#AND NOT CONFIRMED TO BE WITH HER IN TIMESKIP | Explore Tumblr Posts and Blogs

shibaraki · 5 months

Text

THE VANISHING MOON ┊ TSUKISHIMA KEI

tags: GN reader, post timeskip, exes to lovers, fluff, emotional hurt + comfort, reader is a writer, alcohol consumption, mutual pining, getting back together, kisses, weddings, previous ‘mutual’ breakup, happy ending

wc: 4.2K

For as long as you can remember, you’ve loved love stories.

The first time you picked up a pen with the intention to write you’d been looking for a specific someone. To pour love into and be loved by. Conjured from the recesses of your mind, a soft smile from the boy you liked, one prepared to whisk you away from the converging angst that came with your adolescence.

In later years you looked inward, searching for yourself. To satiate your loneliness through self introspection. Ink blotted fingers working arduously at the knots that make up the soul. Knots that were once straight rope, simple and without weak points. And when you failed to love yourself you turned outward, exploring the web that made up the world.

You saw that other people loved stories, too. That there would always be at least one which speaks to them in some way and stays with them. You coveted that reality; to be something another person could love, and look back on with fondness. For your words to strike such a chord that they’d become part of another’s tapestry. To live on. Never again be forgotten, even if it means being an echo of something.

That yearning accompanies you up the cobbled footpath. The crisp air pinching the tips of your ears. Soft, muted chirps rippled throughout the treeline. “Wow,” you murmur, breathless. Arms sticky with perspiration, leg muscles tingling in exertion after walking the steep hill.

The reception venue sits on the end of a private road, concealed by threadbare canopy. Under an open sky there lay every shade and stroke of colour. Dappled sunlight casts shadows across the grass and your eyes are drawn to them.

“Wow is right. They’ve done an incredible job,” Sugawara airs his appreciation as he walks at your side. His voice is awed, and his cheeks are red. “I can’t believe they managed it. Karumai Gardens are notoriously stingy for booking events”.

The wedding invitation shouldn’t have come as a surprise. Remaining some of your closest friends, Kiyoko and Tanaka had already confirmed your attendance long before the formal invites were sent out. You even found yourself on the end of multiple phone calls over the months assisting a panicked Tanaka with writing and rewriting his vows.

Despite that, your stomach roiled at the invitation on your kitchen counter, and your heart crawled up into your throat. Because suddenly it was too real.

Everybody would be there.

Tsukishima would be there.

You’ve been a high strung for most of the day, hyper vigilant to the point of fraying. The ceremony was beautiful. Kiyoko looked ethereal draped in her white lace gown, a delicate veil cascading down her back and rippling down the aisle as she walked. Tanaka was striking in his dark blue suit and embroidered waistcoat. Sitting at the forefront, you remained steadfast in your ignorance of Tsukishima’s scrunity and dabbed at your face as you cried.

You missed having his attention. Missed the subtle stroke of his sharp gold eyes across every part of you as though it were Tsukishima’s hands themselves. A scant, cowardly part of you considered not attending the reception, grateful that he hadn’t approached you yet. If he would at all. Kei could be unbearably prideful about these things. But what do you know?

Nothing. After all this time you probably know nothing at all.

“I think he wants to talk to you,” Sugawara says, drawing your focus to the present. “It’s obvious he’s missed you”.

You edge past the increasingly dense foliage with intent, your fingertips outstretched to brush the near-blooming plants. “Who?” you ask. Sugawara’s grin turns wry and he threads his arm through yours.

“So petty,” he murmurs, patting your bicep. “You don’t have to do anything you don’t want to. But he’s single, and has been staring at you all day. I thought I should mention it”.

“Well you’ve mentioned it,” you return without true malice, squeezing him back. Sugawara’s lips parted in a sigh, and for a brief second, you saw a wistful expression beneath the lighthearted veneer. It stirs unease in your chest and you add, “I just don’t want to make a scene”.

“You really think that’s what it’ll come to?”

Memories unearthed from the deep recesses of your mind. Packed away into tight spaces and left to collect dust where they can’t hurt you. They awaken easily, triggered by a simple question, and with such clarity that you wonder if you ever forgot them at all.

Soft, deliberate touches. Long, warm embraces, swallowed up by his large frame. Graceless laughter—the ugly kind that makes your stomach hurt. Languorous kisses, biting kisses, chaste kisses, clumsy kisses. Good morning and good night kisses. Bickering over breakfast. Bickering over dinner. Wandering, calloused hands. Pressure behind two fingers, splitting you like soft fruit. A sharp tongue and sharper words. Holding hands in bed, anchoring yourself to him like you were afraid he might float away in the night.

Life became busier than either of you expected. Kei landed an opportunity to play for a division two team in the V league alongside his work at the Sendai city museum. Your publisher's demands increased. Kei’s priorities shifted. Resentment crept in. He started to forget things. Small promises and favours, like getting the grocery’s or making it home for date night. They felt so significant at the time—things you deemed indicative of his commitment to you, without communicating as such.

Fractures formed in your relationship. You ignored them in favour of keeping the peace, hoping to address them when the timing was better. Only with hindsight can you say that was the wrong choice. The fractures contracted, expanded until it grew into a yawning cavity with one of you standing either side of it. A slow decay.

“No. No, it wouldn’t,” you tell Sugawara. Tsukishima has never been a shining paragon of virtue but he wouldn't do anything to disrupt Tanaka’s wedding. “I’m just nervous. I haven’t seen him since…”

Sugawara hums his acknowledgment. You’re adrift as he guides you into the venue holding the wedding reception, welcomed into a kaleidoscope of colour. Carefully crafted floral arrangements line the hall. Half of the building is a greenhouse conversion, and natural light filters in through the high, arching ceilings, illuminating the dance floor. You take in the surroundings as your senses are enveloped by the pleasant din.

“Look, there’s Yachi and Nishinoya,” Sugawara tugs on your arm and calls out, “Yachi! Noya!”

Nishinoya crowed, leaping forward to gather you and Sugawara into a blistering hug. Barely two extra inches on him yet larger than you remember, skin kissed by the sun and his hair handsomely coiffed. His waistcoat creases awkwardly with the stretch of his body while you sink into his warmth and feel your cheeks ache.

“Man, I feel like I could scale a mountain! It’s so good to see you guys again,” Nishinoya reclines to get a look at you both and firmly takes you by the shoulders. “You have a lot to answer for,” he says with mock seriousness.

“I do?” you laugh, skull knocking side to side as he shakes you.

“I read your book on the plane”.

Your laughter putters out. You grimace and clear your throat, “Oh—really?”

“Most of us have. We wanted to support you properly,” Yachi admits as she steps forward to hug you. She’s smiling when she pulls away, faint laughter lines deepening.

Sugawara nods and pokes at your waist, “Don’t look so embarrassed. It was amazing”.

“It made me cry!” Nishinoya effuses. He sniffs, and to your mortification he looks like he might burst into tears again. “There was this one line—gah, no! I can’t talk about it. Get over here, I need to hug you again”.

“Thank you, Noya-san,” you wheeze at the arms constricting around your midsection, eyes clenched shut to repress the impending sting. You turn your head, nose knocking against his temple as you peer at the others. “Thank you all. I mean it”.

Yachi squirms, her smile quivering. “I’m really happy you made it today,” she says once you’ve been released. The unyielding pressure of Nishinoya’s embrace lingers like two phantom limbs. “You too, Nishinoya-san”.

“It’s amazing you’re upright. I thought for sure the jet lag would get to you,” Sugawara laughs. He utters a quick apology to the server passing with a tray of drinks. “Didn’t you fly in from Barcelona?”

“Yeah. Should’a been heading to Andorra but I wouldn’t miss my bro’s wedding for the world,” Nishinoya’s voice drifts as his eyes follow the alcohol. He plucks a glass in one swift motion and holds it high, “Salut I força al canut!”

Yachi watches him throw back the drink with poorly veiled anxiety. “Ah, speaking of, we should find our seats. It looks like the cake cutting is starting soon”.

“Good call. We’re getting in the way of the preparations. And I think you’ve left Asahi alone for too long,” Sugawara claps Nishinoya on the shoulder. “Looks like he’s been accosted by Saeko-san”.

Nishinoya pivots on his heel, whip-like and buzzing. You’re not sure which name he reacted to more. Asahi or Saeko. “Where?” his gaze locks in on the pair across the room. “I’ll talk to you guys in a bit!”

Gone in a blink. “He never slows down,” Sugawara sighs, shaking his head fondly. “Guess that’s my cue,” he says before parting ways. Yachi waves after them.

An idea strikes you then. “Say, Yacchan. You’re next to me, right?” you glance toward the long tables set up around the dance floor and meet her gaze with a suggestive smile. “Would you want to sit next to Yamaguchi instead? I don’t mind swapping”.

Their relationship had blossomed over the past few months. A long, slow burn finally come to fruition, new enough that mention of it usually makes her turn pink. But the light in her eyes dims at your suggestion, and rather than flustered, Yachi looks uncertain.

Her fingers form a loose clasp around your forearm. “Tadashi is seated next to Tsukishima,” she explains gingerly. You feel yourself freeze and the kind motion of her thumb strokes circles along the inside of your wrist.

You let out a shaky exhale. “That’s okay. I don’t mind,” you tell her before the consequences of what you’re offering can really be cemented. Yachi’s eyes widen, her grip tighter on your hand as you squeeze back in an attempt at reassurance, knowing your smile looks brittle. “It’s probably for the best. We haven’t… talked yet”.

“Are you sure?”

“I’m sure”.

“Are you sure you’re sure?”

“Hitoka,” you laugh, bumping your shoulders together. “I promise I’ll survive”.

You regret it not two minutes later.

Anticipation fizzes under your skin as you spot him. On approach you give him a cursory look over, the harsh beat of your heart ricocheting in your chest. Tsukishima looks good—he always does, but today, dressed in his dark, double breasted suit, with the golden hour light carding fingers through his neatly styled hair, you think he’s never looked better.

It is disconcerting to see him again and realise that your feelings haven’t changed much in the slightest.

You sit in the chair beside him. You see his spine draw taut in the corner of your eye and feel an oscillating loneliness; so alike those final few weeks together that cold dread seeps between the spaces in your ribs and steals your breath.

“Tsukishima,” you incline your head, impersonal and cautious, hating how foreign his surname is on your tongue.

A beat passes before he repeats your name in greeting, soft as a psalm despite the dour expression on his face. You’re overcome with the urge to poke the uncomfortable crease in his brow. To smooth it out and kiss the skin there, the way you used to do.

You shift in your seat. The arms curve around your midsection and knock against your elbows as you fiddle with the table cloth, “I told Yacchan that Yamaguchi could have my seat so they can sit together. I hope that’s alright”.

“Why wouldn’t it be?” and you know the clipped answer is reflexive by the way his jaw locks in frustration at himself. Bracing for what you’ll say next.

Only, your mouth curls up a little, and you exhale a short laugh through your nose. You haven’t seen him this skittish since your first year of highschool. You consider that maybe you aren’t the only one who’s scared. That things are the same and they are not the same. The thought is bittersweet, but it’s nice, the way his trepidation gives way to muted awe, how he sends you sidelong glances when he thinks you’re not looking.

The music picks up in a grand crescendo as the newlyweds enter the hall and the reception begins with a raucous applause. A rich aroma unfurls as the food is served, the depth of the flavour layering over the already present notes of wildflower and honey. Drinks are handed to the guests. Generously. You swirl the liquid gold around the rim of your glass, luxuriating in the syrupy inebriation of a gently oaked chardonnay.

“So, uh. How’ve you been?”

Tsukishima, to his credit, does not startle at the question. “Fine,” he says, and you think he might leave it at that when he adds, “The museum received another new Crinoid collection last month, so I’ve been preoccupied”.

You grasp at the conversational thread, not wanting him to stop, “Crinoids?”

“Marine animals. They still exist today, though not as common. You might’ve heard of sea lilies and feather stars,” he shrugs halfheartedly, not daring to look away from his deep fried tofu, though it’s clear he can’t help talking about his work with pride. “Ours are from the Triassic period”.

“Just like the, uh—” you click your fingers to conjure the name from thin air “—Gojirasaurus! Your favourite, right?”

Tsukishima pauses. It’s a fleeting thing, but you notice. The corner of his lips curves into a barely-there smile. He seems pleased that you remembered. You busy your hands with repositioning the cutlery a fourth time so maybe, hopefully, you can distract yourself enough not to say something stupid like: “If I visit, will you show it to me?” or “Do you miss me, like I miss you?”

You clear your throat. “I hear the Sendai Frogs have been doing well, too. Congratulations on moving up to division one”.

Those aureate eyes are sliding to you again, bright and searching. Tsukishima arches his brow in a delicate mocking gesture that was unbearable when he was sixteen and even more so now. “Keeping tabs on me, are you?”

There’s mirth trickling into his voice, giving it a familiar smarmy lilt. A wave of emotion washes over you. Embarrassment and heart-twisting-happiness. You shove some rice into your mouth and chew it down to fine paste, vying for time to formulate a coherent sentence. “No. I read about it in the latest Volleyworld issue,” you reply unconvincingly.

“You don’t read Volleyworld”.

“How would you know that?”

Tsukishima takes a shallow breath and nods. The warm gloam of late afternoon mellows his taut features. “I’ve been reading too,” he says after another sip of wine. “I saw you finally published your book”.

Dread seized the inner workings of your mind and the apology on the tip of your tongue curdles. Time ticks by, one sickening second after another. Your eyes dip low to avoid his gaze—which for some reason, he refused to direct anywhere else.

Your recollection of the break up itself was hazy at best. There had been no raised voices, no desperate movie-esque kiss, no slammed doors. Only grief filling your body like lead, and jumbled, half-hysterical thoughts of ‘Is this it? Are we giving everything up, just like that?’

You remember everything that followed, though. The inability to accept reality. It is said if a writer falls in love, that love can never die. And so you kept writing, and writing, and writing; perceiving love through different lenses, creating different endings; relying on metaphors of natural forces and disasters, of cannibalism and gluttony, of journeys and patience to make sense of it all. Six months after everything fell apart you completed the final draft of ‘The Vanishing Moon’, dedicating a final testimony to him in small print on the first page.

Given the choice, I would’ve rather had you at my side than any one of these words.

Has he seen it? Is that what he’s getting at? Did he read through all eighteen chapters and meticulously pick out the remnants of him you pressed between the pages?

“Noya said it made him cry,” you eventually reply.

Tsukishima signals for another drink. He takes two flutes from the server, handing one to you. You accept it with a soft ‘thanks’, hoping he didn’t notice the tremor in your fingers. “Nishinoya-san cried when he found out swans can be gay,” he points out.

“You cried at The Land Before Time”.

“What kind of cold hearted bastard doesn’t cry at The Land Before Time?”

Laughter bubbles up in your chest as the initial dread ebbs away and the tension seeps from your shoulders. Tsukishima dips his chin, a small smile as he mutters, “That’s better”.

In the centre of the hall Tanaka cradles Kiyoko in his arms, now surrounded by clusters of their loved ones whirling with their own partners, a hurricane of colour and laughter and love. Tsukishima observes them with a solemn gleam in his eye. That could’ve been us, his heart says in chorus with your own.

“Do you remember that time we danced together in third year, at the summer festival? I tried to kiss you and gave you a nosebleed”.

“I remember”.

Your gaze drops to the bottom of your glass. At the time you had been mortified. Now it’s a story you would share at your own wedding table. The thought cleaves your heart in half.

“Do you remember the song that was playing?”

“Why are you bringing this up?” Tsukishima snaps. “Yes, I remember everything. I couldn’t forget even if I wanted to. Happy?”

There’s a surge of something devastating in your chest, like love and heartbreak all at once, strong enough that you feel as if your ribs might splinter just to make room for it. But they don’t—and you don’t, because you’ve felt this before, and your body remembers.

You remember.

Suddenly the room is too hot, and the music is too loud. “Sorry. I’ll be back in a minute,” you murmur, pushing your chair back and getting to your feet.

“Wait,” in one short breath there are long, calloused fingers circling your wrist. You do wait. Tsukishima hesitates, the pressure elevates, and as you lean away your palm slips into his, skin kissing skin. Then he’s standing, towering over you. “I’ll come with you. I know a place that’s quiet”.

Tsukishima does not let go of your hand, and you don’t let go of his. He walks a few steps ahead guiding you through the throngs of people. Some familiar heads turn, their attention drawn immediately to the place where your bodies meet, and shooting you various looks of encouragement or confusion. Yamaguchi sees you pass and his mouth splits into a grin so wide that his eyes crinkle.

You’re not sure where it is he’s taking you, only that his promise of finding quiet is true. The cacophony simmers and soon enough the festivities are muffled entirely. Just when you think you’ve wound up at the end of a corridor it curves, leading to a pair of french doors. “Come on,” Tsukishima ushers you out onto a balcony.

What you’re greeted by makes your breath catch. The world as it is around you comes to a standstill, the fabric of reality peeling away. An orange yolk dips below the horizon and the sunset hour drapes across the ostensibly endless meadow hidden behind the Karumai Gardens. Rolls of grass sway in the wind, peppered with wildflowers of every shade.

You move to stand at the balcony’s edge. Tsukishima drops his hand, and your fingers curl into your palm. The shadows grow longer, the air cooler. The evening insects begin to sing. You’re warmed still by the wine thrumming in your bloodstream.

“Hey, Tsukki?”

He comes to stand beside you, folding his arms atop the wall. “Don’t call me that”.

“Oh,” you swallow against the swell in your throat. “Sorry, Tsukishima”.

Tsukishima’s expression twists into a scowl. There’s a blush creeping toward his ears. “I didn’t mean that,” he says. You blink and wait for him to elaborate, which only flusters him further. He stares stubbornly at the border. “Just—call me as you normally would. Anything else sounds wrong in your mouth”.

The name leaves you in an instant. Hushed—not whispered, “…Kei”.

He makes an inquisitive noise, strangled as it is.

“You didn’t say what you thought of it,” you continued. “My book”.

You feel a rush of adrenaline when Kei doesn't answer immediately, unable to read his expression. “Good,” he says, veiled indifference belied by the restless twisting of a cufflink between his forefinger and thumb. “It was good”.

“Well, that’s practically a Pulitzer recommendation coming from you”.

“Shut up,” he huffed, gaze flitting across your face and dropping to your tentative, uncertain beginning of a smile. He wets his lips and glances away. Heartened, both by the alcohol and his reciprocation, you press closer in small increments, and Kei flowers under your gentle persuasion, like he always used to.

“This okay?”

In lieu of a reply you are ensconced by a warm, firm chest and two strong arms around your back that show no sign of withdrawing. The low timbre of his voice vibrates under your cheek, “Who was it for?”

“Hm?”

“The book. You dedicated it to someone”.

You exhale, squeezing your eyes shut. You’re glad, in part, that he can’t see the emotion written plainly on your face. “Nobody,” you answer lightly, angling to position your ear right over his beating heart. “Just an ex. You don’t know him”.

“Right,” Kei says, drawing out the ‘l’ the way he does when conceding a point he knows he’s correct about. It sounds so fond that you want to curl up where you’re resting, like some benevolent cat. “Guy must’ve been a dick”.

“I was too. We made a lot of mistakes, I think,” you say. If nothing came of this you would at least be able to revisit it; to pick at the scab and stop the wound from closing over too soon. There’s comfort in that. You crane your head and meet his gaze, nervous but unwavering. “But even if he was kind of a dick, I miss him a lot”.

“Yeah?” his eyes soften, half lidded and dark. “He misses you too”.

“He told you that, did he?” your mouth trembles. Kei dips to bring your foreheads together, and the hard frame of his glasses bumps your eyebrow. You share a shaky exhale of laughter.

“I’m sorry,” he mutters, brow pinched with regret. Again, “I’m sorry. I know I fucked up”.

You feel your jaw quiver. The familiar burn behind your eyes. Tears so close you can taste them. “We both did. Don’t shoulder the blame on your own”.

“But I made you feel lonely,” he says.

You tuck your chin and whisper, “Yes”.

His fingers splayed across your cheek, pinky tucked beneath your jaw as he cradled your face in his hand, tilting until you’re staring back at the reflection in his pupils. Puffy and damp, eyelashes clumped with tears. What a sight.

Kei strokes his thumb in an arc beneath your eye. A tear beads on his nail, slipping into the crook of his hand. The inexpressible tenderness is overwhelming yet you are underwhelmed by the inaction. You can’t find it in yourself to be embarrassed by the whine in your voice as you ask, “Are you going to kiss me?”

“Demanding as ever. What happened to ‘please’?” he murmurs. And then he kisses you.

It is slow at first, hesitant, leaving room for you to pull away. But with every languid movement of Kei’s lips came a sweet affirmation, that which you took and took until you no longer felt unworthy of receiving it. His hand flutters at your waist. You take a shuddered breath, pressing closer into his embrace and deepening the kiss. In his distraction you take him by the wrist, encouraging him to touch. There’s an immediate, reverent grip at your hip, kneading over your clothes.

This is what you’d been longing for. The feeling you couldn’t transpose; that which people have long tried to capture. The esoteric, giddy anticipation and joy that bubbled between two people on the precipice of something bigger than themselves. Even with an affinity for stringing words together you are scarcely able to describe it. Immense and overwhelming, light and dark, tender and everything in between.

Kei pulls away for breath with a low, vibrating hum, wearing a smile that you thought you’d never see outside of your memories. Almost boyish when he looks at you. The distance is an inch too many but it is just that—an inch. “Eager,” he teases, only to kiss you again, twice as eager.

For as long as you can remember, you’ve loved love stories.

But love doesn’t only exist in stories.

You remember that, now.

#hq x reader #haikyuu x reader #tsukishima x reader #tsukishima kei x reader #haikyu x reader

912 notes · View notes

luvring · 1 year

Text

HOW FANS FIND OUT YOU’RE DATING: SAKUSA VER.

gn!reader | timeskip!sakusa

sakusa wanted to marry you. he had said as much drunk and clinging to you, and while sober, falling asleep to your voice and fingers running through his hair. but he knew he’d have to wait, be careful with what could happen if word got out msby’s sakusa kiyoomi had a significant other.

but even kiyoomi couldn’t help himself from getting rings. promise rings, he emphasized to you.

he handed the carefully wrapped box to you, tense, only able to hope you'd like them but ready to return them at your word. you looked up after opening the gift, and his heart skipped a beat. “kiyo—”

“it’s a promise ring,” he said quickly and softly. “they’re just promise rings. don’t worry. i just…” he reached into his pocket to take out his own. his ears embarrassingly hot as he tried to explain, “i wanted us to have them.”

“...unless you don’t like them, or this is still a little–”

“‘omi.” he froze at your voice, and you stepped forward to wrap your arms around his neck as he held you to his chest. “it's perfect. thank you.”

and he’s careful. so, so careful to keep his safe and always on him, even if it's hidden in a pocket somewhere, only out so he can kiss it before each game. and that’s why it's a shock, especially to him, when a reporter comments on it during a press interview.

“sakusa, would that happen to be a ring on your finger there?”

that's all it takes for kiyoomi’s mind to blank. he had fiddled with it while on a call with you, what? 10, 15 minutes ago? and apparently the voices of his teammates caught him so off guard that he forgot to put it away before being called over.

kiyoomi wasn't stupid—the opposite, really. with everyone's eyes on him, he knew there was no believable way out of this. his eyes flicker down to where the band of metal sat and stared back, as if taunting him for his mistake, and all he can say is “yes.”

a grimace pulls at his lips when the camera flashes seem to get brighter at the word, and he can feel the stares of his team and management unintentionally burning holes into him. the reporter moves a little closer. “does that mean—”

“no, i’m not married, or engaged.”

“ah,” she replies, shifting a little in her seat again. her confusion was evident, and she hesitates in confirming, “so it’s just a ring, then?”

“no.”

“i–i’m sorry?”

“it’s a promise ring," kiyoomi explains. and he sees the reporter is about to speak again, but he's quicker. “yes, i'm in a relationship. but that’s all i have to say about it today, thank you.”

so the interview carries on with his announcement in the air, and he can feel an oncoming headache when he overhears the trending headlines and hashtags after they're done. "sakusa kiyoomi confirms he's in a relationship!", "how long has sakusa been dating somebody? is he secretly married?", and apparently threads of images where fans tried to collect evidence for and against it all.

it's too much, and his mind's muddled and reeling by the time he gets home. he doesn't know what to do or what to say next; the only thing kiyoomi knows for certain is that he has to find you. so he takes off his shoes and jacket, padding up to your shared bedroom. slowly, he opens the door to see you in bed on your phone, and he wonders if you're reading the news.

“hey,” you greet him quietly.

“hi.” he breathes. opening your arms, you gesture for him to join you under the covers and he complies easily. he makes his way into your arms, face burying into the crook of your neck. there's a few seconds where neither of you speak until he finally mumbles, “i’m sorry.”

and he knows you know what he’s apologizing for. kiyoomi also knows you won’t be upset, he just thinks you should be; he had one job outside of volleyball, and it was to keep you safe. but your voice remains gentle as you begin to rub circles on his back, “why are you apologizing? you didn’t do anything wrong.”

“tell that to everyone else.”

“well, they all love me so i’m sure i could pull some strings for you. y’know, keep you out of trouble.”

he huffs, “you say that as if it isn’t accurate.” you feel him frown against your skin and a laugh escapes you. hearing the sound, kiyoomi can't stop himself from smiling despite the nerves in his stomach.

he licks his lips and using his thumb, spins the promise ring on his hand before asking you, “you know i won’t tell them anything else, right? unless you wanted to?”

“yeah, of course i do. never worried about that.”

“we’ll have a meeting this week to figure out what to do, or say, or whatever. i’ll—”

“the only thing you’ll be doing right now is resting,” you cut him off. he moves to look up at you and opens his mouth to speak, stopping himself when you run your thumb against the nape of his neck. “you’ve had a long enough day, ‘omi. leave that for tomorrow.”

“but—”

“nope, sleep time. i better hear you snoring.”

he frowns. “i don’t snore.”

“oh really? you’re gonna say that to me?” a smile dances on your lips and kiyoomi scoffs, a smile already on his own, before nudging your cheek with his finger, and you feel the cool metal of his promise against your skin.

“but seriously, we can figure it all out later. and if this is how everyone finds out then, you know. it won't change anything, maybe just the amount of fan edits i get to watch,” you joke lightly.

kiyoomi blinks, both at the news of you watching fan edits and the implication of your words. “you think i'll lose fans?”

“what? oh, no, are you kidding? i think you'll gain a lot. 'hot, brooding volleyball player sakusa kiyoomi is actually a sweetheart who loves having his hair played with—” you let out a yelp as the aforementioned volleyball player suddenly pulls the blanket over your head. the both of you laugh as you take it off and pretend to be offended.

kiyoomi's gaze softens at your reaction, and instead of apologizing he says easily, “i love you.”

the words catch you off guard, but after a second you reply just the same, “i love you too.” and kiyoomi's heart aches at it—the way you comfort and love him so effortlessly. but it's soothed by the sensation of your own ring against his face as you hold his cheek, and the reminder that no matter what happens next, his reputation be damned, you'll both be alright.

🏷 | @devilgirlcrybabiey @lordbugs @smiithys @xfangirl-trashx @passionateuchiha @scaramouchesfootstool @fifteenshadesofpinkk @lotus-sukimono @chloee0x0 @kenmaslov3r @bakugosgrenade @semifilms @sakusasdirtyragdoll @dai-tsukki-desu @Thathoneybee3 @momoewn @aintgeluh @dazaisfavgf @simpforerenn @crystal-lilac @vhenis @omiigad @kur0-kawa @semispilledcoffee @idontlikeyourjob @awkwardaardvarkforever @rory-cakes @prblmtc @kuroaka @vampyrkookie @sunaslay @h0n3ysgh0st @lackey-laufeyson @bontensbabygirl @dira333 @the-b-u-n-n-y @Kamukayakmonyet @danyisapingu @isentsworld @lilithlunas @anime-ships-gay @todorokiskitten

#haikyuu x reader #haikyuu #sakusa x reader #sakusa kiyoomi #sakusa fluff

4K notes · View notes

therantingsage · 20 days

Text

Because I promised this, and I really wanted to do it anyway, here's a really really long-winded rambling dissertation on:

Why N and Uzi secretly dating since before episode 5 is genuinely super plausible and also stupidly hilarious /pos

Under the cut cuz it got obscenely long oops-

Idk where to start, so I'll just cover my bases: why people think they've been in a relationship already in the first place.

We all saw this scene:

And legit it can only be implying one of two things. Either A: this is his confession of feelings for her. Or B: this is him admitting that they've been dating for a while at this point. With the hearts it's pretty clear that this statement is meant to be romantically interpreted, and Nori's aghast reaction confirms that that's how it's being interpreted.

Obviously no matter the interpretation, N only writes that because he can't think of anything else to snap Uzi out of it and thereby stop this confrontation from ending poorly. And it works obviously so good on him for the quick thinking.

Two things that make me lean towards the 'we're dating' interpretation over 'confession' interpretation, though: firstly, he's not writing this to tell Uzi something, he specifically calls out to Nori before writing it. "Hey btw I'm dating your daughter" makes more sense than "Hey btw I like your daughter romantically" because if it was the latter, Nori has far less reason to be mad at Uzi about it rather than N. It's not like Uzi can control how N feels. But if they're dating, that means Uzi is partially to blame for that and Nori can get upset at HER.

Secondly, the awkward wording. Like it's really vague and without the hearts you'd have no reason to assume anything but platonic meaning. But these are words we, and him, have heard before:

...from Uzi, in response to a question about who she is and, by proxy, the nature of their relationship. She says it defensively, follows it up by telling N to shut up. N repeating her wording which, again, is a description of the nature of their relationship....but this time implying something romantic with it, it suggests the idea that it had romantic implications the first time.

I don't think it's far-fetched to say Uzi at least has feelings for N at this point in the story. I don't think anyone's arguing that that's not true. But the idea that 'hang out' means the exact same thing both times is what I'm arguing here. They're dating, but this version of N is a stranger to her. A cute stranger, as she says, but a stranger nonetheless who she isn't comfortable admitting to that she's dating him in the future to his face.

Backing up a bit, Uzi's reaction to Nori's reaction:

This is a clear and obvious parallel to the previous episode, when 'Tessa' says "Don't date my robot, please."

In both instances, someone gets on her case about the idea of them dating, and in both cases she doesn't deny it but instead defends both his and her own agency in the matter. No one is allowed to tell them what to do and Uzi refuses to let anyone try.

When Nori says it, though, she does seem to try and deny it for a moment. "I'm not-" She cuts herself off so we can't say for certain what she was going to say (if anything. it's entirely possible she started that sentence with no plan how to finish it, I do that a lot personally). But that's also because, like, she's Uzi. If this was meant to be a secret relationship, it would probably be her who made that decision. And like with butler N, she has no reason to disclose that kind of information to a stranger. She'd probably try and deny it whether its true or not.

As for when it would've started, after camp is the only big timeskip where we don't have much clue went on during. Cabin Fever is a big episode for them, and the three episodes that come after it are all back-to-back-to-back. The only time it makes sense to have started is sometime between eps 4 and 5.

And guys. Guys.

This, more than anything to me, paired with the idea that they've been dating for a while by the time the most recent couple episodes happen.....doesn't this seem so, so romantic? You could easily call this a love confession! So easily! It sounds like one much more than 'we just kinda are hanging out a lot idk' at least.

Like, rephrase that even a little: "Being with you makes scary things fun. Being with you makes me feel brave. It makes me feel safe. So I want to keep being with you."

And Uzi agrees with that sentiment. He promises to stick with her. And she laughs and smiles with him as he makes the scary thing she's been dealing with into something fun, something they can laugh about. The together line gets repeated in the most recent episode, directly calling back to this scene as well.

Like, just...AGH. In Cabin Fever he says it once as they're falling and a second time once they're grounded. The second time its a question, and one she eagerly answers with physical affection, which is super rare for her. In Mass Destruction its a statement, because he already knows her answer. Its a repeated promise. A vow.

Backing up again. Let's assess some interactions under this context. Assuming they're dating in secret. Because it paints so many things in a different light and basically nothing contradicts it which is fricken wild. This:

Isn't a sheepish Uzi trying to hold her crush's hand in a moment of fear. This is an Uzi who wants to keep their relationship a secret but is so in need of comfort right now she's willing to risk exposing them to get it.

This:

Her being so relieved because she almost watched him die but he's alive he's ok and she doesn't care who sees it because she needs to hug her boyfriend rIGHT NOW GUYS I DON'T CARE I'M HUGGING MY BOYFRIEND-

This whole scene. Uzi interacts with him so gently here. She's not gentle with anybody else at all. She sees him stressed and uses his own "you good?" on him and it's just so dang tender when you think about it. Because no one else can hear them talking to each other. It's just these two sending face texts and everyone else's focus is on the Sentinal so they can afford to be as couple-y in this conversation as they want.

And after:

Blushing because they like each other so so dang much.......sweating bullets because the other two can see them do this. Suddenly without either of them really thinking about it they're being romantic around other people and wow! That's nerve-wracking! Peak young love early-in-the-relationship behavior they ain't slick.

His tone of voice in this scene is gentler I think than we've ever heard from him before (Michael Kovach you are so damn good at your job). His loss-filled fury is cooled in an instant when he realizes how close he came to hurting his girlfriend. It's heartbreakingly gentle before 'Tessa' cuts him off.

And when she cuts Uzi off:

He looks like genuinely pissed at her. "Did you really just interrupt my gf while she was talking?? She's scared and you're disrespecting her tf is wrong with u??"

And like- the fact he was genuinely willing to off Tessa for her. Like he realizes there's a possibility she tried to get his gf killed for no reason and upon her not even trying to deny it he just kills her instantly. Because it's no longer a question of the universe or Uzi. It's a question of Tessa or Uzi, and its a choice his heart has already made before this point.

But here's like. The thing about all this that gets me. This is meant to be a secret relationship, right? Like nobody but them is supposed to know about this. And the fact that we the audience didn't have any reason to assume them to be an established relationship without heavy headcanoning means they did a decent job at that, right?

Guys. Guys.

N is terrible at keeping secrets. Like. Horrendously bad at keeping things on the down-low. Every single time in the series he's supposed to not spill info he like. Fails. It's wild. And because the relationship happens after "Inclusive reflexes!" that means that Uzi damn well knows this and still trusts him to try.

But based on V's reaction to the handholding in Dead End:

I'm honestly willing to bet she knew. She doesn't sound surprised, just annoyed that she has to see it. Which means N probably like, heard her badmouthing Uzi or something and got like way too defensive about it and she clocked him instantly. Because he's bad at keeping secrets. And she doesn't bother mentioning it during any of these episodes out loud because she doesn't care what these idiots do in their free time.

Can you imagine how many hundred close calls they must've had? How many times Uzi must've had to aggressively shush him or cover his mouth because he was going to say something slightly too sappy in public? The only reason we don't get to see the time period between eps 4 and 5 is because it would've been painfully obvious that these two dating is the worst kept secret in the entire bunker. I'm going insane.

Uzi fell in love with a proud himbo and they both know it. It's genuinely a miracle they didn't clue the audience in sooner.

#Murder Drones #Murder Drones Spoilers #md N #md Uzi #Uzi Doorman #Nuzi #Biscuitbites #Listen!! I'm feral and I site my sources!!!#This is a hill I'm willing to die on. And then I will rise to keep talking #I miss doing posts like this. I have so so much to say always #Me when I hyperfixate to the point of essays. Oops. Glad I can read

358 notes · View notes

kaizokuou-ni-naru · 2 months

Note

Thoughts on Bonney and her situation? I feel so bad for her… :[

oda has always been really good at introducing information about characters through their backstories that recontextualizes a lot of their behavior in hindsight, and i think bonney is maybe one of the most skillfully done examples of this in the whole comic.

i started suspecting some time before reaching her backstory that she might be younger than she generally appears, because it struck me as consistently odd how everyone on egghead seemed to mention knowing her as a child and how fast she’d grown up, but having that information confirmed in her flashback completely changes her as a character in a way i find really compelling and fun.

like, throughout egghead i have been mentally comparing bonney a lot to law. from the start she’s playing a similar role as he does in the dressrosa saga, as the arc’s supernova ally-of-circumstance, and the similarities between them only grow deeper as we learn more about her history and motivations. bonney is really similar to law in a lot of ways; she aligns herself with the strawhats while on a revenge quest for the death of her adoptive father, who sacrificed himself in order to cure her of her childhood terminal illness.

the main difference, of course, is that bonney is twelve.

she’s twelve! and she was ten before the timeskip. which means she’s about as old in the present of the story (10-12) as law was in his flashback (10-13), or as ace and sabo were in the post-marineford flashback (10); that’s the age and maturity level she’s at. she’s twelve years old and she misses her dad. her tragedy is fresh and recent and she hasn’t quite grown around it yet, and she still has her whole future ahead of her.

i really liked the reveal that her devil fruit basically relies on her being a kid with a big imagination full of infinite possibilities. it’s very thematically resonant with her role as the emotional and narrative core of the arc set on egghead, the island of the future. any future she envisions for herself she can make real!

related to this, she also relates to religion and myth like a child does, where it all may as well be real because anything still could be. when kuma tells her about nika, she envisions someone who’s really somewhere out there in the world who she could find. the sun’s in the sky- maybe they’ll find him up on the sky islands?

and the thing is that she’s right!

bonney is a kid and the futures she dreams become real, because her ability to imagine the impossible hasn’t yet been beaten into submission by the horrible weight of reality. saturn tries to break her spirit and depower her before he kills her by crushing her ability to picture any future for herself, and it almost works.

and then there’s nika, and everything becomes possible again.

#jonny answers #one piece #not japanese #bonney #character meta #opmeta #opspoilers #long post

373 notes · View notes

twice-inamillion · 3 months

Text

The Company

Interlude 1

Smut and Story Building

1,185 Words

(A small timeskip. Will be introducing some new characters and imporant events)

It’s been a couple of months since you and Jessica hooked up. The weekend was one of many nights that the two of you spent together. At first, she made the excuse of visiting IU and Taeyeon and would try to get a quick one before meeting them. You know her trick and obviously didn’t reject the offer. Instead, you made sure to pump a load or two before she left to meet her friends.

————

With two confirmed groups for the company, you took some time to get to know them without exposing your position as CEO. You came up with a false position as a trainer/staff to better know some of the trainees before their official debut.

Your assistants were fine with the idea since it gave you a chance to be involved in their bi-weekly evaluation process, but not most felt that way. There were some staff that were a bit stressed by your presence by having the CEO breathing down their back. You assured them that they could act normally and that your focus was on the trainees.

After the first week, their stress disappeared due to how involved you were with the trainees. They enjoyed watching you become a backup dancer, even cheering you as you took off your shirt.

“Wow, such a hot body!”

You turned around to catch the person who yelled that but only saw the girls holding their laugh.

“Alright, let’s end this here. Good job, girls,” says one of the female trainers.

You return to the seats and grab a towel to wipe yourself off. Through the large room-sized mirror, you see someone eyeing you, biting her lip as you dry your face.

“Jennie unnie, let’s go. We need to head out and get to class,” says the girl next to her. The girls gather their bags and rush out the door.

“CEO nim, sorry for the rude comment the girls made. I’ll talk to them later today,” says the female trainer.

“Don’t worry about it. They’re just being playful. No harm done.”

“Thank you for being so understanding.”

“Also, what's the girl’s name again?” pretending not to know her.

“Her name is Kim Jennie, aka Jennie.”

Later that day, while waiting in the cafeteria line, you get a feeling of someone eyeing you and notice it’s Jennie sitting across the room with four other girls. You grab your food, take your tray to an empty table, and begin eating. That feeling of someone watching you continues throughout lunch, even as you pass by them to return your tray.

You change your outfit, return to your office, and pull up the group’s file:

Group A:

Kim, Jisoo

Kim, Jennie

Cho, Miyeon

Park, Chaeyoung

Manobal, Lisa

Group B:

Irene

Kang Seulgi

Son Wendy

Park Joy

You look at Jennie’s file and see numerous comments stating that she has an ‘It girl” factor based on her looks, language, rapping skills, and stage presence. Many state they have hopes for her in the group. You look at her pictures and videos from her evaluations and can’t help but want to get to know her. After much thinking, you decide to make her your new toy as you close her file.

————

You leave the practice room, walk towards the hallways, and see Irene. You stop, look through the window slot, and see her together with her future girl group. You watch as she stands in front of the group, plays the music, and gets into formation.

“They’re good. Irene chose some good members.”

You take out your phone and take a quick snap but forget to turn off the flash; Irene turns her head and sees your apologetic face. She runs to the door and opens it, yelling at you to go away. You run and turn the corner, laughing out loud as some of the staff members look at you with worried expressions, as they have never seen the CEO act this way.

————-

Throughout the next week weeks, you notice Jennie throughout the company or calling you to move some furniture around when the rest of the members are not around, and you’re surprised by the way she talks to you so comfortably, “Oppa, can you move that over there? Is to heavy for me” as she pouts. “Sure, don’t worry about it” carrying some heavy boxes from one corner of the living room and into another. You tell yourself that you shouldn’t have played the staff role since you’ve been busy recently, but you can’t blow your cover, so instead, you suck it up for a bit longer.

“Here, that’s it. Anything else?”

“No.” She comes close to you and touches your biceps, “You’re so strong, oppa. Do you work out a lot?”

“I do work out a bit here and there” as you flex your muscles. She claps and says, “Wow, does that mean you’re strong?”

You pick her front her waist with much ease, making her yelp from the surprise, and say, “Wait, what are you doing?” You spin her around once, then hear the door open and see the other four members enter the apartment. Immediately, you put her down, and the both of you pretend that nothing happened, but the girls see Jennie’s reaction and can’t help but laugh.

“Alight, I’ll take my leave if there is nothing else for me to do.”

“Jennie, don’t you want to say goodbye to oppa?”

Jennie turns red and covers her face from the teasing of her members as you exit their apartment.

—————

You get a phone call and see that it's from Jessica. When you answer the phone, you can hear her upset, almost crying. “Jessica, what’s wrong?” There is a short silence and a cry until she finally speaks up, “Can you pick me up?” Worried you let her know that you’ll be there in a couple of minutes in front of her apartment.

When you arrive, you see that she is waiting by the entrance of the building with a small suitcase and bag. She comes in a hurry, so you quickly open the door and load her items inside. You arrive at your apartment and settle her things down; you offer her something to drink as she sits on the couch. “Would you like something to drink?” She gives it some thought and eventually says, “I think I’ll go for a tea.” You’re surprised by her choice since she normally gets some wine whenever she visits.

You hand over the drink and sit next to her, asking her what’s wrong and why she’s so upset. She breaks down and says repeatedly that it’s not fair. “What do you mean by it’s not fair? What happened?”

“The company and the girls are kicking me out of the group.”

“What? Why?”

Jessica stands up and undoes her thick coat, revealing a small bump. In a panic, you say, “Are you…”

She nods and says, “Yeah, I’m pregnant with your child.”

267 notes · View notes

roodles03 · 4 months

Text

Huntlow Grom Redraws (The Mud)

Huntlow Grom Masterpost:

Previous: Overview: (Redone)

Next: The Halls

Video:

AHAHA YOU THOUGHT I WAS DONE WITH THESE? THE REDRAWS HAVE RETURNED!!!

First two things since I KNOW I will get comments about this

"Why is Willow's hair still braided?" Because I headcannon she cut her hair just before Grom. She figured it'd get in the way of her fighting Grom itself. At this point in time, she had not cut her hair yet, seeing as it's not until this moment when she decided to swap with Hunter.

"How did Willow use the light glyph?" IT IS NOT A LIGHT GYPLH. It's a light spell. "But that isn't a plant spell?" Light spells are confirmed to be an incredibly easy for any witch to do. Amity even says "That's nothing. A child could do a light spell." In Covention. I see no reason for Willow to be unable to cast a simple light spell.

I should also mention that this is NOT a Huntlow swap AU. Lumity Grom is still cannon. Everything in the show remains the same. This is simply a future Grom during the WAD timeskip. I'm just redrawing Willow and Hunter in their places because I think it's cool to see what they'd look like in these scenes.

Anyway, hell yeah, I'm finally back to these. This was incredibly fun to make, and some of these poses were challenging to replicate with Hunter and Willow's body types. The lighting was a pain in the ass, too, I ended up going through two different ways of doing it, I had gotten two panels done with the old method before having to redo them with the new better method. By panel 9, I went back and added my personal stylized shading on the hair and faces of Willow and Hunter. I intially left it out in favor of more show accuracy, then realized that I just didn't like how my art looked without it.

I did change a few of the expressions and poses from the screenshots I referenced.

Panel one is obvious, I had to change the hands due to Willow casting a spell circle rather then using a glyphs.

I made Hunter a bit more scared then Amity looked since I headcannon he has a phobia of mud.

In panel 5 I changed the expressions of both. Willow is worried instead of cheerful, and Hunter is sad instead of giving Willow a bitter look. Neither of the original expressions made sense for their character.

Willow in panels 7, 9, and 10 has little lines under her eyes to show that deep down, she is afraid and part of her doesn't want to replace Hunter, but she is doing it to be reilable and help Hunter. She'd rather make someone else happy than do what's best for her own well being.

Also made Hunter blush being starstruck because... well I wanted to haha.

242 notes · View notes

hugejk · 3 months

Note

Reader coming to his game and pablo just loves it so much. In an interview he talks about that she is there and etc.

not gonna proofread bc i’m extremely high rn

also this lil blurb is gonna take place in pre-season 🙈

||____________________||

It was a sunny day in los angeles, the local stadium was packed with people. Sitting near the pitch with your friends, you were sipping on a mix of lemonade and sweet tea. After a while of talking the barcelona players came out. Checking your phone you realized that it was almost kick-off.

you must’ve been talking so much that you didn’t realize the text your boyfriend sent before the match started.

esposo🤍:

heading out now 😊🫶🏽

you looked up to see the players warming up, seeing pablo talking with one of his teammates while stretching. You couldn’t help but think about how much you loved him. Often you guys would refer to each other was husband and wife. You knew pablo for most of your teenage years, but got with him 3 years ago.

The first half of the game was looking tough, as the other team scored. But you knew barca would come back. As you waited for second half to start you decided to check your phone as you haven’t checked it since kick off. Nothing was very new, a few notifications from some useless app.

As second half started, you were only focused on your boyfriend, trying to follow him with your eyes whenever possible.

*little timeskip*

as the match came to an end, barca was able to tie the game. It was the first match of the preseason, so there were interviewers everywhere, talking to the players about the upcoming season. You were waiting on pablo to finish up his interview so you could talk to him.

*time skip again bc i’m lazy*

as you entered your shared home with pablo, you heading to the kitchen as you haven’t ate in hours, pablo heading for the shower. You made a bowl of cereal as it was the easiest and quickest option. Pulling your phone out and seeing all the texts from your friends about pablo’s interview.

the chipettes 🐿️❤️:

f/n: y/n did you see pablo’s interview yet? 🥹

f/n2: you need to look at it right now!!! 😭🫶🏽

confused, you opened twitter knowing you could easily find it on there. after a while of scrolling you found it on some fan account.

“gavi, did you have any support from anyone out here today? Like family, friends, maybe a girlfriend?”

“i had alot of support out here today, my family, friends, the fans, but nothing compares to my girlfriends support here today.”

you blushed a bit listening to the interview, you and pablo didn’t really announce anything about you guys. He didn’t want to put all that stress on you especially with some of those fangirls. The fans knew he was possibly dating someone, but never really knew.

“Wow pablo gavi has a girlfriend? Who is the special woman?”

“i’ve had a girlfriend for a while but never confirmed it, but she’s like my other half, she just gets me and always makes me happy” pablo said with a slight smile on his face.

“what is your favorite thing about her?”

“my favorite thing? hard to say…my favorite thing about her is probably how she is just so happy all the time. I get mad easily i think everyone knows that, but she can just calm me down so easily. Like fire and water”

Hearing him say these words about you just made you feel like the most luckiest girl on the world.

||____________________||

A/N: srry this was so short and like kinda dry 😭 currently trying to write more but it’s a lil hard 💔👎

#pablo gavi #pablo gavi imagines #gavi #pablo gavi fanfic #pg6 #fc barcelona #pablo gavi x reader #pablo gavi x you #pablo gavi blurb

189 notes · View notes

tossawary · 4 months

Text

Overall, in the live-action "One Piece", I liked the way that they did Mihawk visiting the Baratie. I still prefer the manga/anime (Zoro SEES Mihawk fuck up an armada and this wonderful idiot is like, "Yeah, I'm gonna fight him next,"), but I understand why they shifted the Don Kriegs around in order to fit the arc they had created for their limited number of episodes for the East Blue Arc, and I think it was probably the right choice even if it changing the Don Kriegs does give us less of the Baratie crew. All of the arcs were filed down and I can just go back to the manga to see all the East Blue minor characters properly.

I like the fact that OPLA has such a different feel. I think it's fun when adaptations embrace the fact that they're inherently different. I really liked Nami and Zoro's little drinking and questions game. And I thought Usopp getting super drunk at the bar and Mihawk being RIGHT THERE listening to him talk was SO FUNNY. Like, yeah, that gives off the vibe that this warlord does just casually visit bars as he travels, in between fighting armies for funsies, and now I get to also imagine Mihawk casually shopping at specialty goth clothing stores and buying bottles of wine to go as he travels. (And now I have to wonder what would have happened if Zoro had run into Mihawk somewhere like Funky Bar (the bar he mentions to Kuro, which yeah, they did kind of make it sound like a gay bar).)

I like Usopp/Kaya, but now I also like to imagine for a second that Usopp could have accidentally (or on purpose! If you're not going for Usopp/Kaya) HIT ON Mihawk at the Baratie. Maybe he was just trying to compliment the guy's fit or remark on his beautiful eyes or something, because Mihawk definitely has an aesthetic going on, and these words came out a little too flirty? Maybe it was a random bout of drunken courage sure to collapse quickly?

And, in this silly OPLA AU, I like to imagine Mihawk leaning into this at least for intelligence-gathering, like, "Let me buy you a drink. Tell me more." (Side note: Mihawk doesn't really seem like a bar hookup guy to me, like, in general, but counterpoint: SHANKS sure does!)

So, Nami, across the bar, can be like, "Whoa, Usopp's actually pulling some guy." (Mentally, she is evaluating Mihawk as, like, a sugar daddy robbery target. It's like second nature to her at this point. Are they going to have to interfere? Usopp is REALLY drunk. Can she swipe Mihawk's wallet if they interfere?) And Zoro turns around to look and he pauses for a really long time before saying, "...That's Dracule Mihawk, the World's Greatest Swordsman."

So, things proceed pretty much the same way from there, Zoro challenges a warlord and nearly dies, but now Nami and Zoro can hold "flirting with a warlord at a bar" over Usopp's head as an embarrassing story FOREVER. (I think if Usopp tried to own this misunderstanding to lessen the embarrassment, his lying would take over, and this would somehow lead to widespread rumors that someone on the Strawhats is secretly MARRIED to Mihawk or something, because Usopp's luck is terrible. The Navy has to reach out to Mihawk like, "ARE YOU IN LEAGUE WITH THE STRAWHATS THROUGH MARRIAGE?! CONFIRM OR DENY." And Mihawk thinks it's so fucking stupid that he refuses to answer at all.)

After the timeskip, the first thing that Zoro ends up saying to Usopp after 2 years is something like: "Mihawk says hey."

Usopp: (⁠･⁠o⁠･⁠;⁠)

Did Mihawk really say hey? Does he remember Usopp at all? Is Zoro just fucking with Usopp? Usopp will never know. (Maybe Mihawk said something like, "My regards to your crew," but Zoro is totally just fucking with Usopp.)

#tossawary one piece #usopp #roronoa zoro #dracule mihawk #fic ideas #spoilers

188 notes · View notes

the-eeveekins · 10 months

Text

For people who think the finale of G-Witch only implied that Suletta & Miorine are married and nothing explicitly confirmed it in-series:

Eri calls Miorine her sister-in-law. That explicitly confirms in the show that Suletta & Miorine are married. You'd literally have to invent a new sibling for Suletta that never existed in the show for that line to mean anything else.

That line combined with the matching rings and their entire interaction in the epilogue is just completely explicit, if you don't think so you're either in denial because there was no kiss/wedding or you've got some homophobia going on. It may not be the way of explicit confirmation everyone wanted, but it is explicit, and the staff committed to that much. It's canon. There's no subtext you have to read into to confirm they're married. They're textually, in the show, explicitly married.

And while I'm at it, if you think there wasn't anything romantic about their relationship before the timeskip, you've really got to work on your heteronormative mindset. They have so many moments and scenes together that would be clearly and unquestionably romantic if it was a straight couple. So many tropes surrounding them are clearly romantic tropes. Miorine asks Suletta to promise to stay by her side forever. Suletta openly asks Miorine to choose her so they can get married, and openly talks about her hopes and dreams for their wedding!

Please stop downplaying their relationship and the romantic aspects of it just because they're both girls. Especially when people act like Suletta clearly had romantic feelings for Elan, when she never comes close to expressing these sort of feelings about him or to him!

#sulemio #g witch #the witch from mercury #gundam the witch from mercury #miorine rembran #suletta mercury

483 notes · View notes

bat-writer · 1 year

Text

Daddy's Little Girl

Warning: some language, slightly suggestive-ish

~ -> timeskip

You watch as your fathers pulls up to the front of mansion. Alfred held your hand as you patiently waited for his arrival. He had told you about a special surprise coming soon, you wonder this could be it. When the car makes a full stop out step your father, Bruce Wayne followed by a young boy. You shift in your place still hiking Alfred’s hand.

"Y/N, this is Dick Grayson, he'll be living with from now on" your father introduced a boy who seemed to be around the same age as you. He had dark hair and deep blue eyes. He was still a lot taller than you were at just 12 years old.

“Dick this is Alfred and my daughter, Y/N. They’ll show you around the mansion and can help you if you need it.” He said rest his hand on his shoulder. You gave him a small wave and he waved back.

“Master Grayson, would you like for Y/N to show you your room?” Alfred offered. He sensed that if another child were to show him he may feel a bit more comfortable. Grayson gave him a nod and you let go of Alfred “miss Y/N, do you remember what I showed you beforehand?”

“Yes Alfred” you confirmed with a nod

“Good, now off you go. I’ll prepare you all lunch” he said giving Bruce a knowing look. He watched as Dick followed you into the large mansion and up the stairs.

"this is your room, mine is down the hall at the end." you showed him as he looked around the room "do you like your room" you ask him

"Mhm" he nodded his head "thank you.."

"Come on, let's go and help Alfred" you said taking his and running out of the room

Ever since then you and Grayson have always been at each other's hip. As young teens you would annoy one another like siblings. You'd also try and compete for your father's approval. Of course, 90% of the time you won because Bruce loves his little girl. He also loved you so much you were restricted a lot more than Dick.

You could only help with patrol, but only from the cave. He hates the thought of you dating because he knows what Gotham is full of. He himself has the title of Billionaire Playboy, but that doesn't mean he would want that for you.

Now here he is faced with a problem. Dick Grayson was looking at you in a way he never has before. You had helped to crack some puzzles and you were just taken by joy and triumph. Bruce was as proud as always but in all the years that he cared and trained with Dick he's never seen him look like that, and with blushing cheeks.

Now that he has gone solo as Nightwing you guys don't see one another much. He does stop by once in a while, get patched up, train and catch up. But things were different now that you're both young adults. Different interests, different curiosity, different feelings...

He would look at you with these eyes that screamed interest and adoration.

"Y/N, I think Alfred may need helping to bring down some things I had asked for. Could you help him?" Bruce asked looking for an excuse to have Dick alone.

"Sure, thing dad," you agree and head out of the Batcave. As soon as you were out of sight, he turned to Dick.

"Dick, will you be staying the night?" he asked

"Nah I've got another round to do in Bludhaven. I'll keep in touch" the young hero said as he struts his way out of the batcave.

"Master Bruce, the files you asked for" Alfred entered and handed a file on a current investigation "I gave Miss Y/N her laundry to keep her occupied."

Bruce sighs "Thank you Alfred." as the butler begins to walk out of the area he speaks again

"You know you can not keep them apart. The heart will still yearn for what it desires" he finishes as he exits the cave to continue his duties. Bruce just pinches the bridge of his nose not wanting to think you felt the same way towards Dick. He can only hope it won't go so far..

"Ah I'm so proud of my smart girl" Dick giggled as his nose was stuffed into your neck as he praised you for a job well done. His lips finding yours in a deep kiss as his arms held you close

"Dick for as much as I love all the affection, if dad catches you still here, he'll go crazy on you and me." you said pulling away and laying a boop to his nose. It was true this had been going on for about 2 months now, it's incredible how you were able to keep in under wraps. Even with a few close calls you were really surprised. You really did love Dick, he was everything you could ask for, but your father was just a bit protective. On top of that he's batman

"I know, I know" he sighs as he walks with you to your window "I just wish you'd let me take it into my own hands ya know? Prove to him, that I wouldn't hurt you" he brings both of your hands up to his lips to lay a gentle kiss to them "I love you..." he peered up into your eyes with his own.

"I know," you whisper "but soon alright? Just give it a little bit" he hops on to your window sill and brings your face closer to his by your chin

"I'll text you once I'm home beautiful" he kisses you goodnight. It was long yet short, and always left a smile on your face. You watch as he glides his way through the night like the acrobat he is. You close and secure your window and get ready for bed. Changing into some shorts and a hoodie Dick had left you. It smelled like his soap and cologne. You wrap yourself up in cozy blankets ready for a good nights rest.

Being His daughter came with many pros and cons. Of course, you had a great father who was charitable with his earnings, you were able to follow your passions with full support, and he was batman, full protection and training. Of course, the cons being he knew exactly how the city is, how men are, in a nutshell you in a bubble made of steel.

Now that knew that Grayson may have a thing for you, his possessive side has boosted past its limit. Being Bruce, he of course had security cameras all around the property. So of course, not only did he see Dick sneak into your window, but he also saw that goodbye kiss you shared.

"Ugh, what am I going to do..." he groaned as he stared at the large screen where you shared a kiss with his former sidekick.

For the next week Grayson had been getting some extra side missions from Bruce along with some extended training. He also rarely let you in the same area as him anymore. When he was there, he'd ask you to leave or to do something for him. Every now and then you'd get a chance to sneak in a hug or a quick kiss but all those times have also been very, very close calls. He would still try and get a quick goodnight kiss at your window. But even those small moments were everything for him. Alfred already knew what was going on but as asked by you, he said nothing and let you handle things.

"Master Bruce, you seem to be stressed, even for you." he told him as he served him some coffee one morning before he had left for work.

"Alred, Y/N is already 19 and I know she's smart and strong...but Grayson of all people?" he said taking a sip of coffee with no change to his face "there's nothing wrong with him but you know many women he attracts. I don't want or need her to get hurt."

"If I may add, Master Grayson was raised well by you for many years. He is a respectful, strong, honest young man with your sense of justice and moral." he says "and serving this family for as long as I have, he is the 1% of young men who know they must treat women in a certain way. Of course, if there are any outcomes, you are batman"

Maybe Alfred was right...however, he was Bruce Wayne, Billionaire playboy and he won't go down easy. So he thought he would have a small chat with the young hero later today.

"Morning Alfred, dad" you greet coming down still in your pajamas.

"No class today?" your father asked

"Luckily no, I guess it'll be a selfcare day today" you smile "Have a good day at work dad" you said giving a kiss to his cheek and walking over to the fridge to get something to eat. As soon as you heard the door close you turn to Alfred

"...was he talking about Dick again?" he ask

"On time as usual Miss Y/N" he said getting the ingredients out to make some french toast, your favorite.

"Oh Alfred, what am I going to do with him?" you joke pouring yoruself some orange juice

"Well I do try and speak with him when I can, and give him my best advice. However, we both know who you got your stubbornness from" he said tossing you and apron "but for now, let's make some breakfast." just like how he raised Bruce, he also took the role of being your grandfather.

As promised, Batman had asked Nightwing to meet up with him for an important discussion. Not paying any mind to the request he never thought he would be standing on the top of a building looking at security footage...of him! All the night you had come to your window to receive kisses, gifts and flowers.

"Oh god....look Bruce I can explain-"

"No need." he said holding up a gloved hand. It was one thing to speak with Bruce, it's another to speak with the Bat face to face. Even though he had been your mentor for years. "I bring you into my home, raise you, train you, let you close to the ones I love, especially my daughter."

He. Was. TERRIFIED. You'd think after training with Bruce for years he'd be used to this by now. But, right now this wasn't his mentor, or the Bat, but the father of his secret girlfriend. To add on, it was someone who had taken him as a child, trained him and became his mentor and father.

"You must have known I'd catch you with all the types of security. So why?" he asked

"...because I love her." he said wistfully but confidently "she just doesn't do anything and can still make my heart swoon. She's smart, and sweet and witty! She's tough too! She's also soft and gentle hearted and just so...beautiful...she's everything a guy could dream about but I know your concern is that I'll hurt her. But I swear I never would!"

"Dick..."

"I'll put my life on the line for hers every time!"

"Dick!" he finally stops the young hero "I know you'd do everything to keep her safe and happy. I know you Dick, you're a good man, an even better hero and I know you'd take care of her" he said laying a hand to his shoulder

"I wouldn't want it any other way"

"Just tell me alright? I'm Bruce Wayne, I know everything." he says as he starts to walk to the ledge of the building

"Oh yeah? What color is my under-"

"Pink."

"Hey! Y/N probably told you huh?"

*Knock knock*

The tapping at your window stirs you from your sleep. Looking to the glass you see none other than the hero himself. You walk to the window and open it quickly

"Dick, if dad see you he'll-" he shuts you up with a deep loving kiss. His strong arm wrapped around your waist as he dips you out of the window. The night air blowing through your locks. Bringing you back up he hands you a single rose

"Don't you worry about anything darling. I've already spoken with Bruce" he winks at you "Now get some sleep, I'm picking you up tomorrow for a proper date."

Taglist 🏷️: @igotanidea

#bruce wayne x daughter!reader #nightwing x reader #dick grayson x reader #dick grayson #dick grayson x wayne daughter #batman #nightwing #grayson x reader #batfamily

768 notes · View notes

offshore-brinicle · 5 months

Text

Little personal Limbus theory that I've been working on for some time is that the Limbus Sinners' inciting indicents that led them down the path of joining the company, being the moment when their wish was born, all happened at the same time 3 years before the current story.

Thanks to some old leaks where people managed to dig up three of the Sinners' unobstructed profiles, we know Yi Sang and Sinclair's official ages are 29 and 20 respectively. Remove 3 years from that:

Yi Sang would have been 26, which is the age the narrator of The Wings claims to be, after leaving his wife behind once and for all and pressumably commiting suicide by jumping off the rooftop of a department store. 26 is the real Yi Sang's age at the time of his death as well, after his tuberculosis worsened imprisioned by the Japanese forces, so this means most likely he's left N Corp behind 3 years prior, avoiding such a fate, be it either death by his own hands in despair or torment at the hands of Hermann since she seems to threaten him with torture.

Sinclair on the other hand would have been 17 which aligns with him still being in high school when the incident with Kromer happened and also mentions in his observation log for Kromer that she has grown slightly taller since the last time they met, however what was of him and how he had survived for so long taking in count he woke up in the Backstreets after his family's murder is still a mystery.

Now recently, not only the Pequod crew speculate that they have been trapped inside The Whale for 3 years, but we get direct confirmation that Limbus!Heathcliff is from the Wuthering Heights timeskip thanks to his Queequeg ID.

The first one is pretty self-explenatory, they say it themselves, though it's dubious how true this is since they have no way of tell the passage of time inside the whale and even the woman who says this sounds somewhat unsure, and Pip who was a young child in Ishmael's memory still looks the same when we see him again in the present and it's difficult to say if this is a side effect of the Pallidfication. (on the other hand I am impressed at the growth rate of Ishmael's hair for being only 3 years)

On the other hand, Heathcliff's Queequeg ID mentions the event that led him to run away from Wuthering Heights in the original novel; he overhears Catherine saying to Nelly that marrying him would be "a disgrace to her", so driven by his anger and heartbreak he ran away, making his own fortune elsewhere so that he would return to the state seeking vengeance and to become someone who Catherine would be willing to marry. This had been implied before through his general behavior and his mugshot showing him still shabby and bruised as well as his N Corp story, but this leaves no room for questioning.

All of this means that if we go by the book, at least 3 years have passed since he left Wuthering Heights and Canto VI which is next and dedicated to him would correspond with Heathcliff's return to Wuthering Heights both in Limbus' story and in the book, meaning Catherine is most likely still alive, yet Heathcliff as a Sinner in Limbus Company is a far cry from the newly powerful version of Heatchliff that returns to the state in the book, so it's likely things will play out not quite the same.

Faust's line in the Walpurgisnacht cutscene says that the standard extraction timeline range is limited to 3 years between the past and future.

In this cutscene she also says that the extractions are powered by possibility itself, and the IDs that become available are also influenced by the Sinners' experiences at the company and how they come to reconsider themselves and each other, that's how for example we get N Corp. Sinclair and Spicebush Yi Sang after being faced with Kromer digging at Sinclair and telling him about the world where they work together, and then Yi Sang being so strongly affected internally by Dongbaek's death and ultimate fate, which would be the most intense story-focused examples so far, and if we eventually get a Captain Ahab ID for Ishmael, they had already established she was down the path of becoming another Ahab, and she herself did not realize this until they met again.

If all of the Sinners' great choices that led them down the path they are currently all happened 3 years ago and the initial extraction range is 3 years, it would make sense, since these would be the moments that weight on their mind most strongly, though there's also the case of Outis who has been on her own journey for at least 10 years going by the original Odyssey and how long ago The Smoke War was, same case for Gregor who's specific motives for joining are still unknown.

#project moon #limbus company #limbus company speculation #lcb ishmael #lcb yi sang #lcb heathcliff #lcb sinclair #canto v spoilers

183 notes · View notes

kradogsrats · 1 month

Text

Schrödinger's King in the Bird Box

Time for a return to the single topic that most torments me in this entire franchise canon: is Harrow in the goddamn bird or not?

Except not really. I'm not going to go over the evidence again. I've done it before. Almost everyone has done it before. It has only gotten stronger. At the absolute minimum, an attempt was made to put Harrow in the bird. That's not really disputable. I admit it. It's over.

This is actually the second time that I've struggled with narrative cognitive dissonance regarding a real core factor of this show (like not "what's the deal with Archdragon reproduction," but something that is clearly supposed to be thought about with the intent that it will eventually make sense), and eventually managed to rotate it so hard in my mind that the way I wanted to see it slipped out of my grasp and I saw it the way it's actually intended. Ironically, I think I may have been thinking about the Ocean arcanum at the time.

Anyway, what previously always bothered me about this question was mainly two things:

It would have a devastating impact on Ezran's character development if Harrow reappeared during s1-s3, but the timeskip and arc of s4-s5 made it so it would also be deeply weird for him to reappear before the show ends.

If Harrow is in Pip's body, both Viren and Pip's subsequent behavior, as well as how Pip is treated by the narrative on a meta level, make absolutely no fucking sense.

But... if Viren doesn't know whether the spell was successful or not? If we are meant to not know whether the spell was successful or not, because it's not going to get resolved in the show itself?

If we accept that the earliest point with any chance of the hooks for this plot being set is late s7—because yes, Aaron Ehasz would do an exact beat-for-beat repeat of Zuko and his mom—that both puts Ezran far enough in his growth for it not to be threatened by the "real" king returning, and keeps Harrow out of the loop for long enough that it doesn't really make sense for him to do anything but step down from the throne in favor of Ezran, anyway. As for Viren and Pip's behavior, if the show isn't going to advance that plot much further during its runtime, there's no reason for us to be constantly reminded of it. The setup has been made, and they can just let it stew because it's not actually relevant.

That being said, Viren's behavior actually does make a lot of sense if "is Harrow in the goddamn bird or not" is a question that is also tormenting him. To that end, I'll be doing some digging here on the nature and context of the body-switching spell, Pip/Harrow's behavior post-swap, and what the hell is going on in the Harrow section of Viren's dark magic dream.

The Spell is Made Up (Unlike All Those Real Spells)

First of all, I think there's been some long-term incorrect assumptions made about the body-switching spell. It's not a known spell: this is Claudia and Viren essentially flying by the seat of their pants... but we rarely stop to think about how that contextualizes the rest of the discussion around it.

The initial plan is to find the assassins and ambush them before nightfall. As Soren points out and Viren himself confirms: if they fail, the assassins will be unstoppable under the full moon and Harrow is as good as dead. Claudia decides to put her mind to that problem, so naturally she stops to flirt with Callum in the library and gets the inspiration for the spell from something he says.

(Fun fact: none of that happens in the novelization. Zero amount.)

She brings the idea to Viren, and they develop the spell from there. It's not really clear if Claudia actually knows whether something like that would be possible, but Viren does know that transferring the essence of a person can be done—he's got a nice little coin collection that proves it.

As for the snake, there's no way Viren "acquired" a two-headed soulfang serpent because he has a book somewhere on how to use a rare, malformed specimen of a dangerous Xadian creature to switch people between bodies. He probably thought "that's weird, but could be useful," or maybe whoever sold it to him just had a great sales pitch. A non-trivial amount of success at dark magic is in having access to rarer and more powerful reagents than your competition.

Anyway, what this means is that Viren has absolutely no idea what success looks like for this spell, particularly when using it on subjects of different species. When he describes it to Harrow, he is 110% talking out of his ass. He sounds like he knows exactly what the spell will do and how, and I think a lot of us kind of fell for that. He needs to sound confident, because if he admitted that he doesn't know if it will even work, with a possible failure condition of "snake eats your soul," well... a) Harrow rightfully wouldn't go for it, and b) he'd look incompetent, which is the worst thing ever.

When he goes to Harrow's room, he casts the spell... but did it work? I think that whatever it did, it did it in a way that Viren can't tell whether it worked or not. Maybe both Harrow and Pip passed out. Maybe Viren just didn't want to hang around for the aftermath—in the novelization, when he exits the room and runs into Callum, his eyes are still black from spellcasting.

Activities of Dr. Pip Harrow, Ph.D.

Probably the thing that has always bothered me the most about the entire Harrow-Pip theory is that yes, literally everything in the lead-up and immediate aftermath of the assassination points to that being exactly what happened... and then the narrative lens of the show completely drops the rope. Pip doesn't even appear in the novelization until Viren's pre-coronation scene, which is funny given his looming presence over half the scenes with Harrow in the show.

Pip appears exactly twice after the assassination—once in s1 and once in s2—otherwise he goes completely ignored. He's not in the background of Viren's office, or the throne room, or Harrow's bedroom. No one ever mentions him ever again. Ezran never mentions him again, in the show or in any supplementary materials. You'd think the boy who can talk to animals might have some interest in his dead dad's beloved pet... but who knows, maybe Pip has always been an asshole and Ezran's actually like "thank goodness I never have to speak to that dude again."

Anyway, in all of Pip's appearances, he behaves like... a bird. A trained bird—Harrow can rely on him not just fucking off—but he doesn't demonstrate human-like intelligence the way Bait does. That being said, Bait is essentially a main-cast character (at least as much as, say, Corvus... maybe even Soren) while Pip is a plot device, and even then it takes until well into the first arc for Bait to show the kind of complex reasoning and initiative that separates him from an unusually smart dog. Pip's human is also a stressed-out king, rather than a rambunctious ten-year-old, so he's probably a bit more sedate overall. I would personally bet, given the way the show has progressed with regard to Xadian creatures, that Pip is as intelligent as Bait.

The point of that is: even if Harrow's consciousness is occupying Pip's body, he's not really doing anything with it. He's pissy, sure:

But is that Harrow's pissy-ness or Pip's? Even if Pip is only as intelligent as a trainable bird, that's plenty intelligent enough for both grieving/confusion that their human is gone and holding a grudge against obvious assholes. Viren cages him, but is that because he flipped out and got bite-y? And was it Harrow flipping out, or Pip? Or is he caged just because Viren's of the general attitude that animals belong in cages? Those who fail tests of love... We just don't know.

A lot of us also, to circle back to assumptions about the spell, have tended to think of a body swap between Harrow and Pip resulting in Harrow flailing his arms around wildly and screeching... but again, we know literally nothing about this spell, nor do we actually know anything about Harrow's behavior after Viren leaves his room. Maybe his body sat catatonic on the bed until Runaan came in and shot him. Maybe Pip, being intelligent, was able to maintain the facade—once everyone's in the heat of battle, it would be hard to notice even significant deviations from normal behavior. Even if "Harrow" appeared to fight only halfheartedly, or give up entirely... well, he hasn't been the same since he lost Sarai. Maybe the spell only partially worked, and only half of his soul is inside Pip, with minimal or no influence over the bird body's behavior.

Viren does appear to take some precautions in case Harrow is alive inside Pip. The cage, for one... but he also has nearly all subsequent important conversations outside of his office. Like I said earlier, Pip's cage isn't rendered in the background of any scene, but since he escapes from Viren's office I'm assuming that's where he's been. Even if Pip was just out of frame in every scene in Viren's office post-assassination through end of s2, the only things he's seen are... Viren eating butterflies, and the conversation between Viren and Claudia about the mirror and her side mission to bring the egg back at all costs. He doesn't know about Soren's instructions to murder the boys. He knows about the mirror and Viren's obsession with it (which he could have known before), but he doesn't know about Aaravos. He may know that Viren stole his seal but only if Viren was stupid enough to stamp the letters with it in front of him (which... look, he could be). The only things he's really learned are that a) his sons are alive, and b) Viren lied to him and the egg is alive.

Now, realistically, if we were meant to hang on to the is-Harrow-in-the-bird plot thread because it's going to be significant within the scope of the show... I'd be expecting to see at least one cut to Pip glowering at some point during all these machinations. If it weren't for the mirror and Aaravos, I'd expect Viren to be yelling all his monologuing at Pip, too. But the show does none of that. Instead, the next time we see Pip, we see him peace-ing out of the show for at minimum the next three seasons, and possibly the remaining two, as well. If Harrow's in there... why? Did he go to find Callum and Ezran himself? It's not actually clear that he knows Ezran can understand animals, so it would be reasonable for him to think Viren is his only chance at ever not being a bird again. Maybe he thinks that chance is gone with Viren's arrest and would rather not spend the rest of his life in a cage. Maybe he really isn't in control of the body.

Back to Viren, though: since Pip refuses to demonstrate any behavior that could be taken as distinctly Harrow's, Viren actually has no idea at any point whether Harrow's in there or not. He doesn't know if Harrow lived. He doesn't know if he succeeded or failed. It's a constant reminder that he's almost, but not quite, in control. Almost, but not quite, good enough to achieve what he wants.

It probably drives him absolutely insane.

Did You Think You Were Somehow Getting Out of This Without Me Mentioning Kpp'Ar?

Just kidding, it's finally time to talk about Viren's dream. We've gone two entire seasons and a two-year timeskip without any mention of Harrow or Pip (though those maniacs dropped the fucking snake basket on us as an incidental but obvious prop early in s4), and then suddenly we get punched in the face by Viren's subconscious.

First, though, I do actually need to point something out in the scene with Kpp'Ar. Bear with me, I promise this is relevant.

Viren sealed Kpp'Ar's soul in a coin 12-ish years ago, and the coin has been sitting collecting dust in his secret dungeon for... some amount of that time. Now he opens the door and finds Kpp'Ar standing there, free—and I will note that I don't believe Viren actually knows how to free people from the coins, or whether it can even be done. His reaction is surprise, followed by suspicion and wariness:

When he encounters Harrow—dead—his reaction is horrified shock, which is fair since the last time he entered the room that way there was no surprise body chilling out waiting for him in it:

Then, when Harrow speaks to him, suddenly alive and unharmed, he drops straight into relief:

Some of this is undoubtedly due to the differences between Viren's relationship with Kpp'Ar and his relationship with Harrow. With Kpp'Ar, after that initial moment of confusion, he's absolutely determined to not show a single hint of ignorance or weakness��this is a trick, or a test, and a passing grade in "light verbal sparring with the mentor you're pretty sure you remember betraying" is a thing that is both normal to want and possible to achieve. For Harrow, who he wants so desperately to call him brother, who he walked into this very room ready to die for, before everything went horribly awry—he not only immediately and willingly goes to his knees, he literally prostrates himself.

... I'll give everyone a moment to get all the innuendo and suggestiveness out of their systems, because that's not the point. This time.

What is the point is that Viren's reaction to Harrow isn't disbelief, but relief. Hope. Kpp'Ar is supposed to be in a coin, and Viren immediately questions how he got out. Harrow is supposed to be dead but Viren doesn't give a second thought to how he's not. Fortunately, Harrow helpfully explains:

Fun fact: back in s1, we don't actually see Viren actually taking action against the assassins. We don't even see evidence that he re-entered the room at all—it's only Soren and Claudia who participate in Runaan's capture.

I haven't actually touched a lot on the complex shit going on for Viren, emotionally, throughout all of this—I mentioned it's was probably driving Viren insane over the course of the first two seasons, but let me elaborate. If Viren successfully switched Harrow and Pip, that means Harrow survived... but he expressed his feelings on the proposal in no uncertain terms, and there's a good chance he will literally never forgive Viren. I don't think Viren thought far enough ahead to consider how to get Harrow into a human body again, but I do think he's dragging his feet on it a little because if he can work things to his advantage—unite the Pentarchy against Xadia and follow through on the war Harrow was avoiding—he'll prove to Harrow that he was right all along. Any chance of that flies out the window with Pip at the end of s2.

If the body-switching spell failed, it means Viren essentially killed Harrow himself. That's the reality I think he grows more and more resigned to over the course of s1 and s2, when Pip remains unresponsive. He had no choice but to take the best chance at saving someone he loved—but this time, instead of saving Harrow, he murdered him.

In the dream, Harrow has not only survived, but credits Viren with his survival. He doesn't just dismiss Viren's show of remorse, but makes his own apology to Viren. He calls Viren brother. After an impossibly long nightmare, everything is okay. All is forgiven. Maybe there was nothing to forgive, in the first place. Maybe Viren was right all along.

Then it all turns sinister with the callback to the coin incantation, and we have a sharp return to reality:

The cinematography here treats Pip a lot more like how I would expect him to be treated in s1/s2 if we were meant to know he was actually Harrow. There's focus actually on him, instead of just other characters' reaction to him. He "speaks"—as I noted in another post—in raspy sounds very unlike his songbird chirps from s1. This is absolutely Harrow as Viren actually left him—even if he's not dead, he's in a warped prison of dark magic, a perverse mockery of himself.

Oh wait.

Harrow-who-is-both-human-and-alive was never an option, and what we've got now is mirror images of Harrow-the-dead-human and Harrow-the-live-bird, and they're going to do to Viren what he did to them.

Now, it's not that none of this makes sense if Viren knows for sure that Harrow is in the bird... but it makes a lot less sense and has less emotional resonance. If Viren knows Harrow survived as Pip, he'd be more likely to question Harrow's human form than his survival—the way he does with Kpp'Ar. He might be more guarded, expecting hostility—which, I will note, is what he gets when Pip enters the scene. Instead, because until now he believed that he actually killed Harrow in his attempt to save him, he's so relieved to see Harrow alive that for that one moment he loses all pride and is ready to beg for forgiveness at Harrow's feet.

Since legitimately none of this makes sense if Viren didn't at least attempt to put Harrow in the bird, we're left with Harrow maybe or maybe not alive, Viren having maybe or maybe not been the one to actually kill him (gonna be a fun one with the Runaan context), and a plotline that is definitely not going to be resolved in the remaining two seasons of the show. I'd be kind of surprised if they even did any more setup for it (like Callum/Ezran finding out it's a possibility, or even a hint drop like Runaan being all "it was fucking weird, he just sat there" or something) outside of future supplemental media.

Conclusion

Either Harrow is alive and in the bird, with the future intent being to do a spinoff story The Search-style, or we're in for a huge bummer of a "actually, it was Viren all along who killed Harrow, therefore Runaan is a good guy and we can all be one happy family" pile of absolute bullshit. Yes, they said Harrow's dead. Harrow's body is dead, we knew that all along. There's a note in the artbook that Viren was actually going to rip the shroud off at Harrow's funeral in order to publicly prove it's his body, because that is an extremely normal thing to do.

The show just treats it extremely weirdly because, even as the only person with any chance of knowing, Viren is in the same uncertain boat as the rest of us. (Actually more uncertain than the rest of us, since he's not genre-aware.) Also it's another chance to torment Viren emotionally, and they'd never pass that up.

Thanks for coming to my absolutely ridiculous TED Talk on this topic, I hope this screenshot now does as much psychic damage to you as it does to me:

#the dragon prince #viren #harrow #pip #for once i was wrong... but now i'm right #oh my god this is so long i'm so sorry

88 notes · View notes