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#Boku No Hero Academia meta
humangerbil · 1 year
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On the tddkbb server we were discussing what the foods were at this dinner and I might have gone and gotten invested in figuring them all out.
Lots of images, with more below, to flip back and forth between as needed. Clean image, followed by numbered images. Numbers are per dish, which sometimes there are multiple of the same one.
Shumai - I would guess the pork variety since that is the kind that I always see with the pea on top. I wasn’t actually sure about this one until I looked at the manga panel and saw that the little cylinders are more wrinkly than in the anime, like they should be.
Mapo Tofu - Bakugo yells about this dish.
Hambagu or hamburger steak - This one I’m about 95% sure about. It’s got the salad and tomatoes there and I really can’t think of anything else it would be but I might be wrong. 
Leeks - This is a best guess. It could also be a cucumber dish or something else. But the way it is alone and the pieces are long makes me think leeks are most likely. Other ideas welcome.
Cabbage Rolls
Gyoza - This one I wasn’t sure about until the anime gave up the close up of Midoriya eating one, see below.
Tamagoyaki - I wasn’t sure about this one from the table spread shots but the fourth image and the manga panel shows the spirals very clearly giving it away. There does appear to be a minor animation error on the fourth image where the plate changes to white from black but mistakes happen.
Tatsutaage - I would have guessed karaage from the images alone since they are very similar dishes but Midoriya actually states the name of this dish when he is praising it.
Negiyaki or Okonomiyaki or other Okonomiya-related dish - This one I’m just guessing. In the first and second image it is shown cut up, in the close up shot it looks too flat and thin to be any of these but I can’t think of anything else it might be. As can be seen in the 9?s on the manga panels could be the same dish but neither really looks like anything specific. I think 9? blue is the same dish but they did change things between the manga and the anime so it’s really just a best guess. If anyone has any other ideas what this dish might be please tell me.
Salad - Nothing exciting here just a simple salad with some cherry tomatoes
Soup, probably Miso - Miso soup would be the standard and it’s the right color for it but there are other options it could be since it is never said to be any specific type.
Rice - These are also their serving bowls, the take food from the spread and add it to their rice bowl.
Dipping Sauce - I haven’t been able to divine what kind of sauce. I’m leaning towards tartar sauce since that would go with the tatsutaage and the color sorta matches. It might also be shabu shabu but that wouldn't be chunky looking like this is. I would have assumed green onion sauce but it’s the wrong color for that and much too chunky looking. These could also be dishes for eating things without rice and they have some mapo tofu in them. If anyone has any other ideas of what it might be please let me know.
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It's very clearly gyoza from this image.
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And lastly, I give you my final point of this post.
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Dabi hates fish. Fuyumi made this huge spread of dishes and didn't make one fish dish. Not a single one.
I'm gonna forever headcanon that Fuyumi doesn't cook fish because Touya hated it.
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selenestarmoon · 10 months
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Do you remember the panel in which Himiko bites her wrist while she sleeps?
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It turns out that this panel occurs right after, here Himiko's parents saw how their daughter woke up after biting her wrist in her sleep but instead of showing concern for their daughter's well-being, they took her to a doctor to treat her bite wound or try to heal it themselves, or even ask "are you okay?", "what happened to you?" or "how and/or why did you do that to yourself?", they simply say that she's rotten to the core, leaving Himiko's physical or emotional well-being aside. And the fact that Himiko biting her wrist in her sleep is an analogy to self-harm makes this situation and the behavior of Himiko's parents and the upbringing they gave her that much worse.
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This shows once again that Himiko's parents never cared for her daughter to the point that they saw her as a monster as an excuse for their psychological abuse and neglect of her emotional and physical well-being and that all they care about are appearances.
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linkspooky · 1 year
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MY HERO ACADEMIA, CHAPTER 375 THOUGHTS
Right before Toga disappears we see Uraraka express regret that they still haven’t talked about love. This also parallels Shoto’s attempts to get Toya to stay with him rather than go after Endeavor. However, I think it’s important to remember that neither of them were actually trying to talk that much with Toga and Toya before that point. This is just as much a regret that they didn’t get the opportunity to talk, as it is a taunt to keep both Toga and Toya fighting with them so they can stay and be defeated. Which shows why the kids failed to keep them there, and also the butterfly effect that created this situation. More under the cut. 
1. The Butterfly Effect
It’s significant that the flames from Toya and Shoto’s fight, as well as Endeavor’s is what’s referred to as changing the weather so significantly that it’s brought about a sudden rain event. Afo goes on to add that it’s the emotions of Spinner that the heroes underestimated that allowed the villains to change the tide and create the right circumstances for the sad man’s parade. 
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Endeavor, Enji, and Toya’s flames have always been a metaphor for their feelings, Toya is implied to have kept himself alive through a pure blazing grudge, Enji’s habit of overheating is a metaphor for his destructive and violent nature, Shoto has difficulty controlling his flame side because he has trouble reintegrating his father’s childhood abuse into who he is currently and trying to grow up as his own person. 
Toy’s blue flames are powered by his emotions, the quirk evolution that turned his flames blue happened when he started crying, the flame that burned him alive and started an entire forest fire happened again when he was crying. 
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So flames = emotions, the emotions of everyone involved in this fight is so significant it’s literally changing the weather, and to top them all off, Spinner’s feelings have changed everything.
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The current situation like a butterfly flapping its wings, is created by the feelings of one individual, and Hero Society as a whole has the habit of trampling on individuals in order to uphold the greater good of society. It is essentially the logic that Hawks used to justify the killing of Twice, he as an individual couldn’t be allowed to live because of the threat his quirk presented to all of society. 
All of this a long prelude to, before the fights itself not only have the villains made multiple attempts to have those feelings understood, and the kids have expressed interest in trying to understand what those feelings are. 
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However, it’s incredibly important that at the same time, those same kids have then repeatedly tried to squash any attempt to sympathize with the villains they have inside of themselves, by remdining themselves of the destruction the villains have. Deku and Uraraka both mention seeing Toga and Shigaraki’s crying face, Shoto mentions he literally knows nothing about Toya even his favorite food. 
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Then they immediately go back to squashing those thoughts. It’s important to realize the kids are actively trying not to sympathize with the villains, because it’s easier to just see them as villains and clears doubt from their head. This idea of crying is brought up by Toya too “whether you’re crying or smiling doesn’t matter”, the deeper meaning of that statement is that the people they are fighting against just don’t really care about what face that they are showing the world. Remember, Hawks actively dehumanized Toya’s mourning of Twice his friend, by insisting he couldn’t care because he was smiling even though Dabi literally cannot biologcally cry due to his burn wounds. The outside world just doesn’t care what kind of emotions they’re having, so might as well be strong and show a smile. 
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All of this to say, the villains right now are the individuals the butterfly effect is referring too, they have continually been pushed down and insisted their personal grievances of society doesn’t matter because they are threats to the whole of society. But the butterfly effect statement reflects what Toya says to Hawks. A single person with a single conviction has the power to save the world. The collective isn’t all that exists, individuals are still important. 
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All of this to say, the feelings of all the individual villains matter. All of the attempts to shut them up for the sake of the collective good have only backfired. We see this pattern repeated, Shoto, Uraraka, and Deku express an interest in what the villains feel only to just resort to physical violence. 
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However, they never even act on their expressed interest to talk. Shoto asks Toya why he didn’t come home, and then proceeds to beat the crap out of him. Uraraka tells Toga she’s been thinking about her, and then proceeds to beat the crap out of her. Deku asks if Shigaraki is still there in the body possessed by AFO, but then doesn’t do anything else but beat the crap out of him. 
It’s not even that the villains didn’t reciprocate, Toya said very clearly that he still wanted to come bac home after being burned alive and only gave up when he thought his family had moved on without him, Toga was still trying to ask Deku to understand her and even says aloud that heroes are the only ones they count as real people and villains aren’t even considered human. Shigaraki breaks free from AFO’s control a couple of time and shows clear distress. 
Which is why I want to clarify, the villains themselves are giving clear hints that they don’t actually want to destroy, Toga hints she wants acceptance more than revenge against Hawks and the heroes, Toya makes it clear that there’s still a part of him that wants to go home (he literally tried to) Shigaraki still exists within AFO-Garaki. It’s the kids themselves that didn’t try to show them there was still a chance for things to go different, the plan wasn’t to talk to them ever the plan was to beat them up.Which is where we get to this chapter.
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This isn’t an attempt to get them to talk, this is an attempt to get them to stay and fight. In fact during the Uraraka fight itself Urarka didn’t try to talk to Toga at all, the plan wasn’t try to de-escalate or try to understand Toga the plan was to sick a bunch of heroes on her at once and then... beat the crap out of her.
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It’s even confirmed in the chapter itself, Toga’s incredibly impulsive and emotoinal, she’s not really a long term strategy or big picture girl. Yet, she survives in the fight despite being vastly outnumbered because she had to. It was the heroes attempts to just beat Toga down that forced her evolution and made her into a more cunning villain. A different strategy would have probably thrown her off of her game, but Uraraka had all the time in the world and didn’t even try it. 
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Which is why the one hope the heroes might have right now is Uraraka getting thrown into the combat scenario with Toya, Enji, AFO, HAwks and now Toga. As none of those heroes except for Uraraka have ever expressed any interest in talking in the past. 
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However, part of me wonders if Uraraka herself is going to have to actually question and challenge the adults present in order to actually get the character development where she acts on her feelings and desire to talk. (The feelings you’ve locked up inside...) those feelings are the only chance to turn the tides. THe feelings of one crying girl (Himiko Toga) have created this disaster, and the comfort given to one crying girl can be what stops it... 
However, I want to keep in mind that there is a reason all the kids have been suppressing their desire to talk with the villains, and that is their hero worship of the previous generation. Hawks makes it clear what he wants to do to Toga now that Twice is back (Kill her). The kids so far haven’t questioned the wisdom of the adults so far and that is what directly has led to repeating their mistakes. After all, Toya is here because SHoto agreed that despite Enji being the one who abused Toya, it was totally okay for him to have to skip any kind of confrontation with Toya and just leave all the responsibility up to Shoto. 
Toya bee lined to Enji, because Enji abandoned him for like the six millionth time. Toga herself, wants to target Hawks, because Hawks expresss no remorse over Jin’s death at all and given the chance would kill him again. Toga wants to fight Hawks, because she’s said several times Jin was someone important to her and his death is something she is still reeling from and mourning, and not even a single kid hero seems to question the fact that Jin was murdered in cold blood and Hawks the murderer went free. Toga pretty much told Uraraka to her face that Jin was someone incredibly important to her, and then later on that heroes just don’t see villains as people and Uraraka herself saw the broadcast that Hawks murdered Jin when his back was turned. Nobody else has acknowledged that Jin doesn’t deserve to die (not Uraraka and not Tokoyami) and therefore Toga’s grief for him is completely invalidated. 
Like, yes I think Toga killing Hawks and continuing the cycle of revenge would only make things worse. However, in the eyes of the heroes and even the kids (Uraraka and Tokoyami) Hawks did not do anything wrong in killing Jin. There’s no way the cycle of abuse can be stopped, if the cause of that abuse isn’t even addressed in the first place. 
Which is why the kids have to disavow the elders. They are the reason so far the kids haven’t been able to act on their desire to talk. Every time the kids have expressed a desire to talk, they completely squash it, and despite thinking they might be able to talk these people down they go along with the plans of the adult heroes that are essentially “Beat ‘em up.” Shoto decides to go along with Enji’s plan to just leave Toya entirely to Shoto, and abandon him yet again. Deku wants to save Shigaraki, and yet he builds a floating coffin and death trap in the sky with all the adults and just pummels him. Uraraka wants to talk to Himiko and yet the plan for fighting her is essentially just to have several heroes against one girl until she’s too exhausted to either run away or fight back. 
The kids have expressed an interest so far, but they haven’t changed. This chapter is about the power of the individual, the only way the world is going to change is if the kids stop going along with everything the adults tell them and learn to think for themselves. 
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imaginarylungfish · 9 months
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I've read a lot of meta to understand Izuku and Katsuki's relationship. I never really understood Katsuki's side. But I think I've got it now. I am slow to understand character interactions sometimes (I'm neurodivergent), so please bear with me! I am also open to any corrections! Ok, this is what I understand as canon:
Katsuki thought Izuku was always a better hero (personality wise) than him when they were kids/growing up (ie. Izuku always wanted to help others, even Katsuki). Katsuki was so insecure about this because he wanted to be the best hero. So, he constantly put Izuku down in typical bully fashion.
He was so annoyed, mad, and hurt when he found out Izuku had a quirk when Izuku passed the entrance exam. He felt lied to and betrayed since Izuku always said he was quirkless. This (Izuku getting into UA) was another conformation for Katsuki that Izuku was better than him. Katsuki used to think he was automatically better than Izuku because he had a quirk. Katsuki thought that even though Izuku had a hero's personality and will, he would never surpass Katsuki because he was quirkless. But reality changed once Katsuki found out Izuku did actually have a quirk.
Then, when Katsuki found about All Might, both their childhood hero, passing down OFA to Izuku, Katsuki was heartbroken in another way. His hero (AM) recognized what Katsuki saw all along: Izuku is a hero (and maybe even a better one than Katsuki).
But this whole time, Izuku just admired Katsuki for his persistence and quirk. He thought he was amazing and wanted to be like Katsuki. So he fought tooth and nail to be on Katsuki's level. This was seen as threatening to Katsuki for the reasons above.
So essentially, both think they are inferior to the other and are trying to "catch up." But maybe they've realized neither is better and they're just different? Idk that's all I've got for now.
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die-mitri · 1 year
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Some Pre-DvK2 Bakugou Analysis!
Word count: ~4,100 (sorry lol, TL;DR at bottom)
Reading time: ~15 minutes
Note: I made lots of words bold, italicized, or colored and with a lot of paragraph breaks to make this more readable for the bitches with ADHD out there. I see y'all and I can't read either. Sorry if this makes it harder to read for others 🤷🏽
I'm in the process of trying to start a bkdk fanfic and make it as in-character as possible by trying to relate to the characters and get in their heads. While I relate heavily to Bakugou, he's also a character that's very hard to understand.
What I mean is that I relate to a lot of Bakugou's base instincts and thought patterns, but the things he gets upset about in-canon make little sense to me. To try to get into his head I've had to do a deep dive on myself and all the things I've been upset about in a similar way he has been, as well as to understand why I've felt justified acting so similar to him. Considering most people act in ways they feel justified in, I need to analyze what about Izuku would make me so bothered by him, that I would treat him the way Bakugou does. If I can tap into that feeling and try to distort my thinking and apply it to his specific situation, then I’ll have an easier time writing this mostly canon-compliant fic.
I'm gonna use myself as a reference for his behavior and will be talking about a time when I was much a worse person. I've since grown a lot and realized how wrong I was, so please keep that in mind and try not to judge 12-15 year old me too harshly. The stories I use will have fake names for the people involved to help you keep track of them.
None of this is meant to justify the way Bakugou treated Izuku, and is only meant to try to understand why he did it in a more relatable/realistic, less anime-dramatic nonsense way. Mostly, so I can replicate his thought process for accurate fic writing.
I'm gonna address this analysis in 5 different bits: fear, anger, pride/shame, building a persona, and the conclusion.
Let's go!
FEAR!
Bakugou struggles with being seen as weak/incapable. It's DIFFERENT from his superiority complex... Although connected.
It's my belief (backed up by canon) that Bakugou's relationship with his mom has affected his perception of strength and worth; and that because of her, he's attached his identity to his strength, which he felt made him more secure and better than other people. To be weak, is to be pathetic, is to be humiliated. To be clear, I don't think he did this consciously. It was just that kind of thing that seeped into the way he thought and because of it, he tried to fortify himself against any and all vulnerability. Which leads to the bullying/ “Better to hunt than be hunted” mentality. As well as his black and white thinking. If his way is right, everyone else’s must be wrong and anything that challenges his limited world view is a threat to his very being. If his strength doesn’t matter, or isn’t the best, then who is he? That’s a scary thought to me too.
It's a similar story with me, just switch the parent. My dad is a man of principle and one of his principles is that you should not be a pussy and always be the smartest person in the room. I attached my identity to being right all the time and always standing my ground. I’m sure you can guess how fun I was at parties.
So I refused to let others see when I'd actually been hurt and hated the idea of being seen as pathetic or weak. I also couldn't accept that I needed help sometimes. I wanted to be unshakable and plow through everything. 
A ridiculous outcome of that, is that I used to hate apologies in any direction. "Don't apologize to me, I don't need your help getting over this. I won't apologize to you bc that means I was thinking about feeling bad about what I did and you can't know that." 
In truth, I didn't mind being wrong, just looking like I cared. 
That’s the heart of it. I cared a lot less about the values I had, and a lot more about how scared I was to be seen not fulfilling them. It’s embarrassing.
Another, much stupider example of this in my life is that I hate being babied. Even by people who look up to me or respect me as equals.
Once at summer camp I had some friends fuss over me about something. I can't even remember what it was anymore, probably wearing sunscreen. I just got so upset. I was like "I'm not a fucking kid, I can take care of myself. Don't try to help me bc there's no reason I'd ever need help." In retrospect it was seriously not a big deal, and they're both friends that I love dearly, but my own issues with having people take care of me got in the way of me perceiving their affection like a normal human being.
Bakugou is the same about needing help and would rather die/lose than be seen as pathetic/vulnerable. Like he said during their dual exam that not even having the choice to destroy himself in order to have control win would be unbearable. If his strength isn’t enough on its own, then he is not enough.
I think this particular issue is made worse by his poor impulse control in regards to Izuku... (With everything else, he's very calculated, which I talk about more in the "creating a persona" section).
In general, I think Bakugou is just very scared/uneasy about his place in the world (that he’s not enough or that he’s been wrong the whole time [see: kacchan vs deku part 2]) and he covers it up with…:
ANGER!
Bakugou doesn't have a hard time not just being mean, but being cruel. There's little hesitation in going for the throat when it comes to insults and mind games. The same goes for me BUT only when I really dislike someone.
There was one time I was mean to some kid who was weird and pushy with me because he thought I was cool. He was not a bad guy, he just couldn't take a hint and wouldn't leave me alone. Let’s call him Liam. One day Liam made some joke and no one in class laughed. He said something like "tough crowd", and without hesitation I told him he just wasn't funny. It's not exactly bullying, but he probably felt bad about that for a bit.
It was mean tho, right? I did it cuz at the time I just wanted Liam to dislike me enough that he'd leave me alone. Sounds familiar, huh?
It was not the first or last time I acted like that. I want to highlight that I did these things feeling justified (even though I probably wasn't), which is the key component to understanding why Bakugou was so mean to Izuku in the beginning. It wasn't so much about power, as it was about getting Izuku to leave him alone for good. To get somewhere he didn't have to worry about being bothered by him ever again and follow his dream at the same time. You know, like UA? The last possible place you'd find someone without a quirk?
I think it needs to be made INCREDIBLY clear that Bakugou sees Izuku as a fundamentally different person than we, the fandom, do.
To him, Izuku was some weirdo who wouldn't leave him alone, made him feel nervous/stupid, was generally uncool and annoying, and acted like he was better than him. (let’s not forget that Izuku was quite the stalker for a while??) It doesn't matter how wrong Bakugou was, Izuku still made him feel that way and that's a good enough reason to try to get someone to leave you the fuck alone. I know I would. I mean I literally have.
There were multiple kids at my school who freaked me out/ made me uncomfortable and I wasted no time in getting them to fuck off as quickly as possible. I'm sure most of us have similar stories and definitely seemed like one of the bad guys from their point of view. (Especially given that a lot of these annoying kids were probably well-intentioned and just made you uncomfortable)
The following stories are unnecessary to understand my point, but I just wanted to tell them. Feel free to skip over it.
There was one kid in my grade who was around me a lot. Let’s call him Isaac. We walked home the same way and had a few classes together. There were two times I remember getting annoyed enough with him to actually snap at him.
One time was when Isaac tried to hide behind me in a gym class during dodgeball and he touched my shoulder or something. So I turned around and shoved him to the ground and told him not to touch me. He slid on his ass for a sec. I'm sure he was a bit embarrassed and looking back, it was mean. I could have just asked him not to do that politely.
The other time I remember, we were in science class and we were always sat at the same table because the teacher said I was best at handling the "annoying kids" (which is kinda a crazy thing to say to another student). Regardless, Isaac wouldn't stop talking and just overall bothering me. I might be misremembering this part, but I'm pretty sure he had come behind my chair and touched my shoulders again. So I got up and yelled at him. I told him to leave me the fuck alone and stop being weird. My teacher came to check up on me, not him. Asked if I was okay and if I needed help to beat someone up (jokingly ofc). But maybe I was the bad guy here. I could have asked a teacher to reseat me or told Isaac he was making me uncomfortable, but I didn't. I did what would make him leave me alone the fastest. And he did after that. For the most part at least. We still ran into each other on the walk home and would make conversation. Isaac annoyed me, but I didn't hate him, I wasn't close enough to him to. HOWEVER, had he been annoying me since I was FOUR?? I'd probably beat his goofy ass up just like Bakugou did.
AND If I found out later that he was like secretly the president's son and was only letting me push him around to hide his identity? Not only would I be mad, I'd feel so fucking stupid and embarrassed. AND IF HE FOLLOWED THAT UP WITH SOME BULLSHIT LIKE: “no, no, I was only recently adopted by the president bc I'm destined for a future greater than yours.” Are you kidding me??? I'd fuck some shit up. Punch some walls or somethin.
Like what makes you of all people think you’re better than me? You’re just some kid with ideas of grandeur. Get away from me or get hit bitch. 
I'm not saying Bakugou's right, only that I get it. He uses anger to cover up all the feelings that make him feel unsafe/uncomfortable/embarrassed. As do I. Annndddd a lot of it is about… (say it with me…)
PRIDE & SHAME!
The infamous superiority/inferiority complex. This is mostly spelled out for you in canon, so I’ll only talk about the parts that interest me the most.
We already know Bakugou doesn't like being looked down on. It enrages him. It's a pride thing. Pride is inherently attached to shame. You care less about using pride to cover up your shame the less shame you have to cover up.
No matter how hard he tries, Bakugou can't be all he expects of himself. He cares that the anger he uses to hide his discomfort makes people dislike him. He's embarrassed that he cares at all and it makes him feel like he's weak. Only a loser would let that get in their way... That vulnerability eats him up and makes him feel stupid and it all becomes a circle.
Gotta be strong > uses force to exert his strength > ppl dislike him for it > he feels hurt > he shouldn't care what they think > need to get stronger to handle it.
THEN he lost to Izuku several times, got kidnapped, AM lost his powers because Bakugou needed saving, and failed to get his hero license.  (AND HIS MOM PICKS ON HIM ABOUT IT WHICH DOESN'T HELP) He had to reckon with the fact that his way is wrong. But he's so caught up with attaching himself to the part, that it's very hard to let go. He'd have to change his entire world view and identity.
This post discusses the way he reckons with the cognitive dissonance that comes with his strength having nothing to do with what’s “right”. I'm a really big fan of the concept of Bakugou trying to use his physical strength/lack thereof, to make sense of his emotional weaknesses and lapses in logic.
I didn't want to cheap out on you and leave you without an embarrassing personal story for this bit, so I really had to dig for a story mostly about pride/shame because I feel like this section is mostly about what causes the fear and anger. Pride/shame is a common denominator rather than its own point… but here I go anyway.
When I was 14 I made my math teacher cry. She was kinda a bitch and deserved it a little bit, but I still feel kinda bad in retrospect.
I’ve always been a shit student, which didn’t bode well with the whole “smartest person in the room” deal. It was embarrassing to know that it didn’t matter how smart I was, I could never sit still and think long enough to finish my school work. And yeah, you bet my dad made me feel like an idiot for it. So I took some of it out on my teacher. 
It felt justified making her cry because she had always had it out for me. She was rude the moment I walked in the door, she refused to sit me up front so I was never able to read the board, she resented us because she wanted to teach the “smart” kids, and she always made sure to tell me how much I sucked in front of the whole class.
Now the thing about being the rowdy annoying student (especially in the lower level classes) is that most of the kids in class agreed with you. The teachers normally assume the worst about lower level students and were complete dicks, so you can be sure there was almost always animosity and distrust in class. Every time I gave a snarky response or talked over her, I was met with snickers and fist bumps. Maybe she, my Dad, my shame made me feel stupid, but the attention from the kids in my class sure fed my ego.
As bad as I feel for making her cry, I still tell the story with pride. She didn’t break me, I broke her. 5 years later and it still feels good to know that I walked away mostly unscathed, and she quit her job. I was so sick of feeling stupid, but I still do, otherwise the story wouldn’t feel so good to tell. It might not be a thing I’d do to a teacher ever again, but that doesn’t mean I don’t wish I could sometimes. Shame is more powerful than the shield of pride; and both of them are nasty habits.
I think pride and shame would be the hardest traits for Bakugou to let go of. Truthfully, I don’t think he will ever fully abandon those traits. They’re fundamental to his character and are the driving force behind his pursuit of being the number one hero. Which is also a primary factor in what pushes both Bakugou and Izuku to grow as heroes. They wouldn't be themselves without it.
Conversely, part of what drives them to grow as people is Bakugou being honest and letting go of…  
THE MASK HE MADE!
Perfectionism, control, and the persona he created...
There’s the way that Bakugou is and the way he wants to believe he is.
Most of fans think of bkg as the person he wants to believe he is. This fake version of him is undeniably strong, laughs in the face of danger and hurdles, is mean without regard because he doesn’t care what anyone thinks of him, and knows EXACTLY what he wants.
Let’s talk about the mask I made which I'm just starting to let go of.
I’ve run away two times in my life. Once when I was 12 because I hated my life, and the other time when I was 17 and wanted to make my dad angry and worried. Both of them had to do with fear, anger, pride, and shame. But both were done to break away from the mask I made. 
The first time was done because I was scared I’d be stuck with my Mom and siblings forever, always taking care of everyone and managing all the emotions in the house. I was angry that it was all my job and I had to do it all alone. I was an idiot to think I could handle the world alone as a runaway but I was impulsive and stupid. I wanted to be seen as a loose canon. Too often – and because I had gone out of my way to be seen as such, I was seen as dependable; like I could just keep taking the pressure and never crack. None of it was true. I was scared and weak and I was collapsing under the weight of my family’s problems. So I took everything and left. I just finally wanted my Mom to see that I wasn’t okay. In the end, it didn’t work, so I moved away from it to live with my Dad… Which caused its own set of issues.
The second time I ran away was the day of my high school graduation. I hardly got any days to celebrate myself. Including my birthdays, which were often excuses for my Mom and sibling to invite their own friends over. Once my birthday was forgotten all together. All that to say, I was excited to have a day for myself. As I’m sure you can guess, the day didn’t go as planned and I was sidelined for the entirety of it. When I finally got home, I went to vent to my Dad about it which didn’t go well. To summarize, he told me I was pathetic and dramatic. So I was like “Fine. Clearly no one here gives a shit about me. I’ll just leave without a word.” So I left the house, called a friend for a sleeping bag, and set up shop between a garage and some train tracks for a night.
My intentions are still a bit unclear to me, but from what I remember, It was fear that I truly wasn’t cared about, anger for all that I had lost in order to protect the mask, and shame that I thought they’d care; as well as the fact that I was hurt by how little they cared. Above all, I wanted to make my family feel bad for pushing me to the point that I thought that running away would be the only thing that got to them. It didn't. I came home the next day and no one said anything.
I had given so much energy trying to be steadfast, confident, strong, but on the two occasions I had broken those patterns no one noticed or even really cared. It put me in a weird position. Was I just supposed to give up on those things? Live my life in accordance with my true feelings? It seemed nothing mattered and in the end I did little to change.
Change I certainly did though. I gave up trying to be emotional support for my parents. I started to voice my true feelings a bit (only a little bit) more often. I even stopped trying to act any specific way in front of my family. 
Despite all that change, however minor in outward appearance, It’s not like I had let go of those values. I just reevaluated how I interacted with them. I'm still steadfast, I know what I want for my life and plan on letting nothing get in the way. I’m confident that what I’m doing will be best for me, instead of good for maintaining a persona of strength, and now I try to put the anger into standing up for myself and my truth. 
In all honesty, It’ll never stop hurting me that no one cared when I tried to show them the truth about how I felt. And I’m not sure I’ll ever stop being embarrassed that I care what they think. I still want to believe that I’m above everyone and above feeling sorry for myself, but I’m not. I’m a hurt kid who’s slowly figuring out how to live with it and become a better person.
The best parallel I can pull here is Deku vs. Kacchan 2. Bakugou’s been holding a lot of feelings in for a very long time and a huge part of his mask is hiding his true feelings. It’s true that he shows anger, but that’s part of his mask, not a crack in it. During this whole scene he’s using anger to cover up his pain and self-doubt. Just the fact that it’s a fight instead of a conversation proves this. 
Bakugou choosing to have this fight was a call for help. He needed Izuku and All Might to see that he wasn’t holding it together as well as they thought he was. This was like me running away in that it was a drastic, desperate attempt to escape the mask all while giving himself enough leeway to come back to it if he felt too vulnerable with his newfound freedom.
As a side note, I think that Bakugou sees maintaining his mask in front of Izuku as most important. To the point where he'll let himself get hurt/hurt people he normally wouldn't want to in order to keep up the performance. Izuku is the last person he wants to let see all the vulnerabilities and if getting beat to shit/spewing the most hateful things he could think of will make sure Izuku never sees them, then it's what bkg must do. (which is why the impalement and apology are so important to bkg letting his walls down)
In MHA, as well as in my life, leaving behind the persona you made takes a long time and a lot of baby steps. It’s humiliating and terrifying. I’m not sure if all of you quite understand the amount of trust Bakugou is putting in Izuku following DvK2. To Bakugou, he felt like he had bore his soul to Izuku with the intention of marking this as the beginning of his attempt to become better – as a hero AND a person. 
I see DvK2 as the first major step they took together towards reconciliation, friendship, and eventually, love.
IN CONCLUSION 
Bakugou made a loud and abrasive personality to hide his insecurities and fear. While he tried his best to maintain it, it became an impossible feat once he finally had to face that he wasn’t as strong as he thought. His rigidity, once his superpower, became is downfall. He used his fight with Izuku to break from the persona he trapped himself in, and in taking his first step away from his mask, he started a new journey to become a better person for himself and for Izuku.
TL;DR
I used personal, embarrassing stories that reminded me of Bakugou in order to pull back the curtains and try to make sense of the way Bakugou behaves in a way that's less dramatic and hopefully easier to relate to. The reason he's bitchy is that he’s a bit delusional. But me too bitch. I hope you all see him as a bit more relatable now :)
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This was the first of ~4 character analyses, as I want to cover what Bakugou and Izuku would need to change about themselves in order for them to fall in love with each other. As it stands, there’s very little the people in the stories I used as reference could do to make me respect them enough to consider an actual friendship with them, much less love. I’ll have to do a lot of speculation once I get there (which you’ll be able to read here once I’ve written them), but it’s the best I could do, seeing as I didn’t know these people well or long enough to have stories to speak confidently of in the following analyses.
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What do you think about what happened in 362? Any theories?
I actually do!
The first thing I need to say it's that I'm really happy Bakugo joined the fight against Shiggy-AFO, because I wanted him to fight along with Deku. Bakugo after all is like a second protagonist in bnha. He has shared the road with Deku right since the beginning, so every time one of them changes or grows, the other does to. It wouldn't be a real end without them both risking their absolute everything to win.
If you guys remember, I also predicted Bakugo joining the fight because originally, Horikoshi had planned the end of Heroes Rising to be the end of bnha. For those who don't know or don't remember, in Heroes Rising Bakugo and Deku share OFA in the final fight to defeat the enemy together. They were also in a precarious situation, with both their lives hanging by a thread.
So what's my theory about bnha 362?
Bakugo in this fight reminded me a lot of the fight of Rock Lee and Gaara lol. The whole fighting while still unconscious, the way he moved, the whole destroying himself in an attempt to win... But what caught my attention was the constant use of sparks or little lights. I know it represents Bakugo's quirk, but if you put it together with the fact he was seeing All Might as he appears in his vestige mode, and if you put it along with the comparison between Bakugo and the second vestige...
I think somehow Bakugo is gonna get saved by OFA. Maybe not in the way we could expect, but I'm confident this is not the end for Bakugo.
In bnha, death is also synonymous to redemption or change. For example, Tenko and Tomura, Touya and Dabi, Shirakumo and Kurogiri, Endeavor and Young Enji... If a character has been somehow wrong or bad before, or if a character has suffered and been beaten up by life, a near death experience could be the switch between an old version and a new one. It also applies to return to the old version: Shirakumo awakening inside Kurogiri, Dabi going back to Touya, Tenko awakening inside Tomura once AFO possessed him...
Normally, the people who die in bnha are on their most definitive version. I don't think that's the case with Bakugo. His story with Deku is not over yet. Also, not many main characters die in bnha (or maybe not main character has ever die in bnha?).
My point is: Horikoshi is building up the final fight correctly. There's tension, readers are scared or tense, things are bad and getting even worst. We need the greatest conflict yet in other to solve it with the best resolution. This is what iw going to turn the UA kids into legends, into the best heroes in the world.
And even if OFA doesn't play a part in saving Bakugo (improbable, but okay), there are many other solutions. His heart stopped, and what? There's still time and chances. It's okay if many characters are losing hope, that's a gopd narrative. The question is: whst glorious tactic is ahead of this? What amazing action awaits for us?
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77dekiru · 1 month
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It’s honestly so upsetting to see that the majority of people just don’t understand that Tomura doesn’t actually get enjoyment from killing people.
Tomura has literally felt so sick to his stomach that he has thrown up when he has killed people before.
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The difference between all of the times Tomura has felt physically ill from killing people and all of the times that Tomura has gotten “enjoyment” from it (Tomura doesn’t feel enjoyment, he feels relief.) is that each time the person he killed had hurt him first.
Killing the people that hurt him is just genuinely the only thing that Tomura can think of to get them to finally stop so that they won’t hurt him anymore.
Tenko had originally reached out to his father for help, only for him to be struck by him with a gardening tool… and only then Tenko killed (with purpose) his father to stop him from hurting him again:
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Tomura only wanted to kill the two drunk men after they had hurt him for literally just walking down the street:
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Tomura wanting to kill the heroes that had hurt him (with the intention of killing him):
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Tomura still doesn’t get enjoyment from killing people who hurt him, but he does experience relief from it…
((Edit: I would just like to clarify that the relief that Tomura feels from killing people that hurt him comes from knowing that they can’t hurt him anymore (relief that he is safe, even if temporarily) It does not come from him getting rid of the “itch” that he experiences (it always comes back, even after killing), like AFO groomed him into believing. I saw someone add that in the tags, and I realized that I never fully explained my thoughts on it. LOL.))
Not to mention, Tomura was literally GROOMED by All For One (which is something that people just like to ignore for some reason…) to even have this desire to kill people in the first place.
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And even then Tomura doesn’t have the desire to kill people in the way that AFO wants!
His want for destruction stems from his inherent empathy for others, and his inability to understand how people are able to ignore the suffering of others. Not what All For One has groomed him into believing. (That Tomura’s want for destruction is an impulse that’s something inherent to him.)
Tomura has continued to have empathy for others despite AFO’s grooming, and has showed genuine kindness to the league on many occasions…
All of this is such an important aspect of Tomura’s character and being able to actually understand him, and it’s so disheartening constantly seeing people completely overlook this part of him.
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smallmightsupremacy · 21 days
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Izuku isn't losing his arms and here's why:
Okay so I know that we're all freaking out over that one manga panel, but we really shouldn't be.
Deku isn't going to lose his arms. It's all in his head.
Just stay with me.
First and foremost, look at the reactions from the characters when they join the battlefield. Specifically Aizawa:
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What about this screams 'one of my students just lost both of his arms and may not end up having a future as a hero anymore?'
You would think that if Hori were to really go through with Izuku losing his arms, he would put more emphasis on the characters' reactions to make it more impactful, right?
To further reinforce this idea, we also need to consider the significance of Izuku's hands in Katsuki's arc. Whether you view their relationship as romantic or not, you can't deny that Izuku's hands holds significance to Katsuki. It represents the time when their relationship first fell apart, and I think in order to call their relationship fully 'healed' and complete Katsuki's growth, he's going to need to accept Izuku's hand again.
I mean, look at how foreshadowed the handhold is. There's no way they're not going to be holding hands by the end of the series. It's a necessity at this point.
And yes, you can argue that they already did hold hands, but to me that handhold didn't seem like the official one. It wasn't as impactful as it could've been. Now, while I'm not saying that the handhold didn't have any emotion to it, I feel like it's impact got a little diluted by Katsuki's revival. It wasn't the main focus. I think that the proper handhold is going to come later and be in it's own moment.
And, I mean, Izuku kind of needs his hands for that to happen.
So now you may be wondering, if Izuku hasn't lost his arms, then how do you explain what's happening to him right now?
Well, like I said earlier, it's all in his head. I think it's AFO fucking around with his mind.
I think AFO is somehow manipulating the vestige world and OFA mental connection he was with Izuku to make him hallucinate that he's lost his arms. He wants Izuku to crumble, and what better way to do that than to convince him that his dream is over and that there's nothing he can do?
I feel like this has also been foreshadowed in a way too. Take a look at this picture:
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This image already foreshadowed Ochako getting stabbed in the chest, so perhaps it's also foreshadowing Izuku's fate?
The knife is in his head, so perhaps it's hinting at him being affected psychologically?
Also, the idea that it's only those that are connected to the vestige realm that can see the illusions that AFO is planting would be a great way to get Katsuki to be a part of the final fight too.
We already know that's he's going to be involved somehow. Hori himself said that the ending for mha was going to be better than the ending for Hero's Rising (the one Kats and Izu share OFA), and what better way to improve that than have Katsuki come save him from the mind fuckery?
I also think that finally having Izuku and Katsuki fight side by side has been foreshadowed for a long time, and if that really were to happen, then there's no better time for that than the final fight.
Also, Katsuki's really the only one that can save Izuku right now if my theory were to be true. He's the only character that fits the very specific requirements that Izuku needs (being connected to the vestige realm, and also having a willingness to save/help Izuku).
Speaking of, Katsuki being connected to the vestige realm was a shock for us all, and it doesn't make sense for why Horikoshi would show us such ground-breaking information if he didn't plan on using it later. This has to be the later. There's no other case where I can see Katsuki's connection to the vestige realm being implemented into the story again other than this.
So here's the TL;DR:
Izuku is being mindfucked by AFO and Katsuki is going to be the one that brings him back to reality
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darkcircles4lyfe · 9 months
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WAIT
I’m sorry I only just now found out about Himiko taking the All Might keychain holy shhdkfjhfk why are we not making a bigger deal out of this!! I knew that if the keychain appeared again, the context would be extremely important.
It was symbolic of Ochako hiding away her crush, and also her admiration of Izuku’s All Might -like traits, mainly his self sacrifice. Taking the keychain seems to suggest relieving Ochako of that emulation. Now she’s the one being saved. And again, for this to fully be a positive thing for Ochako, it shouldn’t result in Himiko’s death because Ochako has already dealt with that guilt enough, and it’s time for a real win.
Considering that this moment of Himiko giving Ochako her blood is an act of reciprocating genuine love, there’s a sense of finality. The keychain is gone, and with it her romantic attachment to Izuku, because the void of unrequited love is now being filled by Himiko. Literally.
Like I can’t stress enough how this sudden but understated appearance speaks volumes hidden in plain sight. If this isn’t a smoking gun for putting *that ship to rest, I don’t know what is.
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z-mizcellaneous-z · 11 months
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Deku's possessiveness V.S. Kacchan's protectiveness
Bkdks. We've all read countless fics with bkdk pining after each other, of them getting jealous and whatnot. Usually, the fandom labels Kacchan as the possessive one and Deku as the protective one, but I (respectfully) disagree. I say that Deku is the possessive one and Kacchan is the protective one.
Now, when I say Deku is possessive and Kacchan is protective, I'm not saying that they don't have the other trait. bkdk are both protective and possessive of each other. HOWEVER, the way I see it is:
Deku is possessive. When he gets possessive, it feeds his protectiveness.
Kacchan is protective. When he gets protective, it feeds his possessiveness.
When you read fics from Deku's POV and he's seeing Kacchan being happy with someone else (both platonic and romantic), he gets possessive. Why not me, why THEM, I know him better, I've known him for LONGER, etc. There also is a kind of "indulging" in the "selfishness" of wanting Kacchan all to himself if that makes sense. Like yes, he'll feel bad about being jealous over Kacchan having friends, but also he can't bring himself to stop being jealous/possessive of Kacchan. Deku's possessiveness has the message of "I know Kacchan better than anyone else ever has/will, I've worked hard to stay by his side and I'm not gonna let some EXTRA take him from me."
However, when you read fics from KACCHAN'S POV, and he's seeing Deku being happy with someone else, he gets protective. He also kind of attacks himself in the sense of "I want the best for Deku and I am not the best. I hurt Deku countless times in countless ways, [person] hasn't hurt Deku like I have, and [they] will make Deku happier than I ever could. If they ever hurt him though [they]'re dead." Kacchan's protectiveness has the message of "I want Deku to always be happy. If he's happy with someone else, then I'm happy."
Again, Deku does have moments where his protectiveness shows more than his possessiveness. A prime example is the training camp arc, when Kacchan is kidnapped. It starts as possessive, with Deku basically going "Give my Kacchan back!" and Compress commenting on this and saying that Bakugo doesn't belong to anyone.
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However, as his possessiveness increases, Deku's protectiveness also increases. He's a lot more self-sacrificial and desperate in reaching Kacchan to save him. To protect him.
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On the other hand, Kacchan also has moments where his protectiveness gives way to more possessiveness than usual. The first example is when Kacchan is stabbed by Shigaraki. He sees Deku about to get severely injured, and he becomes protective and takes the hit instead of Deku. However, after getting stabbed, he says "stop trying to win this on your own." This is where his possessiveness shows, in which he's trying to fill the role of being a Symbol of Victory. "Let me be YOUR Symbol of Victory."
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There's also the fact that Bakugo carries guilt because of his actions from the past. This has him being more prone to leaning away from being as possessive as Deku is because "I hurt Deku. I don't deserve him. Deku isn't mine. He doesn't belong to me, he never has." Because of this he leans more towards protectiveness in the sense of wishing for him to be always happy in the ways that he prevented when they were younger and whatnot.
Of course, during his apology, he also expresses how they all will help him. However, you also have the moment where Izuku stumbles and falls. Kacchan's protectiveness comes in as he rushes to grab him and hold him steady. Izuku apologizes for the things he says, and Kacchan says "I get it." Not we, because his possessiveness comes forth in that moment. It also comes forward when he talks to Class 1A and Endeavor.
"You know nothing about Deku."
"I know Deku more than anyone else."
Those are very possessive statements, which are very similar to Deku's possessive mentality.
However, Deku doesn't carry guilt. This has him lean more towards being possessive of Kacchan. "I've ALWAYS stuck by Kacchan, you must be stupid if you think YOU can take him from ME."
However, I also think that once bkdk enter a relationship and Kacchan truly, wholly believes that he is worthy of Deku's love and the relationship in general, he'll allow himself to be a lot more possessive. Like once he's had the realization of "Izuku deserves the best and he chose ME, and I trust his judgement so that means I'm the best for him," he'll go, "Anyone who tries taking him from me will lose a couple fingers. I bite bitch," which is how I feel a lot of people think he's like from the get-go, when that more blatant possessive comes later on.
Again, it all circles back to the good old "bkdk are two halves of a whole, they complete each other."
Win to save, save to win.
Victory and peace.
Protectiveness and possessiveness.
Anyways.
Thank you for coming to my Ted Talk, bkdk is canon I will kill AND die on that hill and I do not take criticism. Have a great day.
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allmightluver · 1 year
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These photos especially hurt me.
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The face he makes when he’s told he isn’t needed anymore. Something he’s known for a long time. He KNOWS he shouldn’t be alive, and that he’s only a burden to everyone now; especially Deku.
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The face of heartbreak. Of understanding Deku’s position. He understands more than anyone possibly could. He held the world up by himself for over 40 years. I know how you feel. I know it feels to want to protect everyone, especially those closest to you. And the only way to do so is to leave them behind. Distance and Isolate yourself completely so you can’t get too attached to anyone. Because if you do, and the villains find out, it would feel impossible to live on knowing it was your fault they died. Because you endangered them by just being around them. Loving them. It’s only now, that I’ve allowed myself to live, that I can see how wrong I was to believe that. You shouldn’t have to suffer the same way I did. I can’t let you!
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When he falls to the ground, he first lands on his torso. Which feels significant given the mortal wound there, as well how the normal pain in his side has moved to his chest. And even though the pain of having a misshapen, broken body can be extremely debilitating, the pain he now feels is absolutely unbearable.
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The bento box. Sure it’s wasted food. But the fact that kills me is how lovingly he made it himself for his boy. Imagine him in their makeshift shelter, which may just be an abandoned building or apartment, carefully using the best ingredients he could find, to make a meal and feed his overworked son. The son he’s more than just a little worried about. It’s all he can think about.
But he busies himself preparing the rice, keeping an eye on the meat to be thoroughly cooked but not burnt, and then cutting it into small strips so his boy can easily grab it with his chopsticks while on the move without having to worry about cutting it himself. Protein. That’s what Deku needs most. And vegetables to keep his strength up. Everything is prepared as perfectly as possible in the short amount of time he has between following Deku to every villain attack.
He already knows the boy isn’t eating on his own. He did the same when he was a hero. Sometimes going for days without a proper meal in order to Protect. Toshi didn’t have anyone to help him with this, save for the few years Nighteye was with him. And that’s why he knows exactly what Deku needs.
After meticulously putting together the food in the bento box, he wraps it his signature bunny cloth…only to have Deku reject not only the meal, but HIM as well. Watching the boy walk away from him raises a memory of himself doing the same to Nighteye in the hospital. He now knows how Nighteye felt when he turned his back on him. Nighteye had left, unable to watch him slowly kill himself.
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But Toshi can’t leave. Deku is all. He. Has. The only reason he’s still alive.
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And yet, the food he prepared for his boy, the love he put into it to nourish him, ends up spilt. Splattered in the mud. Ruined. Rejected. Wasted…The food too.
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And this final scene. Seeing this was so painful in the manga. I imaged he was crying, or trying not to. And my heart ached just thinking about it. But finally being able to hear it, to hear that yes, he is in fact crying, audibly, for the first time without holding himself back…that’s what finally shattered me.
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selenestarmoon · 7 months
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I've been thinking about something and it's that both the Hero Society and All for One, the main villain and antagonist of My Hero Academia, see the world in the same way as the villains of Medaka Box.
In Medaka Box, its antagonists and even the main protagonist herself, Medaka, feel that they have to live only as roles in a story and they are defeated by Zenkichi, a normal boy, for the simple fact that he treats them as people and not by their roles or archetypes.
What I'm getting at with this is that Hero Society judges its citizens according to the quirk they are born with (they call those with a powerful or flashy quirk heroes, those with a nasty or dangerous quirk they call villains, and those who do not have quirks simply look down on them) and treat them under character archetypes (heroes are required to be perfect and save all the people on the planet at the expense of their physical and emotional health, those who have unpleasant quirks are treated as villains who must be stopped at all costs without being offered the opportunity to rehabilitate, being imprisoned without a trial at best and killed at worst and the quirkless simply treat them as extras who have no importance). It is thanks to this way of thinking that Hero Society has that Bakugo, Endeavor, Hawks and others acquire a quite toxic mentality and got away with their abuses and it is even thanks to the society that All Might believed he had to solve the problems. everyone's problems alone and the citizens became dependent on the heroes causing bystander syndrome and people like Tomura and the League were discriminated against for their gifts and no one did anything to help them or show them that there is another way to solve things without reaching to violence and quirkless people they treat them as useless all the time and mistreat them whenever they can.
On the other hand, AFO lives with the role of the main villain of a story (he wants to be the Ultimate Lord Demon) and wants others to live in that narrative. He sees the world from a story point of view and sees others by archetypes (he sees Tomura and the League in general as villains because of their powers, he sees any wielder of One for All as the main protagonist who is destined to face him, see anyone who isn't a villain or a One for All wielder as an extra).
The reason everyone in the League became violent is because everyone has dehumanized them by seeing them as villain archetypes and not broken people who urgently need help. Heroes are also dehumanized because they are seen as perfect beings who have to be powerful and do all the work, forgetting that they are humans who make mistakes, who need help and who cannot do everything alone. Quirkless are still people who can contribute in other ways and deserve to be treated with kindness and respect like anyone else.
For Hero Society to improve, everyone has to stop seeing people as character archetypes because of their quirks and see them as people and give them real support.
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linkspooky · 1 year
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My Hero Academia, Chapter 377-388 Thoughts
A two-fer because the pacing of these chapters is just a little bit slow. With the reappearance of Shigaraki Deku can finally act on his intention to try to reach Shigaraki instead of ignoring the crying boy inside of him. There's a pattern between all three hero / villain foils, the heroes are finally at a stage where they are willing to talk, whereas the villains are doubling down on their worst impulses and giving up on the idea that they can talk things through. Which Shigaraki even openly mocks Deku, that they're not going to sit down at the mall and have another chat. Since these two chapters revolve around the idea of villains and their origins, I'm going to ruminate on their unwilingness to finally talk and why they are doubling down underneath the cut.
1. Distortion
Tenko Shimura is the only character outside of the main origin trio to have an "origin" chapter, but before that comes a chapter labeled "Tomura Shigaraki: Distortion." In this chapter we learn that Shigaraki's own memories of his past, are missing and in fragments despte carrying the emotional burden and guilt of killing his own family.
He has full on developed dissociative amnesia and cannot even remember his origin or what led him to kill his family. For Tomura Shigarki, his origin may as well have been the moment that All For One found him in the alleyway.
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When Shigaraki finally recovers his memories of his household and the events leading up to his family's death, the chapter is entitled "Tenko Shimura: Origin." Not only does Tenko Shimura have an origin chapter, but after he finishes his origin we are given an extended flashback on what led to his renaming as Tomura Shigaraki in 237, Tomura Shigaraki: Origin.
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There's a distortion where Shigaraki cannot even properly remember his origin because of the trauma he carries, and when his memories clear up he essentially goes through two origins, first for how his family died how his desire to be a hero led to his father's abuse which culminated in him losing control of his quirk, and the second that led up to his adoption by AFO and his naming of Tomura Shigaraki. I don't think that Tomura / Tenko are separate entities, but rather Tomura's origin being distorted to such an extreme extent to the point where he takes on a whole new identity and is convinced he wants something separate from his original desire shows the pattern of how AFO ends up manipulating all the villains he takes under his thumb to believe what he wants them to believe, and how the villains in general have their beliefs distorted from their original origins.
Tomura's desire started out the same as Deku's, to be a hero, and to have someone in that household listen to him.
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The trauma of not only having his feelings and desires rejected by everyone in the household, but on top of that, after destroying his house on accident and not being saved by a single hero in the busiest street in the middle of broad daylight led him to believe that the outside world was rejecting him the same way that his house did.
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This distorted his motivation into reject them, the same way they rejected me. Not only did he convince himself that he wanted to destroy the house, but also that the destruction of the Shimura household wasn't an accident but rather something he desired all long and finally acted on.
Of course the two panels I've posted above contradict this belief that was what he wanted to begin with, because Shigaraki expresses twice a belief if someone had told him what he wanted to hear, or someone looked at him or reached out a hand to help him that day things would not have gotten that bad. Shigaraki's contradictory beliefs are on display, first that he will always be rejected and so therefore he has to respond to that rejection and fight back against it, and second a secret hope that there is still someone who can reach out and save him.
Now does that make Shigaraki's entire hero and villain speech a lie?
The part where he loudly announces he doesn't care if people don't understand him, or implies that heroes and villains can never understand each other is because of his secret desire to be understood, but at the same time, the rejection that Shigaraki has not only faced himself, but witnessed happen to others is very real. It's almost like the truth is complex... weird right?
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Which is where I get to AFO's manipulations and why it works so well. AFO specifically targets the rejects who are not receiving help in order to foster their hatred against society.
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Not only are they already vulnerable, but AFO knows the hero and villain game well. He sees the world in almost comic book logic, the villains will always be villains, the heroes will always be heroes, and as many Pro Heroes reflect this attitude, they end up reinforcing AFO's manipulation that no one is going to come save them and their only recourse is to strike back violently.
AFO even reinforces this idea internalized by the villains that they are internally bad, or wrong, or want to do these violent actions that are a distortion from their true desires. When they are faced with heroes who further dehumanize them by only looing at their crimes and ignoring the fact they are still human beings with emotions and people who are hurting they're then hit with the double whammy. This is the trap that AFO laid against All Might. He took Shimura Nana's grandson, spent years fostering him into a weapon, sent him basically blind into UA on his twentieth birthday because he knew All Might would beat the absolute tar out of him without even questioning who Shigaraki was or what his motivatiosn are, which only would reinforce Shigaraki's hatred for him.
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In the immediate aftermath, All Might is also convinced by his fellow heroes that there's no point in going after Shigaraki because by this time he is beyond help. All Might becomes another one of the heroes who just ignored Temura Shinko on that day when he wandered around covered in blood and muck and grime in the busiest intersection in a city densely packed with heroes hoping just one of them would reach out a helping hand.
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I'd also be remiss not to point out that when the kids try too hard to emulate their mentors without questioning their methods, they repeat this same kind of behavior. Shigaraki specifically mentions the mall, because that day he genuinely did try to talk to Deku and this was Deku's response.
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Deku states clear as day that he can't understand Shigaraki, and then when asked if there was anyone All Might ever failed to save, he really only asked that question to All Might once before completely forgetting to follow up that train of thought. So when the villains lie and say they no longer want to talk things out and they are beyond talking, it's also basically them saying "Well, I tried to tell you X, Y, and Z and you didn't want to listen that time, but oh now you want to talk." It's the natural result of being ignored so many times.
The idea that heroes and villains cannot understand each other is a lie of course, but it was a lie that was put inside their heads by outside factors. It's also ones they spent a long time fighting against because most of these villains did try in some way to express what was wrong, only to be further scapegoated. To be told, "Oh, you're not X, you're Y." To the point where they started to believe it themselves. All of this to say it's not just AFO, it's also something reinforced by the pro-heroes, and also sometimes the kids following in their example.
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Toya's backstory shows that kind of distortion in action almost as clear as Shigaraki's, but rather than being perpetuated by AFO himself who did not have much of an influence on Toya, rather it's done by his family's rejection.
Toya reveals his own origin, his desire is to just be seen by his family. In fact he mirrors Shoto in a way, Shoto wants to reassure people because he felt helpless as a victim in his own house, Toya wants to be seen because he felt ignored in his own house. Both of their motivations come from a desire to actually have a normal, healthy connection with the family they have around them.T oya even states that he was willing to just give up anything even his dreams of surpassing All Might to return home. It's witnessing how quick his family was willing to bury him and move on that made him finally distort. Toya holds onto his origin of wanting to be seen even after burning alive, right up until he witnesses the image of himself on the altar.
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After which point his original desire distorts from simply wanting to be see, to harming Endeavor in any way possible and dying in order to give meaning to his death.
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It goes rejection -> isolation -> distortion -> then having that distortion reinforced by the continued rejection of the heroes. Shoto and Enji can't reach Toya just yet, because Enji's decision to prioritize being the hero who defeats AFO rather than facing Toya once again only mirrors the way he's never once made Toya a priority or even looked at him. The doubling down and lying to himself isn't in response to nothing, it's the outside circumstances that drives him to do that.
Spinner also has a similar distortion of his ideals happening in real time, and in fact shows just how much AFO can convince someone that his exploitation is helping them. So many people blame Shigaraki's possession on Spinner for the hand scene, by ignoring the fact that you know... maybe AFO possessing him is AFO's fault.
Spinner puts the hand on Shigaraki in desperation because they are cornered by the heroes, and their only way out is if Shigaraki gets up and starts fighting again. At this point the heroes have shown no side they even care what happens to the villains, it's either being sent to tartarus the world's most inhumane prison, or just straight up killing them. AFO's whole schtick is convincing the villains working for them that they have literally no chance of salvation unless they stay with him. The heroes also don't do a lot of reaching out to change their minds.
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Spinner notices right away that something is wrong with Shigaraki in the way he is acting, but AFO is quick to reassure him that he is not possesing Shigaraki but rather helping him, and that helping AFO is the way to help Shigaraki.
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Every time SPinner witnesses that Shigaraki is clearly in pain, and expresses worry over him, AFO goes out of his way to reassure him that everything is fine and everything is going according to plan. Not only that he convinces SPinner, that by playing a role in his plan he will be helping Shigaraki. That AFO's desires are Shigaraki's desires, and therefore by helping AFO he's still serving Shigaraki.
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If Shigaraki can be a sympathetic victim to AFO's manipulations and grooming, then so can Spinner and the rest of the league as a whole. Spinner's desire then goes from just trying to help Shigaraki and be equals with him, to his belief that his blind obedience to AFO is hleping him because Spinner as an average dude can't exist on his own or be helpful unless it's in service to someone like Shigaraki's greater deeds and dreams.
When put into a desperate situation where he has to rely on AFO, because the heroes aren't coming to save them, and have shown every evidence that they'll just outright kill Shigaraki, Spinner is convinced one that AFO is helping Shigaraki and probably the only help they'll receive, and two that blind obedience to AFO is what will help Shigaraki.
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If anything it mirrors what he did to Tenko as a child, no heroes are coming to save you but I will. If you follow my path then you'll survive and get stronger. I am your only support, I am here to help you and nurture your growth. AFO tries to groom Tenko so hard into being obedient to AFO's desires for him, he literally possesses his body and tries to rewrite his identity for some time.
Then, there is Toga who we also see her distortion play out in real time over the course of the story. Toga's big statement that sucking blood and transforming into the people she loves is normal for her and all she desires isn't exactly the truth, but it isn't a lie either.
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Toga desires normalcy and transforms into Uraraka, basically the epitome of a normal girl. Someone surrounded by high school friends, someone with a boy she likes, someone trusted by the people around her. Toga has projected herself entirely onto Uraraka, because Uraraka represents what Toga tried so hard to be in middle school but failed at because the emotional abuse in her home led her to snapping. Toga believes as shown by her parents and society labelling a middle school girl with one violent incident as a demon child forcing her to run away for her own safety rather than you know... just getting her help that there's no other way for her to live.
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The same pattern emerges, Himiko is convinced no one is going to save her, she becomes further isolated and her original origin distorts. She believes what other people say about her, not that her desire is to be normal and to be loved, but instead live however she pleases and express her love by violently drinking blood and turning into people.
This is something reinforced by the heroes unwillingness to listen. Remember, Himiko's question is "Am I going to get brutally murdered by you the way I was Twice?" and most of the heroes don't even see Twice's death as a bad thing but a necessary thing. Hawks even advocates for killing Twice a second time the second he's confronted with the dead man's parade. It's a mistaken belief and a self deception, Himiko is lying to herself, but that lie is pounded into her head by everyone around her.
Himiko is even coerced into the Dead Man's parade and further violence. Dabi puts the idea of turning into Twice in her head and gives her the blood to do so, all while also giving her a speech she shouldn't cry because no one cares whether they are crying or smiling so they might as well get the last laugh. Something, that AFO seems to have had an idea about because he understood the exact chain of events that led to the Dead Man's Parade the moment it happened, that Toya gave Toga the blood because of her grief, and Toga's grief turned into a weapon against the heroes. Her speech even mirrors Shigaraki's as well, if there's nothing but rejection, there's no chance but to reject them right back.
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So, none of the villains really came to these conclusions on their own, they believe they are in circumstances where no one is coming to help them, and they decide the only recourse is to fight back harder. They get hit and hit back. The cycle remains unbroken. Their origins have now become distorted, they've forgotten their original desires or convinced themselves otherwise. Toga believes what she wanted all along was to slaughter the heroes and live the easy life. Dabi believes all he wants to do is burn away everything connected to Endeavor. Spinner believes he can only help Shigaraki through blind obedience. Shigaraki himself believes that all he wanted to do all along was to destroy that house.
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Obviously, the only thing that is going to break this cycle is long awaited action on the heroes part. It's what we see the easy to redeem villains taking the first step of in this latest chapter. Tsukauchi's speech being the opposite of what not only the heroes have believed, but the villains have convinced themselves of too that there is no changing them.
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That instead of viewing them as villains, or internally evil, the only way forward is to try to make them remember their own humanity, and the things they originall wanted, and try to clear away the distortion and return them to their starting point, their origin, because as much as the villains listed above deny it, despite their violent and crimminal actions their original desires still exist within them in a place that the heroes can reach only if they start to look for it. And it's up to the heroes to reach them. Because you know, they're called heroes, and heroes save people. Otherwise they're just teenagers who can explode things, or breathe fire, or punch things really hard.
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imaginarylungfish · 6 months
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I've been thinking about Good vs Bad and how it is portrayed in the media I consume. I'm noticing the binary-ness of Good vs Bad in each story is different.
I will be talking about Death Note, Jujutsu Kaisen, and My Hero Academia. There are anime and manga spoilers. So, if you are not up to date with either, do not continue reading.
In Death Note, there is a pretty clear picture of Good vs Bad. Sure, we see the cliche of "the road to hell is paved with good intentions" through Light's character arc. But even though he started out with Good intentions (punish people who commit crimes), it clearly portrayed that he crosses the line after murdering people whose only crime was wanting to catch Kira. It becomes clear that Light slowly descends into Bad. And Bad has a clear definition: killing innocent people. And in the show as a whole, there are The Good Guys (L and the police) fighting against The Bad Guys (Kira). Viewers see the binary of Good vs Bad pretty clearly.
In Jujutsu Kaisen, I think the lines are more blurred but not totally unrecognizable. We see how Geto started out Good (ie. protect non-sorcerers) yet his morals slowly chipped away at him by the injustices of the jujutsu world. He became fed up with protecting non-sorcerers who never knew or appreciated the sacrifice he and his fellow jujutsu sorcerers made for them. Geto turned Bad even though he started out Good. (This doesn't mean continuing to love someone who is Bad is Bad too. Gojo still cared for and loved Geto through his defection and descent into Badness. But that is a post for another time.)
I mention Geto first instead of Yuji here when talking about JJK because most of the narrative revolves around the fact that Geto and Gojo were so close and Kenjaku could use Geto's body to enact his plan in Shibuya. Geto and Gojo are central to JJK. There isn't much story to tell if we leave those two out.
But if we return to our MC here, I think we still see a clear definition of Good vs Bad through Yuji even though his original worldview was less clear. At first, Yuji believes that he must save people equally--that everyone, no matter if Good or Bad, should receive a proper death. But slowly, he changes his mind. (If I recall correctly, I believe Megumi's opposing belief of saving people unequally as well as Nanami's wisdom influences Yuji's mindset change, but I can't remember exactly. What I'm trying to say is not dependent on what caused Yuji's mindset change though.) Yuji learns more nuance in his original worldview. He realizes he must choose between which people to save. I see this as creating a more binary idea of Good vs Bad because if you're going to save unequally, you're prioritizing some people over others. You must mentally label people as Worth Saving (Good) vs Not Worth Saving (less Good, and potentially therefore Bad).
Plus, the curses/curse users like Sukuna and Kenjaku are presented as fully Bad. We have not, at this time, seen any backstory as to why these curses/curse users became Bad. Therefore, we have no context and no reason to believe they toe the line at all. So, that's why I think JJK has a fairly clear Good vs Bad Guys trope (even if the lines were slightly blurred with Geto).
But in My Hero Academia, the lines are very much blurred. The villains are Bad because of their traumas. We are given reasons as to why Shigaraki, Touya, Toga, Spinner, etc. act the way they do. We are shown that the Bad Guys are that way because Bad was done to them. And I do think Horikoshi is not trying to give excuses, just explanations. Regardless, this poses the questions: who even is Bad? who even is Good?
Deku fights to save everyone, regardless of their Good or Bad label (just like Yuji's original mindset). This is clear as Deku plans on saving Shiggy even though people around him do not share his goal. So, even though this MHA universe has Good vs Bad (ie. Heroes vs Villains), we are presented with ways that question this worldview through our MC's perspective. Deku, I would venture to say, has a foggy definition of Good vs Bad. Therefore, MHA as a manga/anime has a foggy definition of these concepts too.
Alright, that's all I've got for now. I find it interesting which worldview each mangaka takes on to portray in their story. I'd love to hear any ideas in the comments about what anyone else thinks. Please just be nice about it! Thanks!
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die-mitri · 1 year
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Hello folks! Just dropping in to let y'all know that I'm currently working on a pre-apology Bakugou character analysis. It's gonna be one of 4 or 5 analyses. I'm also gonna write a post-apology bkg analysis, as well and companion analyses for Izuku. Maybe even one to analyze their relationship, its changes, and some predictions. All of this is in preparation for a slowburn, canon-compliant bkdk fic. I just REALLY want to get into their heads so I can keep them as in-character as possible.
Anyways, all of that is to say the current analysis I'm writing is 3,705 words and it's not even done. I still have a conclusion to write and some editing to do lol.
So keep an eye out if you're interested and feel free to bug me about finishing them so I can have proper motivation.
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featherstorm2004 · 21 days
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Me realizing the reason AFO is so obsessed with Tenko is because he is the reason Tenko was born, therefore making Tenko his the same way Yoichi was. which explains why he was so adamant with making him just like Yoichi, down to even wanting to be a hero just like his predecessor. Whilst also giving Tenko the same trauma AFO experienced making him a true fusion of the brothers the way AFO always wanted.
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