's about making a show, leaving a mark, being spectacular. Sometimes it's about pushing yourself to achievements you can take pride and inspiration from. Sometimes it's simply about having fun seeing just how far you can really go. Sometimes it's about deciding what you want to be and make a new favorite version of yourself, that is the best it can be at what you care the most about. And for some that may result in less popularity or success or impact or legacy than others, but those are just some of the things you can work towards. It can be okay to just work towards having a blast. Hell, those madmen at Caterham used to stay after work to build themselves track cars, race them the next day and put ‘em back in the workshop after racing them, and the company survived to this day. Because, yes, they're still around - and their new lineup topper gets to 100 in 2.8. Windshield still optional. Well, at least there's headrests now. And a wider version, for the concrete possibility that you physically don't fit.
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Never change, Caterham, because you certainly never have.
Links in blue are posts of mine explaining the words in question - if you liked this post, you might like those!
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mercury-lurks · 7 months
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opinions on 17776 :3c
ive never loved football more. anyway you asked for this.
Opinions on story:
I love what Jon Bois did!! So much!!! The concept of humans living forever and just doing FOOTBALL?? INCREDIBLE SHOWSTOPPING I LOVE IT LOVE IT LOVE IT!! Having the main characters be satellites was a move I was not expecting but HOT DAMN did it work!!!
Opinions on characters:
JUICE: MY BOY MY EVER MY THINGY!!! ham and cheese ham and cracker mwah mwah mwah love juice. Love forever.
Nine: poor bby. hold. forever. i wish i could give them infinity battery pleeassseee!!! they need to see Nick and Manny get to San Diego together!!! WHICH IS GOING TO HAPPEN I'M NOT CRAZY (<- IS CRAZY)
Ten: OLDER SISTER EVER!! THE OLDER SISTER EVER!!! I would literally die for her I love Ten I love her Ten my beloved.
Nancy: NANCY YEAHH FUCK YEAH I LOVE NANCY
Hubble: :)
Nick and Manny (must not separate): RHEJFJEJDJDJJFFN FERAL FERAL FERAL FERAL FERAL FERAL FERAL FERAL FERAL FERAL!!!! THE FOOTBALLERS EVER!!! I AM GIVING BOTH OF THEM 10,000 MINUTES OF OBT RN!!! THEY DESERVE TO WIN FOOTBALL!!!
Sharks: I CAN'T REMEMBER HER NAME WHICH IS SO SAD BUT I'M BAD WITH NAMES ANYWAY I LOVE HER
500 Ball Girl: SHE DESERVES BETTER
The Bulb: rip you were gone too soon 😔
Tucker: LMAOOOO
Other Opinions:
I love the format of this so much???? The Google maps/Earth style videos and layouts was so cool???? He did not have to go so hard??? What the fuck???
LOVED that the videos didn't require sound to experience. I LOVE SUBTITLES!!!!
NOOOO FLORIDA IS UNDER WATER POOR NINE 🥺🥺🥺
That Koy Detmer game was so cool fuck that guy for burning those balls tho.
Also I thought it was really cool how when characters are talking about nonspecific people they always use she and her!! Like!!! Wow!!!
Boredom is a 911 call worthy offense lmaooo I mean yeah I get that!!! Truth!!!
SAN DIEGO STATE GOT FUCKED OVER SO HARD BUT THE GAYS ARE TAKING US TO THE FINISH LINE!!!!
That lighthouse hiding spot from UAB??? SHOWSTOPPING INCREDIBLE ETC ETC
What the fuck is up with Illinois chess. What the fuck. I love it but what.
LMAOOO that guy that just walked off the field no hesitation I get you friend you're a real one.
I am literally so upset about Nick and Manny. They will Not be able to get home together for THOUSANDS OF YEARS I'm going to die and scream and suffer painfully please boys I don't care if you never come up in the storyline again just walk off the field and be gay together please please please get the balls to San Diego line and JUST WALK OFF PLEASEEE!!!!!! :(
@eldritchdemonfox pinging you for your thoughts as well
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diabolus1exmachina · 1 year
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Porsche 928 
Slumping sales of the 911 in the mid-1970s seemed to confirm that the model was approaching the end of its economic life cycle. Fuhrmann envisioned the new range-topping grand tourer model as being the best possible combination of a sports coupé and a luxury sedan. This would set it apart from the 911, with its relatively spartan interior and true sports car performance. The targets were that the car had to compete on par with offerings from Mercedes-Benz and BMW while also being successful in the United States, Porsche's main market at the time.
Several drivetrain layouts were considered during early development, including rear- and mid-engine, but most were dismissed because of technical and legislative difficulties. Having the engine, transmission, catalytic converter(s) and exhaust all cramped into a small rear engine bay made emission and noise control difficult which were the problems Porsche had with the 911. After deciding that the mid-engine layout did not allow enough room in the passenger compartment, a front-engine, rear-wheel drive layout was chosen
The finished car debuted at the 1977 Geneva Motor Show before going on sale later that year as a 1978 model. Although it won early acclaim for its comfort, power and futuristic design, sales were slow. Base prices were much higher than that of the previous range-topping 911 model and the 928's front-engined, water-cooled design alienated many Porsche purists.
The 928 featured a large, front-mounted and water-cooled V8 engine driving the rear wheels. Originally displacing 4.5 L and featuring a single overhead camshaft design, it was rated at 219 hp (163 kW; 222 PS) for the North American market and 240 PS (177 kW; 237 hp) in other markets. Porsche upgraded the engine from mechanical to electronic fuel injection in 1980 for US models, although power remained the same. This design marked a major change in direction for Porsche (started with the introduction of the 924 in 1976), whose cars had until then used only rear- or mid-mounted air-cooled flat engines with four or six cylinders.
Porsche utilised a transaxle in the 928 to help achieve 50/50 front/rear weight distribution, aiding the car's balance. Although it weighed more than the difficult-to-handle 911, its more neutral weight balance and higher power output gave it similar performance on the track. The 928 was regarded as the more relaxing car to drive at the time. It came with either a five-speed dog leg manual transmission, or a Mercedes-Benz-derived automatic transmission, originally with three speeds, with four-speed from 1983 in North America and 1984 in other markets. For the first generation cars, 1978 & 1979, the majority of cars were fitted with the less expensive 5 speed manual gearbox while the optional 3 speed automatic was much scarcer. As the model years continued, this ratio evened out and then finally more cars had the automatic transmission. The exact percentage of manual and automatic gearbox cars for the entire production run is not known.
The body, styled by Wolfgang Möbius under the guidance of Anatole Lapine, was mainly galvanized steel, but the doors, front wing, front fenders, and hood were made of aluminium to save weight. It had a substantial luggage area accessed via a large hatchback. Newly developed polyurethane elastic bumpers were integrated into the nose and tail and covered in body-coloured plastic; an unusual feature for the time that aided the car visually and reduced its drag. Another unusual feature was the pop-up headlamps which were based on the units found on the Lamborghini Miura and were integrated into the front wings.
Although it never sold in the numbers Fuhrmann envisioned, the 928 developed an avid following and had an 18-year production run.
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