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#And the second one was a redraw of the one that I think set off the Angery last time
attleboy · 47 minutes
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okay so it's been a bit... sorry about that??? ^-^; here's a quick doodle dump to make up for it with a brief (for me) explanation of where i've been at the end <3
some things that were meant as ask responses but i never felt like posting
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scattered bits from a lore headcanon comic i have no plans of finishing... set when jax first joined and ragatha was still new, before shit happens (queenie abstracts) and things got worse for them...
idk i like thinking about the possibilities and i like it when characters start out hopeful and get it beaten out of them so i'm giving jax and ragatha that treatment in my head :)
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here's the "behind the scenes" stuff i mentioned in the second of my raggedy ann tadc crossover posts
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and here's me giving pomni varying levels of a hard time
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old aggie board stuff
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one of my first ragatha and pomni drawings on the left (nov 2023) and a lil redraw on the right.... (mar 2024) pls... don't mind my old ragatha design i didn't know what i was doing
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and for those who like my sona, doodles inspired by the mafia roleplay/au(?) that's been around... not actually part of it, but i was part of a mafia roleplay myself back in 2020 so idk, consider it an acknowledgement of my roots :D
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OKAY so where i've been... well at first it was a normal break, but then i figured i'd extend it until finals were over so i wouldn't get distracted! probably should've given some warning but ehhh i got busy fast and getting to go off grid for a bit was relaxing :)
anyway i'm all done so i'm back more or less??? still fatigued from studying for weeks straight so idk when i'll pick up the pen again but that'll be soon i hope... and bc i drafted this before it was posted YES i've seen the episode 2 trailer!!! very cool i'm very excited!! gonna try and get ep 2 hype art out before it drops!! :D
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amerricanartwork · 7 months
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Current digital art process!
Acting on @shkika 's request because making my redraw for this post actually ended up giving me more confidence in my digital art process! As such, I'm gonna use it as a reference. And if this walkthrough of sorts turns out nice, I might do it again as my process evolves!
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I started off with a quick sketch of sorts, trying to focus both on movement and volume, and get the general idea of where each element is located. I edit the image dimensions and placement of things a lot in this phase, as my ideas often tend to change once I actually begin drawing them. In this case, as I got it down, I decided I wanted it to look like some cheesy animal motivational poster, so that influenced where the text was.
From there, I began to clean and sometimes edit the sketch, mainly by thickening the lines to make the shapes more definite, and erasing what wasn't necessary and interfered with other parts. Volume is one of my biggest focuses in my drawings, so I try my best to get the volume of each character at least hinted at with the lines. This is something that will probably remain in my process for a while, as I quite dislike doing separate lineart and like the messy, sketchy feel anyway.
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I also wanna mention, in addition to having references and such in other windows, I've recently begun having a second mini window of my current drawing off to the side so I can see what it looks like overall more easily, regardless of how much I zoom in on and flip the main window. It's quite helpful!
For reference, this is what the final sketch looked like:
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Then, I went on to add the flat colors. Another tip: I almost always set my sketch layer to "Lumi & Shade" because I think it makes the line colors a lot richer, but since it's based on what colors are underneath, it colors the lines a lot more individually than changing the sketch color as a whole. Here's some comparison to a version without the effect (left):
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Then, I add some shading using a (really nice) marker brush. This is honestly one of my favorite parts of the process, just trying to carve out all the volumes, especially since I usually use a pretty blue color for shadows!
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Sometimes, I honestly just leave drawings finished at this step, because I adore the sketchy look so much, and because I really don't like the tediousness of more realistic rendering in the painting process; from what I've seen/experienced, it often involves having to basically paint the entire image over again, which I've realized I find REALLY boring (and is also why I clean the sketch instead of making a new lineart layer). As such, one of my hopes is to reach a point where I could almost completely avoid having to clean up the image in a traditional painting method, instead being able to lay down lines and colors so well that they convey nearly all the volume necessary on their own, still have that sketchy appeal, yet also look finished and professional.
Alas, I did do a bit of clean up on this image, but I think it still turned out alright!
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Here's the finished drawing! I'll have to practice with this process a bit more to truly solidify it as my digital go-to, but nonetheless, I think this came out adorable! Thanks again shkika for the ask, and thanks to @mintscampi for the sweet prompt! I hope you guys like it!
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theramusen · 2 months
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EVIL DOUBLED (FNAF AU)
This was sorta just for fun while I do school and what not! AU idea where Henry and William are BOTH evil and work together!
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This screenshot redraw is what started it all!
Thats William’s remnant in there btw hes sorta michael-mode rn but theyre gonna put it back in him once theyre done posing all cool- He JUST survived being springlocked for the first time
Now lets get into ref sheets! (There will be a page break after and all lore/info about the au will be down there!)
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OK SO!!! The au def is similar to canon a lot and so
The MAJOR plot changes would be:
-Will and Henry BOTH get springlocked
•this fucks over Cassidy and CC being in Fredbear already though, so to solve this issue Cassidy, CC, and Charlie, will all share the puppet.
-Henry now occupies Fredbear instead, and so we now get Springtrap and Beartrap.
-William does NOT have time for the wife murder subplot, so Mrs. Afton (Clara) gets to live fully, she replaces Henry now. Diving into the duo’s blueprints and creations so she can one day stop them. She works with Michael.
-Henry’s wife is ALIVE! Her name is Dorothy and she returns to Hurricane after receiving a call from Clara. She also becomes a Henry replacement.
-Because of Clara and Dorothy’s new role, the pizza sim speach is now WAY more female rage style. This is the wrath of scorn mothers. UCN will be 100000x worse.
-Oh and no disks- William tries to push them but Henry 100% shuts them down and thinks theyre dumb.
-So fnaf 4 is JUST cc’s dying nightmare and eventually michael DOES get gas drugged and sees the nightmares but thats NOT fnaf 4 thats just a bad trip!
-Also, with William not being able to run rampant with random robot murder (Henry keeps him in check) we DO see the base finale in pizza sim.
-When we get into help wanted, ar, security breach, and ruin that follows a SECOND plot line fully separate from the first, where we see a surge of copy-cat killers (this is where we get characters like Vanessa and Jeremy, and Gregory will also be a part of this, being the main villain in Ruin now bc the Mimic was never made)
-William and Henry are a good team here, mutual bond and gain.
-William is far more explosive and emotional, his drive coming from CC’s death sorta setting off a domino effect of underlying mental health issues. He just kinda loses it. This team gives him the delusion that he may one day see CC again.
-Henry is in it bc hes a capitalist. And hey, turns out unlike electricity, theres NO remnant bill. So making all his robots run on human souls is cheaper! He doesnt really care much about charlie after like 3 months of her being dead. He knows it was William. He doesn’t care.
GENETICS?!
yeah theres genetics-
not gonna draw out the punnet squares but the colors of the characters ARE genetic traits!
Henry’s grey is a rare recessive trait. So it was EXTREMELY unlikely to pass onto Charlie. Which it didnt.
Dorothy’s green is a common dominant trait, Charlie ended up green like her!
William and Clara are BOTH purples. William is a more blue-purple, Clara is a more red-purple (commonly mistaken for pink!)
Both purples are dominant traits, so it is a 50/50 with their offspring to produce a blue-purple or red-purple.
Michael and Elizabeth both ended up red-purple!
Michael is VERY red-purple, very much almost mistaken for pink like his mom.
Elizabeth is closer to true purple than michael, but still red-purple!
CC is the only afton child to end up blue-purple! If he hadnt died he wouldve ended up being Williams favorite child!
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Happy 2000-- er... 2400 followers! I suppose this is what I get for overestimating how long it would take me to do two full bodies and 14 busts which I wound up cropping anyway lol.
Bonus commentary under the cut!
Link to the version with no commentary (x)
So first off, this was a considerable challenge for me since I don't normally draw in an anime style, and I think that shows. There were a lot of wonky proportions that I ended up having to go back and sort of fix in post. Irida, Rei, and Akari were especially bad-- my own sister told me that Rei looked like "a cross between a Victorian orphan and a frog". I decided to redraw all three of them, but since I drew them on a smaller canvas, I think it messed with the resolution a little when I shrank them down. I'm not sure anyone would notice if they weren't looking for it, but I've been staring at this for so long that I can't unsee it.
Next was the brilliant decision to put Emmet, Elesa, and Drayden on a light background. They initially faded right in, so I went back over some of the outlines to make them more readable; I had also tried putting the whole Unova set on a darker background, but found that it drew too much attention and unbalanced the piece.
On to the good things!
I adore how Melli and Zisu turned out. I don't know what it was, but my art game was on point that day.
I also had a lot of fun trying out different motifs. I knew from the outset that I wanted to play around with the duality of black/white, the duality of past/future, and the idea of making the whole disk resemble a PokéBall. The center design had me stumped for a while; I had initially used screenshots of the Highlands and Gear Station as placeholders during my planning stage, but around halfway through I decided that would be too busy and changed it to a simple railway track design instead. Then I decided I didn't like that either, and at the last minute I went back to a simplified version of my original concept. I think the stylized Coronet mountain range and subway train work nicely.
Other trivia:
During my planning phase, I used everyone's official art as placeholders-- except for Zisu, who for some reason I couldn't find any for. I used a screenshot for her placeholder, and referenced her TCG card for the final drawing.
Emmet being the only character drawn from a head on angle was deliberate. I wanted to subtly highlight his importance while still being able to place a key Pokémon in the center of both groups.
I drew all of my initial sketches on paper, lined and colored in Clip Studio, and compiled/edited everything in GIMP. I am a chaos gremlin and I will not apologize.
The reason I settled on a Station of Awakening as a follower celebration is threefold: The first is that I was hanging out with some good friends, and we wound up playing Melody of Memory. I forget exactly how it came up, but it was definitely a joke at the time as I do recall saying that it would take me forever... which it did, lol. The second reason is that I later realized that my first post on the blog (after the original "Ingo shouldn't be in old timey Hisui" (x) post) was Kingdom Hearts themed (x). The circle of stupidity is complete! And finally, I'm old enough to remember when making one of these for your blorbo was The Big Fandom Thing ™ that everyone did, and I wanted to indulge in a bit of nostalgia.
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cboffshore · 4 months
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hi everyone. I come bearing IICT(OSC) insider knowledge, hints, and memes.
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bc spoilers: everything else is under the cut. Do not proceed before you read the fic. Unless you like having twists untwisted in advance. That's on you.
(one day I wanna try my hand at redrawing/tracing this Gayle meme to be Nya, but that's neither here nor there.)
If I ever do any super, super in-depth analysis of this work, it's not happening today, as I'm fighting a weather migraine and longform ideas are NOT my friends. However, I did want to make a few fun bonus notes. These aren't bulleted bc mobile browser formatting.
The weapon in the escape scene was only originally supposed to be a rusty pipe (loosely inspired by a piece of Fall Out Boy promo art used on "What a Time To Be Alive", and yes I KNOW Pete has a baseball bat. I said LOOSELY.) I waffled on the chain element for a LONG time. However, on Halloween, Han doodled this for Trick or Treat asks, and that was enough to make me commit to the idea. @spinjitsuburst: I have no idea if you've read this fic or not, but I never did properly tell you how helpful that was. (And none of that is a spoiler if you do go read it, just turn back now and you'll be safe.)
The Incense Gambit is a real chess strategy; however, we don't call it that. The actual move set is called the Bongcloud Attack, which I learned about when I was doing chess research for this fic. I started out by trying to learn chess online, and at some point, I decided it would be fun to have Nya win with a recognizably stupid move set. Knowing very little about chess at that point (having lost to most of the bots and people I played), I Googled a list of joke chess openers and picked the one that made me laugh the hardest. The Mighty Donut was in second place, but that requires both players to cooperate, so that wouldn't have worked. Not wanting to write "what, you've never heard of the Bongcloud Attack?" as a dialogue line, I switched the name to Incense Gambit both as a reference to smoke and for the fact that "incense" also means "to anger." I should also disclose that one of my few chess wins happened when I USED the Bongcloud, which... that's not normal.
In my first outline, the REAL Landon was originally supposed to set off the escape sequence. Stopping Nya was supposed to be pure luck/desperation on his part, followed by an encounter with Nadakhan where I would've been able to cram in a small analysis of how he treats his crew members. It didn't work out and I never wrote it, but there were secret passageways involved, and it could've been fun if I'd gotten it to work. I still think that bringing the shapeshifting back was the wiser choice, though.
I've already gotten two separate comments that, to different degrees, claim this would have worked as a plausible canon installment. Which is good! The whole point of this is to fill the gaps in her experience, so hearing that this seems believable is always lovely.
If you reread c5, take note of who resets the board each time. Without realizing it, I assigned that duty to whoever feels more strongly that they are controlling the situation at that point.
The wine vs tea thing I hinted at in a few past posts: both beverages are written as symbols of how much Nadakhan is present in a given scene. Wine only appears if he's directly visible - things like the chess sequence and in the dream, where I use wine to describe the air. Tea, however, only appears if Nya can't see him, but he's still influencing the events. These include his gloves smelling like black tea when Nya is blindfolded, the presence of tea on the meal tray, and - of course - the tea she uses as a weapon in the escape sequence.
Speaking of the escape sequence, I made this meme VERY early on and I still find it stupid funny:
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rosybetta · 11 days
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Who’s your DnD character? And, did you defeat a dragon with the power of friendship??
I'M SO GLAD YOU ASKED
Okay so when I say "defeat", it was more like "she surrendered", but a win is a win!! I'll get to that in a second -
This is Pip! Short for Piperre, she's my houndfolk glamour bard!! I'm in the process of redrawing her to suit my current art style, so this is the best art I have of her right now lol. She's just a little ouppy that plays the harmonica and the banjo and I ADORE HERRRRRR.
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Her backstory is a bit convoluted, but the major highlights are: She was kidnapped from her clan as a pup and sold to some drow royalty, where she was trained as an entertainer/handmaid/servant for the princess (yikes). She escaped with a gang of orc thieves who raided the drow castle. She acted as their "distraction" getaway person for a while, until she inevitably got caught while distracting the city watch, so she ended up in jail.
I'll put the rest under the cut bc I got kinda carried away lol
That's where this new campaign picks up! I'm a bit busier than the other players, so my character needed to be able to disappear occasionally. So I worked with the DM and we landed on this... While in jail, Pip was visited by "The Jester", the main antagonist(????) of our campaign (I think?? It's confusing). He offered to free her and set her up with a secure comfortable life far away from the people looking for her... she just had to agree to complete tasks for him on occasion. When she made the deal, she was told it would be "nothing that would weigh on your conscience", but it turns out that she just has no memory of what happens. Long story short, when the rest of the party meets her, she's an entertainer at the local inn, and disappears some nights, waking up in odd places with unexplained scrapes and bruises. But she's not gonna let that get her down!
Buncha other stuff happens that I can't easily summarize, but anyway. The green dragon stuff!! Long story short, we've found ourselves in an underground fighting competition thing, essentially a dungeon crawl where each room is another fight closer to the exit. This is the opening "qualifier" match, so we're allowed to pick our opponents, and Pip obviously chooses to face off against the other bard in the lineup. What ensues is a brief but spectacular...
BATTLE OF THE BARDS!!
Pip pulls some showstopping bardic ability shit and the crowd goes WILD, her opponent forfeits the match, and she's doing a victory lap around the ring with the rest of the party, when one of the competition organizers approaches her. Essentially, this woman "collects unique talent", and was very impressed by Pip's performance. Pip politely declines because "I don't do residencies, sorry! ^-^", and the woman is like "Oh, I Wasn't Asking". And that was the end of the session for the night.
SOOO before next session, we brainstorm a plan. Essentially, we challenge the green dragon to a fight using the terms of the competition - not to the death, but each party wagers something of equal value if they lose. We wager one of ours, for one of hers. (We suspected she was holding a beloved NPC hostage.)
She accepts, and the battle begins! Predictably, it's a TOUGH fight, but she's not in FULL dragon form, just partially-tranformed, so it's a bit easier. The turning point is when our aaracokra monk, who is kinda the glue holding our party together, gets targeted. He had just dealt some serious damage to her (thanks to my bardic buffs), but left himself vulnerable in the process. The dragon goes in for the kill, delivering a wicked slash that sends him across the ring, unconscious.
He's making death saves now. This is bad.
The dragon moves in for a killing blow, BUT that gives the rest of us a chance to make an opportunity attack against her! We had some really ulucky rolls, which we explain narratively by saying we're all in utter shock at our friend being taken down like that.
And then it's Pip's turn. She turns and makes eye contact with our aasimar paladin. The paladin nods. Pip turns back to the dragon, snarling. They've NEVER seen her this angry; it transforms her whole demeanor. That's her FRIEND, and she is ABSOLUTELY FURIOUS.
Now, some background here: When Pip first met the party, her nightly disappearances were linked to some bad shit that the rest of the party was there to investigate. There was a lot of suspicion initially, but once they filled her in on what had been happening, Pip was wracked with guilt, and swore she never knew she was a part of it all. The aaracokra monk was one of the last to put aside his distrust, but once he did, he became one of her strongest supporters. He ALWAYS had her back, assuring her that he wouldn't let anything take away her freedom again, even if they didn't know what was causing her disappearances (and apparently crimes). He was the first to run out into the ring to celebrate with her when she won the battle of the bards! He means A LOT to Pip.
So when he's taken down by the green dragon, our little supportive healer switches into fucking Attack Mode. And uhh I could just describe what I did mechanically, but it's more fun to make it a whole dramatic scene.
Pip plays the banjo, right? Well, I decided she can probably pull some bard magic bullshit to make it sound however she wants... Mostly so I could justify using a certain song for what she does next. Imagine the opening notes of this song in the following moments. >:)
She strums a sinister chord, then raises her banjo up as if it was a bow, pulling back a glowing magical bowstring. As she fires, an arc of magic shoots across the ring like an arrow. And in that split second, a deafening, discordant screech thunders from within the dragon's ribcage, shaking the earth, shattering nearby rocks, raising a cloud of dust in the air. The dragon's scales rattle, bones crack, muscles shudder as this wave of pure sound thunders all around her.
Pip cast the strongest spell she knows at the highest level she possibly could, dealing enough damage to send the dragon to her knees. This buys our paladin just enough time to slip past her and heal our monk, stabilizing him. But before the dragon can fully recover, the paladin is back on the offensive, going ALL OUT, sword blazing with divine fire, body radiating light in a way I can only describe as Going Nuclear. She tears through the dragon's wing, and that was the final nail in the coffin.
The dragon, grounded and badly hurt, cries out, "I yield!" Our monk rises to his feet and looks down at her, tired but triumphant.
And THAT, my friend, is how we defeated a green dragon with the power of friendship and incredible violence.
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kogarashi-art · 12 days
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It's the last previews for Falling Into Darkness!
Important note before I go into some details on the pictures: I will, in general, not be doing this for other fanfics I post. The main reason I did this series of illustrations was as something of a treat for finally crossposting this 10-20-year-old story to my AO3 account. I don't really plan to draw a ton of illustrations for other fics I do.
That being said, I may do occasional images that will be posted with future stories on AO3 (I have a quick one for the first chapter of the next fic I plan on posting, for one), and if I do other fanart, related to a fic or not, I still plan to post art here.
But I'm glad for all the kind comments and everyone enjoying this series of illustrations with me. :D You guys are awesome.
With that, description-stuff (including more behind-the-scenes than usual) below the cut. 'Tis long; be forewarned.
First up, arguably the easiest illustration to do in the whole set. It's a silhouette, so the foreground wasn't really an issue (other than trying to get the edge glow just right, and I still don't think I quite managed but I'm definitely telling myself not to mess with it any further). The background was already painted for the second illustration in the whole set:
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I just fixed up the paths and the treetops and added a little lookout stand to the building on the right, now that Sonic and Sally weren't blocking those spots. After all, it's supposed to be the same view anyway, so I figured I'd make it easy on myself and not have to completely repaint the scene.
The second image employs some little cheats here and there. Here's the original sketch from my sketchbook for comparison:
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Very loose, lacking detail. Straight lines are more like suggestions. The robots are spiky blobs. I have a literal note next to a stick figure and a hollow shape telling me to get some references. There's the barest hint of the alcoves the robots are standing in.
I didn't show this level of behind-the-scenes off with other illustrations in this series (though I suppose if anyone's ever interested, I could do a process post about how I worked on these), but one of the first things I did with this series of illustrations was sift through the roughly fifty individual sketches I'd drawn to illustrate various parts of the story (not counting redraws of portions), ranging from vague shapes to much more detailed drawings, to narrow it down to the ones I was actually going to finish for this project. I ended up with 27 total images, including the two I'm previewing today, focusing on having at least one but no more than three images per chapter.
Once I'd determined which sketches, like the above, were going to become a finished piece, I then went through each and every one of them in Photoshop with a sketch pencil brush and filled out the sketches to a point where I could reliably ink them. That meant things like swapping out figures that didn't work with redraws of them or making size adjustments, like so:
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The first image is the second illustration, and you can see I redid Sonic because his initial pose didn't work. The redraw was actually a pose of him I did to draw his post-Mobianization robotic elements from the end of the story, but the stance was actually good for what I needed, so I Photoshopped it in and then sketched the rest of the replacement drawing digitally. The second image is Sally watching Knuckles walk away, and you can see that I changed her left arm, and also reproportioned her body prior to inking (bigger head, smaller body).
And for pieces like the final one in this illustration series, I sketched in all the details that were missing from the initial sketch (which, as I said, was pretty barebones; in my defense, it was the last one I drew, and by that point I was pretty tired of drawing robot hedgehogs so Sonic was something of a stick figure in most of the last chapters' sketches).
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And here's where one of the cheats comes into play. I drew one robot hedgehog. Specifically the one you see the most of, near the tip of Robotnik's cape by the drafting table. I drew it on its own layer in Potoshop, then copied and pasted it into all of the other holding bays, erasing parts that wouldn't be visible as I went along. I also went and found those references I needed for Robotnik and Snively and drew the two of them properly.
And then, because I much prefer physical pen-to-paper inking over digital (my tablet is not one of the fancy screen ones, and I've yet to really get comfortable digitally inking with it, despite owning it for nigh on twenty years), I colored all of the sketches red, assembled them in groups on letter-sized images, and printed them out onto cardstock (my preferred medium when I'm going to be traditionally inking). I inked them with my various inking pens (some Sakura Microns, some Faber-Castell PITT pens), scanned each sheet back into my computer, and cleaned up the lines in Photoshop (the reason for the red printout was to make it a bit smoother removing the sketch from the inked lines, though it wasn't as clean as I would've liked; oh well).
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That left us with the above. Because I inked them each by hand individually, the robots don't look copy-pasted, because it was the underlying sketch that had been, not the ink work. The tables and holding bays also have straighter lines thanks to using a proper ruler for those (though I didn't concern myself too much with things like perspective and right angles), and after drawing the straight line, I went back freehand over spots to give them a bit of that hand-inked wobble.
From there it was a matter of laying down the flats in Photoshop, then shading, adding effects, etc. I like the cold yellow light I've got on the robots, and the overall shading on the yellow cape. Also that sense of satisfaction when I called this one done, because it was the last one. Huzzah.
I'll see you on Monday for the last chapter!
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starilicious · 4 months
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mere haath mein (echo x gn!reader)
》 summary: reader and echo's love story from strangers to friends to lovers throughout the clone wars (a 4+1 type of story)
》 series masterlist: (please read the masterlist before continuing on!)
part 1 | part 2 📍 (you are here!) | part 3 | part 4 | part 4.5.1 | part 4.5.2 | part +1
click here to read on AO3
》 part 2 word count: ~1.6k
》 part 2 warnings: none
》 part 2 spoilers: none
》 a/n: i loved writing this part, it's so cute :D
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२ (2)
The second time you see him, you’re sitting with Sonia in the otherwise empty cantina on The Resolute, drawing up some blueprints for Ahsoka’s starfighter. The young Togruta came to you seeking guidance on how to mend some engine problems ("Anakin refused to help me"), but after a thorough analysis, you found many more issues. And knowing Ahsoka’s itch to get back into the field, you promised you would fix everything up to be as good as new and were rewarded with one of the brightest smiles in the universe and a Thanks Astro! I owe you one!
Despite being trained as a biomedical engineer, you were more often than not placed with the astronautical engineers thanks to your knack of picking up skills extremely quickly. As one of the younger engineers in the GAR, it’s easy for you to jump from one specialization to the next with no difficulty, especially since you enjoy your work.
Thanks to your successful astroengineering projects, you quickly caught General Skywalker’s and Admiral Yularen’s eye as a good addition to the 501st. And soon enough, you were dubbed as Astro.
“–and then we went out to this cute bakery for jogancreams–which, by the way, were to die for–and the waiter messed up our order, but it was okay since we had some time to spare thanks to you, my dear friend. You letting us out early was so worth it. Astro, you’re the best,” Sonia gushes as you shovel another spoonful of food into your mouth, only half listening to her as your stylus glides across the surface of your datapad.
“Yup, the best, that’s me, the one and only,” you chuckle. You bite the inside of your cheek as you look over your designs before shaking your head and erasing a few things here and there, deciding to redraw.
“Oh! I forgot to tell you that before we went to get pastries, Prauf–” Sonia abruptly stops short. The abrupt lack of chatter pulls your full attention as you look up at your friend in confusion.
“Sonia? What happened? You look like you’ve seen a Jawa,” you raise an eyebrow as you stifle a laugh at the surprised look on her face.
“May I join you two lovely people?” a smooth voice asks. You whip around to find a clone–Echo, you remind yourself–standing behind you with a kind smile and a twinkle in his eyes.
Sonia looks between you and Echo so rapidly that you think her eyeballs are about to roll right of their sockets. Then, something washes over her face, and you’re not quite sure what to make of the emotion, or even how to interpret it. But before you can even process what’s happening, Sonia unexpectedly stands up, gathering her bag and gestures to Echo to take her seat.
“Wha–”
“I just remembered I have to–uh–meet up with someone! W-With Prauf, yeah, I told him I’d meet him at his barracks.” Sonia rushes out to explain, already halfway across the mess as you stare at her retreating figure dumbfoundedly. “Bye Astro! Talk to you later babe,” Sonia waves to you and in a flourish, your friend is gone.
You blink in confusion. You turn back around, food and work temporarily forgotten as you face Echo. He’s set his helmet down next to your various datapads, all scattered around the table.
“She seems nice,” Echo smiles politely and you huff out a laugh.
“Yeah, she’s something alright,” you shake your head, amused. You pick up your stylus and continue where you left off. You’re not quite sure why Echo is here. Today is a rest day for the crew and the soldiers alike. Almost everyone is partying it up at the makeshift bar created in the cafeteria on the other side of the ship. There is a reason you made the trek to the opposite side of the party.
“So, your name’s Astro?”
Surprised, you look back up at him. He heard that?
You nod, then shake your head, making Echo snigger.
“Yes or no? Which one is it?”
“Hmm, both I guess? I repair a lot of the GAR spaceships, and that requires astroengineering knowledge, so everyone just calls me Astro for short,” you explain before providing your real name. Echo nods in understanding.
“It’s pretty. Both names are,” he clarifies. You suddenly find your blueprints to be the most interesting thing in the world.
“Thanks,” is what your short-circuited brain comes up with. Frankly, melting into the ground sounds like a great idea at the moment.
But Echo breezes past it so effortlessly that you can’t help but follow his lead. Something about his calm demeanor and whiter-than-snow smile makes you relax despite the tension in your shoulders.
“Of course. So, what are you working on that’s so important that you’re missing the party? Fives really misses you, you know,” he gestures to your array of designs and your attention is pulled back down to your work as you laugh.
“I’m sure he does. But I told Ahso-Commander Tano that I’d work on her starfighter. She didn’t give me a deadline or anything, but you know as well as I do that every single person in this legion will jump at the chance to get into the fight,” you replied affectionately. Even though it’s absolute hell in keeping up with your repairs and reports as head engineer, you wouldn’t have it any other way. If anything, it’s nice to be useful and surrounded by support.
Echo lets out a snicker. “You’re right about that. But everyone needs rest, and I’m sure Commander Tano would want you to have some too. You’re always fixing things–maybe take a break instead?” he offers, wiggling his eyebrows. You do your absolute best to not to roll your eyes, but ultimately fail. This idiot.
You tap the stylus against your temple, pretending to think deeply about his clearly very serious offer.
“It’s a tempting deal…” 
Echo’s face lights up.
“But it’s not for me.”
It falls. You hate the way your stomach twists.
“Not for you?” he echoes incredulously. It’s sharp–pierces straight through your skull and down into your heart like an out-of-tune piano. You’re not sure what to make of the situation, hands awkwardly curled into loose fists and resting on the table, the tray of food next to you long forgotten.
You recover. “Yeah. Not for me.”
Echo studies you for a moment. The pin-drop silence of the cantina makes the tension simmer in the air. Some recovery.
But Echo breaks with it with as much ease as shooting his blaster, smoothly moving from one statement to the other. You don’t know how he does it.
“Wait till I tell Fives. He’s going to practically drag you there the second he hears.” The challenge hiding underneath Echo’s smirk gets you back on track.
“You do know that I outrank you both, right? I’m head engineer of the entire ship,” you point out defensively, your eyes crinkling playfully.
He shrugs, leaning back in the chair with a surprising amount of confidence–much more than you expected. “Ehh, just technicalities. Nothing stops Fives when he’s on a mission, not even General Skywalker.”
You let out a laugh at that. “If anything, I’m sure he’s the one who encourages Fives.” Echo nods very seriously in agreement.
A comfortable quiet falls, coexisting with the both of you. It’s warm and soft–familiar, even. You direct your attention back to the starfighter blueprints, sketching over the lines you’ve already drawn absentmindedly. You watch as they become darker with every stroke.
“Have you thought about adding some couplings on the side?” Echo’s voice jolts you out of your light daydream.
“Coup-oh, for the hyperspace ring?” You’re taken off guard by his suggestion, not realizing he was analysing one of your datapad blueprints while you sketched. It’s genius. Guess he wasn’t lying when he said he was better than I thought he would be.
Echo continues. “It looks like there are some engine issues, which could potentially affect the turboboost in the fighter. Even if you fix that though, something could go wrong. So say the engine is damaged but you add couplings–”
“–and then supplement it with sonic clamps and cover it all with connecting shafts for protection, it would allow for the fighter to latch on and power up the hyperdrive ring faster with less need for power! Echo, you’re amazing!” you finish, beaming at him as you scribble the idea down next to your design giddily. Not only did it solve one of your most glaring issues, it went as far as solving a future issue.
Echo grins cockily. “What can I say, I am the brains of the whole operation.”
You giggle at his bold claim, shaking your head in amusement as you finish up a quick design sketch. Echo watches you do so, and when you’re done, he clears his throat.
He stands up then and you have a strange urge to pull him right back down again. Your hands remain frozen as you stare up at him.
Echo gives you a bright smile and you blink. “Well, now that that’s done, will you accompany me to the absolutely despicable bar that all of our friends are getting completely wasted at?”
With a twinkle in his eye and a gloved hand being held out to you, you can’t help but accept. Maybe a break really could do you some good.
You place your hand in his.
“I’d love to.”
(“How did you know where I was, anyway?” “Oh, I have my ways, Astro. I have my ways.”)
---
part 1 | part 2 📍 (you are here!) | part 3 | part 4 | part 4.5.1 | part 4.5.2 | part +1
please consider reblogging! it really helps me and is super encouraging ^_^
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dragon-spaghetti · 1 year
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@grovebeast I WILL HAPPILY and I hope ya don't mind me rambling a lil in the process ;^^
First off; the brushes I've mainly been using for the redraws!! Syrup for lineart, studio pen for colouring/shading & extra lighting, pastel blend for most of the gradients, and rosette for the dots I use round the borders. I thiiiiink all of these are brushes already in procreate?? Don't think I downloaded em anywhere
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Ok as for studio pen; it's a normal brush by default. Nothing special. So!! I messed w the settings to get the texture!! Top image is how I myself have the settings, I just messed w the hue & saturation (which by default are at 0% I believe). Bottom image I've just turned up the saturation so the difference in colour is easier to see ;^^ I'd suggest full screening to see better
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Here's flats for the first redraw I did so you can easier see the texture of the studio pen!!
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Ok so as for pastel blend & rosette, they're mostly for adding in 'dimension' (there's a better word but I am blanking) above everything else. Here's a with (first image) and without (second image) of those layers!! Screenshotted the layers list themselves so you can see that most of em I've used pastel blend for in order to build up colours mainly via overlay (O) & multiply (M). Layer 58 specifically is the one I used rosette on, and is also generally an overlay layer ✨
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I hope this helped at all!! Sorry it's so long I really enjoy talking about the process lmao. There's nothing to add about the syrup brush though which is why I didn't discuss it; p sure I use the default settings for it and it's just my lineart 🥲
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moregraceful · 1 year
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Sugar High
There was a prompt on @theresonly1u fest for “Thomas Bordeleau/Tristen Robins - watermelon” and I immediately thought of the transgirl Thom fic that Ko and Sierra have been teasing for months and NOT posting. Made my OWN transgirl Thom narrative while I wait impatiently for them to drop the bass…except then went to check with Ko that it was them or Sierra who posted the prompt and it wasn’t either of them. I was like, well I’m not posting transgirl Thom in full view of someone who might not have the gift of sight. So I’m posting it here instead! Playlist + cover + lyrics under the cut.
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(i bring a real "everything on one layer so i cannot redraw easily if i decide i don't like something" vibe to procreate that many artists do not enjoy)
Spotify // YouTube
✨☀️✨
betterman - Virginia to Vegas
I want to be a better me / a better man / a better lover, better brother, better friend / Put myself back together again ‘cause I still got a couple of sins / And I got pretty lucky, made a whole bunch of money but I don’t feel any better yet / So I’m trying to do the best I can / to be better me / a better man.
Spaceship - Kesha
I know from the start I don’t belong in these parts / There’s too much hate, there’s too much hurt for this heart / Lord knows this planet feels like a hopeless place / Thank God I’m going back to outerspace.
Straight Jacket - Bay Ledges
I try but I never get past it / Fake smile and I want to unmask it / Got me tied up / Unwrap this straight jacket / straight jacket / Everybody knows.
Radical - AWOLNATION (feat. GROUPLOVE)
I’m not a rebel or a king / Not sure they’ve got a name for me / Since we all die eventually / Tonight, I’m a radical.
Take Me Home (Folktales) - BUNT. (feat Alexander Tidebrink)
I’m never coming back to the place I once knew / If I do, I’m gonna drown in the blue / Said I’m never coming back to the lies and the rules / if I do, I’ll put all faith in you / Take me home / Home / Home, my love.
SUPERBLOOM (stripped) - MisterWives [live from the bloom version]
Resilient little thing, just like mama raised you / Wildflower in the spring, they can’t contain you / through the cracks you break through.
Shut Off The Lights - Bastille
No talk of the future now / Dark thoughts / You’re shaking ‘em, taking ‘em out / This rhythm we create sets me straight.
Tender - Blur
Tender is the night, lying by your side / Tender is the touch of someone that you love too much / Tender is the day the demons go away / Lord, I need to find someone who can heal my mind.
Love Is Mystical - Cold War Kids [Los Feliz Blvd version]
Living life with no need for the breaks / Something happens when I lean on my mistakes / If the words are true and the words reveal the same / I come alive when I don’t even think / Love is mystical / Love will break the chains / You might be invincible and you might be afraid.
Seventeen - Sjowgren
If you want a second to breathe / Give you all of my love, give you all need / Don’t worry, I’m not in a hurry / I’m not going nowhere / I’m not going nowhere.
Call If You Need Me - Vance Joy
Ask me to go faster, put my foot on the floor / Standing on the edge, I feel like I’ve been here before / Loved you in the darkness and I loved you in fluorescent lights / If it don’t feel right, babe / You can run and hide, babe.
Enjoy!
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olivermorningstar · 4 months
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Oliveeeer!! For the ask game:
4, 23 and 25 for Sariel.
14 for Keith because I'm curious!
💕
4. If you could put this character in any other media, be it a book, a movie, anything, what would you put them in?
I think Sariel in any fantasy setting would be a natural fit, but good lord I'd love to see him in an RPG setting. I can see him leading a guild a player frequents. His backstory is perfect for that, too. A really fun character to peel back as you do quests for him and as he comes to trust you.
23. Favorite picture of this character?
It has to be the one I redrew :)
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I mean it's such a classic image, I had to redraw it the moment I saw it. Second up though...
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It's just good.
25. What was your first impression of this character? How about now?
Answered here! :D
14. Assign a fashion aesthetic to this character.
For Keith, he mostly reminds me of that kind of school teacher look. I can see him very comfortable in nice button ups and sweaters, even if a sweater vest. Outside of that, lots of muted tones with some like pastel kinds of colors. I can see mint or sage here and there for accents, especially for things like scarves or undershirts.
Alter though would probably ditch the sweaters and just unbutton some of the shirt. It's too stuffy in there! If allowed his own clothes, he'd probably run the more "dark academia" type of aesthetic. I haven't encountered him too much yet though so my read may be off!
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brodingles · 1 year
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Year in Review, 2022
I actually made a couple of these, because it was hard deciding what really encompassed my year. The version above is the one with my Aesthetic version, which has the pieces I think were the prettiest or most aesthetically pleasing ones I did for that month.
This post has my thoughts on the pieces and some overall thoughts on my progression through the year! I’ll post one with just the image afterwards.
January
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I spent most of January coming off the end of IR and DMP, and as such I had a lot of. Juniper, Dorkus, and Angie on the brain. I actually made a few of these little comics. >:0 Dorkus is one of my favourite expressions I’ve done in a long time, and it lives in my army of Discord emotes haha.
This kind of WAS my meme for the month, my favourite thing overall.
February
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This piece is actually part of a set that I did on stream! It’s part of a set. Keep this artstyle in mind, it will come back later!
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Was still drawing Triad Shenanigans this month. I just wanted to share Discount Chocolate Dorkus.
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Despite what it may seem like, I actually spent this month planning Tiny Gents! I made headshots for every important NPC for the first oneshot I ran ever in my life. Very shaky knees, but everything went well!!
March
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I have no idea what came over me for this one I just went as feral as Barbeau haha. This HAD to be when we were talking about doing a certain DnD game, but the DM and players have been so busy all year we never played. Maybe 2023 is the year Barbeau comes into fruition??
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Not the full comic and no Dorkus because I’ve already shared plenty of Dorkus and Juniper needs to be in here SOMEWHERE, but apparently I was still going strong with these in March?? Wild!
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We ran the second(?) Tiny Gents session this month. I am including Tiny Gents because it was such a big part of the year in total haha. April
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I actually don’t like this piece very much, if I’m honest, but I made it and that should be worth something!! I had the song Eyes Don’t Lie going on loop for this, and I put it on my Rememdium playlist, which is probably my most played playlist of the year (If not, it’s TG). This song is going to come up again, but it definitely put me in A Rememdium brainspace.
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I actually spent the month drawing more Tiny Gents stuff. Pictured above is one of the “Feral Group” PCs (featuring Charming reading a book). I did some more character design stuff this month, mostly sketching traditionally.
May
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This piece is actually from a LIST of pieces that I did in a row for the Song Meme. This one just looks the nicest when cropped to me haha.
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I also redrew a classic comic with the newer designs for the TG RA’s. I...got so much done this month haha.
June
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Pride! Emilio and (then) Geon! This was actually NOT the highlight of the month, because this month I created Aine!!
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She just POPPED into existence while I was listening to Eyes Don’t Lie and then she took over my brain for a while. 
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I also did more Tiny Gents art because I had brainrot all year.
July
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ANTHONY TOKEN
So Anthony, my boy, came into existence a little before this month, but I didn’t draw him much or think about him much until AFTER I drew his token. Now I’m obsessed with the goober. I plan on redrawing this, I’m not as happy with it now.
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I actually posted this one here recently, but I did this as a send off with the Feral Group for TG. They haven’t played since and I miss them ;v;
August
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I did a lot of doodles? This month? It was a little slow. I created Hisscisca (the half orc) and Jamie (the pink goth). I actually did frames for an animatic done by @anatthema-art 
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Also created another character with the help of @churrobird
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Got back into Triad shenanigans and made Dorkus a gf. I also did a set of outfits for Juniper! I’ll try to post these separately, this post is getting long.
BUSY MONTH.
September
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More Tiny Gents. I did so much Tiny Gents. Not so much art but just doing Tiny Gents.
BUT I ALSO WENT INTO ANTHONY BRAINROT
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I HAVE SO MUCH ANTHONY. I DID AN ANIMATIC FOR ANTHONY I WEEP. I SOB. I CRY.
October
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I drew this one in a haste and for love of the game to do MOTI’s Songtober! It was a really fun piece to do, and I’m surprised I have not done more fanart for this game ohoho. Omori made a big impact on my art.
I also tried really hard to do a TG comic this month, and I did 3 pages. Hooray! I can’t find it in my files, but it sure is a thing I did.
I also did like...3 birthday pieces because I have so many OCs with October birthdays.
I actually also spent this month working on an even bigger project...
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 So Monkey’s Paw is not mentioned ANYWHERE in this summary, and that’s because I forgot I had to do a ton of art for it despite it consuming my being for several months. It is a surprise I got anything else done, really. I don’t even remember when I drew these-- technically they should be earlier. I’m glad the song and video are out haha. Also yes I put an Omori reference in the video.
November
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This piece kind of changed how I approach my pieces in general? There was a lot of reference gathering and editing that went into it, even though it didn’t take long to actually draw. I just wanted to try something cool, and it seems to have succeeded.  Really this month I did a bunch of cool art with Anthony, I’m also quite fond of the sword piece.
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I have so many feelings about this image you don’t understand.
December
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I actually don’t know if the person I did this for has a Tumblr, but it was a Secret Santa gift! I did other smaller pieces this month, a lot of them, actually, but I mostly just chilled out. December was very reflective for me personally, and I became so grateful for things that happened this year. This summary is very visual heavy and I apologize for that, but there’s so much art to share this time around and I wanted to do that! Conclusion
I spent this year working mostly on my own projects, which was very surreal. I’m very grateful for being able to do that, and would like to continue working on projects throughout 2023 as well!
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an-eldritch-peredhel · 11 months
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Sky Shinies, V2
For @aspecardaweek Day 3: Across the A-spectrum, I decided to redraw the second piece of Tolkien fanart I ever posted, two years ago for this very event! Check back in 2025 to see if I keep up the pattern.
Since Ainur are basically angels I've decided they're all pretty much ace (with varying degrees of interest- Melian) and arospec if only because they don't conceptualize relationships in the same way we do, and the majority of elves are demi/grayspec.
Arien: Sapphic oriented aroace, recipromantic
Earendil: Bi demi-rose
Tilion: Achillean oriented aroace, lithoromantic, aroflux
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[id. A full-body pencil drawing of Arien, Earendil, and Tilion. Arien is inspired by a lion, with digitigrade legs, paw pads, and claws. She has a crown of horns and fire burning on her head, limbs, and the tip of her tail. Tilion has bat ears and feet with a leaf-shaped nose, horns curling around his ears and another set twisting upwards, and dark blotches on his skin. Their arms are linked as they shoot finger guns. Earendil stands in front of them, head barely reaching their elbows as he waves with one hand and holds a telescope in the other. He's black, with braids pulled back in a ponytail and a small beard. The silmaril shines from a circlet on his forehead, and he wears Ancalagon's skin as an armored vest and skirting. end id.]
Rambles, comparison, and closeups under the cut!
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[id. Three closeups on Arien, Earendil, and Tilion's faces respectively to show details. Arien has freckles and her eyes appear to be glowing behind her sunglasses, Earendil has eyebags, faint laugh lines, and scars, as well as individually lined scales on his vest, and Tilion has fangs, earrings. and diamond-shaped pupils with black sclerae. end id.]
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[id: a comparison of the full drawing above to the original, which ends around Earendil's knees but otherwise has near-identical composition. Arien looks significantly more human, Tilion is missing his horns, and Earendil is white with a less structured outfit. end id.]
I was mostly going off of memory redrawing this, which is why their poses are slightly different but honestly I prefer this even if it isn't strictly accurate. Winner for biggest design overhaul is a tie between Arien and Earendil, because excluding Tilion's horns (which I would have originally included if I had remembered Tilion literally means "horned one") he's hardly changed, though tragically I took away some of his jewelry for practicality.
Past!Earendil's unintentional Michael Jackson nose haunts me, though I do kinda miss his stupid wave hair. I'm much happier with his dragonscale vest thingy now (though I realized too late that Ancalagon's scales would be much larger, oh well), I've had time to think through the various elven cultural aesthetics and I'm very pleased with his multi-combo of cultures that still gives him the vibes I wanted. Stupid pointy-toed noldorin boots are so hard to draw right but I love them so much
Arien has also been overhauled but given that they change how humanoid their fana looks depending on if they're hanging around incarnates or not the original is still technically close to that form? Horn crown and significantly more fire has been added in homage to her balrog siblings alongside everything else, but like Tilion her outfit change is minimal and the vibes stay the same.
Unrelated but a funny side note: as I have become increasingly aware of Pokemon Knowledge, I have realized that Solgaleo and Lunala unintentionally map really really well onto my Arien and Tilion. Yes this is because lion/day/sun | bat/night/moon symbolism is obvious, but I'm leaning into it. Earendil works shockingly well as Ultra Necrozma, too.
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ganondoodle · 1 year
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Hey, I adore your artstyle mate, I loveeee all the vivid colors and the fact that most of it lacks lines?? You doing the hard stuff, but it paying off 💜
can I ask, as I’d like to get into comic making, how long does it take you to finish a a single panel?
Hi!! thank you very much!! drawing lineart is incredibly frustrating to me so im very glad i was able to make the jump to mostly lineless artwork, tho im very much still at the beginning to learn how to do it xD
to answer your question, i .. cant say really, it depends on what is on the panel, and i always jump around when working on a page, i draw half of the very last panel, then jump to another, maybe i see something i want to change right away and work on the third besides i ... dont know anything about panel composition, i think in movies so i play it and try to pause it on a frame that could work as a panel, whichs is probably why it goes alot slower than normal comics, idk how much to skip gndfjknvgfdjk
im by no means an expert in making comics, you kinda have to find your own way of what works for you, i have done many in the past but all failed, i gave up before getting even one chapter done many times
general advice i can give you is, most importantly, dont wait, i know its daunting to start, but you have to start, even if you dont think you are good enough, you will always change and improve anyway, better start now or you might do it never, and remember, when a page is done its done, i know how tempting it is to go back and redo it, but if you start with that it will only lead to an endless cycle of remaking it over and over
a cause that made me abandon my old projects, was partly lack of support/recognition, but mostly that i was forcing myself to things that werent fun, like one i made in black and white bc i thought you had to do it bc color takes too long, but i live for colors, so it drained the fun out of it immediately
the only "rules" i have set for myself is that its understandable, the flow of the action doesnt flip around too much, speech bubbles are aligned in a way that guides you (of course im not perfect at that either and always learn); i dont jump between pages, i jump between working on panels, but i dont start another page before the previous is at least acceptable, otherwise id get ahead of myself and get impatient, just wanting to skip ahead and neglect older pages; and that i only work on a panel/page as long as it has acceptable quality and is fun to draw, when i notice im getting bored or frustrated i finish it quickly as best as i can and move on, otherwise it might drag the entire project down, which is why each panel or page in 'Destiny' varies alot in quality
i can barely look at the first pages .. or even at the last one i made for that matter, but its also fascinating, how much my art changes within even one update which takes me about a month for 4 pages, since i have set my 'fun' rules at least, it used to take much longer (i wish i was faster, and i could be, but i have a job, and have to look out for my health, both physically and mentally, so i take whatever time i need and draw however much i feel like drawing, no rushing)
my progress so far is that i write a rough script, what happens, what dialog, where it ends, and so on, it doesnt have to sound good, god knows mine are shitty xD but its a good guideline, even if rough! then i make a rough draft, basic panel layout, dialog (it always changes fro mthe script, again its more liek a guideline than a rule ;) ) then i start with actually drawing the first page, my art and way of .. art and writing changes incredibly fast (idk if its for the better lol) so .. by that point i redraw the rough draft version of the page if i see how it works better, rewrite dialog too, and even cut stuff from the rough draft
im not done with the first chapter (im slow af lol), but wrote the script for the second one when my hand was injured and i couldnt draw for a month, once im done with this chapter i will draw the rough draft for ch2, then write the script for ch3 then go and draw ch2 fully, at least thats the plan the more time passes the more i know what the next chapters are gonna be, tho i know the important points long before; right now i have the entirety of the first arc sepeareted into chapters, and the end of it all too, but between there its still a lil blurry and im adjusting everytime i think of soemthing better
anyway, sorry for that long ass ramble, its late and i thoguht about this ask bc im trying to get my want to draw back (not feeling well rn nkfdnkd) so i randomly decided to answer it .. probably in the most unhelpful way possible, alot of stuff noone aksed for lol
anyway, sorry, and goodnight uwu
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monstarparker · 5 months
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Soooo… I drew Caz's and my ocs like they're from the Lisa Frankenstein trailer. I am really hoping it’s gonna be good, mostly because Caz is also interested in it and they don’t usually go for romcoms. The trailer really makes the lead look like she’s as unwell/fangirl as one of my ocs and I had to insert them into some scenes. First photos reminded me SO MUCH of *sparkle sparkle* the night they first met (see oc lore below break). Third photo is just so cute and feels a bit Morticia and Gomez. I have no idea what the actors have in their hands, since I think they censored it out, but Caz says it’s just too dark and not censored. Either way, might redraw that later when I know what the thing is, but I’ll also have more content by then soooo might be drawing more stuff from the movie. 
Phe (my little goth bitch) and Wolf (Caz’s big beefcake guy) are super indulgent characters who lean into the ‘tragic af backstories’ some ocs have. Caz has made a big post about Wolf, so check that out. uvu Phe isn’t the usual ‘my parents died and then I suffered more’, but I really haven’t thought about his parents in the first place. That’s probably because he’s not concerned about his parents, but they’re probably either pretty normal or absent. Either way, Phe is seen as ‘weird/outcasted/othered/etc’ by his peers because of the way he dresses and the fact that he really doesn’t talk or interact with anyone but his one friend. 
Phe’s gay (not out in the small community because ya know) and saw some horror movies. Fell in love with the genre and then the misunderstood murders in the horror/slasher movies. One day, he found a spell to sacrifice himself to a demon in hopes that he could get a hot demon boyfriend. The issue is, he succeeded in the ritual, but the demon didn’t want to be in a relationship and Phe talked their ear off to the point that they thought he was too annoying to even want his soul. Tragic. So they cursed him to be unable to die, since they didn’t want him coming back to annoy them for eternity. Sorta the Soldier and Death vibes. This, of course, is an advantage for Phe later on, but gimme a second.
One day Phe is dragged by his only friend, who hopes to become more ‘normal’, to a late night party in the middle of the woods. All the college kids are drinking, there’s a campfire, music, lots of people making out. Classic horror movie setting. Phe is bored out of his mind and he wanders off, only to be cornered by some of the jocks. They start interrogating him on why he dresses like that, why he’s quiet, why he’s so rude, etc. Though Phe tries to just leave, they keep bothering him and grab him and push him to force him to stay. 
Then an unintentional savior, Wolf, comes in and starts killing people for being too close to his house and too noisy. (Don’t worry, his friend is fine.) Phe has a religious experience and falls in love at first sight. He’s stunned silent and gets murdered by Wolf on accident since he had to scare the guy by saying 'hi'. Thankfully, he's only murdered for a few hours thanks to that curse. Phe comes back, ignores all the destruction Wolf caused and the fact that he got murdered. Wolf actually buried him and gives him his first bouquet ;v; 'tis meant to be. Phe goes back to his house to clean up and get cute, so he can go find his new boyfriend. Stupidity ensues and eventually Wolf learns to tolerate and then love Phe. Phe also gets to actually love Wolf instead of just fanboying over him and they get to understand each other more. It’s cute, but ya know gory.
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outlandishscenarios · 2 years
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I have to admit I have fallen into a rabbit hole of inspiration . I couldn't help myself q~q they were stuck in my head for days. I share the idea after many nights of hard work, with out further ado behold pirate Sun and Moon. I love pirates so very much and I had to, I really really had too. I spent nights thinking and building scenarios and I finally finished their designs.
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And fear not I did make a y/n for this au cause why not really couldn’t help myself not to.
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Im still working out the story and stuff for them all. I have so far is that both Sun and Moon are co-captains of a pirate crew and they each have their unique skills set to them so for example moon is left handed and a good swordsman, it's like he dances with his sword as he fights. While Sun is he's more defensive in swordsmanship, the one thing he's skilled at is his marksmanship he can shoot a cannon with precise aim and not only just cannons. Still adding bits to them and making ton more sketches to add more to them. I do have to admit there not animatronics and before anyone ask yes they are siblings which everything would be explained in some more sketches or I'll cave and write a story for them (more this option then anything really).
If your wondering why the belt like strap missing in moons second design drawing. I kinda forgot to write he takes it off before battle due to him not wanting to feel restricted in movement with it on, (he wears it for show cause it looks good on him). Yeah didn't see that till after I added the image here =-= sorry it's like 7:30 am I haven't slept and spent several sleepless nights for weeks doing these guys designs along with another au idea at the same time, not the smart decision on my end working day and night on these with no rest but that besides the point, they both been stuck with me so I'm sorry for dumping these ideas and designs out of now where.
Y/N was the fun one to do since I fiddled with different looks and design all while trying to give them a personality. This y/n is a hard work who trys to put above and beyond 100% and forgets basic things such as remembering to sleep or nap. I'm still working on the way things would go and how they join the crew but so far it's seems to be connecting.
The second idea was actually the first au idea but pirates won to be finish first, the other I'll send once I'm done with the final designs on both boys. Any ways have a great day every one or night or evening and be safe out there in the world. Apologies if they look blurry Tumblr made it fuzzy in posting q~q just tap on them to see them crispy clearer.
Edit: Moons sword placement has been fixed but I can't help but feel like in redrawing the sword I made it tiny then the original q~q. It will haunt me
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