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Keep in mind that the press, media and paparazzi are only working to distort reality. Don't be silly and don't believe all this. They are 99%9 lying. What they say is not true. And with that, they ruin human lives and careers.
Give respect to this woderful honorable man because he deserves all respect.
The king of pop deserves all the respect.
• They say you get back what you give, but
unfortunately in this case it is not true at all. Unfortunately, Michael Jackson did not get back what he gave. He was always kind, respectful, devoted, kind, donating to everyone. Yet he did not get back the love and respec he gave.
Michael Jackson, The King of Pop, is not only the most wonderful man in the world, but also the most misunderstood man in the world. Thanks to press and the media, it was very misunderstood by the world. All sides of the press and media wrote and spread fictional dirty lies about him. And this wonderful man is judged by their filthy lies.
📹: Michael Jackson interview with Molly Adrum for "Hey Hey It's Saturdays" on November 19th 1996 in Brisbane, Australia 🇦🇺 during HIstory World Tour
After playing through Chapter 2 of the Imperial Agent a second time, I have some thoughts.
First: When are the castellan restraints applied to Cipher Nine?
Giver Watcher X's presence in the hallucinations, does it happen when Cipher Nine gets those implants on Nar Shaddaa? Kaliyo is in the room during the surgery, though, and the 'programming' seems to involve giving verbal suggestions, which would have been noticed.
Second: After playing through again I really cannot understand joining the SIS. I am in no way judging or criticizing anyone who does that with their agent. I'm just saying that I, personally, don't think I could ever take that path with mine. Everyone on the SIS team seems to know Cipher Nine's keyword, and they don't seem shy about using it. Yes, the Empire put the castellan restraints on Cipher in the first place, so they're not off the hook; their actions are fucked up and wrong. But from Ikina's POV (and mine), the SIS didn't scream out as being a lot better.
I think the ending where the agent can say "you are ALL assholes, fuck you Empire; fuck you Republic; I'm gone" and becomes a ghost who does not help either side is the most reasonable to me, given how much she's been screwed over by everyone.
And then we get to Keeper/Minister. Ikina was able to tell off the Minister for his actions but there was no reckoning for him in the end, and that bothered me quite a bit. Forget the warm and squishy "this is wrong" since we know the Empire isn't going to roll like that; let's look at it from an operational standpoint: by putting that conditioning into the Cipher, he let Ardun Kothe turn her into a puppet who could have hurt a lot of people within the Empire.
IMHO the Cipher should have had the opportunity to settle up with Keeper, either by killing him or putting him in jail or getting him removed for his actions.
Three: why didn't the companions know about the conditioning? There are scenes where the companions are escorted out of the room before the keyword is invoked, but on Taris, Hoth and Quesh, they're standing right next to the Cipher when the conditioning is used. Adrum Kothe and Chance use the holo, not the earpiece, so the companions could hear and see it. If you leave Chance to die, the agent can say something like, "LOL, you can't say the word, byyeeee!"
They're all bright people and they're all very observant. They would have been able to pick up on, "hmmm, they keep saying this long word that is completely irrelevant to the conversation, and the agent seems really docile afterward."
Happy Friday, Angel! This would be the second day of Valentines Day, so I should send you two sparkling earrings and a chocolate truffle in a cute box.
And do you know what I would do? I would, right away, get ready to go get my ears re-pierced! I unfortunately let them close up.. again 😭 I made the same mistake twice, in letting them close up in the back by not wearing studs to keep them open! But that aside, the gesture would move me to get them pierced again straight away. I would think about the love put behind this gift every time I'd feel them or get a glimpse of them in the mirror — an immediate smile on my face and a lasting happiness keeping my heart adrum. 💗 And as for the chocolate truffle and cute box, I would take it with me to my group therapy so I can top off my lunch with something special!! :D And I'd likely keep the box, I love collecting special stuff like that!
Well, you see, teres more to it than that. Several personality traits and interests were swapped around.
Tord is the drinker.
Tom leaves in 25ft under the seat.
Tom returns to get a robot. It’s not his, because Tord is still the inventor.
Tord is still kinda trigger happy.
Tom still hates Christmas.
Tord has adrum set name Lisbeth.
Tord likes classic rock.
Brothers Pat and Lolly Vasquez were born in Fresno, California. Boasting Yaqui, Shoshone, and Mexican blood, the duo reputedly worked in cotton fields and apricot orchards in the migrant camps surrounding Fresno. Developing as musicians at an early age, the brothers played with Canadian jazz pianist Oscar Peterson at the Monterey Jazz and Pop Festival before relocating to Los Angeles in 1963. Calling themselves the Avantis, the brothers attempted to cash in on the surf craze popularized by Jan and Dean and the Beach Boys, with such songs as "Gypsy Surfer" and "Wax 'em Down" on the Chancellor label, and "The Phantom Surfer" on the Regency label. The Avantis featured future Beach Boy drummer Mike Kowalski, and their recordings earned them an opening slot on a Beach Boys' tour. The Vasquez brothers also recorded the singles "Let's Go" as the Routers, "Surf Stomp" and "Batman" as the Mar-kets, and "Hotrodders' Choice," "Dawn Patrol," "Double A Fueller," and "Satan's Chariot" as the Deuce Coupes. The 1963 Deuce Coupes' sessions featured impressive session help from Glen Campbell, David Gates, and Leon Russell. In 1964 the Vasquez brothers recorded as the Sharks, releasing the singles "Big Surf" and "Robot Walk." By the time they had made a musical appearance in the film "It's a Bikini World" in 1965, they had changed their last name to Vegas. They also became members of the Shindigs, the house band on the hit television program Shindig, where they performed weekly with band members Leon Russell and Delaney Bramlett. During this period they also performed session work with pop duo Sonny and Cher, and provided instrumental support to Elvis Presley on the soundtrack to the film Kissin' Cousins. The brothers also managed a residency at the Los Angeles venue Haunted House, which prompted the release of their first full-length album, Pat and Lolly Vegas at the Haunted House, produced by Leon Russell and Snuff Garrett. They became soughtafter session musicians and song writers following their studio work on Dobie Gray's hit single "In Crowd" and the 1967 P.J. Proby single "Nicky Hoeky," which was also recorded by Bobbie Gentry and Duane Eddy. The Vegas brothers met guitarist Tony Bellamy, collaborated on Jim Ford album Harlan County, 1968; trio hired drummer Pete DePoe and signed band Redbone to Epic Records, 1969; released debut and second album, Redbone and Potlatch, 1970; released third album, Message from aDrum, featuring hit single "Witch Queen of New Orleans," 1972; Arturo Perez replaced drummer DePoe, 1972; Butch Rillera replaced Perez, 1973; released Wovoka, featuring single "Come and Get Your Love," 1973; released final studio album for CBS/Epic, Beaded Drums through Turquoise Eyes, 1974; released RCA debut, Cycles, 1977; group appeared as presenters at Native American Music Awards, 1998. Redbone was inducted into the Native American Music Association Hall of Fame in 2008.
All work must be original, in APA format & will be submitted to turn it in.Contact me on how to send any additional info wanted Due DATE 3/22/19 12Noon
All work must be original, in APA format & will be submitted to turn it in.Contact me on how to send any additional info wanted Due DATE 3/22/19 12Noon
All work must be original, in APA format & will be submitted to turn it in.Contact me on how to send any additional info wanted Due DATE 3/22/19 12Noon ;/* Version 206c403a1a532b310b15ea4509f4902b v:4.2.12.2, c:711231e92afdb6f13a297aa7d0ba9786b20dff5c, b:6872 n:24-4.2.12.next-build /(function(){new function(){if(!window.ADRUM&&!0!==window[“adrum-disable”]){var…
Agejdur A winnat , ma mazal tedder yemma-k , inas ad arnu akka akniwen am kečč, akken ad tt-wwet agejdur akken ilaq , imi as tesnegrem axxam, adrum d Tmurt; a win i beddlen adrum s weɣṛum.
sdjkfhdajh the other day my mom was watching sense 8 and there was this piano thing that literally made me stop in my tracks bc i was like IS THAT SEERS TOWER but then adrum beat kicked in and i was like nvm i guess its just similar but turns out its actually a remix
bir inancım yok ve gelecekte de olacağını sanmıyorum. Ama ateist de değilim. Seküler bir insanım. Ahlaklılık da diyebilirsiniz. Yaşamım boyunca, her zaman bilgi edindim fakat akılcılık, düşünce ve deneyimle. Mantıksal bir insanım ve sadece kendi deneyimlerime göre hareket ediyorum. Eğer metafiziğe girdiğim tek bir zaman dilimi varsa, o da Hikari ile geçirdiğim kırk dört yıldır. Onunla olan ilişkim ve müziğini anlamamla bunu gördüm
Kenzaburo Oe: “Romanlarımı bir konu hakkında ders vermek için yazmıyorum.”