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#Blake Cooper
camyfilms · 11 months
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THE MAZE RUNNER 2014
I think in all the time we've been here, no one's ever killed a Griever before. When I turned tail and ran, this dumb shank stayed behind to help Alby. Look, I don't know if he's brave or stupid, but whatever it is, we need more of it. I say we make him a Runner.
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sp00ky-arts · 3 months
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Remeber that time Daphne and Shaggy were in Scream. Good times.
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clark-hailey77 · 2 years
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Sarah Michelle Gellar - New York Times [September 2022] Photography by Pat Martin
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nerds-yearbook · 1 month
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Julie Newmar was the first actress to protray Catwoman on the Adam West Batman TV show. She made her debute on March 16, 1966. It is said that she designed and made her own costume. ("The Purr-fect Crime", Batman, TV, Event).
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scowlsnwhiskey · 21 days
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userlaylivia · 16 days
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i chose the deaths that affected me the most and I even forgot some so I'll do a part 2 eventually!! I didn't include allison because she won my last poll I think plus the movie brought her back so lol
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regaliasonata · 2 months
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“Do you know what it’s like to feel another man inside of you for 3000 long years? A wolf dude of all people slithering around in there without rest, just non stop?”
-Merrick to Cam
“MY GOD SHUT THE FUCK UP!”
-Cam yelling in the megazord mic
“Sounds hot…”
-Blake, Max judging him in silence
@augment-techs @skyland2703 @ninjastormz
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noemitenshi · 6 months
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laughing-gunslinger · 11 months
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Quickly sketched and colored designs for the three main and faceless Outlast protagonists!
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glimeres · 2 months
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youtube
The Hazbin Hotel Cabaret Hour
+ a little youtube playlist on the side
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personnage-neutre · 7 months
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November 20, 1957
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clark-hailey77 · 11 months
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Sarah Michelle Gellar - L’Officiel Fashion Book | Monte Carlo [June 2023] Photography by Tyler Patrick Kenny
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nerds-yearbook · 10 days
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King Tut made his first appearance in the Batman episode that aired on April 13, 1966. King Tut was the first villian completely created for the show. While Zelda the Great was technically a new character, her story completely mirrored a comic starring a different villian. ("The Curse of Tut", Batman, TV event)
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scowlsnwhiskey · 23 days
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a WIP of my new OC and SDV farmer, dallas cooper!!! 💛
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userlaylivia · 6 months
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ljblueteak · 1 year
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Paul McCartney on Sgt. Pepper. Photos by Michael Cooper
(transcribed below)
I came up with the title and went to Robert with some drawings for the idea of the cover. I had come to the conclusion that The Beatles were getting a little bit safe, and we were a little intimidated by the idea of making 'the new Beatles album.' It was quite a big thing: "Wow, follow that!" So to relieve the pressure I got the idea, maybe from some from friends or something I'd read, that we shouldn't record it as The Beatles.
Mentally we should approach it as another group of people and totally give ourselves alter egos. So I came up with the idea of Sgt. Pepper's Lonely Hearts Club Band and the song 'It was Twenty Years Ago Today', and I started mentioning this to Robert in our late-night talks.
The original concept was actually a little bit different from how it turned out. I'd always liked those floral clocks that they have at seaside towns; they have a little green bank and put flowers in the shape of a clock. The original idea was that it was going to be a presentation from the Mayor of Middlesbrough or somewhere. There'd be this floral bank and there'd be us there and then at other parts of the cover we were going to have all the band's heroes--they were going to be on a photo, maybe behind the wall or something.
So there were these two ideas that eventually got pushed into one and then I said to everyone, 'OK, who are your favourites?" Marlon Brando was one of the first choices, and James Dean, Monroe--all those obvious ones and then other suggestions started to come in. George came up with all the Hindus, Babaji was his, and then there were things like footballers from our youth, you know, we had little joke things--Albert Stubbins--he's a footballer and so he was in and then it kind of snowballed.
I took all these ideas, the floral clock, the kind of presentation by a mayor, these heroes of ours, and Robert and I went with them to Peter Blake. Peter had all these sculptures of little people around, because he was married to Jann Haworth at the time and Jann was doing all those surfers and things like John Betjeman as a teddy bear and all that, so they crept in there.
The famous flowers that started off as the floral clock then became a guitar and the word 'Beatles'--they weren't marijuana leaves, they just looked like them--and so the Americans thought "Wow, well, this is it, it's all happening." We started shooting the cover and people would say, "Oh, can I come, can I come?" and we let more or less everyone come along, but eventually it got to the point where we had to say, "That's enough!"
So Robert would get all this and he'd show all the Indian stuff to George; and there'd be H.G. Wells and Johnny Weissmuller, Issy Bonn and all those people, and Burroughs would have been a suggestion probably from Robert, and there were a few kind of LA guys that Robert had slipped in. He'd slip in people that we didn't even know but we didn't mind, it was the spirit of the thing.
I don't know how many nights Michael spent on it but we were only there for that one night, the last night. They did all this without us. It was very nice when we turned up and it was all done, but not as impressive as when I saw the cover; just actually looking at the set wasn't as impressive as seeing the finished cover.
Jesus and Hitler were on John's favourites list but they had to be taken off. John was that kind of guy but you couldn't very well have Hitler and so he had to go. Gandhi also had to go because the head of EMI, Sir Joe Lockwood, said that in India they wouldn't allow the record to be printed. We said "You're kidding, they'll love it," but he said no, so that was something the lawyers made us take off. There were a few people who just went by the wayside.
We went to Burman's, the theatrical costumiers, to have all our outfits made up and the Stones did the same for the Satanic Majesties album.
It was great. The main centrefold was originally going to be a drawing by The Fool--Simon Posthuma and Marijke Koger, Dutch artists who'd produced some surrealistic work. They depicted us all up in the clouds and it was all very very acid, everything everywhere, lots of colours--but Robert didn't like it as art and so he vetoed it. We said "No man, it's really good. We love it, we love it."
The shoes were made by Anello and David, which was the first place we came into contact with, and we got our lovely handmade Beatle boots there.
Robert and I went down to Peter's house and Peter developed it all from there. The lists were his idea, and all the cut-outs instead of using real people, and then the floral clock got changed around; but basically it was the original theme.
The 'Welcome The Rolling Stones' was something they put in. They sort of asked us if we minded and we said, "No, no, not at all." Peter organized a fairground painter to paint the drum as that was someone that he used to hang out with.
From Blinds & Shutters
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