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#AND i need to think more about gordons role
tyrantisterror · 29 days
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I think one of the things that gets lost in the big, endless internet conversation about whether or not heroes should kill their villains is the fact that killing villains off robs you of a lot of story-telling potential. The Joker died at the end of his debut story in Batman - imagine what Batman would be if he stayed dead. No Joker in Batman 66, no The Killing Joke which means no Barbara Gordon as Oracle and no The Dark Knight, no Mark Hamill Joker episodes of BTAS (so many of them were based on his comic appearances, after all - the laughing fish is a direct adaptation of a comic), which means no Harley Quinn and no Return of the Joker, on and on it goes.
Like, you can argue the morality of heroes sparing their villains till you turn blue - god knows this site does it at least a thousand times a day - but on a purely pragmatic story-telling level, the minute you kill ANY character, you kill all the story potential they had. And yeah, it's fiction, you can bring them back from the dead if you really need them, but that's a pretty hard story beat to pull off without hurting your story. You don't want to fill your tale with "Somehow, Palpatine has returned" moments.
And you can just make new villains, sure, but again you have a problem with that - a new villain has to establish themselves and has to stand out from who came before, which means you can't go directly to the storylines you could have had with a villain who stuck around AFTER their introduction. A recurring villain is capable of doing things that one-off villains can't.
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I'm going to illustrate this with a character from a fandom I'm not even a part of - I never played the Ratchet and Clank series and am only vaguely aware of it, but one day I saw a supercut of scenes starring one of its recurring villains, Dr. Nefarious, on twitter, and I was like "Oh shit, that's the guy who plays Quark on Deep Space Nine, isn't? This guys a hoot, let's see if we can find more clips on youtube." Which brought me to this hefty video here from one of the more recent games in the series.
And, like, as a person who "doesn't even go here," it's obvious this goofy little fucker has a history. His opening scenes have him ranting about how much it sucks to lose repeatedly - a lampshade on the "flaw" of a recurring villain, i.e. that their threat diminishes the more they come back because, by the nature of their role in the story, it means they've suffered a lot of losses. So how cool is it that as this supercut chugs along you can clearly see this is a theme of the game - that this is a story about the virtue of losing, a story that is enriched by having an antagonist who fans of the series know has lost a LOT?
The true antagonist is an alternate version of Dr. Nefarious who's won every fight in his life so far, apparently with little effort, and I love how they differ on a design aspect. They're both technically mad scientists, but notably, Emperor Nefarious, the winner, has a more imposing and "heroic" build, but a smaller brain-dome for his robot brains. Because winning may make him look strong, but if a mad scientist's real power is their mind, well, which Nefarious is really the strong one here then?
Dr. Nefarious gets this juicy arc about realizing the virtue in his repeated failures that corresponds with the heroic characters struggling to find a way to win against a seemingly invincible opponent, as well as contrasts the true villain, Dr. Nefarious's explicit counterpart and foil Emperor Nefarious, who has never once lost and is a total piece of shit for it. Again, not my fandom, I don't go here, not an expert on Ratchet and Clank, but even as a relative stranger to it who's just watching a big supercut, I fucking love this. This is an excellent story.
And it's one you can only tell with a recurring villain. Without Dr. Nefarious, this story works significantly less. You need a villain with a history the audience has seen to really sell this.
Anyway, I made this post because, ironically enough, I saw another tweet talking about how some fans think Dr. Nefarious should have been killed off in his first appearance, and, like... that's just fucking baffling to me, as a person outside this fandom looking in. Recurring villains deserve more love, man, they give us so much.
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mysterycitrus · 4 months
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Thinking about Jim, do you think he also gets this good cop good father protection because of Barbara Gordon's admiration of him? Reading it from Barbara's perspective like all her stories have Jim Gordon as the best dad and her wanting to be a cop or as a child being the gcpd little cheerleader. Like trying to tie that with her role as Oracle but then even thinking of like The Hill where Jim shot and killed a teenager and his response to the mother was that the kid was armed like... it is hard to think that she would have that blind admiration of him. I also think she is more willing to work with morally questionable characters since she has a history of working with those types of characters. What do you think DC needs to do with Barbara Gordon to get actual interest in her again?
the solution for babs is simple — she needs to be oracle again.
no ifs whens or buts — babs being batgirl again is such a spectacular downgrade from her time as oracle it’s almost unreal. babs as a character, her growth after being shot, her rediscovery and pursuit of her own autonomy, her vindictiveness, her need for control, her relationships with the birds and wendy and cass and steph, make her an infinitely richer and more interesting character than when she wears the cowl. that’s even ignoring the ableist rhetoric behind her “reclaiming” her power by getting an implant and leaving her chair, which like, vom, because it’s a whole other can of worms.
unlike batwoman where there’s a completely different identity and mantle that’s seperate from bruce, batgirl is unequivocally the subordinate to batman. the girl denotes her lack of authority. cass and helena come the closest to shaking this off, but it’s still a very deliberate character dynamic that dc upholds. batgirl 2009 also successfully orients the mantle around babs and steph, but a large part of that is that bruce isn’t present in the story.
babs was at least two years older than dick in the original canon. she was a librarian who had a life outside of the community. she was a support for other disabled women. she’d tell bruce to shut the fuck up to his face. she was singularly the most important resource to the league and all other hero teams. she was a complicated person with a lot of trauma, not the cool girlfriend archetype. i also dislike that she’s dating dick while he’s nightwing and she’s still batgirl. imagine if they made dick robin again and had him date babs as oracle. it’d be so weird!
wrt jim gordon— a lot of babs’s unequivocal support of him comes from dc’s general inability to admit that he’s a deeply flawed human being in a position of power. the narrative rarely actually criticises him over his decisions. however, i also think people forget that like…. a lot of babs’s politics is tied up with the police. she’s essentially a one woman surveillance state, and she historically struggles with boundaries around the people she loves. she does work with people that the other bats wouldn’t — isley, waller, etc, but i don’t think that necessarily separates her from the police because often the police or armed forces do the same thing. her modus operandi is also very similar to bruce in a lot of ways too.
in saying that tho, i do appreciate that she’s willing to just say fuck it, full throttle and getting a god damned law degree to bust bruce out of a murder charge. she’s an icon. let her be cunty again!!
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brucewaynehater101 · 4 days
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I want Duke included in batfam family fics. being the older sibling Damian needs, relatable yet guiding. Tim being ‘Dukes robin’ and having lots of respect for Tim yet he’d also steal his slice of pie. Duke and Jason hanging out, and Jason appreciating how he never tries to lecture him. Duke and dick matching vibes (or as much as they can) when on patrol and somewhat in the family, and both trying to make their brothers calm tf down. Bruce trying desperately to not fuck up with Duke like he did his other sons, only serving to confuse and slightly alarm Duke. Alfred and duke being the only ones with more then *1* braincell.
he also has so much potential for angst of being a meta in a family everyone thinks hates metas, and people somehow forget him???
(I have more just don’t have the energy to write it all down)
Heck yes! I agree that Duke needs to be included in more batfam fics (and especially as a more pivotal role). I personally try to add him a bit, but I fear I do not include him enough as a key member of the batfam.
Duke is hella important and should be treated as such. I'd love to see more fics with him pissing off GCPD for fun. Just chaos and pranks against GCPD, rogues, Batman, and the Batkids. Also, he should he allowed to punch (or kick) as many JL members as he pleases (Hal was just the first).
Duke and Dick having similar fashion ideas is a cute idea I've seen in the fandom. I would also just love to see more fanart of Duke rocking some fun outfits for galas (especially if the galas follow the AU of Gotham being super weird with their social norms). Duke being featured on magazine covers, being asked to model, and being interviewed would be cool fanwork ideas to play around with. I've seen so many of the other batboys and none with Duke as a magazine cover.
Here's my ideas on how Duke could interact with different batfam members. Feel free to reblog if you have ideas yourself or think the dynamic should be different.
I feel like Duke and Cass would get along really well as chaos gremlins who get away with their shenanigans. Messing with Commissioner Gordon is a favorite pass time of theirs. For some reason, even when presented with evidence, Bruce doesn't believe that Duke and Cass would do the things they get away with. It's both impressive and annoying to the other batkids.
Duke could have a weird relationship with Tim. On one hand, Tim is Duke's Robin. The cases he's solved, feats he's accomplished, and respect Gotham has for Tim's Robin in general (for being Batman's therapy kid) are unfathomable. On the other hand, he's seen Tim walk into the same wall four times within three minutes. They both share a love for riddles, but Tim can be an idiot at interpersonal relationships.
For Damian, Duke has seen how the world picks up kids and spits them out. He's seen kids lashing out, how they merely want to defend themselves, and how fantastic they are once you get to know them. He's been angry and spiteful at the world too. For Damian, Duke's hella impressed at the kid's heart despite all the shit he's been dealt. Duke would encourage chaos, talk with the kid about how different emotions have impacted Duke's actions and life, and is an overall supportive figure. They can often be seen doing both wild stunts and "common for their age group" activities for fun (although the game Sorry is banned because of them).
Jason and Duke would probably have a complicated relationship due to Red Hood's actions. Their similar childhoods (as far as economically and location based) would lead to jokes and shared customs that they chat with Steph about (such as Creepy Toe Joe or that specific gas station or the phrase they say as they passed that one pothole). Despite that, they have different viewpoints on Bruce and murder.
Duke is probably one of the more emotionally intelligent and communicative batfam members. If Alfred is the sassy version, Duke would get a good laugh out of those remarks and the astute observations.
Bruce and Duke angst could go hard. Bruce is trying so hard not to make his past mistakes. Duke and his perception of Bruce (he holds Bruce in high regard) and how that affects their relationship.
As far as Duke being in a "perceived to hate metas" family, that could either be hilarious or angst. I imagine people trying to intervene or "save" Duke from the Bats would be infuriating and sad to see.
Duke could also laugh at the batkids' superhero friends and how they, even as adults, are banned from entering Gotham. Duke is free to live in the manor and come and go as he pleases. Any of the batkid's meta friends have to be snuck into Gotham.
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gingerylangylang1979 · 10 months
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Reddit and Twitter need this most but I won’t, because reasons
I have said before I don’t think ALL the Camry and Sydney hate is racially motivated but PLENTY of it is. It’s Richonne 2.0. This isn’t new to me.
There is the outright racist coded comments like claiming Sydney has to be a lesbian, has to be asexual, looks like Kendrick Lamar (yes, it was said), along with the inability to ever empathize with her character.
But I’m not talking about that. I’m talking about unconscious bias with people who don’t get that they feel the way they do because Sydney is black. So anyone reading this may want to take a moment and honestly examine what I’m saying.
Unconscious bias is, for example, the thing that leads doctors, sometimes even black ones, to presume that black people don’t feel pain in the same way whites do. It’s not necessarily malicious intentional action or obvious hatred towards us. It’s subtle perceptions that change how one views the nature and capabilities of black people while still being able to be friends with them, respect certain qualities about them, and maybe even at times be allies. But there is always something different in perception that is so invisible that you aren’t aware of it.
I've seen it in white people, strangers and acquaintances, making assumptions about what I’m into or should be, what my education and earnings are, and who I should be friends and lovers with. It’s the thinking we can always handle anything and not be burdened. It’s what is happening a lot with Sydney, especially with Carmy.
People are allowed to not like the ship. They don’t have to. I’m not going to assume everyone who doesn’t is racist. But for anyone who doesn’t I think it would be beneficial to examine a few things.
Viewing the first scene between them, how would you interpret Carmy’s taken aback, entranced, nervous reaction to seeing her? To me it obviously says attraction and surprise. If there is another explanation I’ve never heard it. People just gloss over that interaction and I think it’s a tell. It shows that people may not be able to see him showing signs of attraction to her because she doesn’t look like who you would expect him to be attracted to.
2. How would you explain the way Carmy is constantly looking at Sydney closely like he doesn’t look at anyone else? When we see her from his perspective she if glowy or hazy or out of focus. We don’t see that with any other characters he interacts with aside from that finale flashback with Mikey. He doesn’t look at Sugar like that. Syd is the only one who gets special framing. If you’ve never noticed, why?
3. If you think Syd could be a lesbian or asexual, why her and not for instance Tina, or others on the crew? Sex isn’t referenced a lot so why is it not being referenced with her any different than it not being referenced with others? Often people assume a woman who dresses tomboyish is just that. Why can’t that just be her style? I have plenty of women friends that are straight and sexual with a similar style.
4. Could you imagine the scenes with Syd and Carmy if a man was in Sydney’s place? What would you think of the vibe?
5. Could you see Ayo in the Claire role?
6. Could you see Jeremy and Ayo playing love interests in a totally different show?
7. If Molly Gordon plays Syd could you better picture her with Carmy?
8. When you see a dark skinned black woman in a couple with a white man IRL does it make you especially take notice or feel it’s a bit off?
9. Does the thought of Sydney and Carmy kissing or being intimate make you have an extreme reaction like eeew or gross? Maybe not so extreme does it make you feel awkward to think about it?
10. Do you often compare their relationship to siblings?
11. Can you recognize the Syd isn’t into Marcus romantically and has other options?
12. Can you only envision Sydney alone and not needing romance because her career is all she needs?
13. Do you think maybe Carmy could find her attractive if she looked more glamorous?
14. Could you more easily see Carmy into Syd if she was played by Zendaya or someone that looks similar?
15. Have you never seen a couple that looks like Syd and Carmy?
16. if you saw the Emmy magazine photo shoot did you not perceive the touchy pose with Ayo and Jeremy as sexually suggestive and think it’s an impossibility?
17. How do you think Clairs would react if she saw all of their interactions?
18. Is it easy to view Sydney as having complex motivations and emotions at the same time? Can you possibly see that she’s jealous of Claire because she distracted Carmy from business AND because she has feelings for Carmy? Is it possible to think she can view Carmy as a boss, mentor, and someone she is attracted too and that’s hard to process?
All of these things may not apply to your perception but if any do realize these are very common examples of how unconscious bias plays out when thinking of black women, especially in storytelling. This is a lot of what has historically been seen with similar ships and IRL mixed couples. That’s not to discount the numerous white man, white woman ships that people don’t like, but these things are consistently present with black women and white men presented in the media and celebrity couples. There is always more scrutiny with these pairings.
You may not have a context to understand that. You may have never been questioned in this way. You may be angered to think it’s possible this is a role in how you are viewing things, but it’s the truth based on lived experience and observation. It’s worth examining.
I’m not here to be hostile, I’m just trying to voice in a gentle way what so many here already know and you may not be aware of or ready to think about.
I’m not going to argue with anybody about it but any intelligent, respectful dialogue is welcome and encouraged.
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mean-scarlet-deceiver · 3 months
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Hmm… have I asked for Thomas and Henry, or just thought about it hard a couple of times? XD;;
Ooh, a fun pair. 
“You’re too fat, you need exercise! 😤” 
“Oh, I can’t wait for dawdling tank engines like you; good-bye! 😇”
“Run my train on time for one thing 😡” 
“You’re the only danger on the rails, Thomas 🙄” 
‘Oh, I guess you can go to York… some of us are still too useful to become museum-pieces… 👿’ (paraphrasing Henry’s copium here) 
All right, maybe it’s more “fun” like the one in “dysfunctional.” But still! 
The thing about this is that it’s a “minor” relationship in that, for most of their lives, they’re in each other’s periphery. Then again, they’ve been in each other’s lives sooooo long. So it’s a very sibling-y sort of relationship. They’ve been on different life paths as long as they can remember… but ohh, the embarrassing shit they remember about each other…
Birds’-Eye View 
This relationship has an eternal tug-of-war quality.
Of course, Thomas by instinct plays tug-of-war with all the “big engines”! This is who he is! 
But the relationship with Henry is different because there’s a sort of long-term… equality? Like, with Thomas and Gordon, like, Thomas is cheeky, but the one time he ever got really out-of-line with Gordon (i.e. THOMAS’ FIRST APPEARANCE?) Gordon pretty much put him in his place, and overall the whole point of their relationship is that Thomas acknowledges Gordon’s superiority in at least certain key points, it’s precisely WHY he likes to measure himself against him! (I’m thinking a lot here of many, many TVS-only incidents… but even in RWS there’s “Hurry hurry hurry,” he puffed, pretending to be like Gordon.) Thomas can’t look upon Henry the same way, for “Henry I”-related reasons not least of all (see section below). But with Gordon, the whole fun of the relationship for Thomas is to tease him in a way that only works if Gordon is on a pedestal. Thomas doesn’t try to knock him off… he just likes to shake things up, freak Gordon out, then do a campy little victory dance and make his exit with a shit-eating grin. 
Then there’s Thomas and James, and in RWS… post-strike, James is never again seen to give Thomas any shit for being a tank engine? (Actual gold star, I can’t believe we’ve found an avenue of insult that even RWS!James has left untrod.) So a key feature of his tension with Gordon and Henry is, apparently, removed. Of course they do clash, if you go by TVS they clash a LOT. But in this relationship Thomas kind of has the upper hand, when you take the long view. (Thomas is more famous and favored, and James just gets so consistently shut down by the whole universe the moment he tries any shit. Plus, their foundational moment was Thomas getting him cleaned up after his first Sodor accident, and I think that colours the relationship forever – even after James is no longer prepared to just take Thomas’s patronizing airs (“Hullo James! Feeling better? That’s right! Oh, I must go, I don’t know what the Fat Controller etc. etc…” Betcha James shut down that shit before too much longer, lol.)
If Gordon has the dominant role in that relationship, and if Thomas has the dominant role in the one with James… then the fun thing about Thomas and Henry is that the scale never permanently settles one way or another. Whenever they have a lil’ flare-up, they feel like they’re on equal footing, and perhaps that’s why the barbs they trade feel ‘specially vicious! The field is wide open, no one comes in with the advantage, and they are both in it to WIN it!
But why are they like this? 
Early Years 
The thing I envision about their early acquaintance is the mutual bafflement. It’s a similar vibe to the one hilariously (and accurately) depicted here with Thomas and Gordon, except it’s not about different autisms, and it’s less confusion and dislike and more confusion and annoyance. 
My headcanon for Henry is that Thomas was the first time he set eyes on a tank engine. So his initial reaction is like “what is this deformed… creature? (and why is he so mouthy?) (and what does he do here?) (what is ‘shunting’? oh nvm it’s not like i’ll ever need to know, i’m a proper engine)” Even if my headcanon is discarded, however, Thomas sure is Himself and the sheer force of his fussy, self-important Main Character Energy would have had a similar effect on young Henry, fresh from the shop and still dazzled by the wide world. 
Thomas, though he has a fair bit more worldly experience under his boiler bands, still isn’t nearly as worldly as he thinks he is! — and he finds Henry just as baffling as Henry does him. Henry’s not like any other engine he’s ever met. He’s the biggest for one thing. He’s also far and away the un-reliable-est. I accentuate this in QLIR because part of the “scam” is that Henry is presented to Hatt as, not perhaps the engine he envisioned, but still an engine with some on-the-job experience. Total lies, of course. Far from “hitting the ground running,” Henry is a babe in the woods, constantly stumbling and fumbling his way around the rails. He knows nothing of railway operations, yard etiquette, or shed culture. Someone like Edward can take this in stride and just be like, All right, new chap needs a little extra looking after. It’s just a thing. No biggie. (Topham Hatt of course is in his office spitting nails, but this ain’t about him.) Thomas, however, is at just that childish stage where a) he knows all this stuff and b) he can’t fathom anyone not knowing it. So he’s constantly having the reaction of “What is he doing???” And, since he has no filter, drawing everyone’s attention to New Guy’s odd behaviors, every time (which does nothing to help Henry build confidence!) 
(Then again, of course, sometimes New Guy legitimately does some very strange stuff – Once an engine attached to a train/Was afraid of a few drops of rain… That, erm. That Doesn’t Help.) 
Then you add on Henry’s… mis-build, and Thomas’s befuddlement is cemented. He’s a cast-off on the Island Railway of Cast-Offs, of course, so the idea of mechanical issues aren’t new, but Henry’s are at a whole new level and they regularly disable him. Thomas is definitely 100% on board with the idea that you can manage to at least finish any job if you just try hard enough… and certainly you can at least get out of the shed in the mornings, yeah? Henry is the first time he encounters an engine for whom this just isn’t true. Same childish point of view: Henry is weird. 
Again, I cannot emphasize that “Henry is weird” is an attitude coming from Thomas… who in his own unique way is one of the weirdest little engines ever built (affectionate). 
None of this amounts, on either side, to anything like hatred. Annoyance on both sides, to be sure, but even then I don’t think it’s their dominant attitude towards each other. We see in “Thomas’ Train” that Thomas is… intrigued by the potential of his getting to fulfill his long-term Train-Taking Goals. But he doesn’t gloat over Henry’s misfortune, and I think TVS was so correct in giving him a worried face mask even as he slowly goes off to get the train ready… He can’t even be properly excited until he’s out of Henry’s vicinity, and, mind you, Henry’s too ill to be intimidating just then – Thomas refrains only because he really does feel bad for Henry, and doesn’t want him to feel worse! 
We also have, later in the same story, Thomas thinking “Henry says it’s hard to pull trains, but…” So, you know, they’ve talked before. (At minimum, Thomas has listened to Henry fretting to other big engines!) Henry is a real person for him, so to speak, by now a consistent presence in his life. 
As they settle in to their early-canon dynamic, I reckon it’s now characterised by mutual envy. Thomas would LOVE to take trains regularly like Henry – and can’t fully comprehend why Henry treats it like a burden! Like, he knows Henry gets ill, but at a gut level I don’t think Thomas could truly “get it,” because there’s nothing more he wants in the world than to have what Henry has!
Conversely, Thomas himself is always complaining, too (They’re both so good at having a good grumble!) and I think it would kinda drive Henry nuts that Thomas acts like he has it soooooo hard for *checks notes* having a job that he can actually perform to everyone’s satisfaction?... Vicarstown pilot Thomas may feel ignored by their manager, but that’s a million times preferable to being an eighty-ton disappointment to a manager who now has buyer’s remorse and a consequently short temper with you… :/
Keeping Each Other Grounded
I have no doubt that in the early years Henry leaned as far into the “big engine” identity as he could, largely to ensure that he wasn’t dead last in the pecking order. But I don’t know that this worked… especially after Thomas is promoted to branch line, and now Henry and the others don’t have a station pilot to kick around for a while…! 
I don’t know for sure how I come down on about the TVS notion that Henry really grows out the big-engine trio vs. RWS, where the big-engine trio more slowly dissolves with everyone’s mutual consent. But if Henry did sort of lose interest in this identity when the other two didn’t, it makes sense precisely because the big-engine thing never let him rise higher than oh let’s say Thomas, and keeping a few paces ahead of that mouthy little tank engine (who always fails upward!!) was a big part of his motive for adopting it to begin with. 
Similarly, Henry is so practiced at seeing the down side of anything. This makes him great at poking a hole in Thomas's balloon, any time Thomas gets too proud and puffed-up.
The Good Times 
Right, I started off focusing on the tensions just because whenever one of these fellas takes a potshot at the other it’s always a classic! And because I think mutual befuddlement is the keynote of their early relationship. 
As we get even in a little into canon, however, I want to emphasize that they usually rub along comfortably. They’re kind of on each other’s periphery, always, but they’ve lived and worked together for so long. And they’re both good-hearted sort of lads really. So it’s impossible that they don’t care about each other, even if it’s almost always at a bit of a distance. We are more likely to see them when they’re shooting a poisoned arrow at each other, but we know that what they’re usually doing when they see each other at the junction is pleasantly exchanging news.
This means that I approve of (virtually all) the little TVS moments that point to this kind of bond. Usually it’s one of them looking concerned when the other is jumpy (Henry) or missing (Thomas… dude, you sure do go missing a lot in TVS). I likewise enjoy getting to see them happy for each other at the appropriate moments (usually this is Henry for Thomas, most memorable for me is “That’s my boy!” <- cheering on Thomas when he’s kicking ass in the Shunting Challenge).
This is basic, background sort of stuff. But it’s also, I think, the most accurate representation of them. The zingers are incredible but they are a small part of their relationship. A basic, background sort of quasi-siblinghood is what constitutes the lion’s share of that bond. 
I don’t like the TAB notion that Thomas went out of his way to say a few encouraging words to Henry and thereby cured Henry’s rain-related anxiety wtfffff… but I do approve of the general idea that, even (especially?) in the early days, there was certainly a time or two when Thomas hung back in the sheds to encourage Henry, just the two of them. It’s only that I think his brand of encouragement would be more like… Gordon or one of the BBBs had said something shitty to Henry, and (after getting into it with them, because Thomas is not one to back down from a fight!) actually remembering (for a change?) that this was all about Henry to begin with, and hanging around for a bit until Henry was cheered up. Although unlike Percy’s very frank, open attempt to cheer Henry in “Gordon’s Whistle,” I think Thomas’s approach would be more like “what a wanker…” Like, he wouldn’t show any pity, he’d just open the door for him and Henry to both talk shit about the guy for a few minutes. This is, indeed, Henry’s preferred method of being supported, well above being shown any overt pity! And Thomas would get it! (You wouldn’t usually find me doing an emotional-intelligence point-for-point comparison between Thomas and Percy where Thomas comes out on top, lol. But in this case Thomas’s nature – which includes being a casual shit-talker – would really shine!) 
Not So Different?
Indeed, I wonder sometimes if these two aren’t the two most similar personalities on the cast — they’ve just been shaped by very different external factors! 
They’re both fussy, both self-important, and neither is one to suffer in silence. They’re both good steady everyday grumblers, not aggressively, but in a very normal, perhaps even very English way. They both have good hearts and are quite willing to work hard… though they have both been known to throw a tantrum that sooner (tunnel & rain) or a wee bit later (banged-up snowplough) brings operations to a halt. None of which is unique to these two, by any means! All these traits are pretty common among the RWS cast(s?) especially. But Thomas and Henry’s traits match up point-for-point. They’re just living different lives, but underneath the externals they’re awfully alike. 
Now, of course, there is a key difference — Henry is a follower, and Thomas would make a terrible follower; he can’t handle cliques (he’s rather too rough-around-the-edges to ever fit in one, methinks!) Then, too, when Henry thinks he doesn’t get enough respect (often), he just grumbles but has to wait for someone to present to him an opportunity (Gordon and James re: the strike, Duck re: six lovely tenders). When Thomas thinks he doesn’t get enough respect (again — often), he’s soon off doing something — usually something that ranges from foolish to catastrophic, but the point is that he’s more active and Henry’s more passive. 
Those are real differences and not just down to circumstance. However, apart from these two points, if Thomas were a large ill-built tender engine, I think a lot of his behavior would be Henryesque. Same but inverted if Henry were a hale and healthy tank engine. Their natures were cut from similar cloth, even if they underwent different treatments and design. They’re not as irritable as James, as even-tempered as Edward, as bubbly as Percy, nor (even if they had been built to his design) would they be quite as proud, nor nearly so dignified, as Gordon. They’re both Just Guys, in a way. 
What are YOU looking at?
I guess there’s one other way they differ… in TVS, Thomas is so proactive about going out and introducing himself and making seven bajillion merchandise deals friends. 
I favor RWS for Thomas’s essential nature, though – and he’s notably absent in the nationalisation era, when the others are constantly bumping against B.R. engines. “He’s on his branch line!” Yeah, but, man – Percy somehow has a circle of B.R. admirers. Thomas could be mixing it up more at Tidmouth if he were inclined to. I think he likes staying on his home base. I think Thomas is a quite a bit more of a homebody than Andrew Brenner seems to, in short. 
This also means that I think Thomas and Henry are alike in this way, too. They’re happy in the lives they’ve carved out for themselves, new acquaintances can approach them if they like – but watch out! (“What ugly wheels you’ve got.”) Newcomers to the book version of the North-Western can expect Duck to give you guidance, Percy to peer upon you with frank curiosity, James to self-importantly shove himself into your personal space and try to put you in your place, Gordon to officiously introduce himself if he thinks you’re important enough to merit such an honor, the Caledonians to maybe break you in with a practical joke if you stick around long enough, Edward to extract your entire life story if you stay longer than about 48 hours. Thomas and Henry? They’re hangin’ back. Not on account of shyness! And they’re not excessively proud I don’t think – but they’re both just self-important enough that they’re automatically suspicious of anyone with the nerve to approach them. 
(That said, annoying Thomas is just a first step in befriending him. Annoying Henry doesn’t work out the same way! He’ll just tell you to get off his siding, lol.) 
It’s like Ariel Wanting to Walk on the Beach… with Legs… 
A final and very important similarity: Thomas and Henry both distinguish themselves by indulging in some notably un-engine-like behavior. 
Thomas is discontent in early canon in a way I certainly don’t think is true for all shunters (hence part of my characterization of my OC Poppet, who would never dream of pining to be anything but a station pilot. She has a grand job! What more could an engine want than an important job? Variety? Society? Scenery? Pah. Because Poppet's a normie, is why.) Even early in his branch line days, we see him taking up a yen to fish like the anglers he sees at the Els river – and is apparently called out for it by every engine to whom he announces this desire. (“Engines don’t go fishing??? *mutters aside* Loony…”) 
Henry, too, is given the trait in TVS canon of liking to sit ‘round on mysterious sidings in the middle of a peaceful forest and take in the beauty of it all. Now engines often want to be a part of things – it seems they have a social drive – but to want to do all this slow, solitary, un-useful nature hobby stuff, that’s really something else. This is such un-engine-like behavior that it’s downright impractical! RULE 55 But it puts Henry into what is (for the Classic and New Series, at least) a pretty exclusive club, pretty much just him, Thomas, and – later in the same TV season – Duck. And, like, I accept this as canon because it feels right. Yeah, they’re our weirdos (affectionate). 
In Our Lanes. Thriving. 
So, yeah. Two nifty dudes, with a sibling relationship that’s so basic and understated that it’s almost dangerous to write them, because you could very easy press your thumb a little too hard and ruin their balance! 
There’s a little crop of fics that give them the shared spotlight in a story, usually in the Vicarstown days, when Thomas does something nice for a struggling Henry. That idea tends to work quite well. I can’t think of many other times when trying to put the focus on their dynamic wouldn’t foil their dynamic. As I say for the last time – a keyword here is “peripheral.” 
Their connection is strong mostly because of time and shared history, strengthened by a similar temperament, and spiced up by their chronic squabbling. You could too easily try to give them a nice Moment and overdo it, because they’re in the same tight family-like circle, but it’s like they’re each on one of the polar caps – just waving at (or snarling at) each other every so often as their shared world keeps chuggin’ on.
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sunnycanwrite · 1 year
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wanted to talk about Barbara Gordon more as a disabled person. She is the reason I accepted my struggles and got a cane. Without this character I would be we have let myself use mobilty aids, would never have become a wheelchair user.
The storyline which is included in Batgirl of burnside is interesting. As a younger teen I enjoyed it a lot I thought "overcoming" her disability was so badass. Now I just think it's fucked up. Though it does show a bit of reality, going to physical therapy, sometimes using mobilty aids like a cane, and rooming with another disabled woman.
There's also a this issue with abled bodied readers. Who saw her as weak as Oracle, thought it was silly to have her in a wheelchair. That makes you wonder what they think of people irl who are disabled? Do they frown down upon us?
I've been a wheelchair user for a short amount of time, but needed one for much longer. Oracle has been my role model ever since my legs stopped holding me up. I found my independence by using a wheelchair. I'm still a cosplayer, a writer, a active member in my local queer community. Just like Babs was still a hero, a librarian, so strong and powerful.
Don't look down on disabled people, we are stronger than you. Because we understand pain in a way that many never will.
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celaenaeiln · 6 months
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The bimbofication of Dick Grayson is sad but I also feel like a lot of it has to do with his place in the batfamily and fitting a certain role which is different from his role as part of the Titans fam. Like there is a reason he gets killed off in a lot of Batfam stories and or he takes up the role as Batman despite wanting to make a name for himself as Nightwing. I’m not a huge Dick Grayson fan but that’s because my introduction to him was through the Batfamily and he was always portrayed rather silly or kind of the butt of the joke to Barbara Gordon’s know-it-all-ness (I love her but that’s how it feels) , but then I would read his interactions with the Titans and I actually became more invested in his character even if the writing is a bit outdated.
This goes for his relationships too, he used to be portrayed as a one woman man but then Dixon got a hold of him and suddenly the tiring trope of guy is a bit of a playboy except for that one girl who is the love of his life took hold and it hasn’t left since. I miss the Dick who meet this out of this world (literally) woman and who grew to love each other and watching him grow into a man who learned to love in a passionate way and who learned that people were different from him.
Even a lot of his newer relationships have a lot of depth (like with Bea Bennet or Shawn) but then they get axed. Taylor isn’t really writing anything that hasn’t been written before, like Rebirth Dick wasn’t that great and Rebirth DickBabs was childish and Dixon had some takes on Dick but Taylor has really has highlighted a lot of that bad writing and It’s crazy that it’s becoming the most popular iteration of Dick Grayson and even Barbara Gordon.
og post in reference
Absolutely!
There was the comic thing DC released during an event with all the heroes talking to the reader like they were in the Office, and Dick's was, "I'm the nice, funny one."
Now that's funny because Roy literally refers to him as uptight. The statement is true but it's a lie by omission. It doesn't take into account his craziness, his leadership, his dedication, his intelligence, his prowess, his good-standing - nothing! "Nice, funny one." I think Ra's would've run a sword through the writer's heart at that, given that he was easily defeated by the "nice, funny one."
Aside from that I can't really speak to the dumbification of Dick in Batfamily comics because I think most of them have done a good job but I used to see it a lot in fandom. It's much less now but five years ago, there was so much fandom content about incompetent himbo Grayson and some writers genuinely meant it too. Which I don't understand because nowhere in the Nightwing comics is Dick ever written as being dumb. The Batman comics (1940) and (2016) also do a fantastic job of writing him. His fighting ability, his emotional intelligence, his IQ, all of it is there and off the charts!
I guess the main thing with Dick's role in the batfamily is he's seen as an authority figure. He's Batman's second in command and seen that way by both Bruce and the rest of the family. So if some major disaster were to occur, he would need to be killed off because he's both of exceedingly high emotional value to Bruce or because he's going to be the next person in charge and god forbid that happens because the apocalypse would end then.
I mean, the villains made the mistake of leaving him alive in Convergence and he literally reset the universe back to how it's supposed to be.
So there's no way they can leave him alive because of that. Also his death fuels Batman to end whatever crisis the world is facing so that's an important plot event.
But the Barbara Gordon arm candy.
I am certain. That the idea of Dick being stupid comes from him being with Barbara Gordon. No where in the Nightwing comics, Batman comics (both!), Red Robin comics, Robin comics, Titans comics, Justice League comics, and other DC comics is Dick ever written to be stupid EXCEPT when he's written with Barbara.
Take this nightwing panel for instance
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Nightwing (2011) Issue #27
or this
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Nightwing (1996) Issue #42
and then take this
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Convergence: Nightwing/Oracle Issue #1
AKA: I'm smart. You're dumb. Now shut up and leave because you're too stupid to understand.
The arrogance. This is the same shit Bruce would pull except when Dick asks, Bruce actually tells him.
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Justice Leagues: Justice League of Atlantis
Barbara in the Nightwing comics isn't the best but at least it tracks with her own personality in her own comics and the Batman and Bird of Prey ones. The best Barbara Gordon depictions I've seen are through Cass and Stephanie's Batgirl comics funnily, but the Barbara Gordon Batgirl comics have the worst treatment I've seen of Dick in all of DC.
This is where I think the idea Dick is dumb orginates because it's definitely not coming from Tim or the Titans or Batman. It also makes sense if that's the case since Dickbabs is such a huge thing in this fandom.
I miss when Dick would just be with Kori through everything. They were so in love! I genuinely believe they could have worked out their problems or at least gotten back together but DC will never let that happen for logical reasons. If Dick marries Kori, he's going to end up spending all his time with the Titans which would be bad for the rest of the family because they need him when they have problems or just to hang out. It's a lot more convenient for them to have Tim hang out with Dick and Barbara if they were dating than him hanging out with Dick and Kori. Which is the biggest reason why Batfamily writers want to keep the romance within the family.
I will never accept the cheating thing because it was so out of character but I've kinda gotten used to him finding new relationships because I grown to fall in love with those characters. As long as he has meaningful relationships like with Bea and Shawn where it develops and grows, I end up loving it. My only requirements for his relationship is letting Dick be himself and letting him be happy. I was furious that whoever writer ended Bea's relationship and for what? "I'm sorry, I can't love you anymore, I got memories back." What kinda a reason is that?! It's not even remotely believable! I have so much to say but it's going to turn into a rant about how dumb the reasoning is.
Tom Taylor took all of Dick's fake worst traits and amplified them by a billion. Actually you know what? I get what's he's trying to do. He picked one trait of Dick's - caring - and trashed his entire life story at the expense of his intelligence, athleticism, humor (c'mon Dick was genuinely funny before this run, his humor did not suck), and wit to support this one little thing.
He wouldn't understand subtlety if it hit him in the face.
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im stubborn and i like talking here's the reasons i put every character i did in side a into the tourney. I'll do side b later cause i gotta go to bed soon
important first note, quite a few of my decisions were because i was trying to get women in here and it was getting desperate because i had to cut out a lot of women for only being "just some guy" because they were written by a misogynist that made her sit on the sidelines and cheer for the male leads. The Woman Situation Is Always So Fucking Dire.
anyways on to the actual contestants im gonna start with the characters that have been causing the most people to start up shit about them not being just some guy
barry bluejeans (taz balance): 2 submissions, personal bias. i think a lot of people are misunderstanding what this tournament is tbh. this isnt about the "normal" characters, tho normalcy does play a factor in it. this is about dudes who are just some guy. there is a difference. barry is a dnd npc who wears blue jeans in a fantasy world and he loves his wife. yes he is a lich. yes he is involved in the main plot. he's also just chillin. like if the plot didn't happen the way it did barry would be playing sudoku or crosswords. he'd be an average man in a very fantasy world. he is so average and human its funny. he is just some guy
tommy (hlvrai): 1 submission, personal bias. his just some guy energy is so there. he gets a propeller hat that does nothing when all of his crew is getting cool guns and upgrades. his life goal is to go home and take his dog for a walk. he gets a chuck e cheese birthday party. he sounds like he's going to burst into tears at any moment. compared to the rest of the crew, tommy is comedically just some guy
ulala (persona 2): 1 submission, description swayed me. it described the list of characters in persona 2 and ulala was just "your roommate that wanted to go to a party". that's hilarious. also i was getting fucking desperate for women that didn't suck ass as i stated above
apollo (ace attorney): 2 submissions, personal bias, descriptions swayed me. yall the submissions for him were so fucking funny. he's just a lawyer. he just wants to do his job but he lives in the ace attorney universe so everything is fucked all the time. he would've been a normal lawyer if he hadn't met phoenix wright. he's just chillin.
ok now here's every other character
sasha james (tma): 1 submission, friend bias, good description. i asked r if i should put her in because they know tma and they said yes. submission described her as loving to organize and avoided many monsters by being just some guy.
reigen arataka (mp100): 2 submissions. i thought it'd be funny and i was right. he is also just a normal man pretending he's not and he refuses to give up the bit he 100% deserves to be here
joy (underworld office): 1 submission, friend bias. the mc is going through wild ghost related problems and she's just going . hey man. you good??? r's sister submitted her and im not letting her down dude she's awesome
junpei (zero escape): 3 submissions, personal bias. he is literally the only character who has no connection to the larger mystery he's just there because he loves 1 girl. he's PAINFULLY and VITALLY just a dude. i need him
horse (centaurworld): 1 submission. i thought it'd be really funny to include just a horse. her name is horse. thats fucking awesome dude
phone guy (fnaf): 2 submissions. he was the only character from fnaf that got more than 1 submission and there were like 9 fnaf submissions i kinda felt bad tbh. he was also the best example of just some guy out of all the fnaf submissions
gordon freeman (hlvrai): 1 submission. he is a guy playing a video game. he is the straight man to the rest of the crews antics and by god he plays his role well
joshua gillespie (tma): 4 submissions, friend bias, hilarious descriptions. he avoids getting killed because he's so good at following instructions despite him clearly supposed to be dying here. they said don't open the coffin so he didn't. simply don't tuesday
namari (dungeon meshi): 1 submission, personal bias. i like her c: she's pretty level headed compared to like. everyone else in laios's crew. she seems like somebody i could just be friends with and hang out with
shez (fire emblem): 3 submissions, hilarious descriptions. i might try getting into fire emblem because of this. ok so they got murdered in a previous game off screen and now they're the playable character of a new game in a new timeline and they're fucking everything up because they're just supposed to be some guy? thats so fucking funny holy shit i want to know more
henry stickmin (henry stickmin): 1 submission. henry stickmin. like idk i dont feel like i gotta explain this one he's a stickman
stanley (tsp): guaranteed entry
whole (chonny jash): 1 submission, friend bias. tbh i saw him and went oh fuck yeah thats the thing my friends like and then i put him in there. i dont actually know enough about chonny jash to say anything on this but i fully trust the submitter knew what they were doing
larry (pokemon): guaranteed entry
luke carder (inscryption): 1 submission, friend bias, good description. he is just a normal youtuber in the lore of the game. he fucking love card game. good for him man good for him
leorio (hxh): 3 submissions, friend bias, good descriptions. idk a lot about hxh but the descriptions of him compared to the other main characters was pretty convincing
barry the quokka (sonic): guaranteed entry
april o'neil (tmnt): 1 submission, friend bias. absolutely normal girl that just happens to be the one that found the turtles and become their friend
tsuzuru (a3!): 3 submissions, friend bias. descriptions definitely made him feel like a good fit. he's so good at being just some guy i actually thought he was a different character and was shocked when i went to grab images for the tourney and he wasnt the guy i thought he was. which is really funny. like who the fuck is he then. this didn't change my opinion or anything it was just so good
matt (woe.begone): 1 submission. woe.begone fans have ALWAYS been kind to me so they got some mod bias sprinkled in. i dont know what this guys deal is but in the dbtn tourney the guy who got in there had a giant fucking list of things that are happening to him all the time and apparently thats just what woe.begone is like so i believe it when told matt is normal in comparison. everything else is so batshit wild I Just Believe You
gilear (fantasy high): 2 submissions. he seems to be just a dad. wasn't going to get in at first tbh just for personal reasons but i was running out of characters that i felt actually fit the tournament well so ultimately he got in
emmet (lego movie): 4 submissions. honestly with the number of submissions we got, 4 submissions was basically a guaranteed entry. and emmet's whole story is about being just some guy
stahl (fire emblem): 1 submission, hilarious description. fire emblem fans are so funny. what do you mean he can only be perfectly average because everyone else improves/gets worse with him to keep him perfectly average. what the fuck. thats so good
doug (wolf359): 2 entries. i dont know jack shit about wolf359 and honestly the submissions didn't tell me a lot but it was enough to figure he qualifies and i was running out of characters that felt good for the tourney. i trust you wolf359 fans
jack townsend (tales from the gas station): 1 submission, good description. he works at an evil gas station and the description gave me no follow up on what an evil gas station is which is awesome. apparently the horrors are constantly happening and he's just kinda staring at them. he's not paid enough for this
frisk (undertale): guaranteed entry
brian pasternack (yuppie psycho): 1 submission. im gonna be super honest with you here. i dont remember. i know he qualifies but i have 0 thoughts about him. maybe thats a good thing in this tourney. he's an average office worker who has now been tasked with killing The Witch.
trevor (american arcadia): 4 submissions, personal bias, good descriptions. dude i fucking love american arcadia it's so fucking good what a nightmare. he's so normal they were going to kill him for not being entertaining enough
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erraticalart · 7 months
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Saw Fortress II
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Well, is this what you've been waiting for?
So, as some of you may or may not know, Saw is getting a new movie, Saw X, in two days and I'm so excited for it to come out! I decided to pay tribute to this movie by making a crossover between Saw and, of course, Team Fortress 2. I've been getting interested and invested in the Saw franchise, from its story to the characters and especially the creative but deadly traps. Took me about 22 days to create as I had classes and needed to take breaks every once in a while, but I finally finished it and presented it to my brother as a birthday gift (as well as an official Fallout cookbook).
Now, for the fans of both Saw and TF2, I'll explain the reason why I chose the characters and their designated roles. It's time to play a game.
Character Comparison and Roles
Warning: Spoilers for the Saw franchise
RED Engineer: John Kramer aka Jigsaw - Well it's pretty much obvious why. They're both engineers. They both are talented in creating many different unique contraptions that are beneficial, but deadly and dangerous. Engie also has his morals, although it's way different from John's. Let's not forget that Engie can be somewhat a little sadistic and loves seeing his enemies go down, although John hates sadistic people despite the irony in his traps. Also, are we gonna ignore his Gunslinger taunt kill and his sinister, evil laugh? I'm not sure if Engie should have the Gunslinger with him, but I think it would be pretty cool to have it on him. Maybe in this version when he attempts to commit suicide and fails, but all he's left is a completely maimed hand, he cuts it off entirely and replaces it. It would be a pretty cool backstory as to why he has it and would make a really cool reveal to show to the audience. I wonder what Engie sounds like saying the iconic line "Game Over"?
BLU Medic: Dr. Lawrence Gordon - It's also pretty obvious why. He's a doctor. (Can you guess the reference?) Dr. Gordon is my favorite character in the series, and I love seeing the change and progress in his character from a doctor and trap victim in the first Saw film to John's favorable accomplice and in his words, "My greatest asset" in Saw 3D/Saw: The Final Chapter/ Saw VII (Yeah, I can't believe that movie has multiple names). In a way, it makes sense to have Medic as Dr. Gordon because just like how it was shown at the end of Saw VII that he and John worked great together, Medic and Engie are also seen working together in Expiration Date as lab partners. They both would work great as an amazing sadistic duo. Also, I think it's kind of cute to have Engie give Medic a prosthetic foot after he too cuts it off entirely. Not only would it make sense because Engie knows a thing or two about prosthetics, but it would show that Medic and Engie both have something in common: cut off what's unnecessary to help with your survival. Medic would also try to justify and reason Engie's actions. Also, I love Dr. Gordon's "Game Over" line, it's soooooo good!!! It's my personal favorite (Of course nothing beats John's iconic classic version). I could totally imagine how great Medic would sound saying that line!
BLU Spy: Detective Lieutenant Mark Hoffman - Ok, this is where things start to get a little interesting. Hoffman became John's accomplice after replicating his ideas and making his own traps that John never made himself. In a way, he's becoming Jigsaw. Just like how Spy can become and replicate any class, Hoffman also became more mysterious and secretive to his fellow colleagues and tried to frame Special Agent Peter Strahm as Jigsaw. In the end, when he gets caught, he goes against everyone and executes them, so the secret never comes out. Also, another reason why Spy is Hoffman and please tell me if I'm not the only one here who thought this when watching Saw: Did anyone else get Hoffman and Strahm mixed up because they almost look like the same person and it's always confusing when there's a scene that focuses on one of them but it's actually the other? I decided to have two Spies in the story with the BLU Spy as Hoffman and the RED Spy as Strahm since they look the same minus the color.
Miss Pauling: Amanda Young - You're probably thinking, "Why her? Is it because she just so happens to be female and I just filled her in that role?" Well yes, but actually no. It's because Amanda was very loyal to John, looking up to him, defending him constantly, and was very close to him. Miss Pauling fits that role when it comes to the Administrator, but here she's loyal to Engie. I feel like she likes Engie the most out of any other class, so she would definitely help him out as well as get advice from him. She also can get shit done when being asked to accomplish a task. Sadly, we know what's to come for Amanda. Just like how in the comics Miss Pauling fails to bring the Australium, Amanda fails in John's tasks as he reveals to her that she's part of another game. I do feel like Miss Pauling was stuck playing around in the Administrator's game and it was also implied that every year the Administrator sends people to assassinate her to see if she succeeds as if it's an employee review. So, yeah, Miss Pauling and Amanda both are stuck in pretty tight situations.
RED Pyro: Billy the Puppet - Ah, yes, who could we ever forget? The main icon of the series. Both Pyro and Billy have terrifying appearances that'll leave you quivering on sleepless nights. I used to fear Billy as a kid, but now I see him as endearing and strangely, but freakishly, adorable. Pyro is freaky-looking, but he's such an adorable bundle of flames. I could definitely imagine seeing Pyro riding on Billy's iconic tricycle. That would be so funny, cute, and scary. As for Pyro's voice, since Billy is voiced by John (and Hoffman, I think? Idk), I'm not sure if Engie (or Spy) should voice Pyro since Pyro speaks in muffles. Maybe they should, idk. I also don't know if Pyro should speak in mumbles from time to time or whether he should have the ability to move and just walk around or just remain seated. And, of course, I don't know if Pyro should do his iconic laugh (maybe sometimes, idk). What I do know however is that Pyro should definitely have the iconic Billy laugh.
RED Balloonicorn/The Combustible Cutie Cosmetic (Yeah, I know it's pink, but it's the RED team's version which is why it's pink): Pighead Mask - Oink! Or in this case, Neigh! The mask that John and his accomplices dress up as with the iconic robe (though I'm not sure if this robe should remain red and black or pink and black, maybe the first option should be for Engie since he's the leader while the accomplices get the latter, or not, maybe they should match Engie, idk). At first, I chose Balloonicorn since it's related to Pyro and I know he'll love seeing everyone dress up as one, but then I remembered that there's a cosmetic for Pyro as a mask called "The Combustible Cutie" that resembles Balloonicorn, and boy does that mask look freaking scary!!! It's really fitting for both Saw and TF2 as a whole! It's pretty funny and scary to imagine getting kidnapped by a herd of pink unicorns all because you've been very naughty.
I hope fans of Saw and Team Fortress 2 enjoy this lovely piece of fanart as this has become one of my all-time favorites to create. I was also listening to the Saw soundtrack specifically the Zepp/Main Saw Themes. My favorite being, of course, "Hello Zepp". It fits Engie and John's character theme even though it's Zepp's (although you can argue that it IS John's since it's his perspective since he's saying hello, which I agree). But my actual favorite is "Zepp Overture" because to me it sounds like a holy church. I especially like the way the string instruments sound. Yeah, I know you can argue that Dr. Gordon has a theme at the end of Saw VII called "Dr. Gordon Montage" and "The Final Zepp" but to me, I think this theme fits Medic the best because, y'know, he replicates that sound by playing an actual saw when you taunt which is both funny and adorable. And it really fits his character to be seen as a holier-than-thou and especially a God. This might also fit Spy, but idk. I'm not sure which themes work for Spy and Miss Pauling or even Pyro (if you want Pyro and Engie to share the same theme, then that's fine by me). I might need to go back and listen to all of them depending on the movies that Hoffman and Amanda appear in. Maybe some of you can suggest one. But anyway, please go listen to the Saw soundtrack, especially the Zepp/Main Saw Themes, it's soooooo good!!! I might as well argue that it's one of, if not, THE best horror themes out there!!!
Here's a link to listen to it while you look at the art or whether you are interested in the Saw series and its music:
youtube
Welp, like I said before, I hope you fans enjoy it!!! I just can't' wait for Saw X to come out soon on September 29!!! I just hope and pray the movie is good though. Well, let's just wait and see. But until then,
GAME OVER!
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thecaroliner · 2 months
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NATLA: An Extremely Mediocre Mess
I spent the entire day watching Netflix's ATLA adaptation and oh boy was it...something.
I struggle sometimes with putting my full thoughts into words but here goes. No idea how long this will be.
Spoilers ahead, obviously.
I want to start out by getting a few things I thought were good or at least fine out of the way.
First off I wanna mention the acting (aside from Gran Gran) was fine. I think Gordon Cormier has a lot of potential and it really felt like sometimes he was being held back by the script and direction. Really hope this role opens up new doors for him in his acting career!
Not that I think ATLA needed more violence or anything, and initially I was against them adding more violence just to make it more "realistic", but I actually didn't mind it. It was way more gruesome than I thought it would be, both Sozin and Ozai literally set people on fire and burn them to a crisp. Kind of does help set in the actual horror of what they're doing. We even saw the same happen to Kya in a flashback. Again, this wasn't needed, but I didn't mind it.
The bending effects DID look a little better than in the trailers I thought. Firebending in particular I thought was decent, all the other elements were just okay, with waterbending I feel suffering the most from it. The rest of the CGI kind of sucked though which I'll get into later.
Having Gyatso be more of a presence I thought was nice, as I always felt like he could've been a little more to the front of Aang's mind in the original series than what he was. I honestly LOVE the idea of him hanging around in the Spirit World for Aang, as in the past I've thought of that idea and wished it had happened. Except....they just kind of throw this plotline away later for no reason. So that's great.
Lastly, it was neat to see Indian culture being represented in Omashu.
Now that that's out of the way....time to really dig in.
The series starts with the Air Nomad genocide, pretty brutal stuff but I don't have much to say about this aside from the moments with Gyatso being nice.
Aang can apparently just fly now, but he only really does it to show off in this first episode. Apparently it's because he's an Airbending prodigy, despite the fact that the ability to fly was established in LOK as being a very rare occurance that only comes after letting go of every earthly attachment. But sure, let's just have Aang fly now. Why even have his glider in the first place?
He gets frozen in pretty much the exact same way, which now leads us to the Southern Water Tribe, where Katara is practicing waterbending in secret in the abandoned Fire Nation ship. It's mentioned later that Sokka and Gran Gran forbid her from practicing bending in case the Fire Nation comes back and tries to kill her, which...sure, I guess.
They find Aang's iceberg, but since Sokka isn't sexist anymore, her anger at him isn't what opens the ice, it's her attempting to pull their canoe back to them and she accidentally splits the iceberg open.
Speaking of Sokka's sexism, remember when people were trying to say "Oh the show isn't getting rid of that arc, it's just updating it because a lot of moments in the original show were iffy!" Yeah, no, they got rid of that arc entirely. Which, honestly if they had just done that without making a big deal out of it in interviews wouldn't have been an issue. The issue is them trying to act as though the narrative of the show itself was sexist and not actively showing us that Sokka is in the wrong.
Anyways, Aang literally just falls out of the iceberg and it's lowkey funny cause he just slides out like he's going down a water slide.
They take him back to the village unconscious and once he wakes up, Gran Gran (who's acting was awful by the way. Not sure if it was the actress' fault or the direction, it really felt like the direction to me). She immediately recognizes Aang's tattoos and just tells him flatly that the Air Nomads are all dead. No compassion or anything. Oh, and she out of the blue begins narrating the original series' intro verbatim which was so out of place and funny. HEY REMEMBER THE OPENING FOR THE CARTOON?? THAT'S IN HERE TOO!!!!!
Weirdly enough....it almost felt like Sokka and Aang had more of a bond than Katara and Aang. Sokka was initially skeptical of Aang but then instantly wants to go save him and I swear they had more interactions than Aang did with Katara. The two of them don't even really feel like friends until the last two episodes or so.
Also, they go to the Southern Air Temple in the first episode where Katara doesn't calm Aang down from the Avatar State but rather a memory of Gyatso did. Okay....
Oh, this also had one more thing I liked, and it was Aang giving Gyatso a proper burial. I always assumed that happened at some point, whether during the series or sometime afterwards. Nice to see it here.
Okay, so my thoughts after this are just gonna skip around a bit because I was writing them down as I went. The first half the series really didn't have much egregiously wrong with it, it was mostly just mid.
It's mentioned briefly that...Aang's airbending went out of control sometimes? Like the reason he had to train with the monks was so that he would stop accidentally hurting his friends with airbending. Because why have the storyline of him accidentally hurt Katara with firebending when you could have this instead?
The like...purple and motion blur effects they used for the Spirit World scenes was such an eyestrain....
In the Spirit World, Kyoshi gives Aang a vision of the attack on the Northern Water Tribe. Before, Aang had no reason to even bother going here, because Katara is teaching herself waterbending (turns out Gran Gran had the waterbending scroll the whole time! But hid it from Katara til now). Aang also doesn't even attempt waterbending at all this season btw
The Gaang gets to Omashu, where they decide to combine The King of Omashu, Jet, The Northern Air Temple...and The Cave of Two Lovers. Despite this sounding clunky and weird, I think these storylines together actually did mesh well (except for the COTL, which OH BOY I WILL GET TO)
The idea here is that the Mechanist, whose name is now Sai (don't know if this was ever mentioned in any supplemental material or if it was just made up for this show) and Teo live here. Jet and the Freedom Fighters also live nearby, where they are trying to plant bombs around Omashu and make the Gaang think it's the Fire Nation.
One scene I wanna mention, and please correct me if I'm wrong, but I SWEAR Sai said he needed to control the "attitude" of the hot air balloon...not "altitude."
Aang ends up getting captured by Bumi's generals, and he almost immediately figures out who Bumi is. Which...I cannot believe Aang named his son after THIS Bumi. He's kind of a huge asshole and is mad at Aang for abandoning them for the past century. Like you really had to make the character angry at him Bumi???
So, um. Let's talk about the COTL plot now.
Katara and Sokka go to try and find Aang and find out that there's a series of elaborate tunnels underneath Omashu, where they run into the singing nomads. This was literally only a plotline so that they had an excuse to sing Secret Tunnel this season. They explain to the siblings the story of Oma and Shu (which is just verbatim from the original series), ending with "Love is brightest in the dark."
Remember that. They preface the storyline of the tunnels by explicitly telling Katara and Sokka about the two lovers. Very romantic.
Katara and Sokka quickly realize that the cave crystals glow in the dark and begin to follow the path. Love is brightest in the dark, right? Along they way they begin bickering because Katara feels like Sokka still sees and treats her like a child.
Eventually they get pursued by a badger mole who begins to chase them. They apologize to one another and hold hands as they think they're about to be killed but...the badger mole stops attacking.
Why does it stop attacking, you ask?
Because now apparently badger moles can feel human emotions. They don't like feeling people fight and want to feel the love between them instead.
I was LOSING IT at this part. "Love is brightest in the dark" was apparently metaphorical.
And don't get me wrong, I love seeing platonic and familial love portrayed in media...but like, to do this storyline...don't preface it with a romantic tale of two lovers????? It gives off a very unintentionally creepy vibe for the siblings. And I'm sure I don't have to explain why badger moles being able to sense love is just dumb as shit.
Moving on....Bumi is nice again. Yay.
They go to the town where Hei Bai is attacking and Aang somehow accidentally pulls Katara and Sokka into the spirit world with him because the writers also wanted to have The Swamp here. Oh, and the Koh storyline. He doesn't steal faces for showing emotion anymore either, he just captures people and eats them later and steals their faces then. Cool.
Oh, and Wan Shi Tong is there and he looks emaciated.
Katara relives the night her mom dies, while Sokka sees a mysterious looking fox in the forest. Initially I assumed this was one of Wan Shi Tong's knowledge seekers but oh no. Oh no, it is much, MUCH worse. We'll come back to it.
Aang manages to find Gyatso in the Spirit World, which again is an idea that I LOVE. Gyatso explains that after he died, he never moved on to the next cycle of enlightenment, instead choosing to stay in case Aang needed him. They have a really touching moment, and Aang promises to come find him again after he finds Katara and Sokka.........which we'll come back to.
The events of The Blue Spirit happen, not much to talk about here. Aang connects with Roku (apparently he can only connect with past Avatars at their respective shrines, btw) and finds out Roku stole a totem of The Mother of Faces from Koh and that's why Koh hates the Avatar. Why steal that totem?? Hell if I know. Roku's also a funny man now I guess.
Aang saves Katara and Sokka from being Koh food and all is well. Yay.
They finally get to the North and this is where the show really went from being mid to pure cringe for me.
The "women only learn healing" plot is still here. Katara is rightfully angry about it, but Aang's like "oh well maybe you should listen to them". Yes, really.
Here Aang is so worried about losing anyone else, which, obviously understandable. But he doesn't want Katara and Sokka, especially Katara, to fight AT ALL. Which I mean. OG Aang never once tried discouraging her from learning to fight. Obviously he loves her and does have concern for her safety a number of times throughout the show and comics, but he also knows she can kick ass and stand her ground on her own and never tries to stop her.
Katara fights Pakku, and despite literally the day before saying she still has a lot to learn and a long way to go, she's just instantly declared a master waterbender now!
And oh boy my friends, buckle in because now we're gonna talk about Yue.
First off...her wig looks BAD. Like I'm pretty certain I saw her real hair sticking through a few times. Why not just dye the actress' hair....even Shyamalan's Yue hairstyle looked better than this, and we all know what that looked like.
So right off the bat Sokka asks Katara if Yue is at all familiar. Katara says no but Sokka keeps pressing and eventually follows Yue, where we learn she's a waterbender? Okay, not like her being a waterbender or not has any affect whatsoever on the story, but sure. We also learn that she had previously been engaged to Hahn but broke it off because he "wasn't the boy of her dreams". Not sure why they bothered to write him in the first place.
So...Yue and Sokka begin talking, and Sokka finally realizes why she's familiar to him.
I genuinely had to pause the episode to laugh when this reveal happened.
YUE WAS THE FOX SPIRIT SOKKA SAW IN THE SPIRIT WORLD.
Yes, I'm being 100% serious. When Yue was healed by the moon spirit, she turned into Danny Phantom and can now just hop in and out of the Spirit World. As a fox for God knows what reason.
BTW, this has jack shit to do with anything overall. It adds nothing. It serves NO PURPOSE. Genuinely do not know what the hell they were trying to do with that.
Um, so yeah. Moving on.
Apparently in this version, Tui and La only become mortal fish once a year or something? On the night of the "ice moon". Your guess as to what on earth an ice moon is is as good as mine.
Zhao begins to lead an invasion on the north and Momo is killed in the crossfire.
Well, almost.
Again I just busted out laughing because Momo has served NO PURPOSE until now, he's just been there because he was in the og series. I'm sorry Momo, as much as I love you....why were you here.
To save a kid from being crushed by falling debris. He just pushes them out of the way and is crushed. The reason is just so that Yue can take him to the Oasis and use healing on him with the Spirit Water.
Katara and Zuko have their classic fight and Zuko says "Oh you've found a master haven't you?" To which Katara replies, "Yeah, me" because she's a master now after 2 days remember?
Koizilla happens...the tribe is saved...Yue makes her sacrifice. So now she can go be the moon instead of a fox I guess.
Also, I think Iroh killed Zhao, despite earlier in the series refusing to kill the Earth Kingdom soldier who captured him because "we've all seen enough death."
And then...Aang goes back to the Spirit World, to find that the little "house" Gyatso was in is empty now. Gyatso is just gone now, with no explanation, although he seemed to know when he met with Aang beforehand that he would be gone from the Spirit World next time Aang tried to find him. Great job, taking the only interesting storyline made up for this series and just throwing it out the window for no rhyme or reason!
Now lemme talk about Azula....
She's not even Azula anymore. She's really insecure and worried about pleasing her father. Because whenever I thought of Azula, I always thought "insecure!" Like I get what they were going for, Zhao says this honestly kinda raw line about Zuko merely being the fire to sharpen the iron that was Azula, but like....why did she have to be this insecure person now? Also why is she even an archer now? It again has nothing to do with anything
Mai and Ty Lee are there for also no reason at all other than to be like "HEY REMEMBER THESE TWO CHARACTERS FROM THE ORIGINAL SHOW?!" They just stand there and watch Azula train sometimes.
The show ends with a Fire Sage showing Ozai through their planetarium (which they have now I guess) that Sozin's Comet is returning "soon." Who knows when! Just soon!
Also, Kataang shippers do not get your hopes up. Not that I expected much Kataang here at all, but I swear they barely even feel like friends until the end. It almost seems like Katara is more interested in him than he is in her.
My expectations of this series were low from the beginning. When it was first announced this project was in development, I said it was unnecessary and couldn't improve upon the OG in any way...and I was right. Even as its own thing entirely divorced from the cartoon, it's just kind of bland and downright confusing at times.
Anyways, my fingers hurt now so I'm going to wrap this up. Apparently I've been typing for like 1.5 hr now lol
Watch the original series instead :)
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gffa · 5 months
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Can I ask your opinion on something? It's about Jason and the way hes written in a lot of batfamily comics, because I can't shake the feeling that in a lot of stories he's in theres is this rather... condescending attitude towards Jason. They are always writing him as this angry impulsive idiot who can't deal with a case or have plan of his own and basically needs Bruce and the others to save him.
For example, take Cheer, a lot of people been calling the best story Jason had, but it still repeats so much of the annoying tropes that Jason gets: He's written tob e really impulsive and dumb and prone to mistakes that the others would never make, and who Bruce to explain him to not attack drug addicts, and them you have to flashbacks that are there to retroactively insert instances of him being a "bad robin" who would torture a random person for no reason and killed someone before he even became robin. And whole story gives the idea that the only reason Jason can be good in anyway is because Bruce stopped from going bad.
then In the failsafe arc when Bruce is praising Tim he has to make a mention about how Jason hated training as a robin, which is not the first time Bruce has compared Jason negatively to prop Tim.
And now in The Gotham War, Jason gets brainwashed by Bruce with that failsafe thing. And it's treated as this big awful thing... until one issue has passed, and then Jason's already resisting the symptons long enough to try to save someone but not enough to actually succeed at by himself, and Bruce saves him by giving him a piggyback ride that treats Jason like child. And Bruce leaves without fixing what he did.
Like compare Jason now with the way he was before the New52 in stories like Under the Hood or the Lost Days. Jason back them as more often than not a villain, but he was a good villain, he was intelligent and competent in a way he is simply not anymore, and makes so mad that nonee these modern stories seem to actually respect him as a character and just make really made and it just ruins most Batfam media for me.
Take this for what it is--someone who is not as deeply into Jason's character as others are and who is more of a general fan (and specifically a fan of my own Blorbo)--but my feeling with Jason's character is that DC doesn't really know what they want to do with his character and so he gets written as incredibly inconsistently by various comics because of it. So often when I look at the bigger scope of his appearances, it's not clear if he's supposed to be a villain, a villain on the way to being reformed, an antihero, a misunderstood hero, or what. And that also tends to influence his relationship with Bruce on a narrative level, how much Bruce is "right" or "wrong" about Jason or even often how he acts around the other Batfam members, especially if he gets an author who is a fan or if he's just there to be the impulsive hothead who needs others to step in. To some degree, that's just how comics are--every character is written as the dumb idiot sometimes when they're not in their own book. I often Suffer as a Dick Grayson fan or a Tim Drake fan or a Barbara Gordon fan, when I pick up another character's book for them. There can be great appearances in non-titular characters' books! But a lot of the time, when I'm reading, I have to look at the title and go, okay, Blorbo's not going to be treated as well as they should because this isn't their book. And I think that's a big chunk of what happens with Jason, one that gets exacerbated because it's not really clear what his role in the group is meant to be.
(Like, there is a VERY noticeable difference in the way Jason is written in Task Force Z--a book designed to center around him--versus when he shows up in a cameo in another book. Or there is a VERY noticeable difference in the way Dick is written when he cameos in a Batgirls book versus who he's written in his own central title. Comics, you know?) So, you're not wrong that Jason gets written weirdly a lot, but I don't see it as totally unique to his character, because it's somewhat just kind of part of the landscape of comics and somewhat just that Jason gets it more intensely than other characters because he never really had the solidification of who/what he was supposed to be in the comics, like even when Tim is written really badly and they refuse to let him evolve, at least you understand what his role is in the family, so a lot of authors have a baseline for how he should be treated. (And I don't know how well he actually does/doesn't sell comics, which is often a big influence in how a character will get treated in stories they appear in, like Bruce is probably DC's single biggest seller, so he's always going to have a baseline of being intended to be cool and heroic--mileages vary on how that comes off, but I think the intention is there, even when writing him as fucking up sometimes--like Jason is tremendously popular in fandom, but does that actually translate to selling comics? I have no idea.) I think it's fair to say that, look at almost any character in the Batfam, and they'll have a period where a lot of fans feel like they're being written the way you're describing Jason being written right now--I could probably find you people who would say similar things about Dick, Tim, Damian, and Babs right now, too, that they're being written as incompetent and like they need someone to hold their hand just to cross the street without messing it up. But also that you're not wrong that Jason is probably getting the worst of it and it's one of those things that I often have just had to learn to roll with when it comes to comics or else just walk away. (Sooooo many times I had to nearly walk away from comics because I dislike what's happening at a certain point and, often times, I have had to walk away. I walked away from DC because of it. I walked away from X-Men comics because of it. I walked away from Thor comics because of it. It's only recently that I came back to DC to give them another chance and, honestly, I'm only staying because I'm getting what I want for my Blorbo. That's kinda how comics often are, if you're here for a Blorbo, rather than here for the entire roster. /says without judgement, as I know what I am too)
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beeffilledshark · 2 months
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Had shower thoughts about IBO in a hotel bathroom so I need to have a quick rant about all the dipshits who hate season 2 because they think Orga “just got stupid” or whatever the fuck.
So I decided to make a compilation of all the adults that tried to deceive/use/betray Tekkadan throughout the show
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(Note: i didn’t include Nobliss Gordon because I forgot and the app only lets you include 10 images. Also including McGillis because he’s an adult even tho I consider him an Iron Blooded Orphan (but that’s a rant for another time))
Like, is it REALLY that much of a surprise for an orphan child soldier who gets involved with the mob at 16 to want to financially set his family for life by taking the shortest avenue possible? Growing up, he never met a single adult who didn’t view him as sub-human trash or a literal tool, other than Nadi (the mechanic). His first actual role model was a fucking mobster that commanded a ship full of wives. It’s an absolute wonder he lasted as long as he did as an interplanetary political figure.
In his experience, adults will always try to take advantage of him and his family because that’s just how the world works. It’s only a matter of time before the next adult that works with them will try to screw them over and get them killed. He wants to protect those he loves, and to an orphaned child soldier, the only way people won’t fuck with you is if you’re the literal King of Mars.
This poor kid had the weight of an entire family resting on his shoulders and the pressure to give Mika a place he belongs. AT THE AGE OF SIXTEEN. WHAT THE FUCK WERE YOU DOING AT SIXTEEN BECAUSE MY BIGGEST CONCERNS WERE OVERWATCH COSMETICS AND AO3 FICS (I know he’s 18 in season 2 but that mfer did not have the chance to mature between the rapidly expanding Tekkadan responsibilities and the Half-metal trade moving to Teiwaz and, by extension, them).
Also, it’s made painfully obvious that Biscuit fulfills a crucial part in Tekkadan’s decision making. He’s the voice in Orga’s head that tells him he’s going too far or he’s forgetting the rest of the family. It makes his death and the inertia they build towards the fatal endgame all the more tragic.
I’m sure there’s other reasons people dislike season 2, but this is, by far, the point I’ve seen stressed the most when people sight their preference of season 1. I, personally, LOVE season 2 BECAUSE of Orga’s failures. He and Mika easily take the spot of my favorite shonen protagonists because it’s so easy to be swept up in the genre of being the scrappy underdogs that always come out on top by sheer force of will and a LOT of luck. But this is the first Shonen I’ve seen that ends with the protagonists getting utterly fucked because of their inability to not push on and move forward. In a way, it feels like a subversion of the genre and it makes it so much more gripping.
But that’s just my two cents. I’m not denying that Orga is an imbecile, by the way. Look, he says it right here.
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pistachi0art · 9 months
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Omg.. I absolutely need to hear more about this wizard of Oz au if that’s alright?
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lol sure? I don’t plan doing to much with it other than drawing it so here are some thoughts
-character roles are pretty straightforward with the only characters that are not completely figured out being Darnold, Forzen, and G-Man.
Dr. Coomer wants brains, he does that NPC to aware glitch thing and despite that hes already pretty smart, but is unaware of it.
Bubby wants a heart, and unlike the movie he was just built as a machine but he does have feelings for the group despite how he thinks.
Gordon wants courage as, next to being a dad, there’s the whole expectation of being “the king of the beasts” -and he does act brave and dare I say- courageous- at times.
And ofc Tommy just wants to go home and see his friends. (I’m unsure if he knows that the ppl he meets on his way are literally just his friends or if he’s oblivious- take it as you will)
-this is directly based from the 1939 wizard of oz- though any iteration of the story (minus the novel itself) could be done, even the muppet’s wizard of oz from 2005 with some tweaking, for the sake of more comedy
-Benrey’s role of the witch is pretty non-serious as he just wants a friend to play games with (andthe added bonus of the magic *ruby slippers filler* item) if anything the most actively evil he gets is when he kidnaps Tommy and has his skeletons take care of the rest of the group.
Do what you want with it- it’s not a super serious thing ^^
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burgerputty · 2 months
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Do you think you'll ever expand on the au where Gideon and Wallace were basically role swapped? Hopefully that doesn't sound pushy or anything; I just loved the concept, especially the possible roommate dynamics between Scott and Gideon :]
I just realized I had asks and I never answered them but ga I need to! I’m glad your interested in it but I will explain what it is so far I’ll go in sections so it’ll be more organized. This is pretty long tho I’m bad at explaining so bare with me! I’m kind of gonna use this ask to explain the whole au if you don’t mind lol. Feel free to ask more questions!
The au itself explained: Gideon and Wallace are swapped roles. So now Wallace is the big evil character and is presumably Scott’s evil ex. Gideon is instead put into the role of being Scott’s roommate. He is described as Scott’s gay nerd roommate or just roommate. Since Scott doesn’t really have any real ‘evil exes’ during a random moment of being drunk Wallace remembers about his relationship with Scott (which is just college scollace fling, however I may change this later I’m unsure) and posts a thing on Craigslist and Ramona’s exes agree to work together with Wallace to terrorize BOTH Scott’s and Ramona’s love life.
Gideon: so it’s notable that Gideon being in the role of Wallace expands on his character if he wasn’t exactly ‘evil’ but unlike the anime that explores this concept I still believe he wouldn’t be the best person, and would still have his underlined struggles that are implied, just no status to inflate his ego. Unlike Wallace he is really bad at picking up guys lol, and is not really as accepting of Scott moving on with Ramona. He’s more distant and rude but he’s also snarky (just like usually Gideon lol.) Usually just games or goes to work, occasionally going out drinking with Scott’s friend group, (but no one really likes him.) also idk if he’ll go by Gordon or not.
Wallace: Wallace is an evil ceo that freezes his ex boyfriends in cryogenic tubes. He’s just straight up comically evil just super gay if that’s really the best way to put it lol . He’s a much more less insecure version of Gideon though I will say that. I don’t know if I will implement the glow as a concept for him since it’s a very Gideon specific thing that ties rlly deep in his character imo, but like Gideon he doesn’t really love his ex bfs but rather think of his boy toy trophies. I need to expand on him but this is it for now. He is also way less violent and angrier than Gideon.
Scott and Gideon’s relationship: So unlike Scott and Wallace I actually see Scott and Gideons roommate dynamic as the complete opposite. Gideon is almost like the opposite of Wallace in a way at handling certain situations. Wallace is willing to let go when Gideon is not. So the two met their first year of college in a similar fashion, Gideon compliments his Zelda shirt and class and the two just kind of click. They are both losers in college and enjoy being nerds but also try to get girls, (usually fails.) Scott often times comments on how Gideon is an ‘anti chick magnet’ Eventually when drunk Gideon says he likes dudes and he’s just gay after that. So eventually Scott gets with envy, Gideon thinks his band is lame and none of Scott’s friends really like Gideon but yadada. Obv before Gideon tries to hit on Scott but fails in a similar fashion as Wallace in canon. I like to think Gideon has a one sided crush on Scott but it’s like a huge crush that dies within time so yeah super one sided (sorry I’m scideon brained). So in the present Scott just kind of ended up living with Gideon. Gideon is quick to get annoyed with Scott but is also deeply attached to Scott I think and of course cares about him. He is more meaner about Scott breaking up with knives (rightfully so tbh) and is just more meaner to Scott in general, even if at times it’s just playful. He’s also not really that supportive of Scott’s relationship with Ramona but comes to terms with it eventually. But it’s notable he secretly hopes him and Ramona’s relationship fails, (yeah he’s still kind of an ass lol.)
but yeah that’s kind of it for now sorry it’s so long😭😭 I hope it makes sense. I seriously need to draw the au out more.
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natlacentral · 2 months
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‘Avatar: The Last Airbender’ Stars on Bringing Animated Characters to Live Action: “We’re Weren’t Doing a Caricature”
After more than half a decade of development, Netflixunveiled its highly anticipated live- action Avatar: The Last Airbender on Friday. 
The show, adapted from Michael Dante DiMartino and Bryan Konietzko’s animated series that premiered in 2005, follows the beloved story of Aang, an Avatar who can bend all four elements — water, earth, fire and air — and is responsible for maintaining harmony in his universe’s four nations. Along the way, Aang befriends waterbender Katara and her brother Sokka as they work together to end the fire nation’s war against the other nations. Frequently, the group faces off against Zuko, a fire nation prince locked in an ongoing pursuit of Aang’s demise.
Though Netflix’s live-action approach to the story heads for darker themes than Nickelodeon’s animated original, the cast of kids at the show’s center maintains the story’s sense of childlike wonder that is so beloved by fans. 
The actors — Gordon Cormier (Aang), Kiawentiio (Katara), Ian Ousley (Sokka) and Dallas Liu (Zuko) — began their journeys toward the show around four years ago, navigating a blind casting process that tried to keep the subject of their audition a secret and involved a lengthy, international search for the right artists to bring DiMartino and Konietzko’s characters to life with the Albert Kim adaptation. Each an avid fans of the original (Cormier says he’s watched the show 26 times), the group spoke to The Hollywood Reporter about how their love for the franchise gave way to their need to get the live-action story right — and where they’re hoping the show will go next.
Let’s go back to the beginning. What do you remember about the casting process? 
DALLAS LIU They sent all of us these dummy sides and fake character names. I know some of these guys didn’t know [it was for Avatar], but for me it felt obvious from the character’s description, and my fake name was “Juno.” I think, knowing the series, already being such a huge fan and Zuko being my favorite character … I definitely used that to my advantage throughout the audition process. 
GORDON CORMIER I actually turned down the audition, because I had no clue what it was. I got the audition, and it was for a 12-year-old. I was a small 11-year-old at that point. I had told my agent, “I don’t want any more auditions like this because I’m too small to play 12.” So I turned it down. And then they sent it back and they said, “No, we really want to see this.” 
Were you all fans of the animated series?  
KIAWENTIIO Me, Dallas and Ian grew up [watching] the show, but Gordon was actually born after it aired. 
CORMIER After I booked the role, I looked up the animated series. I watched it 26 times, because I became a giant fan. I didn’t even really watch it to study my character — the first time was for that. Then I watched it again for the fun of it, and again, again, again, again. I feel like I really got to know Aang, to see what he’s going through and hopefully bring that into the live action, with a little bit deeper and darker tones. 
LIU I think because of the significance of Dante Basco’s voice acting [Basco is beloved as the original voice of Zuko], I felt a little extra pressure knowing that there were such huge shoes to fill. But the way I navigated that was: We aren’t trying to make a remake scene for scene, line for line. We’re trying to get a new set of people involved. Hopefully, they love the show just as much as we do, and we give the old fans something new. 
Were there any specific parts of your character you drew from the animated series, or anything you added that felt new? 
IAN OUSLEY It’s such an amazing opportunity for the character of Sokka to go from an animated series to live action. When I watch the original series, I feel like Sokka is always the voice of the audience, so that’s something that I tried to carry over into our show. How can I be the voice of the audience and set the tone for everybody at home? 
LIU We wanted to make sure we weren’t doing a caricature of these animated characters. For Zuko, in season one of the animated series, definitely for the first half of it, he’s quite melodramatic and extremely emotional to the point where his eyes are jumping out of his face. I think his relationship with Uncle Iroh in the live-action series was really cool for me. He’s not so much a brat to his own uncle, who looked out for him and cared for him. 
OUSLEY In the animated show, Sokka is [also] doing so many things that are animated. It was a big challenge to bring it into reality and not lose any parts of him. But in addition to that, what comes naturally with live action is the humanness. A lot of the things happening in the show are very real and very intense, and he gets to have real human reactions while also getting to find out what that comedy looks like. 
Bringing this world into live action also meant some impressive martial arts from all four of you! What was your preparation for that? 
KIAWENTIIO It was helpful, we did a six-week boot camp before filming. That’s where I got familiar with the fight scenes I had to train for. 
CORMIER I was super energetic. Running, around, doing all these exercises … that was heaven for 12-year-old me. 
LIU For Gordon, he’s supposed to be a master at such a young age. He needed to be extremely well-versed in the style of air from the beginning. 
OUSLEY It was really awesome watching the commitment to Gordon’s character, because he would go home and practice for hours and hours on his own. He was having so much fun. They had to keep him on the kids’ schedule still, but even as an 11- and 12-year-old, he was still putting in hours of work, because they were giving him videos to practice. It was awesome. 
KIAWENTIIO I feel like with my character, I got really lucky with the fact that I grew alongside her throughout the series. She doesn’t start out as a master, but she ends up that way. 
LIU And Ian is actually a world champion martial artist in weapons, but his character isn’t an expert. So he had to unlearn those punches. 
OUSLEY I love weapons in general, and Sokka has a really special attachment to his weapons, and his war club. So it was really cool to bring that over. But yeah, I had to unlearn a lot of that technique.  
It’s been about a year and a half since you finished filming season one. What’s it been like reuniting for this press tour? 
KIAWENTIIO It’s so interesting, because I feel like we got so much closer after filming. We definitely got to know each other while filming. But it’s on a different level now, getting to spend that time apart and realize how much we actually care for each other. 
OUSLEY The first time I saw Gordon [after filming], his voice had changed. I freaked out. I was like, “What is happening?” And then I kept telling him, “Talk again!” It’s been awesome to get to know each other again. We’ve grown up, and we’re growing together. 
LIU We’ve grown, not just as actors and actresses, but each of us grew up as human beings, in front of the hundreds of people on set. Each of them had a huge influence on the people we are right now. 
So, what are your hopes and dreams for a live-action season two? 
KIAWENTIIO With the animated series, it just gets better every season. I think adding a new addition to our group, getting to see Toph, is super exciting. It would also be really cool if I got to portray the Painted Lady. 
LIU Season two is epic for Zuko. I want to do the one where I’m yelling at the lighting. 
IAN I’m waiting for season three, though, because I want my sword. I am the world champion in weapons, specifically, so his sword would be a dream come true. 
CORMIER Also season three, I really want to do that episode right before I go fight the fire lord and Aang won’t sleep. I start to see all these visions, and Momo and Appa start talking. It’d be so awesome. 
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jasonrae117 · 8 months
Text
Just Another Hollywood Scene
CHAPTER 2- Media Frenzied
Damian was furious, that insufferable woman at the pathetic excuse for a coffee shop made him look like a complete asshole when in reality he was simply trying to expedite the process because they were taking too long. Now here he was drinking the subpar coffee in the lobby, grinning at his win. That will be the last time I see her.
“Ahem, Damian?” The receptionist, Barbara Gordon, called.
He pulled himself out of his short lived reverie, “Yes Gordon?”
Ao3 Link: https://archiveofourown.org/works/49727071/chapters/125517982
“I really wish you’d stop using my last name, reminds me of waiting for my dad to be done at the police station.” 
“We are at our place of business, and we must conduct ourselves professionally.”
“You call me that no matter where I am!” 
“Hm, instinct I suppose since I don’t see you that frequently outside of work hours. Anyway, what room is the meeting in? I’m already behind schedule, I don’t want to be late.” He leaned against the counter slightly.
“Whatever,” she rolled her eyes as she typed something into the computer. “Looks like your father canceled the meeting and rescheduled it to…friday at one o’clock.”
“Four days from now? But the article is supposed to be released tomorrow!” He almost yelled. 
“Oh, there’s a note in the memo. The media team delayed the release until Friday as well, but at five.”
“They can’t be serious! What did my publicist have to say about this?” He took a step back and began pacing.
“Damian, I don’t know why or what happened, I just have the new times. Why don’t you ask your father or Dick?” She said gently while readjusting her glasses.
“No, I don’t need their excuses. Well then I’ll see you on Friday.” He huffed.
“Mm, not so fast there. You have a preliminary costume fitting on wednesday.”
Damian pinched the bridge of his nose. “Fine, I’ll see you on Wednesday.” He stormed out of the office building.
How could they just cancel the meeting discussing the procedures of handling the media frenzy. They were supposed to announce his involvement with the movie and begin his media tour to garner buzz for the movie. Now that it’s delayed the Gotham Gazette won’t be happy that they didn’t have their front page news when expected and that might reflect poorly on him, like they weren’t confident it would sell well.
Here’s the problem Damian always had when it came to his own stardom. Many people assumed he got his starring roles because of his father’s connection to the industry or his adopted brother’s ties, and while he in no way claims that he does not benefit from nepotism, a lot of the roles he earned on his own. 
Damian started out like anyone else in this business, background roles or extras. Sure he had the best access to those roles, which he publicly thanked nepotism for, but he did his time in the background and it was other directors, lead actors and actresses, and the public that begged him to start aiming for starring roles. So, he did just that and he was a natural of course, you can’t live with one of the best actors in the world and not pick up some skills, but Damian brought something totally new to the game.
For starters, he was half Middle Eastern which he takes a lot of pride in and is happy to bring at least some representation to Hollywood. He also liked to think of himself as more in tune with his characters, that he delves deeper into who they were to better understand who they are. Not to discredit his father, but Damian simply believed he was in some ways, if not most, a better actor than anyone in his family. He wouldn’t dare openly admit that, but everyone around him seemed to suspect he felt that way.
Unfortunately Damian was somewhat of a diva. He had no intentions to be but when he sees something that can be better, he speaks up. If he thinks something is out of character or doesn’t make sense he brings his complaints to the writer and director. But the thing that most directors hate initially is that Damian would go off script and completely improvise very dramatic scenes. 
Why then would he keep landing these roles if he is such a nuisance to work with? It’s because he was almost always right about the changes and his improvised scenes were arguably his best work and has won him countless awards. He was, plain and simple, a phenomenal actor.
Even with all the praise he gets, Damian still has to answer to the trolls that ruin every interview or live Q&A. The ones that demand he acknowledges his privilege with nepotism and being half white, which he does, every single time. It’s like these people don’t believe the awards or the raving reviews of his movie, or even the general consensus online. They make him feel like he has to continually prove himself, make a bigger name, to show that he is more than his father’s name. That’s why Dick went into directing, to get out of Bruce’s shadow. 
Damian thinks that staying out of the public eye as much as possible will help his image and have him not come across as wanting to always be in the spotlight. But Bruce pointed out that all that does is make him seem like a recluse that only wishes to grace people with his presence when he has won something. Damian hates PR and having to do those talk shows or Buzzfeed Interviews but it's the only way he can change this image of himself according to his father. The only public thing Damian enjoys is his charity work with the zoos across the nation and the local animal shelters. Damian trusts animals more than people and he can tell they don’t think he is who he is purely because of his familial ties. 
This life was exhausting but rewarding all at the same time, he wouldn’t give it up for anything. Which is why he was incredibly irritated they had rescheduled his article in the Gazette, because now that meant more PR meetings and probably more interviews to make up for the delayed information. 
Damian had gone to his favorite vegan cafes a block down, he made the trip down here, might as well make it somewhat worth his time. As he was about to head out and back to his condo, he changed his path walking back toward the offices, promptly deciding to see if his father or brother were in so they could discuss the delay. When Damian got out of the elevator on the seventh floor a half dozen assistants and execs were milling about and chatting excitedly. When they saw him, some tried to scatter but still offered a polite smile.He gave a nod in their direction but continued his way towards Dick’s office. 
He couldn’t clearly make out what they were talking about, but everyone was in unusually high spirits. The beginning of a large budget movie was often hell for everyone, so something must have recently happened to garner this much excitement.
As he approached the Dick’s office, Jason Todd came strolling out with the ever present smirk he always had. Damian had known Jason for almost half his life, he played one of Bruce’s sons in a project for several years and then got his own spinoff from that. He was your average roguishly handsome actor with a ‘I don’t give a shit’ mentality, he did come from nothing unlike Damian and worked his way to the top. He was in some theatre production at a local underfunded middle school that Bruce donated money to and stopped by to see their fall play. Bruce was blown away by Jason’s performance at such a young age, but what’s more is that when Bruce exited the theatre to go back to his car, he caught the young Jason trying to steal the tires. Instead of involving the police, Bruce introduced himself and offered to pay for acting lessons for the kid and got him a few auditions which he landed. 
Since then, Jason has almost been a part of the family. Bruce and Jason didn’t always see eye to eye as Jason was brash and prone to scandal, but it was almost as if Bruce had officially adopted Jason, he was around the manor often enough, he might as well have been a legal son. 
Still Damian was often annoyed by the slightly older man’s behavior, always feeling like Jason was squandering the opportunities his father gave him by being drunk in public and saying outlandish things, as well as literally fighting off paparazzi. He also toted around a new woman every week and it felt like gross behavior from someone who was given everything. 
Damian resented Jason in some ways too, because the only thing that separated the two of them was that Bruce chose Jason to follow in his footsteps, but he was forced to give Damian those same opportunities. Except as the media saw Jason as an underdog story that made it big, Damian’s success was purely nepotism. Not to say Jason didn’t also deserve the roles he got, he was admittedly a good actor, but it wasn’t fair to be so similar yet treated so differently. 
“Hey little D.” Jason said, meeting him a few steps from Dick’s office.
“Todd, what did I say about nicknames?” Damian narrowed his eyes at the taller man.
“To be fair, I don’t remember half the things you actually say to me. I try to block you out but your incessant complaining really knows how to pry its way in my head occasionally. “ He shrugged and was about to continue walking but he stopped himself just to the side of Damian’s shoulder. “We’re all in a pretty good mood, Dick especially. Try not to sour it for fucking everyone.” He patted him on the shoulder, which Damian instinctively shoved off.
“I only complain when there is something reasonable to complain about, and how other people perceive my constructive criticism is not my problem.”
“Yeah because telling me to stop wearing my leather jacket is such a reasonable complaint that entirely affects your life.” He rolled his eyes.
“You wear it year round and half the time you don’t even ride your motorcycle because you’re being driven around. It's pointless and you think it makes you look cool, but in actuality you look like an imbecile. But I’m glad to see that maybe the tides are changing since it seems to be absent from your outfit today.” Damian smirked smugly, but was confused to see Jason shoot back the same look.
“You’re wrong about pretty much everything you said just now, but I don’t give a rat’s ass what your opinion is on my outfits or why I chose to wear what I do, but I will let you in on a little secret. I was wearing my jacket today, took it off while I sat in on a few auditions for your little superhero movie, and now it rest on the shoulders of one fucking hot new actress in town that, and here is the secret,” He leaned into Damian’s space whispering, “ will probably be your leading lady.”
“Great so I may have to deal with some bimbo that probably slept her way into the audition and-” It was Damian’s turn to roll his eyes but Jason’s unforeseen shove made him stumble and swallow the rest of his sentence. 
“Don’t fucking say things like that. She had a fantastic audition while also being fucking hot. Don’t be such a prick and just assume things about someone because I say she’s hot.”
“Only girls you think you have a chance with do you even bother bringing up and 90% of the time they’re bimbos so excuse me for jumping to conclusions. Besides, there’s still auditions for the roles over the next couple of days, we don’t know anything yet.” Damian took a step forward but looked over his shoulder, lowering his voice, “And don’t even think about laying hands on me again Todd, we’re not friends, and we are not family.”
“Fuck you little D, you used to be a touch nicer when you were younger, guess that stick never came out on its own. I can just see it now though, you being jealous when you see your co-star and knowing that you can’t have her because I already will.” 
Damian fully turned to him now. “First, I don’t date coworkers. Second, anyone interested in you isn’t smart enough to be interesting to me.”
“Mark my words Dami.” Jason called out making his way down the hall and to the elevators.
Damian was already frustrated on his way up, now he was just down right pissed off. Jason sure as hell knew how to push his buttons. He tried his best to shake the conversation and took a deep breath before heading into his actual brother’s office.
“Hey D! Everything alright out there? I heard you and Jay’s conversation get a little heated.” Dick was milling about his office, collecting stacks of files together.
Dick’s office was very cluttered but in particular groupings. He thrived in organized chaos, he was a researcher at heart and made sure to analyze every bit of data before making a decision. It’s why he was such a good director, he really understood the background of his movies and would make sure they were as accurate as possible. His mahogany desk could barely be seen beneath the mounds of different colored folders representing anything from future projects, schedules, resumes, and even lunch menus to his favorite restaurants. The floor to ceiling window across the back wall of his office gave him an impressive view over the city and let a lot of natural light in. The office was still overall bright and clean, with off-white walls and light tan wooden panels, the light reflected well around it. Knick knacks from his early days with his real family in the traveling circus were placed neatly on the many bookshelves around the office. He had a plush couch and armchair in the corner facing a large flat screen TV and a coffee table that matched the rest of the wooden furniture in the room. On the other side of the desk were two comfy green velvet chairs for guests to use. It was minimalistic, but full of life. Damian didn’t feel cooped up in here like he did in Bruce’s office that had a much darker color palette. 
“Just Todd being his usual irritating self.”
Dick set his current stack of papers he was carrying down and excitedly started searching for something else in a file cabinet. “He’s been in a better mood since the audition we saw today just before lunch, this Ra-” 
“Dick, I really don’t care to hear about it right now. From what it sounds like, she probably isn’t worth the headache she’ll give us if she’s already throwing herself at Jason.” Damian sighed, pinching the bridge of his nose and taking a seat in front of the desk.
Dick straightened up, a perplexed expression resting on his face. “I wasn’t aware they knew each other, she just borrowed his jacket for the scene but he didn’t mention he knew her.”
“To be fair, I’m not sure how acquainted they currently are, but he made it clear he wanted to get more acquainted.” He scoffed.
“Well then I’m going to tell him to back off, I don’t want anything ruining the potential this girl has. I think she’s our girl. She is our sorceress!” He threw his arms dramatically into the air.
“Be reasonable, Dick. You still have more auditions for that role coming up. You were probably just hungry.”
“Maybe, but maybe not. I’m telling you, you’re going to love her. I can pull up her audition tape so you can see what I’m talking about.” Dick practically ran to his computer, typing in his password. He barely was able to hit enter when Damian snapped the laptop shut on his fingers. “Ow!”
“Not interested until you’ve seen the rest. I don’t like you making rash decisions, that’s Jason’s brand, not yours. Besides, I came here to talk about something actually important.”
“Idunno Dami, I have a feeling about this one. But I hear you and I’d hate to be rude to the people that have worked hard on their auditions and count them out just yet. So I'll finish them out and go from there. However, this is actually very important, arguably more important than what you’ve come here to discuss.This is our lead female hero, your right hand woman. She needs to be good enough to stand beside you.” 
“You’re opening auditions for this massive role to anyone that can speak. I don’t know why you didn’t just go with someone we’ve worked well with before.” He crossed his arms.
Dick leaned his forearms on the desk. “ Like who? You’ve berated me for anyone I’ve ever suggested. Besides, how are we gonna evolve as an industry if we keep using the same handful of actors, it gets boring. I want fresh talent, and the chance to give someone their big break!”
“How charitable. I haven’t hated everyone you’ve said. Brown was okay to work with.” Damian huffed.
“Stephanie is not the right fit for this role, the Sorceress is dark, mysterious, temperamental. Steph plays the girl next door, happy go lucky type. Plus she hates you.”
Damian shrugged “True.” He always had a hard time with his female co-stars, either they were hired because they were pretty but couldn’t act their way out of a paper bag or they wanted to start a relationship with him to increase buzz surrounding the movie. He tried that once with Emiko Queen and after the movie premiered, just as he was coming around to it being a real relationship, she breaks it off right before announcing her next movie. He felt used and she somehow spun the tale to make him out to be the bad guy, and with his record, it wasn’t hard to sell. He swore that he’d never do that again, or even date co-stars in general. 
He’d done a pretty good job of making it clear from the beginning, but some leading ladies still tried, thinking they could change his mind. They never did.
“Anyway, if you came here to appeal the press release date change, I’m sorry but there’s nothing we can do about it.” Dick opened his laptop once more and typed something.
“You don’t understand how bad this is going to make me look to the Gazette, and if they mention it to anyone else, it’ll be even worse. If this is because you guys are afraid about what I-” Damian was leaning forward in his chair, his voice raising just a little.
“Damian, stop. Everything will be fine. We wanted to wait until your costume fitting so we can send some pictures with the announcement so people see this is happening and real and that we stand behind you fully. Bruce explained everything to the editor-in-chief and told them how much the pictures were going to enhance the story and they agreed. Plus with first look photos of the costumes, all the blogs are going to be jumping on the news and spreading it. By Saturday, everyone will know you’re heading my movie!”
“But won’t this put us behind schedule for the press tour?”
“Not at all, I didn’t schedule your first talk show until the following week as a precaution if we didn’t gather much wave of media presence. But I now worry we’re going to cut our impression short with the new stuff you'll be talking about." He was now reclined back in his seat, hands folded in his lap.
Damian wanted to argue, but it did all make sense. "And the other cast announcements?" 
"All will be released in due time. I'll probably save the Sorceress announcement until last though, really build up speculation and buzz."
"Not to mention drama." Damian muttered.
"Hey, drama isn't all that bad when it's speculation." Dick retorted, pointing at him. 
“This feels like the ‘no such thing as bad publicity’ excuse. And that always goes horribly wrong.” He crossed his arms, slouching a touch into the chair.
“That’s because it kinda is Dami boy. Except it’s truly not bad publicity, sure some people will get disheartened that it’s not their pick, but we’re working with entirely original material, no fanboys to worry about.” Dick seemed way too relaxed for a director releasing what is thought to be the biggest movie of the decade. 
“You still seem to be grossly overestimating the weight of the news about the Sorceress.” Damian stood from his chair and did his best to brush the wrinkles from his suit.
“And you seem to be a misogynist that doesn’t think his female co-star is as important as him!” Dick said firmly as he stood as well, palms on his desk with his body leaning towards the accused.
Damian sputtered his words, his eyes darting for anything to come to his mind right now. “I am not a misogynist! I just think that after my announcement, everyone else is gonna hold the same weight.” He settled his hands on his hips to help him look confident in his statement, but Dick could see right through it and Damian knew it.
“Admit that you’re scared some relatively unknown actress is gonna steal your limelight.”
“That’s not it.”
“Oh yeah?”
“Yeah…” Damian watched as Dick slowly sat back down, a calm smile on his face as he rested his right ankle on the knee of his other leg and folded his fingers in his lap. “Ok, maybe I think that we are putting too much stock in the idea, but maybe I’m worried that my chance to change the public's opinion of me is going to be overshadowed, especially with how big you’re acting like it’s going to be!”
“Let it out, Dami. We can’t ease your mind if we don’t know what’s going on inside of it. Look, I know that the press has been up your ass since the Emiko incident. But anyone that’s worth anything knows the truth and will not hire her ever again. But if our sorceress is the next big thing, it may not hurt for her to like you…not in any sort of romantic way. Lord knows we won’t push that angle again, but literally just think you are a decent guy.” Damian scowled at his older brother implying the task for the new girl to be difficult. “Then, if she does reach mega popularity as we hope, then she’ll be willing to do interviews with you and about you and then everyone can see how…charming you really are.”
“I see you and your committee have put a lot of thought into this. It would be foolish to not give your theory at least a small glimmer of a chance.” Damian pulled away from the desk and headed toward the door. He turned ¾ of the way back to Dick, “But she has to be tolerable too, I won’t fake liking someone just because it’ll be good press, someone will notice eventually and then it’ll blow up in your face.”
“I wouldn’t want it any other way Damian. Now I’ll see you Wednesday for a moment to check on your costume, but we’ll really touch base again on Friday. Have a great rest of your day Dami.”
Damian nodded in response, closing the door behind but watching Dick’s annoying cheery smile disappear behind the door. He really hoped that they cast this role well because it’ll either be hell or the best thing to happen to him in a while.
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