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nobodysdaydreams · 18 days

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Explaining fandoms I’m not in, but I have seen on my dash from the mutuals (to the best of my knowledge based on their posts):

Why? Because I thought it would be fun and entertaining and I hope I’m not wrong.

The Magnus Archives (TMA)- a group of people document creepy and supernatural events while they slowly one by one discover either that they are the monsters/possessed by them, or that they are being taken in by the monsters, or that their coworkers are the monsters, or that they themselves are possibly friends with or dating the monsters, or that they have been working for the monsters (or bad guys) the entire time. Many of the villains seem to be demented or possessed life sized toys and clowns or eyeballs. This podcast has so many episodes, and I see so many posts about it, but these seem to be the common themes.

Miraculous Ladybug- actually haven’t seen this one on my dash in a long time, but when I first did, despite appearing like a straightforward kids fandom, the shipping discourse confused the heck out of me. But if I have this right, based on the posts from my younger followers, two teenagers are animal themed superheroes who are dating each other and also have crushes on each other, but they don’t know they are dating each other, because they don’t know each others secret identities, because… okay, I still honestly have no idea why. There are ~5K posts about this apparently very central and specific plot line, but not one explains why they don’t just tell each other who they are??? Anything for the plot, I guess. Apparently this has been going on for a long time to the point where even the show’s target audience of children is confused as to how these teenagers and grown adults haven’t put the pieces together as to who everyone’s secret identity is.

Keeper of the Lost Cities (KOTLC)- there’s a girl named Sophie. She is an elf in a love triangle with Keefe and some other guy (I think his name is Fritz). Keefe’s parents are terrible, especially his mom. Sophie has horse DNA (I don’t know if that post was a joke or not sorry if that’s wrong). There’s an elf with fire powers. Elves read minds. There’s a group called the black swan who are the good guys, I think. Also I think the elves and humans are at war. I know Keefe’s parents are trash, does Sophie have parents? From what I can tell, she grows up believing she’s a human but then surprise! She’s an elf and the chosen one, and elves are possibly immortal? Wait, maybe Sophie’s a half elf. Is that a thing?

Spy x Family - two people are fake dating each other for spy reasons but eventually fall in love for real. The twist is, they each think the other is a normal civilian who doesn’t know about the fake relationship (which is kinda messed up to make someone fall in love with you for a fake cover but if they’re also doing the same to you that’s karma I guess) but I think it might end up ok, because they fall in love for real (Aw) but possibly also not okay, because I also think it might be revealed that they’ve been working for enemy sides this whole time (drama). Also the adopted daughter is a mind reader who knows everything but chooses to keep what she knows secret for the plot. Respect. And I recently saw something about the family having a super powered dog? Is he real?

The Murderbot Diaries - a bunch of robots are created for one purpose: murder. But when their murder programming goes haywire, they discover that they might have more in common with the humans they’ve been assigned to kill than they originally thought. Or that they have more humanity inside themselves than they thought… or maybe that the people who created them have more evil intentions than… well in hindsight, “the people who build the murder robots are evil!” seems like an obvious plot twist, but maybe they’re more morally complex or had decent intentions and just never intended for it to go this far… or maybe the robots get hacked or decide maybe they don’t want to be murder bots anymore which brings us back to free will. Interesting philosophical questions, but I think the robots might be getting into some wacky shenanigans as well. Also they apparently have diaries. I get that a diary is just like… a log of what they’re doing, but that won’t stop me from imaging a big scary robot with a little pink glitter pen writing “Dear Diary, I killed three people today. I still see their faces when I try to power off at night. When I go into sleep mode, I dream of their faces. I begin to wonder things, like whether they had families, dreams, or ambitions. I also wonder what they felt in their final moments. I fear this means I am developing a conscience and desire to turn against my programming and the creators. But probably nothing a little update and restart can’t fix. I’ll keep you updated, dairy. XOXO, Murderbot 💕” So. How did I do? Scale of 1-10, with 10 being “you nailed it!” and 1 being “None of this is remotely close. What posts have you been looking at?”

#I hope no one is mad at me for this it just felt fun #tma #tma podcast #the magnus archives #murderbot #murder bot #the murderbot diaries #kotlc #kotlc fandom #keeper of the lost cities #spy x family #spyxfamily #miraculous ladybug #mlb #Other fandoms #sxf #sxf anime #spy family

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wheucto · 7 months

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OBJECTOBER 13 - Comic

bringing back the fan family au and trying out a new way to do comics

list by doodlebeeberry

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gelu-the-babosa-multiversal · 7 days

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Thanks @kdjam1

From this post! Cody has brought a lot of things from the street while the rest of his family and the Bots are at work.

Cody tries really hard to fix the robots he finds, robots that were broken or are too old and were discontinued. As also, let weird creatures enter his home. He doesn't know if they are ghosts, monsters, mutants, or something like that, he just knows that they're looking for someone to talk to.

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thepastisalreadywritten · 1 month

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The most powerful moment of the coronation of King Charles III was not the gold glittering off carriages or epaulettes — not the pomp and show and signifiers of power.

It was precisely their opposite: when Charles shed his gold robes and stood in a thin white shirt, his frail humanity implied.

Then a screen was erected around him and, shielded, he had a private consultation with the Archbishop of Canterbury, who dabbed anointing oil with his hands on Charles’s bare breast.

"This was the most solemn and personal of moments,” Buckingham Palace said.

Charles was bare before God, in privacy, God being one of the last beings with no need to sign a non-disclosure agreement.

The Princess of Wales looked on as the screen shielded her father-in-law.

By contrast, she was at that point the most magnificent she had ever been, swathed in layer upon layer of regality, the dress, the robes, the hanging chains, headpiece and ribbons all serving to move the viewing gaze — subjects in every sense — from our awareness of Catherine Middleton with her everyday human DNA and towards the shared fiction of her transcendent queenliness.

Less than a year later, this moment is remembered with new and terrible power.

It is spring again, but it’s a time of hard Lenten moral reflection for us as a nation, in relationship to our royals, as well as an ever more voraciously unprivate modern celebrity culture.

Both the King and the princess have cancer, the latter’s disclosed by Catherine in an unprecedented video address on Friday, March 22.

Catherine’s speech was something of a plea bargain in which she traded not only her customary silence but her most personal of health ordeals in order to put an end to toxic rumours swirling online that had become in tone like an unruly mob rattling at the palace gates.

Or rattling at the figurative locks on her medical notes, with three workers at the London Clinic, where she and the King were treated, suspended and under investigation for allegedly trying to access her records (hers, it is important to note, the King’s were unmolested).

📷: Getty Images

What was so powerful about the anointing of the King was the sacredness of that space in which he could be fully human away from observation and judgment.

There should be another one-on-one consultation that is sacred, where anyone, from King to princess to pauper, can expect to be shriven in total privacy, and that is the sanctity of the medical room.

It used to be that priests were our only bound confidants, we could trust them to be privy to all our spiritual ills.

Now doctors are our secular priests: bound by law and ethics to enshrine confidentiality at the heart of the patient relationship.

As a result, our medical privacy in an age of oversharing and online surveillance feels both stranger and more necessary.

If we knew our every GP-inspected rash was to be posted on TikTok for the nation, many of us would quite literally die of embarrassment.

The King’s appointment behind the three-sided screen can now be viewed through the lens of royal illness.

The lavishly embroidered panels and expensive white shirt now replaced by the flimsy three-sided ward screen on wheels and thin hospital gown that can humble us all.

But it also enacts a principle at the very heart of becoming the monarch.

The medical-like screen is erected in the coronation to tell us there are some places the public cannot go; to tell us that there are sacredly personal moments in which a person, any person, however swathed in our projections of power, needs to be nakedly human.

Otherwise, they will go mad. We need to make sure the screens are erected around Catherine now.

Much is said, quite a lot of it by Prince Harry himself, of the dangers of the wives of the princes repeating the tragic history of their mother, Princess Diana, hunted by photographers.

He remains phobic to any hint of tabloid persecution or paparazzi chase. But this is a sideshow, even an anachronism in 2024.

He and others have not recognised how the “chase” has changed. Who needs paparazzi when there are a billion citizen hacks ready to take pictures with their phones, in case a convalescing woman nips to a Windsor farm shop with her husband?

Instead, the appetite now is not to see but to know.

The royals used to have a contract with the public: we pay for them, and in return, they give us their presence.

Nearly all of their official job is to do with surface: to show up, to put in appearances at a set number of functions, whether at the opening of parliament or the opening of a leisure centre.

But now parts of the online mob seem to be staging a coup. We want more than the surface, we want to puncture the skin barrier of the royal family and occupy from the inside.

The “fans” have become an invasive virus. The royal analogy is often that they are trapped in a gilded zoo. This new model, instead, casts the royals more as lab rats.

When Catherine disappeared from view in January after announcing a “planned abdominal operation,” the response from internet truthers was one of irate entitlement.

They are now the 1980s tabloids: ravening for intimacies and making stuff up when thwarted.

This wasn’t the boomer generation, who are both more respectful of the royals and more private about their own health.

It was the fortysomething mothers frustrated when they can’t track the phone location of everyone in their life; or the twentysomethings on Snap Map.

Both desperate for their personalised new Netflix season of “The Royals” to drop.

Catherine presents with such stoicism and dignity, it is easy to forget where this new invasiveness started: when she was pregnant with Prince George in December 2012 and hospitalised for extreme morning sickness.

While she was sleeping on the ward, a radio station in Australia rang the hospital switchboard pretending to be the Queen.

They broadcast the nurse’s comments about Catherine’s “retching.”

One could only find this prank funny if Catherine had already — a young, wretchedly ill, pregnant woman — been dehumanised.

George is now ten and his mother hospitalised again, and in that decade, the physical security of ill royals may have tightened but their claim to bodily autonomy seems to have weakened.

Some say Kensington Palace “brought it on themselves” by their wish for discretion; this claim is duplicitous.

The late Queen Elizabeth II became increasingly debilitated in her final years with not much detail ever given; just as her father, King George VI, died without disclosing his lung cancer.

I’m glad that the British do not subject their heads of state to the same publicised medical reports as the president of the United States; one shouldn’t have to present a stool swab to sit on the throne.

No, instead the apparent justification of all those clicking and posting conspiracy theories “worried for Catherine’s welfare” was this sinful truth.

As a beautiful, 42-year-old mother of three, her drama was more box office than the ailments of those older, a pound of her flesh was worth more.

Pity, Susan Sontag said in her 1978 book Illness as Metaphor, is close to contempt.

Back then cancer was still taboo. Those around the patient, Sontag says, “express pity but also convey contempt.”

Ask any cancer patient and they will say they don’t want pity: it is too isolating, it sets them apart, an unwanted privilege.

This is why the video plea of Catherine was one of affinity, rather than pity or privilege.

Last year, she sat in robes in Westminster Abbey at the coronation of her father-in-law, next to her future king son and future king husband.

In her video address last week, she sat on a classically English garden bench, pale, alone and in jeans, as bare of pomp as any royal can be.

No mention of kings or titles, just Diana’s ring on her hand.

Rather she gave an appeal, parent to parent, human to human, about her “huge shock” and her care for her “young family.”

And, finally, her kinship with anyone who lives in a vulnerable human body susceptible to a democratic illness like cancer, “you are not alone.”

Or, to paraphrase Richard Curtis:

“I’m just a girl, standing in front of a public, asking for some time to endure gruelling chemotherapy."

NOTE: Additional photos have been included in this article.

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transingthoseformers · 7 months

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Seeing the slight differences in Ratchet between tfp, rid15, and RBA actually tells us an amazing story about healing.

Also the idea that he's easier on cybertronian younglings than he is on the adults.

#also fhe fact that Optimus becomes a cryptid who just. appears occasionally #maccadam #transformers #tfp ratchet #transformers rid2015 #transformers prime #rescue bots academy #also he gets a nephew i 100% hc as First Aid's son #along with of course rba whirl being mtmte Whirl's kid #and wedge being some decepticon youngling that Optimus found and immediately adopted #look. lOOK.#the goddamn baby show (affectionate) making me feel things about Cybertron's future in aligned #i am aware it's a continuity family rather than just one continuity but let me dream okay

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klirk-hammurton · 2 months

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James Hetfield Gifs That Have Me Going Feral

@dedicatedtopapahet @delightfulcollectivetyphoon @bisexual-watermelons

#metallica #metallica family #met family #tallica #acillatem #5th member #james hetfield #papa het #D A D D Y het #the mighty het #the master of puppets #there are so many eras of James that have me barking #like sir....step on me #<-im bot asking nicely anymore

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earthstellar · 11 months

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what are some other nice moments from Rescue bots?

This show is loaded with them!!! :)

Here we go, some nice moments in Rescue Bots!!

I'm going to write this with the assumption that some people reading this may not have ever seen Rescue Bots or might only be somewhat familiar, as I realise the target audience skews much younger than most Transformers media does, so I'm not 100% sure how popular it was outside of that demographic in total.

Off the top of my head:

-There is an in-universe VR game called Element Quest that has a couple really good episodes, the design is cute and there are tons of meme references. Blades, at one point, goes "I used to like video games. Then I took an arrow to the knee." LOL

-I think it's cool how they actually do tie in their continuity with TFP's continuity. For example, "What Rises Above" (RB) canonically comes before "Nemesis Prime" (TFP), and this is directly referenced in the dialogue in TFP when Optimus says that he is late arriving to the base as he was exploring an underground energon deposit-- This is the deposit he explores with the Rescue Bots.

-THERE IS A MUSICAL EPISODE. IT IS EXTREMELY GOOD

-Woodrow Burns, the Chief's brother, is kind of an idiot asshole, although he's not actively malicious. But he is great with the kids and for whatever reason the only thing I can ever remember about this character is when he goes up to Cody after it's been a long time since he saw him last and says "You've grown a whole foot since the last time I saw you-- Now you'll need three socks!" IDK I just think that's a real cute dad joke thing to say to a little kid lol :')

-There is an episode where they explore the local folklore of Griffin Rock, and TL;DR the local lore is that their island is where literal griffins used to nest seasonally. So throughout the episode, there's this kind of vibe of "OK are these electrical magnetic pulses or whatever like a science problem or a magic problem" and it's actually a very cute and fun vibe, especially since Cody is talking about the lore in the first place as part of his work towards a Scouts badge and Blades is very cute in this episode, the bots are all like "okay magic isn't real but uhhh what if magic's real?" for a minute and it's great :')

-Doc Greene/Green creates a ton of fun science devices throughout the show, but the names of some are just so doofy and fun. I love the "Torna-Don't", which is a thing designed to dispel tornados. Of course. lmao

-All the weird small town local events are also very silly and cute, and weirdly realistic for those of us who are familiar with this kind of local event thing, lmao. One of my favourite concepts is one of what seems to be several crawdad-related festivals, in which there is apparently a televised crawdad race. It's a bunch of shrimps put on a tiny racetrack, like Olympic runners. LOL

-At one point, Blurr shows up, and when the Rescue Bots are trying to acclimate him to working with humans, Chase is like "Humans seem to have two genders, which are defined by how many cooties they have." This implies that as far as the Rescue Bots are aware, 1) cooties are real and 2) human gender is defined solely by how many cooties a person has, and not by anything else, thus leaving their understanding of human gender fairly open (and it is also clear they have solely learned about gender from young kids in a small town which is likely why they state there are two genders but then make it clear that gender is a cooties thing and not an inherently physical thing, which makes sense in context and is kind of great because it gives more leeway for gender diversity than I expected) and I love this a lot. What is human gender? Cooties. That's all. So someone with a particularly high number of cooties could be another gender altogether, because why not?

-There is a body swap episode, which treats us to Blades in Dani's body trying on dresses in her room. He picks an orange and white one, which matches his paint job. I also love this a lot.

-Heatwave is gruff as hell especially at the start of the series and constantly starts shit or perpetuates shit with Kade, which is super funny. Just this centuries old Cybertronian fucking with this doofus boy who keeps leaving donuts in his cab. God dammit Kade, lmao.

-There is an episode where Cody is aged up via Science Device, and we get to see an older Cody, who more closely resembles his father than his older brother does. It's cute that he'll look like his dad when he's older. :')

During this episode, he assists in a rescue, and the girl his brother has a crush on tries to hit on him, but he clearly doesn't get what's happening and thinks it's icky because of course he does, he's a kid. I just think this scene is handled well and it's cute that his reaction to being hit on is still "ewww girls" but his brother is still absolutely pissed off about it anyway LMAO like jesus Kade, relax

-Kade's mostly an asshole but he's shown to be a really good rescuer who genuinely cares about people, and he has moments where he really comes through for his family and realises on his own that he should shut up and back down on his bullshit, thus making him a better developed and more realistic asshole brother character than 99% of asshole brother characters in most shows. I think this is pretty solid because it does lead to effective character development here and there, and it makes his positive moments with his family and the bots that much nicer. :)

-Cody is such a good kid. He is often willing to give people or ideas a chance when nobody else will, and even though he's too young to actively participate in most missions, he stays involved by helping at their dispatch centre. He's a smart little dude, who has a lot of heart and a ton of potential. One of the few child characters in anything that I actually like, because I think they write him extremely well: He is young, but he is not stupid. He is not treated like an accessory or like the property of his family, he's his own person with a distinct personality within his family, with a reasonable amount of autonomy. And he's a person who is still learning and has valuable contributions while also needing guidance or support at times. 10/10

-Dani gradually gets better at helping Blades deal with his flight anxiety (and sticks up for him when the others might mock him a little for it), and this is not only inherently very nice and cute, but it also makes a lot of sense as she is a first responder/medic and we see her offer the same reassurances towards the people she helps to rescue.

-The writing for the Burns Family in general is some of the best family group character writing in anything tbh, they handle the family dynamic so well in this show, and it's extra cute as the Rescue Bots all learn a lot from observing how the family takes care of one another and the townspeople they rescue. :')

-Blades has anxiety. I also have anxiety, so I am biased and clearly love this dude, lmao. He's so fucking relatable and even though sometimes the others rip on him, it is clear that they're also very proud of him for trying his best to deal with a situation which for him is particularly difficult (he was forced to take a flight capable alt-mode when this is something he is explicitly not comfortable with) and his team mates do support him, even though Heatwave is a douche sometimes (although it is clear this is usually due to stress or something else and that the actual problem isn't Blades). Over the course of the series, Blades does develop a little more confidence, and it's very cute and nice to see him puffing himself up a little more. :)

-The overall attitudes the bots have towards humans in this show is sweet. It's clear they don't really understand humanity or humans as a whole, but it also doesn't really matter because they are so specifically oriented to their local population on the island and their focus is a relatively small community of humans. They take their duties seriously and will protect this population, even if they don't really understand the people outright. They gradually start to respect the locals (and the Burns Family) more and more as they work with them, and get acclimated to Earth. They love their dumbass weird little humans :')

This leads to a lot of fun shenanigans with the bots not understanding things, or only understanding things as they have been explained by the children, which is hilarious.

-There is an episode where local thieves steal Chase, and inspired by Cody's school drama project, he decides to go undercover after watching a bunch of old detective movies. This includes him narrating things to himself, which he is called on when Dani enters the garage and asks him "Why are the lights off? Are you talking to yourself?" lmao

-Although it isn't explicitly canonical, it's easy to interpret both Chase and Blades as being neurodivergent. Both of them display various behaviours and traits which can potentially be understood in this way, and I'm just glad that there's a show for kids where two of the main characters, who are rescue workers, are shown to be competent and skilled at their jobs and accepted by the community for who they are while also being neurodivergent. <3 It's such a good vibe when the other characters support or defend these two in particular, especially when Chase or Blades might be confused or upset about something. Chief Burns is especially great working with Chase.

-Any episode where Optimus shows up in Rescue Bots usually has some gems of cuteness/silliness. The Elvis line still takes me out, LMAO. "You're bigger than Elvis!" "I have not met this Elvis, and I am unaware of his size." 10/10 writing, I fucking love Rescue Bots

-The bots constantly call out a bunch of details that are entirely appropriate for robots from space to notice and recognise as somewhat weird, whereas a lot of the human characters are so used to 1) being human and 2) living on this incredibly weird little technologically advanced island that nothing really phases them anymore. So we can actually identify more with the bots at time, despite the fact that they are also providing an outsider point of view, which is really clever! :)

-The theme song is a fucking banger. It's so good. I love this song so much. I wish we got a full version of it, but this is the best extended version of it that I've been able to find. Enjoy!!!

-There's a lot of fairly adult stuff in the show, more than I think people realise! The tone can never get too dark outright as it is intended for young kids as the primary demographic, but there's a lot of situations, conversations, etc. that are genuinely engaging and interesting from an adult perspective, which is a large part of what makes it a great watch for all ages.

Some situational examples include scenarios where children are imperilled in natural disasters, accidents, even kidnapping at one point.

Non-kid related situations include risks and threat to civilians from AI development and the dangers that uncontrolled or poorly thought out technology can cause or exacerbate, which is significant in context and also interesting to think about given our current relationship IRL with rapid tech development and concerns around how that technology is being made and applied, either in reality or in theory.

Some dialogue examples include scenes where the bots mention their grief over being unable to save Cybertron, a sense of guilt that they were in stasis for so long even though this was beyond their control, awareness that they may be the last Rescue Bots team in operation on Earth or anywhere else in the universe (a sense of loneliness and a responsibility as the last upholders of their specific creed), struggles with their sense of duty and concerns around their ability to fulfil their expectations for themselves and meet the expectations of others while rising to the demands of their unique situation, and so on.

this is already pretty long lmao, there's a ton of stuff I really like about Rescue Bots, but I hope this might encourage others to check out the show if you haven't before, it's well worth a watch! :)

#maccadam #maccadams #reply #long post #rescue bots #tf rescue bots #tf heatwave #tf blades #burns family #chief burns #cody burns #kade burns #dani burns

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