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#America's Greatest Comics
browsethestacks · 1 year
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America's Greatest Comics (1941-1942)
Art by Mac Raboy
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ufonaut · 2 months
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C'mon, boys! I've got plenty for all of you!
Rex Tyler in Stars and S.T.R.I.P.E. (1999) #9
(Geoff Johns, Scott Kolins)
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evilhorse · 3 months
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Something very weird has happened to the Fantastic Four.
(Fantastic Four #12)
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chernobog13 · 1 year
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When Captain America throws his mighty shield All those who chose to oppose his shield must yield If he’s lead to a fight and a duel is due Then the red and the white and the blue’ll come through When Captain America throws his mighty shield!
lyrics by Jack Urbont
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nickthesteamengine · 1 year
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agentxthirteen · 2 years
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On this day (May 19) in Sharon Carter history, Sharon appeared in:
Captain America V3 #19 (1999)
Captain America V9 #29 (2021)
Captain America V9 #29 [Variant] (2021)
Marvel's Greatest Comics (Reprint Tales of Suspense #76) (1970)
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funniest disney history facts i can think of atm
literally EVERYBODY thought the lion king was gonna flop and pocahontas would be their greatest movie ever made. people begged to ditch lion king and work on pocahontas.
the reason robin hood ends so abruptly is that there was an actual ending planned and storyboarded but the crew spent too long arguing about everyone’s fursonas to finish animating it
madam mim was way less comedic in the original book but because her character was too similar to maleficent (who was in their latest film at the time), the sword and the stone crew decided to differentiate her by making her fucking hilarious
when making a goofy movie, jeffrey katzenberg (studio chairman at the time) told bill farmer to give goofy “a normal voice.” farmer, who had been voicing goofy for eight years at that point, including in the goof troop show that a goofy movie was a sequel to, was very confused. after making an attempt they decided to scrap that note completely.
as of march 2023, farmer is still voicing goofy, and tony anselmo has been voicing donald since 1986. the 2017 reboot of ducktales, which was slated as “wanting to do for donald what goofy movie did for goofy,” featured both actors as those characters; they had also been doing the voices for the original ducktales and goof troop/goofy movie. all the times goofy and donald interact in the 2017 ducktales however, donald was voiced by guest star don cheadle as a joke
current voice of mickey mouse bret iwan has stated that he has attempted to play kingdom hearts and did not do well
disneyland’s current world of color halloween overlay features a plot that is basically “the disney villains simultaneously adopt a goth kid” and i love it
people will make jokes about “well math says that the beast would’ve been 11 when he was cursed” well that was actually the original intent, but a flashback scene of baby beast was scrapped because he looked “too much like eddie munster”
when disney sent a representative to pixar to check on toy story production, she was like “this is all great! what style of music are you thinking” and they were like “for what” “for the songs” “we uh. we weren’t gonna have. any songs” and she went dead silent and then went “i have to make a call” and left the room
saludos amigos and the three caballeros were made as ww2 propaganda. the government commissioned disney to make movies to make latin america like them so that they wouldnt side with the nazis and provide them an in to invade, and latin america really liked donald duck so
saludos amigos was apparently the first time many usamericans realized that latin american people were like. people. film historian alfred charles richard jr said that the film “did more to cement a community of interest between peoples of the americas in a few months than the state department had in fifty years”
while latin america generally liked both films, chilean cartoonist rené rios boettiger fucking hated the chilean segment of saludos amigos, seeing the main character of pedro the plane as a weakass bitch, so in response he created condorito, the most popular comic character in all of latin america
disney wanted to adapt ts eliot’s old possum’s book of practical cats. his widow adamantly refused, and then sold the rights to andrew lloyd webber bc he wanted to make it sexy and she said “tom would’ve liked that”
in case you haven’t seen the defunctland, walt disney wanted epcot to be a futuristic utopia where he was basically the dictator. then he died so they just made it another theme park
speaking of defunctland the first defunctland video was on disneyworld’s alien attraction and please watch it. please it’s so funny
after the huge failure of the black cauldron disney was going to shut down its animation department. the department tried to convince them to keep them alive by showing them the one scene they had finished for the next movie– the mouse burlesque from the great mouse detective. it worked
the only attraction the black cauldron ever got was in tokyo disneyland where they put a tour under cinderella’s castle where everyone had to escape the disney villains trying to kill them, only to end at the horned king and the cauldron, who would try to sacrifice them to satan. this tour was popular but was closed in the early 2000s as the tunnels didn’t fit earthquake regulations and i want it in disneyworld so bad
walt disney once referred to his unionizing workers, led by goofy’s creator art babbitt, as “commie sons of bitches,” and i want a mickey build-a-bear that calls me a commie son-of-a-bitch whenever i squeeze its paw
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celaenaeiln · 8 months
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Something fanon gets wrong
Dick Grayson is genuinely one of the greatest fighters in all of DC.
I know people have trouble believing this for some reason but a man who has defeated every single one of his enemies, other people’s enemies, and has consistently come out on top should have his abilities talked about a bit more because they’re amazing.
Let's start small to big. Firstly Donna talks about Nightwing's abilities.
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When I read this I was confused by what she meant. Prowess means skill or expertise and that makes sense but Dick has a lot of power behind him though...
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And then I realized she meant metaphysical power.
Dick isn't a magician. He can't run at supersonic speeds, throw buildings, speak to animals, communicate with the dark, fly above the clouds, bounce bullets off his chest (Oh, wait. He can do it off his ass instead never mind), turn into animals, or other amazing abilities. But his skill is so high that he is easily able to keep up with people who can.
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M'gann, the white martian with extraordinary capabilities, tells Dick, "You are just a human, with no superpowers, yet you have consistently excelled throughout your career, despite being surrounded by godlike beings."
This is incredible.
We see Dick leading teams of superheroes and metas all the time and we take it for granted but we never acknowledge the immense power and skill he must have for him to be able to do this.
Repeatedly. Time after time. He outsmarts both his human allies and outfights his meta ones.
One of Dick’s greatest OP moments is when he takes down the entire Titans team -Gar, Raven, Donna, and Jason too when he hung around with them- single handedly. And when Jason put a gun to the back of his head in supposed victory, Dick opened his hand to let the golden bullets fall, gleaming in the light with the coldest line, “with these bullets?”
We all know how amazing Bruce is, but Dick is on Bruce's level.
No?
Okay, here's the evidence.
Dick has fought Azael in a sword fight to a standstill when Azael has beaten Bruce separately and Tim and Jason combined.
He has defeated Ra's in a sword fight and Ra's is one of the greatest swordsmen.
Sometimes he doesn't even need a sword to defeat a skilled swordsman.
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He's a League of Assassins member and we all know that anyone from the League of Assassins is never just good. They're excellent. The entire fight Dick is looking for Blockbuster and he's so capable and good at fighting the entire scene was like watching Thanos flick Captain America away vibes. He's not even looking at him when he smashes his foot into Shrike's face!
Most importantly, he has defeated Deathstroke
The greatest thing about Dick is he is able to defeat Slade at the peak of Slade's abilities. Slade doesn't need to be weakened for Dick to win.
Here's where people has some hesitance accepting Dick's abilities.
"Bruce has defeated Slade but Dick has never been able to!"
He literally has in Dark Crisis but I'll give you the lead up.
Dick can easily disarm Slade.
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He can predict Slade's moves ahead of time and properly counteract them.
He can go toe to toe with him and in one comic, they dance down a hallway, fighting, neither able to get the upper hand. The mercenary meta, considered by the US Government to be 1 of 2 greatest assassins (the other being Katana) isn't able to pin down and defeat a 20 year old despite his enhancements.
I left out the scene where Dick twisting Deathstroke's arm and smashing his face into a bedroom mirror despite being complete weaponless and in his civilian identity. No protection and no support. But it's another example of how Dick's poweress is much greater than people expect of him.
Of course there are panels where Dick has been defeated by Slade but Dick isn't 17/18 anymore. He isn't learning to fight without Batman hovering over his side.
Also there is a panel everyone references to when talking about Nigthwing losing to Deathstroke. This one.
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sure. okay. whatever. BUT WHY WON'T YOU SHOW WHAT HAPPENS NEXT COWARDS?!?
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THEY DANCE-FIGHT LIKE THEY'RE ENEMIES IN A BALLROOM ON OPPOSING SIDES BUT CAN'T AFFORD TO LET ANYONE FIND OUT.
THIS IS SOME HIGH LEVEL JAMES BOND-RED NOTICE-MISSION IMPOSSIBLE- TYPE SHIT.
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"Close the hold, you morons! Close the--Guuk!"
That's Slade talking by the way. To his allies. Who do you think made him "GUUK!"?
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And here they were evenly matched.
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But Slade had to pull out bombs he had been saving for when other people came in order to defeat dICK AND HE STILL LOST BECAUSE DICK BESTED HIM.
Yup. Dick is just that good.
Nightwing defeated Bane
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Before you go into saying something like "it was a holographic construction." What the fuck difference does that make? Does a holographic construction alter the strength used by the enemy, change their fighting style, phase through when fighting, act dumber than the real deal? No, right? The fact is Dick broke Bane's back the exact same manner that Bane broke Batman's. All those scenes of Bane punching Nightwing around? Let me remind you that the guy snuck up on Dick. The second time Dick underestimated Bane's powers before getting ready to put in real effort before Batman interfered to take Bane for himself.
All those amazing scenes of him defeating enemies that we've scoffed at recently? They're just a continuation of what already is written. It's not new or unbelievable, it's expected.
Here's my final point. Dick has defeated all of the Justice League's enemies in one go.
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This is Batman/Superman comic where Kara gets infected so Dick as Batman sends her to the medbay while he tears down the Watchtower to save her. As in every single defense mechanism the Watchtower has, he demolishes it with his pure skill and abilities. Furthermore, the Watchtower defenses were enhanced by cyborg Superman to be lethal. To kill on sight.
Just. Phenomenal.
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He did it! He defeated all of them and made it to the electronic controls he was aiming for.
Another thing I want to point is Dick's strength is greater than what people assume it to be.
He's the world's greatest acrobrat and has a build fitting of that but the strength he packs in his body is equal to that of a meta. Maybe it's because of how he only fights with metas and has teammates that are all metas but he has raised his striking power to equal that.
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He shatters cyborg superman in one blow.
He can handle blows from meta humans in a way most others can't which suggests to me that he must've done some kind of training or have maybe increased pain tolerance or have the ability to backseat the pain so it won't affect his fighting. How many can take a hit and rise up the next second?
He's not metahuman. Batman must've done several tests because he also was amazed by robin Dick's poweress lol but really Dick is just extraordinary. Give him any enemy and he will garaunteed defeat them without using cheap tricks or surprise moves which is why he is one of the greatest. The only time people have gotten an upperhand on him is when he has been emotionally weakened. Emotionally. Imagine the absolute monster he would be if he controlled his emotions like Batman.
But I would never want him to though because his emotions are the reason why he's the light of DC.
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maxknightley · 4 months
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on the one hand I do understand where people are coming from when they respond to The White American Desire For Authentic Culture by going "you already have a culture" and pointing out that this desire often has reactionary undertones
that being said, I think it's largely sidestepping the actual issue, which is that American culture fucking blows chunks. American culture is strip malls and military worship and the elevation of mass-market pablum to Bold Artistic Statements.
and subculture is only partially an escape from this, because most subcultures exist within the same constraints of American culture as a whole; they are captured and redefined by capital on such a frequent basis that it often feels impossible to hold onto them in any meaningful way.
moreover, even the parts of American culture that aren't complete garbage are more or less inextricable from the colonial, imperialist, and racially-stratified history of the country. like, I think of that post that went around a while ago talking about "America sucks but has some good parts," and one of the things it listed was national parks, and people (rightfully!) pointed out that the national park system is fundamentally flawed and tends to shit on indigenous nations by design.
the only thing I can think of that's even sort of an exception is pop culture - jazz and rock music, superhero comics, Hollywood. and all of those are, again, captured and defined by capital, and in one way or another have historically been built on screwing over the artist.
so we come to a position, one way or another, where a lot of people say something like: "I'm alienated. I'm surrounded by traditions and institutions I think are shit; I have no way to meaningfully undermine them, and I can't escape them without effectively destroying my life. the culture I was born into is a gravestone on top of another gravestone, lifeless and miserable, and people are constantly shouting that I should be grateful because it's The Greatest Country In The World."
at that point, one seeks an escape, and I think there are three major routes here.
one is to become a weird lib obsessed with the Real Soul Of America. America is really about the good parts, not the bad parts which outnumber them and which they are built upon.
another is to fixate on the Exotic, for lack of a better word. cultures which you do not have an obvious "connection" to, but which fascinate you or appeal to you. obviously this can be pretty fucking fraught, though I would argue that taking an interest in other cultures is a good thing if you aren't shitty about it. (That's its own conversation.)
the third is to fixate on the culture(s) you feel you "ought to have" had, that which was sacrificed on the altar of whiteness by grandparents or great-grandparents who, frankly, had different concerns. to look at a culture that may still be defined in many ways by cruelty and stratification - the way I would argue most human civilization has been - but that seems to have had something else going on, at least. a culture that may not have been recognizable 500 years ago, but at least it existed.
again, none of these impulses is beyond criticism, and I think it would be naive to say that the last one can't have reactionary undertones. I also doubt these impulses are unique to the USA! alienation is extremely common in today's world, and it's not as though the USA is the only settler state in existence.
what I am saying is more that I think the conditions that lead to these fixations are worth paying attention to, and that dismissing them with "you already have a culture" kind of misses the point in favor of getting in a zinger. people wouldn't want a different culture if they were happy with the one they had. like so many other things, people want one that Doesn't Completely Suck. failing that, they'd probably like to not be defined by any culture at all - but that, tragically, is just as impossible.
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lildoodlenoodle · 9 months
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Some random Hobie information from the comics! I’ve specified where the movies might come in and fanon stuff!
Hobie, despite having a British/cockney accent in the movie and in the comics, lives in NYC in the comics(movie might b different).
Hobie is a homeless teen(I’m pretty sure his parents died) radicalized by his dystopian world.
He’s been Spiderman for 3 years(movie so most of his comics have probably passed) and his world is a weird combination of 1970s-1990s.
Canonically bad at naming things.
His friends/band are tired of his shit and regularly make fun of him for saving the multiverse.
The cops in Hobie’s world all have the venom symbiote, he uses his guitar to play frequencies that disrupt the symbiotes.
He kills Norman Osborn twice.
Yes he kills cops.
Full name is Hobart.
Originally he hated being called Spider-Punk.
He works with his worlds Daredevil(Mattea Murdock), Captain America(Captain Anarchy), Hulk(Robbie Banner), Ironheart(RiotHeart), Ms. Marvel, etc.
Most people in his ‘band’ can’t actually play lol.
With facism one of his other greatest enemies is capitalism and being ‘marketable’.
Hobie’s design was originally meant to be Spider UK, who later became Billy Braddock.
He also got a symbiote dog called Spider-Mutt in his latest run.
Gwen Stacy was a famous rockstar who died in his world, Hobie was a fan!
He was originally recruited to what I affectionately call the ‘Interdimensional Spider Death Squad’ run by the Superior Spider with Spider Noir (and eventually Miles and Jessica joined right before the teams merged)rather than the other group of spiders.
He was the one that brought Miles back into the ‘spider society’ when the inheritors came back.
In the comics he lives in a Welfare center in Brooklyn he and his friends/band operate, in the movie he lives in a boat!
Hobie has an interdimensional band with Gwen(drums), Pavitr(keyboard), Noir(bass), Anya(1616 vocals), and Ham(air guitar)
I can’t remember Hobie having any romantic interests in his universe, but fanon wise he is often shipped with his canon gay friend, Captain Anarchy aka Karl Morningdew, but Karl does have a canon boyfriend. But outside of his universe there’s a whole host of possible ships and some do include: Hobiemiles / punkflower hobiepav/chaipunk hobiegwen / ghostpunk
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luna-rainbow · 7 months
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The reason people were saying don’t forget fandom history isn’t because anyone thinks Stucky is the oldest MLM ship, or the biggest MLM ship, or the only MLM ship of its time. It’s because it was 2014 and gay marriage was still illegal. It’s because it was 2015 and MAGA was flying everywhere. It’s because it was 2016, people took to Twitter and trended #givecapaboyfriend. Mere weeks later, comics Steve Rogers was written into a Nazi.
It’s because it came at a turning point not just in superhero history but American history. MCU Steve Rogers was a return to a more sincere worldview after two decades of grim dark cynicism. The MCU, previously the domain of (mainly cis white) dudebros — you only have to look at the way Nat and Peggy were written in the early movies to know that women and other minorities, whether as characters or audience, were a distant afterthought — has gained traction with the mainstream audience. The advent of social media and internet accessibility meant a blossoming abundance of fan content that previous generations didn’t have.
This coincided with a time of intense ideological clash between progressive and conservative voices. Unlike what dudebros say, very few people believed the MCU would actually give Cap a boyfriend, but it did squarely place Captain America on the side of the LGBT community. Up until this point, MCU Steve in both canon and fanon has often been portrayed with hazy nostalgia for “the greatest generation” and the white picket fence dream. The hashtag trend was a reclamation of a character who was written by a minority, whose origin was a marginalised group for his time, and whose moral code was always supportive of people sidelined by history.
There will always be older ships, bigger ships, “more canon” ships, but you’ll never get another ship that rode the nexus of social media growth, genre popularity, LGBT recognition and political tug-o-war to breach containment the way Steve-Bucky did.
Don’t forget the history of #GiveCapABoyfriend, the BBC Steve-Bucky fan video, the “of course it’s a love story”, the “we went a little Brokeback” and the “Bucky is his home”. All of these were acknowledgement of the sheer size and international reach of the fandom. With a character many people thought of as the face of conservative America, it brought gay romance into the mainstream consciousness…and yes, without Steve-Bucky and several other concurrent massive MLM ships laying down the ground work, many of the newer canon gay romances would not have been green lit by profit-hungry studios.
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browsethestacks · 1 year
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America's Greatest Comics (1942-1943)
Art by C.C. Beck
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ufonaut · 4 months
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I keep telling everyone. Your father is dead.
Justice Society of America (2022) #8
(Geoff Johns, Mikel Janin)
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evilhorse · 3 months
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Fantastic Four #12
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chernobog13 · 1 year
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I actually received for Christmas a Superman figure messed up like this one.  Luckily, with a little patience, I was able to peel the “S” emblem off and reposition it.
This was a common problem with the Mego figures back in the day: just the slightest bit of heat and the glue on the paper stickers loosen.  Figures like the one pictured above, with their emblem askew - or even worse, off altogether - were a common sight when walking down the toy aisle.
The problem wasn’t limited to just the figures in the World’s Greatest Super-Heroes line either.  The Starfleet emblem on all the Star Trek figures would come off if someone in the next room sneezed.  Putting the emblems back in place was problematic as the glue used dried out very quickly.  You were lucky if you found the emblem right after it fell off.  Unfortunately with my Star Trek figures the emblems seemed to evaporate into thin air when they fell off.
Different methods were used to remedy this situtaion.  Elmer’s Glue and Super-Glue were used to re-apply the emblems, but both smeared into the fabric and left a stain.  Hand drawn emblems were used when the original went missing or was irreparably damaged but, again, I never found a truly satisfactory way to secure same.
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There was less of a problem with Mego’s original version of Captain America, as the star emblem was made of fabric and usually secured pretty well.  However, there were more than a few instances of Cap’s being shipped with the star affixed crookedly (and don’t even get me started about the sticker on the shield, which many times was slapped on haphazardly).  Owners would then try to carefully peel the star off (it had a tendency to tear) and re-align it. 
I liked the fabric star much better than the paper emblems used on the other figures in the line, although it tended to pick up dirt easily.  The fabric star was ditched in later versions of the Cap figure, to be replaced by a paper one.
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maxwell-grant · 5 months
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So is Worm good from what you have read
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"Yes" doesn't begin to cover it but yes. Worm is a brain-rewiring mobius strip disguised as a bible disguised as a superhero web serial that either cured your cancer or shot your dog or both depending on who you ask, and it has many extremely dedicated, brilliant scholar priest surgeons publicly dissecting it on this platform on the regular to the point I don't think I have much to add to the conversations surrounding it, even if I do have some The Thoughts about it. I had never even really seriously thought about superhero prose before and Worm isn't a thing I go back and reread frequently but it did a complete and total 180 on the way I think about superheroes and even fiction, and I've never stopped thinking about it since I've read it.
It is a monumentally impressive story with completely absolutely incredible characters that I cannot stop thinking about. No matter where it was going, even past stretches that were less interesting or more of a slog to read or worse, I could not put the story of Taylor Hebert down for one minute. Tattletale fascinated me every step of the way, I had to keep up with her. Rachel Lindt was a character I feel like I'd been waiting my whole life for. What was I gonna do, not see them through? I feel like Worm easily loses you if you don't particularly connect with the characters enough to justify to yourself the amount of time you'll spend with them, but man, I could not unglue my eyeballs from these people enough (I love all the core Undersiders, to be clear, I'd say it's Rachel > Taylor > Tattletale > Aisha and Alec and Brian, there are very small gaps between these, I just don't go berserk for the last three like I do for the first three, I'm taking Bitch and Skitter to the grave I'm dead serious)
Worm irreparably destroys your ability to engage with superhero fiction the same way ever again, as evidenced by the fact that it destroyed the author's own ability to engage with his own superhero fiction ever again. And everybody who read it has one or several gripes with it with some major dealbreakers in the mix. Tumblr's kinda the only place online where you can really talk about them at length without the spectre of John Wildbow hanging over the discussion, which enables discussion to the point where yes, maybe it does look like to outsiders that nobody can agree on whether Worm is good or what is it even about or whether it even has worms in it (it has at least one, although it's a very big one).
And it is good, it has the Undersiders in it and the Undersiders are one of the greatest groups of characters ever put together, but everyone has at least one major point of contention with Worm whether it's the timeskip or the length or the racism or the gross fatphobia or aspects surrounding the Dallon-Pelham Torment Nexus and etc. I'd say it has maybe the most racist vision of Latin America I've ever seen in a superhero text a hair short of pro-colonial tracts in Golden Age comics and that is a tall fucking order by any metric (part of why I started WEON4 as a project was motivated by spite, to try and make my own stories about non-American superheroes even if just as practice). It is Complicated, and that winds up making it so fascinating to talk about.
Worm has self-sustaining ecological systems of posts up here, far away from the Spacebattles and Reddit battlegrounds where it has different ones and that's not getting into Weaverdice or the sequel or Wildbow's larger body of work, which I haven't gotten to and probably will not any time soon because Worm was enough of a commitment as is. Do I recommend Worm to everyone? It is certainly not to everyone's tastes and I personally find it difficult to describe it simply enough to make it sound appealing or not like a pyramid scheme. But yes I do think it's good, in fact great, in fact, amazing, except when it isn't, and except it Plainly Sucks, but then something like Taylor vs Mannequin or Kevin Norton's interlude or "You needed worthy opponents" happens and it fucks harder than anything has ever fucked before and you don't walk away from it the same, so yes I guess "good" will have to do now.
It's certainly a lot but I definitely found it worth my time to read and then read the texts written about it here. You'll have to take my endorsement of Worm as proof of it's quality and proof of how deranged it makes it's readerbase, they're not mutually exclusive. If you can make it, Worm and the wormosphere has layers and layers to wade through and talk about and enjoy, despite how we're all so very small in the end *gunshot*.
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