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daydreamerdrew · 1 year

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Comics read these past two weeks:

Marvel Comics:

The Incredible Hulk (1968) Annual #8 and #238-243 and the Hulk stories in Hulk Comic (1979) #14-20 and #26-28

Within the main The Incredible Hulk book, I went from May 1979 to October 1979. Issues #238-242 were entirely written by Roger Stern and then issue #243 was only plotted by Roger Stern and then was scripted by Steven Grant. Every issue was penciled by Sal Buscema. Issues #238-240 were inked by Jack Abel, Mike Esposito, and Joe Sinnott respectively. And then issues #241-243 were actually inked by Sal Buscema himself.

In this batch of issues, the Hulk is told that his tragically deceased love Jarella’s body is being kept as a specimen in a lab at Gamma Base. Whether or not that’s true remains to be seen, but this is presumably the set-up for a storyline in which the Hulk attacks Gamma Base so that he can “make them leave Jarella alone.” Notably, neither General Ross or Doc Samson is currently at Gamma Base. Instead, Glenn Talbot has taken command of Gamma Base in the wake of Ross’ mental breakdown and Samson’s resignation in order to take care of Ross, and he intends to use this position to finally take care of the Hulk once and for all as this batch of issues also contained Betty Ross and Talbot’s inevitable divorce, for which Talbot blames Bruce and has vowed revenge.

Also of note is that Fred Sloan began writing a book about the Hulk from the sympathetic approach as his friend. He met with Betty Ross in this batch of issues and is intending to appear on a TV show to promote the book alongside Rick Jones, who is now a music performer. We haven’t seen Rick in this book in years and I think this is actually a really interesting context to bring him back. Though I would be most interested in an deeper look into Betty’s perspective on the Hulk. There’s also a mention of him trying to get in touch with the Defenders, but I assume that he won’t end up succeeding in that.

And the Annual was written by John Byrne and Roger Stern, penciled by Sal Buscema, and inked by Alfredo Alcala. It featured the first meeting and fight between the Hulk and the new Alpha Fight character Walter Langkowski, the Sasquatch. This new character is similar to Bruce in that he’s a scientist that can transform into a gamma monster, but very much unlike Bruce’s he’s in control of this process and he maintains his one personality in both forms. He also still has his prestigious scientific job and has a positive relationship with his government as he’s a member of a government-supported superhero team. The story has him attack Bruce to purposefully antagonize him into transforming into the Hulk so that he can learn which of them is stronger for the sake of scientific research, a reckless and completely unnecessary approach as Bruce was calm and would not have transformed into the Hulk otherwise, but then the subsequent battle endangers a civilian. This new character is even more of a foil to Bruce than Samson is, and while I don’t expect them to fight again anytime soon, they will again eventually and I am interested to see that.

Hulk Comic was a weekly British anthology magazine that printed 3-page black-and-white stories, some of which were entirely original and some of which were edited versions of previously published stories that were altered to fit into multiple-part 3-page storylines. I’m only reading the original Hulk stories. This batch of issues of Hulk Comic took me from June 1979 to September 1979. The original Hulk story in issue #14 was the last part of a storyline from the last batch and was written by Steve Parkhouse, as was the original Hulk storyline across issues #15-20 which had the Hulk teaming up with a mad scientist’s rejected defective monster creations against their creator, saving the mad scientist’s innocent daughter from her father’s madness in the process. And the original Hulk storyline across issues #26-28 was written by Steve Moore and was a super fun story in which the Hulk is captured by aliens and then at the end is returned to earth because he was way more trouble than he was worth. All of these stories were penciled by Paul Neary and inked by David Lloyd.

Fawcett Comics:

the four stories drawn by Harry Parkhurst in Golden Arrow (1942) #4

This issue was released in the spring of 1946. The writer isn’t known for any of these stories. I had largely finished up my readthrough of the western comics that Harry Parkhurst drew for Fawcett Comics in December, but I didn’t get to this issue which I had been planning on so I just read these four stories now in January. The Hopalong Cassidy and Golden Arrow stories drawn by him that I read ended up being pretty random and very much not the entirety of his work for on those characters, but I feel satisfied with what I’ve read of them for now.

the Captain Marvel stories in Whiz Comics (1940) #44-45 and in Captain Marvel Adventures (1941) #25-26

Within this batch of classic Captain Marvel appearances, I went from July 1943 to August 1943. There is one Captain Marvel story per issue of Whiz Comics and four per issue of Captain Marvel Adventures for a total of ten Captain Marvel stories read in this batch.

I was really charmed by the detail in the Captain Marvel story in Whiz Comics #44 that the door to Billy’s office at Station Whiz reads “Captain Marvel and Billy Batson: We Make The News- We Give The News!” Sterling Morris also refers to Billy as Captain Marvel’s “friend and partner.” Then the Captain Marvel story in Whiz Comics #45 showed that Billy and Cap both have desks in Billy’s office and when Billy’s in then there’s an “out to lunch” sign on Cap’s desk. Both of these stories were written by Otto Binder and drawn by C.C. Beck.

I also really liked a bit in one of the Captain Marvel stories in Captain Marvel Adventures #26 where Cap performs a ventriloquist act with a doll of Billy at a show to encourage buying bonds where he says “Stop following me around! Wherever I go, you pop up!” and he makes the Billy doll respond “I can’t help myself! You’ve got strings on me!” to which Cap says “Even though we have arguments, I guess we’ll have to stick together!” and the Billy doll responds “Yeah! We’re kind of wrapped up in each other, huh, Captain Marvel?” This story was written by Otto Binder and the art is tentatively credited on the Grand Comics Database to C.C. Beck.

Also, the installment of the Monster Society of Evil serial in Captain Marvel Adventures #26 was notably the first full appearance of Mr. Mind (we first heard his voice in issue #22) but neither Cap nor Billy recognized the little worm as Mr. Mind because they were expecting someone a bit more intimidating than that. This story was also written by Otto Binder and drawn by C.C. Beck.

Quality Comics:

the Red Bee stories in Hit Comics (1940) #1-24

This batch of stories covered the entirety of the original Red Bee’s existence and went from April 1940 to August 1942. The stories are all signed as being by “B.H. Apiary” which is very obviously a pseudonym. According to the Grand Comics Database, the stories in issues #1-8 are drawn by Charles Nicholas, in issue #9 by Saul Rosen, and in issues #10-24 by Witmer Williams. Some of the scripts for the stories are credited or tentatively credited to Toni Blum, but it’s unclear to me if it’s possible that she wrote all of them.

I decided to read through these stories because I thought that the concept of a character that fought crime with a single trained bee was legitimately awesome, and I did ultimately enjoy them, but I think that this character’s stories would have been better if the Red Bee had an origin story, the relationship between Rick Raleigh and Michael the bee was portrayed in more depth, Michael the bee was an overall more prominent character (because he’s what’s really unique and interesting here), and Rick Raleigh had a stronger supporting cast of characters to be invested in. My two favorite stories were the one in issue #8 and the one in issue #19 because they both had Raleigh teaming-up with a one-shot character that he interacts with throughout the story. I don’t think it’s necessarily impossible to achieve the same effect with Michael the bee even though he can’t talk, but I’m sympathetic that it’s not as straightforward to write.

Eastern Color Printing Company:

the Connie pages in Famous Funnies (1934) #21–22 and #25-27 and #30-50

Famous Funnies primarily reprinted newspaper comics, with some original content in its later years. The “Connie” newspaper strip, which was written and drawn by Frank Godwin, began in 1927 and ended in 1941. Within the Famous Funnies book, I went from March 1936 to August 1938. There isn’t a way to check when the specific Connie strips reprinted in this book were first published.

The stories in this batch of issues were actually noticeably different than the ones in the first batch, which primarily depicted Connie Kurridge as a young lady detective. Typical bases for stories were: Connie being hired through the detective agency she works for; Connie being asked for help from an acquaintance who had been falsely accused of a crime, typically thievery, and needed help clearing their name; Connie being hired by someone visiting her at home, which would typically be revealed by Connie as being the true culprit of the crime that wanted her to find someone else guilty; and criminals who’d Connie had repeatedly failed trying and failing to mess with her. The majority of the stories in this batch of issues weren’t detective stories, but instead depicted Connie as young socialite in the 30s. I already know that at some point in time this strip evolved into a science fiction one, but I’m not sure when and I’m not sure what other phases it could have had and how long they lasted.

Connie’s two friends Jack and Willy, who we saw a little bit of in the last batch as they are all in a detective agency together, were featured more in this batch, but within the context of young people’s social life and not as much as working detectives. Jack seems to be about Connie’s age and they’re both interested in each other but not quite fully dating yet, with Connie notably still having a bit of an eye for other boys. And Willy’s a bit younger than them both and is a little less mature and can be a bit mischievous.

It’s also interesting to see how the page formatting changes over time. Famous Funnies was the first legitimate ongoing comic book and the pages of the early issues are noticeably cramped and had tiny lettering, while now the panels have space to breath a bit and the lettering has gotten bigger.

Dell Comics:

the Scribbly pages in Popular Comics (1936) #6-8 and in The Funnies (1936) #2-8

Popular Comics and The Funnies both primarily reprinted newspaper comics with some amount of original content. The Popular Comics issues went from May 1936 to April 1936 and within The Funnies I went from October 1936 to May 1937. “Scribbly” was written and drawn by Sheldon Mayer, who had very recently turned 19 when the first story was printed. The stories feature the eponymous Scribbly, an excitable burgeoning boy cartoonist with a penchant for drawing on everything around with, both in homes and outside. There is one Scribbly story in Popular Comics #6-8 and two Scribbly stories in Popular Comics #9 and The Funnies #2-8 for a total of nineteen Scribbly stories read in this batch.

Scribbly is both a kid with delusions of grandeur and a prodigy. A good example of this is one of the Scribbly stories in The Funnies #2, in which a local candy store has put up a drawing Scribbly did in their window and, when Scribbly finds out his mother hasn’t gone to see it yet, he complains “Here I go workin’ my fingers th’ bone drawin’ a cartoon that people all over town are prob’ly talkin’ about by now, an’ my own mother my own mother ain’t got time to go around th’ corner to see it!” Of course, Scribbly is very out of touch with the reality of his career as a cartoonist. But, unbeknownst to Scribbly, his cartoonist idol Ving Parker has been searching for him because he’s seen Scribbly’s work and is legitimately impressed. When he overhears Scribbly complain that he doesn’t have a real desk to work on (“An’ another thing- here I am- almost famous already, an’ I haven’t even got a desk to work on! How can I concentrate on th’ floor like this? Huh?) and Scribbly’s mother say that she’ll only buy him a real desk once he starts making a good amount of money a week with his cartoons, his response is to purchase a drawing table for Scribbly and send it to him as an anonymous sincere admirer of his work. The end of the page is him watching through a window as a thrilled Scribbly opens his present and then walking home smiling about it. This dichotomy, born of Scribbly’s naivety and genuine talent, and the overall pleasantness of the world Scribbly inhabits, is very fun to read about.

In the very first Scribbly story, Scribbly is punished by a teacher for drawing in class, but he gets the last laugh when the teacher believes she’s settled the matter by having him write “I must not draw pictures in school” a hundred times and sends him home, only the then turn over the page and see that he’s drawn an unflattering caricature of her on the back. Over the course of this batch of stories, Scribbly meets his idol Ving Parker, who offers to mentor Scribbly and has Scribbly come live with him for a while (a series of events beyond even Scribbly’s wildest dreams: “all my life I wanted to see a real cartoonist- just to look at him- or- or- touch his hand”). Through this relationship, Ving Parker’s boss hires Scribbly to draw a comic strip for his newspaper, making him now a professionally accomplished cartoonist. The last story of this batch has Scribbly attending the prestigious Cartoonist’s Annual Dinner, where Scribbly gets to speak on the radio, introduced as “the youngest cartoonist in the world,” and charmingly first says “Gee- Hello, Ma!” The Scribbly stories in The Funnies go to issue #29, which is followed up by a 59-issue run in DC’s All-American Comics (1939). So far I have found that Scribbly lives in a charming world and that the events of his life are delightful to read about and I’m looking forward to continuing following this character and seeing how he evolves in the rest of the 1930s and into the 1940s.

This is my first time reading Sheldon Mayer’s work and I’m finding that he is, as reputed, an actual comics genius with great writing and art and one thing I’m very impressed with is the whole concept behind “Why Big Brothers Leave Home”. In The Funnies #2, after his little brother has annoying interrupted his work, Scribbly finally gets inspiration. He explains the concept to another kid in issue #3 (where he also fantasizes that Ving Parker, who he has yet to meet, will be impressed with the inevitable fame and prestige this will bring him) as a comic strip about how annoying little siblings cause big brothers to leave home. In issue #4 the call is made by Scribbly addressing the readers, telling them to write down what their younger siblings do to annoy them and send it to him. The strip then finally actually first appears in issue #5, a 1-row 4-panel strip drawn in a slightly simpler style than the main story, that is presented as Scribbly’s own work that’s accompanying the stories by Sheldon Mayer about him. I just think that this is conceptually so cool, a boy cartoonist character whose own cartoons accompany the cartoons about him. It’s adorable and it’s got me excited to see how else Scribbly’s career will be presented over the years as he inevitably grows.

Eternity Comics:

Spicy Tales (1988) #1-3

These issues of Spicy Tales reprinted comic strips that were originally published in Frank Armer’s Culture Publications pulp magazines. Pulp magazines primarily consisted of text stories accompanied by some art, so Frank Armer’s line containing comic stories was unique. The material of these comics ranged from slightly suggestive to sado-masochist with the material during the pulp magazine’s peak in the 30s being the most sexual and the material published in the 40s being much less so due to outside pressure to tame down the content. My understanding is that this is largely also true for the text stories.

And the rest of this comics round-up is under a cut due to the discussion of said sexual material (and a bit on the racist content):

There were nine 2-page Sally the Sleuth stories, all written and drawn by the character’s creator Adolphe Barreaux, reprinted from the November 1934 to May 1935 and February 1936 to March 1936 issues of Spicy Detective. In her first ever appearance, the story in the November 1934 issue, Sally infiltrates a gang hideout. Once inside, she finds a closet full of costumes and decides to “make a quick change and fool the gang with their own tricks.” This does not work out for her as a couple of the gang members happen to walk in after she’s taken her clothes off but before she’s put a costume on, and she’s captured and chained up in her underwear. Fortunately for Sally, Peanuts, her kid assistant who she left on guard, spots her through a window and gets the Chief, Sally’s boss at the detective agency, for help, who storms the building with a few guys and rescues her before the gang members get to have any fun with Sally. Unfortunately for Sally, this isn’t really a great start for a character. The rest of the Sally the Sleuth stories in this batch are a mixed bag. The very next one has Sally solve a murder all on her one, and another woman largely serves the role of the sex appeal. Sometimes Sally purposefully uses men’s attraction to her body to infiltrate criminals’ lairs. Sometimes she’s just in the unfortunate enough position to get her clothes ripped off in the course of trying a different approach. Though she’s usually left in her underwear and her boobs being completely exposed isn’t common. And the violence towards her is usually limited to how she’s captured and restrained by men with the implication of what might have happened had she not been rescued in time. Sometimes she’s the driving force behind the criminal of the story being captured. And sometimes she largely just serves to get captured, get in her underwear, then get rescued.

And there were also three 4-page Sally the Sleuth stories, also written and drawn by Adolphe Barreaux, which were reprinted from the April 1941, December 1941, and June 1942 issues of Spicy Detective. These comics were from when the publisher had to tone down some of the sexual content, but they very much aren’t sex-free. The story in the June 1942 issue is actually the most violent out of all the Sally the Sleuth stories published in this batch of Spicy Tales, with Sally’s sexually-charged torture not just being left as a hypothetical implication but depicted as a panel of a captured Sally in her underwear and on the ground as guy yanks on her hair and swings a whip down from above her, which is followed by a panel of Sally kneeling on the ground, facing away from the viewer, with stark black lines all across her back and the caption “The brute leaves Sally sobbing on the cold cellar floor.” Otherwise, I think that these Sally the Sleuth stories are genuinely a bit tamer than the ones from the 1930s with Sally not purposefully seducing men in the line of her work, fewer near misses of sexual torture, and briefer scenes of her in her underwear while being restrained by men themselves as opposed to being tied to something. Though I do have to wonder if the Sally the Sleuth stories from the 1930s republished in Spicy Tales are going to get even more sexual before they get brought down to this.

There were three 8-page Dan Turner, Hollywood Detective, stories, written by the character’s creator Robert Leslie Bellem and drawn by Adolphe Barreaux, which were reprinted from the January 1943, June 1943, and January 1944 issues of Hollywood Detective. This is least sexual out of all of the comics reprinted in Spicy Tales so far with only relatively brief suggestive moments between Dan Turner and female suspects. The most suggestive one is probably the part of the January 1943 issue where he tackled a female suspect (which isn’t drawn as sexual as it would be in these other comics) and then, when he’s on top of her, says “talk or I’ll kiss the bejeepers out of you!” I’m not sure how much the limited sexual content has to do with the fact that these stories have a male protagonist or if it’s just because of the era these comics were published in as there has yet to be a Dan Turner story reprinted from the 1930s for me to compare the 1940s comics to.

There were five 2-page Polly of the Plains stories reprinted from the November 1936 to March 1937 issues of Spicy Western. Bill Everett wrote and drew the first two stories and the rest were all written and drawn by Joseph Szokoli. The Polly of the Plains stories were the most sexual and the most violent out of all the comics reprinted in Spicy Tales so far. The story so far is based around the events following Polly being kidnapped by the racistly stereotyped “Pancho” and with the change in writers that Pancho kidnapped Polly for ransom was largely dropped, and the character is instead motivated almost solely by his attraction to Polly. A scene in the January 1937 story depicts Polly as topless, her hands tied above her head by a chain attached to the ceiling, with an at most forlorn expression as she’s whipped in the back by her captor in an attempt to “tame ze leetle hell-cat!” A scene in the March 1937 story has Jean, Polly’s boyfriend’s sister, who has by this point also been kidnapped by Pancho, topless and tied to a chair with many bleeding circular wounds on and above her books from where her captor has tortured her by repeatedly pressing a lit cigarette to her skin, though the actual torturing is undepicted, with a similarly at most forlorn expression. Notably, the clothes on the girls in the stories (if they had any to begin with) will improbably rip or tear off for anything, and there’s ultimately little to no effort on part of the characters or their environment to tactfully cover certain parts, meaning that the Polly stories feature significantly more uncensored boobs than any of the other Spicy Tales content so far.

There were three 2-page Diana Daw stories from the November 1934 issue of Spicy Adventure and then one 2-page story, which picks up right where the November 1934 issue left the character off, in the February 1935 issue of Spicy Adventure. These stories were written by Robert Maxwell and drawn by Max Plaisted. These stories get the designation of being the most racist content reprinted in Spicy Tales so far. The structure of the Diana Daw stories is that Diana Daw is captured by a villain in each story and then saved by a man at the beginning of the next, only to be captured again by some new villain before the end of the 2-page story. The original premise is that Diana is an explorer in Africa searching for a legendary diamond mine, but with each new man that saves her from her various captors- so far the medieval knight Prince Baldwin, a brain damaged U.S. Marine who believed himself to be Tarzan, a mad scientist, and an African tribesman- it seems less and less likely that she’ll get back on the hunt for that diamond mine. This African jungle setting provides the opportunity for not the mere stereotypical portrayals of Japanese, Chinese, Mexican, or Native American people like some of these other comics contain, but full-on caricatures of Black people. As for the sexual content, Diana is stripped of her clothes by her first captors in the first story- though her boobs covered by either foliage and her hands- and she’s never quite able to fully recover them. Diana consistently manages to recover some amount of clothing and consistently is stripped again, with the effort taken to censor her body over time not being taken as consistently as it was in the beginning.

#comics read this past week #my posts

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paso-robles-wineries · 1 year

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tastydregs · 2 years

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China’s 2 Megawatt Molten-salt Thorium Nuclear Reactor Has Start up Approval

Shanghai Institute of Applied Physics (SINAP) has been given approval by the Ministry of Ecology and Environment to commission an experimental thorium-powered molten-salt reactor. This is the first molten salt nuclear reactor since the US shutdown a test reactor in 1969.

The TMSR-LF1 will use fuel enriched to under 20% U-235, have a thorium inventory of about 50 kg and conversion ratio of about 0.1. A fertile blanket of lithium-beryllium fluoride (FLiBe) with 99.95% Li-7 will be used, and fuel as UF4.

The project is expected to start on a batch basis with some online refueling and removal of gaseous fission products, but discharging all fuel salt after 5-8 years for reprocessing and separation of fission products and minor actinides for storage. It will proceed to a continuous process of recycling salt, uranium and thorium, with online separation of fission products and minor actinides. The reactor will work up from about 20% thorium fission to about 80%.

If the TMSR-LF1 proves successful, China plans to build a reactor with a capacity of 373 MWt by 2030.

In January 2011, CAS launched a CNY3 billion (USD444 million) R&D programme on liquid fluoride thorium reactors (LFTRs), known there as the thorium-breeding molten-salt reactor (Th-MSR or TMSR), and claimed to have the world’s largest national effort on it, hoping to obtain full intellectual property rights on the technology. This is also known as the fluoride salt-cooled high-temperature reactor (FHR). The TMSR Centre at SINAP at Jiading, Shanghai, is responsible.

Construction of the 2 MWt TMSR-LF1 reactor began in September 2018 and was reportedly completed in August 2021. The prototype was scheduled to be completed in 2024, but work was accelerated.

Nextbigfuture Was One of the First Online to Follow and Promote Thorium

Nextbigfuture has been following and promoting the revival of Thorium and molten salt reactors for over a decade. Nextbigfuture was covering Thorium back in 2006.

Here is a 2011 interview with Kirk Sorenson.

Molten Salt Nuclear Background

Molten salt and thorium reactors are inherently safer and can have less nuclear waste (aka unused nuclear fuel.) Nuclear fuel is unused because even numbered isotopes are harder to split or react. Fast reactors have neutrons moving at higher speeds (one hundred times faster) needed to cause uranium 238 to react into plutonium.

Oak Ridge National Laboratory (ORNL) in the United States operated an experimental 7.34 MW (th) MSR from 1965 to 1969, in a trial known as the Molten-Salt Reactor Experiment (MSRE). This demonstrated the feasibility of liquid-fuelled reactors cooled by molten salts.

China has been developing waterless nuclear reactors. Construction work on the first commercial molten salt reactor should be completed by 2030. This will allow the construction of such nuclear reactors even in desert regions and in the plains of central and western China. The molten salt reactor will be powered by liquid thorium instead of uranium.

SINAP has two streams of TMSR development – solid fuel (TRISO in pebbles or prisms/blocks) with once-through fuel cycle, and liquid fuel (dissolved in fluoride coolant) with reprocessing and recycle. A third stream of fast reactors to consume actinides from LWRs is planned. The aim is to develop both the thorium fuel cycle and non-electrical applications in a 20-30 year timeframe.

*The TMSR-SF stream has only partial utilization of thorium, relying on some breeding as with U-238, and needing fissile uranium input as well. It is optimized for high-temperature based hybrid nuclear energy applications. SINAP aimed at a 2 MW pilot plant initially, though this has been superseded by a simulator (TMSR-SF0). A 100 MWt demonstration pebble bed plant (TMSR-SF2) with open fuel cycle is planned by about 2025. TRISO particles will be with both low-enriched uranium and thorium, separately.

* The TMSR-LF stream claims full closed Th-U fuel cycle with breeding of U-233 and much better sustainability with thorium but greater technical difficulty. It is optimized for utilization of thorium with electrometallurgical pyroprocessing.

*SINAP aims for a 2 MWt pilot plant (TMSR-LF1) initially, then a 10 MWt experimental reactor (TMSR-LF2) by 2025, and a 100 MWt demonstration plant (TMSR-LF3) with full electrometallurgical reprocessing by about 2035, followed by 1 a GW demonstration plant. The TMSR-LF timeline is about ten years behind the SF one.

A TMSFR-LF fast reactor optimized for burning minor actinides is to follow.

The TMSR-SF0 is one-third scale and has a 370 kW electric heat source with FLiNaK primary coolant at 650°C and FLiNaK secondary coolant.

The 10 MWt TMSR-SF1 has 17% enriched TRISO fuel in 60mm pebbles, similar to HTR-PM fuel, and coolant at 630°C and low pressure. Primary coolant is FLiBe (with 99.99% Li-7) and secondary coolant is FLiNaK. Core height is 3 m, diameter 2.85 m, in a 7.8 m high and 3 m diameter pressure vessel. Residual heat removal is passive, by cavity cooling. A 20-year operating life was envisaged but the project is discontinued.

The 2 MWt TMSR-LF1 is under construction at Wu Wei in Gansu in a $3.3 billion programme. It will use fuel enriched to under 20% U-235, have a thorium inventory of about 50 kg and conversion ratio of about 0.1. FLiBe with 99.95% Li-7 would be used, and fuel as UF4. The project would start on a batch basis with some online refueling and removal of gaseous fission products, but discharging all fuel salt after 5-8 years for reprocessing and separation of fission products and minor actinides for storage. It would proceed to a continuous process of recycling salt, uranium and thorium, with online separation of fission products and minor actinides. It would work up from about 20% thorium fission to about 80%.

Beyond these, a 373 MWt/168 MWe liquid-fuel MSR small modular reactor is planned, with supercritical CO2 cycle in a tertiary loop at 23 MPa using Brayton cycle, after a radioactive isolation secondary loop. Various applications as well as electricity generation are envisaged. It would be loaded with 15.7 tonnes of thorium and 2.1 tonnes of uranium (19.75% enriched), with one kilogram of uranium added daily, and have 330 GWd/t burn-up with 30% of energy from thorium. Online refueling would enable eight years of operation before shutdown, with the graphite moderator needing attention

Brian Wang is a Futurist Thought Leader and a popular Science blogger with 1 million readers per month. His blog Nextbigfuture.com is ranked #1 Science News Blog. It covers many disruptive technology and trends including Space, Robotics, Artificial Intelligence, Medicine, Anti-aging Biotechnology, and Nanotechnology.

Known for identifying cutting edge technologies, he is currently a Co-Founder of a startup and fundraiser for high potential early-stage companies. He is the Head of Research for Allocations for deep technology investments and an Angel Investor at Space Angels.

A frequent speaker at corporations, he has been a TEDx speaker, a Singularity University speaker and guest at numerous interviews for radio and podcasts. He is open to public speaking and advising engagements.

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mahaahassan · 2 years

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#عروض العيد علي #ماكينة_عد_النقديه ترانس ورلد #كل عام وحضراتكم بخير #ماكينة_عد_النقدية ترانس ورلد 800 #عد جميع اوراق النقد باختلاف انواعهاالعمله المصريه والاجنبيه الجديده والقديمه بجميع الفئات المتداوله بكفاءه مذهله #الاله يمكنها الكشف عن الاوراق المزورة بخواص مختلفه وهى الاشعة فوق البنفسجية UV. والكشف عن الحبر المغناطيسى MG بالاضافه انها تقوم برفض الاو #التفرقه بين الفئات المختلفه فى الرزمه الواحده عن طريق الاختلاف فى احجام العرض بنسب من 3مم الى 5مم #العد عن طريق عد حر بدون قيود وعد رزم باعداد معينه Batch يتم تحديدها من الشاشة و للحصول على مجموع الاوراق التى تم عدها عن طريق Total كما تب #بها شاشه lcd عاليه الوضوح لبيان اجمالي ما تم عده والاعطال كما انها مزوده بشاشة اضافية للعميل (اختيارية #تستطيع الاله العد بأربع سرعات مختلفه 800-1200-1600-1900ورقه بالدقيقة #الاله تكيف نفسها للعمل فى الاجواء الحاره او الرطبه تمتاز بلوحة تحكم سهلة الاستعمال من خلال الشاشه ولوحه المفاتيح مقا س الاوراق التى يمكن #بها مكان يسع 400 ورقة نقد للتغذية Hopper ومكان يسع 300 ورقة نقد للاستقبال Stackerوزن الاله 8.5كجم، و ابعادها 240 مم x 266 مم x 238 مم #الاله مزوده بدائره حماية داخلية لحمايتها من ارتفاع او انخفاض التيار الكهربى #تعمل على التيار الكهربائي العادي 220 فولت كما انها اقتصادية فى استهلاك الطاقة 50 وات #متوافر في شركة #اون_لاين_تك #‏ ولمعرفة كافة عروضنا وخدماتنا زوروا موقعنا #ويمكنك التعامل معنا والدفع عن طريق #الفيزا_كارد #‏Call us now: 01026009733 - 01111306275 - 01019717419 #‏Email: [email protected]#‏Website: www.onlinetech-eg.com #عروض_علي_ماكينة_عد_النقديه #تركيب_وتوريد_ماكينة_عد_النقديه_ترانس_ورلد #شراء_ماكينة_ترانس_ورلد_بأفضل_سعر #ترانس_ورلد_ماكينة_عد_النقديه_الحديثه #ماكينة_عد_النقديه_وكشف_تزوير_الأموال #السعر_الأفضل_ماكينة_ترانس_ورلد

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dozenhost · 2 years

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Hajj 2022: Third Batch of Oyo Pilgrims Returns Home

The third batch of Two-hundred and thirty-eight (238) Oyo pilgrims who partook in this year’s Hajj exercise in Saudi Arabia have safely arrived in Lagos. The pilgrims, who left Nigeria on Saturday, July 2, 2022 arrived at exactly 11: 20 a.m today, July 31, 2022 at the Murtala Muhammed International Airport. The visibly excited pilgrims were welcomed back to the country by some members of the…

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locator10061 · 2 years

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Poke or poki bowl

About - Poki Bowl.

EOF.

17 Delicious Poke Bowl Recipes That Will Make Your Mouth Water.

Poke Poki Bowl LLC - Restaurant.

HOME | Poki Bowl Kendall Miami - Best Healthy Food, Online.

What is poke bowl? No.1 Fresh, healthy & delicious dish.

Poke Trend - Poki Bowl.

Pola Poke Bowls - Fresh Poke Bowls & Acai Bowls in Reno.

What Is A Poke Bowl? + 20 BEST Poke Bowl Recipes.

What's the Difference Between Poke and Sashimi? - Pola Poke.

How to Build a Poke Bowl | Bon Appétit.

Best Ahi Poke Bowls Recipe - How To Make Ahi Poke Bowls.

LOKI POKÉ UK - Healthy Hawaiian salads & poké bowls in Bristol.

Poki Poke.

About - Poki Bowl.

Apr 03, 2022 · It’s as simple as batch cooking our grain of choice, having crisp fresh veggies ready to go and quickly prepping our fish protein. All these bowls use basic Poke Bowl ingredients like sesame oil, sesame seeds, rice vinegar , sushi rice and nori. So, it’s probably a good idea to have those most basic Poke bowl ingredients on hand so you can. What is poké? Poké is essentially sushi in a bowl. This fresh healthy cuisine originated from Hawaii and features cubed-cut raw fish mixed in a bowl with rice, veggies and flavorful toppings. A build-your-own approach allows you to craft your bowl with all of the fresh and healthy ingredients you like.

EOF.

Poke 716 Irving St, San Francisco, CA Closed Start Order Poke Bowl 238 reviews Poke 1250 Ocean Ave, San Francisco, CA Closed Start Order Poké Bar 237 reviews Asian Fusion, Hawaiian Food, Poke 1355 Market St, San Francisco, CA Closed Start Order Poke Kana 193 reviews Japanese Food, Poke, Hawaiian Food 65 Cambon Dr, San Francisco, CA Closed.

17 Delicious Poke Bowl Recipes That Will Make Your Mouth Water.

Average Amount of Calories in a Poke Bowl. If you make good and healthy choices, your poke bowl should be somewhere between 500 and 700 calories. This is for poke bowls that choose rice as a base and make mindful choices on all of the other options, especially the sauces. Below we will break down the caloric information for a variety of options.

Poke Poki Bowl LLC - Restaurant.

In 2015, the very first Poki Bowl location was established in San Jose, California off of Almaden Expressway. Our customers would travel long distances, sometimes from other states, to taste our poke. To meet the high demand, in just two years we opened five more corporate owned locations across California. Now, we continue to grow even more!. A poke bowl is a food bowl that has a mix of food items thrown in together. It has raw marinated fish, usually Yellowfin tuna or ahi, that’s cubed and layered with a generous serving of sticky rice and pickles. The other ingredients in a poke bowl include veggies, seasonings, sauces, and dressing. It’s so much more than a simple sashimi or ceviche dish that’s thrown.

HOME | Poki Bowl Kendall Miami - Best Healthy Food, Online.

May 09, 2021 · If you are looking for something different and yet easy to make, the poke bowl fits your needs as well. Try it the traditional way or use your own combination of base, protein, toppings, and sauce. To order your poke bowl: you can order online through our app or simply call/text us on 0459456556. Check our menu here. 939 Beards Hill Rd Suite #C. Aberdeen MD 21001. HOURS. Monday-Thursday, Saturday: 10:30 AM - 09:00 PM. Poke Poki Menu. Poke Poki Menu.... veggie BowL = $9.95 Step 1: Choose Base White Rice Brown Rice Salad 1/2 and 1/2 Step 2: Choose Protein TunA Salmon.

What is poke bowl? No.1 Fresh, healthy & delicious dish.

A poke bowl base usually consists of rice, with protein choices of tuna, tofu, salmon and many more options. Sauces are an essential part of a poke bowl and can consist of wasabi mayo, eel sauce and dragon aioli. Poke bowl toppings are the last step and usually include crispy onions, cherry tomatoes, avocados, cashews and more. Retro Bowl. New Star Games 4.2 403,578 votes. Retro Bowl is an American style football game created by New Star Games. Are you ready to manage your dream team into victory? Be the boss of your NFL franchise, expand your roster, take care of your press duties to keep your team and fans happy. The endless ways to customize your team and strategy.

Poke Trend - Poki Bowl.

Rinse the rice under cold running water until the water runs clear. Drain well. In a pot, bring the rice, water, and salt to a boil. Cover and simmer over low heat for 15 minutes or until the water has just been completely absorbed by the rice. Remove from the heat and let rest 10 minutes, covered. Remove the cover and fluff with a fork. The regular bowl is $15, a large bowl (with 4 scoops of protein) is $18. Pricey for everyday lunch, but right on target for poke. The regular bowl is plenty to fill you up. If un-rolled sushi is what you crave - Poki Bowl is for you. Recommended!. Regular Poké Bowl $13.00 With your Choice of 2 PROTEINS and toppings/sauce of your choice Poke Bowl Large $15.00 3 PROTEINS and your choice of topping and sauce. Poké Poki Bowl Drink Menu Bubble Tea $6.00 Oolong, Almond And Taro Milk with Tapioca Pearls Smoothies $7.00 Dr. Feelgood, Aggie Power, Sweet Beats, Smurfberry Smoothies.

Pola Poke Bowls - Fresh Poke Bowls & Acai Bowls in Reno.

1141 agerton lane augusta, ga 30909 tel: 706-733-0998. fax: 706-364-2211. order online. We sell fresh, protein-packed rice bowls inspired by Hawaiian poké, but with our own unique twist. We have vegan, meat and fish options with umami-rich sauces and crunchy toppings, all gluten and dairy free, served from our poké salad bar by Bristol's harbourside. Follow @lokipokeuk.

What Is A Poke Bowl? + 20 BEST Poke Bowl Recipes.

While it may seem like a must-have food trend, the traditional Hawaiian dish, known as the poké bowl, has already been around for centuries. Their freshly caught fish is eaten raw either on its own or over a bowl of rice becoming kind of like deconstructed sushi. Unlike sashimi, where the fish is sliced thin and long, poké is cut into thick cubes. Mar 11, 2020 · 2. SALMON AND AVOCADO POKE. Another Food Network favorite, in-house recipe developer and nutritionist Leah Brickley, pairs an irresistible combination for her poke bowl. Wild salmon and avocado serve up a sophisticated sushi experience that doesn’t require chopstick finesse or sticky fingers. 3. Jun 29, 2021 · Making fresh poke is mostly a matter of prepping poke bowl ingredients and making a marinade and dressing. The combinations are endless, and the assembly is quick and easy! That’s why we put together this downloadable infographic that’s like having multiple poke bowl recipes in one. The infographic allows you to mix and match ingredients.

What's the Difference Between Poke and Sashimi? - Pola Poke.

Not our brand. And definitely not our Poki Bowls. People think that poke is just a trend, something that’s just mainstream and in the moment. The truth of the matter is, poke has been a Hawaiian tradition for thousands of years. At Poki Bowl, we’ve taken the traditional island dish and infused our Asian touch to bring it to the mainland. Jan 30, 2017 · Alex Lau. 1. Choose a base: Brown rice, coconut jasmine rice, white sushi rice, soba noodles, or leafy greens. 2. Choose a protein: The foundation of poke is best-quality fresh raw fish. Cut the. Pola Poke Bowls crafts fresh poke & acai bowls - the perfect customizable combo of healthy, tasty, fresh, and nutritious! 3594 W Plumb Ln Ste A Reno, NV 89509 Monday-Sunday 9:00am - 8:00pm 775-683-9901.

How to Build a Poke Bowl | Bon Appétit.

Jul 21, 2014 · Put the freshly cut cubes of ahi into a large bowl, sprinkle sea salt to taste. 2. Add and toss soy sauce or desired sauce to taste, just enough to coat the cubes. 3. Put a scoop of rice in a single serve bowl. 4. Pour the seasoned poke over the rice, creating a mound. 5.

Best Ahi Poke Bowls Recipe - How To Make Ahi Poke Bowls.

LOKI POKÉ UK - Healthy Hawaiian salads & poké bowls in Bristol.

Poke Bowl’s original location was started on Fulton St in March 2017. The reception here was so amazing that we decided to expand within the city leading to the birth of Poke Bowl Canal St, shortly followed by Poke Bowl’s Midtown location on 8th Ave. Read More. Order. ORDER ONLINE NOW. Order Online.

Poki Poke.

This easy Poke Bowl Recipe is packed with sushi-grade ahi tuna seasoned with soy, honey, and plenty of sesame. It's served with sticky brown..

Other links:

Poki Burger Laeats Instagram

Pokie Girls

Patricia Paay Pokies

Pokies And Panties Tumblr

Emily Vancamp Pokies L

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gongxingthread · 2 years

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Does infant milk powder need to be anti-counterfeit?

The shelves of supermarkets are always dazzling, and the categories of infant milk powder are also complex and diverse. It is a difficult problem for mothers to choose milk powder. The incident of "big head baby" is vivid in my mind. The substandard quality of milk powder has brought great trouble and burden to the family and society, and the result is also heart-wrenching. From the perspective of consumers, the production of milk powder, the supply of raw materials, and the final quality inspection results all need to be understood in detail. Although these are written on the outer packaging, the authenticity needs to be doubted. At this time, if we Make an ID card for milk powder, you only need to scan it for verification, you can understand it from the source, is it more reassuring? Both QR code anti-counterfeiting and Anti-counterfeiting thread belong to the category of anti-counterfeiting.

The quality of infant milk powder is not only related to the healthy growth of each child, but also to the harmony of the family and the economic development and social stability of the country. In the food industry, infant formula milk powder is a type of special diet. Therefore, in recent years, the regulatory authorities have been monitoring the quality and safety of infant formula milk powder at various levels to avoid the recurrence of melamine-poisoned milk powder incidents.

According to the news released on the official website of the State Administration for Market Regulation, 238 batches of infant formula from 99 companies were 100% qualified, and no unqualified samples were detected. Among them, the pass rate of infant formula milk powder sampling inspection was 99.5%, maintaining a leading position in food. The "Quality Report" shows that in order to effectively ensure the quality of infant formula milk powder, relevant government departments have organized and implemented the quality and safety monitoring plan and special rectification actions for fresh milk for 9 consecutive years. The supervision of transport vehicles, random inspection of milk source quality and safety, training and promotion of key technologies, and policy support are punished, and the "six measures to ensure the safety of infant formula milk powder milk sources" have been fully implemented to ensure the safety of infant formula milk powder mil sources.

A domestic milk powder company stated that before the milk powder leaves the factory, it must be tested in strict accordance with the more than 60 infant monitoring indicators stipulated by the state. At the same time, the product also needs to be monitored by 9 monitoring indicators and more than 50 risk monitoring indicators set separately by the enterprise, and the total monitoring items have reached more than 130.

A second-child mother shared her experience in choosing milk powder for her baby in a forum. The mother said that she recently had a second baby. The first baby was basically fed with foreign milk powder, but she found that the baby Eating foreign milk powder is always easy to get angry. Other mothers told her that the formulas of milk powder in different countries are actually prepared according to the environment and dietary habits of their own countries. Therefore, her second baby chose a domestic milk powder from the beginning. Milk powder, and the supervision of the milk powder market is becoming more and more strict, and you can buy it with confidence.

Song Liang, a famous dairy expert, said in an interview with a reporter from China Sankei Shimbun that at present, domestic milk powder has reached the world's advanced level in terms of milk source, formula and technology, and the quality of its milk powder is also very high.

In the future, domestic infant formula milk powder should gradually establish a corresponding traceability system. After the implementation of the traceability system, if there is a problem with the product, the enterprise can find the problem and recall it in time. At the same time, the realization of the traceability system also facilitates the supervision of the regulatory authorities.

Certificate anti-counterfeiting line supplier said that in order to ensure the quality of milk powder, many domestic enterprises have established traceability systems. According to the data, a domestic enterprise has established a real-time integrated traceability platform, and completed a whole-process management system integrating milk source, raw materials, quality, inventory, production, channels, and stores.

The establishment of a milk powder traceability system can allow mothers to understand the whole process of milk source, milk powder and sales, and make mothers more assured! At the same time, it rejected the illegal and criminal behavior of bad businessmen, laying the foundation for the happiness of the family and the stability of the society.

Gongxing's anti-counterfeiting lines are of high quality and have a number of patented technologies. Since its establishment in 2001, it has kept pace with the times and kept innovating and progressing with the development of the country. Gongxing Company has a positive and positive promotion of social development, so that the public can keep their eyes open in front of a variety of products. At the same time, it also promotes further actions and arrangements for enterprises to conduct anti-counterfeiting of their own products, so that more and more original products can be effectively and reliably guaranteed. Of course, it is also hoped that the label factory can continue to innovate and develop more and more advanced and diverse Document security line to facilitate the follow-up development.

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crawlthesky · 2 years

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DIGIMON ADVENTURE: (2020) Screencaps

source: Webrip resolution: 1920x1080 file type: .jpg (batch-converted from .png) image count / file size: Overall: 45,852 screencaps / 30GB Individual: see the read more

Bonus: Digivices ♥ zip 01, 02, 03; 04, 05, 06, 07, 08; 09, 10, 11, 12, 13, 14, 15; 16, 17, 18, 19, 20, 21; 22, 23, 24, 25, 26, 27, 28 [...] 291, 292, 293, 294, 295, 296, 297, 298, 299; 300, 301, 302, 303, 304, 305, 306, 307; 308, 309, 310, 311, 312, 313, 314 Crests ♥ zip 01. 02; 03, 04, 05, 06; 07, 08, 09, 10, 11; 12, 13, 14, 15, 16, 17; 18, 19, 20, 21; 22, 23, 24, 25 [...] 123, 124, 125, 126, 127, 128; 129, 130, 131, 132, 133, 134; 135, 136, 137, 138 Other ♥ zip 01, 02, 03, 04, 05, 06, 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35 [...] 238, 239, 240, 241, 242, 243, 244, 245, 246, 247, 248, 249, 250, 251, 252, 253, 254, 255, 256, 257, 258, 259, 260, 261, 262, 263, 264, 265, 266, 267, 268, 269, 270, 271, 272, 273, 274, 275, 276, 277

♥ Nothing has changed from the original posts beyond the “bonus images” being cleaned up. So if you’ve already downloaded those files, you can ignore all of these. This is simply a round-up/collection post for the sake of having everything in a nice, neat little pile like all of the previous seasons. ♥ Previous season posts: Adventure, Adventure 02, Tamers, Frontier, Savers, Xros Wars, Xros Wars: 7 Death Generals, Xros Wars: Young Hunters, Appmon. Franchise master post over here. ♥ If you have any problems with the download links, let me know, and I’ll toss you an alternate link or split them smaller or something. ♥ Have fun making a buttload of icons or edits or whatever. ♥ As always: you can expect all of this to be re-done if blu-rays ever get into my possession.

“Creditless” Opening → 202 screencaps / 88MB Creditless Ending 2 → 116 screencaps / 100MB Creditless Ending 3 → 44 screencaps / 37MB Creditless Ending 4 → 58 screencaps / 31MB Title Cards → 66 screencaps / 12MB Evolution Sequences → 433 screencaps / 296MB Eyecatch → 8 screencaps / 5MB Episode 1 Opening Narration → 14 screencaps / 9MB

01: Tokyo Digital Crisis → 726 screencaps / 394MB 02: War Game → 683 screencaps / 373MB 03: And to the Digital World → 442 screencaps / 247MB 04: Birdramon Soars → 655 screencaps / 449MB 05: The Holy Digimon → 479 screencaps / 352MB 06: The Targeted Kingdom → 607 screencaps / 429MB 07: That Boy is Kido Jou → 664 screencaps / 460MB 08: The Children's Attack on the Fortress → 664 screencaps / 347MB 09: The Perfect Digimon Attacks → 622 screencaps / 372MB 10: The Steel-Solid Super Evolution → 504 screencaps / 354MB 11: The Wolf Standing Atop the Desert → 678 screencaps / 402MB 12: Lilimon Blooms → 742 screencaps / 447MB 13: Garudamon of the Crimson Wings → 704 screencaps / 502MB 14: The Kings of the Insects Clash → 655 screencaps / 457MB 15: Zudomon's Iron Hammer of Lightning → 721 screencaps / 476MB 16: The Jet-Black Shadow Invades Tokyo → 737 screencaps / 480MB 17: The Battle in Tokyo Against Orochimon → 777 screencaps / 491MB 18: Countdown to Tokyo's Annihilation → 544 screencaps / 359MB 19: Howl, Juuouken → 714 screencaps / 484MB 20: The Seventh One Awakens → 688 screencaps / 402MB 21: The Tide-Turning Update → 606 screencaps / 390MB 22: The Unbeatable Blue Sagittarius → 705 screencaps / 506MB 23: The Messenger of Darkness, Devimon → 641 screencaps / 429MB 24: The Final Stage, DoneDevimon → 759 screencaps / 463MB 25: Dive to the Next Ocean → 642 screencaps / 457MB 26: Break Through the Sea Monster Barricade → 646 screencaps / 432MB 27: To the New Continent → 602 screencaps / 395MB 28: The Children's Fight for Survival → 702 screencaps / 466MB 29: Escape the Burning Jungle → 720 screencaps / 535MB 30: The Ultimate Digimon, WarGreymon → 650 screencaps / 427MB 31: A New Darkness, Millenniumon → 595 screencaps / 433MB 32: Soaring Hope → 643 screencaps / 354MB 33: The Hikari of Dawn → 532 screencaps / 334MB 34: Hikari and Tailmon → 679 screencaps / 422MB 35: The Glowing Angewomon → 631 screencaps / 353MB 36: Operation Satellite Sniper → 585 screencaps / 352MB 37: Mimi-chan Wars → 635 screencaps / 465MB 38: The Blazing Blue Friendship → 719 screencaps / 498MB 39: Jyagamon, Potato Hell → 809 screencaps / 566MB 40: Strike! The Killer Shot → 920 screencaps / 631MB 41: Mon-Mon Park in the Fog → 682 screencaps / 413MB 42: King of Inventors, Gerbemon → 570 screencaps / 420MB 43: Clash, the King of Digimon → 808 screencaps / 533MB 44: Hikari and the Moving Forest → 597 screencaps / 451MB 45: Activate, MetalGarurumon → 537 screencaps / 374MB 46: The Sword of Hope → 625 screencaps / 416MB 47: The Villains of the Wastelands → 689 screencaps / 435MB 48: The Attack of Mugendramon → 504 screencaps / 325MB 49: The God of Evil Descends, Millenniumon → 659 screencaps / 388MB 50: The End, The Ultimate Holy Battle → 757 screencaps / 435MB 51: The Mystery Hidden Within the Crests → 608 screencaps / 461MB 52: Dance of the Heavens, Hououmon! → 767 screencaps / 532MB 53: The Geko Hot Springs' Revolt → 764 screencaps / 458MB 54: The Vagrant War Demon, Rebellimon → 896 screencaps / 555MB 55: The Digimon School Under Attack → 732 screencaps / 529MB 56: The Gold Wolf of the Crescent Moon → 622 screencaps / 453MB 57: Contact from the Catastrophe → 771 screencaps / 560MB 58: Hikari, New Life → 736 screencaps / 559MB 59: Bolt, HerakleKabuterimon → 792 screencaps / 624MB 60: Conquer the Glacier, Vikemon → 621 screencaps / 489MB 61: A Place to Return To → 490 screencaps / 426MB 62: The Tears of Shakkoumon → 702 screencaps / 582MB 63: The Crest of Courage → 817 screencaps / 604MB 64: The Angels' Determination → 495 screencaps / 400MB 65: The Great Catastrophe, Negamon → 703 screencaps / 517MB 66: The Last Miracle, the Last Power → 563 screencaps / 388MB 67: The End of the Adventure → 868 screencaps / 632MB

#digimon #digisafe #digimon adventure #digimon adventure 2020 #digimon adventure psi #my screencaps #next order of business is catching up on ghost game #hopefully sometime before the month ends but we'll see

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