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Fear: Using Stoicism to Shape Characters
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Introduction
Like many people, I suffer from severe panic and anxiety attacks. My heart races at what feels like a thousand beats per minute, I get a cold sweat, and my thoughts do not have a filter. The latter of which, I find the most dangerous and disturbing, especially when said attacks get triggered by something so small or nothing at all.
A lot of the time, they boil down to not feeling safe. I feel like I’m vulnerable, that the worst things that happened to me will happen again tenfold, or I’ve become the worst person in existence. Fear, as a lot of us know, can have us assume the worst.
I’m still working on managing my fear, if it can be managed at all, but a lot of what I’ve been practicing is essentially Stoicism. Epictetus, a Greek Stoic philosopher, often highlighted that it is not events themselves that disturb people, but rather their judgments about those events. One famous quote attributed to Epictetus that reflects this idea is: “People are not disturbed by things, but by the view they take of them.”
This sentiment suggests that fear and other negative emotions stem not from objective reality but from our interpretations and perceptions of reality.
I thought, “What a wonderful way to get to know our characters!” Not only do we have to have a grasp on the world around them, we have to understand the extent of how they perceive said reality and how it leads to their own fears as well as their ambitions, passions, hate, love, etc.
Amor Fati
One of my favorite phrases is “amor fati.” It’s what helped me most in navigating my own fears and, as a result, writing some ways in which my characters handle theirs.
The idea of “amor fati” is closely associated with philosophers like Epictetus and Marcus Aurelius, even though they didn't use those exact words. However, it was Nietzsche who made it a key part of his philosophy. He believed that true greatness comes from embracing fate and wanting nothing to change, not in the past, present, or future. In simple terms, it means loving and accepting everything that happens, rather than just enduring it.
When considering the relationship between “amor fati” and fear, several key points emerge:
Acceptance of the Uncontrollable: Fear often arises from the unknown or from circumstances beyond our control. “Amor fati” encourages individuals to relinquish their resistance to such uncertainties and to accept that life is inherently unpredictable. By embracing fate, individuals can find solace in the realization that some things are simply beyond their power to change or influence.
Facing Adversity with Resilience: Rather than viewing challenges as threats to be avoided or overcome, individuals can approach them with a sense of equanimity and resilience. Instead of succumbing to fear or anxiety in the face of challenges, one can choose to see them as opportunities for growth and self-discovery. By embracing adversity as an integral part of life’s journey, individuals can cultivate the strength and fortitude necessary to navigate difficult times with grace and composure.
Gratitude for All Experiences: Fear often stems from a sense of insecurity or dissatisfaction with one’s circumstances. “Amor fati” cultivates gratitude for all experiences, both positive and negative, recognizing that each contributes to the richness and depth of life. By embracing fate with gratitude and appreciation, individuals can mitigate the fear of the unknown and find peace and contentment in the present moment.
This idea is what helps form a “baseline” for my way of thinking and perceiving fear, which is what many people, fictional characters included, tend to mix up.
You don’t need to adopt the same mantra, of course, but I believe that having this Ground 0 in your own personal philosophy will add further depth and characterization in writing. It provides a deeper perspective on why your characters think the same or why they may deviate.
Distinction Between Events and Perceptions
Let’s go back to what Epictetus said: “People are not disturbed by things, but by the view they take of them.” Stoicism teaches that events themselves are neutral; it is our interpretation of those events that shapes our emotional responses. This concept is often referred to as “cognitive appraisal” or “judgment” in Stoic philosophy.
In practical terms, this means that two individuals may encounter the same external circumstance, yet react to it in vastly different ways based on their subjective interpretations. For example, consider a person who loses their job unexpectedly. While one individual may perceive this event as a devastating blow to their self-worth and security, another may view it as an opportunity for growth and new possibilities. The event itself—the loss of a job—remains the same, but the emotional response varies depending on the individual's perception of the situation.
Epictetus’s insight invites us to reflect on the role of our perceptions in shaping our emotional experiences. It suggests that our judgments, beliefs, and attitudes about the events we encounter play a crucial role in determining how we feel and behave in response to those events. By recognizing this distinction between events and perceptions, individuals can gain greater agency over their emotional lives.
Moreover, understanding this distinction empowers individuals to practice what Epictetus called the “dichotomy of control”—the Stoic principle of focusing only on what is within our power to control, namely our thoughts, attitudes, and responses, rather than becoming consumed by external circumstances beyond our control. By directing our attention inward and cultivating a mindset of resilience and rationality, we can navigate life's challenges with greater equanimity and inner peace.
Applying this to character development, particularly in relation to crafting a character’s fears, can add depth and complexity to the character.
Understanding the Character’s Perception of Fearful Events:
Explore how the character interprets and perceives the events or situations that evoke fear. What underlying beliefs, past experiences, or personal values shape their perception of these events?
Consider whether the character’s fear is rooted in the objective reality of the situation or in their subjective interpretation of it. For example, is their fear based on genuine physical danger, or is it driven by irrational beliefs or past traumas?
Revealing Character Traits and Beliefs:
A character’s response to fear can provide insight into their personality, values, and beliefs. For instance, do they confront their fears head-on with courage and resilience, or do they succumb to anxiety and avoidance?
Consider how the character’s fear reflects broader themes or conflicts in the story. For example, does their fear stem from a desire for control, a fear of vulnerability, or a struggle with existential questions?
External Manifestations of Fear:
Consider how the character’s perception of fear manifests in their actions, behaviors, and interactions with others. Do they exhibit outward signs of fear, such as trembling or avoidance, or do they mask their fears behind a facade of bravado?
Pay attention to how the character’s response to fear influences their relationships with other characters. For example, do they push others away in an attempt to protect themselves, or do they seek support and connection during times of fear and uncertainty?
Symbolism and Subtext:
Use the character’s fears as a vehicle for exploring deeper themes and subtext within the story. What do their fears symbolize in terms of larger narrative themes or character arcs?
Consider how the character’s perception of fear parallels or contrasts with other characters in the story, providing opportunities for reflection and exploration of different perspectives.
“Personal Truths” Are Not Necessarily Lawful
No matter how much a character is afraid of something, there is a line to be drawn on how valid that fear is when justifying a character’s actions and self-proclaimed motives. A person can say that they are afraid of someone else and that they are acting to protect others, but does that truly evade them from the law? In other words, a Villain can be completely convinced that what they are doing is noble and right, or that it stems from their own trauma, but, at the end of the day, they’re a murderous liar.
For example, in George Orwell's allegorical novel Animal Farm, Napoleon is a Berkshire boar who emerges as one of the leaders of the animal revolution against the human farmer, Mr. Jones. Initially, Napoleon is portrayed as a strategic thinker and persuasive speaker, working alongside Snowball, another pig, to rally the other animals and establish the principles of Animalism, which advocate for equality and freedom from human oppression.
As the story progresses, Napoleon’s character undergoes a transformation fueled by his ambitions for power and control.
Napoleon’s fear of losing control over the farm drives many of his actions. He becomes increasingly paranoid about potential threats to his authority, particularly from Snowball, whom he views as a rival. This fear prompts him to manipulate and eliminate anyone who opposes him, including orchestrating the expulsion of Snowball from the farm and later falsely accusing him of being a traitor.
He also utilizes propaganda and manipulation to maintain his grip on power. He gradually assumes control over the farm’s decision-making processes, consolidating power in his own hands and using fear tactics to suppress dissent among the other animals. For example, he employs the threat of the mysterious “Jones” returning to instill fear and obedience among the animals.
Napoleon’s lust for power leads him to betray the principles of Animalism that he once espoused. He progressively becomes more authoritarian and exploitative, engaging in corrupt practices such as trading with humans and altering the Seven Commandments to justify his actions. Despite initially advocating for equality, Napoleon begins to live a life of luxury while the other animals toil and suffer.
As his regime becomes more entrenched, he resorts to violence and oppression to maintain control. He establishes a reign of terror, using his loyal enforcers, the ferocious dogs he raised since they were puppies, to suppress dissent and punish any animal perceived as disloyal. Under his rule, the farm descends into a state of fear and tyranny, with Napoleon ruling with an iron fist.
Napoleon’s character serves as a symbol of totalitarianism and the corrupting influence of power. His transformation from a revolutionary leader to a despotic dictator mirrors the rise of real-life totalitarian rulers who exploit fear and propaganda to consolidate power and suppress dissent. There is not one moment of self-reflection, of him questioning that, perhaps, his fears are unfounded or his “personal truths” are not true at all.
Playing With Reality
Now, how can you utilize fear in order to create a character with as much depth and reflection (or lack thereof) like Napoleon?
Exaggerating a character’s fear involves manipulating elements of reality within the narrative to heighten the character’s sense of paranoia, insecurity, and authoritarianism.
Distorted Perceptions: Employ literary devices such as unreliable narration or distorted perspectives to amplify the character’s fears. By presenting events through the lens of the character’s paranoia, the narrative can create a sense of heightened tension and uncertainty. For example, descriptions of seemingly innocuous occurrences may be exaggerated or imbued with sinister undertones to reflect the character’s heightened state of fear.
Symbolism and Imagery: Symbolic imagery can be used to represent the character’s fears in a heightened and exaggerated manner. For instance, recurring symbols of oppression, surveillance, or impending doom can serve as visual metaphors for the character’s anxieties and insecurities. These symbols can be woven throughout the narrative to reinforce the character’s sense of paranoia and isolation.
Surreal Elements: Introducing surreal or fantastical elements into the narrative can create a sense of disorientation and unease, effectively amplifying the character's fear. By blurring the boundaries between reality and fantasy, the author can evoke a sense of psychological instability and existential dread. Surreal imagery, dream sequences, or hallucinatory experiences can all contribute to the character’s sense of dislocation and terror.
Manipulation of Time and Space: Playing with the conventions of time and space can further exaggerate the character’s fear and disorientation. Flashbacks, flash-forwards, or nonlinear storytelling techniques can create a sense of temporal dislocation, mirroring the character’s fractured mental state. Similarly, disorienting shifts in perspective or setting can contribute to the character's sense of being trapped or pursued by unseen forces.
Atmospheric Detailing: Careful attention to atmospheric detail can help to create a sense of oppressive dread and foreboding. Descriptions of the environment—such as gloomy weather, claustrophobic settings, or unsettling ambient sounds—can evoke a palpable sense of unease, intensifying the character's fear and paranoia.
Character Interaction and Dialogue: Dialogue and interaction with other characters can be used to reinforce the character’s fears and insecurities. Conversations may be laced with veiled threats, double entendres, or gaslighting tactics, leaving the character uncertain of whom to trust. Manipulative or menacing exchanges can heighten the character's sense of isolation and vulnerability.
Did anyone else get a little uneasy imagining all of that? I’d go rather mad if I had all of that happening to me, too. Now, what about the good guys? They are afraid of things, too, right?
Of course they are, and you can utilize the above methods for your heroes, as well! There might just be a little bit of extra work involved in ensuring that they don’t spiral into the villain role.
Establish Strong Moral Compass: From the outset, establish the hero’s core values and moral compass. Make it clear what principles guide their actions and decisions. This foundation will serve as a guiding light, helping to anchor the character and prevent them from straying into villainous territory.
Empathy and Compassion: Ensure that the hero retains their empathy and compassion towards others, even in the face of fear and adversity. By prioritizing the well-being of others and demonstrating empathy towards those in need, the hero reaffirms their commitment to noble ideals and reinforces their heroic identity.
Positive Support Systems: Surround the hero with positive support systems, including allies, mentors, and friends who can offer guidance, encouragement, and moral support. These relationships serve as anchors, providing the hero with strength and stability during moments of doubt and fear.
Consequences of Actions: Highlight the consequences of the hero’s actions and choices, emphasizing the impact they have on others and the world around them. By holding the hero accountable for their decisions and their effects, the narrative reinforces the importance of ethical behavior and reinforces their heroic identity.
Redemption and Forgiveness: If the hero does succumb to fear or makes mistakes along the way, provide opportunities for redemption and forgiveness. Allow the hero to acknowledge their faults, learn from their experiences, and strive to make amends. This narrative arc reinforces the hero’s humanity and resilience, emphasizing the possibility of growth and redemption.
Thematic Resonance: Ensure that the hero’s journey is thematically consistent and resonant, emphasizing themes of hope, courage, and resilience. By grounding the narrative in these overarching themes, the hero’s actions remain aligned with their fundamental nature, reinforcing their heroic identity and preventing them from veering into villainous territory.
Conclusion
Fear is a powerful and universal human experience that can shape both individuals and characters in profound ways. Drawing upon Stoic philosophy, particularly the concepts of “amor fati” and the distinction between events and perceptions, can provide valuable insights into understanding and managing fear. By exploring how characters perceive and respond to fear, writers can create nuanced and compelling portrayals that add depth and complexity to their stories.
“Amor fati,” or love of fate, encourages individuals to embrace and accept all aspects of their lives, including the uncertainties and challenges that provoke fear. By adopting an attitude of gratitude and acceptance towards fate, characters can navigate fear with resilience and courage, transforming adversity into opportunities for growth and self-discovery.
Furthermore, understanding the distinction between events and perceptions allows writers to delve into the subjective nature of fear, exploring how characters’ interpretations and judgments shape their emotional experiences. By depicting characters’ fears as rooted in their perceptions of reality, writers can add layers of complexity to their motivations and behaviors, enhancing the depth and authenticity of their characterization.
While fear can drive characters to make choices that lead them down dark paths, it is ultimately their moral compass, empathy, and support systems that determine whether they remain heroes or succumb to villainy. By emphasizing themes of redemption, forgiveness, and growth, writers can ensure that even in the face of fear, their characters' journeys ultimately lead to strength, resilience, and self-discovery.
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potatomountain · 5 months
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Got lost in my head and came to a lil realization-
Tumblr is NOT a safe space for people on the spectrum. Not unless you're in specific communities on Tumblr that are about the spectrum.
Honestly the internet isn't a safe place for us because the amount of masking and effort we go through to look over out messages and posts before sending them out is exhausting. Having to go over our own thoughts in a little post like this just so we aren't dismissed, ostracized, or frowned upon for our 'odd thinking' or 'wrong words' is so freaking stressful.
Especially in a creative space for those on the spectrum. There are so many things our brain does in that apartment people would normally find offensive or wrong and that I've been shamed for it's surreal.
So again: Tumblr is NOT a safe space for those on the spectrum.
Edit- [11-08, 3pm cst]
I didn't think this would get any views or anything cuz it was legit just midnight ramblings but I woke up to so many notifications.
I'm glad that there are many who do feel safe on Tumblr and it stays that way for you. However there are some that understand where I personally come from. I have found friends, communities, and the like on the internet [and on Tumblr] that have become safe spaces for me.
Tumblr was one as a whole where I could share my creative side and relish in some acceptance until- like I'm sure a lot on the spectrum have experienced- I did something that was seen as morally wrong in a way I didn't understand and seemed to become a social pariah because of it. People I considered safe blocked me, or soft blocked me and we went from sharing moments daily to never speaking or acknowledging each other. I was harassed and told that 'not understanding how what I did was considered wrong' was an excuse to avoid accountability. Attempting to explain how my brain worked was seen as 'attention/pity seeking'.
It's not the first time I encountered situations like this just because of the way I think, things I say or do, that go against societal norms and was met in harsh ways. Just the first time in a space I thought safe so soon after my own diagnosis so perhaps it's my personal feelings that make Tumblr no longer safe. Maybe I just got unlucky.
Either way- thank you all for your input, thoughts and stories and I really really hope that should any of you find yourself in a situation like mine you are met with acceptance and understanding and people who will stand by you.
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bacchanal-if · 5 months
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Official Portrait - Tamsin and Thomas Baker
@aukanemin continues to stun with these incredible portraits of our MC's close childhood friends Tamsin and Thomas Baker! They captured their sweetness perfectly 💜 It continues to be my pleasure working with them!
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gg-university-if · 2 months
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If you are a Sid romancer on the music route...congrats on being the drama. (part of one band attempting to date the lead singer of another band, brave or stupid)
If you are an A romancer on any route, I'm praying for you.
If you are an F romancer on any route, I'm praying for you (this is not romance for the weak willed).
If you are an R romancer who isn't studying a certain selection of majors, you better hope you have the personality to make up for it.
If you are a B romancer, congrats on making the only sane choice.
If you are a H romancer, you are a masochist.
If you are a platonic route MC, don't think you've escaped the drama, you haven't.
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happyfoxx-art · 1 year
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hey kids, once again, to emphasize, I AM NOT ABANDONING AFTERMATH!! it’s getting finished! I have the whole thing planned out! But I am also doing other art, running my business and being a mom all at the same time! Please be patient <3
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phoenixisdabestwriter · 6 months
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"You... wish to seek shelter from me?"
Lightning flashed, revealing the way the vampire's, Satoru as you had recently learned his name, eyes glinted in the light as they peaked out from the strands of his white hair, a shade too bright blue that it almost blinded you, in a sense. You flinched, looking away from the vampire lord, your hands wringing into the fabric of your long jacket.
"I... I am terribly sorry, my Lord." You stammered, taking a step back. "I just... I just need a place to stay for the night and then I'll be out of your hair-"
"You're not even afraid of me?" He asked, his voice sounding quite coy. "Are you new here? Don't you know what I am?"
You nodded, trying to will your hands to stop shaking but your nerves were too high wracking your body in a way that was hard to subdue.
"I-I do." You managed to say, still not looking at him. "But, I'd prefer to find shelter in the rain with you than with my... previous companions."
Satoru cocked his head to one side, leaning forward until he was but a hairsbreadth away from your face. His eyes darted to your neck, wondering what it would it be like to pierce the supple flesh.
"Oh really...?" He asked quietly, sounding rather amused. "And why would you want to stay with me? I'm sure you know what I do with my guests."
"I can... be of use to you." You said, looking back at him and flinching when you felt his nose brush against yours.
You took several steps back, feeling quite flustered as you stared at the handsome and infamous man that was the Vampire Lord, Satoru Gojo. You were a bit taken aback when his eyes darkened slightly.
"You can be of use to me?" He asked, his voice dropping an octave in a way that nearly had you swooning, despite the danger.
It was no wonder that vampires were like the temptuous snakes that snuck into the Garden of Eden.
You nodded slowly. "I... have information that I believe you'd find relevant."
"How interesting." Satoru opened the door wider, a smirk on his lips, which revealed his sharp fangs. "Please, come in. Let us discuss this over some cool wine and hot broth, hm? I'm sure we can make an excellent partnership."
The way he said that last word with several different implications sent a shiver up your spine.
"Thank you, my Lord." You said, bowing your head.
"I am glad to be of service to those on my land. In whatever means necessary."
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yeah i can see how that gets tiring at some point
LimL!Grian: it is most certainly not fun to wake up first thing just to hear Scar mispronouncing Clockers
??: Hey! It is a very hard word to say
LimL!Pearl: Oh hey Scar
LimL!Scar: Hey hey hey
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rearranged-fanfic · 3 months
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Planned Arcs for REARRANGED
Blog Masterlist
I wanted to give you guys a glimpse into future plans for my fanfiction. So, here's a guide to exactly how far I'm planning ahead, as well as how far we have left to go.
*Spoilers Below*
Prologue
-Final chapter count: 1
-Status: Conceptualized. Outline finished. Writing finished. Completely posted.
-Notable events:
Reader-chan is introduced to us.
Reader-chan's mother passes away.
Reader-chan and her sister are revealed to have a fraught relationship.
Reader-chan dies, struck by a vehicle.
Lucid Dream Arc
-Final chapter count: 10
-Status: Conceptualized. Outline finished. Writing in progress.
-Notable events:
Reader-chan wakes up in the world of JJK.
Reader-chan has no memory of her death, and doesn't know how she got into this new world, which she believes to be a dream.
Gojo Satoru is introduced to reader-chan as an enemy, rather than an ally.
Ieri Shoko is introduced to Reader-chan as an enemy, rather than an ally.
Reader-chan is held captive in Gojo's apartment until she can prove that she isn't a threat.
Ieri tells reader-chan that Gojo doesn't believe her wild claims because he can't accept the idea of his own death. The idea terrifies him.
Reader-chan learns that she most likely isn't a Socerer, only a Window, because of how impotent her Cursed Energy is. Though they still aren't certain.
Despite insisting that she's from another world, none of the JJK characters believe Reader-chan.
Both consider her a spy and a threat.
Ieri discovers that Reader-chan has intimate knowledge of Geto Suguru, advising her NOT to tell Gojo about it.
Ieri poisons Reader-chan, ruling out a mind-reading Cursed Technique.
Gojo lets Reader-chan go, allowing her to move out. She's still kept under close watch.
Ieri and Reader-chan bond. Ieri tentatively hopes to be friends someday. "Ieri" becomes "Shoko".
Gojo's ire is kindled when he's reminded of his death in the manga. He reveals that he thinks Reader-chan is working for Geto and threatens her.
When prompted how he'd react if he were wrong, he says that he'll "beg for forgiveness on [his] hands and knees".
Gojo leaves for several days, hunting down and massacring an entire sect of Curse Users.
Reader-chan is introduced to Ino Takuma. The two almost immediately hit it off.
Reader-chan is revealed to be compartmentalizing her emotions, hiding them behind a door in her mind.
Ino and Reader-chan go on a pseudo-date around Tokyo. He takes her to a little cafe, where she spies a 'help wanted sign', prompting her to want a job.
Gojo returns from his hunt. When Reader-chan asks to work, he refuses her.
Gojo reveals that Reader-chan attracts Cursed Spirits, due to the fact that she sheds an unusually high amount of Cursed Energy. Furthermore, there seems to be an invisible chain wrapped around her, made from a foreign Cursed Energy signature. This is what's causing her to 'shed'.
Shoko devises a way to prove that Reader-chan knows the future to some extent: predict what's going to happen in the next chapters of popular manga.
Shoko reveals that the reason they'd considered the possibility that Reader-chan was a mind reading Sorcerer is because they'd been having issues with one; they'd previously stolen an unspecified Gojo Clan heirloom.
Gojo offhandedly remarks that he's been investigating Reader-chan's claims, even hunting down possible Sorcerers and Curse Users who could theoretically warp space and time.
Reader-chan witnesses Gojo kill a Curse User, and even goes so far as to refer to him as a 'murderer', which doesn't go over well.
Reader-chan decides to stop being passive and make her own choices, with what little power she has.
Ino and Reader-chan visit the Ino family home.
Ino Mayu (Takuma's mother) and Ino Akemi (sister) are introduced to Reader-chan. She quickly bonds to both of them.
"Ino" becomes "Takuma"; similarly, Reader-chan's on a first-name basis with all the Ino family.
Akemi pushes Reader-chan to make up with her sister.
Gojo appears in the middle of the night, seemingly distraught and in the middle of a fit. When confronted, he reveals that he knows Reader-chan has been correct this whole time, and that he's going to die.
??? (<- We are here, currently)
Cursed to Kill Arc
-Final chapter count: Unknown (est. 12-15)
-Status: Conceptualized. Outline Finished.
-Notable events:
???
???
???
Sororal Chains Arc
-Final chapter count: Unknown (est. 10-12)
-Status: Conceptualized. Outline in progress.
-Notable events:
???
???
???
Martyring of Maria Arc <- possible final arc?
-Final chapter count: Unknown (est. 15-20)
-Status: Conceptualized.
-Notable events:
???
???
???
Anything beyond this is pure speculation. Could go either way, depending on reader reception and my drive to keep writing.
That about does it, I think. We'll see what's up in a few months.
Let me know if I missed any "notable events", because a lot has happened!
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rewinded-time · 3 months
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Honestly, ever since I read this cool fic (Dad Shaped by Clouds if you're wondering) (, I've been kind of... hyperfixating? (I don't have anything else to call it) on Danny Phantom, and I'm now wondering how Danny Phantom/Danny Fenton would look like in your art style 🤔
I really like (love) your art style! Just wanted to tell you this... (you should totally watch Danny Phantom btw)
Also, Happy New Year :D
I'm glad you love my art style!! I also love Danny Phantom and I absolutely live for DPXDC fics!!!! I made some art real quick just for you!!
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boltwrites · 15 days
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i feel like after the latest episode i need to just rewatch every episode with tech in it ever
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arise-if · 2 months
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ROs MBTI types?
C: ISFJ
P: ISFP/ESFJ
J: INTP
E: INTJ
N: ISTP
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tooxmanyxships · 6 months
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Decided to make a (little) pinned post!
My name is Sarah. I'm 30+ and from Belgium.
You can find my fics on AO3 , here on Tumblr and on Wattpad
I started dabbling in writing in the F1 fandom a few months ago and got addicted.
I don't really have any mentionable triggers. I just don't write too kinky smut? I'm just not comfortable writing that.
Writing sex is okay, just nothing too weird/kinky.
As far as ships go, I do have my faves....
Brocedes, Maxiel, Galex, Piarles, Loscar, Simi, Webbonso. And Landan/Dando.... Gosh, I have such a soft spot for Daniel/Lando.
However, I'm open to pretty much any ship. If that changes, I'll let you know.
I do like polyamorous ships too.
My askbox is always open for prompts/questions!
Here is my prompt tag where you can find inspiration!
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bacchanal-if · 3 months
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Official Portrait - Lady Lucia, Baroness of Oxburn Lord Laurence, Baron of Oxburn
@aukanemin has graciously painted for us the lovely portraits of the affable Lady Lucia and Lord Laurence, capturing them perfectly, and it is my great honor to share them! Please consider giving this lovely artist a follow 💜
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gg-university-if · 2 months
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I just realised Americans can only drink at age 21, you guys are killing me 😭😭😭
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happyfoxx-art · 1 year
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Is,,,,is carol crying in the latest update?
Cause those looked like tears. :'(
She is! she's known these kids for a while- even if not in person. She knows how important they are to her kid. She's just super happy and relieved that she doesn't have to give bad news :)
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chapitre7 · 4 months
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I am open to writing prompts 💙 I cannot promise I'll write them, but I can promise to do the best of my abilities.
Ratings G to M.
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