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#ARENT THEY ADORABLE
kora634 · 1 year
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When i tell you these two made me motivated to draw, i'm not even kiding. I love them.
Also carefull, AL HAS A GUN NOW-
Anyways enjoy :P
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annnnperkins · 4 months
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theyre ready for bed
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angelcasendgame · 2 years
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bi4bi boy besties 💙💜💖
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hashtagloveloses · 1 year
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not to be cute or anything but i’ve been infodumping the plot of tgcf to @breakfast-baerrito and they sent me 3000 lanterns bc i said thats what hua cheng did for xie lian 🥹
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hopefulonion · 11 months
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A few posts done for fun on Twitter! 😭✌️✨
Featuring Soap on a leash and would you love me if I was a worm?
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jellori · 2 months
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I wonder what theyre Gossiping about!
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bonerey · 7 months
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remember: you can always improve a ship by making them both as stupid as possible and incapable of communicating in normal or sane ways. 100% success rate
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saessenach · 9 months
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"He knew those wild, black curls and the obsidian star on a velvet ribbon. What he didn't know and had never seen before was the face. It was a face of rage and fury, the face of a goddess of vengeance, destruction and death."
Yennefer of Vengerberg, in black and white
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frummpets · 6 months
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most of how i imagine these guys are a hodgepodge of official art + fanart + personal headcanons
original draw svsss from memory post by pompipurin on twitter!
✦ TWITTER VERSION
closeups ✨ (just so i can put minglingying together hehe)
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No Regrets - Part Five
Part One🦇 Part Two🦇Part Three🦇Part Four🦇Part Five🦇Part Six
This beautiful fic cover you see below was made by the fantastic, wonderful and lovely @skepsiss <3 Thanks so much!!! I'm still crying about it.
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He jolts backwards, the burning in his chest hurts, it fucking hurts but- but it doesn't? He pulls in a deep, shaking breath and feels no pain.
"Steve?" Nancy asks from off to his right, so he turns to look at her. She looks concerned, and scared in a way he hasn't seen her in years. (Except it's not years, is it? Not anymore, or not right now?) "Are you okay?"
He shakes his head before digging his palms into his eyes. He's dying, dying, dying- he's dead, he has to be. The Storms are so toxic and he-
"Steve," Robin's voice is accompanied by her hands around his wrists. She pulls his hands from his eyes and he lets her. He blinks at her worried face. "Steve, what just happened?"
"I-I was. I think... give me a moment" Steve says. Robin nods once, a confirmation, but she doesn't move away or release his wrists.
He pulls in another deep breath and closes his eyes to think. He's trying to remember. He thinks he promised to explain everything after... after Pennhurst? Yes, he remembers. Promised that after Robin and Nancy got back from their trip to Pennhurst, he'd tell them everything he knows. It's... it is after, now.
It was yesterday that Robin and Nancy went to Pennhurst and spoke to Creel. They learned about Creel, and the music. They still got found out as fakes; Steve didn't remember what caused them to be discovered last time to be able to warn them against it this time.
He still ended up being bullied into driving Max around. This time, though, he already had an hour-long loop of Running Up That Hill in his car. They'd let Max go to speak to Billy alone, like last time. The boys paced around the car and this time, when they realize that Max isn't responding, Steve's already loading the tape into the cassette player. He shoves it into Lukas's hands and tells him to put it on Max, press play, and to not stop begging her to come back until she is.
Steve saw he had questions, but Max was more important. She floated, and fell, and Lucas had caught her. Then...?
Oh, right. Then, he did explain, yesterday evening, after everyone had crowded into the Wheeler's basement. Went over Vecna winning, Hawkins becoming ground zero for the apocalypse. Talks about a future with a lot of loss, but won't say who, as well as the slow decay of the air and earth. That you could breathe the air for small moments of time, but long exposure would make you sick. That even though they'd finally killed Vecna in 1989, too much damage had been done, too many gates opened, kept opening with every new death by demo-creature. El alone would never be able to close off all the gates. They were working on trying to create a reverse of the machine below Starcourt, meant to close gates instead of open, but the world would probably be a complete wasteland before they could complete it.
No one had reacted well to the news, but the yelling was a minimum, which had been a pleasant surprise.
In the end, Steve had told them they needed more people, more help. That he was going to tell Wayne about the Upside Down.
He opens his eyes, now, and looks around. The place is small, familiar almost. Wood paneling and- The Munson's home. They're in Eddie's home. Because last night Steve had come over. He'd come over and told Wayne everything because he couldn't do this again. Not alone, not as the only responsible adult.
The Wayne in the future had been so willing to help, when Hawkins ripped open at its seams, and Wayne in the present was the same. He didn't- he didn't even call Steve crazy. He'd said he believed Steve, that some government lady told him they were going to pay for him to be in a hotel since his home was an active crime scene, but Wayne'd refused. Eddie wouldn't know where to call when he got out, and what if he just showed up and Wayne was gone- well, Wayne found that unacceptable.
Now, Wayne should be his way back from Indy in Eddie's recovered van with the Byers and Mike, and they're here waiting on a call from Eddie.
Steve's not dying, or, he's not anymore? Or maybe he is, and this is just. What the end is like? Getting to put an end to your regrets or something.
Whatever. It doesn't really matter what or why or even how. He knows what is in store for the future if they don't stop Vecna today.
"Sorry, sorry. I'm back," Steve says, opening his eyes to look at Robin.
She scrunches her brow. "Back?"
"Back from the future," Steve gives her a lopsided grin and in return she squints at him, leaning in real close to his face like the closer she is the more of his mind she'll be able to read.
"You're a different Steve. Again."
"What?" Nancy asks.
"Again?" Steve asks.
Robin scrutinizes his face some more before backing off, just a few inches. "Yeah. It was- Saturday, when you just walked out of our shift after Dustin and Max showed up, you were different then. Not. It was- you know how we were just talking about how if only we could combine, our love life problems would be fixed?"
Steve does, but only after having to think about it for a moment. It was so long ago, but it wasn't. Not for the Steve he's replaced, not for Robin in front of him. "Yeah. I remember."
"It's like I didn't realize how much we'd already combined until we weren't anymore. It was like... like you were a completely different person. I thought it was just, maybe, a reaction to learning the Upside Down was back. But you got different. More haunted."
"You noticed a difference?"
Robin scoffs, "of course I did. You're you but it was. This whole week it's been like... each day brings a new you. With different quirks. Except yesterday was still all the same old-new you so I thought- I thought maybe we'd succeeded. Fixed whatever it was that needed changed because you hadn't changed. But we haven't yet. 'Cause you're back."
Steve shakes his head. "No. No, we haven't. But this time- we'll have the manpower."
"No, I mean, I just-" Robin huffs, falling back onto her butt rather than staying in an uncomfortable crouch. "I just noticed, is all."
"Are we making it better," Nancy asks, "or worse?"
Steve looks from Robin to Nancy. "I-I don't know."
"What do you mean you don't know?"
"I mean I don't know. I don't- I don't know what we've changed. Or if it's been for the better. Because I don't remember."
"Oh," Nancy says with a nod, the look on her face morphing to one Steve knows means she's working out the puzzle of it all. He'll leave her to it.
His attention turns back to Robin, who has her head tipped back, looking at the unopened gate on the roof of the trailer. It definitely cannot be mistaken for water damage anymore. "What are you thinking about?"
Robin tips her head back down to look at Steve. "Exactly that."
"What?"
"Sorry," she says with a frown, "I was just thinking about how we can't- we don't really read each other's minds anymore. I know we should be worrying more about the end of the world but I'm just, just being selfish. Worrying about our friendship."
"You are the only constant in my life, Robin Buckley," Steve confesses, a fierceness to his tone he doesn't even recognize. "You have been, and always will be, the person I need in my life to bother even living it. I swear to God, Robbie, that if anything ever happens to you, I will walk into traffic."
Robin lets out a laugh. "That's a bit extreme."
Steve shoots Nancy a look; he can see she's in her own world. He stands then, offering a hand to Robin to pull her up. "Come on. I have something to tell you. A soulmate secret."
Robin's eyes light up with delight and he pulls her from the ground before leading her to the only place they can get privacy. Eddie's room.
It's two steps into the room that Steve realizes he's never seen Eddie's room before. Or, if he had, the memory of it is lost with the time line it happened in. In Steve's memory, the front half of Eddie's home gets obliterated, and when Eddie and Wayne went back to gather the things that survived the gate opening, Dustin, Mike, and Lucas had gone with the help pack it up. Steve had been helping fortify the high school.
It seems ridiculous, to be hit with the thought of never having seen Eddie's room, with the threat of the apocalypse still looming.
"Alright, secret time," Robin sounds delighted, and her voice pulls him from his thoughts. She shuts the door and turns, eyeing the bed skeptically. "Hmm, standing room only I think."
Steve huffs out a laugh as he takes in the mess of a room, a room that looks lived in and shows Eddie's personality and the things he cares about. Nothing at all like his own room at the Harrington house; perfectly clean and matching and devoid of anything distinctly Steve. "Like you ever make your bed."
The noise Robin makes is clearly offended, and she smacks his arm lightly with the back of her hand, "uncalled for! Unprovoked, even!"
"Yeah, well, you're judging a guy who's been in jail this past 48-ish hours. Not like he had time to tidy up," Steve says.
"I think the state of his bed -whole room, really- is not because he didn't come home to clean up. In fact, I think he just lives like this."
"At least his room looks lived in. I mean, look at all of this on the walls. You think he drew these?" Steve says, hand reach out to brush against a drawing tacked to the wall nearest him.
"Your room could look lived in, too, if you weren't afraid of a few tack holes," Robin replies, crossing the room. Steve watches her go, approaching the mirror and the guitar mounted in front of it. She examines the guitar before picking up the red yoyo atop the amp.
"And here you were worried about not being able to read my mind anymore."
She turns to him and gives him a quick, genuine smile before turning her attention back to the yoyo. "So, what's the soulmate secret? You really good with a yoyo?"
"What? No. I didn't even know that was in here," Steve says.
"I thought you knew the future," Robin teases as she gets the yoyo to successfully fling from her palm and back into her grasp. She makes a little pleased noise before she creeps around the room, gawking at all of Eddie's things.
"I know one, specific future that we are trying to change, if you'll remember. I didn't know you could yoyo."
"Neither did I- oh my God, there's an Alf costume in his closet!"
"A what- no, nevermind. You can snoop and-"
"I'm not a snoop."
"-and listen as the same time, so I just. I'm gonna say something and please know that I have had five years to figure this all out, and also know that the apocalypse has a way of putting things into perspective."
"Mhmm," Robin hums an acknowledgement as she moves back to where she picked up the yoyo. "Why does he have a pepper shaker in his room?"
Steve ignores her, choosing to believe that was just her thinking out loud and not actually asking him. "Actually, the apocalypse was full of surprises. And I mean, beyond the surprises one might expect. Like, so many of our old teachers are survival experts. Did you ever have Mr. Clark, that guy- wait, no. I had something I wanted to tell you."
The phone starts ringing in the living room. Nancy's out there, though, so neither of them move to the door.
"Anyway, this feels so... why am I so nervous about this? I mean, I've already told you once, but, uh, I. I'm a little worried, scared?"
"Hey, whoa," Robin has dropped her investigation and turned fully back to Steve. "What is it?"
"I like Eddie," Steve blurts, needing to get the words out. "I like Eddie, and I died so now I think this is my only shot, like last last shot but I don't even know if he'll still like me back and I'm, like, ridiculously nervous to see him because, and this is the soulmate secret part because-"
"Whoa, what, what!!? Did you just say died?"
"- you cannot tell anyone, but I'm the reason he's been in jail. I called Hawkins PD and told them where they could find Eddie, 'cause if he was in jail then he couldn't be blamed for Fred's murder, but I've never had to fess up to that because, like, Hawkins exploding and life becoming an actual nightmare for years made it not important. Like, what's a criminal record in the face of no surviving government?"
Robin is staring at him, eyes wide and face slightly pale and it's now that Steve thinks that, maybe, he's not doing as well with everything as he thought he might be.
"Am I... okay?" Steve asks himself out loud, and that has Robin throwing herself across the room to clutch at Steve, drag him into a crushing hug. He hugs back, trembling and finding it hard to breath.
"No, no I don't think you are," Robin whispers, squeezing tight.
"Hey, that was- oh!" Nancy says as she flings the bedroom door open. "Sorry. I didn't mean to interrupt-"
"It's just a hug," Robin says.
"Right. Umm, the phone was Officer Callahan. We can go pick up Eddie."
"Right," Steve says, pulling away from the hug and pulling himself together. He can have his mental break down tomorrow. "Let's go get Eddie."
Provided if that, this time when he closes his eyes to rest, he'll wake up here and not. Well, either in the future or not at all.
-
@i-less-than-three-you @nburkhardt @afewproblems @a-little-unsteddie @sevenmerrymagpies @steviesummer @queenie-ofthe-void @mycatsstolemybiscuit @lololol-1234 @synonym-for-strange @tchackdaw
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mutant-mayhem · 9 months
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if uou look at mutant mayhem or the rottmnt movie and still think they should make more live action tmnt do you even have eyes
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eir-trixa · 3 months
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One thing that gets me everytime is that Stoick would have absolutely LOVED Zephyr. And Nuffink of course but I have this weird feeling that he wouldve doted non stop on Zephyr specifically. She wouldve been spoiled rotten by her grandfather, taken everywhere on top of his shoulders or the crook of his elbow. He would be reading her stories before bed. He would have learned to braid her hair and sat down with her on tea parties. He wouldve gone with her troll hunting. He would be there for her and her brother in the way he never got to be with Hiccup because the times were different now and then. He would absolutely be her best friend and Im SAD they never got to meet.
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blighted-lights · 2 months
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reading through the first few issues of lost light through a decepticon perspective (fic research wahoo!) is sooo,,, i recommend everyone do it at least once. like ignore the cast on functionalist cybertron, ignore what's going on with lug and anode, even partially ignore the drama between cyclonus and tailgate (but not fully ignore them, they're important here).
focus on fangry and rapidfire and the handful of other decepticons we see. because having to get into their minds for a fic writing?? really helped me put together how like. fucked their situation was. maybe a meta post on this soon.
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quinnslogan · 9 months
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Okay maybe I’m late but I just realized in this scene quinn and logan are talking to eachother’s parents not their own that’s so adorable to me for some reason😭
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good-beans · 6 months
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YAMANAKA MY BELOVED
This message is just so special to me. It's insane that this project about black-and-white judgements and encouraging the public to inflict punishment/pain is meant to -- and succeeds at -- teaching people to be more understanding. Specifically, to be more forgiving to those around us.
(I know it's not limited to Milgram, any morally grey character can cause this, but still,) I've definitely caught myself withholding a knee-jerk anger at someone because I thought "hmm, this could be just like [prisoner] though..." And it's not to say these people should be looked on as wholly good! As he said, things are dark and grotesque, which is just the messy nature of humans. It's the fact that people can screw up and do awful things, but still deserve someone to take a moment to understand them and consider forgiveness.
There's another line where he's talking about how he sees the project as a work of art rather than any commercial thing he's producing, and it's true. It's painful and raw and sometimes ugly, but the effect that it has on people who appreciate his vision really is one of a work of art.
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elipheleh · 9 months
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TV & Satellite Week Magazine (issue 418) feature on Red, White & Royal Blue
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text under the cut, image by myself.
When Alex (Taylor Zakhar Perez), the son of US President Ellen Claremont (Uma Thurman), is invited to a royal wedding in Britain, he's expected to be on his best behaviour and be as diplomatic as possible. Unfortunately, things don't quite turn out that way...
Alex has an ongoing feud with Prince Henry (Nicholas Galitzine), which comes to a head when a fight between the pair causes the destruction of the very expensive wedding cake. To avoid a PR disaster, they are instructed to stage a high-profile friendship until the gossip dies down - but the campaign proves to be far more effective than either of them anticipated.
"In doing their damage control, they discover that they actually like each other -and love each other, says Matthew López, who directed and co-wrote this adaptation of Casey McQuiston's bestselling novel. ‘This was absolutely a passion project for me - I read the book, and it zoomed straight to the top of my "must-do" list. The idea of anybody else making this movie would have thrown me into fits of jealousy.’
López was acutely aware that the key to the film's success would be in casting lead actors with credible chemistry, and he was delighted that Zakhar Perez and Galitzine sparked together instantly.
‘The nightmare scenario for me was finding two perfect actors who did not gel at all’, says López. ‘But what was innate from the moment Taylor and Nick first met was that they played so incredibly well together.’
The two leads were equally keen to make their characters relationship evolve believably.
‘Nick and I felt a responsiblity to bring to life these sexual moments that are in the book in a real, grounded way’, says Zakhar Perez. ‘The intimate scenes were choreographed and specific when it came to whether it was a moment of passion, or a tender experience. In a relationship you go through different stages, and we got to explore those throughout the film.’
For Galitzine, another part of the appeal of the project was the chance to portray a character who was experiencing such an intense internal conflict.
‘Henry feels a very strong sense of duty, but he's completely in denial of his own feelings’, he says. ‘There's something very selfless, if not really heartbreaking, about that. He's in this totally solitary position of this role he was born into’.
In addition to Thurman as the US President, the film also features Stephen Fry in the role of Henry's grandfather, the British King- and López was delighted to have Fry on board.
‘Stephen took no convincing whatsoever, and that was such a happy thing for me’, says López. 'And it was really important to us to create a lot of daylight between the fictional royal family that features in the movie and the actual royals. These characters aren't the Windsors, they are completely made up. But when we had Stephen Fry walk on set that day as this fictional king, I think everybody in the cast and crew stood to attention!’
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