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#Cassandra Speaks: When Women Are the Storytellers the Human Story Changes
jungchicago · 3 years
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Animating Female Archetypes & Telling Women’s Stories: Interview with Elizabeth Lesser
Animating Female Archetypes & Telling Women’s Stories: Interview with Elizabeth Lesser
Best-selling author Elizabeth Lesser sat down with us to discuss her latest book, Cassandra Speaks: When Women are the Storytellers, the Human Story Changes. Elizabeth is the co-founder of the Omega Institute in Rhinebeck, NY. In the interview, Lesser talks about new models of power with host Patricia Martin and explains why feminine archetypes and female myths are so resonant today. Offering…
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aion-rsa · 3 years
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Shadow and Bone Review: Netflix Adaptation Brings the Magic
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This Shadow and Bone review contains no spoilers.
Millions of readers worldwide love young adult fantasy fiction, but even the most wildly popular titles—Sarah J. Maas’s Throne of Glass series, Cassandra Clare’s Shadowhunters books, Suzanne Collins’ The Hunger Games trilogy, and many more—are generally written off as “guilty pleasure” escapism, shallow, meaningless stories for people who just aren’t ready to take real literature seriously. (Barf.)
Part of this reaction likely stems from the widespread public backlash to the few young adult fantasy series to gain mainstream popularity, like the Twilight saga or the aforementioned Hunger Games. But, in truth, the dismissive attitude toward these stories most often feels like straight-up misogyny. After all, this is a genre that not only tends to be most openly appreciated by women but also one that unabashedly centers complex female characters in its stories. Often several of them at the same time!
Therefore, the arrival of Netflix’s Shadow and Bone is exciting enough for its own sake: It’s a propulsive story with great characters set in a fascinating, fully realized fantasy world. But it’s also something of a statement: That this sort of fiction—and the women who both champion and most frequently star in it—have an important place in the world of genre storytelling. And, thankfully, this is a series that more than lives up to the pre-release hype.
Leigh Bardugo’s bestselling Grishaverse novels are full of the sorts of details that tend to make for great fantasy television at its most basic level. There’s a war-torn kingdom battling both foreign enemies and an ever-expanding literal darkness, a complex system of magic that both empowers and alienates those who possess it from the bulk of society, and a girl looking for a place to belong who must ultimately claim her own power. (Quite literally in this case.)
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Shadow and Bone: Why Netflix Cast Its Fantasy Adaptation With Relative Unknowns
By Kayti Burt
Books
Twilight: What Was The Deal With Jacob and Renesmee?
By Nicole Hill
In the kingdom of Ravka, elite magical soldiers known as Grisha can manipulate matter at its most fundamental levels, allowing their orders to control specific elements like fire (Inferni) and water (Tidemakers), solid objects like metal or textiles (Durasts), and even various aspects of the human body (Healers and Heartrenders). The primary story of Shadow and Bone follows Alina Starkov (Jessie Mei Li), an orphaned soldier and map maker whose mixed-race heritage has often left her feeling out of place in the only country she’s ever known. (The decision to complicate Alina’s racial background is one made specifically for the Netflix series, by the way, and it’s a great choice.) But when her childhood best friend Malyen Oretsev (Archie Renaux) is named as part of a military unit ordered to cross the deadly Shadow Fold —literally a giant wall of darkness full of monsters that’s hundreds of miles wide—she unleashes a power she never realized she herself possessed. Alina, you see, is not just a Grisha, but a legendary Sun Summoner, whose powerful light-based magic could destroy the Fold forever.
Whisked off by the mysterious General Kirigan (Ben Barnes), the commander of Ravka’s Second Army—a.k.a. the one with all the Grisha in it—to learn to use her newfound abilities, Alina finds herself separated from Mal and everything she’s ever known. Thrust into a world she doesn’t understand and with powers she can’t entirely control, Alina will have to decide whether to trust Kirigan, with his equally rare shadow-based abilities and promises that they can change the world together.
The Netflix drama actually combines two of Bardugo’s book series into one—the fantasy adventure trilogy also titled Shadow and Bone, from which this adaptation takes its name and the bulk of its plot, and the more heist-oriented duology called Six of Crows. Since the latter technically takes place several years after the former, chronologically speaking, the Netflix series invents a prequel plot for key Six of Crows characters Kaz Brekker (Freddy Carter), Inej Ghafa (Amita Suman), Jesper Fahey (Kit Young), and Nina Zenik (Danielle Galligan) that ties them all more firmly into the main Shadow and Bone story.
If you’ve read Bardugo’s books, your mileage is likely to vary on how you feel about this choice. For the most part, it works, even if it takes several episodes for the Crows crew to feel like they aren’t having a completely different adventure on a totally different show. Jesper and Inej particularly benefit from the additional backstory provided here, and Galligan’s Nina is every inch as delightful as anyone might have hoped. Viewers who have not read Six of Crows may struggle to understand precisely what motivates Kaz, but his complicated relationship with Inej is almost compelling enough to make up for it.
In fact, one of the most striking elements of Shadow and Bone is the care it takes with all its central relationships—potentially romantic or otherwise. One of the criticisms most frequently leveled at popular YA fiction is that their stories are often flimsy excuses to create love triangles for fans to fight over. (See also: Gale/Katniss/Peeta, Edward/Bella/Jacob, etc.) But this series actually goes above and beyond in this department, adding a depth and nuance to Alina’s relationship with Mal that isn’t always present in the novel—and has nothing to do with romance. (Though, reader, I ship it a lot.) That same care and thoughtfulness is applied to pairings throughout the show’s canvas, and it’s truly wonderful to see.
Netflix has also clearly spared no expense in its creation of Bardugo’s fictional world, from the dense, crowded streets of Ketterdam to the magic-filled training grounds of Os Alta’s Little Palace. This is a universe that not only feels carefully thought out but fully lived in. Sure, Shadow and Bone might have done a better job of explaining the specifics about how these locations all relate to one another (Kerch is actually a separate country! West Ravka is not!) but it’s hard to be but so angry at something that generally feels like the pages of a beloved story come to life.
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It’s true, Shadow and Bone is not a perfect adaptation of Bardugo’s novels. Several important secondary characters barely seem to merit a mention onscreen here (sorry, David Kostyk), and the rushed sequences at the Little Palace generally leave most of the secondary Grisha and their abilities feeling sadly interchangeable. And the series doesn’t always do the greatest job explaining the basics of Grisha life for casual viewers—I’m not sure it ever really spells out the differences between the various orders, nor does it go into tremendous depth about why things like Morozova’s stag exist. Yet, as a whole, the series feels often feels downright magical, a thrilling adventure that always remains firmly anchored in the story of the complex heroine at its center. Bring on Siege and Storm.
The post Shadow and Bone Review: Netflix Adaptation Brings the Magic appeared first on Den of Geek.
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christinepeloquin · 2 years
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Fathom Eternity 8” x 8” $200 Acrylics, charcoal, fabric and paper collage on wood panel Click on link in bio for more “That's why we tell the stories. To ease the anxiety of being soft-skinned mortals. To inspire the soul to fathom eternity. To give order to what feels out of control. To guide, to blame, to warn, to shame. To make some kind of sense out of why people do what they do, why things happen the way they happen, and how we might all meet each other and daily life with less turmoil and more stability. That's why we cling to the old stories.” ― Elizabeth Lesser, Cassandra Speaks: When Women Are the Storytellers, the Human Story Changes https://christinepeloquin.com/small-works/fathom-eternity https://www.instagram.com/p/CZxcBwMBCer/?utm_medium=tumblr
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rgtyretrytr · 3 years
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(Read) Cassandra Speaks: When Women Are the Storytellers, the Human Story Changes ++From Elizabeth Lesser++
Read and download eBook By : Elizabeth Lesser ( Cassandra Speaks: When Women Are the Storytellers, the Human Story Changes ) in PDF, EPub online.
 Cassandra Speaks: When Women Are the Storytellers, the Human Story Changes
by Elizabeth Lesser
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Synopsis : What story would Eve have told about picking the apple? Why is Pandora blamed for opening the box? And what about the fate of Cassandra who was blessed with knowing the future but cursed so that no one believed her? What if women had been the storytellers?Elizabeth Lesser believes that if women?s voices had been equally heard and respected throughout history, humankind would have followed different hero myths and guiding stories?stories that value caretaking, champion compassion, and elevate communication over vengeance and violence. Cassandra Speaks is about the stories we tell and how those stories become the culture. It?s about the stories we still blindly cling to, and the ones that cling to us: the origin tales, the guiding myths, the religious parables, the literature and films and fairy tales passed down through the centuries about women and men, power and war, sex and love, and the values we live by. Stories written mostly by men with lessons and laws for all of humanity. We
 Details :
Author : Elizabeth Lesser
Pages : 304 pages
Publisher : Harper Wave
Language :
ISBN-10 : 0062887181
ISBN-13 : 9780062887184
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m2sm3l2r · 3 years
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yule2020 · 3 years
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Present wish list 😘
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poetrybooksya · 7 years
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#EMPTYSHELFIE Spookie Shelfie TBR
  Empty Shelfie is a year-long reading challenge to empty your incredibly long TBR list. For the Halloween season this month, here are 7 challenges from 7 hosts: Heather at Zether Books, Taylor at Bookish Taylor, Roya at Unicorn Hunter Books, Britt at Britt, Ali at Hardback Hoarder, and Desi at Libri Labra Twitter. Challenges: Serial Killer POV Read a book involving a spell or curse Supernatural/paranormal elements Freakish characters Read a book with a Mask in title or cover Black and orange cover Concept of a person/place/thing that terrifies you
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I'm not a huge fan of horror or supernatural genre, so my TBR will be pretty small, compared to last month. Challenges:
Serial Killer POV - Because You Love to Hate Me by  Ameriie, Renee Ahdieh, Soman Chainani, Susan Dennard, Sarah Enni, Marissa Meyer, Cindy Pon, Victoria Schwab, Samantha Shannon, Adam Silvera, Andrew Smith, April Genevieve Tucholke, Nicola Yoon, Sasha Alsberg, Whitney Atkinson, Tina Burke, Catriona Feeney, Jesse George, Zoë Herdt, Samantha Lane, Sophia Lee, Raeleen Lemay, Regan Perusse, Christine Riccio, Steph Sinclair, Kat Kennedy, Ben Alderson  Best-selling authors working with Booktubers on the perspectives of villians? Yes, please!! Summary: Leave it to the heroes to save the world--villains just want to rule the world. In this unique YA anthology, thirteen acclaimed, bestselling authors team up with thirteen influential BookTubers to reimagine fairy tales from the oft-misunderstood villains' points of view. These fractured, unconventional spins on classics like "Medusa," Sherlock Holmes, and "Jack and the Beanstalk" provide a behind-the-curtain look at villains' acts of vengeance, defiance, and rage--and the pain, heartbreak, and sorrow that spurned them on. No fairy tale will ever seem quite the same again! Featuring writing from . . . Authors: Renée Ahdieh, Ameriie, Soman Chainani, Susan Dennard, Sarah Enni, Marissa Meyer, Cindy Pon, Victoria Schwab, Samantha Shannon, Adam Silvera, Andrew Smith, April Genevieve Tucholke, and Nicola Yoon BookTubers: Benjamin Alderson (Benjaminoftomes), Sasha Alsberg (abookutopia), Whitney Atkinson (WhittyNovels), Tina Burke (ChristinaReadsYA blog and TheLushables), Catriona Feeney (LittleBookOwl), Jesse George (JessetheReader), Zoë Herdt (readbyzoe), Samantha Lane (Thoughts on Tomes), Sophia Lee (thebookbasement), Raeleen Lemay (padfootandprongs07), Regan Perusse (PeruseProject), Christine Riccio (polandbananasBOOKS), and Steph Sinclair & Kat Kennedy (Cuddlebuggery blog and channel). 
Read a book involving a spell or curse - One Wish Away by Ingrid Seymour I'm a member of Ingrid's ARC team, but I haven't read her latest works since her first book, Ignite the Shadows back in 2014. So I'm excited to try to get into this one for this challenge.  Summary: Faris is a Djinn with a secret and Marielle the first master to give him hope. Will she be the one to break his curse? There is no telling. All he really knows is she's ONE WISH AWAY from breaking his heart. When Marielle was little, she used to believe Grandpa about his wish-granting Djinn. But now that she’s older, her beliefs have changed, and things like lousy ex-boyfriends and alcoholic fathers have become her reality. Life isn’t done shattering her truths, though, and when Grandpa dies and the Djinn he warned her never to trust shows up at her doorstep, the world becomes a dangerous, magical place she never knew existed. Reeling for her once-normal life, Marielle soon realizes there’s no going back—not when she’s become part of a mortal conflict between two spell-bound Djinn. Faris—her handsome slave. And Zet—his vengeance-hungry brother. They both want something from her. One, her love. The other one, her life. Now she’s afraid she will die in love. One Wish Away is a young adult paranormal romance that will appeal to lovers of Hush Hush, Twilight, and the Fallen series. 
Supernatural/paranormal elements - Unreality by Ingrid Seymour (blog tour with Marked by Fate box set, where the book is from) Summary: Ever since she helped solve her mother’s gruesome murder twelve years ago, Meadow Bright has kept her psychic abilities locked away. As a five-year-old, the brutal visions of her mother’s death nearly destroyed her. Now, a senior in high school, she still fears her nature and what opening up could do to her. But when a classmate is found viciously tortured and murdered, her powers return with a vengeance, flooding her mind with new visions and opening old wounds. Worst of all, the new victim wears the signature of her mother’s killer, a man who’s still in jail under a life sentence without parole. It seems that, all those years ago, she made a mistake and helped put the wrong man in jail. Now, she must redeem herself before more people die.
Freakish characters - Shadowshaper by Daniel José Older Summary: Cassandra Clare meets Caribbean legend in SHADOWSHAPER, an action-packed urban fantasy from a bold new talent. Sierra Santiago was looking forward to a fun summer of making art, hanging out with her friends, and skating around Brooklyn. But then a weird zombie guy crashes the first party of the season. Sierra's near-comatose abuelo begins to say "Lo siento" over and over. And when the graffiti murals in Bed-Stuy start to weep.... Well, something stranger than the usual New York mayhem is going on. Sierra soon discovers a supernatural order called the Shadowshapers, who connect with spirits via paintings, music, and stories. Her grandfather once shared the order's secrets with an anthropologist, Dr. Jonathan Wick, who turned the Caribbean magic to his own foul ends. Now Wick wants to become the ultimate Shadowshaper by killing all the others, one by one. With the help of her friends and the hot graffiti artist Robbie, Sierra must dodge Wick's supernatural creations, harness her own Shadowshaping abilities, and save her family's past, present, and future.   Read a book with a Mask in title or cover - Sadly, I can't think of a book that can fill in this prompt, so I'll skip it. 
Black and orange cover - Mexican Whiteboy by Matt de la Pena Summary: Danny's tall and skinny. Even though he’s not built, his arms are long enough to give his pitch a power so fierce any college scout would sign him on the spot. Ninety-five mile an hour fastball, but the boy’s not even on a team. Every time he gets up on the mound he loses it. But at his private school, they don’t expect much else from him. Danny’ s brown. Half-Mexican brown. And growing up in San Diego that close to the border means everyone else knows exactly who he is before he even opens his mouth. Before they find out he can’t speak Spanish, and before they realize his mom has blond hair and blue eyes, they’ve got him pegged. But it works the other way too. And Danny’s convinced it’s his whiteness that sent his father back to Mexico. That’s why he’s spending the summer with his dad’s family. Only, to find himself, he may just have to face the demons he refuses to see--the demons that are right in front of his face. And open up to a friendship he never saw coming. Set in the alleys and on the ball fields of San Diego County, Mexican Whiteboy is a story of friendship, acceptance, and the struggle to find your identity in a world of definitions. 
Concept of a person/place/thing that terrifies you - The First Hour I Believed by Wally Lamb Not only does the cover haunt me, but the summary does too. Columbine High School shooting? Trauma? PTSD? Whoa...what an experience.  Summary: Wally Lamb's two previous novels, She's Come Undone and I Know This Much Is True, struck a chord with readers. They responded to the intensely introspective nature of the books, and to their lively narrative styles and biting humor. In The Hour I First Believed, Lamb travels well beyond his earlier work and embodies in his fiction myth, psychology, family history stretching back many generations, and the questions of faith that lie at the heart of everyday life. The result is an extraordinary tour de force, at once a meditation on the human condition and an unflinching yet compassionate evocation of character. When forty-seven-year-old high school teacher Caelum Quirk and his younger wife, Maureen, a school nurse, move to Littleton, Colorado, they both get jobs at Columbine High School. In April 1999, Caelum returns home to Three Rivers, Connecticut, to be with his aunt who has just had a stroke. But Maureen finds herself in the school library at Columbine, cowering in a cabinet and expecting to be killed, as two vengeful students go on a carefully premeditated, murderous rampage. Miraculously she survives, but at a cost: she is unable to recover from the trauma. Caelum and Maureen flee Colorado and return to an illusion of safety at the Quirk family farm in Three Rivers. But the effects of chaos are not so easily put right, and further tragedy ensues. While Maureen fights to regain her sanity, Caelum discovers a cache of old diaries, letters, and newspaper clippings in an upstairs bedroom of his family's house. The colorful and intriguing story they recount spans five generations of Quirk family ancestors, from the Civil War era to Caelum's own troubled childhood. Piece by piece, Caelum reconstructs the lives of the women and men whose legacy he bears. Unimaginable secrets emerge; long-buried fear, anger, guilt, and grief rise to the surface. As Caelum grapples with unexpected and confounding revelations from the past, he also struggles to fashion a future out of the ashes of tragedy. His personal quest for meaning and faith becomes a mythic journey that is at the same time quintessentially contemporary -- and American. The Hour I First Believed is a profound and heart-rending work of fiction. Wally Lamb proves himself a virtuoso storyteller, assembling a variety of voices and an ensemble of characters rich enough to evoke all of humanity. What's your TBR list for Empty Shelfie's Spookie Shelfie season? Leave comments below!
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christinepeloquin · 2 years
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Fathom Eternity
8” x 8”
Acrylics, charcoal, fabric and paper collage on wood panel
“That's why we tell the stories. To ease the anxiety of being soft-skinned mortals. To inspire the soul to fathom eternity. To give order to what feels out of control. To guide, to blame, to warn, to shame. To make some kind of sense out of why people do what they do, why things happen the way they happen, and how we might all meet each other and daily life with less turmoil and more stability. That's why we cling to the old stories.”
― Elizabeth Lesser, Cassandra Speaks: When Women Are the Storytellers, the Human Story Changes
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