Idea Factory‘s Otomate brand announced various new otome visual novels for Switch during its Dessert de Otomate 2023 event today.
Get the full roundup of announcements below.
New Titles
Radiant Tale: Fanfare! (Switch)
Genre: Radiant and smiling circus fantasy visual novel
Keywords: Main character design and chibi character drafts by Kagero Usaba, sub-character design and drafts by miko, main character drafts by Shuki, directed by Mizuki Mugino, and scenario supervision by Shinobu Iwata (TIS Creation).
Tagline: Walking with you, to the future and beyond.
Voice Cast: Yuuma Uchida, Junya Enoki, Yuuichirou Umehara, Youhei Azakami, and Nobuhiko Okamoto.
Summary: A fan disc of the May 2022-released Radiant Tale. Delivering smiling faces to everyone once more.
Official Twitter: @RT_x_info
https://www.youtube.com/watch?v=uvb-5Su9MSc
Hakuoki Shinkai: Manyou no Shou (Switch)
Genre: Otome visual novel
Keywords: Produced by Tsunekiyo Fujisawa.
Tagline: Those nostalgic memories, are resurrected here.
Voice Cast: Shin-ichiro Miki, Showtaro Morikubo, Kosuke Toriumi, Hiroyuki Yoshino, Kouji Yusa, Kenjiro Tsuda, Tomohiro Tsuboi, Nobuo Tobita, Suzuki Takayuki, Mamoru Miyano, Yuki Kaji, Daisuke Ono, and more.
Summary: A fan disc containing a number of spin-off stories and illustrations not included in the main story, such as a recollection of the events of Hakuoki: Zuisouroku.
Release Date: 2023
Official Website: otomate.jp
Official Twitter: @HakuokiShinkai
https://www.youtube.com/watch?v=3UHaHl-KBjc
Hakuoki: Sweet School Life for Nintendo Switch (Switch)
Genre: Sweet school life visual novel (otome visual novel)
Keywords: Produced by Tsunekiyo Fujisawa.
Tagline: Your school life together came with the cherry blossoms.
Voice Cast: Shinichiro Miki, Showtaro Morikubo, Kosuke Toriumi, Hiroyuki Yoshino, Kouji Yusa, Kenjiro Tsuda, and more.
Summary: A Switch port of the 2014-released Hakuoki: Sweet School Life. The setting shifts from the Bakumatsu period to a modern era school, where you can enjoy a cheerful and slightly heartrending love story.
Release Date: 2023
Official Website: otomate.jp
Official Twitter: @HakuokiShinkai
https://www.youtube.com/watch?v=3UHaHl-KBjc
Collar X Malice for Nintendo Switch Special BOX (Switch)
Genre: Love x suspense visual novel
Keywords: Collar X Malice: Deep Cover the Movie will be released in two parts. The first part will premiere on May 26, 2023, and the second on June 23, 2023.
Tagline: Bright ideals, formless justice—all leading to rebirth.
Voice Cast: Masakazu Morita, Yuki Kaji, Soma Saito, Daisuke Namikawa, Ryouhei Kimura, and more.
Summary: Includes the 2020-released Collar X Malice for Nintendo Switch, which depicts the love story between the protagonist—a rookie police officer—and the men hunting down the mysterious of a violent incident, and the fan disc containing episodes depicting the sequel and side stories of the lovers’ relationship, as well as interactions with the criminals.
Release Date: July 13, 2023
Official Website: otomate.jp
Official Twitter: @CM_otomate
https://www.youtube.com/watch?v=6h2O-eAn65o
Updates on Existing Titles
Cupid Parasite: Sweet & Spicy Darling (Switch)
Genre: Otome visual novel
Keywords: Directed by Fumiyoshi Tatematsu, original pictures by Yuuya, and scenario by Ririka Yoshimura.
Tagline: A sweeter, more stimulating newlywed and sweetheart life with the boys awaits.
Voice Cast: Ryouhei Kimura, KENN, Taku Yashiro, Junya Enoki, Makoto Furukawa, Nobuhiko Okamoto, Yuuto Uemura, and more.
Summary: A fan disc of the goddess / marriage hunting love comedy game Cupid Parasite. The story follows the good ending of the previous game. In addition to the hidden romanceable character Peter Flage (voiced by Nobuhiko Okamoto), Melenis Levin (voiced by Yuuto Uemura) of Fate Parasite appears as a newly romanceable character. Japanese band The Biscats will once again perform the opening and ending theme songs.
Release Date: 2023
Official Twitter: @CM_otomate
https://www.youtube.com/watch?v=D5KSYq3H7Ks
Alice in the Country of Spades: Wonderful Black World (Switch)
Genre: Romance visual novel in a hail of bullets
Keywords: Part two of the two-part Alice in the Country of Spades
Tagline: A mysterious country in a hail of bullets. How long do you think you will want to go home?
Voice Cast: Daisuke Hirakawa, Noriaki Sugiyama, Yuki Ono, Kazuya Nakai, Kazuyuki Okitsu, Kaito Ishikawa, Katsuyuki Konishi, Tsuguo Mogami, Taku Yashiro, Kouhei Amasaki, Kenjiro Tsuda, Shintarou Asanuma, Kouki Miyata, and Takehito Koyasu.
Summary: A sequel to the September 2021-released Alice in the Country of Spades: Wonderful White World. The opening movie and shop-specific bonuses have been newly revealed.
Release Date: August 3, 2023
Price: 7,480 yen for the standard edition, 9,680 yen for the special edition, 18,700 yen for the Otomate Sweet BOX, and 15,400 yen for the White & Black Edition
Official Website: otomate.jp
Official Twitter: @spadealice_info
https://www.youtube.com/watch?v=fDhTsDmTtz8
9 R.I.P. (Switch)
Genre: Strange and ridiculous love story
Keywords: Original pictures by Yuuya.
Tagline: A strange love story that begins after being spirited away…
Voice Cast: Toshiki Masuda, Shunichi Toki, Ryouta Suzuki, Tetsuya Kakihara, Nobuhiko Okamoto, Shinnosuke Tachibana, KENN, Youhei Azakami, and more.
Summary: A slightly strange omnibus romance visual novel that unfolds in various “other worlds.”
Release Date: 2023
Official Website: otomate.jp
Official Twitter: @9RIP_otomate
https://www.youtube.com/watch?v=_Uwdl0lfNb8
My9Swallows TOPSTARS LEAGUE (Switch)
Genre: A new and exciting romance visual novel about baseball and entertainment
Keywords: Tokyo Yakult Swallows
Summary: A new professional baseball league has been organized, and a team of newcomers who passed the Yakult team auditions is formed with the goal of making it the league championship. This is the story of the romance between the protagonist put in charge of the team, and the players on the team. The story summary, first characters, and stage portraits have been newly revealed.
Official Website: otomate.jp
Official Twitter: @My9_otomate
https://www.youtube.com/watch?v=f7tKwy_2R7c
Altergear Title #4 (Switch)
Keywords: Orignal pictures by Teita, scenario by Makoto Fukami, and directed by Asami Saitou.
Tagline: These are the bright “memories and truths (interrogation room)”
Summary: The fourth title from Otomate sister brand Altergear is now recruting staff. The title’s name, story, and characters will be announced at a later date.
https://www.youtube.com/watch?v=gzd-Ou58fE0
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The Great Thing About HNKNA Being An Otome Game
I had an epiphany a few months ago. I’ve talked before about how many pitfalls HNKNA experiences by nature of it being a dating simulator, and how a lot of the cooler parts of the story and lore are overshadowed by the core romance mechanic and how I’m not a big fan of it, blah blah. But I’ve also seen way too many modern Alice in Wonderland adaptations as a result of my ridiculously long-term Kuni no Alice hyperfixation, and allow me to say that there is one thing that it nails that nothing else can even come close to touching— Alice herself!
The Kuni no Alice series brings about what I think is the best modern interpretation of Alice I’ve yet to see in any media I’ve consumed. She’s quick-witted and brings the attitude, but she cares. Her reactions are realistically absurd and there are few moments throughout everything where she feels out of character or unrelatable. And I think the otome genre is crucial to why that is.
By nature, dating simulators don’t have strong protagonists. They’re supposed to be a blank canvas for the player to project onto to achieve their goals. Am I calling Alice flat? No, quite the opposite. Her story is set in a Victorian-inspired fantasy land with lots of guns and danger and a strict social structure, but it’s intended for a modern audience, and when connection with your protagonist is the key to connection with your story, a modern audience means a modern Alice.
The modern Alice is one of the hardest characters to write.
In most instances of an adapted, cool, edgy Alice in Wonderland, the most insufferable character on screen is, in fact, Alice. This is true of the Disney films, SyFy’s Alice special, Once Upon a Time in Wonderland, etc. More often than not, Alice Kingsleigh, Hamilton, whatever you want to call her, is a young adult frustrated by life in an oppressive society who will only accept her if she acts in a hyper-specific way, usually at the risk of being institutionalized should she fail to comply. She argues with her parents, who want her to get married, and all of this turns her into a spiteful girl who is always on the defensive.
It’s insufferable to watch.
The character of Alice is too often portrayed as relentlessly mean, but under the guise of empowerment. The audience is tired of weak-willed women, so the director hunches Alice’s dress up passed her ankles and gives her a sword, an attitude, and an ugly man to kiss without her parents’ involvement. Biologically engineered to shatter every well-known gender role established in Victorian England and basically nothing else, movies and TV deliver their “strong female protagonists” in the form of a curt, unchangingly rude version of Alice whose words and actions are supposed to be justified by her circumstances. And god, does it fucking suck!
You can't connect to this Alice, this armed and ready, sharp-tongued, "curiouser and curiouser" Alice who lives in a world that practically clears a narratively untouchable path to every foot she plans to step on. Personally, it leaves a bitter taste in my mouth. The misunderstood to confused, to disgruntled, to aggressive pipeline is overplayed to the point where the Alice of any and all modern interpretations has become, essentially, the same character, forced to loop the same 6 emotional plot points from now into eternity, no matter how many coats of science fiction you put over it.
(Yes, there is a part of me that understands this comes from the fact that Alice is most often written by money-hungry, corporate studios, led primarily by men, who do not understand feminine audiences, or how they want to see themselves represented in media. I get that. And Alice Liddell is not safe from that. But consider: she's my babygirl.)
Am I saying the character of Alice can't be mean, can't say fuck, can't have a sword? Of course not!!!! Give women swords!!! But I am saying that every time a director phones it in with that "Oh, I know that book" budget and gives a British blondie trust issues, a prophecy, and a quirked up, top hat-wearing sidekick to have unfulfilling sexual tension with, i lose my wings AND my marbles.
Enter: our Alice Liddell.
What do we have with her, really? Well, the protagonist of a mid-shelf otome game, which has sequels out the wazoo, a movie and 2 stage play runs, but still somehow only enough translated media to fill a single Barnes and Noble shopping basket about halfway. Thanks QuinRose.
But for real.
Alice Liddell is written, from the ground up, as an otome protagonist. As such, there are narrative must-haves that she can't shake. She needs to be relatable to the modern young adult, even if she's supposed to reflect the Victorian female experience. This would usually be the Achilles Heel of an adapted protagonist: you, the player, get to watch in horror as your favorite whimsical Main Girl is watered down into a bowl of nothing soup for the sake of projection and selling more copies of a game with eye candy catboys and toxicity glorification.
HOWEVER,
(stay seated girlies don't go yet)
This necessary mundanity that is baked into Alice's character, inseparable from her very being as the taste of weed in a brownie, is what singlehandedly saves this adaptation and makes her objectively the best. Unlike in a lot of cinematic adaptations, she's not meant to be the (failed) vehicle of a "deeper narrative" about the strength and roles of women in society. She doesn't exist for any higher purpose, she isn't the chosen one who will declare "Damn The Man" and force the world to listen.
Alice is a girl doing everything she can. She's experienced profound loss. She's self-deprecating. Snarky. She's been through break ups, gotten even with bullies, cuddled with her cat on a Sunday, everything that doesn't matter. The crux of her character is that she's been burned by life and love, yet she can't truly give up on them. Hers is a story of healing, of adaptation and getting back up when life kicks the shit out of you. No matter how sharply she speaks, Kuni no Alice's Alice almost always acts from a place of concern and love for others. She crucially never wields a weapon, reacting to the violence of Wonderland with that extremely jaded "holy fucking shit, what the fuck?" energy that I think any of us would bring to the table, given the circumstances. She's not her community's """lunatic,""" she's not sailing the high seas sideways, she's not on drugs, or destiny's favorite, or anything like that. She's new in town! She's sick of these people! She just wants to go home and read!
She's you. She's me. She's a clusterfuck of a damaged girl, trying to sort out what matters, find her passion and move forward without letting her past stray too far from memory. She's someone whose self-importance and perception by others is foreign to her. She wants to matter, wants not to be left alone by the people she loves, but god forbid she ever admit it.
QuinRose gives us Alice Liddell, suffering failgirl, not Alice Liddell, conceptual landmark, and that was the best possible route anyone could have taken with this character. Alice is the main character, but she is not a hero, and that's a fucking genius move.
thanks for coming to my ted talk. i love u alice.
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