its really interesting to me how kaidou says he feels like saiki is protecting/looking out for all of them somehow. like do they all have some kind of innate sense that the Weird Things happening around them are saikis doing? or do you think saiki gives off a strong "if anything happens to my friends im going to become the joker" vibe that he doesnt even notice
i don't know what order to start Dissecting, so i'll just start with:
it's absolutely fascinating how the dynamic Wally & Barnaby had - to my knowledge - before the update, and a dynamic i'd seen speculated elsewhere and generally accepted, has been completed turned on its head
see, given that Wally is the "main character" and Barnaby is classified as "his best friend", i got the feeling that Barnaby kind of... tags along on Wally's 'shenanigans'. that he's the sidekick, the best friend. especially since their dynamic has been previously & briefly described as "Barnaby is very polite to Wally." he's the Companion.
but the audios sorta paint a reverse picture. in the Interview, when Barnaby enters stage right, he completely bowls over Wally's introduction and dominates the interview. when the interviewer asks how the two of them are handling the fame, even outright asking Wally, Barnaby doesn't hesitate to answer the question himself, and only about himself. Wally doesn't get another word in edge-wise until the interviewer explicitly singles Wally out.
(now, an argument could be made that Barnaby knew that Wally was somewhat overwhelmed with all of the questions, and tried to take the reins to give him a reprieve. but, considering that the interview seems to be very early on the possible timeline - like, very soon after Welcome Home debuted - i don't think this is likely. i doubt Barnaby and Wally would've had the time to solidify their dynamic or really get to know each other that well yet)
and Barnaby continues to take point in pretty much all of their other conversations, too. like in the mystery Howdy/Barnaby/Wally audio, their interaction gives off the vibes that Wally is Barnaby's sidekick, his tag-along.
(on a related tangent, it's fascinating how the website described the episodes as "[beginning] with Wally introducing the focus or theme for the day before coming across other characters who would join him on his escapades until the end of the day." but from pretty much everything we've seen so far, it seems like He's the one who's just along for the ride, bouncing from neighbor shenanigan to neighbor shenanigan instead of having his own adventures.
of course, if the 14 audios are present time, which is honestly somewhat likely, this could be because the show isn't running. they aren't doing episodes - they're just existing, doing their things. no need for Wally to take point in any way shape or form. tangent over)
in the 14 audios with Barnaby, he doesn't even acknowledge Wally until the very end - which, of course, could be because that's how the scenes are set up. except that in some of them, the characters do directly acknowledge Wally's presence outside of the endings. Eddie in 5-14, Howdy and Poppy in 1-14, and Frank in 4-14 (technically, since he was infodumping to Wally at the very start before Barnaby interrupted). you'd think that a guy would try to include his best friend a little more!
maybe i'm reading into it too much. & given what we know about Wally as a character, it would make sense for Barnaby to be the go-getter Main Guy of the two. but it really seems like its Barnaby & Wally instead of Wally & Barnaby. he's just kinda... there. going along with whatever Barnaby is up to.
but also, on the other side of things - & it's occurring to me as i type this, it's interesting how in a lot of audios, Barnaby seems to seek Wally out. in "Just So", he shows up to fetch Wally. in 4-14, Barnaby interrupts Frank and Wally's gardening session, almost as if he's stopping by to check on his little buddy. in 7-14, Barnaby calls Julie's house (presumably) searching for Wally, or at least checking in once again. something to consider in all of this!
Pac: I wish I had a really nice background story for my- why I'm here. But you know, Felps just crashed the ship and I'm stuck!
Fit: You've got an interesting history though, Pac! I mean, look at you escaping that prison! Like, that was not easy for you to do. [...] You've told me lots of stories about yourself and Mike's adventures. You've got a very interesting backstory.
Pac: Thank you Fit, thank you. I'm glad to hear that you think it's cool.
Fit: I mean– the cannibalism part, that sucks, but it is– It's cool! It's cool.
People keep wondering when Pac's going to tell Fit how he lost his leg, but during their date last week, Fit implied that their characters already had this discussion! Although this could've been an OOC part of their conversation, they've referenced this specific part of Pac's lore in past streams (this is just the most explicit example we've had so far).
[ Full Subtitle Transcript ↓ ]
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Pac: I wish I had a really nice- um, background story - background story for my- why I'm here. But you know, Felps just crashed the ship and I'm stuck!
Fit: [Chuckles] Well no- you've got an interesting history though, Pac! I mean, look at you escaping that prison! Like, that was not easy for you to do.
Pac: ...No, yeah, you're right.
Fit: You know, and you've been- you have- you've told me lots of stories about yourself and Mike's adventures, like– You've got a very interesting backstory.
Pac: Thank you Fit, thank you. I'm glad to hear that you think it's cool.
Fit: I mean, I mean– the cannibalism part, I mean, that sucks, yeah, but it is– It's cool! It's cool.
Pac: Yeah, right? Yeah- that's- that's not a good part, right? Yeah, I- ugh, yeah, it's a– [He takes a deep breath] Yeah. It's ok.
actually I think that neil josten is very smart. he’s quick, clever, and a MATH nerd. he’s a polyglot! he keeps decently good grades despite having a VERY unstable schooling. he knows how to manipulate people to get information/people to do what he wants. he’s incredibly observant and is able to predict what the people around him are going to do. he’s so so smart
and he’ll throw all those braincells out the window when he’s with his bestie, matthew donavan boyd
ok i KNOW this is an insane topic to make a tierlist about but i was thinking about milsiril again so. dungeon meshi characters ranked by how pro-euthanasia i think they are
clarifications:
"pro-murder" here doesnt necessarily mean "likes killing". this chart is about how each character views the ethical ramifications of taking a human life, and some of the people in "pro-murder" are there because they would kill someone outside of a combat situation if they thought it would have a greater benefit, such as saving the lives of many others. the rest of them (like thistle, cithis, and the orcs) are there because they are ready to kill whenever to get whatever they want, which is a very different ethical stance but still fits in the same category for the purpose of the chart.
"pro-euthanasia" means having no qualms over killing something/someone if there is an absolute certainty that the individual will never be able to regain a livable quality of life. this is the only category outside of, uh, murder, that doesn't necessarily require consent for the euthanasia to be carried out.
"it's an option" characters would perform euthanasia if asked, or would otherwise condone consensual euthanasia.
"only in the most extreme" characters would only consider the option as an absolute last resort, once every other possibility had been exhausted. these characters would keep someone alive against their wishes to try to save them.
"absolutely against it" characters would never under any circumstances kill someone they didn't want dead. they would sooner let them bleed out or otherwise suffer against their wishes than perform requested euthanasia, and would protest the performance of consensual euthanasia by others.
bestfriend! asmodeus, who begs you to tell him who you have a crush on. hes just curious!!
bestfriend! asmodeus, who upon finding out who you like, has frown on his face. but before you realize, he smiles, as if the disappointment was never there.
bestfriend! asmodeus, who will wingman for you, giving you confession ideas and drawing hearts on fogged up windows with yours and your crushs first initial just to fluster you.
bestfriend! asmodeus, who helps you write a confession letter and quietly watches as you slip it on your crushs seat, wishing it was him.
bestfriend! asmodeus, who painfully watches as your crush accepts your letter.
bestfriend! asmodeus, who slowly begins to distance himself from you, unsure of what to do.
I personally love and obsess over disillusioned and self-isolating protagonists which is one of the reasons why I advocate for a Young Wizard who just leans so much into their role as the Savior that they're now just this broken down individual who now genuinely shares everyone's fears and legends of them of being this Ultra Powerful, Non-Human, Above-All-The-Peasants Legend Amongst Men. Being picked apart and analyzed (INCORRECTLY might I add) by strangers and people who fear/hate/revere you, no matter where you go or what you do, over and over and OVER it just literally whittles away at who you used to be, what used to make you happy and now you're replaced with what everyone made you into. Not You, but a Hero.
But you know what's even better 😈😈😈 a wizard who cracks in a different way and is now just baaaareeely holding it together. A wizard who just is not All There anymore. A wizard who's Good Maybe, but someone who genuinely gives you a GOOD REASON to fear a switch in allegiance. Someone who reminds you that your entire life depends on their mood
Give me Harley Quinn YW, give me a YW who cackles and shrieks in joy as they batter the evil to the ground, give me a YW who pushes at the very edge of the EXTREMES even when they don't need to. I want a YW who doesn't carry around a gleaming sword, or a mystical staff, but a bat with nails studded inside or a rusty machete; I want poems and songs of not a Hero but a wolf in sheep's clothing who just barely gets by in masquerading as the Commoners. An unhinged YW is the second to best Bad Ending you could ever get from this situation and I want everyone to think about this actually
The main thing I have against Spotlight: Hot Rod is that it portrays him as being constantly weighed down by past losses and guilt, to the extent that he even limits himself for fear of facing the potential negative consequences that his misjudgement might inflict onto others - the "prefer to go solo" line - when it contradicts the very essence of his character as established in MTMTE and the main comics (even Autocracy), which specifically presents him as the type of person who is unburdened by the past and for the most part consciously remains unaffected by the consequences of his actions. It's why he has a perpetual Peter Pan thing going on, because he moves on from one day to the next, one crisis to the next, for four million years without letting the experiences change him - which includes the experiences of deaths and sufferings of both himself and others - and maturity and growth cannot be achieved without change.
His impulsiveness and headstrong obstinacy is in part a compensation mechanism for insecurity and subconscious self-doubt but is also an intrinstic aspect of who he is, someone who plows onward while refusing to look back. He can feel sorry but he does not do regret, much less mire himself in it like his spotlight appears to suggest. As a matter of fact he doesn't mire himself in anything at all - be it politics, responsibility, or guilt. He doesn't regret Nyon, nor Ironhide, nor Optimus' resignation, nor leaving Cybertron, nor trusting Megatron. Not even the Overlord incident, since although he does feel bad for his poor decision getting a bunch of people killed, in the end the biggest issue that he has with it is the 89/101 voting result (which isn't even solely about Overlord).
It's obvious that he wants - expects - to stay as captain in spite of everything and having the vote cut so close got him hard because it's a blow to his ego. He practically admits to this when Optimus calles him out, which again is in direct contradiction to his spotlight monologue.
If he's willing to apply this kind of introspection for a failed mission that can’t even be attributed to his fault, then a lot of his later screwups would never have happened.
Choosing to return the Matrix to Optimus is supposed to be a landmark incident of Rodimus' character growth, yet he regresses right back in MTMTE, in which he develops a recursive pattern of messing up, trying to do better by making amends, then returning to his old ways because he can't fully commit. There's no fundamental change going on. I would argue that the true pivotal moment of change to his character took place during his talk with the guiding hand in Mederi, when he first learns to look past himself to accept what's best for other people, how his decisions might affect them etc. - even if it clashes with his own desires.
And then he chooses to save Getaway, and the speech that gave everyone the confidence to open their matrices. There's change and growth and maturity, he learns to fully empathize and appreciate the people around him. But with this growth comes a double-edged sword: by opening himself to connect with other people he leaves himself open to be affected as well - he is irrevocably changed by his experiences aboard the Lost Light, by the people around him he's grown to care about, so that when the Lost Light lands for its inevitable end and everyone departs to pursue their own lives, he alone remains mired in place, with nothing but the past to cling to. After a lifetime of moving on and brushing horrors off without lasting issue he's suddenly unable to move on. The remainder of his life becomes defined by the weight of memories and loss (and the empty comfort of a parallel universe of which its existence he'll never know).