This dialogue collects all the beautiful meaning of the movie but let's focus for a moment on Yori's "sorry I lied".
That child dared to disobey his own father and incur his punishment, again, just for Minato! These kids want so much to be together, freely and simply. They just want to be themselves with someone who truly understands them and to express their care. They want to never have to ask permission again. Why the social stigma shouldn't have let them experience their first love, their true identity?
And finally in the end they both let go of the shame. They no longer ask permission and accept themselves as they are.
- MONSTER (2023), dir. by Hirokazu Kore'eda
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SUMMARY: Pinocchio 964, lobotomized cyborg sex slave, is thrown out onto the street by his owners because of his inability to maintain an erection. He is befriended by a criminally insane, memory-wiped, homeless girl. Meanwhile, the corporate entity who manufactured and sold him plots to kill him because of his malfunction.
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The Housemaid (1960) Directed by Kim Ki-Young
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SUMMARY: A reporter and her ex-husband investigate a cursed video tape that is rumored to kill the viewer seven days after watching it
mod L says: superior to the American version in every possible way.
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Ayaka Miyoshi in Junihitoe wo Kita Akuma / The Devil Wears Junihitoe Kimono (2020)
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