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#Black stereotypes
writingwithcolor · 4 months
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Is it less offensive to have my black sheriff be a scaredy-cat or trigger-happy?
joeyyygunslinger asked:
I’m conceptualizing a wild-west (I haven't and never will pick a state/year, it's just a generic wild-west setting) black comedy comic series. The main characters are a pair of sheriffs who work together more often than not, one Black and the other White. I want one to be fiery-tempered and trigger-happy (To the point where, in just about every other cover I’ve sketched so far, he has his gun out and is asking the other guy, “Can I shoot it?”), and the other an over-cautious scaredy-cat… And neither of these personalities seem to be a very PC one to give to a Black guy, so which one would be less offensive?
Technically, you can give the character whatever persona you see fit. From there, flesh them out to be more than the traits you mentioned. Show us why they’re the way they are and how they’re more than that. As often stated, it helps to have more characters of the identity if you’re unsure about stereotypes and characterization.
Objectively, a cautious, scared Black man character is less (potentially) stereotypical than one with a temper and trigger-happy. The former recalls Angry Black Person, Scary Black Man and Violent Men of Color tropes. One might argue the scaredy-cat Black man has notes of emasculation, but personally this kind of personality is way less encountered. Exploring a softer, cautious Black man character would be interesting to me (speaking as a Black woman. I’d love to hear from more Black men and people!).
Do not write from a place of fear
I do want to address your comments on being Politically Correct and less offensive. I’m not a fan of those words when it comes to representation. Maybe it’s the snide connotations of the word, often accompanied by a derisive attitude. Maybe it’s just me! But I just don’t love proper and preferred representation being equated to it.
I would like to take the more positive approach.
For one, being respectful and including proper representation vs deliberate or even thoughtless exclusion, should be the focus. Not which choice will step on fewer toes. Writing from a place of fear and extreme caution is stifling. It snuffs out your creativity and will have you questioning your every move. I get that it's natural to feel that way when exploring new territory, but we must learn to be courageous as writers and write against the fear. Your work will turn out much more fluent and natural when you do.
On the other hand, it’s definitely important to build enough knowledge and do the research so you'll have this confidence on hand while you write. This will help create a story with characters that are less like carefully curated caricatures meant to cause the least amount of offensive as possible.
While you should absolutely:
Be aware of stereotypes and what could be offensive as you build your characters and story.
Question your choices and trace the logic of why you made them.
You should also:
Focus on writing varied, complex people.
Let your knowledge guide and inspire you, do continuous research, but not let it fully stop all momentum.
Use the editing, sensitivity read process, and revisions to correct and adjust your work.
~Mod Colette
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lcverrpc · 1 year
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voodoo , witchcraft and the rpc
or  why you should think before including voodoo in your roleplay . ( this will contain discussions of slavery and racism , for my own comfort i will not be going into true detail of these and the other dark topics surrounded with the stereotypes )
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now , i would like to preface this by saying i am not a practitioner or follower of the voodoo ( vodou but for the sake of this post we'll use voodoo ) religion , however i am black ( caribbean specifically ) and after seeing an uptick of voodoo in the rpc lately , it's occurred to me that this puts me in the position to say something . so lets get into it .
witches and magic have been a staple of both the horror and supernatural genres for years and voodoo has worked its way into the entertainment industry alongside this but lets get into what vodoo actually is : a religion with its own spiritual hierarchies , ritual ceremonies, customs and practises .
a closed religion at that .
unless you are invited into it , you can not and should not practise it . it was developed by african slaves - it's entire foundation incorporates blended religions , cultures and sufferings of african slaves . it's commonly known that enslaved people were separated from their religious and spiritual identities , the only way that this knowledge and religion still exists is from being passed down from generation to generation .
'what if my muse was invited into it?' in my opinion , you as a mun who has not been invited into this religion who does not practise it , can not fully understand the weight , traditions and complexities of it . even with research , you will be missing pieces of the information .
closed religion aside , lets now talk about the stereotypes surrounding voodoo and magic .
the term black magic was often used in regards to african spirituality and in media it's not uncommon to see voodoo be used and misrepresented as something backwards , perverse and downright evil . where does this come from ? well as simple as i can make it , it's racism . voodoo and hoodoo were used to further demonise black people , it gave us the reputation that we could enslave you , that we would take away your will and autonomy and force good innocent white people into doing things they didn't want to do ( ironic isn't it ) think of media such as ahs or even princess and the frog for modern examples of how this stereotype continues .
when portraying black witches who dabble in the stereotyped portrayal of 'voodoo' , or white characters with 'voodoo' superpowers it's important to be aware of the history and of the image you will be projecting with your character .
this is not to say you can't play black characters as witches or other magical species , but you can do so in a way that doesn't enforce damaging stereotypes and tropes . ( bonnie bennet from tvd is a witch the same as her many white counterparts , the most recent reboot of charmed features black female leads as powerful witches - although both of these are not perfect depictions )
tldr : this is no where as detailed as i wanted it to be as im saving my energy and i can't tell you what to do but voodoo is a closed religion that should not be used in roleplays as a source of magic or witchcraft . please respect it and it's roots . if you want to play a black character with magic , do so the same way you would their white counterparts but be aware of stereotypes ( particularly the magical n*gro stereotype )
as always im open to questions and comments on this . my knowledge is not absolute so i'm happy to amend things in this post . keep discussions civil and polite pretty please and remember that people of colour do not owe you education , especially at their own expense so be patient and listen .
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melanatedmedia2 · 19 days
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Do I think the writers understood the context changes that would occur when casting the Velaryons with black actors, nope, not one bit.
They cuckold a black man when it was more ambiguous in the books and then had him abandon the family he just firmly recommited too.
They make Daemon's arguably favorite wife in the books a placeholder for his preferred Valyrian bride, his white niece.
They give the very distinct twins almost the exact same personality but made space for the white girl to have a trait she didn't in the books and give one of their love interest a sweeter scene than anything they got on screen together. They also reduce them to set dressing and plot drivers, not whole characters in this world.
Back to Laena, they gave her a brutal death scene as opposed to the bitter sweet one she had in the books. Gave her friendship/ relationship/ sexual ambiguity to a white woman while reducing her to less than 20 minutes of screen time.
And back again to Laenor, they made him an absent father who only wished to be back at war. That doesn't happen in the books.
Corlys is the only one that has a good enough storyline, but next season, he'll be a cheater with an outside family without any set up other than leaving when things get hard, while adoring his wife on the show mind you.
Not to mention the brutality of Vaemond's death.
This doesn't exist in a monolith. Obviously, you can write these storylines for black characters. However, the necessary nuances needed to allow these things to work were not used.
Baela could be trying to conform for everything she believes is expected of her as Jace’s Betrothed until she is there next season with a new book authentic look.
Laena could be like her book counterpart, caring more about dragons than boys, but when she has to marry chooses the person who she thinks would give her the most freedom and work as Co parents if not being a loving couple with their children.
Laenor could do his duty despite himself and have conflicting emotions towards Rhaenyra and Harwin not putting more effort into their secret relationship. Those boys could be Laenor's still and have his own sexuality, Rhaenyra's promiscuity and Alicent’s weaponizing these little things to spread the bastard rumors. And or casting Ser Harwin to look more ambiguous.
Laena's and Vaemond's deaths should have been closer to the books to show Daemon's care for people who accept him and Rhaenyra accepting the power she is given.
There was no reason why Laena shouldn't have claimed Vhagar on screen even if they kept the shows death for her, it becomes full circle that in the moments she knows she's going to die she would cling to the thing that makes her feel complete. Her dragon. And a setup for the Dragonseeds when they claim their dragons.
I just, the idea of black dragon riders and black Valyrians, was so interesting and I wish they had given the idea the nuance it deserved instead of placing them on the back peddles and reducing their stories to stereotypes we've seen time and time again without care or thought for how it would be perceived.
Let's not begin to talk about the genetics test needed by most of the white actors they cast who are direct descendents of Alyssa Velayron.
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Is it possible to have a black reader (or black ANYTHING) that isn’t a huge stereotype or nah
Like…suddenly I wear a wig (I can’t even remember the last time I even had braids that weren’t my natural hair)
Suddenly I have short natural hair
Suddenly I can’t wear my hair natural without a silk press
Suddenly I’m poor
Suddenly I get bad grades
Suddenly I can’t go a day without getting my nails done
Suddenly I can’t live without a man
Suddenly I only speak in slang
And I’m not saying you’re a stereotype if any of these things fit you, but I’m saying this should not be the “blueprint” for a black women. Everyone is different and it’s unfair to group a large variety into one thing. If you write your black readers like this, carry on, people like it one way or another. This is for those who need to hear it.
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noirsisterhood · 3 months
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A strong and supportive Black woman - my thoughts on these stereotypes and muling
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Biting and scratching and mauling every single black movie and tv show that continues to shit out black stereotypes like we’re still in the fucking 1990s, and continues to profit off of black people’s trauma, struggles and pain.
Fuck all of you. Fuck every single black actor who supports and encourages this shit.
And a humungous fuck your to all these stories about drugs, gangs and violence. It’s always this ignorant shit getting popular because of course black people can only be represented through this shit.
Meanwhile, like I’ve said before, white people get to be in fairytales riding dragons, and running through portals into different worlds.
I cannot stress this enough. Fuck. You.
This is exactly why I write my own shit.
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WHAT WHITES THINK BLACKS CONSTANTLY TALK ABOUT (WE DON’T)
WHAT WHITES THINK BLACKS CONSTANTLY TALK ABOUT (WE DON’T)
Blaming “Whitey” for every problem we have. “Street cred”. I don’t know ONE Black person who has ever said this nonsense. Sounds like “dialog” written for a Black character on a Fox  FX show! Being “woke”. The only “wokeness” I know of is being conscious and aware. Sorry, but during waking hours all human beings do this. Again, I have never used this term! CONSTANTLY, 24/7/365, talking about…
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foulwitchknight · 12 days
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writingwithcolor · 1 year
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Representing African-American Woman, Biracial, “fierce and strong” and hair questions
Anonymous asked:
I’m changing a character in a novel I’m editing to be a fierce, strong African American woman living with an anthropologist father and lawyer mother (I picture the mom like Jessica in suites). I also feel like being bi-racial in the south makes her a little conflicted. She sometimes wants to just “be white” to make things easier, but is so very proud to be African-American and bi-racial. She is also lesbian and a future love interest of the other main character However, I am white- so I have questions!! Here are 3 scenes I need help with:
1. Leigh is putting conditioner in her hair and hears the doorbell. She puts her hair in a silk hairwrap (is that ok to call it that?) after the other characters leave, she works on the computer and falls asleep. When she wakes up its 2:30. I was going to have her undo her hairwrap and run her fingers through her hair… but I know African American hair can’t be brushed, would running her fingers through it (even damp) ruin her hair? 
2. her and the other lesbian “anne” are getting ready at a hotel for an important event and Leigh comes out of the bathroom in a beautiful dress and an “afro blow out” (I have the photo of hair names saved from this group- just not looking at it as I type and will use the correct hair name in novel). When she comes out of the bathroom Anne sees her and is taken completely aback by her beauty. Her reaction makes Leigh uncomfortable and she asks if she should {straighten/presss} her hair. Which action is the correct word there? …to which Anne tells her no, she loves her natural hair because it’s who she is.
3. Later in the book, they are going to be heading to an archeological dig in the desert and I thought about giving Leigh “braids” with “coloured extensions/weave” .. is “tightly woven braids with (haven’t chosen colour yet)” appropriate? What should I say instead? This will also prompt a convo between the two main characters where Anne asks Leigh why she changes her hair so much. Leighs response will be “{As an African American} my hair is a large expression of who I am. Much like the clothes we wear for different moods or events, I change my hair to reflect what I am feeling or just as an outward expression of who I am” .. should I put the African American part in? I feel that hair is an expression to most people, but I know it is a huge part of African American culture and I want to get it right
Thanks in advance for advice!! This is a book I have always wanted to write, but it also became a book about “underdogs”. I really wanted to make a book with queer representation. I also realized I wanted to have an African American as there isn’t much representation for them either. I really want to show her as a fierce, smart woman (who of course struggles with the brevity of being “mixed race”) that isn’t a gangster, rapper, or the typical things we see in the media. I really want queer and/or African American young women to read my novel (eventually) and feel like it describes them well. Not in a stereotypical way they usually are portrayed. Anyways.. Sorry for the ramble, but thanks in advance for all the help!!
First of all, I want to address your use of “Strong.” It is not the compliment you may think it is and Black women do not always accept it well, particularly from non-Black people. Being forced to be strong, aka the Strong Black Woman, is not an ideal condition. So portraying Black women as such without nuance is not welcome representation.  
“I also feel like being bi-racial in the south makes her a little conflicted. She sometimes wants to just 'be white' to make things easier, but is so very proud to be African-American and bi-racial.”
Be aware that not every mixed race person has an identity struggle. But in a world where she faces racism, it could be realistic, a desire to "just be white.” As a visibly Black woman, though, she’ll always be seen as Black, and never just white, even if she’s mixed race or even lighter-complexioned. It’s part of the whole “one drop” perspective.
Now, to your specific questions.
Black hair questions - are these the right terms?
Leigh is putting conditioner in her hair and hears the doorbell. She puts her hair in a silk hairwrap (is that ok to call it that?) 
1.)
It’s hard to answer if this sounds realistic without knowing what products Leigh is using in this situation.
Is Leigh using a leave in conditioner or a conditioner hair masque? The former is what you’d use to style and add moisture to hair. It’s fine to leave that in and go about your day. The latter is something you would wash out after use. 
Also, I wonder if you’re referring to a silk hair bonnet or scarf in your description of a silk wrap? She likely wouldn’t put on a bonnet or silk scarf if she had a mask in that she was going to wash out. If she did, she’d need to clean it to get the product off of it. 
For comparison, imagine you put a hat onto your head when you still had shampoo in it. Wouldn’t that be strange and messy? 
Now, there are hair wraps and shower caps used for conditioning hair. The material is made for being washed out or disposed of after use.
“I was going to have her undo her hairwrap and run her fingers through her hair… but I know African American hair can’t be brushed, would running her fingers through it (even damp) ruin her hair?”
Yikes. Who said our hair cannot be brushed? One has to be more careful and curly/coily hair may not use the same brushes as straight-haired folks, but we can and still do brush and comb our hair. Popular brushes are boar brushes (although I find these too “rough” on my fine coils) and detangling brushes.
And there is no one shared “African American hair type.” Please look into the range of hair styles belonging to Black women, mixed or no. From thick and course, fine and soft, straight and/or straightened. 
And, again I’m not sure what kind of conditioner was left in her hair. If this was a wash-out hair conditioner, and her hair was fully covered, it’ll likely still be damp. Some leave those on for hours, although the directions usually say 20-30 minutes is enough.
Long story short, her hair isn’t going to just be destroyed from running her hands through them, even if it’s really curly or coily. Hands don’t ease through certain curls in the same way it does straight, but you can roll over or around curls to avoid tangling and snagging, particularly if you carefully follow the flow of the curl itself. I am idly finger-combing a coil of my hair as I write this!
See also Black Hair Couple Interactions: Boyfriend Playing with his Black Girlfriend’s Hair
2.)
“Leigh comes out of the bathroom in a beautiful dress and an ‘afro blow out’" …her reaction makes Leigh uncomfortable and she asks if she should {straighten/presss} her hair. Which action is the correct word there?” �� 
You seem to be using the right terms. Blow out (you wouldn’t need to add "Afro”) and straightened are fine to use. I wouldn’t imagine her saying “should I press it?” To a white woman, though. 
I don’t have your photo references, but Google should’ve produced the correct results. Blow outs add volume to afro hair. Depending on how its done, heat level, etc. it can make hair look like a bigger fro, or make it straighter and stretched out. The more heat and time devoted to styling, generally the straighter you can get the hair.
3. 
“Is 'tightly woven braids with (haven’t chosen colour yet)' appropriate? … ;{As an African American} my hair is a large expression of who I am.; should I put the African American part in?”
While I’d leave out referring to the hair as extensions or weave, saying "tightly woven braids” is a fine description! 
And honestly, I'd suggest leaving out the As an African American portion. Coming from a non-Black voice, it may be taken as speaking for Black people. Also, not all Black people may agree with that statement. Hair has important cultural aspects for many, absolutely! So i’m not saying it’s wrong, but its best to Keep her statement individual, her own perspective, not a statement about the whole race. Again, coming from a non-Black voice, especially.
Characterization
“I really want to show her as a fierce, smart woman (who of course struggles with the brevity of being ”“mixed race”“) that isn’t a gangster, rapper, or the typical things we see in the media. I really want queer and/or African American young women to read my novel (eventually) and feel like it describes them well. Not in a stereotypical way they usually are portrayed. Anyways.. Sorry for the ramble, but thanks in advance for all the help!!”
I do think you need to do a lot more research on Black women, stereotypes, hair, and being a mixed race Black woman before writing this story. Our blog is a general resource, though just the start.
I appreciate your efforts to tell a story that isn’t built on stereotypes or the typical portrayals of Black people. Now, mind that some people may fit “stereotypes” but they are not stereotypes - they’re people.
Another thing - her being mixed race. While it’s fine to portray a mixed race character, and your intentions seem good, some writers choose this route because it’s “easier” and anchoring the Black character to whiteness (or even anyone other than Black) makes them more palatable. I only ask, if you had the intentions of representing Black women, why not write a non-Mixed race Black woman?
After evaluating your characters and the language used, you would benefit from a beta-reader, Black + queer or otherwise, reading your story before publication. They’ll be able to help you “get it right” and note any areas that cause pause or need correction.
I hope this was helpful!
~Mod Colette
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jccheapalier · 2 months
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Fani Willis Embarrasses Black Women, Emasculates Men, Turns Courtroom in...
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sbrown82 · 2 months
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atlasdoe · 3 months
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things that Remus Lupin didn't do:
Care about music
Smoke
Drink heavily
Call Sirius stupid or talk down to him
Physically fight anyone in his human form
Threaten anyone in his human form
Hold a grudge
Befriend a Death Eater
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daisy-mooon · 7 months
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"I want Annabeth to be blonde :(" then pick up a PJO book and read it you dumb fuck
#pjo fans stop being weird about black annabeth challenge IMPOSSIBLE!!!!!!!!!!!!!!!#first off annabeths race isnt important to her story. annabeth could be any race. her skin colour doesnt actually impact her. her hair does#now im not blonde but im a white girl so let me explain why some pjo fans need to stfu. i have grade 9s. im called stupid for my appearance#im not insulted bc im white or bc i have blue eyes or brown hair. im insulted bc women are judged on their appearance. im insulted bc SEXIS#annabeth isnt really called dumb for being blonde. shes called dumb bc shes female. and ppl are more likely to stereotype women than men#this is especially true for black women! whatever sexism white women get is always horrifically multiplied for poc women#black hair frequently gets called unprofessional untidy unhygienic etc. its VERY likely that show annabeth has been called dumb for her hai#does this make the casting “accurate”? no. but castings don't have to be accurate. they have to ADD to the character.#annabeth being black ADDS to her character because it showcases how women (esp black women) are devalued for their appearance#movie annabeth wasnt bad for having brown hair or white hair she was a bad adaptation bc she was ooc#i just think its ironic that a core aspect of annabeth was being judged for her looks. and now show annabeth is getting judged for her look#like. you guys really missed the point here.#anyways disagree all you want but book annabeth is still blonde. no one is erasing her. theres a new PJO book w blonde annabeth SEPTEMBER 2#GO READ CHALICE OF THE GODS IF U WANT BLONDE ANNABETH OMG! adaptions and source material can be separate and coexist!#rant over sorry#pjo#percy jackson#annabeth chase#pjo show#percy jackson and the olympians#the lightning thief#discourse#shitpost#percy jackson show#pjo discourse#riordanverse
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immortalthunderstorm · 3 months
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Criston Cole and Fandom Perception
There seems to be this idea that Criston's character and motivation solely revolves around Rhaenyra, which seems to be a fandom-wide belief. I won't deny that she plays a part on his development, but even that is more about who he is than what she means to him.
I'll provide my personal interpretation.
The overarching theme for Criston, something that was deeply explored by Jaime as well (who in the books refers to Criston as a man of duality), is that the idea of knightly valour in theory is rarely applicable in practice. A knight in theory is meant to be honour-bound, fearless, principled and chivalrous, obey each of their vows. Their name and the Ser they have earned is a badge of prowess and honour.
Especially the Kingsguard, having sworn off all "earthly" pleasures in order to serve their monarch for life, have a deep sense of focus on this as their duty is a singular one, while also having sworn their knightly vows before their Kingsguard ones. The Kingsguard is seen as this incorruptible, elite force of the very best of knights, a high office to have and the dream of even many of the highborn knights. The societal regard for this office is also very high.
Criston is not highborn. He's the son of a steward, Dornish, and unlike many highborn sons who are trained and fostered to rise the ranks and bring glory to their already established name at tourneys, he had to get there the hard way. The show makes this explicitly clear in the scene where Otto suggests choosing a knight with a good name to the Kingsguard, and Rhaenyra chooses Criston for his real experience (points can be made that she's also attracted to him, or impressed by his tourney feats, but she is not in the wrong here. Most knights at this time have never seen real battle, as Rhaenys says to Corlys)
His vows represent everything he has accomplished for himself "all that [he] has to [his] name" - his entire self worth.
Criston's speech on the boat is not about him being in love with Rhaenyra. He explicitly says he thinks it's the only way to wash the stain off his honour and name. He's desperate and of course it's a bad plan, but it's the only way out he sees with the prospect of death and torture now looming over his head in ever waking hour (see Ser Lucamore the Lusty). That's why he's so jumpy the whole episode and the next. He's paranoid about being exposed, and that's why he's so angry that Rhaenyra simply wants him to be her "whore". She's not in love with him either, it's all just about sex for her while it's a life or death situation for him. That's why he breaks down to Alicent so quickly and almost unprovoked, and confesses and asks for a swift death.
"I took an oath. As a knight of your Kingsguard. An oath of chastity. I've broken it. I've soiled my white cloak. And it's the only thing I have to my fսcking name! I thought if we were married, I might be able to restore it."
His devotion for Alicent also isn't primarily motivated by his dislike for Rhaenyra. To him, she's his second chance to live up to his ideals. She's his "Lady of Honour", the person he sees as the perfect example of a dutiful woman (as fostered by the society they live in) . Her he can chain his own sense of honour to, safely devote himself to without conflicting feelings, and be his idealistic version of what a white knight should be.
I'm not saying his behaviour is logical, knightly hypocrisy is one of the central themes across GRRM's work, but it's a lot more complex than what a lot of people make it out to be (everything is about Rhaenyra)
I'm also tired of this situation being simplified to "he's just an angry Incel" by this fandom. It's much deeper than that and I don't get the absolute demonisation of Criston who's a very complex character.
People just love to look for some ulterior reasons to justify their hatred for a him. It's absolutely fine to dislike Criston if they want, but applying these pseudo-psychological frameworks to him is getting old very quickly.
He is not an incel, he pretty much tells Rhaenyra he's been with at least a couple women before joining the Kingsguard, and it's not like he's angry at her because she doesn't want to sleep with him, on the contrary she pretty much offers him to be his 'paramour' and he gets upset because he doesn't want to be used for sex at the risk of his life. The whole point is his extreme sense of honour and paranoia of breaking his vows.
Similarly the Madonna-Whore complex doesn't check out because this only applies to his dislike for Rhaenyra, not sexually active women in general. Criston hates one (1) woman and that's more for personal reasons than religious extremism - he's very respectful and polite to the prostitute in ep 9, does not treat her as someone lesser or sullied or sinful despite being religious. He pretty much says to Aemond that all women should be treated with respect.
This man insults one woman (who he has personal beef with) once, and immediately apologises for it, yet the fandom seems hellbent on him being some raging misogynistic incel.
(If we want to start throwing stones, Daemon calls people bitches, whores and cunts in almost every episode lol.)
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starry-bi-sky · 4 months
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Clone^2 question! How's clone Dami and Tim here? I mean Tim's terrified of getting re-stabbed, but this Damian is infinitely chiller, and skateboards like him! Maybe there's a chance!
For sure! I like to imagine that baby dames after chilling out with Danny would be so bratty towards the Waynes if they found out about him while he was still little - but the chance of him stabbing Tim would be so much less. He'd be like, regular little sibling bratty. Not "i'm going to stab you at any moment" bratty.
(If you've seen the solo clone damian post, tim shows up with batman at the end and Damian's a little shit to him - but that's only because he's asking a lot of questions towards Danny, and Damian has been perfectly content with his awesome older brother, and doesn't like that father and co have now found out about him. His entire internal monologue is essentially "what are YOU doing here?!? >:(( Go Away!!!")
But as teen? There's for sure a chance for them to get along. I think he'd remain a little shit to them to an extent, just because I think it's funny. I have this image superimposed in my brain of teen Damian - wearing ripped jeans, a band tee, and a flannel, his hair slightly shaggy but still maintained - leaning against a piece of furniture lazily and saying to DW; "You need to get that stick out of your ass, dude."
Like, Clone Damian as a teenager is so funny to me to think about because he's so... American teenager to me. It's a testament to how different his upbringing was since he moved in with Dany (and Danny and his friends' influence on him). He uses slang, he speaks casually, he wears grunge. He skateboards and spray paints, he volunteers at an animal shelter and uses specialized ghostified spray cans to spray glitter and paint in the eyes of the ghosts he fights. He still uses his swords, that's not something he'll ever give up, but like, he has all of these other things too.
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