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#Ashcan School
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Edward Hopper
Soir bleu. 1914 (details)
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lionofchaeronea · 5 months
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Bleecker Street, Saturday Night, John French Sloan, 1918
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fleurdulys · 7 months
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Evening Blue (Tending the Lobster Traps, Early Morning) - George Wesley Bellows 
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kafkasapartment · 3 months
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Picture Shop Window, 1907. John Sloan.
Oil on canvas.
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newyorkthegoldenage · 3 months
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John Howitt, orchestra with violinist, 1920s. Oil on canvas.
Photo: 1st Dibs
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oncanvas · 5 months
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Backyards, Greenwich Village, John Sloan, 1914
Oil on canvas 26 x 31 15/16 in. (66 x 81.1 cm) Whitney Museum of American Art, New York City, NY, USA
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eirene · 1 year
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Gertrude Vanderbilt Whitney, 1916 Robert Henri
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Robert Henri ( United States1865-1929 )
West Coast of Ireland  1913
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larobeblanche · 2 months
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Robert Henri (American, 1865–1929) • Woman in White: Portrait of Eugenie Stein • 1904 • Hirshhorn Museum of American Art, Smithsonian, Washington D.C.
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pagansphinx · 9 months
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The Ashcan School, also called the Ash Can School, was an artistic movement in the United States during the late 19th-early 20th century that produced works portraying scenes of daily life in New York, often in the city's poorer neighborhoods. The members were: Robert Henri (founder) William Glackens, John Sloan, George Luks, Everett Shinn, Arthur B. Davies, Maurice Prendergast, and Ernest Lawson. George Bellows was later associated with The Eight and a representation of his work will be included here.
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Robert Henri (1865-1909) Snow in New York • 1902 • National Gallery of Art, Washington D.C.
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William Glackens (1870–1938) East River Park (New York City) • c. 1900-04 • Brooklyn Museum, New York
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Joan French Sloan (1871-1951) • McSorley's Bar • 1912 • Detroit Institute of Arts - Detroit, Michigan, U.S.
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George Luks (1867-1933) • Bleeker and Carmine Street (Greenwich Village, NYC) • c. 1915
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Everett Shinn (1876-1953) • Tightrope Walker • 1927 • Dayton Art Institute - Dayton, Ohio
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Arthur B. Davies (1862-1928) • Every Saturday • 1895-96 • Brooklyn Museum, New York
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Maurice Prendergast (1858–1924) • Central Park, New York • 1901 • pencil and watercolor • Whitney Museum of American Art, New York
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Ernest Lawson (1873-1939) • The Flatiron Building (New York City) • c. 1903-05 • Private collection
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George Bellows (1882-1925) • Cleaning Fish • 1913 • The Nelson-Atkins Museum of Art - Kansas City, Missouri
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COMPARTMENT C, CAR 293 (1938) BY EDWARD HOPPER.
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the-cricket-chirps · 7 months
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John Sloan
McSorley's Bar
1912
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lionofchaeronea · 3 months
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Gwendolyn, John French Sloan, ca. 1918
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pwlanier · 11 months
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Picked up a nice etching by American, WPA artist Raphael Soyer (1933-1989) at a garage sale this morning.
Sorry for the poor photograph, it is under glass.
“Protected” was created in an edition of 250 in 1938.
It is in the collection of most major museums including the Smithsonian and the Metropolitan Museum of Art.
Once dubbed the “East Side Degas,” Russian-Jewish émigré and social-realist painter Raphael Soyer depicted ordinary men and women in contemporary settings. While studying at the Art Students League of New York under Guy Pène du Bois, he was influenced by the Ashcan School’s faithful representations of daily life in New York City’s poorer corners. Soyer rejected abstract art, stating, “I choose to be a realist and a humanist in art.” In sympathetic renderings of the unemployed during and after the great economic crash of 1929, many of Soyer’s paintings came to embody the Depression, as in the drawn, weary face and soft eyes that gaze out of Portrait of Walter Broe (1932). Soyer also painted women in large numbers and various forms throughout his career, including nudes, shop-girls, prostitutes, and pedestrians, displaying a love for and fascination with the manifold faces of humanity. WIKI
Moses and Raphael Soyer were identical twin brothers. Born in Russia, they immigrated with their family to America in 1913. They both studied art in New York, and went on to become successful figurative painters. During the 1930s, the brothers became involved with the Works Progress Administration and worked together on several large projects, including a mural for the Kingsessing Station Post Office in Philadelphia. Both Raphael and Moses were influenced by the Depression and painted many realistic scenes that expressed their concern for America’s poor and unemployed citizens. SMITHSONIAN
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kafkasapartment · 11 months
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The Red Mill, c. 1916. Ernest Lawson. Oil on Canvas.
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newyorkthegoldenage · 3 months
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Abram Tromka, Tenement Market Scene, 1930s. Gouache. You should really enlarge this (click/tap) to see it.
Photo: 1st Dibs
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