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#Canadian Metal
doyoulikethisemoband · 6 months
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mistwalker-official · 3 months
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Mistwalker @ Traxide - April 1st, 2022
Montreal, Quebec
Photos by Steve Gerrard
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pr4dictable · 10 days
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video of kittie, making of the second album 'oracle' - 05.2001
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heavy-nfld · 22 days
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str1xaluco · 4 months
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Heavy Metal Maniac - Exciter
1983
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tombofgod · 2 years
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metalhead-brainrot · 4 months
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[Album of the day] World Eaters - Demo MK-1
Guelph, ON // 2020
[Genres] death metal, war metal
[Themes] In the grim darkness of the far future, there are only riffs...
[FFO] Warhammer 40K*, Bolt Thrower, Chainsword
[Thoughts] You can't traverse the waters of death metal for very long without encountering Warhammer 40K in some form, and I'll confess I count myself a fan.** But you don't need to be a capital-G Gamer to appreciate this ripping demo, a solo project from multi-instrumentalist David Gupta. World Eaters's riffs are as violent as its namesake***, guaranteed to have you itching for the mosh pit. The first two tracks, "Devour" and "Baneblade," will pummel you with energetic rhythm, an auditory siege culminating in the death/doom hellscape of "The Warp" (my very favorite World Eaters song to date).
I picked this demo because I think it's rock-solid, but I'd like to talk about World Eaters's other releases as well. Grinding Advance (2021) is their second EP, doubling down on everything in Demo MK-1. "Armoured Spearhead (Hellhammer)" is six minutes of unbridled energy; "Expedition / Tomb World" is nearly nine minutes, the latter half containing clarinet-infused Nile worship;**** there's even a cover of "Running Up That Hill."
World Eaters's new split, Mothman and the Thunderbirds vs World Eaters, adds two new great tracks to the WE catalogue. It's also the first release without drum programming; joining as the second permanent member, Winter Stomp***** adds ass-kicking blast beats to the bands repertoire. I'm very excited to see more future releases with her style.
Now that Winter Stomp has pledged her gory chainaxe to the sonic blitzkrieg of the World Eaters, the duo have been able to play live. Living outside Ontario I can't say I've been to one of their concerts, but I bet they split skulls; if you live near Guelph, check them out.
Also, I would be remiss for not mentioning that World Eaters has always been very charitable with the profits from their music, leading several donation campaigns for Guelph Pride, an LGBTQ+ nonprofit local to World Eaters's hometown. Winter Stomp has also designed and printed some booty short merch reading, "Be Gay Do Heresy," which tempt me every Bandcamp Friday.******
Thanks for reading the long post today. Keep on killing, maiming, and burning.
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* If you're unfamiliar, Warhammer 40K is a popular tabletop strategy game played with painted miniatures and rolling dice. It's popular with metalheads because the lore is so metal. Indulge me in a quick tl;dr.
It's the 41st century, and the Imperium of Man has spread through the Galaxy under the tutelage of the God Emperor. Though once great, the empire was split 10,000 years prior due to infighting from his übermensch sons, the Primarchs. Now the empire is spread thin across too many star systems, losing the fight against three main threats: the Xenos (other alien civilizations), the Heretics (those who question the authority of a fascist theocracy), and Chaos itself (arcane beings from the Warp, the non-space between wormholes).
The God Emperor sits as a corpse upon his throne on Terra, every ounce of his psychic abilities maintaining the Astronomican, a beacon guiding spaceships throughout the Warp. Every day an increasing number of psychics are sacrificed to fuel his powers, for if the beacon fails, the Imperium collapses and humanity falls.
There are no good guys, and there is no hope. For in the grim darkness of the far future, there is only war.
** Never actually played anything Games Workshop except Necromunda, though I've read a fair few novels. I prefer wargames that won't bleed me for money and bury me in rules, so I mainly play Mantic Games's Kings of War and Firefight. One book for all the rules and force lists at a fraction of the price.
*** The World Eaters are a faction of heretical Space Marines worshipping one of the four Chaos Gods: Khorne, the Blood God, who sits upon a throne made from the skulls of those slain in battle. They are also my favorite faction; he kind of has a Conan-esque backstory of fighting in gladiatorial slave pits. And we all know how much metalheads like Conan.
**** The Egyptian musical themes are themselves referential to the content of the song: Tomb Worlds are the hidden domains of the Necrons, a xenos race that conquered the Galaxy aeons before humanity even gazed at the stars. Annoyed by the emergence of other upstart civilizations, the Dynasties of the Infinite Empire transferred their consciousnesses into mechanical bodies, intending to slumber in hidden tombs until the juvenile races extinguished themselves.
But occasionally something wakes the soulless early, by delving too deep in ancient ruins or experimenting with ancient and unknown tech. And what they find is always ruthless extermination, for the destruction of a Necron's artificial body does not kill a mind capable respawning eternally into an army's worth of mechanical warriors.
***** She's apparently from the Netherlands. Neat.
****** I already have one of their patches on my metal jacket. Very stylish.
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[From the band/label]
Thought for the day: A coward always seeks compromise.
David Gupta: Guitars, Bass, Vocals, Drum Programming Psychic screams from the Immaterium are: Adam Ujhelyi (Teleportise, Hellbreather) Justin Krawczyk (Frank Reynolds, BatBoy) Derek Prince-Cox (Wakeless, Yuzun, ex-Arise and Ruin) Stuart Charlton (First World Famine, Inverted Serpent) Nik Wever (ex-The Story Of..., Time the Destroyer) Recorded, Mixed and, "Mastered" by David Gupta at Doyle House. World Eaters logo and Demo MK-1 artwork by Meytheus Rexy, @meytheusrexy_art
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shelandsorcery · 1 year
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Summon the strength of millenniums past
Forged by the fire and flame
I am the weapon of empires vast
Immortal is more than a name
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12 x 16" mixed media on 300gsm paper; pencil, watercolour, pencil crayon (aka coloured pencil), and workable fixative to seal and rework and seal again.
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metalcultbrigade · 7 months
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Annihilator - Never Neverland 13/09/1990
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sonic-emporium · 3 months
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Why carry this deadwood with me?
When where I am going, there will be living trees
Now close enough to carry it all to the end
But throwing it all down to the ground instead
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gbhbl · 2 months
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Album Review: Prequel to Madness by Traveler (No Remorse Records)
Canadian heavy metal band Traveler are back with their 3rd album titled Prequel to Madness and set for release on the 23rd of February via No Remorse Records. Formed in 2017, Traveler released their self titled debut full-length in 2019 and it was very well received by both the fans and media. Around a year later, the sophomore album, Termination Shock was released, and within a very short time,…
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metalsongoftheday · 3 months
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Thursday, February 1: Striker, "Over the Top"
Somehow it took Striker four albums and an EP before 1) putting out a self-titled record and 2) writing a song called “Over the Top”.  Of course, the track was exactly what one would’ve expected from the Canadian trad metal revivalists, and to some extent did exactly what it needed to do.  And for what it offered, “Over the Top” did a good job, being an enjoyable if not wholly remarkable headbanger with a solid balance of chops and hooks.  There was certainly no real reason for this to exist, but by the same token it was certainly nice that it did.
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Cassette copies of my new album ‘Oceanic Heritage’ will be available at our upcoming show at Piranha Bar on May 26th with Spiter, DESOLUS and Shroud.
I want to give a huge shoutout and thank you to Jerome Arseno over at Coastline Crew in Bathurst, NB for taking the time to make these for us.
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basement-galaxy · 4 months
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Our Tattered Beauty
One thing I’ve learned over the last eight years is to stop obsessively chasing new metal music, constantly in search of the NEXT BIGGEST THING. For 40 years I’ve been keenly interested in the history of heavy music as well as its continuing evolution; having been a teenaged witness to the genre’s spectacular growth in the 1980s, where the genre would see a new, epochal release every month or two…
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heavy-nfld · 2 months
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Soothsayer
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