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#Bente Nordby
yourdailyqueer · 8 months
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LGBT+ European female footballers P1
The Women's World Cup is going on as of writing and so made a list of all the LGBTQ+ footballers posted here 2018 to present (2023).
Below are the professional female footballers from Europe (retired and current), who have been posted on this blog since 2018. Some posts may be out of date/innacurate and so if you see any errors please get in touch. Have gone through more than 14 pages of this blog to provide this list. Hope you like it.
Due to various technical issues I had to split the Europeans into two posts and some links may look weird so apologies for that.
Total below: 39
Alex Scott - Lesbian
Ainhoa Fernández - Lesbian
Alisha Lehmann - Bisexual
Anneli Andelén - Lesbian
Babett Peter - Lesbian
Barbora Votíková - Lesbian
Becky Easton - Lesbian
Bente Nordby - Lesbian
Bethany England - Lesbian
Bev Priestman - Lesbian
Carly Telford - Lesbian
Carolina Morace - Lesbian
Cecilie Breil Kramer - Lesbian
Chelcee Grimes - Bisexual
Chloe Morgan - Lesbian
Claudia van den Heiligenberg - Lesbian
Demi Stokes - Lesbian
Dorte Dalum Jensen - Lesbian
Edda Garðarsdóttir - Lesbian
Elena Linari - Lesbian
Gilly Flaherty - Lesbian
Gunnhildur Jónsdóttir - Lesbian
Hannah Wants - Lesbian
Hope Powell - Lesbian
Laura McAllister - Lesbian
Laura Montgomery - Lesbian
Linda Bresonik - Bisexual
Lisa Evans - Lesbian
Lotta Schelin - Lesbian
Lucie Voňková - Lesbian
Inka Grings - Bisexual
Ingrid Syrstad Engen - Lesbian
Jess Fishlock - Lesbian
Jodie Taylor - Lesbian
Jodie Michalska - Lesbian
Katharina Lindner - Lesbian
Katrine Pedersen - Lesbian
Kassandra Missipo - Lesbian
Kelly Smith - Lesbian
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magdasabs · 2 years
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"Bente Nordby was a goalkeeper giant for Norway's national team from 1991 to 2007. Then Ingrid Hjelmseth took over and continued until 2019.
It is 31 years since Norway played a championship without at least one of them. But on the way into this year's European Championships, the goalkeeper situation is unclear."
I'm scared
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longliverockback · 4 months
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The Kingsmen The Kingsmen in Person 1963 Wand ————————————————— Tracks: 01. Louie, Louie 02. The Waiting 03. Mojo Workout 04. Fever 05. Money (That’s What I Want) 06. Bent Scepter 07. Long Tall Texan 08. You Can’t Sit Down 09. Twist & Shout 10. J.A.J. 11. Night Train 12. Mashed Potatoes —————————————————
Gary Abbott
Lynn Easton
Jack Ely
Don Gallucci
Mike Mitchell
Bob Nordby
Norm Sundholm
* Long Live Rock Archive
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mykhiotime-blog · 5 years
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7 December
Drawing Triennial 2019 launch at Tegnerforbundet, Oslo. I will be collaborating with Marthe Ramm Fortun with the following preliminary proposal:
The last two years we have been on parental leave to stay with our daughter, who had a premature birth and needed our presence. During this period we didn´t stop making art, we rather acknowledged our situation, including it in our work or making works as we were pushing the pram through the city of Oslo. This cross contamination between art and everyday life, work and family, is still taking place both within playing and professional situations. For example, the drawings we make at home are often a form of open collaboration, rather than finished works issued from one’s individual expressivity. Our daughter draws something, she then asks to add a specific animal or object or person, she intervenes subsequently with coloured lines over or around the figure we outlined. We are about to go to Paris, where we will share an apartment and a studio for three months. The kitchen walls and forniture will be covered with large sheets of paper, used as support for a three´months long collaborative drawing environment. At the end of our residency in Paris, the sheets of paper will be removed and transported to Oslo. For the Tegnetriennalen we are planning to recontruct the kitchen forniture and show the resulting environment.
The Drawing Triennial 2019 will be curated by Helga-Marie Nordby who wrote the following introductory text:
Thematical approach the Drawing Triennial 2019 – Human Touch
The way drawing has been understood has varied throughout history, and it’s hard to define. Nevertheless, besides speech, drawing has always been the most important form of expression for human beings. Even 30,000 years ago people used drawing as a medium, as we can see from the images in Chauvet Cave in Southern France. Cave paintings and petroglyphs of people, animals, objects and geometrical and abstract forms testify to the enduring inclination we humans have to express ourselves visually. First, we talk and draw, later we develop the abilities to read and write. Children become familiar with things in the world by drawing them. Drawing is experienced early in life as completely natural, accessible and immediate. But most of us stop drawing as a means of exploring the world when we’re about 11 or 12 years old. Nevertheless, drawing proves to be important for many people processing challenging and traumatic experiences, or when trying to understand and express themselves in situations where words are inadequate. By drawing, we can see both inwards and outwards, and by drawing, we can also formulate what we see – not merely as imitation or depiction, but as visual ideas, as reflection, as searching, as questions.
For me as curator, the video work Arket er strekens verden / The Paper is the Line’s World(2009), by the Norwegian artist Ane Hjort Guttu, was an important entry point for working with the triennial. In this video we encounter the art student Ina Åsheim who creates abstract expressionist drawings. She is asked to describe her drawing process in words. In a searching and detailed way, she describes her own presence and concentration in the drawing. The film gives us insight into a physical and conceptual process, the relations between the individual / the artist, the world and the paper. The Paper is the Line’s Worldexplores how the mechanisms in Ina’s drawing process can also be operative outside the paper, in the ‘real world’, and how a drawing can function as an image of unrealized possibilities.The South African artist William Kentridge also talks about the unlimited potential of drawing. His performative lecture series ‘Six Drawing Lessons’, which I experienced live in Berlin two years ago, has also been an inspiration in my work. ‘Drawing has the potential to educate us about the most complex issues of our time.’ In the Cuban artist Ana Mendieta’s (1948–1985) video-documented performance Blood Sign / Body Tracks from 1974, we seeAna Mendieta’sthe artist, with a simple but determined movement, draw directly on a wall with her armsthat have been dipped in blood – for me a fundamental expression for what it is to behuman. These three works can be understood as my curatorial entryway into the Drawing Triennial 2019.
Drawing as an art form is readily at hand; it is an expression of our curiosity, our need to express ourselves. In the triennial, I focus on drawing as an exploration and processing of what it means to be human. The exhibition will include works by artists who use lines as tools for inquiry, who use drawing as a method for getting closer to who we are as human beings (both ourselves and others). These are artistic practices that show something at stake, set our thoughts in motion, say something about the human condition. The need we have to reach out to another body, another person, and the need to withdraw into ourselves. A line can be vulnerable but also show strength. The medium of drawing encompasses the entire spectrum. The Drawing Triennial 2019 will be about the human being, drawing as the trace of an individual, a physical and mental imprint. The exhibition also makes connections to prehistoric art, to drawing as a form of communication that precedes writing systems and words.
‘Before and After the Line’ (‘Før og etter streken’) is the title of the triennial’s discursive programme, which is curated in collaboration with Kunstnernes Hus. With this programme, we want to facilitate greater reflection around drawing as a universally human form of expression and tool for understanding the world and ourselves. The programme – with artist talks, lectures, workshops, open drawing classes for children and adults, film screenings, performances and guided tours – will create an expanded, activating and reflective frame around the main exhibition.
Confirmed artists:
Filippa Barkman (1982, SE) Per Inge Bjørlo (1952, NO) Eirik Blekesaune (1980, NO) Louise Bourgeois (1911-2010, FR) Jennie Hagevik Bringaker (1978, NO) Peder Kirkevaag Bugge (1971, NO) Ann Iren Buan (1984, NO) Liv Dessen (1935, NO) Marthe Ramm Fortun (1978, NO) & Andrea Galiazzo (1983, IT) Ane Hjort Guttu (1971, NO) Silje Hammer (1980, NO) Nina Heum (1965, NO) William Kentridge (1955, RSA) Ingeborg Annie Lindahl (1981, NO) Per Maning (1943, NO) Elisabeth Mathisen (1961, NO) Pierre Lionel Matte (1961, NO) Ana Mendieta (1948-1985, CU) Gunnveig Nerol (1958, NO) Randi Nygård (1977, NO) Cecilia Jiménez Ojeda (1982, SE) Shwan El Qaradiki (1977, IQ) Anngjerd Rustand (1982, NO) Anne-Marie Schneider (1962, FR) Bente Stokke (1952, NO) Per Teljer (1970, SE) Monica Winther (1976, NO) Vera Wyller (1953, RS) Ina Åsheim (1975, NO)
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All about Bente Nordby : height, biography, quotes
How tall is Bente Nordby
See at http://www.heightcelebs.com/2016/10/bente-nordby/
for Bente Nordby Height
Bente Nordby's height is 5ft 6in (1.68 m)Bente Nordby (born 23 July 1974) is a former Norwegian football goalkeeper, who last played for Olympique Lyonnais in Lyon, France. She played with the Norwegian Women's National Football Team from 1991 to 2007. Born: 23 July, 1974Birthplace: Gjøvik, ...
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yourdailyqueer · 2 years
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Bente Nordby
Gender: Female
Sexuality: Lesbian
DOB: 23 July 1974
Ethnicity: White - Norwegian
Occupation: Olympic soccer player
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