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#@capitalism i'm not interested
doberbutts · 3 months
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Recently Youtube's algorithm really wants me to watch Schindler's List and I never had so the other night I sat down and actually watched it.
Having a lot of thoughts about it but a major one I keep coming back to is how even an immensely and deeply flawed human being can go against "just following orders" and instead put in the work to actually help.
It may never be fully enough. It may never save as many as you'd hoped. But when you have a choice to either follow orders or save your fellow humans in front of you, I hope you choose the latter.
Schindler died in poverty. He was not a renown war hero nor was he at all famous or widely beloved. But he saw that he could help, even in some small way, and so he helped.
He was a Nazi who saw what the Nazis were doing to Jews and said no more. Enough. If I can even spare those under my charge, maybe a few extras, then at least I will have tried to do something about this.
I think a lot of people do not fancy this type of activism. It is messy, dangerous, and often completely thankless. Schindler survived as long as he did after the war due to those he saved helping him with donations. He was not popular in his hometown due to his association with Nazis, he was not popular in Germany, he was not popular in Argentina. His businesses all failed. His wife left him. A movie about his deeds was released several years after his death, where he would receive none of the benefits. He went to prison multiple times for simply refusing to hate Jews.
I think a lot of people like to think they're activists, but are sorely unprepared for doing this type of work, and then in truth become activists in name only. This is hard work. But without him, another thousand or so people would be on that death toll.
He took his position of extreme power- a Nazi owning a factory almost entirely operated by Jews, making oodles of money off that cheap slave labor- and said you know what? No. I'm not doing that. I can't save everyone, but as long as they are within my factory, you will not kill my workers. As long as I'm here you aren't harming one hair on the head of any Jew under my care. You're not sending or keeping them in Auschwitz. You're not randomly executing them for entertainment. They're people. You're not murdering them.
"Just following orders" they say. But they didn't have to. They could have helped. They could have did what he did, look around and say "what the fuck am I doing here", and stop. He did. They could have. They didn't.
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pyrrhiccomedy · 10 months
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here on the eve of me playing in a star wars trpg we are remembering the time I mentioned fascism in passing in a comedic post about star wars and got bombarded with furious messages accusing me of overanalyzing star wars, including one that described bringing fascism into a conversation about star wars as ‘a verbal tic,’ as though fascism and the fight against fascism is not overtly what star wars is about
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like it’s not subtle it’s not even interesting you’re just stupid
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uncanny-tranny · 5 months
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I just find it very interesting that all the labour classed as lesser (most often seen as "women's labour") becomes indispensable in moments of crisis. It's just interesting to see how quickly people turn to that labour and then discard it in moments of peace or prosperity, devaluing it until another crisis hits.
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gideonisms · 2 months
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I become 300% more of both a lover and a hater when I'm on my period. just a time of the month when I have strong opinions I would say
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utilitycaster · 3 months
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As a frequent "ugh, fanon," person it's not that I don't like non-canonical character designs or interpretations as a concept. I love unique and creative ideas about fictional characters that are informed by canon but diverge from it in interesting ways that build upon the original vision! I almost never see this in fanon.
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bookwyrminspiration · 7 months
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I hate how whenever there's someone on the internet who's found their niche of something they're good at, you open the comments and so many are asking them to start a business around it. you make good looking food? when are you opening a restaurant/making a cookbook? you're a talented seamstress/crocheter/knitter? when are you making patterns/opening a shop/etc. those are very different skill sets and levels of effort! can't people have skills and hobbies in peace instead of trying to monetize them it's so exhausting
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fenkko · 1 year
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cant believe i reached 30 tags in prev post rambling about homestuck i didnt even know there was a limit
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existennialmemes · 10 months
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The mythos of "work ethic" is just a Boomer Death Cult that worships the pyre on which they sacrifice the working class.
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scholar-of-yemdresh · 4 months
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Will anybody be interested if I made a list of adult transmasc and Nonbinary/transneutral main/major characters in adult fantasy and Science Books.
Because I'm legit sick of the infantilisation both within and outside the community. Why is so much of the NB and transmasc rep children 😭.
Even outside of the miniscule rep Even less of it are grown adult main characters. None of that side character's love interest is a trans dude business, or a they/them appears for one page and is never seen again.
Anyway I've got a handful of characters in books I've read/on my TBR and I want to share them with others looking for this kind of rep.
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aro-culture-is · 11 months
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Aro culture is going to spencers and seeing only ace pride merch and no aro pride merch
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#piperrose#aro culture is#aro#aromantic#actually aro#actually aromantic#ask#mod phoenix#i mean.#to be entirely fair: 1) spencer's known to steal art designs from fan artists and such online via predatory sites#2) online art tends to forget us :/#3) to be totally honest a lot of places go like 'oh these are demographically the Major Identities so let's have 5 options total'#or smth like that#and that's like. middle manager capitalists with zero care about real ppl types placing those limits#i'm honestly surprised they even got around to including ace folks tbh#usually those sorts of high-predatory mall-goth types of stores (hot topic / spencers / lunchbox) are uh. very very very focused on like.#maximizing profits at the expense of absolutely zero fucks given about real ppl along the way#knowing that the edgy teen demographics most interested in them *tend* to not have a lot of money + want to be ~counter culture~#they find the cheapest way to make a buck on marginalized folks in a very rainbow capitalism way#also for the lucky 10k: those stores have all been implicated in the last 2 decades of repeatedly and constantly stealing art from poor#online artists via various sites like deviantArt#via little secret TOS conditions around those sites being able to sell your work by proxy without exception#unsure if that's still common knowledge but a decade ago it was like. every tenth post on my dashboard once a year when someone a little#bit bigger than average on social media had their art stolen yet again by these corps
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hazellvsq · 6 months
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yeahhhh this is a copout and i would actually like to know the answer. what happens when they disagree on something. if hazel fucks up does frank have to make her run laps or some shit. if frank fucks up does hazel have to oust him. would this relationship not cause a massive conflict of interest.
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sunlit-haruka · 4 months
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Ocgrams are so !!! so !! cool !!!!! I hope more people make more of them !!!!
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newkiqx · 6 months
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Saw Bob Vylan live last thursday. Near the end of the show, they sent cis men to the back of the venue, explicitly inviting ladies, enbies, and trans folks to the front to have a mosh pit free of cis men.
And this song was next. Incredible, 10/10
youtube
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Genuine question. Why are comics from online only publishers discouraged? What is the goal behind discouraging paid webcomics?
sorry for taking so long to answer this!
i got really excited about answering this but also am not very good at communicating things clearly, i often get lost in the details in my passion about stuff like this, so i hope this is still interesting to read and intelligible lol!
i dont think there is any one thing that inherently defines what is and isn't a webcomic, it's an amorphous category that i enjoy the ambiguity of. but for me, what first led to my wonder for them as an 11 year old, and what has been a major factor in my passion for them even as an adult, was their low barrier to entry in both making them and accessing them. if you have internet access and time, almost anyone can make a webcomic if they want to! of course, without editors (or often even full story plans) or sensitivity readers or more people on a team to collaborate and contribute to the comic's vision, and the huge effort that it takes to do all the tasks of writing, inks, coloring, lettering, etc. all on ones own often without professional resources to facilitate that, that means that a lot of webcomics are really rough in some way or another. but a lot of people have interesting ideas they want to work with, but don't have the technical skill, desire or ability to market themselves or be beholden to external work deadlines, or connections in some way or another to be able to share those ideas through traditional publishing. regardless of skill or ability, a lot of marginalized people are barred from having their stories accepted by publishers due to bigotry and expectations about what kind of story is profitable.
as a disabled lgbt kid, i definitely read a lot of really bad webcomics i wish i hadn't, but also some of the media i was exposed to that most represented me back then was in the form of webcomics from people a lot like me. and i could read so much of it easily and for free without having to risk much to access it behind my parents' backs!
obviously that isn't the case for every webcomic, but for me and my history with them, them being easily accessible to both publish and read has been really important.
there are absolutely a lot of good points to be made about how publishing free to read webcomics isn't always the most accessible thing for a lot of people, especially for poor and disabled people. making webcomics takes a huge amount of time and effort, and sometimes even if people are passionate about making a comic, they just can't afford to find the time for that around all the other responsibilities of their day to day lives unless it can be a consistent income source. thats why even if paid online comics arent my platonic ideal of webcomics, i absolutely would never exclude them. i want small creators making stories i want to read to get the money they need to survive and keep telling stories without burning out!
it could be argued that online publishers who specifically focus on webcomics don't always present the same barriers to entry as traditional publishers, and many don't restrict the scope of marginalized creators' stories at all or to the same extent as people have struggled in other more mainstream avenues. and from my outside understanding of publishers like hiveworks, i'd absolutely agree with that! i love a lot of hiveworks comics and think its an awesome thing! (of course literally my icon is from a hiveworks comic, tiger tiger!) nonetheless however, part of my goals with this tournament is to highlight lesser known comics, and as publishers like hiveworks help advertise and promote their comics, even if i still want everyone to read all my favorite comics published by them, and certainly there are limits to those advertising resources, they still don't need as much help as other comics without that support. so its not as much 'try not to submit these' and more 'as you submit stuff like this, try to submit stuff with less advertising resources and popularity too!'
going into this tournament i also had a similar sentiment for stuff like webtoons originals. there was an added element to me in how i feel like i know a lot of people nowadays who read webtoons but don't have much awareness of other forms of webcomic, but even if in my love for webcomics i want people to come to appreciate all the breadth of ways they can exist in, thats obviously not something to make a huge priority. it's incredible the amount of forms comics can take (sidenote but reading scott mccloud's "understanding comics" a couple years ago was really formative for me in cementing how much i appreciate that, i'd highly recommend it!!!), and the way infinite scroll comics like webtoon style comics more fully make use of their digital medium, using time scrolling to pace things in place of traditional gutters and panelling, is really really cool. of course they're becoming more popular in a world where more people have smartphones, where webtoon style comics are a lot easier to read than many other forms. i love a lot of webtoons, and id feel regressive to discourage stuff like line webtoon original comics any more than stuff like hiveworks comics, just to go against current trends in what comics people seem to prefer. they have a similar low barrier to entry (through contests) as other online publishers, and it's cool to see creators get the opportunity to get paid for their work and get help from professional editors and stuff
but in the past couple weeks of running this tournament, i ended up reading a lot more about the behind the scenes of what its like to be a line webtoon original creator. line webtoon's expectations for their creators are incredibly unrealistic and exploitative, with grueling deadlines leading to a lot of creators to get repetitive strain injuries, all while working for well below industry standards. obviously a lot of webcomic creators make an inconsistent poverty level income out of it as independent creators, and that shouldn't happen either, but it's absolutely inexcusable for a company to profit off this labor and then manufacture these same conditions. without any organized labor movement surrounding that issue, that of course isn't an argument against reading or promoting these comics on its own, creators are more likely to get more income if their comics get more popular, and despite the promise of popularity by becoming an official comic, they absolutely still aren't all promoted equally. what has made me want to slightly more discourage (but still absolutely not disallow!) stuff like line webtoon official comics has been the combination of that along with learning that much of the editing of webtoons originals carries less of the benefits of having experienced creatives collaborating with creators to elevate their stories to new levels, and very often instead ends up taking the form of 'simplify this plotline and make this character look more attractive and fit this archetype more fully so we can market this better and have readers easily consume each update while they're scrolling their phone without having to think about it too much'. while obviously there are a lot of amazing webtoon official comics in spite of what i've heard anectdotally, hearing that just really went against so much of what i've most valued about my experience with webcomics!
i want creators to be able to tell stories no matter how weird and unmarketable, where they'll never have to worry about pushback for making stories with characters and themes that resonate for them as a member of any oppressed group, and where there's as little pressure as possible pushing them to work harder or faster than they healthily can or want to! so for me, even if i still love a lot of online published comics and want them to be celebrated and want their creators to be able to make a comfortable living out of them, i still just want to highlight stories that had that level of freedom that has created some of my favorite experiences with webcomics just a little bit more.
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elitehoe · 4 months
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I love Keith and Swerve but I think we've long since moved past that story
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dayurno · 3 months
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i just saw a post about andrew and his meds and how he was probably misdiagnosed for depression but he’s actually bipolar which made him manic all the time bc of his meds and!!!! yes to me andrew has always been bipolar. anyways i just had to share this with someone what are you thoughts on bipolar andrew? i know this isn’t kevin related and for that i’m sorry
"i know this isn’t kevin related and for that i’m sorry" HRGJLDHFGDFJG KDFJG FUNNY....!!!! i do answer non-kevin related asks sometimes but the flesh and the spirit must be willing... i'd say it's occasional like an expert briefly commenting on another expert's field
i thought bipolar andrew was canon? isn't it? i've never really had any extensive thoughts about it; to me it was just a fact of the world like the foxes are orange and kevin is beautiful..... well. regardless. i think it's a good hc if that's what it is :) i'm not all that interested in diagnosing aftg characters with personality disorders and i think a diagnosis of something is not always a concrete reality of life and more so a guideline to follow to deal with a specific cluster of symptoms, but as far as they go, andrew being bipolar makes a lot of sense!
i have a friend who went through the foster system when they were younger and a few years ago i do remember we were talking about andrew and they said a lot of how he was written was taken textbook from a 'how to foster troubled children' manual, which i think is most of what i think about re: andrew's mental health. to me it is more interesting (fiction wise!) to think about the material conditions that caused him to develop the symptoms he did, and less so about the ultimate conclusion of them. does this make sense?
tl;dr: i thought andrew being bipolar was already canon, if it's a hc then it's cool :=)
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