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#Beyond Black
keepingitneutral · 1 year
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Pierre Soulages (24 December 1919 – 26 October 2022)
Pierre Soulages is considered a major figure of post-war European abstraction, alongside Hans Hartung, George Mathieu, Serge Poliakoff and Jean-Paul Riopelle. 
He’s particularly renowned for his “outrenoir” (“beyond black”) series of paintings, which feature matte and glossy black fields interrupted by ridges, scores, and gashes; the artist is interested in how black paint absorbs and reflects light. 
Since making his gallery debut in 1947, Soulages has exhibited at the Museum of Modern Art, The Louvre and the State Hermitage Museum (he was the first living artist to show at the institution), and his work has been acquired for the collections of the Centre Pompidou, The Guggenheim, Tate Modern, and the National Gallery of Art in Washington.
Applying the paint in thick layers, Soulages' painting technique includes using objects such as spoons, tiny rakes and bits of rubber to work away at the painting, often making scraping, digging or etching movements depending on whether he wants to evoke a smooth or rough surface. The texture that is then produced either absorbs or rejects light, breaking up the surface of the painting by disrupting the uniformity of the black.
LITHOGRAPHIE N° 33. Lithograph printed in shades of blue, 1974, signed in pencil and numbered 11/95, on Arches wove paper, framed. Image: 523 by 458 mm 20½ by 18 in. Sheet: 744 by 558 mm 29¼ by 22 in. Courtesy: Sotheby’s
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diaryoftruequotes · 7 months
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At some point on your road you have to turn and start walking back towards yourself. Or the past will pursue you, and bite the nape of your neck, leave you bleeding in the ditch. Better to turn and face it with such weapons as you possess.
Hilary Mantel, Beyond Black
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heavensdoorways · 1 year
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Pierre Soulages (24 December 1919 – 26 October 2022)
Pierre Soulages is considered a major figure of post-war European abstraction, alongside Hans Hartung, George Mathieu, Serge Poliakoff and Jean-Paul Riopelle.
He’s particularly renowned for his “outrenoir” (“beyond black”) series of paintings, which feature matte and glossy black fields interrupted by ridges, scores, and gashes; the artist is interested in how black paint absorbs and reflects light.
Since making his gallery debut in 1947, Soulages has exhibited at the Museum of Modern Art, The Louvre and the State Hermitage Museum (he was the first living artist to show at the institution), and his work has been acquired for the collections of the Centre Pompidou, The Guggenheim, Tate Modern, and the National Gallery of Art in Washington.
Preferring to suspend the paintings like walls, he uses wires to hang them in the middle of the room, "I always liked paintings to be walls rather than windows. When we see a painting on a wall, it's a window, so I often put my paintings in the middle of the space to make a wall. A window looks outside, but a painting should do the opposite—it should look inside of us"
Untitled, 1977, Vinyl paint on cardboard, 42 9/10 × 28 7/10 in | 109 × 73 cm.
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lasaraconor · 1 year
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“My instrument is not black but the light reflected from the black,”
"Mon instrument n'était plus le noir, mais cette lumière secrète venue du noir."
Pierre Soulages 
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biblioklept · 2 years
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A review of Hilary Mantel's novel Beyond Black
A review of Hilary Mantel’s novel Beyond Black
In Hilary Mantel’s 2005 novel Beyond Black, a fat psychic named Alison endures the harrowing torment of a collective of ghosts she calls the Fiends, the spirits of cruel men from her childhood. When a young, aimless woman named Colette comes into Alison’s life and assumes managerial duties for her career, Alison’s bilious past comes to a head. Colette engineers more and better gigs for Alison…
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personal HCs of the human lords in black
yeah i based em off of the canon npmd ones with some nmt-lore-related details. it's all just for funsies rlly
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classichorrorblog · 7 months
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10 Anthology Horror Movies To Consider For October/Halloween
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space-blue · 2 months
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Sousou No Frieren | S01E26 | Black Hole Spell (and the wildest hair animation in this century!!!)
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southpauz · 2 months
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Black History Month Art Challenge
DAY 16: The Beyonder - Moon Girl And Devil Dinosaur
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linusbenjamin · 9 months
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Prometheus stole fire from the gods and gave it to man. For this he was chained to a rock and tortured for eternity. Oppenheimer (2023) dir. Christopher Nolan
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liyawritesss · 9 months
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ɪ ʀᴇᴀʟʟʏ ʟɪᴋᴇ ᴡʜᴀᴛ ʏᴏᴜ'ᴠᴇ ᴅᴏɴᴇ ᴛᴏ ᴍᴇ
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Characters: Spider-Verse!Earth-42!Miles Morales [The Prowler] x Black!Fem!Reader
Type: Fic
Word Count: 1.9k
Synopsis: Miles tells his Uncle Aaron the real reason why he’ll always answer his phone for you.
Warnings: Cursing, no usage of [y/n] or second person perspective, brief mention of potential gun usage, old school gang terms (Aaron refers to a gun as a 'pole') I envisioned a late teen 42!Miles so he’s around 17-18 here, but still keep it cute this is lil cuz we talkin’ bout here!!!
A/N: I know I said that the previous fic would more than likely be my only attempt at 42!Miles but the ugly ass nigga is growing on me so…here yall go i guess
Song Suggestions: “So Into You” (Remix) by Sydney Renae; “LORD FORGIVE ME” by Tobe Nwigwe ft. Fat Nwigwe & Pharrell; “Run Tha Streetz” by Tupac, Storm, Mutah, Michel’le
Tags: @6-noir @babyboiboyega @badass-dora-milaje @jacuzziwaters @mbakuetshurisprincess @shuriszn @verachii @writingintheshadowsforever @cafehyunji @niyahwrites @pantherheart @marsfunzon22 @movie-enthusiast22 @famedrs-blog @briology @honeybleed @pnkweb
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It went without saying that if it didn’t pertain to family or business, Aaron wasn’t quite fond of the use of phones.
He had a real old school view on them; didn’t like how kids these days were always stuck nose deep into the devices. Of course, he came from a generation where a phone’s only use was to contact another person. He never got into the hype of the latest iPhones, nor did he understand the need for five different cameras attached to the device. The only benefit he saw with the rectangular device was that it made communication more prompt and precise (though he’d never admit that he appreciated being able to play any games he wanted, at his disposal, at any time he wished).
So, naturally, when Miles became old enough to engage in his ‘business’, the one rule Aaron posed that didn’t pertain to the ‘game’ was that him being on his phone was an absolute no-go.
“I ain’t got time for you to be distracted by that thing,” he’d said the very first night Aaron trusted the younger to bring him along, “if you gon’ be in, I need you to be all the way in. No half-assin’ this shit, you hear?”
And of course, Miles agreed, no matter how insufferable the first few weeks of patrol were when Aaron literally locked his cellular device in a safe back at the workshop. While it served to pry the connection the fifteen year old had with the device at the time, it was also his way of teaching Miles to not rely on the device for communication, prompting Miles to fortify new avenues of such. Aaron had a genius nephew, after all, and expected nothing less from the person who would soon take up his mantle as The Prowler.
Though, Aaron started to notice a shift in the practice behavior a few months ago, and it made him wonder had his teachings begun to fall short, even after a few years of the settled routine.
He’d notice the flexing of the younger’s arm whenever the faint buzz from the vibration of Miles’ phone sounded, no doubt squeezing the device in his pocket with his hand.
Aaron also was not ignorant to Miles’ dipping off to the side to answer a quick call in hushed tones, and the words used to address the other person on the line made it clear to the older man that it wasn’t Rio calling him, and it piqued Aaron’s curiosity even more.
Though, Aaron could never say anything, since Miles was sure to put his phone on do not disturb before heading out into the night, and the calls always remained under a minute or two, not taking too much time away from their very serious business. He found himself frustrated because Aaron couldn’t be mad at him for being responsible for his phone usage, despite his own feelings towards the usage of such devices. Yet, it irked him all the same when Miles would take a peek at his phone during a moment of down time, or when he’d caught the boy staring at his messages a couple of times during a debriefing session.
“Aye, c’mon man,” Aaron finally grumbles out one night, sucking his teeth at the sight of Miles tapping away on the brightly lit screen close to his face, illuminating his melanated features, “I need you outta that shit, we got work to do.”
“A’ight, a’ight,” says the younger as he finishes off a text, pocketing his phone and brushing past Aaron briskly, “just had to answer my girl real quick. I’m off it.”
“You better be,” Aaron scolds, “we need you at a’hunnid tonight, Miles. No excuses.”
Though Aaron wasn’t about to let Miles’ admission slip under the radar, the current task at hand was much more pressing than the revelation that his nephew was seeing someone. He’d have to play the father figure role after tonight's mission was complete.
It’s when the deepest shade of midnight blue begins to fade into faint purple hues that Aaron is able to bring up the conversation once again. He tries to make it light, but over the years, his smooth talk has become just as rustic as his Prowler skills. “I’m gon’ have to bring the safe out again if I keep seein’ that phone, Miles.”
The echo of the younger sucking his teeth in annoyance doesn’t fly past Aaron’s head. It’s the response he expected from his nephew. He turns around from his work desk to face the younger, leaning against one of the many concrete pillars that keep the building intact.
“I’m serious, boy,” Aaron asserts, “you been on that phone a lil’ too much lately, man. I’on like it.”
Miles scratches the side of his face; he knows he doesn’t have much of a good excuse to use as to why his eyes have been more on his phone as of late. Well, not an excuse Aaron would find plausible anyway.
“A’ight, Unc. I’ll chill.”
It’s not the exact response that Aaron expects, but if Miles says that he’ll watch his phone activity, the older believes him. The younger has no reason to lie to him, anyway.
A beat passes before Aaron starts again, crossing to the middle of the room where the large, red punching bag.
“So, is she a good distraction,” he muses with a knowing look, “or do I gotta be worried that she gon’ take your head out the game?”
The younger pauses for a second, braids dancing along his shoulder. Then, a lopsided grin spreads across his lips as his head tilts to the side, his eyes wandering. Aaron knows that kind of look. It’s the look of a boy high on love, and from the way Miles fiddles with the hair at the nape of his neck, Aaron can deduct that it’s that good loving, too. The kind of loving that Rio gave Jefferson, and it stole the late brother’s heart. It warms his heart to see his nephew sport a look that someone his age should.
“She’s good.” Miles says. “She’s…real good, Tio. Too good, probably.”
Aaron hums in response, the sound coming from the depths of his throat as he pauses, taking in a breath. “Do she know?”
It’s a hard question to ask; Aaron doesn’t want to blow his nephew’s high, but it’s a necessary one to ask. For the safety of all parties involved.
Miles’ smile falters in the slightest, teeth tugging at his bottom lip as his eyes cast downward.
“She know I do shit on the low. Not…all this, though.” And from the tone in Miles’ voice, he, too, knows that it’s better this way.
The older begins to walk towards the stairs to exit the workshop building, gesturing to Miles to follow, “Good.”
Aaron thinks back to when he first remembers the diversion of behavior started. Although it wasn’t and never became aggressive, it started with Miles casually peeking at his phone every now and then, maybe once or twice throughout the whole night the two were set together. He puts two and two together, his head nodding to the conclusion he’d drawn.
“So it’s her you be textin’?” Aaron asks, descending the stairs.
The younger nods, following in tow, “Just lettin’ her know that I’ma be out and can’t answer the phone, shit like that.”
“And when she do call?”
A light, dry chuckle escapes Miles’ lips at the question. “She just be askin’ me shit.”
“Shit like what?” Aaron muses, twisting the knob to the door leading outside, opening it to reveal purple hues slowly fading into peach in the sky. “What color nails for her to get? Password to the Netflix?”
They get to the car, but the silence that takes place during the short time it takes to approach the older’s vehicle answers his own question before Miles does.
“Yeah, actually,” the younger voice, arms folding atop the car roof, leaning against the sleek black metal as he looks at his uncle, “and the color for her peek-a-boo braids; and if it’s okay if she eats my leftover takeout; and if I can hang up her wall art thingy when I come by-”
“-so what you’re saying is, she’s clingy?” The older’s eyebrows furrow in amusement and slight confusion - the way Miles speaks about the isolated experiences has him questioning what kind of girl his nephew was actually dating.
“You know what’s crazy, though, Tio?” The younger poses, pulling the handle to the passenger car door when he hears the click, signifying Aaron unlocking the vehicle finally. “She’s not clingy like that; it’s somethin’ else.”
“You’re losin’ me, kid.” The older chuckles, closing his door once he’s settled inside the driver's seat.
Miles sucks his teeth, tongue poking the inside of his cheek in thought, and Aaron can tell that the younger is trying to find the right words to distinguish what he means.
“I hear guys say that shit like that is annoying,” Miles begins, tugging at the hem of his shirt to pull it down from riding up his toned stomach, “but it ain’t like that to me. She asks me all these things; think maybe it’s because she feels safe enough to ask them of me. And if she feel like I got the answers for her, then-”
The younger stops mid-sentence, contemplating how to proceed with his explanation. Yet, Aaron is all ears, listening intently. Quite frankly, it’s the most he’s heard Miles talk about anything in a long time - his rambling reminds him of the old Miles that once was, before the unfortunate.
Then, the younger takes a deep breath, reclines back into his seat, legs spread in the slightest for comfortability, his hands running the length of his thighs, “Ionno, Unc. Makes me feel good, I guess.”
And in that moment, Aaron’s vision blurs for a second. He can’t tell if it’s Miles sitting in the passenger seat, or if it’s his late brother. Perhaps it's the glare of the sun in his eyes…perhaps it’s Aaron actually seeing the soul of Jefferson shine through his son in the early morning sunlight that dances across his melanated skin.
A hum passes through the older’s throat as he starts the car up, the sound of the engine revving through the silence that settled within the car. Aaron clears his throat before speaking again, “I’ma tell you what I told your pops about your moms, kid.”
Miles turns his head from the window to face his uncle, who shifts the car from parked to drive, hand sitting at the top of the steering wheel. 
“If she make you feel good, the kinda good you know you can’t get anywhere else, and if she make you feel like a man; you keep her close.” Aaron hums. His lips tug upwards when the younger gives a subtle nod in return.
“I’m serious now, Miles. Don’t be like yo’ daddy.” Aaron reiterates as he pulls his foot off the brakes, turning the steering wheel and pressing down on the gas to drive out of the parking lot. “Dumbass almost lost ya moms cuz he ain’t wanna listen-”
“A’ight, a’ight, I got you,” the younger replies, “I’on think she goin’ anywhere no way, though.”
“Good.” Aaron affirms. “If she know of the kinda game you in, then she need to know how to work somethin’, too. Make sure she can hold you down properly.”
“I’on know about that, Unc,” Miles replies, “she too much of a good girl for that.”
“Shit, good girls work the best poles, boy. Don’t get the game twisted.”
“Unc, no one says ‘poles’ in reference to guns anymore.” The younger says through a chuckle as the two drive off down the street, the purples in the sky now fading into a pretty golden hue that casts over the city that never sleeps.
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plastic-pipes · 5 months
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Who even were any of us before Mary Jane & Black Cat Beyond #1 😌😌😌
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animusrox · 10 months
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Black Mirror 6.03 “Beyond the Sea”
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kirbyskisses · 11 months
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“te amo” masterlist || miguel o’hara x reader
summary: when your husband and the father of your child dies on duty as spiderman, he’s replaced by himself; the miguel o’hara of another earth. desperate to find that same love and happiness that he never had in his home universe, he works hard to convince you nothing has changed. but the canon is harsh and unforgiving and things are doomed to end tragically.
tw: light blood mentions, canon!compliant = angsty ending at least until “beyond the spiderverse” comes out
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my account is 18+, so no interaction from minors/ageless/blank blogs please! you will be blocked!
chapters with * are smut
ch. 1: “te amo”
ch. 2: “cafécito”
ch. 3: “danger (spider)”
ch. 4: “confía en mí”
ch. 5: COMING SOON ***
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playlist
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don’t forget to reblog and comment!! likes do nothing, if you enjoy the fic make it known.👏🏾👏🏾👏🏾
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beyondthesurface · 8 months
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quiddie · 9 months
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There’s a special, specific kind of joy watching Worlds Beyond Number listeners call out what they see as the beginnings of Suvi’s disillusionment arc.
It just makes me want to pull them in close and whisper in their ear “Do you think you’re watching Barbie or Oppenheimer?” before giving them a little kiss on the cheek.
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