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#ANYWAY ive been thinking thoughts so have this
alfheimr · 3 days
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My Favorite Cheap Art Trick: Gradient Maps and Blending Modes
i get questions on occasion regarding my coloring process, so i thought i would do a bit of a write up on my "secret technique." i don't think it really is that much of a secret, but i hope it can be helpful to someone. to that end:
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this is one of my favorite tags ive ever gotten on my art. i think of it often. the pieces in question are all monochrome - sort of.
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the left version is the final version, the right version is technically the original. in the final version, to me, the blues are pretty stark, while the greens and magentas are less so. there is some color theory thing going on here that i dont have a good cerebral understanding of and i wont pretend otherwise. i think i watched a youtube video on it once but it went in one ear and out the other. i just pick whatever colors look nicest based on whatever vibe im going for.
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this one is more subtle, i think. can you tell the difference? there's nothing wrong with 100% greyscale art, but i like the depth that adding just a hint of color can bring.
i'll note that the examples i'll be using in this post all began as purely greyscale, but this is a process i use for just about every piece of art i make, including the full color ones. i'll use the recent mithrun art i made to demonstrate. additionally, i use clip studio paint, but the general concept should be transferable to other art programs.
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for fun let's just start with Making The Picture. i've been thinking of making this writeup for a while and had it in mind while drawing this piece. beyond that, i didn't really have much of a plan for this outside of "mithrun looks down and hair goes woosh." i also really like all of the vertical lines in the canary uniform so i wanted to include those too but like. gone a little hog wild. that is the extent of my "concept." i do not remember why i had the thought of integrating a shattered mirror type of theme. i think i wanted to distract a bit from the awkward pose and cover it up some LOL but anyway. this lack of planning or thought will come into play later.
note 1: the textured marker brush i specifically use is the "bordered light marker" from daub. it is one of my favorite brushes in the history of forever and the daub mega brush pack is one of the best purchases ive ever made. highly recommend!!!
note 2: "what do you mean by exclusion and difference?" they are layer blending modes and not important to the overall lesson of this post but for transparency i wanted to say how i got these "effects." anyway!
with the background figured out, this is the point at which i generally merge all of my layers, duplicate said merged layer, and Then i begin experimenting with gradient maps. what are gradient maps?
the basic gist is that gradient maps replace the colors of an image based on their value.
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so, with this particular gradient map, black will be replaced with that orangey red tone, white will be replaced with the seafoamy green tone, etc. this particular gradient map i'm using as an example is very bright and saturated, but the colors can be literally anything.
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these two sets are the ones i use most. they can be downloaded for free here and here if you have csp. there are many gradient map sets out there. and you can make your own!
you can apply a gradient map directly onto a specific layer in csp by going to edit>tonal correction>gradient map. to apply one indirectly, you can use a correction layer through layer>new correction layer>gradient map. honestly, correction layers are probably the better way to go, because you can adjust your gradient map whenever you want after creating the layer, whereas if you directly apply a gradient map to a layer thats like. it. it's done. if you want to make changes to the applied gradient map, you have to undo it and then reapply it. i don't use correction layers because i am old and stuck in my ways, but it's good to know what your options are.
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this is what a correction layer looks like. it sits on top and applies the gradient map to the layers underneath it, so you can also change the layers beneath however and whenever you want. you can adjust the gradient map by double clicking the layer. there are also correction layers for tone curves, brightness/contrast, etc. many such useful things in this program.
let's see how mithrun looks when we apply that first gradient map we looked at.
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gadzooks. apologies for eyestrain. we have turned mithrun into a neon hellscape, which might work for some pieces, but not this one. we can fix that by changing the layer blending mode, aka this laundry list of words:
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some of them are self explanatory, like darken and lighten, while some of them i genuinely don't understand how they are meant to work and couldn't explain them to you, even if i do use them. i'm sure someone out there has written out an explanation for each and every one of them, but i've learned primarily by clicking on them to see what they do.
for the topic of this post, the blending mode of interest is soft light. so let's take hotline miamithrun and change the layer blending mode to soft light.
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here it is at 100% opacity. this is the point at which i'd like to explain why i like using textured brushes so much - it makes it very easy to get subtle color variation when i use this Secret Technique. look at the striation in the upper right background! so tasty. however, to me, these colors are still a bit "much." so let's lower the opacity.
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i think thats a lot nicer to look at, personally, but i dont really like these colors together. how about we try some other ones?
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i like both of these a lot more. the palettes give the piece different vibes, at which point i have to ask myself: What Are The Vibes, Actually? well, to be honest i didn't really have a great answer because again, i didn't plan this out very much at all. however. i knew in my heart that there was too much color contrast going on and it was detracting from the two other contrasts in here: the light and dark values and the sharp and soft shapes. i wanted mithrun's head to be the main focal point. for a different illustration, colors like this might work great, but this is not that hypothetical illustration, so let's bring the opacity down again.
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yippee!! that's getting closer to what my heart wants. for fun, let's see what this looks like if we change the blending mode to color.
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i do like how these look but in the end they do not align with my heart. oh well. fun to experiment with though! good to keep in mind for a different piece, maybe! i often change blending modes just to see what happens, and sometimes it works, sometimes it doesn't. i very much cannot stress enough that much of my artistic process is clicking buttons i only sort of understand. for fun.
i ended up choosing the gradient map on the right because i liked that it was close to the actual canary uniform colors (sorta). it's at an even lower opacity though because there was Still too much color for my dear heart.
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the actual process for this looks like me setting my merged layer to soft light at around 20% opacity and then clicking every single gradient map in my collection and seeing which one Works. sometimes i will do this multiple times and have multiple soft light and/or color layers combined.
typically at this point i merge everything again and do minor contrast adjustments using tone curves, which is another tool i find very fun to play around with. then for this piece in particular i did some finishing touches and decided that the white border was distracting so i cropped it. and then it's done!!! yay!!!!!
this process is a very simple and "fast" way to add more depth and visual interest to a piece without being overbearing. well, it's fast if you aren't indecisive like me, or if you are better at planning.
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let's do another comparison. personally i feel that the hint of color on the left version makes mithrun look just a bit more unwell (this is a positive thing) and it makes the contrast on his arm a lot more pleasing to look at. someone who understands color theory better than i do might have more to say on the specifics, but that's honestly all i got.
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just dont look at my layers too hard. ok?
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feel free ignore this but i was just wondering when you started writing fics bc theyre all so amazing wtf???
ignore this sweet ask?? NEVER!!
so, to be completely honest, this is not the first time i've written and published fics!! though, i've NEVER received attention like this and it's so so nice!!
i've been writing little stories in my head for probs as long as i can remember. writing was just always something that i've done and i have distinct memories of crying to my mom about how hard it was sometimes when the words came out wrong or i struggled to spell them correctly. this would later be diagnosed as dyslexia but my mom made sure to get me the correct support i needed!! it still fucking sucks but whatevas lmao
also, my mom loved to write when she was in college!! and she was really good, too, but she gave it all up to marry my (stupid ass) dad and raise my sister and i. but that's a really sad story for another day.
BUT i wrote some crappy mcu fanfic on here when i was like 10?? really really bad i hadn't even seen all the movies when i wrote that i just thought bucky was hot lmao- (do not go looking for that shit i will cut you- i don't even know how you would find that but no! bad!)
then, during covid, i had a fever dream the night before christmas (deadass im not being funny) and started writing fanfic for...ugh i can't believe im gonna say this but it was sherlock lmao-
like...legit 12 books. each with like eight to nine chapters. it basically followed the plot of the show EXACTLY except for with the add in of my oc lmao. that's posted on wattpad (again. i will commit crimes to keep my name away from that shit lmao- i tried rereading it the other day and nearly died from cringe)
OH AND I WENT THROUGH A CRINGY ASS POETRY PHASE LMAO THOSE WERE BAD BAD- tbh might be willing to share them to strictly laugh at but idk where i would find it anymore bc i feel like ive scrubbed it off my phone-
all that to say, i've been doing crappy writing for a very long time, but this is the first time that i've actually felt really proud of my work. also, you're such a sweetheart to ask this and it was so fun to reply to!! i really do love yapping yall up!!
anyways, hope this made sense and i WILL find you if you so much as THINK about finding my old fics lmao-
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wulfhalls · 2 days
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(im just a movie fan) ik u dont ship them bc u think they could/should end up together lmao but, do u really think paul x jessica is the most plausible incest ship in dune? bc personally as someone whos only watched the movie, it seems like paul, even before everything goes down, has a sort of unease towards his mother and the bene gesserit ways she pushes onto him (idk if im reading it completely wrong, its been a while since ive seen the first movie). and the resentment only increases in the second movie in a way where i wonder if paul will be able to even speak to her without screaming at her in movie 3 lol. although they did have some INSANE chemistry dont get me wrong.
on the other hand, i feel like paul, from the movies at least, has some level of devotion with Leto, and leto obvi loves his son the most in the world. and ive also come across these book excerpts ppl have been posting, and it seems like the paul/leto relationship is even deeper in the books bc from the excerpts it seems that leto makes a point to confide in paul to prepare for dukedom, which is like a responsibility only those two can understand with each other. and then i remember an excerpt i saw where paul is the last memory that leto remembers before his death, which i thought heartbreakingly sweet (does paul gain that memory after taking the water of life?). Paul just loved him soo much the fact that hes starting the holy war bc some part of him just wants his father back its like insane and a lot. anyway idek what i'm saying anymore just that all the relationships in this story are great and rife with potential.
last sentence really sums it up! all relationship dynamics are deeply compelling here! I don't think this boils down to with which parent paul had the objectively "better" relationship with tho. for me pauljessica is more interesting because well first of all we just get more time with them. more time to explore that tension speaking strictly from a movie pov here (because in the books jessica giving leto a son is framed more as a decision made out of love that echos down the millennia even 5k years later and less stemming from her desire to bring forth the kwisatz haderach even tho it certainly is also an element at play) that mary/jesus imagery is just so potent! bearing a son u will lose to the world to his destiny but on purpose!! u did this to him! u made that choice! u wanted to bear the saviour and u did! but he's ur child and u love him u love him more than anything but his path is set and u did this and now what. u prepare him u train him u make him so he'll survive because he is urs and if the world burns? so what? as long as he is alive to rule over it does it matter? the way he was so tender and loving and protective of her pre water of life. that's his mother (and sister)!!!!! the only thing he has left of who he was!!!! his maker (in more sense than one)!! and having jessica emerge as this almost empty vessel for the other memory to flow through. to inhabit with only glimpses of what used to be his mother.......... delicious. he loves her he hates her she is his enemy his only respite his maker and his undoing. I love drama
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HIII THABK U FOR THE TRIVIA AND ASHE SONG before i take forever 2 answer those or forget here is a blank ticket to please please talk about prime defenders and their AWFUL emotional literacy and processing skills i would literally love to read that essay so much ive also been thinking about it incessantly. big eyes staring up at u.png. ok ok peace out GOODNIGHT !!!! <33
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i lied actually im not going to bed im judt thinking about this ans listening to St. John on a loop now. hello catkiss.gif i forgot how youve filled me with so much joy. that cat is so fuckign cute
anyway. hi :) prime defenders huh. this is gonna be less of an essay and more of a sleepy ramble but ohhh i have so many thoughts. they all process things so differently and none of them are good at it they all need therapy so bad. ms.g where is the hero therapy why didnt you build that into w.a.t.c.h ma'am
vyncent is probably the best at actually processing things out of all of them, he just internalizes everything to the point where he wont talk about it unless hes pushed past the breaking point. vyncent is actually very.. emotionally intelligent? i want to say mature but that feels like im singling him out because hes the oldest. i just feel like because he grew up on Fauna and had to be in basically survival mode in a world full of monsters trying to kill you.. that makes a person grow up quicker than they should. i think vyncent had a good childhood and for the most part his parents took good care of him but just.. living in that world doesnt seem like it leaves room for a whole lot of expressing emotions. vyncent is good at quick analysis of a situation, but unless a problem directly interferes with the current goal he doesnt externalize it to everyone else. but bottling up his feelings and emotions just builds up pressure over time until something like the lich makes him blow up and let it all out at once, usually in a dramatic monologue format bc condi is really good at those god damn it. also they played off the fact that vyncent said all of that to the lich and then missed his attack as a funny thing but i like to think of it as. he got too overwhelmed w his emotions and lashed out too soon it made his fighting messy. vyncent is so angry and honestly after what hes been through he deserves to be !!!!
william wisp. my boy. god hes just like me fr so much so that it physically hurts sometimes. anyway. i always think back to the scene where theyre all in the cabin talking about themselves/sharing backstories and william keeps desperately trying not to talk about himself. the fact that hes so ashamed of his powers he hides wisp form every time. two of his powers are LITERALLY a) turning invisible and b) turning intangible, usually as an excuse to leave whatever situation hes in ("accidentally" falling through the floor at opportune moments in season 1) . theres. a thing that happens at the end of episode 13/beginning of epidode 14 that youre really close to and i wont spoil yet but god it has to do with this so extremely much please come back to my inbox when you get there. youll know what it is trust me. um. yeah. so anyway. i think a lot of this comes from a place of. he doesnt want anyone to be scared of him. williams not stupid hes incredibly smart and insightful he knows his powers are objectively SCARY. hes scared of himself constantly, he doesnt want anyone else to feel that way about him, so he shifts focus whenever those aspects of himself are brought up because if someone were to think about it for any amount of time theyd realize the truth that hes scary and dangerous to be around (<< william logic. hey remember how one of the reasons he originally left deadwood was because the monsters there were attracted to the wisps and therefore Him so he left to keep his friends/family out of danger)
i think a lot about williams death and the immediate aftermath, i dont know how much you actually know and how much of this comes later but . how does he go home after waking up from that. his parents know about his powers, so they MUST know what happened. what do you think he told them when he god home muddy and dirty and broken and probably bloody after being missing for. god knows how long. how does he look his mother in the eyes and tell her her little boy is dead. but hes also not because hes standing right in front of her. how the fuck do you think he felt the first time he went into wisp form and saw his body laying there !!! of course he wouldnt want to talk about that!!!! youre gonna have to pry william wisps emotions from his cold dead hands !!!!!!!
dakota's response to the ashe situation was to run away in the woods and do nothing but train for 10 months. he didnt think about it for 10 months. i dont even have a whole lot to say about dakota other than like. stunned silence whenever his inability to process trauma is brought up because grizzly does such an incredible job at being like "you ask dakota how hes doing and his face is just blank" << paraphrased actual quote from an episode i cannot remember which one. either 11 or 12 ?
also because im thinking about him im including ashe in this. we didnt get to see a whole lot of his canon reactions to extreme emotional situations so a lot of this is just coming from My Mind but ashe seems like hed be the type to repress a lot of his emotions too. being alone in your house/in your room for extended periods of time will do that to a guy. i think he feels a lot of things and will probably very openly cry/scream/get angry when hes alone but as soon as he knows another person is there he can immediately flip the switch to turn it all off like nothing happened. very much a deadpan "im fine." if someone asks how hes doing, even if hes got like. the remainder of tear tracks down his face. cannot physically express his emotions in the presence of someone else
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hailsatanacab · 4 months
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Family Dinners - dpxdc
"Holy shit, you're Bruce Wayne!" Danny gaped, jabbing a finger at the man sitting at the head of the table.
The bustling dining room goes silent as everyone turns to look at him.
"Danny, who did you think was going to be here?" Tim asks, disbelief plain in his voice and Danny feels his face flush red.
"Sorry, I, uh, I guess I just never put it together. Tim Drake-Wayne. Wayne Manor. It, uh, makes sense now." He laughs sheepishly and scrubs at his neck before slumping back down into his chair.
"Well," Tim says with an indulgent sigh, "at least I know you're not just friends with me for my connections."
"Yeah, I'm really sorry, I just never thought about it, I guess."
Danny sinks lower as everyone around him laughs. Come to dinner, he said, the food is the best, he said, ignore the family, he said. Danny really wishes he'd listened to Tim and just ignored them—almost as much as he's regretting accepting the offer in the first place—but... he's having dinner with Batman.
Ancients, that's so weird!
The last time he saw Batman was in the future and, suffice it to say, it was not going well. There hadn't really been time for family dinners there.
Wait. Family dinners?
He peers around the table, openly gawking at everyone as it all clicks into place.
"Everything alright, Danny? Now realising who everyone else is?" Tim asks with a roll of his eyes.
"Uh... something like that..." Danny mumbles as everyone laughs again.
From further down the table, the smallest Wayne scoffs and clicks his tongue.
"I thought you said he was smart, Drake?"
"So, you all do it, too, then?" he asks, ignoring the jibe. Danny's only a little bit jealous as he thinks of how much easier they must have it, how much easier it'd be if his family had been on his side, too. "You all work together?"
"Nah," Dick says from across the table with a brilliant grin. "Tim's the only one that works with Bruce, we all have different jobs. I'm a police officer in Bludhaven."
"Disgusting." Danny blurts out without thinking—because seriously, what kind of self-respecting vigilante would also be a police officer?—before clapping a hand over his mouth. "Sorry."
The whole table laughs again, the loudest being the blonde girl a few spaces down from Dick. Look, Danny wasn't really paying attention to names when they were all paraded in front of him. Dick only gets remembered because his name is a joke.
Come on, Danny, recover!
"That's, uh, not what I meant, though."
"Oh?" Dick asks, cocking his head slightly to the side. Is it Danny's imagination or does his smile tense slightly?
"Yeah, I mean like, you know, in costume. It must make it so much easier to have everyone together like this."
"Costume? What do you mean?"
Yeah, Danny's not imagining it, everyone tenses up at that. It's really only now that he's realising that this probably isn't how he should bring up that he knows about their... night time activities. In fact, he probably shouldn't be bringing it up at all.
"Uuhhh..." Danny looks wildly around the table as he continues making his stupid noise. Think, think, think! There must be a way out of this!
"Danny?" Tim asks, looking concerned.
"Oh, Ancients, this isn't how I wanted it to go at all," he mutters, slipping even further into his chair. He's almost on the floor now and he so, so wishes it could just swallow him up.
His real first meeting with Batman was meant to be cool! He had planned to be Phantom, maybe save them from a tight spot, prove his worth as a mysterious and powerful ally as thanks for the help Batman gave him in the future.
"Danny, what are you talking about?" Tim starts tugging on his sleeve in an attempt to pull him back up from his pit of despair.
Eventually, Danny relents and sits up straighter, hiding his face in his hands and whining all the while.
"I'm sorry, I just didn't expect him to be here and it threw me off so now I look stupid and it's so embarrassing!" he wails, flailing his arms wide. "Why wouldn't you warn me that Batman was your adopted dad, Tim? Couldn't you have let me know?"
"I'm sorry, what? Danny are you alright? There's no way Bruce can be Batman, look at him!"
"Yeah," the blonde girl laughs from the bottom of the table, "look at him! That's a wet noodle of a man! Batman can actually do things, B is incapable of pretty much everything."
"Thank you, Stephanie," Bruce sighs, massaging his forehead.
It's... Those are the first words Danny's heard Batman say since everything went down and it's enough to knock him out of his embarrassment.
It's really good to hear his voice again. Especially now, when it's strong and healthy and full of personality—even if that personality is little more than a tired father right now—far better than how it had been, at the end.
Danny sits up, back straight, and grins. He's got this. He remembers it perfectly. Some people count sheep to fall asleep, Danny repeats his mantra to be certain that he'll never forget it.
"Gamma alpha upsilon tau iota mu epsilon, 42, 63, 28, 1 colon 65 dash 9."
Once again, the whole table falls into silence.
"Holy shit..." breathes the other D name (Duke? Danny's pretty sure he's Signal) from opposite Stephanie. "Isn't that...?"
"The time travelling code." The littlest Wayne says stiffly. "We have met in the future?"
"That's not just the time travelling code, Dami." Dick says, looking between Danny and Bruce. "That's the family time travelling code."
Danny's grin freezes in place.
"I'm sorry, what?"
"1 colon 65 dash 9." Dick explains, still flicking between him and Bruce. "It means you've been adopted into the family and we should all treat you as such, no questions asked."
"Tell you what, I'm about to ask a question." Danny says, dumbstruck. "You just told me it was a code to identify time travellers, not anything about being adopted! What the hell, B?"
Bruce looks about as shellshocked as Danny feels.
"We must have been close," he says finally, after opening and closing his mouth like a fish out of water a few times.
"No! Not that close!" Danny reels back, taking a deep breath ready to refute it all, but... "Well, I mean, you found me when I first got stuck, and you helped me get better despite being... And then we fought together against the, uh, bad guy, before he, um, he... before you couldn't."
An uncomfortable beat passes while they all pick up on what Danny tried so hard not to say.
"So, you're not from the future, then, you travelled there and came back?" Tim asks, breaking the tension and leaning forward with a glint in his eye.
"Yeah, it was a whole end of the world thing, but don't worry about it," Danny says with a hand wave, "It's all kosher now, won't ever happen."
"What did happen?"
"Seriously, don't worry about it, we cool."
"How long in the future was it?"
"About ten years? You were pretty spry for an old man, B," Danny laughs, wishing they'd get off the topic of what happened and get back to the adoption bit.
Everyone shares degrees of a cautious smile as they relax out of the shock, and Dick—whose grin is the biggest—says, "No wonder you got the family code, you're already riffing on him like one of us. How long were you there for?"
"A week, before I managed to get back to my present and stop him then."
"A week? Jeez, B, that has to set some kind of record, seriously."
"Oh!" Danny says, sitting bolt upright and blinking in surprise before pointing at Dick and bouncing in his seat. "You're Nightwing!"
"What?"
"That's exactly what Nightwing said when Batman told me the code! Makes so much more sense now."
Dick laughs and claps his hands, delighted.
"You were not formally adopted?" The grumpy small one—Dami?—asks, his face pinched.
"I didn't even know I was informally adopted."
"And your parents? Are they alive or dead?"
"Damian, stop—"
"They were dead in the future, but they're alive now." Danny says, looking down. He fiddles with the tablecloth, twisting the fabric around his fingers as he fights down the pang of sadness that he always feels when he thinks of them now. He forces a bright smile on his face and hopes it doesn’t look too strained. "I just, uh, can't talk to them much, anymore."
"Damian," Dick warns, "1 colon 65 dash 9. Treat them as family, no questions asked."
"This is Damian treating him as family, the little turd has no manners." Tim scoffs, rolling his eyes, but he gently bumps shoulders with Danny to knock him out of his funk. Danny can't help but send him a watery smile.
"I have the most exemplary manners, Drake, unlike some people." Damian spits, crossing his arms with a pout. "I was merely ascertaining his status to see how he could possibly fit into the family."
"I know this is all a bit sudden, Danny," Bruce smiles, ignoring Damian and reaching out to lay a warm hand on his arm, "for all of us. But if I felt strongly enough to give you that code after spending a week with you in the future, then you are more than welcome in this family, if you so choose it. I think I can speak for all of us when I say we'd like to get to know you a bit more."
"I know a threat when I hear it, Bruce." Danny snorts. "But, yeah, I get it. I'm sorry this is all so weird, it really wasn't how I wanted to find you again, but... I'm glad I did."
"So are we, Danny." Dick says, with a warm smile. "And formally or not, 1 colon 65 dash 9 means you're family. Welcome to the fun house! No take backs or refunds, sorry. You're stuck with us."
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julijbee · 1 month
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girlbossing too close to the sun.
#art#ive literally just been treating this game as a library simuator#i walk from bookseller to bookseller opening up all of their books#vivecs sermons are either a highlight or the point at which i stop reading#ive been trying to convince the ordinators that imitation is the highest form of flattery but it hasnt been working#let me wear your helmets please theyre so funny..#posting morrowind in 2024 isnt a cry for help but youre not wrong to be concerned.#morrowind#almalexia#vivec#im going to explain the chitin armor give me a moment#so the bonewalker nerevar on the shrines is adorable and it was only after drawing it however many times that i realized#it looked relatively close to a modified chitin armor#and so i modified chitin armor a few times and this was probably the cutest result#i also know i drew almalexia relatively pristine and untouched by years and vivec not so much but my thought process was#vivecs role as if not a favorite then the most accessible divine or the most “hands on” in a manner of speaking#acting in ways visible to the general population or actions explicitly brought to their attention#like not that almalexia isnt doing anything she is#but the dissemination of information regarding that is very different etc etc etc#anyways to a certain extent a god is the face on a shrine or in art or upon a statue or carving#but vivecs presence is interwoven with the geography of vvardenfell especially and his actions and writings with pubished materials#and the arts and culture and customs etc etc etc#so to me the face of a god you know and feel a commonality with or a god that walks alongside you is a face you would recognize#and vivec is already otherworldly looking enough#the simple mark of the years on his skin in some way grounding him in reality felt more right#that and i think the ways in which he and almalexia care about outward appearance are slightly different- they prioritize different things#and the ways they present outward power and their embodiment of their respective attributes share some similarities as they both have that#important preoccupation with physical power and physical strength to a certain degree#oh my god nobody read this i am yapping so bad.#tes
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ducktollers · 1 year
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[ID: two sketches of dogs in black ballpoint pen on white paper. the first is the heads of two borzois with their noses nearly touching. the second is a full body sketch of a pointy-eared white dog nosing at the ground. end ID.]
lookit some dogs
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crybaby-bkg · 1 year
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Trainer Bakugou who you're a little terrified of the first day you're paired with him. when asking for a trainer at the gym, you had expected the friendly redhead who always looked so sweet and encouraging and cut as hell. you weren't expecting his grumpy looking blond counterpart, who was all glares and shouts for his clients to keep pushing themselves.
you were hesitant at first, before you quickly realized that it was all a ruse, for the most part. he pushed those who needed that extra encouragement, but was more lenient to people like you who simply wanted a professionals guidance. so, after a few weeks, you liked him for the most part, and his looks damn sure made it easier to cozy up to the big guy.
the only issue you've been having with Bakugou though are the...coregasms, as you've seen them been named on social media, that you keep experiencing. the first time, you weren't sure what it was, why your stomach and pelvis kept tightening up. you couldn't have...climaxed, or anything. you hadn't even been touched!
but, as the weeks go by, and the workouts get more strenuous, they've become harder and harder to subside and ignore, and so had Bakugou's commands to keep going when you suddenly stopped. you can only lie and say its cramps so many times before he realizes that something is up.
you're midway through a good morning, when that familiar feeling starts tightening in the pit of your gut. you clench your eyes shut, shaking your head a little, as if you could ward off the impending feeling. bakugou notices though, frowning at your almost pained expression in the mirror, walking up behind you to stop you as you pull yourself back up. his hands are on your waist, and as you come up, you feel his bulge glide over the curve of your ass, and something in you snaps.
you gasp, buckling over, one hand on your knee as the other reaches back for bakugou's hand to keep you up as your thighs shake. you can feel yourself spasming, clenching and unclenching around nothing, secretly wishing you had something that could fill you up, something that you felt throb against you as bakugou leaned over your form.
"Another coregasm, huh?" he asks you lowly, his lips brushing your ear as you bite your bottom lip to hold back your moan. your eyes buck open though, when his words sink in, head tipping back to look at him in the mirror, only to find his gaze already on you.
"You knew every time?" you ask quietly, panting now that its finally starting to pass over you. but bakugou doesn't let you up from this position, especially since the area you're in seems to be desolate for now.
"It's hard to ignore how pretty you look when you cum, sweetheart." Bakugou seals his words with a firm press to your ass, his cock rubbing the seam, and you can practically feel the heat and veins of it through your thin bottoms. you groan under your breath, getting lost in the feeling of him grinding against you, when he suddenly speaks again.
"You still feel it?" he asks, voice low as he looks at you through his lashes. you nod, biting at your bottom lip as you meet the steady rock of his hips, watching how he smiles before slotting his lips against your ear.
"Want me to help make it go away?" and he does, in the employee locker room after hours. he makes it go away, and rebuild, and go away again and again until you're hoarse and your legs are weaker than they typically are on leg day. bakugou helps the ache go away, but not for that sweet redheaded coworker of his, whose fists have fucked his cock the entire time of watching bakugou rail you over the locker room bench again and again.
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hatsunemiku-official · 4 months
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( hi just a quick heads up - im not really adding people to the vocaloid-official masterpost anymore. its gotten really overwhelming to keep up with so. if you’ve asked me to add you and I haven’t done it it’s not personal it’s just kind of become A Lot so im gonna stop doing it I think. the current masterlist will stay up though!
also sorry for no funny posts in a while. ive been really busy with school and also not really in a good headspace to be cooking up Funney Jokes. im still alive and cool just busy with other stuff )
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dreamsy990 · 1 month
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some of the less nice thoughts about being aroace
extras below the cut
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sketch
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closeups on my favorite panels
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bonus: adios
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lorephobic · 5 months
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literally nobody asked for it, but here's my list of saltburn essays that i've slowly been drafting over the course of the last week which WILL be required reading for anybody trying to engage with me about this movie. my very personal saltburn 101 syllabus just dropped
A Wolf in Deer's Clothing: Saltburn's Attempt at Innocence
an examination of party costumes and our character's last attempts to masquerade as something they're not: felix—an angel, all-forgiving and all-knowing, something to be worshiped; and oliver—a prey animal, prey to class-divide, prey to saltburn, prey to felix.
thoughts about oliver specifically are loosely organized in my #bambi tag
A Midsummer Night's Mare: Farleigh Start as the Ultimate Victim of Saltburn
a farleigh character study, about the ways he was mistreated and manipulated at saltburn, about fighting to stay alive and the scars left behind by knowing when to give in
alternatively titled "QuickStart", may be adapted into a conclusive essay specifically focusing on oliver and farleigh's relationship
The Eye of the Beholder: On Saltburn's Voyeurism & Violence [working title]
how wealth and class pushes the catton's toward the volatile reality of being able to look, but not touch. on desire and the lack thereof, and portraying yourself as an object to be desired
may end up as two separate essays on wealth and aestheticism but i'm pushing toward a conclusive essay about the intersection of the two, which i feel is at the heart of saltburn
alternatively titled "Poor Man's Pudding: A Melvillian Approach to Saltburn's Class", again, may be adapted into it's own essay
Gender-Fluid: A Study in Sexuality and Saltburn's Desire to be Dry
a deep dive into the bodily fluids of saltburn and how oliver upsets the standard of men who are just so lovely and dry. on the creative choice to lean into the messy wetness of sex and desire and the audience's instinct toward repulsion
a celebration of the grotesque and an examination of why we would label it as such
least developed of the four, heavily inspired by @charnelpit's lovely post about the fluids in saltburn
if anybody is actually interested in any of these, i can work toward something closer to a finished piece instead of just bullet points and quotes in a google doc, but mostly this is so i can share my very brief takes on a multitude of themes in saltburn that have been haunting me
edit for people seeing this in the future: all posts about my essays are being organized into my #saltburn 101 tag if you’re interested in following these through to development!
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toldentops · 2 months
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talk about kinoga. NOW.
GAH I JUST THINK THEY ARE SO............. well first of all. they are so cute and handsome. look at them right now
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Second of all I have one million feelings about them and it's barely an exaggeration. For those who aren't familiar, Kinoga is one of my beloved splatoon ocs and I think about them all the time. Originally made when I tossed a "what-if" idea about Trito, my first splatoon oc, who was once part of the octarian military, if he runs into one of the old squad members on the surface, and Kinoga was born with the help of @igneouskit. Brainworms ensue. its terminal. check out their toyhouse
(extremely brief rundown for those unfamiliar with splatoon lore the relevant bits are as follows: some octolings are part of a military that were forced underground after a war with the Inklings over land due to rising seas. At some point during the plot, the song Calamari Inkantation is sung by the two idols, which is apparently imbued in the DNA of all creatures and compels octolings to see the surface. In the splatoon 2 DLC, octo expansion, some octolings are recruited by a shady company called Kamabo Co, which entices participants to enroll in tests through a deep sea metro, and offers the "promised land" as a reward. Completing the tests entails collecting parts of a blender, and the "reward" is getting blended into sludge. This sludge can get injected into other octos which causes them to lose their will and consciousness ("sanitization").
timeline-wise much of their story takes place between splat 2, through octo expansion, and is currently in the splat 3 era. When they were still in the military, they ended up hearing the Calamari Inkantation like Agent 8 did. Kinoga and their squad were incredibly close to each other. Unwilling to just up and leave the underground but wanting to give their squadmates a better life, Kinoga hears about Kamabo's "promised land" and wants to seek it out, so they leave the squad to embark on the metros and promises to return. They do not <3 Some of the tests make them encounter sanitized octolings and they begin to question what's really happening in the metros. Their tipping point is when they run into Agara, one of their squadmates that decided to enter the metros to look for Kinoga and ends up being sanitized. Kinoga, facing the crushing realization that their squadmates had followed them, unaware of the danger, narrowly escapes being killed by Agara and eventually makes it to the surface.
This results in them experiencing a good amount of crushing guilt about leaving, they never knew it would lead to the possibility of dooming their whole squad that followed after them because they were loved and trusted. Kinoga had no way of letting the rest of them know that they should turn back and it's so. AAUGH. They have no choice but to continue on, finding life on the surface and eventually making it to splatsville with the belief that the rest of the squad may be gone. Agara and Trito end up running through the metro, Agara gets sanitized and Trito survives, albeit without getting a nasty scar from an accident that nearly got him sanitized.
Trito makes me insane also. he's my funny silly rabbit. I care about him so so much. trito goes through the metros, to maybe catch up with kinoga or meet them at the promised land, trusting that it was worth leaving if Kinoga decided it was worth it for all of them too.
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Trito, upon learning about The Horrors in the metro later, realizes what could have happened to Kinoga and Agara and is unwilling to return to the rest of the squad with this knowledge, struck by the possibility that they're both gone. <-also has to realize that these horrible things have been happening to all the octlings that left to go do the metro tests. He too, eventually escapes to the surface and makes it to Inkopolis.
Years later, Trito, on a day trip to Splatsville, encounters Kinoga on the streets, and they lock eyes. and. fuck. They thought they were dead and had dealt with the grief and accepting that they were gone, effectively pushing those thoughts aside, and now they're physically in front of each other and they have to deal with it again. they make me SICK. Kinoga knowing that trito went to the metros and followed them and made it out also. Trito knowing that Kinoga experienced the horrors as well and survived. Neither of them able to return to tell the rest of the squad but they're both here, alive on the surface and aarrghhhhhhh. now they have to cope with this. they hastily exchange contact information, having to leave each other again, and end up meeting later to really catch up.
I'm so normal about kinoga and their relationship to trito post-domes. They don't even realize that they miss each other so much because they accepted that they were already gone. Seeing how much the other had changed. Being each other's only tie to their previous lives and it dawns on them that they never can move on from this. Kinoga struggles to tell Trito that they couldn't bring themselves to go back, not knowing if they could escape a second time, not knowing if any of their teammates were still left, already dealing with occasional spurts of being wracked by grief. Trito feeling the same, wanting to forget the terrible things and find happiness on the surface, but disheartened when learning that Kinoga also couldn't bring themselves to go back to look (though now that the both of them are together.....they do eventually muster the courage to go back to the domes to look for their old squadmates). It like. sucks so bad. They didn't intend to abandon their squad, but they were given circumstances where they just could not, and none of the other squad members could have known and suffer for it. aarghhhhh.
They end up at Trito's place, Kinoga and Trito end up being very affectionate towards each other after reuniting, definitely Trito being clingier...Compelled to hold onto each other and not let go, not after feeling so much regret about leaving in the first place. It's like. they left once before and terrible things happened out of their control, so they're allowed to hold each other as close as they can so it doesn't happen again (THE DEMONS) (GRIPS). it's irrational for Trito especially to think that he'll never see Kinoga again when they have to leave, since they live in separate cities and have to go in the morning. and kinoga knows it's irrational and they do their best to comfort him anyways because. who could blame him for wanting to keep them there after being gone for so long and so unexpectedly. The slow, crushing experience of not fully registering that someone could be gone and it creeps up to them until it hits. auuuuugh. they have to be so tender with each other, not really knowing where to take things afterwards but relishing in the moment of having each other there. riding the high of each other's comfort. fuck. this post is just getting worse as it goes. Trito breaking down in Kinoga's arms because he's had to hold in his grief and having nowhere to put it and then finally being able to release it. just being able to feel Something again. kinoga feeling so heartbroken to see trito like this, remembering that he was always so outspoken and smiling and having him curled up against them unable to say anything. holding him as tightly as they can. Feeling the need to take good care of him. They aren't his squad leader anymore but they still feel compelled to look out for him because then they can feel like they're doing at least something right. whatever. you guys get the gist. I'm way too much of a sucker for like...............pained intimacy. I'm down terrible. I think both of them deserve a little kissy and more. again. very touchy and affectionate with each other, I guess theyre still like "friends" (A WARRIOR'S BOND. OR WHATEVER) and are not "together" like a couple but here are words from igneouskit who put it better then I could ever. they love each other so much and they make me blow up. worlds most situationship
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and also one bit I forgot to mention is that Trito has a huge scar on his chest that he hates talking about, it just brings back the fear and pain felt when he got it, and by association reminds him that he's alone from his squad who may never see again, so he's very protective of it. Upon getting back to kinoga, they do find out about the scar accidentally, and Trito lets them. like auuuugh they were so familiar with each other and now get to see what's changed since the last time. exploring eachother's bodies. whatever
Kinoga also ends up feeling really guilty at some point for Trito being immediately so affectionate towards them, they harbor thoughts that they don’t deserve it after having him go through that pain, and trito having to tell them that he made his own decision, nobody was forcing him to go, and besides, did it to see kinoga and now that they’re right in front of him he can give him all the love he’s been holding for them. Auuughhhh. Like don’t worry about feeling guilty for it. It wasn’t their fault. What matters to him now is that they’re both alive and with each other. I feel like blowing up
Even after Kinoga goes back to splatsville the next day trito is still aches about them......like a few days of reunion could never be enough to compensate for the years that they spent apart. every time they meet up after that trito jumps in kinoga's arms and kiss them like it was the first time they'd reunited
anyways. they eventually go back down to the domes to find the others. By that time, Agent 8 had dismantled Kamabo, the Sludge shit was no longer in operation, and octolings have started going to the surface. Kanu, another squad member, left the domes to find Kinoga, Agara, and Trito(jilon was another squad member who left for reasons I haven't decided yet). Denchu, the last remaining member, stayed behind, holding on to the hope that the missing members would someday return (denchu is a whole other can of worms. theyre everything to me and I feel so terrible for them <3). Trito and kinoga meet denchu, they update them on everybody else, leaving agara unaccounted for. Kinoga, who was the only one to see Agara firsthand, knowing that she might be completely unsalvageable, hesitates to bring it up, but Trito insists on going to look for her. aughhh. kinoga wants to spare trito the pain of seeing her dead or unconscious. They do eventually find her </3
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She is alive, but not doing well at all, Kinoga desperate to maybe find some way to undo sanitization and restore her to full health, knowing full well that it may not be possible. They take Agara back with them to the surface and Kinoga spends a lot of time agonizing again over having caused this, feeling that agara's state is somehow their fault (ITS NOTT they're beating themselves up so bad for this because they feel responsible for the squad. aughhh).
I think thats all I have for kinoga. for now. obviously there are more thoughts I can get into but currently my brain has just latched so hard on trito and kinoga's fun situation and I love them so much. didn't think I'd get attached to them this bad but here we are </3. I hope everyone who has read this far also enjoys them as much as I do
#THIS TOOK FOREVER TO TYPE. KEPT GGETTING SELF CONSCIOUS ABT HOW MUCH IVE ALREADY TYPED FOR THEM IN OTHER POSTS#my ocs#my art#trito#kinoga#splatoon#splatoon ocs#THEYRE SO!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!#I have been so crazy about them. so crazy. this post doesnt even encapsulate all my thoughts about them#basic arc(?) in chronological order and some thoughts also#cant even describe the like. aching. burning. thinking about kinoga#like I need to kiss them of course but (AGONIES) trito misses them so so much.#loves them so so much and has to deal with it when it floods him all at once during the first encounter#sorry if none of this is like. comprehensible#I've been so ill about them and trito for weeks#these thoguhts are usually for rotating them in discord servers but you all get to get blasted by them all at once#STRUGGLED so bad to write this out because every time I had a new thought I had to go lie down and think about it#anyways. anyways. care about them so much. what ever#its still mostly about trito since he's like my 'main' character but kinoga still gets roped into these feelins#also joked that if trito ever gets a partner itll be like#'this is my partner'#'and this is my friend kinoga who id die for and trust with my life and kiss on the mouth'#more realistically trito just loves all his friends as closely as he would a partner. he has so much love in his heart#blows up I just reread this I think I used ‘crushing’ as an adjective like 4 times. whatever
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sourscratched · 2 months
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the hand that feeds
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plulp · 6 months
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JORDAN PLEASE DONT WEAR SO MANY CLOTHES. PPLEQASE
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melatien · 3 months
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tiny yoichi (unwillingly) lures out soldiers by being his helplessness little self so his brother can strike
#bases are the most reliable way to find food afo found!#yoichi is crying bcuz he pitys them <3#not because hes nervous#im gonna be honest i made this idea up on the spot when drawing this#pewdiepies new art video awakened something in me I NEEDED TO REMIND MYSELF I CAN STIL DRAW BANGERS TOO#i didnt disappoint myself!!!! competitiveness is my enemy and my bestie literally#anyways his right eye was an absolute horrendous nightmare to draw it was going so well until i did the hair then it ruined the eye#i actually thought yoichi was wearing shoes at this age but then i looked back at those chapters and realised yoichi was shoeless#WITH ONLY A BANDAGE ON HIS FOOT??!?!!?!? agony#can yoichi not make me wish he had something good in life for ONE SECOND#think of this as like how he responded to afo killing those people that (presumably) beat yoichi up beforehand#we dont know if hes crying because his brother is killing or if he was crying before being 'saved'#ill try do some fluff art soon ive been really interested in body horror related art lately so i wanted to play around!!!#i have a BUNCH of ideas written down ive yet to do#i just keep doing whatever i feel like#i am the master of ignoring the instructions and winging it#mha#my art#yoichi shigaraki#one for all#my hero academia#first ofa user#shigaraki yoichi#mha yoichi#tiny yoichi#tiny yoichi in his shabby little clothes#ive actually been dying to draw tiny yoichi again but KIDS ARE SO HARD TO DRAW!!!!!#i had an art moment though#HALLEJUHAH#art gods had my back fr
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harvestmoth · 5 months
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okay last one. au where nothing goes wrong at all ever (a lie) and melia venam gay moment
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