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#Bc I have no drive in life

sheryl-lee · 1 year

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last year staff tried to convert all gifs to fucking low quality mp4s. this year they’re trying to force gifmakers to only use the beta editor, which seems to ignore the 10 mb limit, lowers the quality and essentially crams gifs into a text post. really just goes to show how little they care about creators on their creator-dominated site.

#this is only in the last 2 years!!!! i have been giffing for ~6 and you better fucking bet that this is just the latest in a long line #of staff's attempts to fuck over gifmakers for zero reason #i am so fed up #between this and like the embarassingly low levels of engagement and acknowledgement when i post gifs #and the fact that im like. busy. with life.#stepping away from gifmaking becomes more and more appealing bc i dont have the time and energy for bullshit #staff fr going so far out of their way to fuck with gifmakers and drive them off the site it's bizarre #sameera.txt

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redrocketpanda · 9 months

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From the person who brought you unhinged JJK S2 fish discourse, please accept my humble new offering: me holding up images whilst screaming ferally at you: did ya see?! did ya see what they did with the colour symbolism in episode 4 and what it Means?! Well dw cause I'm here to serve you a heinously long meta-analysis regardless. This episode has completely undone me and I need to give you a blow by blow account of why

I want to go in depth about the final scene of e4 bc that's really what set the cogs whirring in my mind, but let's start with the following image bc it exemplifies everything, not just in terms of the colour symbolism but of the heartbreaking changing relationship of stsg

Throughout the previous episodes and opening/credits of S2 we have been made to associate the colour blue + lightness with Gojo and the colour red + darkness with Geto. The sparkling blue eyes and stark white hair of Gojo, his Limitless: Blue technique, the white fish, the way he is often shown standing/walking in the light, turned to face Geto versus the black hair + dark eyes of Geto, the black fish, shown standing/walking in the shadows, turned away from Gojo (etc etc)

Yet the final scene of e4 flips this on its head and what this Means is, quite frankly, soul destroying

We join Geto as he walks along a dark, narrow corridor flooded with red light until he reaches heavy doors. He's confronted with his own image, reflecting back at him, before using both hands to prise open the door. When he steps into the bright white light of a high-ceilinged room, his face falls as Gojo emerges like a messianic figure from the applauding crowd, carrying the shrouded corpse of Riko (side note: god I have a lot of thoughts on Gojo as a messianic figure but I'll save that for another time)

Gojo approaches Geto with his head bowed (whereas usually he is always looking up at Geto) and the moment Geto lays eyes on Gojo he knows something is wrong (similarly to Toji earlier in the episode). He barely seems to recognise Gojo and though Gojo's eyes still sparkle with their bright blue infinity, his expression is dull and lifeless. Geto asks disbelievingly in a way that stabs me right through the heart: "Satoru. Is that you?"

At the start of the conversation, the camera pans from Gojo on the left to Geto on the right and is shot from below in a way that emphasises the growing cavernous expanse between them

But it's what happens in the following moments that's really the killer

Gojo states that he fucked up and that everything that has happened is therefore his fault. Geto tells Gojo "let's head back" (I read this both as: let's head back home and as an indication that Geto wants things to go back to how they were). The camera then cuts to Gojo's mouth as he asks flatly - "Suguru, should we kill these guys?" - and then zooms out as he continues - "The way I feel right now, I doubt I'd feel anything about it." The camera zooms out, showing Gojo standing in front of the applauding crowd, holding Riko's body and continues to draw back, making Gojo seem as if he's getting further and further away from Geto, as well as from us, whilst his eyes glow ethereally

I want to do a separate post about what happens with Geto, Gojo + their relationship in episode 5 but I do also want to point out here: this is the scene that Geto experiences invasive flashbacks of in the following ep. It's the moment that he realizes that he's lost Gojo, that Gojo is now fundamentally different in a way that Geto doesn't recognise or understand, that Gojo is far beyond his reach

As Gojo walks past a motionless Geto, away from the light and into the darkness, we cut to Geto's downcast eyes, pupils dilating wildly as though he's in shock/about to cry (this harkens back to the fish, the way that Geto can no longer bear to look at the white fish as it swims past). We are then left with Geto standing in the bright blue-white light telling Gojo that there's "no point" in killing them, whilst Gojo replies in the darkened, red corridor "does there really need to be any point to it?"

Gojo is a broken man, a complete shell of who he once was and this scene demonstrates Gojo's transition as he turns away from Geto. The colour symbolism, though, is present throughout the earlier parts of the episode and beautifully illustrates how we arrive at this exact moment (as well lays the foundations for what comes next)

Let's return to our blue/red colour theory bc there's a lot going on here during this episode!

E4 starts on a banger: we're cruelly given a recap of Toji telling Geto that he killed Gojo and then within the space of about 7 minutes, Geto too has been killed. It's tragic and sad and none of us want to be reminded of it but I'm going to (srysrysry) because hey, check out what's going on. Notice the cool blue tint of Geto's "death" versus the vivid red of Gojo's? (a horrible eg I know but you should've heard my scream when I caught onto it)

And here's another cool example that had me ajdjsksjdk bc ofc I clocked Gojo using his red technique, but look at the blue glow around Geto's hand?! I don't recall seeing it being used for Geto before (correct me if I'm wrong) so it's interesting to see it being used here, plus us seeing Gojo using Red properly for the first time

Let's just pause here for a moment bc this is a hugely important moment for Gojo's character arc and the fight with Toji gives us an incredible colour theory moment

In the previous episodes, we've seen Gojo being able to easily use his Limitless Blue technique but remember how, in E2 Gojo tried to use Red and hilariously fucks it up announcing "I failed" and resorts to punching the bad guy instead? It isn't until this episode, after Gojo has used reverse cursed technique whilst on the verge of death to heal himself (idk if heal is the right word) that he is able to learn to use Cursed Technique Reversal: Red

We have this really beautiful animation sequence during Gojo's fight with Toji. A blue and a red droplet swirl around each other and then splash together to reveal a swirling rotation of blue and red rippling water. The colours converge, red droplet slipping into blue water, blue droplet into red. The droplets come together to form the shining purple infinity plucked between Gojo's fingers, granting him the "Hollow Purple" technique that allows him to blow a hole through Toji.

Gojo explains:

"Reverse cursed technique uses negative energy. While it can enhance the body, it can't regenerate it. Multiply that negative energy against itself to create positive energy... Take the amplified and the reversal, then smash together those two different expressions of infinity to create and push out imaginary mass."

Gojo + Geto, amplified + reversal = two different expressions of infinity -> create / push out

Toji "killing" Gojo was the moment that set Gojo on a different path, which allowed him to evolve beyond belief and causes him to ascend to, what he believes is, divinity. He takes the basics of Blue and Red (primary colours; Gojo and Geto) and mixes them together to create something new, something transcendent, something that surpasses who he (and Geto) were before. He becomes an unstoppable power that far surpasses everyone else, and this is what Geto recognizes: that Gojo has evolved without him (which we know from E5 has huge consequences for Geto's thinking)

And so now, finally, let us return to Geto at the end of E4

After Gojo asks Geto "does there really need to be any point to it?" (killing), the camera flashes quickly between the applauding audience and Geto's empty hand, which he then clenches into a tight fist. He raises his downcast eyes to look forwards (resolutely, looking into the future) and responds: "it's very important there is..."

We're left with the image of Gojo standing on a blue floor, surrounded by the clapping crowd. The floor wavers as an all consuming darkness pulses beneath him, locating Geto as it's central point as it surges out towards the crowd "...especially for a jujutsu sorcerer."

We're reminded of the conversation where Geto and Gojo almost come to blows whilst playing basketball in E1. Geto's argument that jujutsu sorcerers exist to protect non-jujutsu sorcerers whilst Gojo complains about having to protect "the weak" + patronisingly tells Geto to get off of his moral high horse.

Now we witness the extent of Gojo's apathy in action, as he pulls away from everything and everyone, and the swinging of Geto's moral compass from protection to genocide as he's left behind in the ruins of all that once was, of everything and everyone that he loved

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thecherrygod · 10 months

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currently thinking about when you let kim know you found out about the pale while he was gone, and that if you tell him its terrifying hes like "so trying to spare you from it was a good idea", or that if you tell him its unreal he says how a lot of things are unreal, or that if you ask him where you are he says they are in elysium, but that all of them involve him comparing the pale to water, death, and "the fact we are all stuck behind our eyes, between our ears, talking for all eternity, like every other human being". and then saying heavy topics are not his forte and acting as if he never said that. you cant just say "heavy topics are not my forte" after dropping that. both the caring and trying to protect harry, and that water, death, and having a mind is terrifying/unreal/just how the world is...

#my posts #disco elysium #kim kitsuragi #like come on man dont do this to me #he IS right. they ARE terrifying and unreal AND the way the world is. they ARE scary and can seem fake #but they also are just. parts of the world. it can be scary and weird but it is there. its a part of life its part of how people exist...#you can be scared of unnerved by it but. its okay it is scary it is unnerving. but it also just is.#......... i should... go back to try and actually focus on stuff i have to do.. but man. head in hands #also bc im just being redundant in the tags but come on #fixed something a little to drive t he point across but i AM merging all the options of what he could say in one answer. but man

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hazard-and-friends · 13 days

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told students k'seil is both my first aussie and my first puppy and one said "wow, you went into the deep end didn't ya?" and like, sure, but my first dog was hazard, and we really didn't have time to get into what that means

#basically: everything about k'seil that drove me nuts was bc she was baby #she's into new and exciting life stages that i have much more experience with #everything about HAZARD that drives me nuts is bc there is something fundamentally wrong with him #hope this helps #hazard to society #bucket full of starlight

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obihoe · 7 months

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i think its so crazy the way having power as a shinobi always seems to be such a double edged sword on naruto. like on one hand, u need it, its a tool for survival and it earns u respect from ur peers. but on the other .. it can also lead to the exact opposite. if u have too much power it can lead (or contribute) to isolation and becoming ostracized from ur community bc it makes people fearful of u .. this is applicable to madara i think and to naruto and gaara as well. madara isnt ostracized only bc of his power, it is also his lack of skill in forming bonds bc he has trust problems but his power is a major contributing factor. he is feared for his power (but also admired) and the more he gets isolated, the more he starts building his own identity around it as well and starts thinking its the only thing valuable abt himself. naruto as well is feared for his power as a jinchuuriki even tho he is also a bit of a special case since its only the grownups that know abt this so his peers ... they ostracize him for the opposite thing. he's a failure at the academy and a difficult learner so he gets no respect. it is only when he starts gaining more power (or controlling it better) and using it for the sake of the village that he gets everyone's respect and acknowledgement. he's a hero even all of a sudden. but gaara is an even more extreme case. gaara is also a jinchuuriki and he's ostracized for it to such an extent that he does not get to build bonds at all and in a bit similar fashion to madara starts self-identifying only over his power. both him and madara end up consumed by their power but while madara decides to use it for the sake of saving the world, gaara just fully decides to just live for himself, fight for himself and love only himself ... madara also becomes a bit self-absorbed but its not something he does purposefully i think. gaara just goes, well, everyone fears me and despises me anyway, so i might as well give them a reason. my only purpose in this world is to kill ... i have no other reason to live. i forgot where i was going with this but .. something something isolation, objectification and dehumanization from others on account of ur power and it leads to the person internalizing it and seeing themselves also as either below or above being human .. madara perceives himself to be above it, he develops a god complex and comes to think that he is the messiah who will solve the world's problems (with power) and gaara seems to perceive himself to be beneath it .. as a tool and a servant. both to his village and to the bloodthirsty voices he hears in his head.

#gaara #madara #naruto #posts #.. had a whole other chunk of text here that i deleted bc i thought it wasnt that relevant to the topic of thr post #but i still think its interesting so i'll put it in here #when i said gaara hears voices .. i was going to say mdr doesnt but then realized that thats not true? mdr also hears voices #presumably. he heard kuro zetsu speak to him in his head during their first (well majority actually) time that they spent together #in the cave. mdr seperates him from himself when he gives him to obt. and he seems to believe that to have been the moment of his creation #anyways but i think its so interesting how both him and gaara have a seperate identity with them that benefits from this?#they benefit from their corruption. the ichibi benefits from gaara's bloodlust and hatred and kuro zetsu benefits from mdr's power lust #and they both drive them to further pursue it ... there is something in there i think. something abt how experiencing isolation etc #will make u susceptible to ill-natured manipulation or influence. from the outside #gaara apparently can handle having to live with shukaku after he gains his first bond (naruto). and he isnt susceptible to it anymore #mdr wouldnt have gone down his path either if his bond w hsrm hadnt fallen apart #naruto is saved bc he does not give up on trying to find bonds. putting aside how it kinda sucks for him to have to prove his worth #to his village first. it is ultimately abt him never giving up. always trying ... and eventually finding the right people #to bond with #mdr never finds this up until the end of his life ... and its the reason he cant find his peace ever before #but i also think its interesting how both kuro zetsu and the ichibi .. i mean they dont outright manipulate their targets #theyre moreso just feeding into whats already there .. its why mdr/zetsu work great together narratively i think #but it also applies to gaara as well. gaara wants to shed blood bc he wants to share the same kind of pain he has experienced #just like mdr wants to gain power/become god cuz he longs for control and is fearful of depending on others #and both the ichibi and kuro zetsu want that as well. the ichibi hates how the humans have treated him. he hates being confined to #a jinchuuriki's body. he wants to be free. and if he cannot be free he will use his host to go punish the humans who did that to him #and kuro zetsu well ... he wants to be powerful i guess. but he moreso wants mdr to think that he is #so that he can become host to kaguya who will explode the fucking shit out of him #there's more even .... gaara seeing himself as a tool to others since he believes the voice to be his mother's .. and mdr seeing himself #at the center of everything cuz he thinks that the voice is his own. mdr bc of this being even more self-centered #but then also more altruistic. bc he's the savior. running out of tags here unfortunately but yeah .. much to think about

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ohyesididnotjustdothat · 1 year

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Was gonna go into a whole long post dissecting the significance of Porsche's defiance and how it was integral to lowering Kinn's defenses so early on considering the narrative emphasis on his trust issues, but I gotta sleep soon so long story short:

Besties know you best~ 💖💖🙏🏽🙏🏽

#kinnporsche #trust me I have this whole thing #bc their dynamic drives me insane #bc how porsche engages w kinn is so contrary to everything he's been met w his whole life #w the exception of his closest friends and to a much lesser extent his most trusted bodyguards #yeh yeh yeh imma go crazy but I can't work myself up rn so imma leave it at that LOLLLL

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astral-crescent · 11 days

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Happy Birthday, Rose!! ( @roseduelistarxsia ! )

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You are literally like my best friend and it has made me so happy and proud to watch you grow and try new things over the many years we have known each other!

You have put up with just so much bs from me without batting an eyelash when others burned my life down for less. You are so kind, so patient, and frankly need to catch a damn break.

I love you SO damn much, if you handed me a shovel and said, "get they ass" I would just ask, "Who and how bloody?" All my love.

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