static virus analog horror adoptable! (sold)
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In 1964 the theoretical physicist Peter Higgs, who has died aged 94, suggested that the universe contains an all-pervading essence that can be manifested in the form of particles. This idea inspired governments to spend billions to find what became known as Higgs bosons.
The so-called “Higgs mechanism” controls the rate of thermonuclear fusion that powers the sun, but for which this engine of the solar system would have expired long before evolution had time to work its miracles on earth. The structure of atoms and matter and, arguably, existence itself are all suspected to arise as a result of the mechanism, whose veracity was proved with the experimental discovery of the Higgs boson in 2012.
The Nobel laureate physicist Leon Lederman infamously described the boson as “the God particle”. Higgs, an atheist, found this inappropriate and misleading, but the name stuck and helped bring fame to the idea, and to Higgs. He in turn became a Nobel prizewinner in 2013.
It was at Edinburgh University, as a young lecturer in mathematical physics in the early 1960s, that Higgs became interested in the profound and tantalising ways in which properties – mathematical symmetries – in the equations describing fundamental laws can be hidden in the structures that arise.
For example, in space, unaffected by the earth’s gravity, a droplet of water looks the same in all directions: it is spherically symmetric, in agreement with the symmetry implied by the underlying mathematical equations describing the behaviour of water molecules. Yet when water freezes, the resulting snowflake takes up a different symmetry – its shape only appearing the same when rotated through multiples of 60 degrees – even though the underlying equations remain the same.
The Japanese-American physicist Yoichiro Nambu first inspired interest in this phenomenon, known as spontaneous symmetry breaking, in 1960.
Inspired by Nambu’s work, in 1964 Higgs’s own theory emerged with its explanation of how equations that call for massless particles (such as the quantum theory of the electromagnetic field, which leads to the massless photon) can, via the so-called Higgs mechanism, give rise to particles with a mass.
This idea would later be at the root of Gerardus ’t Hooft’s proof in 1971 that unification of the electromagnetic force and the weak force, responsible for radioactivity, where a massive “W” particle plays the analogous role to the massless photon, is viable. The subsequent discovery of the W in 1983 gained Nobel prizes, both for the experiment and for theorists who had foreseen this. Underlying this success was the so-called Higgs mechanism, which controlled the mathematics in this explanation of the weak force.
When Nambu won the Nobel prize in 2008, it began to seem likely that the way was being prepared for Higgs’s eventual recognition.
A problem though, as Higgs was always the first to stress, was that he had not been alone in discovering the possibility of mass “spontaneously” appearing. Similar ideas had already been articulated: by the condensed matter physicist Philip Anderson, though in a more restricted way, and by Robert Brout and François Englert in Belgium, who beat Higgs into print by a few weeks. A former colleague of Higgs at Imperial College, Tom Kibble, and two colleagues were to write a paper along similar lines weeks later.
Where Higgs had justifiable claims to uniqueness was in the boson. He drew attention to the fact that in certain circumstances spontaneously broken symmetry implied that a massive particle should appear, whose affinity for interacting with other particles would be in proportion to their masses.
It would be discovery of this particle that could give experimental verification that the theory is indeed a description of nature. Although even this boson was arguably implicit in other work, it was Higgs who articulated most sharply its implications in particle physics.
The eponymous “Higgs boson” became the standard-bearer for the Large Hadron Collider. In the early 1990s the science minister William Waldegrave issued his challenge: explain the Higgs boson on a sheet of paper and help me to convince the government to fund this.
Among the winners, the most famous was the analogy, by David Miller of University College London, of Margaret Thatcher – a massive particle – wandering through a cocktail party at the Tory conference and gathering hangers-on as she moved. Higgs, whose politics were diametrically opposite to hers, expressed himself as being “very comfortable” with the description.
He was always uncomfortable as a celebrity. When Cern – the European Organisation for Nuclear Research – prepared to switch on the Large Hadron Collider (LHC) in 2008, the media promoted it as a quest for the Higgs boson.
Higgs felt that Cern was misguided to talk up “the” boson – he was always the first to stress that others had had much the same idea and that naming it after him was unfair. He once modestly described the detection of the boson as “tying up loose ends” and regarded the main excitement of the LHC as its potential to reveal the secrets of dark matter and other kinds of new physics.
Nonetheless, in July 2012, Cern announced the discovery of a particle “with Higgs-like properties”. Media frenzy grew, and Higgs bravely accepted his fate as a centre of attention.
Although most physicists were sure that the eponymous boson had been discovered, several months’ more study would be needed before complete confirmation could be assured: the Nobel prize for 2012 went elsewhere. By 2013 the evidence was compelling; there was a general expectation that 2013 would be the year.
By this stage, 49 years had elapsed since Higgs had written his first paper on the subject. In a final, nailbiting twist, the announcement of his long-awaited success was delayed by an hour as the Nobel committee struggled to reach the famously reclusive scientist. Aware of the media attention he was likely to get, Higgs had decided to be “somewhere else” when the announcement was made, and told colleagues that he planned to take a holiday in the north-west highlands of Scotland.
As the date approached, however, he realised that this was not a good plan for that time of the year, so he decided to stay at home and be somewhere else at the right time. At around 11am on 8 October, he left home and by noon, when the announcement should have been made, he was in Leith, by the shore, in a bar called the Vintage, which Higgs famously attested sold both food and “rather good beers”.
Thus with Higgs incommunicado (he largely avoided using mobile phones or the internet), after more than an hour of unsuccessful attempts to reach him, the Swedish Academy decided to make the public announcement anyway. The ironic result was that by 2pm, the news that Peter Higgs and Englert, of the Université Libre de Bruxelles, were the winners of the Nobel prize for physics was known to the world, but not to Higgs himself. (Englert’s colleague Brout had died in 2011, and was unable to be included as Nobel prizes are not awarded posthumously.)
Higgs later recalled how, “after a suitable interval”, but still ignorant of the news, he had made his way home from lunch. However, he delayed further by visiting an art exhibition, as “it seemed too early to get home, where reporters would probably be gathered”.
At about three o’clock he was walking along Heriot Row, heading for his flat in the next street, when a car pulled up near Queen Street Gardens. A lady got out “in a very excited state” and told Higgs: “My daughter’s just phoned from London and told me about the award.” To which Higgs replied: “What award?” As he explained, he was joking, but that is when his expectations were confirmed.
His plan had been a success, as, “I managed to get in my front door with no more damage than one photographer lying in wait.” A little more than a decade later, the main focus of the LHC has been to produce large numbers of Higgs bosons in order to understand the nature of the omnipresent essence that they form.
During the coronavirus lockdown I talked with him for hours on the phone at weekends in the course of researching the biography Elusive: How Peter Higgs Solved the Mystery of Mass (2022). When asked to summarise his perspective on public reaction to the boson he said: “It ruined my life.” To know nature through mathematics, to see your theory confirmed, to win the plaudits of peers and win a Nobel prize, how could this equate with ruin? He explained: “My relatively peaceful existence was ending. I dont enjoy this sort of publicity. My style is to work in isolation, and occasionally have a bright idea.”
Higgs spent more than half a century as a theoretical physicist at Edinburgh University. Perhaps because of this, he was described in many media reports as a “Scottish physicist”, whereas in fact he was born in Newcastle, of English parents, Thomas Ware Higgs and Gertrude Maud (nee Coghill).
His father was a sound engineer with the BBC, and the family moved almost immediately to Birmingham, where Peter spent his first 11 years. In 1941, with the second world war intensifying, the BBC decided that Birmingham was too dangerous, and its operations were transferred to Bristol. The Higgs family duly moved there, with the intention of avoiding aerial bombardment, but the following weekend the centre of Bristol was heavily bombed.
In Bristol, Higgs attended Cotham grammar school, where a famous former pupil had been the Nobel physicist Paul Dirac. Dirac’s name was prominent on the honours board. Higgs followed him, but initially in mathematics rather than physics. Higgs’s father had a collection of maths books, which inspired Peter and enabled him to be become far ahead of the class. His interest in physics was sparked in 1946, upon hearing the Bristol physicists, later Nobel laureates, Cecil Powell and Nevill Mott describing the background to the atomic bomb programme. Although this helped determine his career, Higgs himself later became a member of CND.
At King’s College London he studied theoretical physics, going on to gain his PhD in 1954. He was working on molecular physics, applying ideas of symmetry to molecular structure. His interests moved towards particle physics, although his office was on the same corridor as those of Rosalind Franklin and Maurice Wilkins, two of the co-discoverers of the structure of DNA, though his own work had no immediate link to their programme.
He won research fellowships, first at the University of Edinburgh (1954-56), then in London at University College (1956–57), and at Imperial College(1957–58). He was appointed lecturer in mathematics at University College London in 1958, and then moved to the University of Edinburgh in 1960, where he spent the rest of his research career. Initially lecturer in mathematical physics, in 1970 he was appointed reader and, in 1980, professor of theoretical physics. He was elected Fellow of the Royal Society of Edinburgh in 1974, and FRS in 1983.
He met his future wife, the linguist Jody Williamson, at a CND meeting in 1960. They married in 1963, and had two sons, Christopher and Jonathan. Although they separated, they remained friends until her death in 2008.
Higgs won several awards in addition to the 2013 Nobel prize. In addition to numerous honorary degrees, these included the 1997 Dirac medal and prize from the Institute of Physics, the 2004 Wolf prize in physics, the Sakurai prize of the American Physical Society in 2010, and the Edinburgh medal in 2013. That year he was also appointed Companion of Honour, and two years later he won the Copley medal of the Royal Society, the world’s oldest scientific prize.
His sons survive him.
🔔 Peter Ware Higgs, theoretical physicist, born 29 May 1929; died 8 April 2024
Daily inspiration. Discover more photos at Just for Books…?
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the smissmass incident of '94.
the day before i was randomly searching for some tf2 stuff mostly characters from the comics, so then i searched some old nick stuff and encountered with a comic called "this isnt over, jack" which is a sequel of a smissmass story but twisted with analog horror in it, it reminds me of the days i used to write tf2 stuff back in 2015.
so i drew this storyline feat. my characters called "the smissmas incident of '94" based on that comic and as i see it, its like those 90s horror movies with action in it.
the description is in the pictures.
(note: i havent posted art in years, i pretty got better)
the sequel is basically Hal, now with 22 years old facing against merasmus.
the author of "this isnt over jack" is @swamp-gremlin
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Broke Horror Fan presents V/H/S/94 and V/H/S/99 on limited edition, fully functional VHS! Our latest tapes are on sale now at Witter Entertainment.
V/H/S/94 returns to VHS with a new slipcase edition and a restock of our standard clamshell case. A small quantity of leftover variant clamshells and big box editions from the first pressing are also available while supplies last.
It includes a letter from writer-director Simon Barrett. Stay tuned after the movie for a special feature: Behind the Scenes of V/H/S/94 featurette.
V/H/S/99 arrives on VHS with two variants: a standard slipcase edition with art by Creepy Duck Design and a big box variant with artwork TBA and a blue VHS tape (limited to 50).
It includes an exclusive introduction by writer-director Tyler MacIntyre. Stay tuned after the movie for special features.
For optimal VHS viewing, the films have been cropped from their original aspect ratio to 4:3 full frame. Both are officially licensed from RLJE Films/Shudder.
Witness a hellish vision of 1999, as social isolation, analog technology and disturbing home videos fuse into a nightmare of found footage savagery.
A police S.W.A.T. team investigates about a mysterious VHS tape and discovers a sinister cult that has pre-recorded material which uncovers a nightmarish conspiracy.
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Yoshihiro Togashi Exhibition - GOODS (Part IV)
After Part I, Part II & Part III, more goods keep showing up on the Official Site. They are even selling Yusuke's noodles! Also, check the Yoshihiro Togashi Exhibition "Pieces Cafe".
The goods sold at the official exhibition store will also be sold after the tour in Tokyo, Osaka, and Fukuoka, with the exception of some products. More details such as which products will be sold, sales schedule, locations and methods will be announced on the official website in the future.
Picture Book
"Yoshihiro Togashi Exhibition -PUZZLE-" Official Picture Book
Price: 2,500 yen
A 176-page picture book containing original drawings and new illustrations exhibited at the exhibition. The cover is designed from the key visual, a total of 15 characters from the three major works.
Size: A4 size
Number of pages: cover + front cover + 176 pages
Specification: soft cover
Purchase limit: 5
Accessories
"Heel Characters" Quote Acrylic Badge Collection (12 types)
T/N: In professional wrestling, a heel is a wrestler who portrays a villain, "bad guy" or "rulebreaker" and acts as an antagonist to the faces, who are the heroic protagonist or "good guy" characters.
One type at random: 770 yen; Purchase limit: 10
Box (all types): 9,240 yen; Purchase limit: 1
The attractive "heels" who appear in Yoshihiro Togashi's works have an overwhelming presence. Their lines and illustrations, which have an outstanding impact, have been made into acrylic badges!
From Yu Yu Hakusho, there are quotes from Sakyo, Karasu, Younger Toguro, Sensui and Itsuki.
When Sakyo bet "66.2 trillion yen on the intruders' victory". (Toguro Brothers VS Yusuke & Kuwabara; chapter 49, volume 6) ↓
Younger Toguro: "Perhaps, you still think you won’t die, don't you?". (Yusuke VS Toguro; chapter 94, volume 12) ↓
When Karasu asked Kurama if he was treating his hair. (chapter 89, volume 10) ↓
Itsuki explaining his relationship with Sensui: "I felt like I got a time bomb and a lover at the same time". (chapter 139, volume 16) ↓
Sensui: "Let's settle this, should human beings live or should they die?". (Sensui waited for Koenma to find a successor to his post; chapter 126, volume 14) ↓
Hobbies
"Yu Yu Hakusho" Retro Glass
Price: 1,760 yen
Purchase limit: 5
Food & Confectionery
Yusuke's Ramen Stall (comes with a sticker)
Price: 800 yen
A soy-sauce ramen inspired by the flavor of the street food stall that Yusuke pulls. "I won't tell you the secret ingredient".
Purchase limit: 5
Box Cover ↓
Sticker ↓
Soy Sauce Ramen (I want to try it!) ↓
Accepting Orders Products
Framed High-resolution Facsimile
Price: 38,500 yen + shipping fee of 2,200 yen
The stage is the Hanging Neck Island, where the Dark Tournament is held!!
Paper: German Etching
Paper size: approx. 386mm (height), 511mm (width)
Frame size: approx. 505mm (height), 655mm (width)
Purchase limit: 5
Full Set of Facsimile Manuscripts: Chapter 174. "Sink or Swim" & Chapter 175. "And So..."
Price: 49,500 yen + 2,200 yen for shipping
Full-size printed reproduction of the author's analog (hand-drawn) manuscripts. It is possible to see the editor's designations, writings outside the frames etc.
Contents: 38 pages of monochrome manuscripts & envelope for storage;
Paper size: approx. 395mm (height), 272mm (width)
Envelope size: approx. 410mm (H) x 286mm (W)
Manuscript material: Kent paper
Purchase limit: 5
Manuscripts of Chapter 174. "Sink or Swim" (19 pages)
Yusuke and his friends formed a party after a long time to solve a terrorist attack in the Spirit World. The four of them easily subdued the terrorist group, Seisei Shinto, but in order to stop the interdimensional cannon targeting Sarayashiki City, they had to choose one correct answer out of three buttons: red, blue, and yellow. After evacuating everyone, Yusuke, who was the only one left (or so he thought), chose the color of the button...!? ↓
Manuscripts of the legendary final episode Chapter 175. "And So..." (19 pages) ↓
Koenma's Mafuukan Motif Necklace
Price: 16,500 yen + 1,200 yen for shipping
This silver necklace features a pacifier - the demon seal ring (mafuukan) - that condenses the spirit energy of Koenma.
■ Charm Specifications
Material: silver (silver 925), glass
Size: about 19mm (vertical) and 10mm (horizontal, including the glass part)
Finish: Rhodium Plating
■ Chain Specifications
Material: Silver
Size: approx. 450 mm (total length)
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Do you think being trans is considered a mental disorder? Like did of some sort thinking you need to be in a different body /s
I'll ignore the tone indicator and respond as if it was a honest good faith question.
I think that being trans shouldn't be considered a disorder, for sure some people do consider it a disorder, but I'd prescribe them to change their views.
Being trans is having a gender identity that do not match the gender imposed upon you, the gender imposition is dependent largely on the body but that's besides the point.
The core of the question is of transness should constitute a disorder, and descriptively it do not, transness is a property of an individual that relates their subjective reality to the social impositions suffered in the objective reality, it is no more a disorder than being left-handed is a devil worshiping trait...
To substantiate it, let me define disorder: "an physical, mental or phycological characteristic that partially prevents someone from doing something that'd be considered normal in the society where the person is inserted, but not totally. In such a manner that it is preferable to treat that characteristic as an animality to be treated"
It's not a perfect definition, but will do for this post.
Being trans don't prevent anyone from being a functioning citizen of a society, at most the transphobia suffered does, but then again, it is not preferable to treat being marginalized as being sick, to do that would imply that we'd consider slaves that ran from a plantation to be suffering from a disorder...
Okay, all this talk and nothing of substance... But I think that was relevant.
Moreover, the whole "wrong body" thing is an analogy, it is a way to make people who never heard of trans folk understand conceptually what we mean, but there is much more nuance to it that gets put aside. Also referred to the blue brain pink brain argument, transness is not a something that can be enclosed into the philological realm. It's akin to explain to a 94 yo that DOTA is like chess, but different, so he understands that it's a game, that it's a strategy game, that it has someone who wins at the end etc, but that's it, just an analogy to make things more clear to someone who wouldn't have other bases on which to construct the meaning of being trans.
In other concerns, if it were to be considered a disorder, considering what we call gender dysphoria to be equal to transness (it is not), there is an argument to be made that it'd be better classified as an genetic disorder that causes the body to grow in an unhealthy manner such that it causes psychological suffering, but that I'll let to discuss another time.
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For the writing game, 5, 17, 19, 94?
5. have you ever made a playlist about something you were writing as an elaborate means to procrastinate when you could have been actually writing and if yes drop a link, son
PLAYLISTS ARE NOT PROCRASTINATING I WILL DIE ON THIS HILL. I cannot link any I have made because I, uh… don't believe in streaming music services, standing by my trusty analog media is another hill I will die on… but for most projects I always end up making some sort of playlist, even if it's only ever in my head instead of iTunes.
the unique aspects of music-- the way lyrics and melody and composition come together to be greater than the sum of their parts-- is massively inspirational to me. it conveys tone and vibe and purpose; it can help me see characters in new ways or remind me of certain aspects I really want to hit in any given chapter.
it's very easy to see the playlist I made for my massive Kristanna story because the chapter titles are all from the songs in the right order. writing Newsbees has actually been a bit of an amusing mental challenge in this regard, because while the Newsies soundtrack has PLENTY for me to work with I also have lots of other songs I would normally have put in the running for chapter title status, were I not trying to stay on-theme. I did end up making a little baby playlist just for my own edification, there.
Actually, this is a fun anecdote I might as well say now: when I first started writing Newsbees, I thought that every chapter would have an epigraph of lyrics of songs from other musicals, in addition to their titles which are all taken from Newsies itself. and then I realized that this was a) excessive even for me and b) distracting, so I took them out.
17. what is your favorite line you’ve ever written?
Can't pick; my style isn't really designed for me to be able to pick.
My sentences are meandering monsters or staccato fragments, and they don't really lend themselves to picking out soundbites. that's not how my brain works. my focus is always on how a sentence works within a paragraph, how a line of dialogue furthers the scene its in, rather than making any one of them stand out. I'd like to think that means I polish all of them to equal shine, but your mileage may vary on that.
Like, if I had to pick one, it would probably be the "Emerald brings the rain" bit from send 'em howling, but the line doesn't stand on its own. The whole reason it works is because of the meticulous set-up I put in front of it, and several paragaphs of set-up followed by the punch probably doesn't meet the definition of a "line."
19. what are some books or authors that influenced your style the most?
Oh, goodness. You know, I'm not sure? I don't think my writing sounds at all like Douglas Adams but I can't think of an author I turn to more often for inspiration when I'm trying to find a novel way to convey an emotion or come up with a simile; the man just had an absolutely marvelous brain for connecting two seemingly-unrelated thoughts and turning them into the perfect metaphor. I haven't touched my H2G2 anthology or Salmon of Doubt in years, but that's the drawer I'm drawing from. Which means I'm probably actually drawing from Wodehouse, whom Adams was aping in the first place. (I have never read Wodehouse myself).
Jacob Clifton, who used to write recaps for Television Without Pity, is not a book or an author but was also massively inspirational in terms of the way I think of themes and turn phrases.
Honestly, though, I think the biggest influence on my writing lately has been other fanfic authors. I don't mean this in the terms of how certain kinds of fanfiction (like the kind i write, with all-caps titles that are song lyrics) tend to have a poetic sameyness to them and we all mutually decided that carding hands through hair and toeing off shoes are a thing-- though I'm as guilty of that as anyone-- but there are definitely specific writers I can think of whose thoughtfulness and accuracy when it comes to word choice, lyricism and cadence has affected me greatly. And I shan't name them here because then you'll all see my writing style for what it is, a clockwork automaton I've built using stripped-out parts stolen (borrowed!) from these other writers I admire and the illusion of my individuality and lone genius will be shattered.
94. do you prefer dialogue or description?
I will always be a dialogue-forward writer and consider dialogue to be the engine that actually makes the story go, and it will always be the thing I find easiest and go to first. See again-again my answer about characters affecting my style-- the way I learned to not hate description was to turn description into yet another way to write dialogue, by doing it in a character's voice.
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It’s day 10 of the #25daysofvinylmas challenge by @XOaudio_: Miracle On 34th Street: A Record People Would Be Surprised That I Own. Shades Of Culture - Mindstate (Windmill, 1998/Return To Analog, 2022) I would hope by now nothing I spun would surprise anyone. However, considering this is a Record Store Day Canada exclusive - I haven’t been north of the border in years - and a record most people in the U.S. have probably never heard of, there might be a raised eyebrow or two at seeing this in my feed. I’m happy to report that is an excellent record, too, and one which can firmly plant its flag in the golden age of hip hop. This first-ever vinyl pressing is another class act from RTA, too, with gorgeous mastering and an immaculate pressing. Only 1,000 of these were made (I have #94) so if you’re a true hip hop head, get on this STAT! #vinyl #vinylcollection #vinylgram #vinylgeek #vinylcollector #vinylcollection #records #vinylchallenge #vinylcommunity #decembervinylchallenge #hiphop @returntoanalog_mtl https://www.instagram.com/p/CmAVc1cAFMU/?igshid=NGJjMDIxMWI=
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2010s BOLLYWOOD ! -- TOP 236 FILMS OF 2010s BOLLYWOOD !
INDIES TOP 236 FILMS OF 2010s BOLLYWOOD !
With westernized Bollywood on the throes of its mini-liberation from old school film-making, the 2010s gushed in bringing an unsettling western-modelled ‘dark art’ culture along, dominated by mission ideas of dechauvinizing art societies, that laced with a new generally hyper-aggressive female liberalization pitch, & a more deeply politicized grain of art that Indian mainstream culture had surely never seen before. If to offer an interesting analogy, the 80s Bollywood revisited, but with female action heroes in lead, fighting the feminine way forward, & with 80s alternate cinema mode of art, breaking in to acquire & establish itself as the new mainstream Bollywood core.
That said, a decade that saw, the by now totally & utterly multi-nationally corporatized Bollywood, via fiscal networking, bring an amazing to the point of mysterious, further average 5 times growth in box office collection figures, over the previous decade no less. If to offer an imaginary comparative analysis, films that wouldn’t stand 2 days in cinemas in old Bollywood systems, now raking in cool 50-60 crs + worth of net biz!
If the 2000s ushered in “New Bollywood”, the 2010s transformed it beyond recognition.
Hold Indies hand, through the decade’s best most presentable art from “Genetically modified Bollywood”. A collection that can well be described as the best of “Intelligent Bollywood”, with John Abraham & his array of patriotic spy thrillers infused with praiseworthy integrity ruling the roost at Indies, followed by the talented Arshad Warsi & his modern classic courtroom drama exposing the deep root in the nation’s police & legal systems, a classic investigation drama on the corrupt bio-chemical industry, as also a slew of modern classic to highly entertaining comedies, following closely next. Also noteworthy being the super-legendary late Farooq Shaikh (in Indies All-Time Top 20 Actors!) registering no lesser than 6 films in the last 3 yrs of his marvellous career!
Till we meet again.
INDIES TOP 236 FILMS OF 2010s BOLLYWOOD ! (1/2)
1. .Laila Majnu
2. .Parched
3. .Shehjar
4. .Buddha In A Traffic Jam
5. .Court
6. .Udaan
7. .Rangrasiya
8. .Margarita With A Straw
9. .Kahaani
10. .Baar Baar Dekho
11. .The Answer
12. .Rahasya
13. .Ekk Deewana Tha
14. .Love & Shukla
15. .Chittagong
16. .Knock Out
17. .Vara: A Blessing
18. .Shaadi Mein Zaroor Ana
19. .Surkhaab
20. .Mukti Bhawan
21. .Jolly LLB
22. .You Are My Sunday
23. .Dilliwali Zaalim Girlfriend
24. .Parmanu : The Story of Pokhran
25. .Gali Guleiyan
26. .Talvar
27. .The Ghazi Attack
28. .Aisa Yeh Jahaan
29. .Queen
30. .Panipat
31. .Romeo Akbar Walter
32. .Dum Maaro Dum
33. .Mohalla Assi
34. .Phobia
35. .Trapped
36. .Samraat & Co
37. .Super Nani
38. .Tezz
39. .Zed Plus
40. .Mere Pyare Prime Minister
41. .Jo dooba so paar: It’s love in Bihar!
42. .Antardwand
43. .Lamhaa: The Untold Story of Kashmir
44. .Madras Café
45. .Megalopolis
46. .Tanu Weds Manu
47. .Bajrangi Bhaijaan
48. .Amavas
49. .Chitrangada
50. .Fever
51. .Ghayal Once Again
52. .Section 375
53. .Jhalki
54. .Citylights
55. .Malaal
56. .Aiyyaa
57. .Dark Chocolate
58. .Pusher
59. .Watch Indian Circus
60. .Satyagraha
61. .Delhi in a day
62. .My Name Is Khan
63. .Welcome 2 Karachi
64. .Aligarh
65. .Mirch
66. .Chakravyuh
67. .Soch Lo
68. .The Writer
69. .Neerja
70. .Mard ko Dard Nahi Hota
71. .Shorgul
72. .Shootout At Wadala
73. .Iraada
74. .Under Construction
75. .Helicopter Eela
76. .Will You Marry me
77. .Toonpur ka Superrhero
78. .Union Leader
79. .Kaanchi
80. .Prague
81. .Double Dhamaal
82. .7 Khoon maaf
83. .Fired
84. .Hichki
85. .Tell Me O Kkhuda
86. .Mohenjo daro
87. .3 Bachelors
88. .Filmistaan
89. .The Goa Run
90. .Happi
91. .DOA: Death of Amar
92. .Thinking of him
93. .A Death in the Gunj
94. .Bollywood Diaries
95. .Mary Kom
96. .Hate Story 3
97. .Shanghai
98. .3 Dev
99. .The Least of these: The Graham Staines Story
100. .1920 London
101. .Noukadubi
102. .John Day
103. .Peepli Live
104. .Kashi In Search of Ganga
105. .Paathshala
106. .Nautanki Saala
107. .3 Storeys
108. .PK
109. .Robot
110. .Ishk Actually
111. .Gang of Ghosts
112. .Pranaam
113. .2006 Varanasi: The Untold
114. .Fuddu
115. .Children of War
116. .Bhopal: A Prayer For Rain
117. .Bheja Fry 2
118. .Dev Bhoomi: Land of the Gods
119. .Youngistaan
120. .Bheja Fry 3
121. .Ek Tha Tiger
122. .Haider
123. .Maazii
124. .Club 60
125. .Holiday: A Soldier is never off duty
126. .Meridian Lines
127. .Cocktail
128. .Do Dooni Chaar
129. .Rudhramadevi
130. .Table No. 21
131. .Shaitan
132. .Total Dhamaal
133. .I M 24
134. .Aashiqui.in
135. .Rajneeti
136. .Dabangg
137. .Salt Bridge
138. .Sunglass
139. .Wajah tum ho
140. .Lingaa
141. .Vishwaroopam 2
142. .Vodka Diaries
143. .Listen… Amaya
144. .De De Pyaar De
145. .War Chhod Na Yaar
146. .Sir
147. .Vishwaroopam
148. .Me and my girlfriends
149. .Chennai Express
150. .Nude
151. .I Am
152. .Stanley Ka Dabba
153. .Dhobighaat
154. .The Japanese Wife
155. .Gulaab Gang
156. .Soundtrack
157. .Kick
158. .Hawaa Hawaai
159. .Memories in March
160. .The Hungry
161. .Kuldip Patwal: I Didn’t Do It
162. .Dabangg 2
163. .Mickey Virus
164. .Right Yaaa Wrong
165. .Chargesheet
166. .Baaghi
167. .Life of Pi
168. .Shahid
169. .Tere Bin Laden
170. .Sanam Teri Kasam
171. .Sultan
172. .B.A.Pass
173. .The Lunchbox
174. .Zindagi Na Milegi Dobara
175. .Paltan
176. .Rebellious Flower
177. .Talaash
178. .Happy Bhaag Jayegi
179. .Love Games
180. .Mausam
181. .Dangal
182. .Paan Singh Tomar
183. .Newton
184. .Raman Raghav 2.0
185. .Delhi Belly
186. .Noblemen
187. .Upstarts
188. .I Am Kalam
189. .Ada.. A Way Of Life
190. .Accident on Hill Road
191. .Yeh Dooriyan
192. .Once Upon A Time In Mumbai
193. .Karthik Calling Karthik
194. .Game
195. .Ready
196. .Bodyguard
197. .Chalo Dilli
198. .Khap
199. .Players
200. .Yeh Faasley
201. .Veer
202. .Satellite Shankar
203. .Lahore
204. .English Vinglish
205. .Kaagaz ke Fools
206. .I, Me Aur Main
207. .Lessons in Forgetting
208. .Murder 3
209. .Jab Tak Hai Jaan
210. .D-Day
211. .Hisss
212. .Saaho
213. .Jazbaa
214. .Nanak Shah Fakir
215. .The Last Poem
216. .Dhoom 3
217. .Rajneeti
218. .Samar
219. .Bhosle
220. .The Xpose
221. .Qarib Qarib Single
222. .The Tashkent Files
223. .Baahubali: The Beginning
224. .Akash Vani
225. .The Spectacular Jihad of Taz Rahim
226. .The Waiting Room
227. .Baahubali 2 : The Conclusion
228. .Dabangg 3
229. .Poorna
230. .Piku
231. .Secret Superstar
232. .Batla House
233. .Lootera
234. .Once Upon a Time In Mumbai Dobaara
235. .Special 26
236. .Tigers
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Test Bank For Business Data Communications and Networking, 13th Edition Jerry FitzGerald
Business Data Communications and Networking 13th edition
Business Data Communications and Networking
TABLE OF CONTENTS
About the Authors v
Preface vi
PART ONE: INTRODUCTION 1
Chapter 1: Introduction to Data Communications 1
1.1 Introduction 1
1.2 Data Communications Networks 4
1.2.1 Components of a Network 4
1.2.2 Types of Networks 5
1.3 Network Models 7
1.3.1 Open Systems Interconnection Reference Model 7
1.3.2 Internet Model 9
1.3.3 Message Transmission Using Layers 10
1.4 Network Standards 13
1.4.1 The Importance of Standards 13
1.4.2 The Standards-Making Process 13
1.4.3 Common Standards 15
1.5 Future Trends 16
1.5.1 Wireless LAN and BYOD 16
1.5.2 The Internet of Things 17
1.5.3 Massively Online 17
1.6 Implications for Cyber Security 18
PART TWO: FUNDAMENTAL CONCEPTS 25
Chapter 2: Application Layer 25
2.1 Introduction 25
2.2 Application Architectures 26
2.2.1 Host-Based Architectures 27
2.2.2 Client-Based Architectures 28
2.2.3 Client-Server Architectures 28
2.2.4 Cloud Computing Architectures 31
2.2.5 Peer-to-Peer Architectures 33
2.2.6 Choosing Architectures 34
2.3 World Wide Web 35
2.3.1 How theWebWorks 35
2.3.2 Inside an HTTP Request 36
2.3.3 Inside an HTTP Response 37
2.4 Electronic Mail 39
2.4.1 How EmailWorks 39
2.4.2 Inside an SMTP Packet 42
2.4.3 Attachments in Multipurpose Internet Mail Extension 43
2.5 Other Applications 43
2.5.1 Telnet 44
2.5.2 Instant Messaging 45
2.5.3 Videoconferencing 45
2.6 Implications for Cyber Security 47
Chapter 3: Physical Layer 57
3.1 Introduction 57
3.2 Circuits 59
3.2.1 Circuit Configuration 59
3.2.2 Data Flow 60
3.2.3 Multiplexing 60
3.3 CommunicationMedia 63
3.3.1 Twisted Pair Cable 63
3.3.2 Coaxial Cable 64
3.3.3 Fiber-Optic Cable 64
3.3.4 Radio 65
3.3.5 Microwave 66
3.3.6 Satellite 66
3.3.7 Media Selection 68
3.4 Digital Transmission of Digital Data 69
3.4.1 Coding 69
3.4.2 Transmission Modes 69
3.4.3 Digital Transmission 71
3.4.4 How Ethernet Transmits Data 72
3.5 Analog Transmission of Digital Data 73
3.5.1 Modulation 73
3.5.2 Capacity of a Circuit 76
3.5.3 How Modems Transmit Data 76
3.6 Digital Transmission of Analog Data 77
3.6.1 Translating from Analog to Digital 77
3.6.2 How Telephones Transmit Voice Data 77
3.6.3 How Instant Messenger Transmits Voice Data 79
3.6.4 Voice over Internet Protocol (VoIP) 80
3.7 Implications for Cyber Security 80
Chapter 4: Data Link Layer 88
4.1 Introduction 88
4.2 Media Access Control 89
4.2.1 Contention 89
4.2.2 Controlled Access 89
4.2.3 Relative Performance 90
4.3 Error Control 91
4.3.1 Sources of Errors 91
4.3.2 Error Prevention 93
4.3.3 Error Detection 94
4.3.4 Error Correction via Retransmission 95
4.3.5 Forward Error Correction 95
4.3.6 Error Control in Practice 97
4.4 Data Link Protocols 97
4.4.1 Asynchronous Transmission 97
4.4.2 Synchronous Transmission 98
4.5 Transmission Efficiency 101
4.6 Implications for Cyber Security 103
Chapter 5: NETWORK AND TRANSPORT LAYERS 110
5.1 Introduction 110
5.2 Transport and Network Layer Protocols 112
5.2.1 Transmission Control Protocol (TCP) 112
5.2.2 Internet Protocol (IP) 113
5.3 Transport Layer Functions 114
5.3.1 Linking to the Application Layer 114
5.3.2 Segmenting 115
5.3.3 Session Management 116
5.4 Addressing 119
5.4.1 Assigning Addresses 120
5.4.2 Address Resolution 125
5.5 Routing 127
5.5.1 Types of Routing 128
5.5.2 Routing Protocols 130
5.5.3 Multicasting 132
5.5.4 The Anatomy of a Router 133
5.6 TCP/IP Example 134
5.6.1 Known Addresses 136
5.6.2 Unknown Addresses 137
5.6.3 TCP Connections 138
5.6.4 TCP/IP and Network Layers 139
5.7 Implications for Cyber Security 141
PART THREE: NETWORK TECHNOLOGIES 159
Chapter 6: Network Design 159
6.1 Introduction 159
6.1.1 Network Architecture Components 159
6.1.2 The Traditional Network Design Process 161
6.1.3 The Building-Block Network Design Process 162
6.2 Needs Analysis 164
6.2.1 Network Architecture Component 165
6.2.2 Application Systems 166
6.2.3 Network Users 166
6.2.4 Categorizing Network Needs 166
6.2.5 Deliverables 167
6.3 Technology Design 168
6.3.1 Designing Clients and Servers 168
6.3.2 Designing Circuits 168
6.3.3 Network Design Tools 170
6.3.4 Deliverables 171
6.4 Cost Assessment 171
6.4.1 Request for Proposal 171
6.4.2 Selling the Proposal to Management 173
6.4.3 Deliverables 173
6.5 Implications for Cyber Security 173
Chapter 7: Wired and Wireless Local Area Networks 177
7.1 Introduction 177
7.2 LAN Components 178
7.2.1 Network Interface Cards 179
7.2.2 Network Circuits 179
7.2.3 Network Hubs, Switches, and Access Points 180
7.2.4 Network Operating Systems 183
7.3 Wired Ethernet 184
7.3.1 Topology 184
7.3.2 Media Access Control 187
7.3.3 Types of Ethernet 188
7.4 Wireless Ethernet 189
7.4.1 Topology 189
7.4.2 Media Access Control 189
7.4.3 Wireless Ethernet Frame Layout 190
7.4.4 Types ofWireless Ethernet 191
7.4.5 Security 192
7.5 The Best Practice LAN Design 193
7.5.1 Designing User Access withWired Ethernet 194
7.5.2 Designing User Access withWireless Ethernet 195
7.5.3 Designing the Data Center 197
7.5.4 Designing the e-Commerce Edge 199
7.5.5 Designing the SOHO Environment 200
7.6 Improving LAN Performance 202
7.6.1 Improving Server Performance 203
7.6.2 Improving Circuit Capacity 204
7.6.3 Reducing Network Demand 204
7.7 Implications for Cyber Security 205
Chapter 8: Backbone Networks 214
8.1 Introduction 214
8.2 Switched Backbones 215
8.3 Routed Backbones 218
8.4 Virtual LANs 221
8.4.1 Benefits of VLANs 221
8.4.2 How VLANsWork 223
8.5 The Best Practice Backbone Design 226
8.6 Improving Backbone Performance 227
8.6.1 Improving Device Performance 227
8.6.2 Improving Circuit Capacity 228
8.6.3 Reducing Network Demand 228
8.7 Implications for Cyber Security 228
Chapter 9: Wide Area Networks 237
9.1 Introduction 237
9.2 Dedicated-Circuit Networks 238
9.2.1 Basic Architecture 238
9.2.2 T-Carrier Services 241
9.2.3 SONET Services 243
9.3 Packet-Switched Networks 243
9.3.1 Basic Architecture 243
9.3.2 Frame Relay Services 245
9.3.3 IP Services 246
9.3.4 Ethernet Services 246
9.4 Virtual Private Networks 247
9.4.1 Basic Architecture 247
9.4.2 VPN Types 248
9.4.3 How VPNsWork 248
9.5 The Best PracticeWAN Design 251
9.6 ImprovingWAN Performance 252
9.6.1 Improving Device Performance 252
9.6.2 Improving Circuit Capacity 253
9.6.3 Reducing Network Demand 253
9.7 Implications for Cyber Security 254
Chapter 10: The Internet 265
10.1 Introduction 265
10.2 How the InternetWorks 266
10.2.1 Basic Architecture 266
10.2.2 Connecting to an ISP 268
10.2.3 The Internet Today 269
10.3 Internet Access Technologies 270
10.3.1 Digital Subscriber Line 270
10.3.2 Cable Modem 271
10.3.3 Fiber to the Home 273
10.3.4 WiMax 274
10.4 The Future of the Internet 274
10.4.1 Internet Governance 274
10.4.2 Building the Future 276
10.5 Implications for Cyber Security 277
PART FOUR: NETWORK MANAGEMENT 284
Chapter 11: Network Security 284
11.1 Introduction 284
11.1.1 Why Networks Need Security 286
11.1.2 Types of SecurityThreats 286
11.1.3 Network Controls 287
11.2 Risk Assessment 288
11.2.1 Develop Risk Measurement Criteria 289
11.2.2 Inventory IT Assets 290
11.2.3 Identify Threats 291
11.2.4 Document Existing Controls 293
11.2.5 Identify Improvements 296
11.3 Ensuring Business Continuity 296
11.3.1 Virus Protection 296
11.3.2 Denial-of-Service Protection 297
11.3.3 Theft Protection 300
11.3.4 Device Failure Protection 301
11.3.5 Disaster Protection 302
11.4 Intrusion Prevention 305
11.4.1 Security Policy 306
11.4.2 Perimeter Security and Firewalls 306
11.4.3 Server and Client Protection 312
11.4.4 Encryption 315
11.4.5 User Authentication 321
11.4.6 Preventing Social Engineering 324
11.4.7 Intrusion Prevention Systems 325
11.4.8 Intrusion Recovery 327
11.5 Best Practice Recommendations 328
11.6 Implications for Your Cyber Security 330
Chapter 12: Network Management 340
12.1 Introduction 340
12.2 Designing for Network Performance 341
12.2.1 Managed Networks 341
12.2.2 Managing Network Traffic 345
12.2.3 Reducing Network Traffic 346
12.3 Configuration Management 349
12.3.1 Configuring the Network and Client Computers 349
12.3.2 Documenting the Configuration 350
12.4 Performance and Fault Management 351
12.4.1 Network Monitoring 351
12.4.2 Failure Control Function 353
12.4.3 Performance and Failure Statistics 355
12.4.4 Improving Performance 358
12.5 End User Support 358
12.5.1 Resolving Problems 358
12.5.2 Providing End User Training 360
12.6 Cost Management 360
12.6.1 Sources of Costs 360
12.6.2 Reducing Costs 363
12.7 Implications for Cyber Security 364
Appendices (Online)
Glossary (Online)
Index 373
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The future of learning is …
At our INSET day on Monday, we spent time thinking about the recent advances in Artificial Intelligence (AI) and the potential impact on education. AI has been around for years, but the release of large language models such as Chat GPT has rapidly increased our ability to create content. My understanding is that these models now contain all quality human content ever written and further advances this year will see the introduction of images, including videos, rather than words. There is obvious concern regarding the trust element of how genuine such information may be, as deep fake videos proliferate; indeed, some people think that deep fakes may already have swung an election in Slovakia.
AI already makes humans more efficient and this will only increase this year. Monday’s guest speaker, Dr Andy Kemp, drew parallels between the use of calculators in mathematics and the impact upon the curriculum. Although AI is more general than calculators, I found this to be a useful analogy, not least because, as a mathematics teacher, I can see the difference calculators have made in the classroom. They make us more efficient, allow us to go further, to move on to more complicated mathematics without spending hours on long calculations. This doesn’t mean that we don’t need to do basic arithmetic – we do - because it not only allows us to check for mistakes, but also increases our understanding of the key building blocks of the subject. In many ways, mathematics classrooms look very similar to how they did 50 years ago, but we have learnt how to use calculators to allow us to go further, to do harder sums. In the same way, with the advances of AI, students in the humanities and arts will have the ability to produce an essay with minimal input; this may be considered to be disruptive, but it will also allow us to go further.
Making predictions for the future is fraught with danger, but I suspect that over the next 12 to 24 months, we will see advances in how these large language models are used to make us more efficient, for example, in helping pupils to learn and make progress. We know that testing is an important part of learning, but this is most effective if you get immediate and precise feedback. As a pupil, you want to spend most of your time on the ‘hard’ part – the testing – rather than creating questions or flashcards. AI can already do most of this and I am confident that there will soon be a proliferation of products that have taken the generic models such as Chat GPT and used to them to create something specific that directly helps our pupils learn, freeing up precious time to focus on more impactful activities.
There are clearly some challenges with formal assessment and, in the short term, I can see a move towards more examinations and less coursework, but it will be interesting to see how this develops. Dr Kemp made the case that in the future, it may be possible to have assessments based upon an interview (with a computer), just as a PhD student has a viva at the end of their studies.
Schools will adapt and I feel positive about some of the opportunities that will arise, but I don’t see the role of teachers and schools changing too much. We will continue to play a vital role in guiding pupils, while AI will provide invaluable support in tailoring learning experiences. Together, we can create a dynamic and enriching environment.
There are dangers and pitfalls, but we will continue to work with you and our pupils to navigate this digital transformation responsibly. By staying informed and engaged, we can ensure that AI is harnessed to empower and enhance the educational journey for all.
Andrew Wright, Headmaster
(Bulletin No 94 - Friday 12 January 2024)
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Sensor Fusion Market Expected to Reach $19837.9 Million, Globally, by 2030 at 19.7% CAGR: Allied Market Research
The sensor fusion market size is expected to witness considerable growth, owing to the increase in number of autonomous vehicles and consumer electronic devices. The sensor fusion market is projected to witness significant growth during the forecast period.
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According to a recent report published by Allied Market Research, titled, “Sensor Fusion Market By Type, Technology, and Industry Vertical: Global Opportunity Analysis and Industry Forecast, 2021–2030”, the sensor fusion market size was valued at $3,546.2 million in 2020, and is projected to reach $19,837.9 million by 2030, registering a CAGR of 19.7% from 2021 to 2030.
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•121 – Tables
•94 – Charts
•307 – Pages
The sensor fusion is increasingly used in various industry applications such as automotive, healthcare, consumer electronics, military & defense, and other industries. The global sensor fusion market share is expected to witness significant growth as the demand for these industries is on the rise. Sensor fusion finds applications in smartphones, tablets, vehicles, medical devices, and other industrial equipment.
Prime determinants of growth:
Notable factors positively affecting the sensor fusion market growth include increase in sales of self-driving vehicles and rise in number of portable and wearable electronic devices. Electronic devices such as smartphones, and smartwatch, witnesses high demand. Further, increase in penetration of electric vehicles fuels the demand for sensor fusion industry. The miniaturization of the electronic components to save the space and design of compact electronic devices drives the growth of the market. Furthermore, rise in digitalization and increase in application of sensor fusion in robotics are expected to offer opportunities for the growth of the market in the coming years.
Report Coverage and Details:
Aspects
Details
By TYPE
RADAR SENSOR
IMAGE SENSOR
IMU
TEMPERATURE SENSOR
OTHERS
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By INDUSTRY VERTICAL
AUTOMOTIVE
HEALTHCARE
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MILITARY & DEFENSE
INDUSTRIAL
COVID-19 Scenario:
The COVID-19 pandemic is impacting the society and overall economy across the globe. The impact of this outbreak is growing day-by-day as well as affecting the supply chain. It is creating uncertainty in the stock market, reducing business confidence, hampering the supply chain, and increasing panic among customers. European countries under lockdown have suffered a major loss of business and revenue due to shutdown of manufacturing units in the region. Operations of production and manufacturing industries have been heavily impacted by the sensor fusion market in 2020.
Sensor fusion is the accumulation of data from multiple sensors to gain an accurate picture of the sensors than can be determined by any one sensor alone. Such fusion of different types of sensors together reduces errors. Sensor fusion devices make use of advanced sensor fusion algorithms. These algorithms are developed to integrate the real-time data and measurement outputs into a unified interpretation. This involves the multiple sensor fusion arrays with different types of sensors with different chemical and biological coatings. Sensor fusion is majorly widely used in consumer electronics and automotive applications. Automotive industry is expected to grow with the significant growth rate during the forecast period.
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Leading Market Players:
Analog Devices Inc.
NXP Semiconductor
Renesas Electronics Corporation
Bosch Sensortec GmbH
InvenSense Inc.
Infineon Technologies
STMicroelectronics
Asahi Kasei Microdevices
BASELABS
Maxim Integrated
The report provides a detailed analysis of these key players of the global sensor fusion market. These players have adopted different strategies such as product development and product launch to increase their market share and maintain dominant shares in different regions. The report is valuable in highlighting business performance, operating segments, product portfolio, and strategic moves of market players to showcase the competitive scenario.
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The present sensor fusion market forecast is quantitatively analyzed from 2020 to 2030 to benchmark the financial competency.
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The report includes the market trends and competitive analysis of key vendors operating in the sensor fusion market.
By Region:
North America (U.S., Canada, and Mexico)
Europe (U.K., Germany, France, Italy, Spain, Russia, Netherlands, Belgium, Poland, and Rest of Europe)
Asia-Pacific (China, Japan, India, South Korea, Australia, Malaysia, Thailand, Philippines, Indonesia, and Rest of Asia-Pacific)
LAMEA (Latin America, Middle East and Africa)
Trending Reports in Semiconductor and Electronics Industry (Book Now with Up to 20% Discount + COVID-19 Scenario):
Antenna Market size is projected to reach $40.1 billion by 2032, growing at a CAGR of 9.1% from 2023 to 2032.
Image Sensor Market size is projected to reach $87.5 billion by 2032, growing at a CAGR of 12.9% from 2023 to 2032.
Superconductors Market share is projected to reach $17.4 billion by 2032, growing at a CAGR of 10% from 2023 to 2032.
Power Cable Market size is projected to reach $277.8 billion by 2031, growing at a CAGR of 6.4% from 2022 to 2031
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Top 100 Albums of 2023
100. Ibex Clone - All Channels Clear
99. Squirrel Flower - Tomorrow's Fire
98. Wild Nothing - Hold
97. The Natvral - Summer of No Light
96. Mutual Benefit - Growing at the Edges
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94. White Reaper - Asking for a Ride
93. bar italia - The Twits
92. The Hold Steady - The Price of Progress
91. The Tallest Man on Earth - Henry St.
90. Water From Your Eyes - Everyone's Crushed
89. Danny Brown - Quaranta
88. Drop Nineteens - Hard Light
87. Luggage - Hand Is Bad
86. Parannoul - After the Magic
85. Beach Fossils - Bunny
84. Youth Lagoon - Heaven is a Junkyard
83. CIVIC - Taken By Force
82. Squid - O Monolith
81. The Lemon Twigs - Everything Harmony
80. Kevin Morby - More Photographs
79. Frankie Rose - Love As Projection
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77. Unknown Mortal Orchestra - V
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49. Feeble Little Horse - Girl With Fish
48. Keep - Happy In Here
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LINKS WEST END:
MARKETPLACE:
https://marketplace.secondlife.com/es-ES/stores/47843?utf8=✓&search%5Blayout%5D=gallery&search%5Bcategory_id%5D=&search%5Bsort%5D=released_at_desc&search%5Bper_page%5D=24&search%5Bkeywords%5D=&search%5Bprice_low%5D=&search%5Bprice_high%5D=&search%5Bland_impact_low%5D=&search%5Bland_impact_high%5D=&search%5Bcopy_permission%5D=0&search%5Bmodify_permission%5D=0&search%5Btransfer_permission%5D=0&search%5Blimited_quantities%5D=0&search%5Bis_demo%5D=0
LANDMARK:
http://maps.secondlife.com/secondlife/kunst/94/213/34
STORE SOCIAL NETWORKS WEST END:
FLICKR:
https://www.flickr.com/photos/belovedruby/
FLICKR GROUP:
https://www.flickr.com/groups/west-end/pool/
FACEBOOK:
https://www.facebook.com/westendsl
★✩ Thanks for reading, don't forget to love the post ツ
MY SOCIAL NETWORKS
FLICKR :
https://www.flickr.com/photos/196567685@N04/
FACEBOOK :
https://www.facebook.com/profile.php?id=100056900617765
INSTAGRAM:
https://www.instagram.com/madisonhdaft/
TWITTER:
https://twitter.com/MadisonhDaft
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