#Anne Kent Rush

[greazyfloz]

Ethan smut? I don’t have any specific ideas though

Dirty Minds

w/ Ethan Edwards

Word Count: 0.7k

Ethan and I were driving home from some of the boys from Detroit. We were watching Blanks and Kent play the Red Wings since they were closer to Ann Arbor. Luke was driving with Dylan in the front and Mark, Ethan, and I in the back. I am sitting in the middle between my boyfriend and Mark in the backseat of the dark car when I notice Mark resting his head against the window with his eyes closed. This gave me an idea. 

I move ethan’s current hand position to on my thigh to over my shoulder. He looked down and smiled at me thinking I wanted to cuddle. I move in closer planting a kiss on his lips. “What was that for?” ethan smiles widens. I move up closer to his ear “my mind is very very dirty right now” I say rubbing my hand up and down his thigh, and biting his ear leaning away from the whisper. He looks back at me with wide eyes. His eyes move from mine to the rearview mirror to see if Luke just saw me bite his ear like that. Still with wide eyes he looks down at me and just shakes his head no. 

I pout and look away before sliding my hand up his inner thigh and stopping on top of his bulge in his pants. I look up at him and bite my lip. He wont look down at me though instead he moves his tongue in front of his teeth in his mouth and keeps staring at the back of the passenger seat in front of him. I move my hand massaging through his jeans before ethan clears his throat quite louder shifting in his seat. I take my hand away when he says “Don’t worry about dropping Y/n off, she’s coming home” ethan says still not looking down at me. “Sure” Luke says. 

We are almost home so I decide to put my hand at the top of ethans pants playing with the button of his jeans under his coat. Finally this got his attention as he quickly pulled his arm away from over me and used it to pull my hand away and just held it. “You don’t think your getting away with this do you?” ethan whispers in my ear as Luke turns onto their street. I turn so I was whispering in his ear next, “Looks like I’m not the only one here with dirty thoughts” I say back as the car turns into the driveway. Without saying anything to the boys Ethan pulls me out of the back seat and rushes into the house into his room. 

He shuts the door once I am in and I say “Wow it’s not obvious what we are going”, “Shut up” ethan says pushing back against the door pressing his lips to mine and reaching beside my hip to lock the door. He pulls away and looks at me with dark eyes, “Get undressed and lay on the bed on your back” he says pointing at the bed. As I am getting undress I see him take his shirt off before looking for something in his drawer. I lay down on the bed and watch him roll a condom on. “This what you wanted” he says making his way over to me on the bed. I bite down on my lip and nod. His hand rests right under my jaw as his thumb rests under my lips. His thumb pushes against my skin resulting in my lip to fall out of its position of biting my lip. “Use your words” ethan says. “Y-yes Eth-”. 

Giving me no time to adjust ethan pounds himself into hard. I bite my lip to mask a small moan. “Hey no biting your lip, I want to hear you” he stops to say. “O-okay” I say nodding my head and he continues hard and fast. “I told you you weren’t going to get away with it” ethan says pounding into me hard and slow, resulting a whimper to escape my mouth. “OHH YES BABY! FUCK!”, “Fuck babe, say my name” ethan says getting sloppier with his thrusts. “Yes Ethan!” I whimper as he finishes. 

He got off me and got changed into some boxers and threw over one of his t-shirts for me to wear before climbing back in bed pulling me close. “That was fun” he smirks at me. I laugh and say “Looks like we both a have dirty minds”

#ethan edwards #ethan edwards imagine #umich blurbs #umich hockey #umich hockey smut #umich hockey imagine

[critical-quoter]

February Books

I'm rocking out my reading goal this year. Friends have told me that I aimed too low with 365 books but if I blow it out of the water, I can pretend like I didn't plan that and I am the G.O.A.T.

The Burnt Heart - Mae Pierce ⭐️⭐️⭐️ Rules of Our Own - J. Wilder ⭐️⭐️⭐️⭐️⭐️ Rules We Break - J. Wilder ⭐️⭐️⭐️⭐️ Fabric of Our Souls - K. M. Moronova ⭐️⭐️⭐️ Too Long - I. A. Dice ⭐️⭐️⭐️⭐️ Unsteady - Peyton Corinne ⭐️⭐️⭐️⭐️⭐️ Fractured Vows - Montana Frye ⭐️⭐️⭐️⭐️ Viciously Yours - Jamie Applegate Hunter ⭐️⭐️⭐️⭐️⭐️ Never Have I Ever - Stephanie Alves ⭐️⭐️⭐️⭐️ Forbidden Skye - Alex Crane ⭐️⭐️⭐️ Flag on the Date - M. L. Chambers ⭐️⭐️⭐️⭐️ Shucked - Kate Canterbary ⭐️⭐️⭐️ Love Honor Betray - L. Knight ⭐️⭐️⭐️⭐️ Loving Romeo - Laura Pavlov ⭐️⭐️⭐️⭐️⭐️ Waiting Game - G. A. Mazurka ⭐️⭐️⭐️⭐️ See You Soon - Lexie Axelson ⭐️⭐️⭐️⭐️ I Promise You - Lexie Axelson ⭐️⭐️⭐️⭐️⭐️ Fractured Vows - Alexa Michaels ⭐️⭐️⭐️⭐️ Rule Number Five - J. Wilder ⭐️⭐️⭐️⭐️ Set Me Free, Cowboy - R. L. Atkinson ⭐️⭐️⭐️⭐️⭐️ Yours to Catch - Harloe Rae ⭐️⭐️⭐️⭐️ What are the Odds - Madi Leigh ⭐️⭐️⭐️⭐️ Scarlet Princess - Robin D. Mahle ⭐️⭐️⭐️ Breakaway Hearts - Nikki Lawson ⭐️⭐️⭐️⭐️⭐️ Feathers and Blood - Ivy Black & Raven Scott ⭐️ Reckless Deal - Maxine Henri ⭐️⭐️⭐️ For Mist and Tar - Jinpher J. Hoffman ⭐️⭐️ A Real Adaptation - Chloe Maison ⭐️⭐️ Stand and Defend - Sloane St. James ⭐️⭐️⭐️⭐️⭐️ Bad Wolf - Claire Ivy ⭐️⭐️⭐️⭐️ Xaden POV: Fourth Wing - belle_beebee ⭐️⭐️⭐️⭐️⭐️ The Maiden and the Unseen - Alexis Rune & Jeanette Rose ⭐️⭐️⭐️⭐️⭐️ The Mistress and the Renowned - Alexis Rune & Jeanette Rose ⭐️⭐️⭐️⭐️⭐️ Capturing His Heart - Regina Brownell ⭐️⭐️⭐️ Pawn of Vengeance - Michaela Jackson ⭐️⭐️ One Last Play - Annah Conwell ⭐️⭐️⭐️⭐️ Pretty When You Lie - Anne Roman ⭐️⭐️⭐️⭐️ Scars of Salt and Silver - Indiana Rose ⭐️⭐️⭐️⭐️ The Ever Queen - L. J. Andrews ⭐️⭐️⭐️⭐️⭐️ Since Day One - R. L. Atkinson ⭐️⭐️⭐️⭐️ Better Hate than Never - Chloe Liese ⭐️⭐️⭐️⭐️ Tempting the Billionaire - J. A. Low ⭐️⭐️⭐️⭐️ The Valkyrie's Bond - Lucy Roy ⭐️⭐️⭐️ It's Not Over - Kaylee Ryan & Lacey Black ⭐️⭐️⭐️⭐️ Gentry Rules - Cora Brent ⭐️⭐️⭐️⭐️⭐️ Saving the Game - Susan Renee ⭐️⭐️⭐️⭐️⭐️ Of Twisted Thorns - C. E. Young ⭐️⭐️⭐️⭐️⭐️ Rushing Into Love - Kara Kendrick ⭐️⭐️⭐️⭐️ Empire of Sin - Rina Kent ⭐️⭐️⭐️⭐️⭐️ Fighter's Second Chance - A. Rivers ⭐️⭐️⭐️⭐️ Nero - S. J. Tilly ⭐️⭐️⭐️⭐️⭐️ More Than Fine - Jenni Bars ⭐️⭐️⭐️⭐️⭐️ Take Me to Hell - Sakura Black ⭐️⭐️⭐️⭐️ The Villain - L. J. Shen ⭐️⭐️⭐️⭐️ Book Lovers - Emily Henry ⭐️⭐️⭐️⭐️⭐️ Dark Lover - J. R. Ward ⭐️⭐️⭐️⭐️

56 total books read for February 2024.

#book #books #booklr #book lover #book quotes #novel #reading #literature #lit #quote #february #February 2024 #2024 tbr

[missmcspooks]

DEADLY WOMEN DAILY: CONSTANCE KENT

Meet Constance Kent. She was a young English girl who committed one of the most shocking murders during the Victorian Era. She could’ve gotten away with it for the rest of her life, but her conscience spoke to her. Did Constance commit this murder for no particular reason like she claimed? Or did she do it out of jealousy to regain her father's attention? Let’s begin with her story.

WHO WAS CONSTANCE KENT?

Constance Kent was born in 1844, in Sidmouth, Devon. Constance was the ninth child of Mary Ann Windus and Samuel Saville Kent. The family had a beautiful home in the Wiltshire, big enough to fit their family of 11, along with three servants. However, the marriage between Mary and Samuel was not all peaceful and loving. In fact, Samuel was not very well liked by his neighbors or Mary’s family. He was a tyrant when he was home, spending lots of money on materialistic things and spending almost all of his time outside the home, leaving his wife alone to care for all of her children with only little help from the servants. She suffered more and more after each of her pregnancies, losing touch with reality slowly overtime. By the time Constance was born, Mary was very mentally ill and incapable of caring for the children properly. The couple had one last child together after Constance, a son named William. When William was born, Samuel had hired a young, beautiful woman, Mary Pratt,  to take care of the children, and removed himself from their bedroom, leaving his wife to suffer alone. Samuel and Mary would soon start an affair together. 

Constance was known to be the favorite of her father, and she was given so much attention and love up until 1852 when her mother passed away. Within that same year, Samuel had gotten married to Mary Pratt, and Constance along with her older sisters were bridesmaids in the wedding. It was on this day where her role as the favorite child would be eliminated. Her father and now step-mother got started on a new family right away, and her father started to neglect her and give her harsh punishments, leaving Constance to feel ignored, unloved, and highly jealous. She and her brother had even tried to run away after a harsh punishment given by her step-mother, but they were found and brought back home, where they were both beaten. By the time the year of 1860 came along, Constance now had three additional half siblings. Amelia, 5, Francis, 4, and their final child, baby Eveline. Francis would take the spot of his new favorite child. 

THE MURDER OF FOUR YEAR OLD FRANCIS

Constance decided that she had enough of watching the favorite child get such loving attention, and late into the night on June 29th, 1860, she put her plan in motion. She snuck into Francis’ room, quietly picked him up with his blanket and opened up his bedroom window and snuck the toddler outside. She walked him to an outhouse on their property, took out her knife, and slashed the toddler's throat. She cut his throat so deeply that it nearly decapitated him. She left him there and went back to bed like nothing had happened. The following morning, the nursemaid, Elizabeth Gough went to check on the toddler and quickly notified the parents that he was missing. Samuel rushed down to the police, and as he was gone, a neighbor found his body. Investigators assumed the killer had to have been a woman due to the fact that the boy was covered with his blanket, and women are more likely to care for a body in that way than men. Elizabeth Gough was the initial suspect, but was soon released due to the lack of evidence. The last two primary suspects were Samuel, and Constance. Investigators interviewed teachers, friends, and the servants about Constance. They were told that Constance was a difficult child, always getting into trouble, and she was resentful of her new family. Constance was also strong for her age, which was 16 at the time. They took her in for questioning and the police truly believed that she was the culprit. They held her for a week thinking that she would crack under pressure and confess to what she did. But Constance was a stubborn and strong-willed girl. She held her tongue the entire time, calmy stating that she was in her room on the night of his murder, and she had no knowledge of what happened to him. The public became outraged that they were holding a teenager for murder, especially one that came from such a wealthy and well-known family. They ultimately had to release her, since the only evidence they had was a nightgown that had gone missing, assuming it was the nightgown she had worn the night of his murder. The case ended up turning cold, thinking it was a stranger who had killed the toddler. 

HER CONSCIENCE SPEAKS 

When the case fell apart, Samuel moved his family to Wrexham, and sent Constance away to a convent school in France, so she could escape being recognized. She stayed at this school for three years. After she completed school, she moved back to England under an assumed name and began studying to become a nurse. Around a year and a half after she began her studies, she went on a religious retreat with her church, and it was there that her conscience truly spoke to her. Constance turned herself in and confessed to her crime on April 25th, 1864. She was arrested there and then, and was examined by a doctor, who had declared her sane enough to stand trial. She confessed to the doctor that she took Francis while he slept, brought him to the outhouse, lit a candle, and slashed his throat with a razor that she stole from her father. She also admitted to burning her nightgown after the blood stains on it wouldn’t wash off. Constance said that she had no hateful feelings towards her half-brother, and claimed that she had no problems with the way her father and step-mother treated her. Meanwhile, she gave no other motive as to why she killed Francis. 

TRIAL AND SENTENCING

The trial took place on July 21st, 1865. Constance pleaded guilty but wouldn’t answer any questions that the prosecutors asked her. She refused to speak of the murder outside of the fact that she did it. The entire court case took roughly 30 minutes to complete, and the judge became visibly upset, and began to cry as he sentenced this young 21 year old woman to death. However, Queen Victoria commuted her sentencing, mainly due to her age at the time of the murder, and the fact that she willingly confessed to her crime. Her sentence was then changed to 20 years, which she served in a few different prisons. 

After Constance was released from prison, she immigrated to Australia in 1886, and moved in with her brother William, who worked as a government adviser on fisheries. She began training as a nurse and soon got her dream job, and legally changed her name to Ruth Emillie Kaye. She retired in 1932, and died in 1944 at age 100.

#true crime #true story #truecrime #true crime blog #Crime #serialkiller #murder #blog #blogging #blogger #blog post #blogpost #Writerscommunity #writing #writers on tumblr

[nnn-lll-nnn]

EMERGENCY ACTION REPORT 311345 ECHO SIERRA TANGO OCT 23

STANDBY, MESSAGE FOLLOWS;

HT2, THIS IS NETZACH, STRIKWARN REQUESTS FROM RELEVANT TARGET "HITLIST" FOLLOWS (THE ENTIRETY OF/FULL HITLIST LIKEWISE ALSO ADDITIONALLY FOLLOW);

</>

GREENLAND;

NUUK, THULE, ANGMAGSSALIK, NORD, DANMARKSHAVN, SHANNON, DANEBORG, SCORESBYSUND, TINGIARMIUT, KRAULSHAVN, UPERNAVIK, GODHAVN, SONDRE STROMFJORD, HOLSTEINSBURG , SUKKERTOPPEN, GRONDA, NARSAAQ, JULIANEHAB, NANORTALIK, END.

ICELAND;

AKUREYRI, REYKJAVIK, AKRANES, HUSAVIK, END.

THE UNITED KINGDOM and IRELAND;

LONDON, MANCHESTER, GLASGOW, EDINBURGH, NEWCASTLE, DUBLIN, BELFAST, BOLTON, ABINGDON, ABERDEEN, LIVERPOOL, ASHFORD, BIRMINGHAM, ACCRINGTON, LIMAVADY, ALDERSHOT, ALDRIDGE BROWNHILLS, WAKEFIELD, LEEDS, BRADFORD, CARDIFF, BRISTOL, ASHINGTON, NORWICH, IPSWICH, CARLISLE, ASHTON-UNDER-LYNE, AXMINSTER, AYCLIFFE, ALFRETON, ALTRINCHAM, CAMBRIDGE, WOLVERHAMPTON, AMERSHAM, ANDOVER, ARNOLD, ARUNDEL, HULL, SALFORD, SALE, STOCKPORT, CAERNARFON, NEFYN, WELSHPOOL, DERBY, NOTTINGHAM, MATLOCK, SWANSEA, TAUNTON, PLYMOUTH, PORTSMOUTH, BLACKBURN, DURHAM, BRADFORD,DUNDEE, GREENOCK, HAMILTON, LUTON, MAIDSTONE, SHEFFIELD, SLOUGH, SOLIHULL, SOUTHAMPTON, SOUTHEN-ON-SEA, SOUTH SHIELDS, SAINT ANNE, SAINT HELIER, SAINT PETER PORT, SAINT SAMPSON'S, AIRDRIE, ANGLESEY ISLAND @HJ0172WESTFIAR, MERTON, MIDDLESBROUGH, MILTON KEYNES, NEWCASTLE UPON TYNE, NEWCASTLE-UNDER-LYME, NEWHAM, NORTHAMPTON, NORWICH, SOUTHWARK, SPENBOROUGH, STAFFORD, STANLEY, STEVENAGE, STOCKTON-ON-TEES, STOKE-ON-TRENT, SUNDERLAND, SUTTON, SWINDON, NEWPORT GWENT, BARKING, BARNET, BASILDON, LANCASTER, LEICESTER, PIEC, LAMBETH, LEEDS, CAMDEN, CANTERBURY, BOOTLE, BOURNEMOUTH, BRENT, BROMLEY, BURNLEY, CHELTENHAM, CHESTER, COVENTRY, GARDEN, COLCHESTER, CRAWLEY, CREWE AND NANTWICH, CROYDON, DARLINGTON, DERBY, EALING, ENFIELD, EXETER, FAREHAM, GILLINGHAM KENT, GLOUCESTER, GOSPORT, GREENWICH, HACKNEY, HARING, HAVERING, HILLINGDON, KINGSTON UPON THAMES, KING'S LYNN, LYNNE, KENSINGTON AND CHELSEA, ISLINGTON, HOUNSLOW, DONEGAL, BALLYCASTLE, ANTRIM, DOWNPATRICK, MONAGHAN, DUNDALK, FARHAN, MUFF, BALLINA, AGHAGOWER, FRENCHPARK, BALLINASLOE, MULLINGAR, WICKLOW, KILLALOE, SHANNON, KILKEE, YOUGHAL, COBH, CORK HARBOUR, CLASHMORE, WEXFORD, NEW ROSS, ARKLOW, RUSH, KILKENNY, END.

GUYANA;

GEORGETOWN, BARTICA, BILOKU, NEW AMSTERDAM, MABARUMA, KAMARANG, END.

/BREAK/

PART 01 OUT OF 050.

/BREAK/

AWAITING EITHER AUTHORIZATION KEY (LLNNNNNN) + ENCRYPTION KEY INDEX (LLNNNNNN) + SPECIAL PERSONNEL INDEX KEY (LLNNNNNN) OR ABORT CODE(S).

ALL PREPARATIONS COMPLETED

READY TO ENGAGE.

#halloween #nuclear war #NETZACH #Net Report Actual #united kingdom #guyana #Iceland #Greenland #Encryption Key Index #Authorization Key #Abort Codes #SPIK- #LNC114216

[oddwomen]

Mother Jones, November 1977

#1977 #1970s #70s #writers #feminists #feminism #Mother Jones #vintage #magazine #vintage magazine #women #vintage women #black and white #LGBT history #queer history #June Jordan #Robin Morgan #Tillie Olsen #Marge Piercy #Anne Kent Rush #women of color

[harrypotterhousequotes]

RAVENCLAW: "Creativity is really the structuring of magic." –Anne Kent Rush (quoted in Interview With the Muse by Nina Winter)

#harry potter #house quotes #ravenclaw #anne kent rush #interview with the muse #nina winter #hphq

[sol-une]

#Anne Kent Rush #George Downing #Massage #Book

[lesbianfeminists]

Getting Clear: Body Work for Women, Anne Kent Rush. 1973.

#consciousness raising #CR #Anne Kent rush

[derangedrhythms]

Do you have any quotes on "touch"? I've been thinking about touch and its absence because of the pandemic and would love to read anything on it

"One day without his hands and she thinks how sad it is to love."

— Marguerite Duras, from 'Hiroshima Mon Amour', tr. Richard Seaver

"Don't you sense me, ready to break / into being at your touch?"

— Rainer Maria Rilke, Book of Hours: Love Poems to God; from ‘lch bin, du Ängstlicher. Hörst du mich nicht’, tr. Anita Barrows & Joanna Macy

"Because I never hold you, I hold you fast."

— Rainer Maria Rilke (quoted in ‘A Lover’s Discourse’ by Roland Barthes, tr. Richard Howard)

"…a heart that strikes up a battle rhythm every time you touch me."

— S. T. Gibson, from 'Literary Sexts'

"That night was nothing but getting to know how smooth your body is. The memory of it goes through me like brandy."

— Ted Hughes, Letters of Ted Hughes; from a letter to Sylvia Plath, March 1956

"when we touch / we enter touch entirely"

— Anne Sexton, All My Pretty Ones; from ‘The Truth the Dead Know’

"The weight of his fingers on mine, like a bird landing on a branch. It was the drop of the match. I did not see that we were surrounded by tinder until I felt it burst into flames."

— Hannah Kent, from 'Burial Rites'

"In the heat of her hands I thought, This is the campfire that mocks the sun."

— Jeanette Winterson, from 'Written on the Body'

"...he reaches over and he touches you, like a prayer for which no words exist..."

— Richard Siken, Crush; from 'You Are Jeff'

"His touch both consoles and devastates me…"

— Angela Carter, The Bloody Chamber and Other Stories; ‘The Erl-King’

"Shock! It’s as though his soul has touched / me as his arm leans on mine."

— Marina Tsvetaeva, Selected Poems; from ‘Poem of the End’, tr. Elaine Feinstein

"I want to touch you until my palms burn."

— Amirae Garcia, from 'Literary Sexts'

"What are you now? If we could touch one another, / if these our separate entities could come to grips,"

— Muriel Rukeyser, from 'Effort at Speech Between Two People'

"...and then one touch of your hand / and God comes rushing back."

— The Borgias, Season 3; Episode 10

"I shook his hand, and tore my heart in sunder,"

— A. E. Housman, from 'He would not stay for me, and who can wonder'

"They were not holding hands, but their shadows were."

— Toni Morrison, from 'Beloved'

"Oh how it courses all through my veins when by accident my finger touches hers or when our feet touch under the table. I pull back as though from fire and a mysterious force draws me on again—there is a fainting in all my senses."

—Johann Wolfgang von Goethe, from ‘The Sorrows of Young Werther’, tr. David Constantine

"Come back often and take hold of me, / sensation that I love come back and take hold of me— / when the body’s memory awakens / and an old longing again moves into the blood, / when lips and skin remember / and hands feel as though they touch again. / Come back often, take hold of me in the night / when lips and skin remember…"

— C. P. Cavafy, Collected Poems; ‘Come Back’, tr. Edmund Keeley & Philip Sherrard

"I feel you, phantom touch, although you're far"

— Chelsea Wolfe, 'Twin Fawn'

"She stroked my head for a long time, and then we hugged and it felt like drowning."

— Jeanette Winterson, from 'Oranges Are Not the Only Fruit'

"I realize after this touch / he would know me / years from now, even / in the dark, even / without my skin."

— Philip Memmer, from 'The Paleontologist’s Blind Date'

"I had to touch you with my hands, I had to taste you with my tongue: one can’t love and do nothing."

— Graham Greene, from 'The End of the Affair'

#compilations #touch #long post

[itsnothappening]

coffeeshop au | marijon

Word Count: +0.5k

summary: A tall and blonde man came barreling through the door and said"Iknowyou’reabouttoclosesoI’llgiveyouextra$20,canyoupleasetakemyorder?"

ao3 | wattpad | masterlist | prompts | series masterlist

It was closing time at the CoffeeNut, the coffee shop Marinette worked at to earn some extra dollars while she was at university, when a tall and blonde man came barreling through the door and said"Iknowyou’reabouttoclosesoI’llgiveyouextra$20,canyoupleasetakemyorder?"

Marinette blinked at him in surprise and replied, "I'm sorry, can you repeat that slower? I couldn't understand what you were saying."

The man took a deep breath and repeated, "I know you’re about to close and I’ll give you an extra $20, but can you please take my order of the most caffeinated beverage you have? I’ve had the worst day possible in history and I really need the caffeine."

Marinette looked at his flustered state and nodded. If there was anyone at all who could relate to him, oh boy, it was her. She can still remember the days where she would be rushing around for school because she was too busy too sleep early. "Yeah sure, don't worry about it. Do you want to tell me about it? I'm Marinette by the way."

The man - handsome, she noted - smiled at her and replied "Jon. And sure why not? So first, I forgot to bring my project for this graded thing in one of my classes and because I forgot it my teacher makes me wait after class so that I can run back and get it. Then, I get late for the class after that and get a load of homework for that. After that, my uhh..dad needs my help in his umm...extracurricular activities and I trip and scrape my arm which makes it potentially disabled for the rest of the week. And now, I'm really tired but I need to finish that homework my teacher gave me because it's due tomorrow and it's going to take me double time because the arm I write with is scraped like I said before."

Marinette shook her head sympathetically at the amount of disasters he's gone through. She shot a smile at him and gave him his caffeinated beverage. "Here's the most caffeinated drink in this shop, and I hope your homework get's submitted on time. You don't need to pay me the extra $20 since the shop wasn't closed anyway."

Jon smiled at her gratefully and took the cup. "Thanks Marinette, I appreciate it. Have a nice night!"

"You too!" she replied.

◇─◇──◇─◇

As Jon walks outside drinking from his cup he sees a paper stuck on it. It says:

Call me if you ever need any help

XXX - XXX - XXX

- Marinette

Jon grins at it and turns around to see if Marinette is watching him. What he sees though is a dark shop with a shadow moving around tidying everything up.

◇─◇──◇─◇

A week later, a friendship blossoms.

3 months later, Jon and Marinette go on their first date.

2 weeks after that, it's official. Jonathan Kent and Marinette Dupain-Cheng are a couple.

1 year after their graduation, they are bonded for life. Jonathan and Marinette Kent.

Some time later, they'll have their first child, a girl, Marie Anne Kent.

Then their second child, a boy this time, Elijah Clark Kent.

And at the ripe age of 98 and 97 respectively, Jonathan and Marinette Kent will die, in each other's arms.

#jonathan kent #jon kent #marijon #joninette #marinette dupain cheng #marijon week #marijon week 2021 #miraculous ladybug #superboy #coffeeshop au

[nitebloom]

Can you share some of your favorite books with us?

oh ym god thank u this is the best question <3 definitely leaving a lot out but here for the sake of time and space but here are the ones id rather die than be without lol

the way of the tarot - alejandro jodorowsky literally my bible like ive slept w this in my bed like a stuffed animal multiple times it’s underlined and written all over lmao, ended up writing my thesis on the tarot (and leonora carrington, who was his tarot teacher) based off the stuff ive learned from this book song of songs from the bible uuuhmmm yeah one of the greatest poems and mystical texts ever written also reading it 20000 times and thinking about it a lot really influenced my spiritual philosophy ladders to fire anais nin love and other demons gabriel garcia marquez wise blood flannery oconnor weetzie bat (and all the books in that series), got the 1st book when i was 13 changed my life forever going solo roald dahl this compilation of edgar Alan poe poetry lol night wraps the sky: writings by and about mayakovsky my beloved mayakovsky ilysm <3 les fleurs du mal baudelaire duhhh tristessa jack karouac isabelle and the angel - thierry magnier literally a kids book that ive had forever and have a complex about where i feel like it prophecized the course of my life, also the illustrations are oil painted and so beautiful i’m with the band - pamela des barres <3 i first discovered gram parsons cuz of this book need i say more ask dr. mueller: the writings of cookie mueller -cookieee i love you so much. this is a compilation of her short stories and such and mostly it’s my favorite for this one story about her going to jamaica in the 70s with her son and gf and it’s seriously some of the most beautiful writing i’ve ever read. all the other stories are so good too. i discovered it in 2018 while going thru cookie’s archive at the NYU library and read an original copy that allegedly belonged to david wojnarowicz (<3) moon moon anne kent rush alice in wonderland - lewis carroll literally fave forever ive owned like 30 copies throughout my life& its another one w an intense affect on my subconscious lol

also the collected articles of ida craddock (!!! google her), the bell jar (duh), ram dass be here now, d’aulaires book of greek myths and euripides the bacchae

#sorry this is so long lol but theres no simple answer to that question #but ty again for asking ur da bomb <3

[thecrownnet]

weekendmagsocial  The Diana we’re desperate to meet. The return of The Crown [...]

*Spoilers Alert*

*Spoilers Alert*

The Diana we’re desperate to meet. The return of The Crown will feature assassinations, avalanches and the tension between the Queen and Mrs T. But the most anticipated entrance has to be Diana’s. Today Weekend tells how they’ve captured her charisma

[...] The upcoming fourth season will take Diana from her early days as a shy kindergarten teaching assistant to a fairytale princess and an iconic global figure, as well as explore the early days of her disastrous marriage to Prince Charles.Her entrance comes when it returns to our screens in November or December, almost exactly 40 years after Nigel Dempster revealed in the Daily Mail in 1980 that Charles had found his ‘future bride’, having transferred his attention to Diana Spencer from her older sister Sarah.

Like Diana at the time, the actress playing her in The Crown is also a young unknown. Emma Corrin, 24, is a privately educated Cambridge graduate, who didn’t go to drama school.

By coincidence she’s originally from Sevenoaks in Kent, where Diana went to West Heath School from the age of 12 to 16.

Aware of how challenging the role would be for any actress, the producers started their search with a desperate call for ‘a mesmerising new young star with extraordinary range.’

The brief added, ominously: ‘She has to play charming comedy, flirt and social exhibitionist on the world stage, desperate and lonely self-harmer at her lowest ebb and the kind of psychological intensity of Mia Farrow in Rosemary’s Baby.’

It would obviously be helpful too if she resembled Diana, and in some of the new scenes, as the kindergarten teaching assistant, and wearing a pink polka-dot dress on her 1983 tour of Australia, the likeness is uncanny.

Emma’s co-star Josh O’Connor, who plays Prince Charles, agrees, saying it was ‘spooky’ how much of a ‘breathtaking spitting image’ of Diana she was.

But Emma says she has never been told she looks like Princess Diana before – although strangely her mother, who works as a speech therapist, has been! ‘I have never had that,’ she adds. ‘I get told I look like a young Jodie Foster.’

Emma spent more than two hours a day in the make-up chair to achieve the Diana look, accentuating her doe eyes, and with several wigs re-creating the journey from ingénue to one of the most stylish women in the world.

Amazingly, she was still working hard for her final exams at Cambridge when she went through the auditions for The Crown.

‘They actually offered me the part in person,’ she says of her last audition. ‘It felt like I’d just been proposed to; it was the best moment of my life. There’s a lot of pressure, but I’ve been glued to the show since the first episode and to think I’m now joining this incredibly talented acting family is just surreal.’

Peter Morgan, the creator, writer and producer of The Crown, has complete confidence in her. ‘Emma is a brilliant talent who immediately captivated us when she came in for the part.

'As well as having the innocence and beauty of a young Diana, she also has, in abundance, the range and complexity to portray an extraordinary woman who went from an anonymous teenager to the most iconic woman of her generation.’

Like all the cast in this heavily researched production, she was given a large bundle of written material and documentaries to watch, and she spent hours on perfecting the princess’s distinctive high voice with a vocal coach and learning how to re-create her particular habit of glancing up from under her fringe, as well as her graceful way of moving.

It’s not an impression, I’m going for essence - Emma Corrin, who plays Diana ‘Something they have been making clear from the  start is that this is not an impression,’ says Emma.

‘I am going for essence. Any movement and voice work we have done has been figuring out why she talks the way she does, and how she was a massive departure from the Royal Family, a bit like Meghan is now I guess, by bringing something different in the way she talks.’

Season four brings back memories of naive young Diana, with a re-creation of that first photo, at the Pimlico nursery school where she worked, which showed her holding two of her charges while the sun shone through her skirt, revealing her shapely legs.

And it follows how she becomes hardened into a mature but troubled woman who is the toast of America.

The retelling of the royal romance starts with a traumatic event: the assassination of Charles’s beloved great uncle Lord Mountbatten (Charles Dance) who was killed, along with a grandson, a local boy and his son-in-law’s mother, by an IRA bomb hidden on his boat in Ireland in 1979.

Diana recalled how she’d watched Charles at the funeral on TV and when she saw him ten months later – the families were friends – she told him: ‘You must be so lonely? You know, it’s ghastly. You need someone beside you.’ He quickly decided he was in love.

Diana was turning 19 when she got together with Charles. He was 31. After 13 dates they were engaged. The rehearsal of their 1981 wedding at St Paul’s has been filmed in Winchester Cathedral with Emma wearing a replica of the blue floral dress Diana sported before the big day.

A later scene shows the joyful day when Diana, pregnant with Harry – with Emma sporting a fake baby bump – enjoyed an Easter Egg hunt at Buckingham Palace, chasing toddler William in the gardens.

The new episodes also focus on key moments – and key looks – from 1989, three years after Charles is thought to have resumed his affair with Camilla.  

In one scene Emma is seen outside The Savoy hotel in London, re-creating Diana’s appearance at the Barnardo’s Champion Awards.

Emma wears a floral one-shoulder dress, reflecting one of Diana’s favourite silhouettes – a style which suited her immensely but which the Establishment is said to have hated, deeming it ‘not royal’.

Having played Charles so sensitively in season three, Josh O’Connor, 30, says the heir to the throne will be portrayed in a harsher light this time. ‘Well, it’s the Diana years,’ he says.

‘If series three was to make people feel empathy for him, I guess we’re going to pull the rug from under him. We all have a set position on the dynamic between Diana and Charles. It’s been great to have the ability to either fight against that or, at times, acknowledge it and to challenge any question of, “Did he ever love her?” Personally, I think he must have done.

'There’s a wealth of layers to Charles and Diana, and I have loved seeking that out.

'I think Diana wasn’t completely innocent – I’m talking fictionally, in our story – so there are ups and downs. There’s the difficulty with Camilla and the whole family, so it’s going to be, hopefully, an interesting arc.’

Josh says they all enjoyed delving into an era which is so crucial to the modern Royal Family. ‘Everything changed when Diana came onto the scene,’ he says.

‘I think she changed the game, and modernised them, and made them relevant again.’

Also returning are Emerald Fennell as Camilla and Erin Doherty as feisty Princess Anne.

The real Anne revealed recently that she’d watched early episodes of the show, which she found ‘quite interesting’.

Peter Morgan says, ‘So many people asked me, after she first appeared, to put more of her in there.

Anne’s often overlooked. But Erin’s portrayal means that everybody has fallen in love with her. I read that searches about her on Google went through the roof, she’s now one of the most popular royals.’

Prince Andrew’s romantic life is set to come under the spotlight too. His most famous affair was with actress Koo Stark, who is said to have threatened to sue producers if the portrayal of her is negative, while the period covered in this series also sees him marry Sarah Ferguson.

Meanwhile, Edward is seen growing up and going to university.

There was a rush to finish filming before lockdown was announced.

It meant one key scene of an avalanche had to be moved from the Pyrenees to Ben Nevis.

The incident is likely to be a re-creation of the fatal moments in 1988 when a skiing party including Charles was caught in an avalanche in Klosters.

Major Hugh Lindsay, a former equerry to the Queen, was killed and Charles was seen weeping as he was helicoptered off the slopes.

The bizarre affair when Michael Fagan broke into the Queen’s bedroom in Buckingham Palace in 1982 will also feature in this run, but the 1987 It’s A Royal Knockout embarrassment, when the lesser royals dressed in medieval garb to play games for charity, is mercifully absent.

Once this series is over, an older cast are preparing to take the lead roles, with Imelda Staunton as the Queen and Lesley Manville as Princess Margaret.

They are due to start filming next year, and die-hard fans will be cheered by Peter Morgan’s recent change of heart, when he announced in July that there will be a sixth series to come.

The Crown will return to Netflix later this year.    

- Source: Daily Mail August 14, 2020

*It has just been announced that Jonathan Pryce will portray Prince Philip in season 5 and 6.

#josh o'connor #emma corrin #princess diana #the crown #the crown spoilers

[violetrose-art]

Voices for Gods, Goddesses, and Other Creatures

Just a list of actors and actresses who I think could do a good job playing the Gods and Goddesses of Mount Olympus from Disney's Hercules (and even a few nymphs and other creatures and characters from Greek Mythology). Tell me what you think.

Persephone: Anne Hathaway (The Grand High Witch of The Witches)

Helios: Martin Short (Edward Frankenstein of Frankenweenie)

Narcissus: Diedrich Bader (Take Evans of Surf's Up)

Eris: Hynden Walch (Princess Bubblegum of Adventure Time)

Rhea: Anjelica Huston (Queen Clarion of Tinker Bell)

Cronus: Ron Perlman (Fire Lord Sozin of Avatar: the Last Airbender)

Cupid: Johnny Depp (Ichabod Crane of Sleepy Hollow)

Psyche: Helena Bonham Carter (Emily of Corpse Bride)

Harmonia: Zoe Saldana (Captain Celaeno of My Little Pony the Movie)

Hedone: Anna Kendrick (Cinderella of Into the Woods)

Khione: Brandy (Cinderella of Rodgers and Hammerstein's Cinderella)

Phobos: Omar Benson Miller (Raph of Rise of the Teenage Mutant Ninja Turtles)

Deimos: Josh Brener (Donnie of Rise of the Teenage Mutant Ninja Turtles)

Erebus: Hoon Lee (Master Splinter of Teenage Mutant Ninja Turtles)

Nyx: Nicole Oliver (Zoe Trent of Littlest Pet Shop)

Aether: Hugh Jackman (Memphis of Happy Feet)

Hemera: Aimee Mann (Opal of Steven Universe)

Kakia: Rebel Wilson (Raz of Ice Age 4: Continental Drift)

Arete: Estelle (Garnet of Steven Universe)

Eos: Minae Noji (Tang Chen of Teenage Mutant Ninja Turtles)

Selene: Lisa Hannigan (Blue Diamond of Steven Universe)

Iris: Jill Harris (Charlie of Hazbin Hotel)

Arke: Pamela Adlon (Vidia of Tinker Bell)

Nike: Mae Whitman (Katara of Avatar: the Last Airbender)

Bia: Ashleigh Ball (Rainbow Dash of My Little Pony Friendship is Magic)

Aura: Kelly Sheridan (Barbie of Barbie in the Nutcracker)

Nephele: Cassidy Ladden (Teresa of Barbie and the Diamond Castle)

Thanatos: Lou Ferrigno (Billy of Adventure Time)

Ker: Eva Green (Angelique Bouchard of Dark Shadows)

Apate: Jill Talley (Karen of SpongeBob SquarePants)

Aletheia: Erica Luttrell (Sapphire of Steven Universe)

Leto: Octavia Spencer (Grandma of The Witches)

Themis: Esme Bianco (Eclipsa Butterfly of Star vs. the Forces of Evil)

Mnemosyne: Whoopi Goldberg (The Queen of Rodger and Hammerstein's Cinderella)

Gelos: Jess Harnell (Wakko of Animaniacs)

Elpis: Andrea Libman (Fluttershy of My Little Pony Friendship is Magic)

Metis: Tabitha St. Germain (Princess Luna of My Little Pony Friendship is Magic)

Panacea: Grey Griffin (The Tooth Fairy of The Fairly Odd Parents)

Peitho: Rashida Jones (Donna Who of The Grinch)

Fortuna: Catherine O'Hara (Sally of The Nightmare Before Christmas)

Chloris: Rachel Bloom (Batgirl of Batman vs. Teenage Mutant Ninja Turtles)

Thalia (blue): Madeleine Peters (Scootaloo of My Little Pony Friendship is Magic)

Agalea (purple): Claire Corlett (Sweetie Belle of My Little Pony Friendship is Magic)

Euphrosyne (pink): Michelle Creber (Apple Bloom of My Little Pony Friendship is Magic)

Minthe: Erica Lindbeck (Loona of Helluva Boss)

Leuke: Abby Elliott (Janna Ordonia of Star vs. the Forces of Evil)

Orphne: Barrett Wilbert Weed (Octavia of Helluva Boss)

Orithyia: Christine Ebersole (White Diamond of Steven Universe)

Macaria (white and green): Olivia Olson (Marceline of Adventure Time)

Melinoe (black and pink): Ashley Tisdale (Candace Flynn of Phineas and Ferb)

Cora (orange nymph): Shannon Chan-Kent (Smolder of My Little Pony Friendship is Magic)

Maia (yellow nymph): Chantal Strand (Diamond Tiara of My Little Pony Friendship is Magic)

Eliana (pink nymph): Sutton Foster (Princess Fiona of Shrek the Musical)

Arianna (green nymph): Deedee Magno-Hall (Pearl of Steven Universe)

Catalina (blue nymph): Kristin Chenoweth (Maleficent of Descendants)

Zagreus: James Maslow (James Diamond of Big Time Rush)

Arachne: Kathleen Barr (Queen Chrysalis of My Little Pony Friendship is Magic)

Lamia: Mary J. Blige (Irene Adler of Sherlock Gnomes)

Medusa: Scarlett Johansson (Princess Mindy of The SpongeBob SquarePants Movie)

Stheno: Kimberly Brooks (Jasper of Steven Universe)

Euryale: Kelly Hu (Karai of Teenage Mutant Ninja Turtles)

Eurydice: Britt McKillip (Princess Cadance of My Little Pony Friendship is Magic)

Phaedra: Jessica McDonald (Carrie Krueger of The Amazing World of Gumball)

Echo: Linda Cardellini (Wendy Corduroy of Gravity Falls)

If you guys have any suggestions or ideas, feel free to leave a comment. I'd love to hear what you think ^^

#hercules #disney hercules #Greek Mythology

[unsubconscious]

"Starting with myself." From Getting Clear: Body Work For Women by Anne Kent Rush. Random House, 1973. 

[isitgintimeyet]

Road To The Aisles

AO3

Previous

Happy Sunday. Hope it’s a good one for everybody. Another chapter and the wedding is getting closer. Time for a hen party...Warning: nsfw

Thanks to @mo-nighean-rouge @wickedgoodbooks @happytoobserve and to everyone who reads, comments, likes or reblogs x

Chapter 20: A Convivial Carousing

“What's so unpleasant about being drunk?"

"Ask a glass of water!”

― Douglas Adams, The Hitchhiker's Guide to the Galaxy

Claire thought she had been quite clear about this to Geillis. She distinctly remembered sitting in her office a few weeks ago when the subject had first been broached. Geillis had run through a list of possible suggestions for a hen party; beginning with a weekend in Benidorm (“imagine, sangria by the bucketful and eye candy in speedos”) all the way to a meal out with friends (“nice and safe”) detouring via an Ann Summers’ sex party (“It’s jes’ like a Tupperware party, ye ken, but with more cocks”), skydiving (“that adrenaline rush, as good as sex, I reckon”) and a burlesque dance class (“yer man’ll thank ye fer it later”).

When Claire had vetoed all the suggestions apart from a meal and drinks with friends, Geillis had then changed tack and began listing some well prepared ideas to “make the evening go with a bang, aye?”. Using the power of veto once more, Claire had made clear her thoughts on ‘pin the cock on the hunk’, any games involving dares or forfeits, any performers of the semi-(or un-)clad variety or costumes announcing that they were a hen party.

Geillis had tutted vociferously but eventually shrugged and agreed to Claire’s conditions.

So, why was she now sitting in this cocktail bar, wearing a sash proclaiming her to be a bride, while sucking her (admittedly rather moreish) cocktail through a plastic penis? She looked along the table at her friends, each wearing a matching sash and all busy writing on cards provided by Geillis, sharing their tips for a sexually successful marriage.

Jenny caught her eye and smiled. “I dinna think I ought tae be suggesting sex tips fer ma baby brother. It’s a wee bit —“

“Yucky? Disturbing?” Isobel ventured.

Geillis just caught the tail end of the conversation. “Only if ye’re doing it right.”

She winked before resuming her writing.

Claire drained her cocktail and moved on to the next already waiting for her. She studied Geillis over the rim of her glass, noting the glint in her eye as she wrote her contribution on the card. No doubt sharing some tips from her and Dougal’s activities, Claire told herself, interesting to read but maybe not her and Jamie’s type of thing.

As Geillis worked her way around the table, gathering up the cards, the door of the bar opened and a ‘fireman’ came in, tall and broad shouldered in his overly tight uniform. He carried his helmet in one hand and a portable speaker in the other. He stood for a moment glancing around before spotting Claire and her friends. He strode towards them, a cheeky grin on his face.

Claire felt herself redden and prayed for the ground to swallow her up. She cursed the sash proclaiming her to be the bride again; she cursed the balloons, spelling out H-E-N, tied to her chair; but most of all, she cursed Geillis, who had promised faithfully that there would be absolutely no adult entertainment this evening.

She glared across at Geillis, who returned her gaze with a confused expression of her own and shook her head slightly. Claire quickly watched the rest of her friends for any knowing smiles.

By now, the fireman had reached their table.

“I’m here on an emergency. Someone,” he looked directly at Claire. “Someone is too hot to handle.”

He sucked the air through his teeth noisily, in a parody of a passionate sigh. Claire did the only thing possible. She drained her cocktail and reached for the next one waiting for her.

“So,” the fireman drawled in a fake American accent, rotating his hips suggestively. “I’m going to have to use my hose… my extra long—“

He stopped abruptly as one of the bar staff tapped him on the shoulder and whispered in his ear, gesturing to a room off the main bar area.

Shamefaced, the fireman shrugged his shoulders. “Sorry, hen,” he now spoke with a broad Glaswegian accent. “This isna the right party. I’d best be heading.”

His eyes lingered on Geillis, now smiling coquettishly, before he turned and followed the barman. His arrival at the correct party was heralded by a series of loud whoops and cheers, clearly audible even over the hubbub of Saturday night two-for-one cocktail drinkers.

Claire breathed a sigh of relief and felt her stomach muscles unclench.

“Ye ken, Claire, I wouldna do something like that tae ye.” Geillis patted her hand. “I kent how much ye didna want that kind of thing. So, why don’t we have another cocktail, I’ll collect up the cards and we’ll see what kind of perverts ye have fer friends.”

Whether it was the sheer relief that Geillis had no embarrassing entertainment on the agenda, or the heady mix of cocktails coursing through Claire’s veins, but she finally decided to give in and throw herself wholeheartedly into the silly and potentially embarrassing hen party spirit.

Clearing her throat dramatically, she read each of the cards out loud, everyone trying to guess the originators. Some were obvious; who else but Geillis would have written about, in great graphic detail, a suggestion involving handcuffs, floggers and a black leather dominatrix outfit? And it was clearly Isobel who gave advice about the healing power of a hug. (“Not necessarily sexual,” she clarified. “But vital.”)

But Claire would never have guessed that it was Mary, the shy but efficient theatre nurse, who advised her to have a ‘toy cupboard’ next to the bed and always have spare batteries to hand. And as for a now clearly drunk Jenny’s confessions about her role playing adventures with Ian (a somewhat complex plot involving a Highland warrior and innocent serving wench fleeing the redcoats), well, Claire felt that was something best kept between the girls, and not to be shared with her future husband.

The rest of the evening passed in a whirl of chatter, laughter and alcohol. Claire knew she was drunk, not steaming drunk like Jenny, whose eyes were closed and her chin propped up with her hands, but in that tipsy phase when everything is wonderful… and shiny... and hilarious… and full of love.

Suddenly the bright overhead lights made Claire’s eyes begin to water. “What’s going on?” She asked.

Geillis began to gather up her belongings. “That’s it. It’s one am. Time tae go home.”

“But… but… can I not have another drink? I liked the..er.. orange one. Can I have another orange one?”

Geillis laughed and picked up Claire’s bags. “Ye’ve had about half a dozen different orange ones, Claire. It’s time fer the taxi.”

“Where’s Jenny?” Claire looked around.

“Ah, Weel, Isobel is seeing her home. I tell ye, it’s jes’ as well ye’ve some sensible friends, otherwise I dinna ken how ye’d go on. C’mon now, taxi’s waiting.”

Claire stood up as Geillis reached across and untied the balloons. Claire grabbed her arms and pulled her close.

“Can I thank you, G, for tonight, and for… well, for everything.” Her breath was warm on Geillis’s cheek. “You’re a real friend and, amazingly sober, I must say even after…”

Claire tried, unsuccessfully, to peer at her watch over Geillis’s shoulder. “...even after ...after lots and lots and lots of cocktails.”

Geillis kissed her cheek. “Nae bother, I didna have a lot tae drink. I knew ye wasna a big fan of the whole hen party thing and I wanted tae make sure this night was jes’ right fer ye. Now let’s get ye home. Back tae yer fiancé.”

“Thank you, G… have I already said that?” Claire started to follow Geillis out of the bar then stopped abruptly, putting her hand to her mouth.

“What’s the matter? Ye’re no’ going tae puke are ye?” Geillis quickly began to search for a plastic bag.

“No… no, I’m not puking, but, G, imagine… it’s all thanks to you that I’m here, getting married to Jamie. If you hadn’t given him my number in ED, we would never have got together, never dated, never fallen in love…” Claire sniffed and rubbed her eyes.

“Och, away wi’ ye. I tell ye, the pair of ye were born fer each other. Ye would have met either way. Mebbe me giving him yer number was jes’ a shortcut.” Geillis gave Claire a quick hug before pulling away. “Now come on, the taxi driver will have started his meter and I am no’ paying any more than the price I agreed on the phone!”

************

Jamie glanced at his watch as the doorbell rang. He yawned, stretched and switched the television off before walking to the front door.

The doorbell rang again. As he unlocked the door, it rang for a third time, a prolonged, urgent ring. He opened the door to find Claire giggling as she leant against the door frame, her shoulder pressing into the doorbell.

He waved to Geillis in the waiting taxi before following Claire into the hall. She spun around and flung herself into Jamie’s arms, nearly causing him to lose his balance. Ignoring his sudden exhalation of air, she kissed him noisily on the lips before nuzzling his neck and blowing raspberries against his skin.

“A good night, I take it. And a wee bit drunk too,  are we?” Jamie ventured a guess.

Claire pulled away, indignantly. “No, I’m not. Are you? You seem a bit unsteady there on your feet.”

“Well, what have you been drinking then?”

“Oh, some absolutely scrummy cocktails. I started with a slow comfortable screw. Have you had one of those?”

Jamie smiled. “Frequently.”

“How about a slow comfortable screw against the wall?”

“No’ fer a while.”

“And I had a silk panties martini… to match what I’m wearing.” Claire undid the zip on her jeans to confirm.

“Then I had a couple of flaming orgasms… mmm, so good.”

“Ah so, multiple orgasms. I tend tae stick tae the one, myself.”

“And I think there might have been a slippery nipple in there somewhere,” she hiccuped.

Jamie steered Claire to the stairs. “You head up tae bed, Sassenach.”

“Are you not coming too?” She pouted.

“I’ll be up in a minute. Just locking up.”

***************

Armed with a bottle of water and two paracetamol for the morning, Jamie entered the bedroom, fully expecting Claire to be fast asleep and snoring. On the contrary, she was still very much awake, lying on top of the covers, clad only in a red thong and matching red bra. The rest of her clothes lay in a heap on the floor.

“See, red silk panties,” she giggled, flicking the elastic on the thong.

“Aye, not quite silk though, jes’ a wee bit of lace as far as I can see. Now, come on, get in tae bed. Ye’ll be needing yer sleep.”

“But I’m not tired,” she protested as she scrambled onto her hands and knees and worked her way down the bed to where Jamie stood. “C’mon, Mr. Fraser, let’s have some fun.”

She knelt up and let her hands run around the waistband of his jogging bottoms, her fingernails lightly raking the skin.

Jamie inhaled deeply. “Claire, Sassenach, no. I dinna want tae take advantage of ye when ye’re drunk.”

“Jamie,” Claire’s voice was stern. “I may have had a few to drink, but I am fully aware of what I am doing...”

She edged the waistband down over his hips, his cock already standing proud. She ran a finger down its length, watching Jamie’s stomach muscles tense as he tried to calm the sensations she was arousing. He could feel her breath warm against his thigh.

“... And so it seems does our friend here. Don’t fight me, Jamie. I’ve had a plastic penis in my mouth for most of the evening. Now it’s time for the real thing.”

Grabbing his buttocks, she pulled Jamie closer to her before bringing one hand to cup his balls, massaging them in her palm. She wrapped her other hand around the base of his cock as she took him fully in her mouth.

Jamie closed his eyes and finally allowed himself to succumb to Claire’s ministrations. The warmth of her mouth as she rhythmically worked up and down, her tongue stroking and caressing made him harder than he thought possible. He entwined his fingers in her wild curls, encouraging her to take more of his length into her mouth.

He pulled back slightly as he felt his excitement building, keen to try and prolong the experience. Claire moaned, a small mew of disappointment, and brought him closer to her again, resuming the same relentless rhythm.

His breathing grew ragged. “Sassenach,” he groaned. “Sassenach, I canna … I canna…”

She felt his release, warm in her mouth as he stilled then withdrew. Jamie, panting, opened his eyes to see Claire, kneeling back on her heels, her curls in wild disarray, cheeks flushed, breasts nearly escaping from the confines of her bra. Her nipples, dark and erect, were visible through the red lace, her panties clearly damp.

She smiled, a lazy smile of self satisfaction as she swallowed then licked her lips. Jamie gasped at this wanton image in front of him.

“Sassenach,” his voice was husky. “I’ve an idea. Can I get our special camera?”

Claire nodded. “Ooh, yes. I’ve a couple of ideas myself, Mr. Fraser.”

As Jamie went in search of the camera, Claire lay back on the pillows and laughed. All those tips tonight for a successful sex life, she told herself, and I don’t think we’ll need any help in that area… ever.

#outlander fan fiction #outlander fan fic #Road To The Aisles #Jamie Fraser #Claire Beauchamp #modern au #chapter 20

[elcinelateleymickyandonie]

Barbara Rush.

Filmografía

Cine

- Los Goldberg (1950) como Debby Sherman

- Quebec (1951) como Madelon

- La Primera Legión (1951) como Terry Gilmartin

- Cuando los mundos chocan (1951) como Joyce Hendron

- Flaming Feather (1952) como Nora Logan

- Príncipe de piratas (1953) como la condesa Nita Orde

- Vino del espacio exterior (1953) como Ellen Fields

- Taza, hijo de Cochise (1954) como Oona

- Magnífica obsesión (1954) como Joyce Phillips

- El escudo negro de Falworth (1954) como Meg

- Capitán Lightfoot (1955) como Aga Doherty

- Beso de fuego (1955) como Princesa Lucía

- Mundo en mi esquina (1956) como Dorothy Mallinson

- Más grande que la vida (1956) como Lou Avery

- Vuelo a Hong Kong (1956) como Pamela Vincent

- ¡Oh hombres! ¡Oh mujeres! (1957) como Myra Hagerman

- Sin pago inicial (1957) como Betty Kreitzer

- Los jóvenes leones (1958) como Margaret Freemantle

- Harry Black y el tigre (1958) como Christian Tanner

- Los jóvenes de Filadelfia (1959) como Joan Dickinson

- The Bramble Bush (1960) como Margaret 'Mar' McFie

- Extraños cuando nos encontramos (1960) como Eve Coe

- Fecha límite: San Francisco (película de televisión de 1962)

- Ven a soplar tu cuerno (1963) como Connie

- The Unknown (película para televisión de 1964) como Leonora Edmond

- Robin y las 7 capuchas (1964) como Marian

- The Jet Set (película de televisión de 1966)

- Hombre (1967) como Audra Favor

- Estrategia del terror (1969) como Karen Lownes

- Mannix (serie de televisión de 1969, S2Ep06 'Una copia del asesinato') como Celia Bell

- De repente soltero (película para televisión de 1971) como Evelyn Baxter

- Cutter (película para televisión de 1972) como Linda

- Los ojos de Charles Sand (película para televisión de 1972) como Katharine Winslow

- El hombre (1972) como Kay Eaton

- Moon of the Wolf (película para televisión de 1972) como Louise Rodanthe

- Crime Club (película para televisión de 1973) como Denise London

- Peege (corto de 1973) como Mom

Superdad (1973) como Sue McCready

- Tontos, mujeres y diversión (película para televisión de 1974) como Karen Markham

- El último día (película de televisión de 1975) como Betty Spence

- Death Car on the Freeway (película para televisión de 1979) como Rosemary

No puedo detener la música (1980) como

- Amantes del verano (1982) como Jean Featherstone

- La noche en que cayó el puente (película para televisión de 1983) como Elaine Howard

- A su servicio (película para televisión de 1984) como Barbara Stonehill

- Web of Deceit (película para televisión de 1990) como Judith

- El beso de la viuda (película para televisión de 1996) como Edith Fitzpatrick

- El peinado de mi madre (corto de 2006) como Destino

- Corazones sangrantes (corto de 2017) como Barbara Irons.

Créditos de teatro

- El Balón de Oro (1937) debut en el escenario

- The Little Foxes USC Santa Barbara, 1948 y 1975

- Antonio y Cleopatra (1950) Teatro de Pasadena

- Stock de verano (1951) con Anthony Perkins

- La loca de Chaillot (1951) con Jeffrey Hunter

- La voz de la tortuga (1953), con Jeffrey Hunter

- Siempre abril (1969)

- Gira nacional de 40 quilates (1969-1971,1972)

- El cuatro con cartel (1971)

- La insumergible Molly Brown (1972)

- Las mariposas son libres (1972, 1981)

- Private Lives (1973) gira nacional con Louis Jourdan

- Gira nacional del Día del Padre (1974) con Carole Cook

- Toques finales (1974, 1978)

- Fiebre del heno (1975, 1980)

- Los hijos de Kennedy (1975, 1976)

- Especies en peligro de extinción (1976)

- Gira nacional a la misma hora, el próximo año (1976-1978)

- Noche de la iguana (1978)

- Ramitas (1980)

- The Supporting Cast (1982) gira nacional con Carole Cook y Sandy Dennis

- Espíritu alegre (1982-1983)

- Genio discapacitado (1983)

- Mujer de medios independientes (1983-1988) Broadway y gira nacional

- Steel Magnolias (1988-1989) gira nacional con Carole Cook, June Lockhart y Marion Ross

- Cartas de amor (1990-1993)

- Monólogos de la vagina (1995-1997)

- Un delicado equilibrio (1993)

- La edad de oro (1997)

- Hazme un lugar en Forest Lawn (2002-2007).

Televisión

- Lux Video Theatre (1954-1956, 4 episodios) como Cathy / Ruth / Charlotte / Joyce Gavin

- Playhouse 90 (1957-1960, 2 episodios) como Liz / Clara

- La undécima hora (1962, 1 episodio) como Linda Kincaid

- Saints and Sinners (1962-1963, 4 episodios) como Lizzie Hogan

- The Outer Limits (1964, 1 episodio: " Las formas de las cosas desconocidas

Dr. Kildare (1965, 2 episodios) como Madge Bannion

- El fugitivo (1965, 2 episodios) como Marie Lindsey Gerard

- Custer (1967, 1 episodio) como Brigid O'Rourke

- Batman (1968, 2 episodios) como Nora Clavicle

- Peyton Place (1968-1969, 75 episodios) como Marsha Russell

- Mannix (1968-1975, 2 episodios) como Rebekah Bigelow / Celia Bell

- Marcus Welby, MD (1969-1972, 2 episodios) como Dorothy Carpenter / Nadine Cabot

- Medical Center (1969-1974, 4 episodios) como Claire / Pauline / Judy / Nora Caldwell

- Amor, estilo americano (1970, 1 episodio) como Carol (segmento "El amor y el motel")

- The Mod Squad (1971, 1 episodio) como Mrs.Hamilton

- Ironside (1971-1972, 2 episodios) como Lorraine Simms / Mme. Jabes

- Night Gallery (1971, 1 episodio) como Agatha Howard (segmento "Cool Air")

- Maude (1972, 1 episodio) como Phyllis 'Bunny' Nash

- Las calles de San Francisco (1973, 1 episodio) como Anna Slovatzka Marshall

- El nuevo show de Dick Van Dyke (1973-1974, 3 episodios) como Margot Brighton

- Cannon (1975, episodio "Lady on the Run") como Linda Merrick

- La mujer biónica (1976, 1 episodio) como Ann Sommers / Chris Stuart

- Los misterios de Eddie Capra (1978, 1 episodio)

- Fantasy Island (1978-1984, 3 episodios) como Mildred Koster / Kathy Moreau / Professor Smith-Myles

- The Love Boat (1979, 2 episodios) como Eleanor Gardner

- Los buscadores (miniserie de 1979) como Peggy Kent

- Flamingo Road (1980-1982, 38 episodios) como Eudora Weldon

- Knight Rider (1983, 1 episodio) como Elizabeth Knight

- Magnum, PI (1984-1987, 2 episodios) como Phoebe Sullivan / Ann Carrington

- Murder, She Wrote (1987, 1 episodio) como Eva Taylor

- Los corazones son salvajes (1992, 1 episodio) como Caroline Thorpe

- All My Children (1992-1994, 35 episodios recurrentes) como Nola Orsini

- La ley de Burke (1995, 1 episodio) como la jueza Marian Darrow

- The Outer Limits (1998, 1 episodio) como Barbara Matheson

- 7th Heaven (1997-2007, 10 episodios) como Ruth Camden.

Créditos: Tomado de Wikipedia

https://en.wikipedia.org/wiki/Barbara_Rush

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