I don't know about you, but I haven't managed to recover from SxF chapter 66. I feel like it left me in a state of crisis and constant alertness, it made me skeptical about some characters and it made me very sad and worried about Yor!
I don't know if I'm the only one who feels that this chapter was more shocking and suspenseful...
I need Endo to make me regain faith and hope in future chapters… or I'll need him to pay me for therapy xD
I think sometimes people need a little reminder about this scene and how important it is in showing us how the dynamic between Arthur and Mary worked.
The feelings between them are solely mutual, nobody is taking advantage of the other, and they actually talk about it. They have the maturity to admit how much they wanted things to be different, and they agree that it's all in the past now.
Mary doesn't demand his help or beg on her knees. She asked sincerely because that's still her father, no matter how he treats her. Arthur knows this, he knows how important (what's left of) her family is to her. He put his feelings about her father aside because he wants to help.
Even despite how their lives had changed over the years, they still cared so much about eachother. After losing her husband, her brother going back to college, her mother not being around anymore and her father still being abusive, Mary was fucking lonely.
She was so miserable and if there was anybody left that she could trust, it would absolutely be Arthur.
And it hurts because so much between them was left unsaid, it's just that Arthur took it to the grave.
start from the beginning // read the november chapter // read the most recent chapter (january)
hey listen. look me in my eyes. have you read thirteen by anna scribbles. i think you need to read thirteen by anna scribbles. i think if you want your life to be forever changed you need to read thirteen by anna scribbles. i think if you are a person who is breathing and alive you need to read thirteen by anna scribbles. thank you
Some of the evidence supporting Mike not being in love with El is brutal. No, but seriously.
In s3, when El's leg is injured, instead of Mike putting his arm around her waist, allowing him to take some of the weight off her injured leg, he puts his arm around her shoulder, basically having the exact opposite affect of taking the weight off of her, instead just adding more weight for her to have to carry.
Now, I’m not coming at Mike here, I’m actually coming at the writers, because this choice here has everything to do with them using this gesture to signal Mike’s lack of feelings for El, even at the expense of realism.
I say this bc any person with common sense, including Finn and everyone around him and Millie filming these shots, would've known it looked unnatural for Mike to be adding more weight onto El as opposed to taking some off of her.
This means that what Mike did here, Finn was directed to do, and therefore it was for a specific reason.
And we know they could have easily made the opposite choice, because they show us Max AND Lucas doing it.
See how putting an arm around El's waist looks so much more natural? Because homegirl is injured and clearly needs help taking weight off her leg to qualm some of the pain she's experiencing there, which is why Max and Lucas are shown here doing it the correct way.
And so, why can't Mike do the same? Why are the writers making a point to show Mike being incapable of simply taking some weight off of El, instead doing the exact opposite?
I don't think it's as deep as Mike not being able to do something intimate, and that's bc, again we see Max and Lucas doing it.
I honestly think what they're trying to convey with this choice here, is that Mike thinks he's helping El, when he is in fact doing the opposite despite his best efforts. The implications of that and how that sort of aligns with their romantic relationship and what it leads to at the end of s3, going into s4, is pretty spot on.
I do think Mike thinks he's doing the right thing by being with El instead of voicing any doubts at the end of s3, because he is under the assumption that she is in love with him. I do think he believes he is indebted to her and that this is the least he can do after everything they've been through together, which has mostly been riddled with romantic pressures and so continuing that instead of disputing it seems like the only option anyways. Not to mention, he does care for her deeply, so it's not hard to imagine that he's a teenage boy confusing deep care for love (he literally tells us this is his problem when he can only say care and not love to El's face... but that's a whole other conversation).
Still, when it's all said and done, Mike's not actually doing El any favors by being with her romantically, if that is not what he truly wants.
Because that's the sad truth about all of this, which is that you would never want someone to be with you just because you want them. If you knew that they truly couldn't have those feelings for you, you'd want to know, right? You don't deserve someone just because you have deep feelings for them. And I think there's so many layers to this idea, bc many people are capable of not giving Byler a chance bc they truly believe Mike could never return Will's feelings. Will also feels this way atp, so though it hurts, he rips the band aid off, because he would never want Mike to be with him just out of pity or something. No one would want that. And so it all really comes down to who Mike truly loves romantically and wants to be with. And the right thing to do, even if it hurts someone, is to be honest, because being with them just bc you think that will make them happy is never going to be enough if you aren't truly feeling it, or worse, feel it for someone else.
We see how Mike's inability to be honest with El at the end of s3, leads to a season of Mike feeling deeply insecure and undeserving of the love El has to offer him, and even though he does try, he always comes up short. Despite Mike putting up this front that they are the perfect couple, the details are telling us something is off. And it gives him away.
Another example that I think is very similar to this loaded gesture from Mike to El in s3, is the scene in s4 when they hug in the airport.
Common sense ppl, picture this: You're reuniting with your long distance girlfriend. Then suddenly, she runs up to you, with her arms wide open, and instead of opening your arms wide to embrace her properly, you take the bouquet of flowers you brought her as a gift, and shove them against your chest just as she approaches to hug you, effectively squishing the present you got for her (a pretty delicate present at that) for no reason other than to... what exactly?
Like?? El isn't even squishing the present Mike, she's trying to hug you, dude! Your gf is trying to hug you properly and you threw the gift you got for her in between you so you could throw in a careful! x3??
Again, this has less to do with Mike's thoughts and reasoning behind this gesture in a literal sense, and more to do with the simple fact that this is a narrative choice! Mike is not a real person! There are real people sitting down and writing this and actors are having to do multiple takes to act it out. What feels natural for a situation is going to be what is often chosen 9 times out of 10, because of realism and wanting the audience to see stuff happening that is believable. That 1 time though, when it's not being done the way it would usually be, is usually because there's a specific reason for it.!
So the question really is, not why is Mike doing this, but why are the writers having Mike do this, and what message are they trying to convey about Mike's feelings based on his behavior, in these moments where he's just not capable of committing to El genuinely, one way or another?
I just want to talk about the nursery being painted and the purpose of the Tomb to be without a door. Anastasia had a family - and putting to the side the pact with Alecto there's some implicit symbolism to John asking for the workers of the Ninth to die constructing the Tomb with that image of new life. (Still can't articulate my disbelief that he went and didn't think that asking Anastasia of all people, The one who lost her cavalier to him, would have problems)
Yeah. Especially finding this out about the Ninth, where nurseries becoming tombs is a thing we're sensitive about.
On one level we've always known Anastasia had a family. Like, we know she's Harrow's direct ancestor. You can't be heir to the line of someone who never had children. But the nursery.... Yeah. It really hammers it in. Her friends painted a nursery mint green for her children.
Finally got enough energy to talk about Furina's SQ and while I loved her and the troupe, MC and Paimon were .... Not Great. I talked about this with friends but in Paimon's case especially, the way they interact with Furina feels like people who just don't understand trauma and depression and then engage with someone suffering from both in all the wrong ways.
Talking about how much of a downgrade her house is from the opera house, making fun of how she can't cook, pushing her to act when she's set a very clear boundary and then guilt tripping her after she's stuck to her guns, shaming her for not being able to fight well (Paimon literally talks about how second hand embarrassment is overwhelming and I'm just like ?????), telling her she's "not acting like herself" when she attempts to open up and be vulnerable....it's just really rough. That and the MC asking "is something wrong" when Furina gets sad over Poission ..like bro people died and she couldn't save them and she's tearing herself apart over it. Those people are never coming back and you know it and you have the gall to ask her is something wrong??? Of COURSE there is!!
It just feels especially odd because we literally get to see all of Furina's suffering and Paimon in particular is. SO mean? Like she was more understanding with Wanderer and Ei and THEY'VE tried to kill us multiple times!! I don't get it, and honestly I'm very proud of Furina for refusing to waver. Let her rest!! She's tired and depressed and she needs time to heal; and honestly fuck Paimon for trying to make her feel bad. Furina's worked harder than she EVER will.
The Barbie movie is amazing but the ignorance of certain people who just wanna hop on the trend and don't care about learning/researching the doll's history it brought all over the internet really shows (long unasked for rant in the tags/rb)
they're NOT killing the eggs you guys don't worry this makes a lot of sense as a strategic threat to keep these three too scared to resist or do anything to fight the federation. Roier and Slime both lost their eggs so they technically have less to lose, and Roier is connected to Cellbit as well. Tubbo's been trying to fight the federation since he got there and they're clearly very annoyed at him SPECIALLY I think part of the key is also what some meta has talked about recently about the new islanders vs the old ones where the old islanders will just be like 'we already tried that there's no point to any of that' and have gotten used to the kidnappings and such, and tubbo's still like THIS IS FUCKED WAKE UP WE HAVE TO DO STUFF and I think they hate that and want to crush that. To put these three through this achieves two awful things at once: it makes Slime and Roier relive what happened to Bobby & Juana Flipa and it makes the three of them fear that it's happening again. ALSO it could seed mistrust if they tell people about this because anyone who wasn't in the room may blame Tubbo for it
Okay, here are my current notes on the Markarth Incident. This is more of an evolution of thought rather than a final product, 'kay? 'kay. XOXO
4E 174 – The Empire recalls all Legions from the far corners of the Empire to participate in the final assault against the Aldmeri-held Imperial City. Every town and city not on the frontlines is left with a skeleton garrison.
The Reachmen of Western Skyrim chooses to capitalize on this movement. The Reachmen populate an area of Western Skyrim, Eastern High Rock, and Northern Hammerfell. Although they appear similar to the Bretons of High Rock, they are wholly distinct, worshipping gods completely detached from those of Breton culture. During the Second Era, they once ruled Cyrodiil as the Longhouse Emperors; in recent history, they have lived subject to other races, primarily the Nords, who rule much of the Reach. More often than not, Reachmen are second-class citizens, though very rarely have they received decent though not preferential treatment from a Nordic Jarl.
When the Empire recalls their Legions, the capital of the Reach, Markarth, is left functionally undefended. A Reachman leader, Madanach, takes this opportunity to seize the city and install a Reachmen government in place of the Nords. Madanach declares himself King of the Reach and succeeds the Reach from Skyrim. Contemporary Imperial documents show that Madanach sent emissaries to Emperor Titus Mede II in an attempt to have the Reach recognized as its own Imperial Province wholly separate from Skyrim. Titus Mede appeared to have taken this into serious consideration, though he was unable to give it his full attention as the Empire was planning their attack on the Imperial City.
Conflicting reports on the time frame of the Reachman takeover exist. Reports vary between the takeover beginning in Fourth Era 174 and 177 when the conflict was over. Contemporary Imperial and Forsworn documentation claim that Madanach’s rule was relatively stable, saying he was fair to the Nords, his people ousted from power, and allowed them to remain in the city so long as they recognized his government. It is said that live around Markarth continued in the same way as before, though under the Reachmen rather than the Nords. It may be important to note that Nord landholders who “mistreated” their Reachmen servants were put to death.
The Nordic perspective (as shared by Jarl Igmund in Fourth Era 201) claims that the Reachmen takeover was violent, leading to a chaotic period in which Nords were heavily discriminated against and no civil cooperation between races.
[Madanach’s version of events MAY be closer to the truth. N.B: During his rule, he seems willing to help a group of dissident Blades in exchange for a favor.]
The White-Gold Concordat is signed 11th of Sun’s Dusk, Fourth Era 175; Surviving veterans of the Battle of the Red Ring return to their homes, including large populations of Nordic legionnaires. Talos worship is outlawed. Talos temples are closed, though many continue to worship him in private. Ulfric Stormcloak takes offense to the banning of Talos worship, viewing it as a central aspect of Nord culture. His father, Hoag, the Jarl of Windhelm and Bear of Eastmarch, does not legalize Talos worship despite Ulfric’s religiosity. It may be that he wishes to avoid a conflict with the Empire. Jarl Hrolfdir of Markath, in exile by Madanach’s government, promises Ulfric and his supporters religious freedom should they take back the Reach from the Reachmen. This is in blatant disregard of the White-Gold Concordat.
Ulfric leads a militia across Skyrim to the Reach where they took back Markarth. A few Reachmen leaders were imprisoned, though others were killed, along with most of their warriors, though some were driven off into the surrounding wilds. The survivors in exile began to call themselves the Forsworn. They attack Nords and the Empire indiscriminately due to anger and feelings of betrayal.
Most of the Reachmen leaders are killed. However, allegedly at the request of the Silver-Blood family, Madanach is taken prisoner and held in the depths of Cidhna Mine. The Forsworn claim that the Nords, under Jarl Hrolfdir and Ulfric Stormcloak, took back the city through an excess of unnecessary violence, putting to death or imprisoning anyone who had even spoken to Madanach or said his name. It is also said that the family members of those who were deemed to be against the Nords’ rule were imprisoned or killed, even down to young children. Purported Imperial propaganda puts forth that Ulfric himself killed everyone in Markarth who would not join his cause.
It is true that there was bloodshed and death of innocents during the retaking of Markarth. The factuality of this claim can be traced to those Reachmen who survived the incident, sharing their experiences twenty-five years afterward.
Jarl Hrolfdir was assassinated during attempted peace talks with the Forsworn after the retaking of Markarth. It may be that the incident only grew violent after this point due to Nordic retaliation.
Why would Ulfric and Jarl Hrolfdir use that much unnecessary violence and brutality against the Reachmen if they intended to negotiate with them afterward?
Perhaps Igmund instigates the brunt of the violence against the Reachmen following his father’s death.
Jarl Hrolfdir was marked for death by the Dark Brotherhood. It is unknown who performed the Black Sacrament on the Jarl. It is possible someone from outside the conflict placed the contract on Jarl Hrolfdir’s head as a means of sewing chaos between the opposing sides (it could have been Igmund or Raerek [crack theory; maybe the brother was trying to Lion King his way into power and failed miserably? Or one of them opposed making peace with the Reachmen], or perhaps it was the Aldmeri Dominion?). Regardless, the Jarl’s death is the probable instigator for the deaths of many of the Reachman remaining in Markarth.
The Imperial Legion shows up not long after the city is retaken. They are seemingly thankful that Ulfric’s militia took back the Reach. When Ulfric lets them into the city, he asks that they recognize the free worship of Talos that Jarl Hrolfdir had legalized in the Reach; otherwise, the Legion would be fought off. The Imperial Legate (or general?) present at the time okays Ulfric’s request, effectively breaking the White-Gold Concordat. Again. Not long after, the Thalmor discovered this and took issue with this breach of treaty. They give the Empire an ultimatum: disband Talos worship in the Reach or prepare for the Great War to be renewed.
Ulfric and his followers are arrested and imprisoned by the Empire as Talos worship is again banned. The Empire must crack down on cases of Talos worship across the province. In consequence of the incident, the Thalmor gain access to Skyrim for their Justiciars through an Embassy. This is allegedly to enforce the terms of the White-Gold Concordat after it had been broken by the Nords in Fourth Era 176/7, but on an underground level, this allows the Thalmor to hunt, capture, and torture suspected Talos worshippers. The coming of the Thalmor Justiciars to Skyrim is technically a domino effect caused by Ulfric’s demand for free and open Talos worship.
Jarl Hrolfdir’s assassination happens during Ulfric and his supporters imprisonment. It may be possible that it was Ulfric OR one of his men who performed the Black Sacrament (though how could they do this while in an Imperial prison? Ulfric had to smuggle out his eulogy for his father’s funeral – what is the Imperial prison smuggling system like? Could any of them have had access to a dead body? Smuggled in or that of a fellow prisoner?). Whoever performed the Black Sacrament on Jarl Hrolfdir is the root cause for the retribution killings of the Reachmen. (Perhaps it was Thonar Silver-Blood?)
Ulfric is an uncooperative asset to the Thalmor, not because he ever cooperated with them in the first place, but because he is the (unintended) reason they have such a strong foothold in Skyrim now.
Just finished watching Wendigoon's video about Hisashi Ouchi and had a terrible, awful, no-good DP prompt idea come into my head. Come suffer with me.
So the Fentons constantly threaten to tear ghosts apart "molecule by molecule" right? What if they managed to make an anti-ghost weapon that made good on that threat? One that tore apart ghostly DNA or ectoplasm, and just straight-up turned any ghost hit by it into green goop, melted within seconds like Danny's clones?
So I imagine that at some point after destroying a couple of ghosts with this new weapon, Jack and Maddie finally manage to corner Phantom somehow. Terrified, Danny is left with no choice but to try to explain who and what he is, hoping to all the Ancients that it will be enough to stop them from hurting him.
Unfortunately for him, the Fentons don't really listen at first and shoot him point blank.
Danny puts his arms up to protect himself and closes his eyes, trembling in abject fear, imagining himself melting away into a pile of goop right in front of his parents. He desperately hopes it's quick and painless. He waits for the end.
...and waits
... and waits
The Fentons and Danny both feel shocked, but Danny eventually laughs (a bit hysterically) and continues explaining his accident, intensely relieved that his half-human nature had protected him from this weapon.
Once he explains everything, the Fentons apologize with tears in their eyes for how they had treated him. They accept him for who he is, and promise to do their best to learn more about ghosts' true natures. They decide to use their inventions in an actually scientific, ethical way, to learn more about this culture and people. Danny and Jazz are both ecstatic. Everything seems perfect. Sure, Danny might have thrown up and passed out the minute they got home from that little talk, and sure, his skin turned a bit red and painful where he got hit, but that was the extent of it, right? His human half purged the effects of the weapon from his body, no harm no foul.
But they all forget that while Danny's DNA is half human, it is also half ghostly in nature, and the weapon just tore through those parts of him like bullets through paper.
A week later, Danny's skin starts to feel like it's burning
This. This. This entire conversation with Morrigan actually makes me want to sob. She and my Tabris always becomes close friends over the course of DAO; that, paired with the fact that my Tabris always romances Alistair, makes everything about this hurt so much more when you take DAO's ending into account.
Her confusion over why my Tabris didn't send her away. Why she didn't abandon her after they learned of Flemeth's plans. Why Tabris went out of her way to slay Flemeth and bring her the true grimoire. She asks Tabris why, and is baffled when the answer is, "I did it because I'm your friend," as if it's that simple.
The way Morrigan looks at the warden, the way her voice cracks when she says, "I want you to know that while I may not always prove... worthy... of your friendship, I will always value it."
She knows how this will end; Flemeth sent her with the wardens with the end goal of stopping the blight and obtaining the old god soul through the dark ritual. Morrigan knows that Alistair and Tabris are the only Grey Wardens here, and assuming they don't find more, one of them will have to die defeating the archdemon unless they agree to do the dark ritual.
With that context, her asking Alistair, "And what if a Grey Warden has forced to choose between the Warden he loved and ending the Blight? What should his choice be?" suddenly has so much subtext weaved through the words that I'm gonna start foaming at the mouth. She's practically telling Alistair that a warden has to die. She's scrutinizing his reaction to find any hint that suggests he would agree to the dark ritual in order to save himself and the woman he loves. And when he doesn't choose, she has her answer.
Morrigan made comments to Tabris about him, almost hopeful that their relationship was just a physical thing between them and not actually riddled with feelings... and then gives disapproval when Tabris says she loves him.
She doesn't want the warden to die; hell, she doesn't want Alistair to die, either; whether because she does actually care about him or because she knows it'll break her friend's heart if she loses him, or both!
Things would be so much easier if the only two Grey Wardens left to defeat the blight didn't fall in love, wouldn't they, Morrigan?
She knows that in the end, no matter the outcome, she will lose the woman she called sister and it's devastating.
Morrigan, who has never known true friendship. Who grew up isolated in the woods with an abusive mother and terrible implications for her future. Who discovered said mother planned to take over her body just as she did with her other daughters. Who doesn't understand kindness as it was rarely given to her without a catch. Who isolates herself from the others in camp. Who finally has a companion she cares about... and in the end, if her plan works and the dark ritual is completed, she'll end up pregnant and alone and wearing Tabris' resentment like a tender wound on her heart.
Or Tabris will reject the ritual, and will die to the archdemon.
Or her lover will.
I just- the dynamic between the warden, romanced Alistair, and Morrigan is so good and painful and rich that I'm gnawing on furniture as we speak.
Your art is soo incredibly pretty! Are we allowed to use it as profile pictures(obviously with proper credit)?
Oh didn't I answer this ask before? I'm pretty sure I did ahah, but as I said before, yes you are free to use my art as profile pictures! Credit is appreciated but not obligatory! I really don't mind
Oh and while I'm here, for everyone else, comic dubs are allowed too as long as it's credited! And I'd always love to see the result so don't be scared to send it to me! ❤
For reposts, I know I can't really stop anyone from reposting but just know that I don't really appreciate it. I post a lot here and a lot less on twitter for example, and most of the time it's because I'm not always comfortable sharing some of my posts on twitter because I'm not sure what reactions I could get,, same for ig, and I don't even have tiktok. I know some of you mean well and just want to share my posts on a wider audience on other socials (especially the funny comics and I understand why ahah) but please understand that I'm not always comfortable with my art circulating on other social medias, please try to respect that!
Hi, you’ve probably already addressed this at some point and I’ve simply missed it, but what’s your thoughts on Hera’s ending? (Particularly, how Pryce just removes the ‘I can’t do this, I’m not good enough’ line, and she stops glitching?) Personally it always felt rather… bad, honestly, given the whole “they could’ve made me better, they made me me” thing, if that makes sense?
hi! first: that absolutely makes sense, and i'm also very sensitive to anything that seems to "fix" disability or trauma, so i understand where you're coming from. that was not personally my takeaway about hera in the finale; i'll try to explain why:
pryce didn't remove that loop from hera's head. i don't think she could have - even if it's technically possible for her to do (and she is capable of a lot more than maxwell), she just had her mind wiped and wouldn't have access to that information, and even if she did retain it on an instinctual level, that would require allowing pryce access to the most vulnerable parts of hera's mind. and she would never allow that. there's a reason pryce is still a prisoner.
hera speaks to pryce not for reconciliation, but for reclamation. she's lived her whole life in fear of what pryce (and people like pryce) can do to her, with every aspect of who she is and what she does controlled and dictated by anyone with power over her. the finale opens with pryce telling her life's story from her perspective - at once self-mythologizing and self-victimizing - and, the final time we ever hear from or about pryce, hera is about to tell her own story. we never find out what was actually said, or how pryce reacted, because it doesn't matter. hera gets to take control of her own narrative. hera gets to confront her abuser, and feel in control and safe from harm.
it's worth keeping in mind that hera doesn't glitch consistently. that's one of the things i think also makes it a useful comparison to chronic illness. when, why, and how much hera glitches was an intentionally crafted part of the sound design. it happens more often, and more intensely, when she's stressed out, overwhelmed, or upset.
and, with that in mind... the ending leaves the characters on a generally positive note, because it's the end of the show and that's the feeling it wants to leave you with: that everything will be more or less okay, in the end. but it isn't the end of their lives. once they get back to earth, a lot of things are going to be very difficult for hera. even in the final scene, she says she's not ready to go back, but "when has that ever stopped us before?" when she's able to honestly say she's good, i don't think that means she's good forever. just, in that moment, that's a crucial step in her healing process, and i hope in the future she'll have a lot more moments that feel like that one.