#Can't wait for blaze to reach europe | Explore Tumblr Posts and Blogs

timeless-hollywood-classics · 4 years

Text

Gene Eliza Tierney (November 19, 1920 – November 6, 1991) was an American film and stage actress. Acclaimed as a great beauty, she became established as a leading lady. Tierney was best known for her portrayal of the title character in the film Laura (1944), and was nominated for an Academy Award for Best Actress for her performance as Ellen Berent Harland in Leave Her to Heaven (1945).

Tierney's other roles include Martha Strable Van Cleve in Heaven Can Wait (1943), Isabel Bradley Maturin in The Razor's Edge (1946), Lucy Muir in The Ghost and Mrs. Muir (1947), Ann Sutton in Whirlpool (1949), Maggie Carleton McNulty in The Mating Season (1951), and Anne Scott in The Left Hand of God (1955).

I Gene Eliza Tierney was born on November 19, 1920 in Brooklyn, New York, the daughter of Howard Sherwood Tierney and Belle Lavinia Taylor. She was named after a beloved uncle, who died young.[4][page needed] She had an elder brother, Howard Sherwood "Butch" Tierney Jr., and a younger sister, Patricia "Pat" Tierney. Their father was a successful insurance broker of Irish descent, their mother a former physical education instructor.[4][page needed]

Tierney was raised in Westport, Connecticut. She attended St. Margaret's School in Waterbury, Connecticut, and the Unquowa School in Fairfield. She published her first poem, entitled "Night", in the school magazine and wrote poetry occasionally throughout her life. Tierney played Jo in a student production of Little Women, based on the novel by Louisa May Alcott.

Tierney spent two years in Europe, attending Brillantmont International School in Lausanne, Switzerland, where she learned to speak fluent French. She returned to the US in 1938 and attended Miss Porter's School in Farmington, Connecticut. On a family trip to the West Coast, she visited Warner Bros. studios, where a cousin worked as a producer of historical short films. Director Anatole Litvak, taken by the 17-year-old's beauty, told Tierney that she should become an actress. Warner Bros. wanted to sign her to a contract, but her parents advised against it because of the relatively low salary; they also wanted her to take her position in society.

Tierney's society debut occurred on September 24, 1938, when she was 17 years old. page needed] Soon bored with society life, she decided to pursue an acting career. Her father said, "If Gene is to be an actress, it should be in the legitimate theatre." Tierney studied acting at a small Greenwich Village acting studio in New York with Yiddish and Broadway actor/director Benno Schneider. She became a protégée of Broadway producer-director George Abbott.

In Tierney's first role on Broadway, she carried a bucket of water across the stage in What a Life! (1938). A Variety magazine critic declared, "Miss Tierney is certainly the most beautiful water carrier I've ever seen!" She also worked as an understudy in The Primrose Path (1938).

The following year, she appeared in the role of Molly O'Day in the Broadway production Mrs. O'Brien Entertains (1939). The New York Times critic Brooks Atkinson wrote, "As an Irish maiden fresh from the old country, Gene Tierney in her first stage performance is very pretty and refreshingly modest." That same year, Tierney appeared as Peggy Carr in Ring Two (1939) to favorable reviews. Theater critic Richard Watts Jr. of the New York Herald Tribune wrote, "I see no reason why Miss Tierney should not have an interesting theatrical career – that is, if cinema does not kidnap her away."

Tierney's father set up a corporation, Belle-Tier, to fund and promote her acting career. Columbia Pictures signed her to a six-month contract in 1939. She met Howard Hughes, who tried unsuccessfully to seduce her. From a well-to-do family herself, she was not impressed by his wealth. Hughes eventually became a lifelong friend.

After a cameraman advised Tierney to lose a little weight, she wrote to Harper's Bazaar magazine for a diet, which she followed for the next 25 years. Tierney was initially offered the lead role in National Velvet, but production was delayed. page needed] When Columbia Pictures failed to find Tierney a project, she returned to Broadway and starred as Patricia Stanley to critical and commercial success in The Male Animal (1940). In The New York Times, Brooks Atkinson wrote, "Tierney blazes with animation in the best performance she has yet given". She was the toast of Broadway before her 20th birthday. The Male Animal was a hit, and Tierney was featured in Life magazine. She was also photographed by Harper's Bazaar, Vogue, and Collier's Weekly.

Two weeks after The Male Animal opened, Darryl F. Zanuck, the head of 20th Century Fox, was rumored to have been in the audience. During the performance, he told an assistant to note Tierney's name. Later that night, Zanuck dropped by the Stork Club, where he saw a young lady on the dance floor. He told his assistant, "Forget the girl from the play. See if you can sign that one." It was Tierney. At first, Zanuck did not think she was the actress he had seen. Tierney was quoted (after the fact), saying: "I always had several different 'looks', a quality that proved useful in my career."

Tierney signed with 20th Century-Fox[4][page needed] and her motion picture debut was in a supporting role as Eleanor Stone in Fritz Lang's western The Return of Frank James (1940), opposite Henry Fonda.

A small role as Barbara Hall followed in Hudson's Bay (1941) with Paul Muni and she co-starred as Ellie Mae Lester in John Ford's comedy Tobacco Road (also 1941), and played the title role in Belle Starr alongside co-star Randolph Scott, Zia in Sundown, and Victoria Charteris (Poppy Smith) in The Shanghai Gesture. She played Eve in Son of Fury: The Story of Benjamin Blake (1942), as well as the dual role of Susan Miller (Linda Worthington) in Rouben Mamoulian's screwball comedy Rings on Her Fingers, and roles as Kay Saunders in Thunder Birds, and Miss Young in China Girl (all 1942).

Receiving top billing in Ernst Lubitsch's comedy Heaven Can Wait (1943), as Martha Strable Van Cleve, signaled an upward turn in Tierney's career. Tierney recalled during the production of Heaven Can Wait:

Lubitsch was a tyrant on the set, the most demanding of directors. After one scene, which took from noon until five to get, I was almost in tears from listening to Lubitsch shout at me. The next day I sought him out, looked him in the eye, and said, 'Mr. Lubitsch, I'm willing to do my best but I just can't go on working on this picture if you're going to keep shouting at me.' 'I'm paid to shout at you', he bellowed. 'Yes', I said, 'and I'm paid to take it – but not enough.' After a tense pause, Lubitsch broke out laughing. From then on we got along famously.

Tierney starred in what became her best-remembered role: the title role in Otto Preminger's film noir Laura (1944), opposite Dana Andrews. After playing Tina Tomasino in A Bell for Adano (1945), she played the jealous, narcissistic femme fatale Ellen Berent Harland in Leave Her to Heaven (1945), adapted from a best selling novel by Ben Ames Williams. Appearing with Cornel Wilde, Tierney won an Academy Award nomination for Best Actress. This was 20th Century-Fox' most successful film of the 1940s. It was cited by director Martin Scorsese as one of his favorite films of all time, and he assessed Tierney as one of the most underrated actresses of the Golden Era.

Tierney then starred as Miranda Wells in Dragonwyck (1946), along with Walter Huston and Vincent Price. It was Joseph L. Mankiewicz' debut film as a director, In the same period, she starred as Isabel Bradley, opposite Tyrone Power, in The Razor's Edge (also 1946), an adaptation of W. Somerset Maugham's novel of the same name. Her performance was critically praised.

Tierney played Lucy Muir in Mankiewicz's The Ghost and Mrs. Muir (1947), opposite Rex Harrison. The following year, she co-starred again with Power, this time as Sara Farley in the successful screwball comedy That Wonderful Urge (1948). As the decade came to a close, Tierney reunited with Laura director Preminger to star as Ann Sutton in the classic film noir Whirlpool (1949), co-starring Richard Conte and José Ferrer. She appeared in two other film noirs: Jules Dassin's Night and the City, shot in London, and Otto Preminger's Where the Sidewalk Ends (both 1950), reunited with both Preminger and leading man Dana Andrews, who she appeared with in five movies total.

Tierney was loaned to Paramount Pictures, giving a comic turn as Maggie Carleton in Mitchell Leisen's ensemble farce, The Mating Season (1951), with John Lund, Thelma Ritter, and Miriam Hopkins. She gave a tender performance as Midge Sheridan in the Warner Bros. film, Close to My Heart (1951), with Ray Milland. The film is about a couple trying to adopt a child. Later in her career, she was reunited with Milland in Daughter of the Mind (1969).

After Tierney appeared opposite Rory Calhoun as Teresa in Way of a Gaucho (1952), her contract at 20th Century-Fox expired. That same year, she starred as Dorothy Bradford in Plymouth Adventure, opposite Spencer Tracy at MGM. She and Tracy had a brief affair during this time.[10] Tierney played Marya Lamarkina opposite Clark Gable in Never Let Me Go (1953), filmed in England.

In the course of the 1940s, she reached a pinnacle of fame as a beautiful leading lady, on a par with "fellow sirens Rita Hayworth, Lana Turner and Ava Gardner". She was "called the most beautiful woman in movie history" and many of her movies in the 1940s became classic films.

Tierney remained in Europe to play Kay Barlow in United Artists' Personal Affair (1953). While in Europe, she began a romance with Prince Aly Khan, but their marriage plans met with fierce opposition from his father Aga Khan III. Early in 1953, Tierney returned to the U.S. to co-star in the film noir Black Widow (1954) as Iris Denver, with Ginger Rogers and Van Heflin.

Tierney had reportedly started smoking after a screening of her first movie to lower her voice, because she felt, "I sound like an angry Minnie Mouse." She subsequently became a heavy smoker.

With difficult events in her personal life, Tierney struggled for years with episodes of manic depression. In 1943, she gave birth to a daughter, Daria, who was deaf and mentally disabled, the result of a fan breaking a rubella quarantine and infecting the pregnant Tierney while she volunteered at the Hollywood Canteen. In 1953, she suffered problems with concentration, which affected her film appearances. She dropped out of Mogambo and was replaced by Grace Kelly.[4][page needed] While playing Anne Scott in The Left Hand of God (1955), opposite Humphrey Bogart, Tierney became ill. Bogart's sister Frances (known as Pat) had suffered from mental illness, so he showed Tierney great sympathy, feeding her lines during the production and encouraging her to seek help.

Tierney consulted a psychiatrist and was admitted to Harkness Pavilion in New York. Later, she went to the Institute of Living in Hartford, Connecticut. After some 27 shock treatments, intended to alleviate severe depression, Tierney fled the facility, but was caught and returned. She later became an outspoken opponent of shock treatment therapy, claiming it had destroyed significant portions of her memory.

In late December 1957, Tierney, from her mother's apartment in Manhattan, stepped onto a ledge 14 stories above ground and remained for about 20 minutes in what was considered a suicide attempt. Police were called, and afterwards Tierney's family arranged for her to be admitted to the Menninger Clinic in Topeka, Kansas. The following year, after treatment for depression, she was discharged. Afterwards, she worked as a sales girl in a local dress shop with hopes of integrating back into society, but she was recognized by a customer, resulting in sensational newspaper headlines.

Later in 1958, 20th Century-Fox offered Tierney a lead role in Holiday for Lovers (1959), but the stress upon her proved too great, so only days into production, she dropped out of the film and returned to Menninger for a time.

Tierney made a screen comeback in Advise and Consent (1962), co-starring with Franchot Tone and reuniting with director Otto Preminger.[4][page needed] Soon afterwards, she played Albertine Prine in Toys in the Attic (1963), based on the play by Lillian Hellman. This was followed by the international production of Las cuatro noches de la luna llena, (Four Nights of the Full Moon - 1963), in which she starred with Dan Dailey. She received critical praise overall for her performances.

Tierney's career as a solid character actress seemed to be back on track as she played Jane Barton in The Pleasure Seekers (1964), but then she suddenly retired. She returned to star in the television movie Daughter of the Mind (1969) with Don Murray and Ray Milland. Her final performance was in the TV miniseries Scruples (1980).

Tierney married two men: the first was Oleg Cassini, a costume and fashion designer, on June 1, 1941, with whom she eloped. She was 20 years old. Her parents opposed the marriage, as he was from a Russian-Italian family and born in France. She had two daughters, Antoinette Daria Cassini (October 15, 1943 – September 11, 2010) and Christina "Tina" Cassini (November 19, 1948 – March 31, 2015).

In June 1943, while pregnant with Daria, Tierney contracted rubella (German measles), likely from a fan ill with the disease. Antoinette Daria Cassini was born prematurely in Washington, DC, weighing three pounds, two ounces (1.42 kg) and requiring a total blood transfusion. The rubella caused congenital damage: Daria was deaf, partially blind with cataracts, and severely mentally disabled. She was institutionalized for much of her life. This entire incident was inspiration for a plot point in the 1962 Agatha Christie novel The Mirror Crack'd from Side to Side.

It is claimed that she had an affair with Mohammad Reza Shah of Iran during the late 1940s.

Tierney's friend Howard Hughes paid for Daria's medical expenses, ensuring the girl received the best care. Tierney never forgot his acts of kindness. Daria Cassini died in 2010, at the age of 66.

Tierney and Cassini separated October 20, 1946, and entered into a property settlement agreement on November 10. Periodicals during this period record Tierney with Charles K. Feldman, including articles related to her "twosoming" with Feldman, her "current best beau". The divorce was to be finalized in March 1948, but they reconciled before then.

During their separation, Tierney met John F. Kennedy, a young World War II veteran, who was visiting the set of Dragonwyck in 1946. They began a romance that she ended the following year after Kennedy told her he could never marry her because of his political ambitions. In 1960, Tierney sent Kennedy a note of congratulations on his victory in the presidential election. During this time, newspapers documented Tierney's other romantic relationships, including Kirk Douglas.

While filming for Personal Affair in Europe, she began a romance with Prince Aly Khan. They became engaged in 1952, while Khan was going through a divorce from Rita Hayworth. Their marriage plans, however, met with fierce opposition from his father, Aga Khan III.

Cassini later bequeathed $500,000 in trust to Daria and $1,000,000 to Christina. Cassini and Tierney remained friends until her death in November 1991.

In 1958, Tierney met Texas oil baron W. Howard Lee, who had been married to actress Hedy Lamarr since 1953. Lee and Lamarr divorced in 1960 after a long battle over alimony, then Lee and Tierney married in Aspen, Colorado, on July 11, 1960. They lived quietly in Houston, Texas, and Delray Beach, Florida until his death in 1981.

Despite her self-imposed exile in Texas, Tierney received work offers from Hollywood, prompting her to a comeback. She appeared in a November 1960 broadcast of General Electric Theater, during which time she discovered that she was pregnant. Shortly after, 20th Century Fox announced Tierney would play the lead role in Return to Peyton Place, but she withdrew from the production after suffering a miscarriage.

Tierney's autobiography, Self-Portrait, in which she candidly discusses her life, career, and mental illness, was published in 1979.

Tierney's second husband, W. Howard Lee, died on February 17, 1981 after a long illness.[24]

In 1986, Tierney was honored alongside actor Gregory Peck with the first Donostia Lifetime Achievement Award at the San Sebastian Film Festival in Spain.

Tierney has a star on the Hollywood Walk of Fame at 6125 Hollywood Boulevard.

Tierney died of emphysema on November 6, 1991, in Houston, thirteen days before her 71st birthday. She is interred in Glenwood Cemetery in Houston.

Certain documents of Tierney's film-related material, personal papers, letters, etc., are held in the Wesleyan University Cinema Archives, though her papers are closed to the public.

#gene tierney #golden age of hollywood #classic hollywood #old hollywood #classic movie stars

21 notes · View notes

suzi-q-uinn · 6 years

Text

Saizo x Modern MC (NSFW)

I know people have been waiting for this, so sorry to them for the wait. Mr Kirigature is like the wind, hard to grasp. He really didn't want me to put anything about him down on paper, only to surprise me and give me his whole heart and soul. Bless him. He's a hand full... Yeah like that too.. *wink*.

This is a modern MC who's super lovely and nice. Always helping people out and nothing is ever too much. But is she a doormat?! Hell no, this girl got spunk. (... Or she will once Saizo is done with her... ). In any case. Who'd choose to drag the person they'd love into the dark world of ninja where the future and past is steeped in death and blood? But everyone's heart needs a home, no matter the risk. And sometimes you just can't help it and it's better to be together than not, no matter the consequences.

See the Saizo Tease for the prologue to this story.

Read my other works see the Masterlist

Tags: @dopeassjaqjack @lilster360 @julias1993

****

It had been six days since MC had her little adventure. Saizo was waiting in her room for her to turn in for the night. He sat in a shadowy corner reflecting on the past few days.

MC had been annoyed with him at first. Giving adorable little huffs as she sharply turned her head away each time she saw him. But then she changed tack. Possibly because he couldn't help giving her an amused smirk every time she acted so cute.

It first happened when he approached MC and Yukimura as they were chatting in a narrow hallway. She stopped talking abruptly and eyed him coolly, her eyebrow rising slightly in disdain.

To his amusement it seemed as if the little Lord had been confused by her sudden silence and then the glare she threw his ninja. MC excused herself and made to walk away, past him. He stood right next to Yukimura, half blocking the way, and he refused to step back to let her pass - curious to see what she would do.

Saizo had to admit he was a little surprised when she stepped closer, tilting her head and lifting her chin in a challenge as her eyes blazed at him. Then she placed her hands on his hips and twisted them, creating enough space for her to slip past.

Yet she brushed up against him - quite deliberately, he was certain - as she squeezed past. Her hips pressing against his for a mere moment but it was enough to awaken his body's desire for her.

Her scent, as she came near, enhanced the effect she had on him. Spellbound he stared after her as she walked off. When she was gone he frowned, his gaze slanting down to the floor worryingly. She was playing with him, but...oh gods, he liked it.

He liked it when she helped the maids out, serving the food and she'd whispered his name seductively in his ear as she set down his tray. He ignored her, of course, but it gave him some difficulty not to follow her with his eyes.

He liked it when she spotted him by the koi pond and stuck out her tongue after which she bit her bottom lip and tried to stop a smile. She proceeded to feeding the fish and each time their eyes met, she again stuck out her tongue at him. Soon she giggled and not long after they were grinning at each other. The shared playfulness dripped pleasure into his heart. She was so dangerous.

Still.. he liked it when she brought dango out on the veranda where he dozed. Giving him a teasing look when he sat up eyeing the dessert she held up in front of her. She lifted her head slightly, a sassy smile on her lips as she pinched one dumpling between her fingers and slid off the skewer - slowly - eyeing it with seductive eyes, before placing it between her wet, plump lips. Her soft gaze through lidded eyes was on him as she bit down slowly into it.

He even liked it when she found him sleeping under a tree and laid down next to him to stare up at the fluffy white clouds drifting by on a soft breeze. He was waiting for her to tease him, a little buzz of excitement coursing through him... but all she did was grab and hold his hand.

Her delicate fingers gliding over his palm, softly sliding in between his digits, her hand clamping gently onto his. There was something disarming about it for which he was totally unprepared. His heart ached for her, more than ever before.

After all the teasing she'd dealt the final blow in such an unexpected way that all he could do was lay there and breathe - all his focus on her - until Yukimura found them.

This whole week he'd managed to maintain his outward calm. But inside he was a mess for her. Saizo sighed and shook his head. He had to make clear they would never be. Tonight he would tell her.

Before he could think of it more, the door slid open and MC entered her room. Oblivious to his presence, she closed the door and started to untie her obi.

Saizo decided to alert her to his presence, but... his body didn't move. The longer he stalled, the harder it was. The obi fell, followed by her kimono and undergarments. He still didn't make a sound... as she bent down to pick up the discarded clothes. That's when MC noticed him.

"Saizo..." She spoke calmly, ignoring the fact she was stark naked before him and continued gathering her items, sliding open a wardrobe and placing them in a basket inside. She didn't turn back around to him.

"Why are you here?"

He rose and walked over the her, then gently circled her waist with his arms, his chest against her back. With his lips near her ear he whispered: "I... I don't know..."

He kissed the lobe of her ear.

"My world is one of shadows... I... shouldn't involve you."

She held his arms as they circled her waist and he kissed, soft, warm pecks under her ear and down her neck.

Mc turned around in his arms and her big eyes found his.

"My world is lost... I don't think I'll ever get back."

There was deep sorrow in those bright orbs as they shimmered in the faint lantern light. Saizo felt as if she meant something more than the inability to return to Europe, where she told them she was from.

"I... I'm from another world - in a way. And there are no roads that lead home, as far as I know."

Her eyelashes fell like a fan on her cheek before fluttering up, tears brimming in those big eyes. He cupped her cheek and mumbled: "One who never had a home and One who can never return home."

Saizo kissed her soft lips, a gentle pressure uniting their feelings of being lost.

When he pulled back slightly a kind smile formed on his lips. His eyes sought hers and his thumb made small strokes over her cheekbone. Saizo's other hand pulled her closer against him. She trembled slightly in his arms.

"I want to make love to you." His voice was a low whisper. She nodded slightly and he leaned back in, pecking her lips slowly, sensually. Then he tilted his head and pushed his mouth softly against hers, slightly opening his lips. She copied him. Next he did it again, but gave a small lick with his tongue.

"I want you so bad," he confessed before sliding his tongue into her mouth. He still kept the slow, erotic pace, although he was dancing on the edge of restraint. They paused.

"I love you..."

He didn't mean to say it out loud, but didn't regret it. His heart had finally chosen a home, he realised. She had it. He just hoped she'd keep it safe.

"Give me a new home Saizo."

A single tear ran down her cheek.

"Make me yours..."

The moment she uttered those words his resolve shattered and his lips where on hers, his hand in her hair as he forced her against him. Never had he kissed anyone like this before. He desperately wanted her to feel him. Deeply.

MC clenched the fabric on his back in her fists as he lowered her down onto the futon. He kissed her wildly as his hips sank between her legs and his hand was already on her left breast. Saizo kneaded the soft mount and pinched her nipple. Her gasp was swallowed up by him as he continued to ravage her. His hips pressed into her, letting her feel his need.

Their lips parted, wet and swollen, but still brushing together for small pecks and nips. Breathing heavily he gazed into her eyes as his hand was freeing his manhood from it's restraints. Desperate to take her, but he asked one more time all the same.

"MC...?"

She held his head, a hand over each ear, as her mouth and tongue skimmed his.

"Mmmm... Sai... zo... yes."

He placed himself at her entrance and grabbed her thighs, then pulled himself down and into her. Slowly he sunk deeper and deeper into her hot, tight core, as he held her eyes with his. He groaned with the feel of her.

He took her hands and laid them above her head, holding them there as he pulled back his hips. One hard, deep thrust as he kept his gaze on her face. Her eyes widening with the harsh feel of him hitting her so deep and her mouth gasping. The sound cute and erotic to his ears.

Again he pulled back and f*cked her hard, burying himself up to his balls inside her. She clamped down around him and he hit her again, and again and again, tightening his hands on her wrists unconsciously.

MC's mouth formed an O as he sped up his harsh thrusts. He would take that mouth too tonight. She was his now. All of her. And she would know it. Moving quicker now he placed his mouth onto hers again, pushing his tongue into her.

When he had to break off the kiss for air, he sat back slightly so he could place his thumb on her clit and with another 3 thrusts she reached her high. He held back his release, wanting to see her fall apart for him.

Her core muscles milked him and he struggled to keep from going over the edge. Her body was trembling and convulsing under him as her eyes first shot open wide as the wave of ecstasy hit her, then closed as she drowned in the bliss.

It was by far the most beautiful, erotic thing he'd ever seen.

Once she'd calmed slightly he pulled out and turned her over. Pulling her ass towards him, he lined up and pushed himself back into her slick pussy. He started with quick, short strokes - admiring the view of her so utterly at his mercy.

Seeing himself thrusting into her, her round ass, her back sloping down... it was such a satisfying position. But now she had calmed down, he could take her there again.

Bending down he circled her torso, his hands finding her breasts as he pulled her up against his chest. He slowed down his strokes, whilst pulling her nipples quite harshly. Circling his hips as he drove into her. The sounds she made as he did this brought him dangerously close.

"S-saizo... I'm... I'm gonna..."

This time he didn't hold back. He pushed her back down and his hips moved like lightning, his hands on her hips as he plunged into her and with each thrust he felt her tighten and tighten until... like a shattering his orgasm hit.

MC screamed into the futon, hands clasping the bedding as her core clamped down and released him in rapid succession. Saizo had pushed himself as deep as he could go and held himself there, fingers digging into her hips as he felt his cum shoot out in spurts deep into her. His vision had gone, a bright white light blinded him despite his eyes clamping shut.

Then a rush of relaxation pulsed through his body and taunt muscles relaxed as his vision returned and they both fell into a crumpled heap.

He found her lips and kissed her, reverently almost. Exhausted, Saizo grabbed her into his arms and she snuggled into him. He kissed her forehead and breathed in her scent a mix of delicate flowers and sex. Her slowing heart beat against his was a comfort and he noticed an endearing, small little smile on her lips. She was his now. Whatever may happen and he...

He found a home... finally.

****

Pls also read: Saizo x Modern MC Epilogue (NSFW)