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wen-kexing-apologist · 6 months

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The Greatest Kisses of All Time

So @neuroticbookworm just finished watching Old Fashion Cupcake and @waitmyturtles is never not watching Bad Buddy, and this naturally sparked a conversation around two of the best kisses of all time. The kiss between Togawa and Nozue in Episode 4 of OFC and the kiss between Pat and Pran in Episode 5 of BBS.

For as much as there are similarities in these four characters, namely that Pat and Nozue both exist for years without any understanding of Pran and Togawa’s feelings, and that Pat and Nozue both exist for years without realizing their own queerness. I don’t know how many people who may be reading this were around for the BL-Bracket Best Kiss competition, but myself and quite a few others on here were fighting tooth and nail for the final fighting ring to be Bad Buddy vs. Old Fashion Cupcake because these are just…such emotionally complex, beautifully shot, and masterfully performed feats of acting and filmmaking. But their kisses could not feel more different. So I wanted to take a moment to break these scenes down.

Bad Buddy, Episode 5

There is already so much want and hope and pain in Pran’s eyes when he turns around to face Pat. When Pran says “we aren’t even friends” Pat’s response is this extremely small, ironic smile and an exhaling of breath. When he responds to Pran’s statement, his is listing off all of these barriers to the two of them being together, the tow of them being friends with each other. But the way his voice sounds, the way the music supports makes the words and the emotions so dichotomous. Pat is listing all these reasons that they should not be together, but Ohm delivers these lines like Pat is telling Pran all the reasons they should be. And part of that has to do with the subtle ways in which he undermines the impossibilities of their friendship with the realities of it. “How can we be friends if we live next door to each other but can’t even talk?” but they do talk. They have spent their whole lives talking.

And I think you can kind of tell the way this kiss is going to go at the end (with Pran walking away) with how much sadder Pran progressively gets as Pat continues to talk “[when you were away] I was so damn happy” and Pran looks crestfallen. And again we get a dichotomy here with Pat listing off all these positives of Pran being gone from his life, but the tone that is being set by the irony in Pat’s face and the sadness in Pran’s is building on this idea. Pat is listing all these reasons why being apart from Pran was good for him, but Ohm delivers these lines like Pat is telling him all the reasons why being apart is not an option. The way that realization and hope comes in to Pran’s eyes, in to his face when Pat says “It was so depressingly lonely for me”. Like, that line is fucking tragic, this moment is fucking tragic. Pat admitting how lonely he was is sad, and yet it is the thing that gives Pran hope that finally finally his feelings may be reciprocated.

This is the constant trend. Why should the lines “Do you want to be my friend?” “No.” be so heartwarming and hopeful, so honest and pure, and raw when at face value saying you don’t want to be someone’s friend would not be regarded as a positive thing. The moment of happiness when Pat pulls away from their first soft kiss knowing something is right, the way Pran’s jaw sets in determination when he grabs Pat and pulls him in for more. Their kiss builds and builds and builds in its intensity the longer it goes on, the more time neither of them pulls away, how hungry they both are for it the more it feels right, the more things settle in to place. The look of pure and utterly joyous relief on Pat’s face when they finally part, everything having clicked in to place for him. Finally understanding himself after all of these years, only to have Pran, who has known for so long what he wants, how he feels about Pat, sobbing and walking away because he cannot allow himself to believe this is real.

I think I said this in one of my Our Skyy 2 posts about PatPran that Pat is someone that is unable to ponder. It may take him his entire life up to this point to realize that he has feelings for Pran, but the second that he does, he does not linger on the thought, he does not mull it over, he does not find shame in it. He is upset at Pran because Pran sang their song, because that song is important, because Pran is important, because he wants to be with Pran, and then he immediately goes to tell Pran all of this, to admit his feelings, to kiss him, to want to be together. While Pran has been sitting on this love, this knowledge for years, pining and in pain at all the ways Pat has kept him close while being completely oblivious to both Pran’s feelings for him, and his feelings for Pran. And, I don’t know, maybe it is just that hindsight is 20/20, or that Bad Buddy is so deeply ingrained in me at this point that I may be overestimating my powers of prediction here. But Pran walking away from that kiss was not a surprise. Pat’s reaction to that kiss was not a surprise. You can see every part of where this kiss is going, you can see the pain in Pran’s eyes, you can see the desperation in Pat’s. You know what is going to happen the second they break apart.

But Nozue and Togawa? I am not certain that I can say the same

Old Fashion Cupcake, Episode 4

Honestly throughout most of Old Fashion Cupcake, we do not get anywhere near the level of sexual tension we get between Pat and Pran, though the few moments there are are fucking powerful. Leading up to the Episode 4 kiss, Togawa has convinced Nozue to try to plank, and boy oh boy is it a good excuse to get this hot man on his bed. I do appreciate the fact that there does not appear to be any sexual tension to begin with. Togawa getting on Nozue’s back may look sexually suggestive, but it does not (initially) feel sexually suggestive. And that is in part due to the fact that Nozue is currently distracted, he isn’t tuned in to the sexual tension. And it is a testament to Takeda’s acting prowess that in a split second Nozue is able to go from laughing at being tickled to laying the tension on thick. We move in to the conversation about the positive impact they have had on each other’s lives. A complete opposite of Pat and Pran. This is an admission on Togawa’s part about his feelings for Nozue, even if he does not say that directly.

It is why he starts the conversation with his back to Nozue, it’s why it takes him so long to make eye contact. And Togawa walks away, while Nozue smiles fondly to himself, reflecting on the importance of Togawa to his own life, and I honestly do not think it is until the second that Togawa comes rushing back towards him, saying his name low and with such intensity that it really starts to click for Nozue what is about to happen, what is happening. Over the past few episodes, Nozue has been turning over these thoughts and questions about why he feels so irritable and out of sync when he thinks Togawa has ignored his email. But I do not think it is until Ochi-san calls Togawa and snaps him out of this moment, that the embarrassment kicks in. We enter the continuous shot, Nozue says he has to leave, and he will not make eye contact with Togawa.

And it must be said, that while do not in any way shape or form doubt that Ohm and Nanon could have absolutely demolished a continuous shot for their Ep 5 kiss, I think we rely too heavily on their microexpressions for it to have worked. But here, it is such a brilliant choice, because everything that ends up unfolding is spontaneous, unexpected in some regard. The episode 4 kiss being a continuous shot serves to express and highlight the motion of the scene, the energy of the scene, which is what we need for the eruption that will occur, where we rely more on seeing the difference in the words and the emotions that are coming out of Pat in Ep 5 of BBS. I think that Nozue’s feelings, his realization, his anxiety comes on suddenly, so suddenly that the camera does not have time to cut away. Nozue is panicking, and he is trying to stay emotionally detached in a way that Pat and Pran are not, in a way that Pat and Pran are incapable of. Because Pat has been oblivious and Pran has been repressed, while Togawa has been repressed and Nozue has been oblivious, and Nozue, unlike Pat, is a character that is prone to decision paralysis. His habit of maintaining the status quo because making different choices means something bad might happen, means that he is much more likely to keep things the way they were. To ignore his feelings, or to run from them, unlike Pat who is physically incapable of holding those feelings in his body.

There is desperation between Togawa and Nozue, just as there is desperation between Pat and Pran, but the desperation for Pat and Pran comes from Pat needing Pran to understand his feelings, while the desperation for Togawa stems from trying to stop Nozue from running from his feelings, while Nozue’s desperation is to flee. I love love love that Nozue’s approach here. Where Pat was listing off all these impossibilities for their relationship, that were tragic yet true, and delivered with hope, Nozue is trying to shut down. He is being as polite as he can muster, but he is absolutely not concerned with seeming like he is lying. Again, where Pat is rambling off a list of things that were true but had not been said aloud in years, Nozue is rambling off a list of things that were not true and are only said because Nozue’s brain is disconnected from his body. The first thoughts that pop in to his head are the first things that come out of his mouth, any and every poor and pathetic excuse, and Togawa’s desperate attempts to counter every argument, to try to keep Nozue here. There is a tension underlying the scene that we get through the background music, that is far more discordant than the romantic, hopeful swells we got in Bad Buddy.

Togawa grabs Nozue, and kisses him, and the music cuts out so that it is just silence. Nozue’s mind goes blank, and where we get the intensity of Pat and Pran’s kiss escalating from both sides as their kiss goes on, what we get from Nozue is a physical reaction that his brain has not caught up with. Because at every turn, Nozue kisses Togawa back. But his eyes are wandering, he’s very much uncertain about what is happening. Not in a “do I like this? How does this feel?” kind of way, in my opinion, but in a “how did I get here? What is happening?” kind of way. And then he drops, and Togawa follows, and we get the “I’m seducing you” confession. And for a while Nozue is just frozen there on the ground, but the longer Togawa speaks, the more Nozue’s brain and body finally connect, and the more he seems to relax. He tries to engage Togawa in conversation, they have switched roles as Nozue tries to stop Togawa’s ramble.

And Togawa won’t let him. Pran walks away because he cannot allow himself to hope that Pat is actually serious about liking him, Togawa puts his hand to Nozue’s lips to make sure that he Nozue cannot reject him. Togawa’s internalized homophobia will not allow him to dream of a world where Nozue returns his feelings. So he hurts himself by rejecting Nozue before Nozue can reject him. Togawa asks to be hit, just sits there bowing and waiting to be beaten for being queer, for liking his boss, and you can see the way it hurt Nozue to see that Togawa assumes that Nozue would resort to violence like that. Nozue gets this look of disgust on his face, this look of pain when Togawa tells him he can hit him.

And where I knew where the PatPran kiss was heading, while it was no surprise that Pran walked away at the end of that, I cannot say I know what Nozue would have done if Togawa hadn’t jumped the gun. I don’t think Nozue knows what he would have done if Togawa had let the moment linger. If Togawa had let Nozue speak.

Anyway all of this to say that I love both of these scenes so much, and it is a testament to the acting prowess of all performers involved that so much can be conveyed. That Ohm and Nanon had to film all the rooftop scenes for the entire show in one evening, had to change the nature of Pat and Pran’s relationship as the Qs progressed. That Takeda and Kimura could carry four minutes of an intensely emotional scene where the power and the comfortability must flow between Togawa and Nozue, where Takeda has to stay physically in the scene while ensuring that his character looks and acts like he is in two different places. Pat’s hope, Pran’s despair, Nozue’s understand, and Togawa’s fear are all so visceral, it is no wonder these scenes have made and maintain such an impact.

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airenyah · 1 year

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How BAD BUDDY SERIES | EP.11 [4/4] Tricked the Fandom

Those who were there watching Bad Buddy live will remember the chaos that ensued after episode 11 (my beloved) and with it the episode 12 preview (derogatory) dropped. Watching a happy and hopeful episode, ending in a lovely montage with an even lovelier song, being told things such as "we became two people who can’t be just friends" or "I want you to know that this world can’t change someone like me either", only to be punched in the gut by "Pat and I broke up" in the very next moment. Those of you who were there will remember how – after the fandom had finally picked up its shattered pieces – there was a scramble to figure out what the hell was happening exactly, how the hell we even got to this point.

And you will also remember the fandom deciding on a specific scene being The Breakup Scene. But how can that be? How can a breakup scene even exist when we know (in retrospective) that they never actually broke up? Did the fandom just collectively hallucinate a scene that wasn't there?

Well, no. Of course not. I think the reason why it worked, the reason why this scene managed to trick the fandom into believing that this was actually the breakup talk was because for one terrifying moment Pran himself thinks it's a breakup talk. However, the fandom was so blinded by the ep 12 preview that it completely missed one key factor from that scene which Pran did realize: it's not in fact a breakup, but the exact opposite of it.

So let's get into it, let's take a closer look at Bad Buddy Ep. 11 [4/4] (01:58 - 05:15) and Pran's emotional rollercoaster during this specific scene:

The scene starts out with Pat sitting on the bench, lost in thought. His exact thought process here is for the viewer to decide, but whatever he is reflecting on has to do with him finally accepting the inevitability of having to back home. And considering his upcoming monologue, he's probably also thinking about his love for Pran and Pran's love for him.

His thinking gets interrupted when Pran walks into the scene, dangling the shirts into Pat's face. They have an interaction about the shirts, Pat puts one on while Pran can't keep his hands off of him, they exchange some words and Pran doesn't really notice Pat's pensive mood, when suddenly –

Pat grabs Pran's hand. Pran was not expecting that, and he looks up at Pat in surprise, asking a silent What is it, what's going on? And I think it's only here that Pran really notices the weird mood Pat is in.

Pat says "thank you" and although Pran looks concerned about Pat's sudden mood change, Pat's words also make Pran smile, though he's still very confused, having absolutely no context for Pat's emotional state and thus having no idea where this is suddenly coming from. "Thank you for what?" Pran asks, still with that searching look in his eyes that asks What's gotten into you all of a sudden? Is everything alright?

Pat replies "For trying to make a silly guy like me happy". And Pran's smile falls just a little bit as he realizes that this? really isn't just Pat being his usual sappy self, this right here is a Serious™ conversation indeed:

Finally, Pran too has arrived in serious mode completely. He now shifts his attention fully to Pat, listening intently to Pat's words, staying focused on Pat the entire time.

Pat says "I know that sooner or later we will need to go back." This gets a very subtle smile out of Pran (you can see how the corner of his mouth on the right side of the screen goes up just a tiniest bit):

Pran reacts to those words, because this has been their conflict throughout the entire episode so far: Pran being realistic, having accepted from the start that they would have to return at some point while Pat was so desperately trying to stay in that pretense that they could just make a new life somewhere else and not turn back, refusing to acknowledge that in the long run this just wouldn't work out. But now Pat is finally acknowledging this, letting Pran know that he understands and that they're on the same page about this. "I know too well",* Pat says and Pran looks like he's about to cry from adoration for Pat pls he's so in love takes that acknowledgement in, still with a hint of a smile on his face.

*(Side note: I seem to hear ทำไมกูจะไม่รู้ว่ะ (tammai-goo-jà-mâi-róo-wâ) and I think the more literal translation of this sentence would actually be something like "Why wouldn't I know?". Though I'd have to ask a Thai native to confirm as I don't trust my own Thai skills yet. Anyway, I just thought the rhetorical question was interesting in regard to Pran reacting to Pat's statement, bc the rhetorical question addresses Pran more directly compared to the declarative sentence from the subtitles. His reaction is kind of like a reply to that rhetorical question.)

But that hint of a smile is wiped right off Pran's face when Pat continues with "But I just want to stay as long as we can."

And this the moment where the thought hits Pran for the first time that Pat's speech might actually lead to a breakup. He is confused (why would they need to break up over this?) and there is now fear and worry in his eyes. He looks a little scared, his mouth twitches a little, accompanied by the tiniest headshake and there are many questions written all over his face: What are you talking about?? Where is this going?? No, it can't be... Are you implying what I think you're implying?? I don't follow...

And Pat just keeps going: "Be with you for at least one more day."

One more day. That very much does sound like a breakup, doesn't it? Especially if you're already half expecting one. This line confirms Pran's fear of Pat actually being in the process of ending their relationship, leaving Pran on the verge of tears.

But Pran is a fighter and he's not giving in that easily. He sniffs away his rising tears and says "What are you talking about? Get dressed. The bar is opening soon."

What are you saying? We're not breaking up. We're staying here, we'll work at the bar and we'll be together. It'll be fine, don't worry.

Now it's Pran's turn to deflect. To indulge in that fantasy of being able to just run away together into the sunset where everything is all sunshine and rainbows. Because Pran would much rather face the hardships that they might run into if they actually stayed at the beach together than go back home to live a life without Pat. I can be anywhere as long as I have you.

If this is Pat letting him go, Pran really doesn't want to hear it:

Unfortunately, the scene cuts to Pat really quickly, but I just need you all to appreciate Pran's pouty puppy eyes at the end there, because they're the saddest thing I've ever seen:

I won't let you do this, his eyes say. Please don't do this to me, his eyes say. Please tell me you're not really doing this, his eyes say, tell me you're coming to work at Uncle Yod's bar with me. We're staying here, together, you hear me?

Except then Pat surprises Pran yet again. And here comes the part that the fandom completely overlooked in the light of the ep 12 preview:

Because then Pat says "Nobody works on their honeymoon."

And it's absolutely hilarious how Pran's brain immediately gets stuck in "error 404 not found" mode. You can literally see the loading circle going round and round in his brain as he tries to comprehend what Pat has just said:

Honeymoon?? Why are you suddenly talking about something that's related to weddings? Weren't we breaking up a second ago? What in the world is going on?

"You never leave me. You fight alongside me. That makes me feel very happy." Pat says and that's when Pran realizes. This conversation was never about a breakup. This is a conversation about commitment. It's an acknowledgment of Pran's love for Pat and the commitment he's shown over the course of their relationship. And it's a promise that Pat appreciates it, has appreciated it in the past and will appreciate it in the future. Pat has more or less just said his wedding vows to Pran.

And that's when Pran can no longer hold back his tears. Partly due to the relief that he won't lose Pat and partly because he's so moved by Pat's speech, by Pat's love.

And then Pat tells Pran that he's finally ready to go home: "I will let Uncle Yod know that we quit. Wait for me here."

And with that Pat brings closure to the conflict of this episode. They are finally going back home, they are finally going to face their parents. But in this scene right here Pat and Pran made it clear to each other that they'll be doing so with full commitment to one other – they will be doing so together, and that's a promise. They really did just essentially get married on their little beach getaway. They got more or less engaged on the staircase in ep 10 and now in ep 11 they are following up on that engagement. This trip really was their little honeymoon. And this calls for a celebration:

"It’s our last night on this honeymoon. I will not just stay in and be lonely. If we aren’t going to work, then let’s get drunk."

You see, for an entire week the fandom was so blinded by the ep 12 preview (derogatory) and the prospect of a looming breakup that unlike Pran it completely missed the part where Pat points out that they're on a honeymoon. And who goes on a honeymoon? People who just got married.

BONUS:

Can we just appreciate Pran's face when Pat says he'll tell Uncle Yod about quitting:

You fucker really had me thinking we were breaking up for a hot moment there when the whole time this was actually a wedding. I was worried and scared for notHING, can you believe this man

#bad buddy #bbs #patpran #bbs meta #bbs ep11 #my meta #bbsmetamine #adrm #whewwww i finally finished this #this has been sitting in my drafts for months maybe even close to a year idk #i had actually written most of it already i was mainly missing an introduction and i still needed to make all the gifs #(the gifs were mostly the reason for my procrastination on this lmao)#anyway i was rewatching ep 11 on saturday for the one year anniversary and i had a loooooot of feelings about this again #which finally pushed me to finish this post and publish it #so here you go... enjoy :)#not me posting new bbs meta a whole year after the show ended #aaanyway this is beautiful acting on nanon's part #(both of them actually but if you've been following my posts recently where i talk about acting you'll know that #i've been going on and on about ohm and so #this time around this is a shoutout specifically for nanon)#he tells an entire story in this scene despite the fact that he has next to no lines #ohm's got his entire monologue and all the while we can see EXACTLY what is going on in pran's head #it's truly nice acting everyone say thank you nanon

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