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zarla-s · 29 days

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I was cleaning up some broken links on my old silly Pokemon fansite, the Neglected Pokemon Lovers Unite (NPLU), and I realized that it has now been open for 25 years. TWENTY. FIVE. YEARS. That is an ASTONISHING amount of time for a site to stay open! Even if the last substantial update was like back in 2009 lol. The world around it has changed so much, but I think it's still valuable as a time capsule of a certain time on the internet. I wrote up a new essay about it on the site and did some general clean-up here and there.

Anyway to that end, since so much of the fic and art there is so old, I decided to compare Radic's oldest form to his newest! Radic was always a human boy but I just couldn't draw humans at the time so I made him a furry lol. Eventually I figured it out.

I also thought it'd be a neat challenge to mimic my own style back when it was really wonky and bad. And it was! It was kind of fun actually. I don't have too many shots of Radic from back then (it was hard to get art on the internet in the late 90's-early 00's), but I do have a few - hugging Kitsune, two old kiribans if you want to compare. I had a lot more old shots of Parasects though to reference unsurprisingly, they were very triangular lol. I think I did a pretty good job of matching what my art used to look like. I had a clear see-through Gameboy back in the day if you can't tell what Radic is holding lol.

("Isn't Radic the faceless avatar of your gamer self as depicted in Handplates-" yes, but Pokemon!Radic is the only one that actually became his own character, all the rest are shells)

If you do go poking around the NPLU, please keep in mind that almost everything there is very old and most of the fic and art is pretty bad (and shockingly violent). Plz do not judge me! My younger self was a cringey weeb but she was trying very hard. :<

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#pokemon #z art #radic #callima #parasect #man i haven't drawn a parasect in ages i forgot how fun it is #my crabshroom babies #i always get tempted to just delete all the links to my old art but people always tell me not to #they like seeing it?? which always baffles me but i'm trying to accept that there's something worthwhile about them lol #radic is blind so he's not using the switch he's just holding it #maybe for red? idk #there was this odd stretch where i was using dot eyes #then switched to big anime eyes #then smaller anime eyes #then back to dots again #time is a circle...#i also used to use ^_^ CONSTANTLY #thus the ^_^ by old radic there #i've seen a lot of old web trends get revived but not hit awards/kiribans #for some reason #hit counters sure webring sure affiliates sure awards and adoptables sure #but celebratory things for reaching a hit marker? haven't seen a lot of those lately

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itspileofgoodthings · 2 years

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Good morning what are the movies or tv shows that traumatized you as a kid mine are the BBC production of A Christmas Carol and a handful of David Suchet Poirot episodes

#my dad always thought if something was well done it was appropriate for children #so we never watched the silly little kid version of things. The muppet Christmas Carol? My dad would N E V E R #anyway a Christmas Carol ruined Christmas for me for YEARS #i hated to think about it #and poirot was just. traumatizing #there’s one called murder on the links which involved a golf course at night which is one of the most terrifying locations I can imagine #also there’s one called death in the clouds #and poirot uncovers the murder because there are two spoons on the dead lady’s tray of airplane food #and the way he says ‘he picks up a spoon giving him the task of a waiter to carry out’#when explaining the murder at the end to this DAY sends chills up my spine #I know this is very obvious but the thing about fear is that it isn’t about logic or reason but it is about revelation #it’s like the flip side of moments of good and happy insight #at least for me #what terrifies me is a moment where some kind of evil is revealed in a blinding FLASH #a motive or (I guess) a ghost #and there is this presence of some malevolent entity underneath the reality of things #and something about it being SEEN almost more than it existing #is so scary. Like I.#Poirot uncovering the murder and describing it with such studied fascinated careful attention #pulling back the layers of a blind of one kind or another #shakes me to. my. CORE.#and it’s all so visual and instinctive. it’s one tiny little moment that doesn’t fit suddenly pulling back the curtain of reality #with such terrifying abruptness #makes me want to sit down and cry like a baby #the knowledge of evil doesn’t scare me. as in it doesn’t elicit an emotional/physical reaction of fear #but seeing it in embodied action. again. where it’s some tiny ordinary little detail suddenly ripping reality as you know it to shreds #the surprise of it. the recalibration it demands #I !!!!!!!!! Get so afraid

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luna-lovegreat · 3 months

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It's all "links meet aus" and "zeldas meet aus", but where's my "companions meet aus"?

I wanna see midna bash fi and navis heads together for annoying her

I mean can you imagine the sheer chaos of all the Zelda companions meeting and going on a journey together? They're all companions/guides! One of thems a talking hat for hylias sake how are they supposed to take initiative?

I think it'd be like Lu where they all just meet up, but can you imagine the chain just somehow finds out this happened (and twilight is just like guys I am so sorry about midna) (but they're also really oddly touched that all their friends met each other too)

Pretty sure midna would be the sort of leader, since the last time she was in a foreign world she just found the nearest dude and started ordering him around. By like halfway through twilight princess she was literally asking LINK to accompany her to get what she needed.

But like. 90% of the group would be fairies. Which can't heal. One is a talking hat who just needs a head? He can't go on midnas cause she throws him off with her magic hair, poor ezlo is just trying to keep up.

They also have these weird green shadows who come around? They don't talk, but there's a rock, a fish, a bird, and a lady who just appear and stab things and shoot wind water fire and lightning.

Also midnas really confused why wolf link just shows up and kills things every now and then (from botw amibo)

Fi is the one who can talk to Hylia and awaken memories and get guidance and information or whatever, but she only does this by ballerina dancing and the others are always pissed at her anyways "WE DONT KNOW WHAT BATTERIES ARE OR A WII REMOTE WILL YOU PLEASE GO BACK IN SWORD FORM ALREADY" "I detect there is a 90% chance you need a key to open this door" "wow. Your perception is unparalleled fi."

Also there's a boat. A boat. Who is also good at taking charging since he's a king, which causes some friction between him and midna, since she has to grab him by her hair to move him half the time.

And with the fairies. Again. They all offer advice mainly. And with the fairies a lot of their main role is speaking and getting attention and pitching in? They come on an intersection and there's a chorus of bells all shouting the same directions. Ezlo is trying to cover the kings ears from his place on the boats head

Also there's this ghost/spirit of Zelda that everyone just feels REALLY strong loyalty to. But she's just like this kid who wants her body back?! They try to protect her but she can turn into a purple knight and stab things so there's that. I think there's also some animal companions from ooa/oos so.

Side quests are nonexistent they don't care about a village or gathering frogs for a kid they are there to save the world on a mission linear plot it is

And it's interesting because you have so many of them who just vanish and then appear to give loud advice. All at once. And the fighting skills basically fall to those weird green shadows that shoot various elements and fight and randomly disappear. Midna and spirit Zelda can fight, and Fi can too (kind of like how she fights as a sword in hyrule warriors). Also up to you if midna is drop dead gorgeous or devilish imp.

By the end they find whatever enemy so they can go back and midna is so pissed by this point that she hears the word "batteries" from Fi and goes full on fused shadow and just obliterates the jerk

***I have not played all the games so do not know or understand all of the companions and probably got some stuff wrong

Bonus: there is a child in a village named Link who does not have the spirit of the hero. He is stalked for three days until Fi decides his vibes are off and they all stop telling him he's the chosen one

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theecholegend · 4 months

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Blind Legend AU

This is pretty much fanart for an LU fanfiction called What Hyrule hadn’t seen by @sky-squido

This fic is SO awesome I highly recommend it if you like angst angst and more angst, amazing character development, hurt comfort and a lot more! please read it if this is your kind of story and you haven’t read it yet. And if you have read it then maybe it’s time you read it again 👀

#I’m not going to but I could talk about this story for forever #part 5 of drawings I never posted #but it’s only Legend #linkeduniverse #lu legend #linked universe #linked universe fanart #blindness #Blind Legend AU #Echo’s artworks

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satoshy12 · 5 months

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Supergirl and the Phantom Pecs

It all started with a blind date for Kara, where she met Danny. He was a pretty good-looking man. And she liked to spend time with him, as he was funny, and she liked to talk to him. Well, Kara really likes her swimmer boyfriend. His pecs are massive! She gets why people always look at her as a counterpart, Powergirl, or something similar. Danny himself liked to talk to Kara; he hadn't had that much fun since he worked with Walker, which was an easy deal. All his villains are in his prison, with a few extras from the modern world. Danny had a Jack growth spurt, so he packed muscle and is much taller. His suit was even ripped by it, and he couldn't really use a new one. The way it ripped revealed his abdomen and chest. (google Shuumatsu Poseidon)

Wearing a new one It didn't work; he tried it. His ghost form doesn't take the clothes with him when he transforms. And after a while, Danny was too embarrassed to go ghostly anymore, so he rather walked around just like Fenton. And the one time he transformed was to save Kara from an attack by a villain while on a date. Danny:" Are you okay, Kara?" Kara:" Yeah, yeah. Why did you never tell me you could transform?" Danny sees where his girlfriend is looking:" My eyes are up here. And this is the reason." Kara still has her face in his chest:" I know, but still, I like it." Kara really likes her boyfriend's hero costume.

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lethal-spaceship · 20 days

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You know. I can't just give Zim high heels and not utilize this design decision to the fullest. Pose ref @draw-the-squad-like-this thank you for bringing the community all of the silliest pose refs < 3

#invader zim #dib membrane #zadf #iz au #iz #/I noticed that it was a “couple ref” only when I went back on the post to grab a link.#/lmao I'm so blind.

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comradekatara · 6 days

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I saw your toph+katara gender post and honestly... thank you for being one of few ppl i've seen who actually do a deeper analysis of toph? Most people tend to just go "i love toph she's cool <3" and while that's fine, its so nice to actually see someone Get Her. Esp wrt her gender expression and relationship to femininity. She's always been v imporant to me, like when i was like 12 i used to watch youtube clips of the toph+katara spa day scene on repeat and have Feelings abt it (still think its a super interesting scene??). Imo, while a lot of her expression is def rebelling (+overcompensating) and doing the oposite of her feminine upbringing, a lot of it is also a genuine JOY at being covered in dirt/burping/being loud and crass and tough? Idk i just feel like a lot of her contemporary "tomboy" characters were more defined as "ugh i hate Skirts and Dresses", but tophs brand of gnc joy and complex relationship w femininity always hit closer For Me? Like. She's loud and crass and rude and badass and cool, she does find it fun to dress girly but as like an Activity with a buddy, she's overjoyed at being portrayed as a big buff dude ("that's exactly how i would cast it!"), she's actually very spiritual and perceptive when not in Loud Mode, she keeps her fancy hairstyle but adds messy bangs, idk she's just. Character of all time. I'd love to hear if you have more thoughts on toph+gender (or just toph in general), and thank you for actually Understanding Her <33

YES!!!!! i have so many thoughts and feelings on toph. she is one of my absolute favorite characters i truly love her so much, and like you said, i hate when people dismiss her even as they claim to love her. "she's so badass" like okay, and?

toph is also just very important to me as her disability informs so much of her arc. and that disability is also inextricable from her gender and her family and all the factors that shape who she is, her strengths and her insecurities. you cannot separate her parents' abuse from her gender, class, or blindness. it's the combination of being an aristocratic blind girl that informs who she is and how she's perceived, especially by her family. she's an only child in a family that would clearly desire at least one son, and you cannot help but wonder whether they stopped at one for eugenicist purposes, whether they couldn't bear the "pain" of risking having another disabled child. and also because they clearly consider having a blind child such a handful that any other child would draw their attention away from her dire, pressing needs. so they completely smother her, but they also dismiss her, trivialize her desires and ignore her feelings and treat her more like a fragile porcelain doll than a person.

it's why, by the time of "the chase," she gets inordinately defensive over katara's suggestion that she pitch in when setting up camp. i see a lot of people claim that toph in this episode is acting like a spoiled brat who refuses to do manual labor because she's too wealthy to understand, but that's not actually the case. toph is fine with doing manual labor (she literally spent who knows how long working in an underground wrestling ring, she's not unaccustomed to work), but she's averse to helping others. as she says, "i carry my own weight." she's establishing, erroneously but understandably, that her idea of affording others respect is assuming that everyone behaves on an individual basis. she's never had friends before, by her own admission, and so in her mind, the only model she's ever seen for "helping others" is smothering them, denying their agency, and deciding everything for them.

toph thinks that katara is a bitch because katara is suggesting that toph meddle in other people's affairs, instead of respecting their own business. and katara thinks that toph is a bitch because she does just straight up assume that toph is a spoiled brat who doesn't understand the value of community. and while toph isn't a spoiled brat, learning the value of community is indeed integral to her arc. and more than simply communal values of helping and sharing with others, she also learns to rely on them in turn. she learns how to embrace her vulnerability, and let others carry her weight for her. her apotheosis in the finale is literally hanging onto sokka, who is holding her entire weight with one hand, for dear life. putting her complete faith in him to carry her and protect her as he always does.

that ability to embrace her vulnerability among the people she actually trusts to not only love and support her, but also to recognize her as a human being and care about her as a a peer, is so crucial to her identity as someone who has learned from years of ableist stigma to put walls up and present herself as someone uniquely powerful and invulnerable. and it's not that she isn't uniquely powerful, but her strength is also largely a projection. it's why she's so delighted to be portrayed by a big buff man, because that's the kind of person she wishes she could be, so that she wouldn't have to be underestimated and belittled and oppressed by people who dismiss her and coddle her and disrespect her and, quite literally, put her in a box.

so if toph's experience with disability is informed by her class and her upbringing, then let's now turn to her experience with gender, which is equally informed by her background. katara often balks at toph's less feminine presentation, because despite her incredibly righteous crusade against limiting patriarchal standards, she nonetheless has her own hangups when it comes to gender. but then again, so does toph. just as katara disdains toph's masculinity, toph finds katara's femininity offensive because her only real model for femininity in her experience is that of aristocratic wifehood. poppy beifong, to be exact, who is not exactly a girlboss (let alone a revolutionary, like katara is). and when katara tries to shove toph back into a box, toph resists because of course she does, that's who she is. she's not going take what she experiences as violent repression lying down.

toph is wrong in "the runaway" to exclude katara from their fun, and she is wrong to call compare her to a mother, but it's not out of nowhere. there is an obvious precedent to these actions. katara is a genuinely feminine girl who loves to boss people around and dictate how they should live their lives. to toph, this is the most egregious sin imaginable. katara, through her femininity and authoritative attitude, is positioning herself, in toph's eyes, as her mother. and toph calls her out for being overbearing and claims that katara hates fun and wants to boss everyone around for this reason, even though sokka is obviously the primary fun-hating, overbearing member of the group.

however, sokka never dictates how toph should act or dress, sokka never made fun of toph for being blind (which is a thing that really deserves its own post, if we're being honest). sokka makes them spend their vacation time at the library and enforces his color-coded schedules on them and generally brings down the vibe what with his neuroticism and severity, but he also laughs at toph's jokes and banters with her in a way that treats her as a friend and not as a rival. and unlike katara, whose desires and commands seem completely arbitrary to toph, sokka's commands are grounded in a logic that toph can understand. so even if from an outside perspective, toph's claim that a revolutionary teenage girl who loves to cause trouble and seeks adventure and joy around every corner is trying to be the overbearing mom of the group makes no sense, it makes perfect sense to toph, based on her history with femininity, overbearing mothers, and feminine overbearing mothers.

toph presents masculinely as compensation, as a way to make herself seem strong and tough instead of dainty and submissive as she was always made out to be. she associates masculinity with strength and femininity with weakness because that's the paradigm she grew up in. it's why she's always teasing aang about his supposed femininity and calling him "twinkle toes" (which, as sokka points out, isn't manly). in their first interaction, aang beat her in a fight and humiliated her in front of all her adoring fans, and avatar or not, toph's gonna make him pay for that by undermining him in turn, by using his presentation as a monk to mock him. even if aang isn't gay or even gender non-conforming (within the assumptions of his own culture), toph is still employing the logic of sexism/homophobia to undermine aang when she makes jokes about him being "more in touch with [his] feminine side than most guys." and of course, the nickname "twinkle toes" is also deeply affectionate, and aang (bless his heart) never actually takes offense to it. but toph is trying to establish herself as more powerful than him due to the humiliating knowledge that he could beat her in a fight, easily.

toph's masculinity is inextricably tied to her invulnerability. she wants to be taken seriously and treated as a human being, which is respect that has been denied to her due to her status as a blind girl, save for her blind bandit persona, which superficially empowered her and made her feel strong. it's not coincidence that her rival earthbender is a guy who is essentially a parody of masculinity. toph wants to position herself as equivalent, if not directly superior, to the Most Masculine Man, because that's how she'll be afforded respect, in her mind. but she is a girl. and there's a part of her that likes being a girl, and wishes she could explore her femininity more than she's allowed herself to, beyond the confines of the beifong mansion. she keeps her hair long because she still loves her family and holds out hope that maybe one day they can accept her (she comes from a culture modeled off of tang dynasty china, so her long hair is likely a product of her adherence to confucian values). and once she embraces it, she genuinely does get into being made over at the fancy lady day spa.

femininity has been a genuinely harmful and repressive agent in toph's life, and it's understandable that she would internalize some misogynistic notions surrounding girl/womanhood as they were foisted onto her her entire childhood. but femininity isn't ontologically harmful. femininity isn't ontological, period. i think as toph gets older, and her friendship with katara grows deeper as they both come to be more honest with each other, she would grow to embrace her masculinity in a more organic and less compensatory way. less of a "i'm not like other girls" complex (which itself is not something that girls should be mocked and punished for, but rather a product of a patriarchal system that oppresses and alienates women, thus leading many less gender-conforming girls to attempt to assert their agency and individuality in any way they can, even if it means putting down others in the process), and more so genuinely coming to embrace her butchness. (you don't necessarily have to read her as a baby butch, of course, but considering that being a masculine girl is important to her, i think that's a really lovely and beautiful synthesis of her relationship to gender as a character.)

i think toph would learn stop pitting masculinity and femininity against each other, and instead embrace whatever aspects of either (or neither) she desires, while nonetheless respecting everyone else's deal in turn. i think she would also, in a key turning point, realize that even if she loves her parents, she doesn't have any obligation to be the daughter they expect her to be, and cuts her hair. and as she grows more secure in herself (which comes with age, no twelve year old is truly confident in their own skin), she would stop feeling the need to put other people down to feel big, and be comfortable embracing her desires. and, credit to her, she's clearly already on her way. the progress she makes being vulnerable, especially around sokka, even in what is chronologically a matter of months, is huge.

toph isn't just "badass" because she's strong and powerful. but rather, what makes her so powerful, at least to disabled viewers who see their struggles reflected in hers, is her ability to grow with her environment, allowing herself to admit help, and letting herself be loved. if you couldn't already tell, toph is incredibly important to me.