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#Black Artists
standingatthefence · 3 days
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Faith Ringgold  | (October 8th, 1930 - April 13th, 2024)
Circa 1987, Photographer Unknown
Source: Smithsonian Institution
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rastbreeden · 1 day
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captaingrizzlie · 3 days
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Happy Homestuck Daaaaaay
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Free Falling
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pianta · 5 months
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and i think that’s what a father is — a blade that never stops cutting.
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Lesson 4: "Do Black People Blush?" Bringing brown complexions to life
Inspired by this ask
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So, do Black people blush?
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We are human beans 🤣! Blood rushes through our veins! This isn't just a nonblack misconception either; I know plenty of Black people who think we don't blush. Stop saying that shit. It's not true! If you thought this at any point, I'm glad you learned, TAKE THIS L IN SILENCE! I am sparing you the indignity of saying this out loud, ever! 🙏🏾
Jokes aside, the actual issue usually lies with the depiction or description. Depending on our skin tone, most of us aren’t going to turn ‘bright pink’ with a blush (if you write that in your y/n or roleplaying fics, that’s an easy way to negate a good amount of your potential Black audience). Think of a cherry coke- how you still see the tint of red in it, but it’s still brown? Like that.
One way to dodge this in writing is to say “flushed”, or “ears/cheeks became hot”. This is describing the physical action of blushing, without having to describe the color of someone’s face. If you’re really nervous about not writing us correctly via blushing… there you go!
Colorism
Okay. So this is something I’ll likely do its own lesson on, because there’s no way I could encapsulate it into one little blurb and I’m not going to try! After asking the internet an admittedly confusing question 😅, one thing I was able to reaffirm is that people have different opinions on what ‘dark’/’darker’ skin tones mean. People recognize that different cultural upbringings and contexts will change what that means! And that’s good- that an important part of the larger conversation!
However, I want everyone to understand that you don’t have to be Black to be dark/’darker’ skinned- you can be Black and very pale! We discussed that in the last lesson! There’s no ‘singular point of brown-ness’ that designates a Black person as ‘Black’- there’s an entire sociological conversation behind that!
My point is, this isn’t a ‘oh Black people OVERALL aren’t depicted blushing properly’- because there are ‘lighter’ skinned Black people that wouldn’t suffer as much from this particular issue.
Blushes and Undertones
Three Links for Tips on Medium to Deep Skintones
Different complexions are going to require different colors, there's not a 'one fits all' option. However! What we want to do for deeper brown complexions is to focus on BOLDER, not lighter! Putting light pink or a white person’s ‘nude’ on our skin will often make us look ashy and undercolored. And we don’t like looking ashy.
"It looks like they're ashy!"
What do we mean when we say this about a piece? Well, worse case scenario, it looks like this:
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This was NOT one of KD’s better days, and he was thoroughly mocked for this. He got more than enough money for lotion! Anyway, when we say that your art looks ‘ashy’, it means that it feels like the skin of your Black character is gray, or dead. Like a corpse. We don’t look like that unless things are dire.
In fan and professional art, you can sometimes find people user a grey undertone for deeper shades of brown on Black people: NO! We are NOT grey! We are not pitch! Many skin shades of brown can be found based in the oranges and the reds. Based on lighting and depth of complexion, you might even have to go into the blues and purple to capture the brown you’re seeking.
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I’m begging us to stop desaturating the browns we use. We can see the difference. It’s usually one of those ‘White Man Painted Brown’ techniques I discussed before; an attempt to ‘make a character Black’ without really committing to it because the brown skin tone ‘doesn’t look good’ to the artist. Brown is beautiful! Commit to brown! Commit to the full design!
Put in the work to create the brown you need!
While this is a traditional art piece (follow Ellie Mandy Art, a Black creator), I want you to notice how she incorporated many colors to create the deep brown for her piece.
-8:05 for the list of paints
-8:05-17:29 for the process
She used black, yes, but it was nowhere near the base color. She incorporated blues and reds and other browns to capture that depth. It wasn’t ‘toss in a bunch of black or grey to get the brown darker’. (SKIP TO THE END TO SEE HOW GOOD THIS PIECE IS, BTW. I felt like I was in the presence of a master watching her do this, fr. We gotta pay artists more.)
I want to use this model as an example to show that while we might get very dark, we're still not 'pitch black'. You can see the flat of the black of their clothes versus their deep complexion. They're not the same!
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Even if your character's complexion is very deep brown into black, you still need to incorporate ‘life’ into them (if that makes sense). And you know what? Even if you want to describe your characters as having ‘black’ skin, that’s fine, but there are still other ways to do it- obsidian, the night sky, velvet. Find a way to romanticize our skin (there’s an entire conversation about how ‘black’ is used in a negative connotation in language and storytelling, and we’re ALSO going to have that conversation later!)
A Real Simple Way (i.e. how I do it)
I tried, but I cannot find my skin tones palette link anymore. I’m sorry! But, it’s been essential to my character design. If you don’t ever buy anything else, I would HIGHLY suggest investing in a skin tones palette for your art program.
Everyone say hello to Philia, my OC! I’m used to drawing her, so I’m going to use her as an example. Now remember, I am still an amateur! But this is how I do it!
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Admittedly, I do the one on the left when I'm feeling lazy, but more often I'll take the time to do the one on the right. Now here’s the thing- I’m not actually blending the red into the brown. This is on a whole different layer. What I’m actually doing is adding to and fading the color until it’s at a color that I feel is natural. There's definitely an easier, smarter way to do this, but that’s what I like to do- I like to see the stages slowly until I’m comfortable.
You have to mess around and practice; see what looks good and what doesn't. Go into the reds, the oranges, the pinks and observe how it looks- I may go through multiple before I settle on one. It’s really just a matter of getting used to drawing Black skin tones and how they look in different lighting. This one's not perfect for sure.
Resources
Here are some really good posts and Youtube videos on how both to paint skin, and to add blush tones. And remember, as per my usual, the best way to learn how the draw and paint Black people is to follow and learn from Black artists! Another good idea might be looking into Black makeup and Black SFX makeup artists. As people that work with skin on a regular basis, they would be a good place to study what colors can and should be used on different skin colors as a whole.
ami0amii
Likelihood Art
Tiara Anderson
Proko
Sinix
Ross Draws
In summary, focus on bolder colors, be willing to test until you get what you need, and practice! All you can do to get better is to practice! And as always: it’s the thought that counts, but the action that delivers!
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quokkimon · 7 months
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a heavy cross to bear
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sbrown82 · 18 days
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Linda Martell - "Color Him Father" (1970)
**Beyoncé's latest album 'Cowboy Carter' spotlights Linda Martell, a pioneer and trailblazer who paved the way for Black country music artists, as she was the first commercially successful Black female artist in the genre.
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cardierreh15 · 3 months
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Can yall tag black artists/writers please? I wanna start following more and more of my peoples 🤎🖤🤞🏾
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thechanelmuse · 10 months
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Jackie Ormes, the first Black American woman cartoonist
When the 14-year-old Black American boy Emmett Till was lynched in 1955, one cartoonist responded in a single-panel comic. It showed one Black girl telling another: "I don't want to seem touchy on the subject... but that new little white tea-kettle just whistled at me!"
It may not seem radical today, but penning such a political cartoon was a bold and brave statement for its time — especially for the artist who was behind it. This cartoon was drawn by Jackie Ormes, the first syndicated Black American woman cartoonist to be published in a newspaper. Ormes, who grew up in Pittsburgh, got her first break as cartoonist as a teenager. She started working for the Pittsburgh Courier as a sports reporter, then editor, then cartoonist who penned her first comic, Torchy Brown in Dixie to Harlem, in 1937. It followed a Mississippi teen who becomes a famous singer at the famed Harlem jazz club, The Cotton Club.
In 1942, Ormes moved to Chicago, where she drew her most popular cartoon, Patty-Jo 'n' Ginger, which followed two sisters who made sharp political commentary on Black American life. 
In 1947, Ormes created the Patty-Jo doll, the first Black doll that wasn't a mammy doll or a Topsy-Turvy doll. In production for a decade, it was a role model for young black girls. "The doll was a fashionable, beautiful character," says Daniel Schulman, who curated one of the dolls into a recent Chicago exhibition. "It had an extraordinary presence and power — they're collected today and have important place in American doll-making in the U.S."
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In 1950, Ormes drew her final strip, Torchy in Heartbeats, which followed an independent, stylish black woman on the quest for love — who commented on racism in the South. "Torchy was adventurous, we never saw that with an Black American female figure," says Beauchamp-Byrd. "And remember, this is the 1950s." Ormes was the first to portray black women as intellectual and socially-aware in a time when they were depicted in a derogatory way.
One common mistake that erased Ormes from history is mis-crediting Barbara Brandon-Croft as the first nationally syndicated Black American female cartoonist. "I'm just the first mainstream cartoonist, I'm not the first at all," says Brandon-Croft, who published her cartoons in the Detroit Free Press in the 1990s. "So much of Black history has been ignored, it's a reminder that Black history shouldn't just be celebrated in February."
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standingatthefence · 3 days
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 | "Faith Ringgold Flying her own Flag" in Ms. Magazine, July 1976 by Lucy R. Lippard
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agelessphotography · 3 months
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A Young Woman Waiting for the Bus, Syracuse, Dawoud Bey, 1985
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ackee · 1 year
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birdie has a golf club thats like a broomstick :0] so she can get a…. birds eye view teehee
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Fear Of Falling.
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pianta · 9 months
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saturninity 💜💫
★ twitter | ko-fi | ig | prints ★
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ghost-37 · 4 months
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𝕬𝖓𝖓𝖆𝖍𝖘𝖙𝖆𝖘𝖎𝖆™
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