John Atherton (1900-1952) — Back Yard [oil on canvas, 1940]
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Perpetual Care, Andrew Wyeth, 1961
Drybrush on paper
29 x 23 ¼ in. (73.7 x 59.1 cm)
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Thomas Hart Benton (American, 1889 - 1975) • Persephone • 1938-39 • Tempera with oil glazes on canvas, mounted on panel • Nelson-Atkins Museum of Art, Kansas City, Missouri
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Sunrise, Northport Harbor, Arthur Dove, 1929
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Abraham Walkowitz, Improvisations of New York ("Metropolis" series), 1920s. Ink on paper.
Photo: Hirshhorn Museum
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Edward Hopper (American, ) • Room in New York • 1932 • Sheldon Museum of Art, Lincoln, Nebraska
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Women's History Month
Blanche Lazell (American, 1878-1956) • The Blue Jug • 1932
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Autumn Leaves, Lake George (1924) by Georgia O'Keeffe
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SANTIAGO CALATRAVA, The Oculus (aka World Trade Center Transportation Hub), opened 2016, New York, NY. On the background One World Trade Center by David Childs, Skidmore, Owings and Merrill och Daniel Libeskind, 2006-2014.
Source: Instagram
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Blue Landscape (1942) | Marsden Hartley (1877-1943)
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“The Beyond”, 1972, Georgia O’Keeffe.
“(…) Towards the end of her life her eyesight deteriorated due to macular degeneration, leaving her with only peripheral vision. This was a devastating blow to the highly visual artist, who was forced to stop oil painting in 1972, although she did continue painting with the help of assistants thereafter. Nonetheless, her last unassisted work in oil, “The Beyond” is a towering work that looks death squarely in the face. O’Keeffe seems to contemplate the magnitude of existence and the impossible notion of what comes next.” (via)
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Stanton Macdonald-Wright (1890-1973) — Prometheus [oil on wood panel, 1965]
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Workmen's Breakfast, Charles Goeller, 20th century
Oil on canvas
19 x 26 ⅛ in. (48.3 x 66.4 cm)
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Women's History Month
Georgia O'Keeffe (American, 1887-1986)
Georgia O'Keeffe with her painting, Pelvis Series - Red with Yellow • 1945
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Source
A Quick Nap
Walter Henry Williams, 1952
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12" x 12" x 1 1/2"
acrylic on canvas
2024
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