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hotvintagepoll · 1 month

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FINAL POLL OF ROUND 1

Propaganda

Hedy Lamarr (Samson and Delilah, Ziegfeld Girl)—Look. I'm sure someone has already submitted Hedy Lamarr because she was spectacularly beautiful, and a very strong lady too: she fled both an abusive marriage AND nazi persecution at a very young age and rebuilt a life for herself pursuing her love for acting all on her own!! Her career as an actress was stellar; while she began acting outside of Hollywood (her very first movie, Ecstasy, won a prize at the Venice Film Festival), she conquered American hearts very quickly with her first movie in the US, Algiers, and then just kept getting better and better. If all this isn't enough, she was also an inventor: her invention of the frequency-hopping spread spectrum radio transmission technique forms the base of bluetooth and has a lot of applications in all kinds of communication technologies. I think that deserves a prize, don't you?

Sonja Henie (Thin Ice, Happy Landing)—no idea if she counts, she's a famous skater more than anything else, but count her for the lols and i'll send you some thin mints

This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut]

Hedy Lamarr:

The only person you can find both on the Hollywood Walk of Fame and in the Inventor's Hall of Fame--her radio-frequency-hopping technology forms the basis for cordless phones, wi-fi, and a dozen other aspects of modern life. She was also passionate in her efforts to aid the Allies in WWII (unsurprising for a Jewish-Austrian Emigree to America), and her name served as the backbone for one of the best running jokes in what is possibly Mel Brooks' best movie. Look, Louis B. Mayer apparently believed he could plausibly promote her as "The world's most beautiful woman". Is an entire website full of people going to be less audacious than one Louis B. Mayer? I didn't think so!

Described as "Hedy has the most incredible personal sophistication. She knows the peculiarly European art of being womanly; she knows what men want in a beautiful woman, what attracts them, and she forces herself to be these things. She has magnetism with warmth, something that neither Dietrich nor Garbo has managed to achieve" by Howard Sharpe, she managed to escape her controlling husband (and Nazi Germany) by a) Disguising as her maid and fleeing to Paris or b) Convincing the husband to let her wear all of her jewelry to a dinner, only to disappear afterwards. Also she was particularly clever and helped develop Frequency-Hopping Spread Spectrum (I can't really explain it but anyway...)

One of the most beautiful women ever in film, spoken by many critics and fans. Beautiful shapely figure, deeper seductive voice, and often played femme fatale roles. She was also brilliant and an inventor. Mainly self-taught, she invested her spare time, including on set between takes, in designing and drafting inventions, which included an improved traffic stoplight and a tablet that would dissolve in water to create a flavored carbonated drink, and much more.

Her depiction of Delilah and Samson and Delilah just lives rent free in my head. The woman was gorgeous.

Gorgeous and brilliant pioneer of modern technology and the middle part.

#sonja henie #hedy lamarr #hotvintagepoll #fuck that old woman #ladies 1 #ALL POSTS UP HOORAY

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safety-pin-punk · 23 days

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Punk History Resources: Vol 2

This is a compilation of resources found and recommended by various alternative bloggers, each of whom are credited for their contributions. This started because I was getting SO MANY asks about resources such as videos, books, and websites to use to learn about punk history. Admittedly, my own list wasn't that long, so I thought it was best to reach out to some others and share their knowledge with everyone. Now, I'm hoping to make this an annual occurrence, where we all share our knowledge with each other. So thank you again to everyone who helped out with this!!

Link to Volume 1

@whatamibutabutteredcroissant @unfriendlybat @ghost--in-a-machine @mushroomjar

YOUTUBE:

Part 1 of The Decline of Western Civilization (It recieved mixed reception from people in the scene) (whatamibutabutteredcroissant)

Part 3 of The Decline of Western Civilization (Focuses on the gutter-punks of 90s LA) (whatamibutabutteredcroissant)

BOOKS:

Some Wear Leather Some Wear Lace by Andi Harriman and Marloes Bontje (It's mostly goth/horror rock/post punk/deathrock but I feel like it's adjacent enough for it to merit a read) (unfriendlybat)

Spray Paint the Walls: The Story of Black Flag by Stevie Chick (whatamibutabutteredcroissant)

Kids of the Black Hole: Punk Rock in Postsuburban California by Dewar Macleod (whatamibutabutteredcroissant)

We Got the Neutron Bomb: The Untold Story of L.A. Punk by Marc Spitz and Brendan Mullen (whatamibutabutteredcroissant)

Left of The Dial: Conversations with Punk Icons by David Ensminger (whatamibutabutteredcroissant)

The Art of Darkness: The History of Goth by John Robb (A comprehensive history of Goth) (whatamibutabutteredcroissant)

Punk Zines by Eddie Piller and Steve Rowland (whatamibutabutteredcroissant)

The High Desert by James Spooner ( A graphic novel memoir of how the authro came into the scene) (ghost--in-a-machine)

Let Fury Have The Hour by Antonio D'Ambrosio (About the band The Clash) (anonymous submission)

MOVIES / DOCUMENTARIES:

Masque (A 10 minute doc about the Masque club in LA) (whatamibutabutteredcroissant)

ARTICLES:

History of Anarcho-Punk and Peace Punk (mushroomjar)

Late 80s and Early 90s Puerto Rico Hardcore Punk (mushroomjar)

The Jewish History of Punk (mushroomjar)

Japan's Impact on Punk Culture (mushroomjar)

The Forgotten Story of Pure Hell, America's First Black Punk Band (mushroomjar)

The Black Punk Pioneers Who Made Music History (mushroomjar)

Why Poly Styrene is Punk's Great Lost Icon (mushroomjar)

Alternative to Alternatives: The Black Grrrls Riot Ignored (mushroomjar)

Abandoning The Ear? Punk and Deaf Convergences Part II (mushroomjar)

Race, Anarchy, and Punk Rock: The Impact of Cultural Boundaries Within The Anarchist Movement (mushroomjar)

Street Medic Handbook (safety-pin-punk)

ZINES:

Sticking To It (safety-pin-punk)

So You Say You Want An Insurrection (safety-pin-punk)

All Power To The People (safety-pin-punk)

How to Survive a Felony Trial: Keeping Your Head up through the Worst of It (safety-pin-punk)

Collectives: Anarchy Against The Mass (safety-pin-punk)

Social War on Stolen Native Land: Anarchist Contributions (safety-pin-punk)

A Civilian's Guide to Direct Action (safety-pin-punk)

Critical Thinking as Anarchist Weapon (safety-pin-punk)

Security Culture: A Handbook for Activists (safety-pin-punk)

Betrayal: A Critical Analysis of Rape Culture in Anarchist Subcultures (safety-pin-punk)

ETC:

The Anarcho-Stencilism Subreddit (people upload stencils for others to use for free) (mushroomjar)

I would love to make a Vol. 3 post next year, so if you have resources and want to share, PLEASE message me!! (Preferably DMs)

#punk 101 #punk culture #punk history #punk #punx #punk resources #resource list

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crooked-wasteland · 5 months

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The rapresentation of abusers in helluva boss is something that particularly frustrates me, Stella in particular, it seems to be done just to victimaze certain characters not to show the complex dynamics of those relationships. It seems to me the writers aren't mature enough to handle these topics properly.

Abuse: The Heart of Vivienne Medrano

Christmas 1962, a man renowned the western world over for his revolutionary approach to animation sat in a withering melancholy as he watched what could only be called a cinematic masterpiece based on a novel classic. Walt Disney, now in the twilight years of his life, saw the walls closing in and his legacy coming to a close. This man, who pioneered the animated feature film, saw his greatest accomplishment as his greatest obstacle. The man responsible for the tales brought to life of Cinderella, Snow White, Pinocchio, and Dumbo felt trapped in his achievement. “I wish,” Walt lamented, “I could make a picture like that.”

To Kill a Mockingbird was a piece that challenged its audience. The discussion of a white man defending a black man in southern America, decades before the civil rights movement. The movement that, at the time the movie hit cinemas, was in its infancy. Released during the height of the historically revisionist counter movement taking place to combat the rising push of African Americans towards their human rights. The last film Walt Disney ever saw the production of before his death in 1966 was The Jungle Book, a movie that was the epitome of “Safe” and a message that upheld the status quo of segregation.

It wasn’t until 1972 that the media of animation became raucously adult with those political and challenging concepts Disney felt were unattainable. Fritz the Cat was an X-rated animated film composed of vignettes that were unapologetically perverse, violent, and aggressively political. Critical of politicians and the police with a sympathetic if exploitative lens towards the LGBT and racial minority communities Brooklyn-based director Ralph Bakshi grew up around. Bakshi proved that animation was not strictly a child-friendly media and that adult animation could be financially and critically successful.

(For more on Ralph Bakshi's career and animation history)

If one has ever had the opportunity to listen to a Brad Bird (director of Ratatouille and The Incredibles) interview, it is clear to see that the success of Bakshi was generally quite limited. That animation is considered a genre and not a medium of art has resulted in animated films being knee-capped in the box office. There is far more potential to animation, highlighted by Howard Ashton in his collaboration with Disney studios during the Renaissance. Responsible for resurrecting the feature-length animated movie through The Little Mermaid and credited for the monumental success of Best Picture Award winner Beauty and the Beast, Ashton once said that the potential animation was ideal for musical theatre. The limitless possibilities given the medium gave the possibility of introducing Broadway to the common folk who didn’t live in New York and otherwise couldn’t afford the theater. He was quoted saying that live action musical films were “an exercise in stupidity,” highlighting the freedom that comes with a blank page.

However, the success of animation, and media in general, comes down to the message the media wishes to send. The reason the Disney Renaissance films have enjoyed their position as cornerstones of pop culture and creativity was because it did introduce the artform of musical theater into homes and made them readily accessible to everyone with an even heightened sense of fantasy that revitalized Walt’s ethos of making films for the child in everyone.

With Bakshi, it was the loud and violently political message of a revolution taking place. This continues in adult animation with the Simpsons, a series critical of hyper-capitalist America and the fallout of Reagan’s economic disaster that the effects of which are still being felt today and a satire of toxic masculinity and abusive family dynamics.

So, ultimately, the value of a piece of media is a cross between its social artistic influence and the message the creators are intending to make. While Medrano’s influence on the field of indie animation is often mischaracterized as a “pioneer”, the fact is that indie animation and pilots have existed and been funded before Spindlehorse existed. It is simply that Medrano has had the spotlight handed to her for the myth surrounding the production and subsequent success of his indie projects. Artistically, her influence can be summarized as a double-edged sword. For some, she is the motivation for inspiring artists to connect with the community to one day, hopefully, create their own work. On the other hand, she is the cautionary tale of why investing in an indie project is a financial risk for an audience member and a risk to the community as a whole that poses a real danger of making the indie sphere financially cannibalistic, as her public persona is off-putting to “normies” and her show is simply not good.

Much like Disney, the man in 1962, and Disney the company circa 2023, the revolution of animating "because you can" loses its luster very quickly. Without something profound to say, an entire company, regardless of its social influence, can fade into irrelevance despite still being "successful". The story of Disney is a cautionary tale for Indie animation as a whole and Spindlehorse in specific.

And that is the other axis on this chart. Her narrative lacks a message worth telling, and that’s very much due to her not having anything worthwhile to say.

“I really liked when things and shows and stories allow the characters to be flawed, and allow them to grow and to change. And I think that’s something that’s, you know, the world is not black and white. And I like things that explore the gray and that and the complexity, of life and mistakes and of things like that.” - Vivienne Medrano

It is not for want of mockery that I carefully transcribe Medrano’s words in her interview. To read the words aloud tells the story just as clearly as I have set out to do here. This is someone who is highly inspired by better media, who has ideas and a belief that she has something to say. But that is where the belief ends. There is no conclusion to that thought any more than there is one in the unfocused and run-on sentences she rambles along throughout the interview. She talks of “Things” without clarity, because she herself is a fundamentally incurious individual who has never once spent the time critically analyzing herself, let alone the work of others to better grasp what about it resonated with her. She merely consumes art insatiably and without any substance. Like a diet of fruit, it has a superficial veneer of positive value. Fruit would be considered healthy as it is “natural”. However, it is the nutritional equivalent of candy, lacking vital components that are necessary to sustain basic life, it is pure sugar. Her work, similarly, lacks any value of depth that would qualify as meaning.

Which comes back to what the message is in her work.

When it comes to others in the field of indie animation, Medrano does not have many friends. In response to the Lackadaisy situation, creator Tracy explained why she returned Medrano’s donation. For one, the donation was not Medrano’s money, but money she crowd sourced from her employees. While the $5k for the producer spot of the fundraiser would have not been a dent in her personal wallet, Medrano is so uninterested in supporting fellow creators while presenting an impression of camaraderie that she instead took money from the people she is in charge of the paychecks for to get her name in the credits of another creator’s work. In regards to why Medrano was declined her support, it was due to numerous individuals who had such an awful experience working for Medrano that they did not want her involvement associated with the project to any extent. When the money was returned, she made the situation extremely public and encouraged harassment by liking tweets attacking Tracy and the Iron Circus team.

A well-known member of Medrano’s crew, Hunter B, was leaked speaking crassly of other animation projects that were still in the process of production, met with support from other members in the discord. One of these creators being Ashley Nicoles from Far-Fetched. A former friend and creative partner on the Hazbin Pilot whose podcast streams featuring Edward Bosco and Michael Kovach single-handedly maintained interest in the show until the winter of 2021, free of charge. Ashley once spoke of how Medrano would speak disparagingly of an employee to her, saying that this individual was “Too unstable to work with”. Which, regardless of whether or not that is Medrano’s honest opinion, counts as defamation by an employer. It is the exact reason why most previous employers will not give a negative, detailed review of a former employee, maintaining instead to verify facts of the employment. If Erin Frost was more experienced and less involved in social media exposed culture, they could have easily sued Medrano and Spindlehorse for damaging their reputation in their field of employment.

Which circles back to Medrano’s self-assigned message of her show:

“Abusers rely on your silence. They rely on knowing you can’t retaliate without consequence. That they can tell any lies and vague around without getting called out. But we see you, and you don’t have the power you think you do anymore. A message I put into my work. “Fuck you!” - Vivienne Medrano

Medrano, who has vague and sub tweeted individuals like Lackadaisy Tracy, The Diregentlemen, Michael Kovach, and Ashley Nicoles. Medrano who has instigated and incited harassment campaigns knowing that no one can call her out without severe and relentless backlash from her cultish fanbase that she personally encourages through positive reinforcement of liking the tweets of fans. Medrano who relies on the silence of other creators in the field due to the fear of her ire collapsing their projects before they even have a chance to begin.

Vivienne Medrano with an extensive abusive history that continues to this day, has something to say about abuse.

What Medrano has to say about abuse comes from someone who has the position of superiority in all of her relationships, but feels like she’s the outcast and bullied loser. Her self insert that is repeatedly expressed in every character at one point or another is how easily they abuse those around them just because they can, but that the narrative justifies their “acting out” because they are sad. According to the National Coalition Against Domestic Violence, “An abuser externalizes the causes of their behavior. They blame their violence on circumstances.”

Indeed, the lists of abusive characteristics and traits, according to the National Coalition Against Domestic Violence, overwhelmingly encompasses the characteristics shown by characters like Loona, Blitz and Stolas that Medrano repeatedly has attempted to rationalize, justify and minimize. Which, “An abuser often denies the existence or minimizes the seriousness of the violence [including emotional and mental abuse] and its effect on the victim and other family members.”

It is not surprising, then, that the conversation of abuse in Helluva Boss is often infuriating. The narrative underplays the harm done by characters we are supposed to see as “good”. Not allowing for them to grow or change, but ignoring and minimizing the behavior, justifying it through circumstances and perpetuating the false belief that victims are not, themselves, abusers.

One of the first blog post rants I ever made about mental health and abuse was the affirmation that not all victims of abuse are survivors. I wholly stand by that. Victims of abuse perpetuate abuse. A victim and an abuser are one in the same, whereas a survivor is someone who has actually done the difficult work of being self-critical. And the one thing we all are very aware of is how much Vivienne Medrano rejects criticism.

#helluva boss critical #helluva boss criticism #helluva boss critique #vivienne medrano #vivziepop #vivziepop critical #spindlehorse critical #spindlehorse criticism #vivziepop criticism #helluva boss #perpetuating abuse #narcissistic abuse #abuse breeds abuse #essay writing

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manga-and-stuff · 7 months

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Spy x Family and famous furniture, Volumes 1-3.

All the covers of the Spy x Family manga feature rather famous mid-century furniture.

Volume one: LC2 Chair by Le Corbusier

Le Corbusier was a very famous Swiss-French architect, designer, painter, urban planner and writer, who was one of the pioneers of what is now regarded as modern architecture.

If you have even a passing interest in architecture, you've probably seen Villa Savoye, which he designed.

Volume two: Marshmallow Sofa by George Nelson

George Nelson was an American industrial designer. He was the lead designer for the Herman Miller furniture company, which is largely responsible for the typical image most people have of 50s America furniture.

Volume three: "Eames La Chaise" by Charles and Ray Eames

Charles Eames and Ray Eames were an American married couple of industrial designers who formed the Eames Office, which also worked with Herman Miller furniture company. They also worked in the fields of industrial and graphic design, fine art, and film.

Their most famous creation is probably their Lounge chair and ottoman:

#SPY X FAMILY #spyxfamily #Tatsuya Endo #Manga and Stuff #Mangacap #Manga #Art #design #furniture #architecture #Manga and stuff nerding out about stuff #probably goes without saying but all of these are insanley expensive #just the lounge chair and ottoman cost $2500 back in the day adjusted for inflation and they go for $5000-$6000 nowadays

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ifuckinglovedinosaurssomuchjesus · 6 months

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On the subject of Dinosaur Documentaries...

So Life On Our Planet dropped a few days ago, another installment of this seeming boom of these kind of shows since Prehistoric Planet last year, and it got me thinking about this whole little niche genre.

The very first "Paleodoc" was released in 1922, made by the Carnegie Museum of Natural History to educate museum goers on how the fossils they saw were collected and prepared. This began the format I like to call the "Talking Heads" Paleodoc which is mainly in the form of interviews or narration over actual footage of Paleontologists at work with the occasional "Live" Dinosaur for visual aid. These are by far the most common form of dinosaur documentary you'll find, even today, mainly because they're cheap to produce and fit in the general style of most science documentaries.

For many decades throughout the 20th century, Paleodocs were pretty rare. They would pop up time to time, and with the sudden influx of attention they got after Jurassic Park, we got some really good ones. Yet they were all the same Talking Head types. What really changed the game was the good ol Magnum Opus of the field: Walking With Dinosaurs.

WWD pioneered the second type of Paleodoc I believe to exist, which are the "In Their World" Paleodocs. These are different in the fact they focus almost entirely on the live visual aids, with the human presence being limited to narration or brief pauses for context. They're meant to simulate the modern nature documentary, like Planet Earth, that focus more on showcasing animal behavior with state of the art filming techniques than being a source of in-depth science.

The success of WWD cannot be overstated, and I have to say I do find the In Their World format a lot more engaging and easier to connect with. They portray the wonder of prehistory spectacularly, letting audiences get emotionally connected in the animal characters the story creates, even if this has lead to criticisms of anthropomorphism. These programs also almost always use real footage of modern day earth for their prehistoric creatures to roam on, which I'm sure is very sad for the people who want to see their favorite dead plants on screen.

The Walking With... series would expand into sequels and spin-offs and Nigel Marven, and other companies like Discovery would jump on the bandwagon and release their own takes on the concept, but by the mid 2010s the format had basically died out. We'd get one or In Their World style doc every few years until we just didn't get anything. Outside of the occasional TV special that reused When Dinosaurs Roamed America footage, it was empty.

It took until Disney's Live Action remake of The Lion King of all things for that pendulum to start swinging again. Seeing those expressionless CGI cats got Jon Favreau thinking about how he could use this technology and the talented people behind it to make something really cool, and we got Prehistoric Planet.

And, in a repeat of Walking With Dinosaurs, we're seeing more of these In Their World type shows. The original guys behind WWD are even making a comeback with their own series, Surviving Earth. Plus even more little hints and rumors of massive incoming projects from overexcited paleontologists trying not to break their embargo.

It looks like the 2020s will be another resurgence in these types of spectacle Paleodocs, and while a good ol Talking Head will always be there, I can't help but get excited for these animated spectacles and all the weird and wonderful ways they flash those visual aids across our TV screens.

#dinosaur #prehistoric planet #life on our planet #media #so much musings

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tani-b-art · 25 days

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“This ain’t a Country album. This is a “Beyoncé” album.”

I understand why she said this! Because the way it seems she created a completely new genre with ‘Cowboy Carter’! The Country is there (and all the elements) and there’s some Blues, Folk, Soul, Zydeco, Bluegrass, a lil Rock, Gospel and Opera and then some (all genres with Black (Black) American origins). Almost like she opened a new sonic portal while helping to reclaim the genre made by Black Americans.

First off — the album cover art. She pays homage to a long-standing Black American Southern tradition of Houston rodeo and rodeo queens. Carrying our country’s flag…the imagery is signifying to her being a Black American woman. Who she is.

The album cover alone set the tone for what she presented with act ii. [and the photographer is Blair Caldwell, a fellow Black Texan, who has such an eye for capturing beauty. all his photographs are visually pleasing].

[Even the promo - the track list design is a nod & historical reference to Black American culture via The Chitlin Circuit promotional posters. I love it. Made my little graphic art heart smile. The nostalgia of it.]

From the opening track title and lyrics and later on within other songs, she wove her ancestral claiming to America with so much pride. Pride for our country and our flag that we absolutely should have.

Then to have Ms. Linda Martell, the trailblazing Black pioneer & legend in the genre who broke many barriers, be a part of this album was so reverent. (Especially her spoken word throughout that spoke to the way that she and Beyoncé have had to navigate this music industry. When their presence wasn’t well-received, in the very genre we created, they set out to move in a “non-traditional” way). They themselves are the embodiment of unconventional. Ms. Martell rightfully receiving her flowers at the golden age of 82 is harmonious!

Every part of act ii has made people research and discover. The same way act i did. Gotta love a good educational experience through music. (btw—the mention of Zydeco had me hyped).

Having Rhiannon Giddens on instrumentation (along with other background Black musicians and I’m sure Black vocalists) and sharing this musical journey with Tanner Adell, Brittney Spencer, Tiera Kennedy, Reyna Roberts, Willie Jones and Shaboozey — other young Black women and Black men in the genre…all of this Black fellowship made me so happy.

Just sooo much honoring throughout it all. Lots of love poured into it.

Everything is resonate. Connecting. With purpose.

Her voice, her musicality, the note choices, the lyrics, the song titles and the spelling of them, the arrangements.

It’s fun and beautiful.

It sounds amazing.

A beautiful tribute to her roots.

Bravo Beyoncé!

#Beyoncé #Cowboy Carter #Linda Martell #Tanner Adell #Brittney Spencer #Tiera Kennedy #Reyna Roberts #Willie Jones #Shaboozey #Blair Caldwell #Black music #Black culture #Black American culture #Black American music #country music #go stream Cowboy Carter #go buy Cowboy Carter #and go stream and buy all the artists she featured

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radiofreederry · 1 year

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Happy birthday, Bertolt Brecht! (February 10, 1898)

A tremendously important playwright and poet, Bertolt Brecht is best known as the father of epic theatre. Born in Augsburg, Bavaria to a middle class family. He turned to radical politics as a student, nearly being expelled for his strident anti-militarism in the midst of World War I. During the years of the Weimar Republic, Brecht familiarized himself with Marxism and wrote a number of agitprop plays supportive of communism and the Soviet Union. Brecht helped to pioneer the epic theatre movement, noted for its emphasis on promoting self-reflection and critical analysis. His most famous play, The Threepenny Opera, which he wrote with Kurt Weill, satirizes capitalist society through the lens of an adaptation of the classic Beggar's Opera. Fleeing Nazi Germamy in 1933, he eventually came to America, where he worked until the Red Scare blacklisted him. Afterwards, he made his way to East Germany. He died in 1956.

"Art is not a mirror held up to reality but a hammer with which to shape it."

#birthdays #bertolt brecht

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arthistoryanimalia · 1 year

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Today is #AudubonDay, commemorating pioneering naturalist and artist John James Audubon who was born #OTD (26 April 1785 - 27 January 1851). I put together this overview of the 5 now extinct and 3 other possibly extinct birds whose images are recorded in The Birds of America for the blog:

Plate 26: Carolina Parrot, 1827 (Carolina Parakeet, Conuropsis carolinensis) Plate 62: Passenger Pigeon, 1829 (Passenger Pigeon, Ectopistes migratorius) Plate 66: Ivory-billed Woodpecker, 1829 (Ivory-billed Woodpecker, Campephilus principalis) Plate: 185: Bachman’s Warbler, 1834 Bachman’s Warbler, Vermivora bachmanii) Plate 186: Pinnated Grous, 1834 (Heath Hen, Tympanuchus cupido cupido) Plate 208: Esquimaux Curlew, 1834 (Eskimo Curlew, Numenius borealis) Plate 332: Pied Duck, 1836 (Labrador Duck, Camptorhynchus labradorius) Plate 341: Great Auk, 1836 (Great Auk, Pinguinus impennis)

All plate images courtesy of the John James Audubon Center at Mill Grove, Montgomery County Audubon Collection, and Zebra Publishing. The entire digitized collection is available for viewing and downloading here.

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colleendoran · 1 year

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MOCCA Arts Festival

Announcing the 2023 MoCCA Arts Festival Featured Guests

The Society of Illustrators is proud to share a list of Featured Guests who will appear at the MoCCA Arts Festival, taking place April 1 - 2, 2023 from 11:00AM - 7:00PM on Saturday and 11:00AM - 6:00PM on Sunday. The Exhibitor Hall will be held at Met Pavilion, a spacious venue nestled in the heart of the Chelsea neighborhood, and is within walking distance to many great restaurants and attractions. Programming will be a few steps away at the SVA Flatiron Gallery, located at 133 West 21st Street.

Maia Kobabe is the author of Gender Queer (Oni Press), a critically acclaimed Young Adult graphic memoir that has also been named a Stonewall Honor book. Gender Queer was also ranked by the American Library Association as the most frequently banned or challenged book in the United States in 2021. Kobabe will talk about eir work in a special spotlight session moderated by Michele Kirichanskaya and will also participate in a panel on comics and censorship hosted by PEN America’s Jonathan Friedman.

In her career, Colleen Doran has written and drawn the long-running creator-owned series A Distant Soil and has worked on titles including Wonder Woman, Amazing Spider-Man, and many others. Her body of work includes a series of collaborations with writer Neil Gaiman which are the subject of the exhibit “Colleen Doran Illustrates Neil Gaiman,” running from March 22nd to July 29th at the Society of Illustrators. She will appear in conversation with Gaiman to discuss their comics collaborations and her overall body of work in a special programming event moderated by exhibition curator Kim Munson.

Barbara Brandon-Croft became the first Black woman to write and draw a nationally syndicated comic strip when Where I’m Coming From debuted in American newspapers in 1991. Featuring a cast of nine women of color commenting insightfully on current events, her groundbreaking comic strip has now been anthologized in a book edition from Drawn and Quarterly. Brandon-Croft will talk about her trailblazing work in a special spotlight session.

Other featured artists at this year’s festival will include:

Kim Deitch, a pioneering underground comix artist who began publishing comics in the East Village Other in 1967 and whose most recent graphic novel, Reincarnation Stories (Fantagraphics) was published to critical acclaim in 2019.

Drew Friedman, whose most recent book of portraiture, Maverix and Lunatix (Fantagraphics), celebrates the artists of the underground comix generation

Miriam Katin, whose out-of-print graphic memoir of escaping the Holocaust as a child refugee accompanied by her mother, We Are On Our Own (Drawn & Quarterly), will be republished in a forthcoming paperback edition.

Toma Vagner, the award-winning illustrator who designed this year’s MoCCA key image and has produced striking graphics for clients including Harry Styles, Google, The New York Times, Bloomberg, and The New Yorker.

Noah Van Sciver, whose body of graphic novels includes Joseph Smith and the Mormons (Abrams ComicArts), Fante Bukowski (Fantagraphics Books), and the forthcoming comic book series Maple Terrace (Uncivilized Books).

These and other Featured Artists will participate in programming and signings, schedules for which will be announced in the coming days and weeks. A full list of exhibiting artists can be found on the MoCCA Arts website.

About the Museum of Illustration at the Society of Illustrators and the MoCCA Arts Festival

Founded in 1901, the Society of Illustrators and its Museum of Illustration together comprise America’s longest-standing nonprofit organization dedicated to the art of illustration. The mission of SI/MI is to promote the art and appreciation of illustration and its history and evolving nature through exhibitions and educational programs.

The MoCCA Arts Festival is a 2-day multimedia event, Manhattan’s largest independent comics and cartoon festival, drawing over 7,000 attendees each year. With over 500 exhibiting artists displaying their work, award-winning honorees speaking about their careers and artistic processes and other featured artists conducting demos, lectures and panels, our Festival mission accelerates the advancement of the Society’s broader mission to serve as Manhattan’s singular cultural institution promoting all genres of illustration through exhibitions, programs and art education.

The Society will continue to release additional information about the Fest in the near future. Tickets are available to purchase online as well as at the door. The Society is following all state and city safety protocols. Protocols are subject to change, so be sure to check back for the latest information. As of now, face coverings are optional at Metropolitan Pavilion and the Exhibitor Hall. Proof of vaccines, boosters and masks are required to enter SVA buildings and programming.

To learn more about the Fest, please visit the website.

For media inquiries please contact:

Kate Feirtag

Director of Communications and External Relations

[email protected]

#exhibits #personal appearance #neilgaiman #neil gaiman #MOCCA #maia kobabe #drew friedman #society of illustrators

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barry-kent-mackay · 2 years

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In May 2022, I came into contact with Barry Kent MacKay when I reached out to ask for permission to use his art in a project. I never could have anticipated that within just a few months, I would have exchanged over a hundred emails.

We talk about birds. We talk about life. We talk about his late mother, his favorite artists that inspired him, our struggles, our joys.

He has been painting since the 1960s, and his work is breathtakingly gorgeous, often life size, including oils, watercolors, and acrylics. He's also sent ink and pen sketches, not available online, and I cherish each one like a special gift.

I am running this blog with his permission, because I want to try to give something back to him, to bring attention to his art, to share his knowledge and his passion, and maybe alleviate some of the burden that capitalism puts on people whose passion isn't always profitable.

Prints and originals of Barry's work can be purchased from Fine Art America. I own one of his originals myself, and can speak firsthand about the beauty of his art in person. If you do buy a print, please take a pic and tag this account!

I have also put together a Ko-Fi for him, and to be completely transparent: it is connected to his PayPal, not mine. Any and all Ko-Fi donations go straight to Barry.

Please follow, reblog, and feel completely free to engage. Barry has full access to everything. And if you like, ask Barry a question — about his art, birds, cormorants, his mother who pioneered wildlife rehabilitation, his work as an animal activist... I know he'd love to answer any questions you might have!

— Kristen

#barry kent mackay #birds #birblr #intro post #artist #wildlife art #bird art

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satoshi-mochida · 10 months

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Clock Tower ‘Port+’ announced for PS5, Xbox Series, PS4, Xbox One, Switch, and PC

Gematsu Source

Publishers WayForward and Limited Run Games have announced an enhanced version of Super Famicom survival horror game Clock Tower for PlayStation 5, Xbox Series, PlayStation 4, Xbox One, Switch, and PC (Steam). It will launch in early 2024 with support for English, Japanese, French, Italian, German, and Spanish language support.

Here is an overview of the game, via WayForward:

About

This enhanced version of the original 16-bit Clock Tower marks the first time this terrifying initial adventure in the popular horror series will officially be translated and released in North America and Europe.

Originally released on Super Famicom in 1995 in Japan, Clock Tower traps players in the haunting confines of the Barrows family manor, where they’ll be pursued by Scissorman, a murderous, shears-wielding psychopath. As teenage orphan Jennifer Simpson, players will use a point-and-click interface to explore the mansion and search every disturbing corner to find items, reveal secrets, and discover ways to survive Scissorman’s assaults. Without any offensive capabilities, Jennifer must rely on her wits and resourcefulness if she has any hope of escaping with her life and earning one of the game’s multiple endings. A tense atmosphere, chilling sound effects, detailed 2D animations, and randomized elements to maximize replayability demonstrate why Clock Tower is considered a groundbreaking pioneer in the survival-horror genre.

Harnessing the power of Limited Run Games’ Carbon Engine, this new edition of Clock Tower retains the authentic gameplay, graphics, and sound of the original version while also adding modern features and enhancements. These include a new vocal theme song performed by Mary McGlynn (Silent Hill series), a new animated opening, motion-comic cutscenes before and after the game, a bonus art gallery, border artwork, save states, multiple language options, and more.

Clock Tower will be published digitally in North America and Europe by WayForward, followed by a physical version that will be offered on select platforms by Limited Run Games. Further details, including information on the physical preorder window, will be announced at a later date. For the latest news, please visit www.wayforward.com and www.limitedrungames.com, and follow @wayforward and @limitedrungames on social media.

Key Features

A survival-horror classic, officially translated and brought out of Japan for the first time.

Run, hide, and survive as you attempt to evade the psychotic Scissorman.

Atmospheric 2D art, detailed animations, and haunting sound effects.

Multiple endings and randomized gameplay elements maximize replayability (and jump scares).

New animated opening, motion-comic cutscenes, and vocal theme song performed by Mary McGlynn.

Art gallery, save states, and other modern enhancements.

Watch the announcement trailer below. View a set of screenshots at the gallery.

Announce Trailer

youtube

#Clock Tower 1 #Clock Tower #WayForward #Limited Run Games #Horror game #Gematsu #Heck yeah

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hotvintagepoll · 5 days

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Propaganda

Gina Lollobrigida (Solomon and Sheba, The Hunchback of Notre Dame)— One of the highest profile movie stars in Europe across the 50s and 60s. International sex symbol. Starring in European and American movies. She appeared in movies alongside Hollywood stars such as Humphrey Bogart and Rock Hudson. Was in 54 movies by 1970. A MOVIE STAR in every essence. Has a star on the Hollywood Walk of Fame. Won three David di Donatello, a Golden Globe two Nastro d'Argento, and six Bambi awards. And nominated for more.

This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Hedy Lamarr:

Her depiction of Delilah and Samson and Delilah just lives rent free in my head. The woman was gorgeous.

Gorgeous and brilliant pioneer of modern technology and the middle part.

Gina Lollobrigida:

She was an international sex symbol once dubbed as The Most Beautiful Woman In The World. She acted in films in both Italy and France before starring in Beat The Devil with Humphrey Bogart. When portraying soprano Lina Cavalieri, she sang all of the songs in her own voice. This role won her the very first David di Donatello Award for Best Actress, Italy's academy awards.

She was one of the highest-profile European actresses of the 1950s and 1960s, a period in which she was an international sex symbol. Humphrey Bogart once said of her: "She makes Marilyn Monroe look like Shirley Temple."

Literally starred in a movie called "The Most Beautiful Woman in the World". I rest my case.

#gina lollobrigida #hedy lamarr #hotvintagepoll #ladies 4 #fuck that old woman

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fibula-rasa · 3 months

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Lost, but Not Forgotten: The Dancer of the Nile (1923)

Alternate Titles: Tut-ankh-amen, Tutankhamen of Luxor

Direction: William P.S. Earle

Scenario: William P.S. Earle

Original Story: Blanche Taylor Earle

Production Manager: Dick L’Estrange

Camera: Jules Cronjager & Joe Goodrich (assistant)

Scenic Artist: Xavier Mochado

Set Designer: Paul Dodge

Technical Advisor: Capt. Dudley S. Corlette

Studio: William P.S. Earle Pictures Corporation (Production) & Film Booking Offices of America (F.B.O.) (Distribution)

Performers: Carmel Myers, Bertram Thomas Grassby, Malcolm McGregor, Anthony Merlo, Sam de Grasse, Iris Ashton, June Elvidge, Paul Weigel, Howard Gaye, Mother/Nellie Anderson, Beatrice Marsh, & Earle Marsh

Premiere: 12 October 1923, Loew’s New York, New York, NY

Status: presumed entirely lost

Length: 6 reels, 5,787 feet

Synopsis (synthesized from magazine summaries of the plot):

Princess Ankhnespaton [sic] (June Elvidge), daughter of King Akhnaton [sic] (Howard Gaye), has a run in with a band of thieves while traveling. Prince Karmit (Malcolm McGregor) of Syria arrives, disguised as a merchant, and saves the princess. The princess becomes enamored with Karmit and invites him back to the royal residence in Thebes.

While visiting the royal gardens, Karmit encounters a dancer, Arvia (Carmel Myers). He is instantly smitten. The princess is furious that Karmit has rebuffed her for a mere dancer.

Meanwhile, tension between those loyal to the king and those loyal to the old gods erupt when the seasonal flooding of the Nile river doesn’t occur. The princess finds in this situation an opportunity to get her revenge on Arvia.

The princess decrees that Arvia will be offered as a human sacrifice to the god Sobek, in order that the Nile will rise as expected. Arvia is adorned with a poisoned amulet to knock her out while she is fed to the crocodiles.

In an unexpected turn of events, the high priest Pasheri (Sam De Grasse) discovers that the intended sacrifice is his own daughter. Pasheri sneaks into the chamber where Arvia is to be sacrificed and saves her at the last moment.

With Pasheri’s aid, Karmit whisks Arvia away. As the Nile rises, the new couple sail away to Karmit’s kingdom to live happily ever after.

The princess goes on to marry Prince Tutankhamen (Bertram Grassby). And, after the death of her father Prince Tut will become King Tut.

Additional sequence(s) featured in the film (but I’m not sure where they fit in the continuity):

The Temple of Amun-Re is also depicted in the film.

Points of Interest:

While many contemporary reviewers of The Dancer of the Nile (DotN) didn’t mark it as an especially good film, props were given for the artistic effects achieved by Director Earle. Earle and his brother, Ferdinand Pinney Earle, were both pioneers of the era in special effects.

Ferdinand was a painter who contributed matte paintings and art titles to many films of the 1910s and 1920s. While William was primarily a director, both brothers ambitiously created films that were on the cutting edge in regard to techniques of incorporating matte paintings with live actors/studio-shot footage.

For William, it was DotN, and for Ferdinand it was A Lover’s Oath (1920/1925, presumed lost save for a few fragments), which was an adaptation of Omar Khayyam’s Rubaiyat. (ATM, I’m planning on doing the next installment of this series on this film!)

(Explanatory note: One technique at use here involves double exposure. Part of the frame is obscured while filming, leaving the obscured part of the film unexposed. The film is then rewound, with the exposed part of the film obscured, to film another element. The final result is, hopefully, a cohesive sequence.

Another technique is shooting through painted glass, which, if painted and lit correctly, results in the painting and the scene occurring behind it appearing as a singular space.

For example, a fully painted environment with live actors moving across the scene. In DotN, there is at least one scene where a live actress ascends a set of stairs, which is a painting. These techniques require an amazing amount of precision, but when done right they can be really dazzling. The double-exposure matting technique has persisted through most of film history, albeit rarely at the scale the Earle brothers were using it!

Below is an illustration of how a moving version of matte photography works from a 1926 issue of Photoplay, followed by some stills from DotN that used the multiple-exposure technique.

I have a few posts coming up that go into more detail on how special effects were executed in films of the 1920s!)

William P.S. Earle’s focus on the artistic elements without much regard for story or characterization may have left many critics cold, but DotN did prove to be a lasting attraction, running in theatres around the world for years following its release. DotN was produced hot on the heels of the discovery of Tutankhamen’s tomb in 1922 in Luxor, which launched a new wave of Egyptomania. On one hand, Earle was cashing in on a trend, but on the other, he took the opportunity offered by assured profitability to experiment. In addition to the special effects discussed above, Earle attempted to capture as much period accuracy as possible in the painted settings, props, and costumes. Balancing historical accuracy with perceived “authenticity” in period art is exceedingly difficult—Earle seemingly had mixed success. However, one contemporary review in the magazine Art and Archaeology by Dudley S. Corlett (also the film’s technical advisor) is highly complementary of DotN’s attention to historical and artistic detail. [You can find the review in the transcription section!]

After Earle had more or less finished DotN, F.B.O. bought “Tut-ankh-amen” for distribution. F.B.O. financed reshoots that shifted the narrative away from Tut and towards Arvia, the dancer—hence the title change. I guess F.B.O. believed that cashing in on the trend of movies about dancers would be more lucrative than cashing in on Tut-mania!

☕Appreciate my work? Buy me a coffee! ☕

---

Transcribed Sources & Annotations over on the WMM Blog!

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pagansphinx · 1 month

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Women's History Month

Harriet Hosmer (American, 1830-1908)

Oenone • 1854–55 • Marble • Kemper Art Museum, Washington University, St. Louis, Missouri

Harriet Hosmer was a neoclassical sculptor, considered the most distinguished female sculptor in America during the 19th century. She is known as the first female professional sculptor. Among other technical innovations, she pioneered a process for turning limestone into marble. Hosmer once lived in an expatriate colony in Rome, befriending many prominent writers and artists.

– Wikipedia

#art #fine art #sculpture #marble sculpture #harriet hosmer #woman artist #woman sculptor #american sculptor #women's history month #art history #19th century american art #queer artist #lgbtq artist #pagan sphinx art blog #art blogs on tumblr #art lovers on tumblr

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fashionsfromhistory · 2 years

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"The Rice Bowl Dress" Carolyn Schnurer

1952

During her twenty-year career in fashion, from 1944 to 1964, Carolyn Schnurer (1908-1998) was a pioneer in the newly emerging American sportswear industry. Directing her designs toward young active women, Schnurer developed coordinates and dresses that were unfussy, required minimal foundation garments and could be worn for a variety of occasions. Particularly renowned for her culturally-inspired resort collections, rather than a blatantly costumed appearance, Schnurer's designs maintained a classic American silhouette while incorporating the cultural theme in fabric selection or construction detail.

For her "Flight to Japan" collection, Schnurer adapted elements of Japanese costumes and textiles, as well as architecture and decorative arts. In this example, the neckline, inspired by a reversed kimono, emphasizes the wearer's collar bones and delicately frames the face. The geometric textile pattern is inspired by sekkazome paper (meaning snow flower or snowflake dyeing), a technique in which mulberry paper is accordion pleated, folded into various patterns and dip dyed. The skirt, which is vertically boned, was inspired by Japanese oilcloth parasols. This effect creates a graceful A-line silhouette and was a practical alternative to the cumbersome crinoline petticoats prevalent in the early 1950s.

The MET (Accession Number: 2009.300.155)

Currently on view: In America: An Anthology of Fashion

#day dress #fashion history #vintage fashion #carolyn schnurer #1950s #20th century #1952 #green #cotton #united states #the met #popular

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wyrmfedgrave · 2 months

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Pics: Inspiring HPL.

1. Irvin S. Cobb - American writer, editor, humorist & columnist hailing from Paducah, Kentucky¹.

He was the highest paid staff reporter on the NY World newspaper².

Irvin would write 60+ books & around 300 short stories.

Some of which were adapted into silent movies. And, 2 of his later tales were actually filmed, by the famed John Ford³, during the 1930s!

2. Cobb's "dark side" (horror works) of the otherwise lighthearted comedian & the story in question.

3 & 4. Comedic frontpieces(?) for books by Cobb. The 2nd even boasts an Abraham Lincoln quote!

5. Cover to Cobb's collection of other authors's short horror tales.

6. Inside art from Fishhead's ending...

1913 Addendum -

Intro: Irvin Cobb's infamous short story "Fishhead" is set in the back- wood bayous of the vast Reelfoot Lake⁴.

Plot: The tale concerns the murder of a local outcast freak by "poor whites."

With its surprise Jaws⁵-like ending, this gruesome work reminds readers of an issue of EC comics⁶!

Criticism: Lovecraft lauded Cobb for, "... Carrying on our (own) spectral tradition is the gifted... humorist, I.S. Cobb, whose works... contain some finely (made) weird (tales)."

Of the plot, Howard stated that, "Fish- head" (is) an early achievement, ... banefully effective in its portrayal of (an) unnatural... hybrid idiot & the strange fish of an isolated lake."

Lovecraft further opined, "It is (my firm) belief... that... few short stories of equal merit have been published anywhere (else)..."

Legacy: Cobb's "Fishhead" is seen as a major influence on Lovecraft's own "Shadow Over Innsmouth."

Robert M. Price⁷ noted that, "What (Howard) found revolting was the idea of interracial marriage (&) of different ethnicities mating, (thus) 'polluting' the (white? human?) gene pool."

Fishhead is supposedly "the son of a Negro father & a halfbreed Indian mother." It's never mentioned what her other half was from...

This is the same premise behind HPL's "The Shadow Over Innsmouth."

Except that Lovecraft calls them Deep Ones & has a whole city that's been 'turned'...

More when we get to this story...

Notes:

1. Paducah, as 1 out of 9 U.S. Creative Cities, is a haven for thinkers, artists & creators!

Architectural Digest recognizes this city's historic district as 1 of the most beautiful main streets in America.

There are 20 downtown blocks listed in the National Register of Historic Places!

Weird Shit: Paducah's nickname is "The Atomic City."

This was because it was once the U.S.'s only uranium plant, making atomic bombs for our Defense Department...

2. The NY World newspaper began (in 1860) as a leading voice for the US Democratic Party.

But, once under Joseph Pulitzer, it became a pioneer in "yellow journalism."

Catching readers's attention with sensational (sex, sport & scandal) news stories.

This raised their circulation past the 1 million mark!!

Best known for being among the 1st to publish daily comic strips.

They actually created "Hogan's Alley", "Everyday Movies", "Little Mary Mix- up" & "Joe Jinks!"

Merged with The NY Telegram in 1931.

Revived - online - in 2011 by Columbia U. But, hasn't had any new content since 2016...

3. John Ford was an American movie director who won Oscars for "The Informer", "The Grapes of Wrath", "How Green Was My Valley" & "The Quiet Man."

The best of his many Westerns are "The Searchers", "Stagecoach" & "My Darling Clementine."

4. Reelfoot Lake is a real lake best known for its shallowness - about 5½ feet on average.

It's located in western Tennessee &, strangely enough, no swimming is allowed there...

The lake is named after an 1800's Chickasaw warrior with a deformed leg...

Reelfoot Bayou, with its cypress trees, flows out of the lake to join the Obion River - which runs straight to the Mississippi.

5. "Jaws" is, of course, director Steven Spielberg's 1st international master- piece.

And it doesn't need any hype, from me, for you to see it again!

97% on Rotten Tomatoes!!

Enough said...

Make it so!

6. E.C. Comics was an American publisher specializing in horror, crime, dark fantasy & sci-fi comicbooks.

William Gaines printed mature tales of war, adventure, satire, etc...

Noted for its stories high quality, shock endings & progressive social awareness.

Among the themes that EC creators touched upon are: racial equality, anti- war sentiments, nuclear disarmament & even early environmentalism!

Sadly, official censorship forced EC to focus on its "Mad" magazine - which became it's greatest success!!

EC has just been revived, by Oni Press, on this past February of 2024!!

Good times guaranteed...

7. R.M. Price is an American biblical scholar, author & an authority on H.P. Lovecraft.

His works include: "Deconstructing Jesus", "The Reason Driven Life", "The New Lovecraftian Circle", "World War Cthulhu", "The Disciples of Cthulhu", "Arkham Detective Agency", "The Da Vinci Fraud", "The Apartheid State in Crisis" & more great stuff!!

Price was the editor of the greatly lamented Crypt of Cthulhu, Midnight Shambler & Eldritch Tales fanzines.

He even edited a whole series of Mythos anthologies for Chaosium.

Today, Price is editor of The Journal of Higher Criticism!

Busy little tentacle, ain't he...

#hpl bio #history #aside #inspiration #weird fiction

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