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#ANTI-ICON
soundwavefucker69 · 4 months
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bastille has done more for the queer community by just making all of their love songs about "you" instead of specifying a gender than taylor swift has in all of her discography. thanks for coming to my ted talk.
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huerta-huerta · 2 days
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ANTI- ICON
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ms-understand · 4 months
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ecoterrorist-katara · 1 month
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you don’t have to be a Zutara shipper to dislike Ka/taang
Most of my irl friends are not shippers and the word “Zutara” does not exist in their vocabulary, but they think Ka/taang is weird. Because a prepubescent boy with a teenage girl is weird. He’s a child. She’s a teenager. Anyone who stops and thinks about what they were like at twelve vs fourteen knows those were some long years.
I started getting the ick for Ka/taang in The Headband and it reached its apex in Nightmares and Daydreams. I didn’t even start liking Zutara until The Southern Raiders. I liked Katara with Haru but the creators sank that ship with a strategically placed moustache
I am a ZK shipper so things like parallels and symbolism and Katara’s development as an adult matter to me. But even without all that, I didn’t like Ka/taang. Because before my analytical brain jumped in, my lizard brain said “ick.”
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fayegonnaslay · 2 months
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Jane Fonda photographed by Bill Ray, 1971. LIFE Magazine.
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draculasdaughterrr · 1 year
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⭒ ⋆ ⛪️ taylor swift in the late 2000s ⋆ฺ࿐🕯️ ࣪⁎˚
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hromantics · 4 months
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my favorite lead singles (1/5) | it must be exhausting, always rooting for the anti-hero.
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tsyloricons · 2 years
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midnights era 
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mirrvrballs · 6 months
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midnights
"all the love we unravel, and the life i gave away"
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st-sainz · 1 month
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she ate with this concept here
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bonus
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i hope they dont get mad at me for screeshotting them but feel free to contact me if youre the acc and want this post deleted
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louiaffairs · 5 months
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there is glitter on the floor after the party. . . 🌟
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juju-or-anya · 10 days
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It's hard not to find irony in the criticisms directed towards Eloise Bridgerton and the elevation of Penelope Featherington as a more genuine and hardworking figure in contrast with Eloise's supposed privileged circumstances and her discourse on feminism. Indeed, some voices have pointed out Eloise's feminism as something white and privileged, and while this is not without merit, it's akin to rediscovering what others have already noticed, akin to Christopher Columbus "discovering" America.
Understanding the context in which "Bridgerton" unfolds is essential. The series is set in Regency England, between 1813 and 1825. This historical period is marked by a highly stratified and conservative society, where women, especially those of the upper class, were relegated to traditional roles and lacked basic legal rights. In this context, any discussion of feminism must consider the unique limitations and challenges of the time.
It is true that Eloise Bridgerton, being part of a respected family in English nobility, embodies many of the characteristics associated with the white and privileged feminism of the time. However, this should not diminish the value of her role in advancing feminist ideas in her historical context. It is thanks to women like Eloise, who challenged social expectations and dared to question the status quo, that doors were opened for future, more inclusive feminist movements.
On the other hand, when analyzing Penelope Featherington's role in contrast with Eloise Bridgerton's, intriguing nuances worthy of a more detailed critical exploration are revealed. Although both come from upper-class families, Penelope's experiences differ significantly from Eloise's. In the society depicted in "Bridgerton," Penelope is portrayed as a more marginal figure, overshadowed by the prominence and glamour of the Bridgerton family. She is often seen in the background, struggling to find her place in a world where her social status does not put her at the center of attention.
Throughout the series, Penelope exhibits a distressing lack of empathy and solidarity towards other women. Instead of fostering unity and support among her peers, her writings are propelled by feelings of envy, resentment, and desires for revenge. Striking examples of this include her actions to publicly reveal Marina Thompson's pregnancy, intending to undermine her relationship with Colin Bridgerton, or defaming individuals such as Daphne, Edwina, and Kate Sharma, often with no apparent reason other than personal gain.
Penelope's behavior as Lady Whistledown sheds light on her complex nature and motivations. While it may represent an attempt to find her voice in a world dominated by more powerful figures, it also reveals a tendency towards manipulation and selfishness. Ultimately, her role as the mysterious chronicler is more than just a quest for identity; it is a reflection of the moral and ethical complexities underlying the society of "Bridgerton."
In summary, asserting that Penelope is more feminist and hardworking than Eloise due to her role as Lady Whistledown is, at best, simplistic and, at worst, deeply misleading. Both women, while privileged in their own right, have chosen different paths in life and have faced their own challenges. However, the narrative of Penelope as a morally superior and more genuinely hardworking figure should be questioned in light of her actions and motivations, which often reveal a lack of integrity and empathy towards her peers.
It's important to note that when Theo confronts Eloise, questioning her understanding of the real world and her privileged position, Eloise doesn't reject this criticism but uses it as a catalyst to seek greater understanding. Recognizing the validity of Theo's observation, Eloise actively seeks to broaden her horizons. She engages in conversations with Theo and John, seeking to break free from the bubble of privilege in which she has lived so far.
On the other hand, Penelope takes a different stance towards her own privileged position. Instead of acknowledging her situation and seeking to understand the realities of those less privileged, Penelope vehemently denies any suggestion that she also benefits from the system. Rather than accepting her position of privilege, she portrays herself as a victim, despite her actions suggesting otherwise. Ultimately, this divergence in attitudes between Eloise and Penelope highlights the complexity of individual perceptions of privilege and personal responsibility in an unequal world.
PS: The comment: "Penelope saved Eloise by writing that she hung out with radicals, she doesn't know what it's like to be grateful" is shit. Whose fucking fault is it that the Queen is on a crusade with torches and pitchforks, looking for blood and a rolling head? From Penelope because she doesn't know when to keep her hand still and stop writing, if it weren't for Penelope, the queen wouldn't think that Eloise is Lady Whistledown, Penelope wasn't looking to help Eloise, she was looking to save her skin.
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harringroveera · 6 months
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AU where Mike finds out about what Karen did in the summer of ‘85
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labyrinthaze · 7 months
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And the camera flashes, makin' it look like a dream
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rumorsfromine · 2 years
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more midnights lys because this is all i’m gonna be talking about for the next 5 years <3 please like/reblog if u save !!
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4vschy · 1 year
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Taylor Swift icons part 2
like, comment or reblog
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