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#Catch Me If You Can 2002
cinematitlecards · 5 months
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"Catch Me If You Can" (2002) Directed by Steven Spielberg (Biography/Crime/Drama)
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watched catch me if you can (2002) last night and there's no way this hasn't been done before but also there's so little fic for this fandom so idk but.
i had an idea for a fic that takes place on the flight back to the states, perhaps in an au where frank is a bit older, where after years of running and being different people all the time he is so tired of it all and genuinely starting to lose his sense of identity and tells carl about how last week he nearly fucked up bad when the bank teller asked him for his name and he fully blanked.
and carl has a moment of realisation about just how fucked up it all is and asks frank how he did it for all these years and frank asks whether he looked through his wallet when they collected his personal effects and then we either cut to a different scene or the scene was disconnected from the rest at the beginning (probably that, this isn't a movie after all) where the fbi seize frank's possessions as evidence and *of course* carl personally looks through his wallet in a callback to frank handing him his whole wallet when they first met (maybe it's a similar model to the one from their first meeting or something) and he finds all the normal shit in it and goes to put it into an evidence bag when he notices, tucked away in its own little compartment, a photograph of himself, cut out of a newspaper or something.
and back on the plane frank explains that when he struggled to remember who he was he would take out that picture and look at it because to carl, who bought his bullshit once and then never again, he would always be frank william abagnale jr. or something. might actually write this.
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camyfilms · 1 year
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CATCH ME IF YOU CAN 2002
Two little mice fell in a bucket of cream. The first mouse quickly gave up and drowned. The second mouse, wouldn't quit. He struggled so hard that eventually he churned that cream into butter and crawled out. Gentlemen, as of this moment, I am that second mouse.
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2ndaryprotocol · 1 year
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Steven Spielberg’s crime comedy ‘Catch Me If You Can’ conned moviegoers this week 20 years ago. 💸✈️ 🪪
“𝙷𝚘𝚠'𝚍 𝚢𝚘𝚞 𝚍𝚘 𝚒𝚝, 𝙵𝚛𝚊𝚗𝚔? 𝙷𝚘𝚠 𝚍𝚒𝚍 𝚢𝚘𝚞 𝚌𝚑𝚎𝚊𝚝 𝚘𝚗 𝚝𝚑𝚎 𝚋𝚊𝚛 𝚎𝚡𝚊𝚖 𝚒𝚗 𝙻𝚘𝚞𝚒𝚜𝚒𝚊𝚗𝚊?”
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usunezukoinezu · 3 months
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“Two little mice fell in a bucket of cream. The first mouse quickly gave up and drowned. The second mouse wouldn’t quit. He struggled so hard that eventually he churned that cream into butter and crawled out … I am that second mouse.”
- Frank Abagnale in Catch Me If You Can (2002)
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guillotineman · 10 months
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Catch Me If You Can (2002)
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The Fabelmans (2022)
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moondrama · 8 months
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Watched Catch Me If You Can (2002) last night. This is probably the only movie I've watched in months where I didn't check the time remaining while watching. A really fun watch with a satisfying ending.
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nexusnyx · 1 year
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miss sunshine
pre-outbreak Joel Miller x neighbor!reader [7.3k] summary: He's always been out of reach. A fantasy. Joel was too much of everything—too handsome, too friendly, too una-fucking-vailable for any of you. Too bad his kid adores you. (What a blessing.) Too bad she uses you as a scapegoat and lands him right on his door. One bottle of wine, and Joel shows you he might be closer than you thought. 📝 I wanted to try something different. Less hurt, less end-of-the-world bullshit. Let me know your thoughts. Reblogs and comments are much appreciated. ⚠️Smut. Minors, DNI. Explicit depictions of sex, oral (f and m receiving), riding, missionary, passionate neighbors sex, yay.
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read on ao3 | masterlist
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ㅤㅤㅤㅤTexas, Summer of 2002.
When the bell rings, you think it's best to ignore it.
Living alone equals a lot of privileges, but the ability to go out alone and answer the door on a random Wednesday evening was not one of them. You're wearing compromising clothes and a robe, the bottle of wine you craved was finally open, and the last thing you wanted was to be murdered before enjoying it.
Then, you hear it. Your name, followed by, "It's Miller. Joel."
Fuck.
Well—this is exactly how many of your dreams started. Although this wouldn't go like them, for him, you'd open the door.
His eyes do little to hide the once-over when the door slides open.
They go down, then back up, and he seems to catch on to the fact that you saw it. Then, he shakes his head just a little, and says, "Is Sarah here?"
Well, well, well. You lean against the door. "Did she say she was?"
Joel pierces you with his Dad Look. "Yes." Obviously, it goes without saying.
What other reason would he have, right? Clearing your throat, you feel the anxiety bubbling underneath the surface. "Uhm. She isn't," you look apologetic as you say it. As if it's your fault his prepubescent daughter uses you as a scapegoat.
His sigh is enough to make you feel how tired he is. Overworked. Exhausted.
You try to understand what might've happened before he loses his mind, "What time d'you usually come back from work? Maybe she's at a friend's. She probably thought you'd be back later than this."
He finishes rubbing both palms all over his face, and he threads one hand through his hair. "I'm usually back at nine—well, I'm supposed to be back at nine. I'm usually home by ten." That checks out, then. "But—that doesn't explain why she lied to me."
"Any special occasions coming up soon?"
Joel frowns. "Uhm. My birthday's in a few days, but—"
"Ahhhh." It shuts his mouth, the way you exclaim it so clearly. "She's brainstorming, Joel."
"Brainstorming...?"
"A gift." No daughter had easy access to what made their fathers happy. You take pity on him. "C'mon—let me scare the little one."
You walk inside without waiting for his reply, knowing Joel will make his way in. "What d'you mean, scare her?"
The noise of his boots hitting the floor makes you happy.
You take the phone out of the wall and look at him. "She always keeps that cellular phone with her when she goes out?"
"Always," he nods.
"Perfect." You know it by heart already. As you dial, you feel Joel's eyes on your house. It's the first he's ever been inside, and it makes you hyperaware of every movement of his. "It's ringing," you inform him with a grin forming.
He looks confused. More tired than anything else, but it'll make sense in a second.
"Hey, miss Sunshine!" the nickname she gave you always brings a smile to your face.
Time to put on a show. Feigning panic in your voice, you yell-whisper on the phone, "S, love, would you mind telling me why on Earth is your pops—" you fake cover your end of the line to yell, "one minute!" then you're back at whispering again, "why is he parked outside my house right now? Is there something I should know?"
"Oh, shit! Shit, shit, shit, shit—"
You're glad he can't hear her end of it. "No time for panic. Explain."
"I am so sorry, Sunny! I thought he'd be back in like, two hours or something. Oh, god, can you please cover for me? I wrote a note saying I was at your place. Sleeping there. I was gonna call you before he came back home but Jenny and I—"
"You're at somebody named Jenny?" you repeat the information, looking at Joel with a question in your eyes, and when he nods, your heart soothes at knowing she's safe. "And you didn't think to mention your brilliant idea earlier?" going for the full effect again, you yell out, "One minute, Joel!"
At least she's fast in her rambles. "Yeah, yeah. My best friend. She's trying to help me come up with a surprise for him. I'm not there often and it's never on his birthday. I wanna make it special."
"Okay. Cool. Next time, fill me in as you make the plans."
"I will, I promise. Pinky promise. You think you can convince him I'm sleeping there?" the plea in her voice is adorable.
You chuckle. "I've got you, S." Joel sighs in relief in front of you. "Just one thing."
"Yeah?"
"Be back here tomorrow first thing in the morning. 7:30 sharp. I'm gonna invite your dad for breakfast, as punishment for your lack of planning, and you'll be the one making us the pancakes," before she can even answer, you go, "Toodles!" and hang up.
When you put your phone back at the base, you turn around with a proud smile.
Joel's looking at you funny. "You're good at that," he says.
"At what? Acting?" you laugh when nods. "I was a trouble child. I'm great at lying."
"Aren't those the same?"
"Eh. A thin line separates them." You can sense his awkwardness creeping up, so you do your best to think on the spot. "Is she one to escape?"
"Not really, no." He's shuffling on his feet, uncertain of what to do in your home. "She's never done this before."
"From what she told me, she's never around for your birthday."
"That's true."
"She wants to make a surprise for you," you inform. It puts that smile on his face that makes your knees a little weak. "And now she has to be back here at seven in the morning. All is well."
He laughs. "Yeah, I guess so."
He's gonna see himself out. You swallow all the nervousness that being in his presence creates and just... goes for it. "Is it hard? Having a kid?"
That relaxes some of the tension in his shoulders. He leans on the counter of your kitchen and shakes his head. "Not really. It's a lot of work, but it's not hard. It's rewarding."
I wish my mother felt the same. You smile at the truth in his words. "I can see it's hard work." He laughs again. "Well—I had just opened that before you rang the bell," you point at the Pinot on top of the counter. "Want a glass? Unless you tell me you're 'only beer' kind of guy, then I can't help ya."
Joel looks between you and the bottle a couple of times, then looks down at himself. "I'm uh—I'm all greasy and gross from work. You sure that's the company you want for wine?"
Rolling your eyes, you walk towards your glasses cabinets. "If I told you that you can go home and shower, you'd never come back."
"And that'd be a bad thing?"
"Sure it would. You're the only person in this entire street that hasn't interrogated me on my life so far, I feel left out. Offended, even," you add with a dramatic twist. Your robe flows around you, and you can't help but smile when you see his eyes following you.
It's the way he swallows visibly, almost audibly, that plants a seed of maybe inside your head. "I'm not usually one to pry."
You place both glasses on the counter. "Neither am I."
"I know. It's why I like ya," Joel says it with eyes on the glasses instead of you. "That and the way you talk to the plants."
Your hand on the corkscrew stops, and you want to slam your forehead against the wood. "Oh, god."
His laughter is so nice. "Nah, don't be embarrassed. 's why I gave you your nickname."
"Don't be embarrassed? That's mortifying, Joel. I thought no one—wait." Had you heard him right? "What d'you mean you gave me my nickname?"
Joel's head tilts, and he's definitely a charmer kind of guy. If you do have a chance, you might be fucked. "Your nickname."
"Miss Sunshine?" He nods. "I thought that was Sarah."
"No, Sarah used it first in front of you," he pulls one of the glasses closer to him. "I said it first."
Well... that made it just as special but in a different way. You pour the wine into both glasses. "Good to know. I was under the impression she was the creative genius in the household—I just. Quick question that I never asked her: Why?"
"'Cause every mornin' before I left for work you're there on that big window," he points at the glass window that's occupies ceiling to floor, the very reason you picked this house, "talking to your plants as if you're the sun itself waking them up. 's cute."
Cute. You hate how he has the ability to make you blush. What is this, fucking high school?
"That makes sense."
Joel wipes his palms on the side of his t-shirt and then looks up at you. "If I go home with the promise of comin' back, will you let me shower?"
Let me. You're thankful your arms are covered because you're unsure of what this man is capable of when he knows the effect he has on somebody.
"I'll let you," you answer.
Joel nods and his smile is so genuine that you wonder why you never tried before.
"'kay," he takes one sip of the wine, hums in approval, and then takes a deep breath. "'m gonna go. I'll be back to interrogate you."
"I'll leave the door open."
"No—Jesus bloody Christ, are you and Sarah mad? Lock the door, Sunshine." You like it so much when he's the one that says it. "I'm serious."
"Alright, jeez," you laugh.
It's less tense than you imagined as he puts his shoes back on and walks out of your door. Joel crosses the street with a little wave in your direction, and all you can think is—what on Earth am I gonna do to him?
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When he's back, Joel smells so good it's intoxicating.
It makes your brain melt.
Minty and fresh. That's what his stuff smells like, and you know the idea of that scent's now painted on the walls of your brain.
He does that stupid little dad pose, widening both arms and lifting them up in a display of 'what do you think' before walking in.
It makes you want to push him against the wall, but you do your best at behaving.
For now.
"Brand new man?" you ask.
He points at his glass of wine, untouched since the moment he left. "Will be in a sec."
You wait for him to take a sip before extending him what you held in your hand before he arrived.
Joel eyed the cigarette and, thank fuck, there was none of the annoying judgment sometimes people carried. He stops his movement to sit on the stool and asks, "You smoke in here, or are we goin' outside?"
"There's a table there. Weather's nice. D'you mind?"
Joel grabs his glass, shaking his head. "Not at all, ma'am. Lead the way."
"Ma'am," you echo him, sounding disgusted. He laughs behind you, "Who am I, Mrs. Adler?"
Still laughing, Joel answers, "Nah. Too talkative for that."
You turn around with your mouth hanging open, trying very little to look offended. "I beg your pardon. We never spoke for longer than, what, five minutes?"
Joel shrugs his shoulders. His smile is as intoxicating as his presence. "I hear things."
"You hear things?" you ask, pushing open the door that leads outside.
"I do," he sips his wine, looking to the small terrace where your little table is. "My daughter's a gossiper, little Sunshine. I think y'should know that."
Little Sunshine. Goddamn this man.
"Should I be scared, here? I haven't even told her anything, but I feel like I should be."
"If you didn't tell her anythin', than why would you be?"
"Because!" you laugh, feeling just a little out of your depth with his smoothness. You expected more closeness from Joel. Less teasing, easy banter. "You're talking like someone who knows a lot, that's all."
"And I do," he says, sounding every bit as serious.
You sit down on one of the chairs — your chair, precisely — and watch as Joel walks around a little, taking in the environment. He adds, "Did ya know," pausing for a dramatic effect, he sips again, "that in all of three months, you became one of my daughters' favorite people?"
He pins you under his gaze.
You cross your legs, and watch happily as his gaze drops to the motion.
"Did I?" if you sip at his pace, you'll be throwing yourself on his lap in an embarrassing amount of time.
Joel nods behind his cup, touching one of the many plants that cover your backyard area from floor, to walls, to ceiling. "You did," he smiles, dropping the fake seriousness. "Are you ready to deal with the six months absence? 'Cause from personal experience," he points both hands at his chest, "you try convincing yourself you won't miss her all that much 'cause, y'know, it's "just" a girl, but—fuck," he spits the last word, smiling widening around the fact. "She's so cool to have around. You'll see. Your phone's bill's about to create life."
It grounds you.
The way Joel speaks of Sarah makes you feel comfortable sitting here, and any doubts you had are sucked by the green life around you and returned as oxygen.
Joel talks about anything, no reservations.
In his absence, you doubted whether this could be any different than most times.
Would Joel be like that—like any of those other guys?
He wasn't.
Joel, as much as you hated to admit it, was an exception.
Maybe these things were fated. Simple chemistry. Similar mindsets. Whatever it was—you had it every once in a blue moon.
Your expectations settings were long ago molded to expect the least, and it takes only half a bottle of wine for you to notice the need to rear it in.
He's so damn easy. Joel goes from one topic to another like he's interested. He answers your questions with full interest, sometimes going on tangent stories, and he's the one who keeps the glasses filled.
Attentive, you take note the second time that happens. Before any of the glasses got empty, he served you both.
He compliments your taste in music and sounds genuine about it.
The weird silences you most dreaded never happen—if he's not answering you, Joel asks things. Interesting things, unlike any other neighbor.
"Was it you who decorated your place inside? 'Cause, there are very specific things in there. And you seem like the type to know what you like."
Joel was very attentive.
He asked, "and is this what you like to do with your free time?" pointing at the books you put away when you both arrived, "Drink wine, read, talk to your plants?"
"I still can't believe you've seen me doing that."
He laughed at that. "It's a pretty big window, Sunshine. Jesus Christ—you don't lock the door, you don't know people can see through your gigantic-ass window—I'm genuinely starin' to get worried here."
"Okay, first of all, I do lock my door."
"Do you?"
"'Course. Most days."
"Oh my—"
"—and! Now that I was reminded of my window's size, I'll consider buying drapes. Long, white ones. That'd be cool."
It was easy.
Talking to Joel—sharing a table with him, a glass of wine—so easy.
He never looked uncomfortable. Even if he moved a lot, Joel looked good—so damn good you lost focus every now and then—, but good with himself.
In his skin.
That was intoxicating.
When he does more than just talk and asks things; it's almost too damn easy. Was time supposed to go this way?
The first bottle end, but it's too soon.
You know it. He knows it—plays with it, in fact. Waves the empty bottle after pouring it for you and him in the air very lightly then places it on the floor.
Offering another one is almost a visceral reaction.
You don't have the same finesse he does, or at least, you think not, but if his smiles and closing proximity are anything to go by, he's enjoying himself as much as you are. "I dance around opening these a lot," you say pointing at the empty bottle. Pulling your legs closer to yourself despite the voice of your mother telling you that's a body language sign of insecurity—fuck insecurity. "Don't wanna be the wine lady on top of the plant one. But they're good. I like it."
"I only drink wine when my brother cooks," he offers.
The glass in your hands makes you feel safe enough to land this conversation where you want it. "Really? He cooks a lot?"
"More than me," Joel confesses with a shrug. "He likes to match the wine to the dish and that type o' stuff."
"I was taught how to be picky, but if I'm being honest—" you like the way Joel leans in closer when you pause it. You smile, "it's all just grapes tastin' really, really good." The sound of his damn laugh. This man's gotta have a flaw, you think. "As long as it's wine, I'm happy."
"I think that about a good beer after a day of work."
"We're all just trying to give ourselves little positive reinforcements for playing nice at doing our jobs, huh?"
Joel pauses at that. Lifts his eyebrows, then bursts out laughing. "Oh, wow—"
"Oh god", while it took you a lot of alcohol to get drunk, being open-mouthed about weird things came with the territory of feeling comfortable.
Joel made you comfortable, even if you were mortified at how amused he was.
When he's done laughing, he looks at you. "That's cute. You're the philosophical type."
"Isn't everybody who enjoys wine?"
"I don't know. I enjoy wine and I'm not one to go that far, I think."
"Hmm. Philosophizing can involve different topics. Lenses."
Joel wolf whistles. "Well, I think I'd need a couple more glasses to unlock that side of me."
"Not a problem," you get up, and resist the urge to wink at him. "I'll be back."
Your reflection in the kitchen mirrors is the confirmation of how fucked exactly you are.
It's more than just the color on your cheeks—it's the glassy screen over your eyes, making it shine like...
Well, very few times.
Fuck, you think.
Maybe that's why your palms are sweating.
He's more than you bargained for—Joel's looks were hard to move on from, but this?
Once in Rome...
Fuck it.
It's not as if either one of you was blinded to what a moonlight late-night conversation leads to.
The air outside could be felt.
When you're going back with the opened bottle, another pin drops in your mind.
He has the whole night free.
You don't break the bottle, but it's a close call.
Joel asks you the second you're back, "I have a depressing confession to make—I was tryin' to keep to it to myself, but honestly, it's all I taught about when you left."
You place the bottle in the middle of the table carefully and sit back down with your eyes on him.
He moved his chair closer again.
"Do share," you urge.
Joel looks around the yard—he seems to do it a lot when he's dipping his toes into personal places and says, "This is the first time in a—uh—I don't even know. A while. That I just... sat with another adult. Drank something nice. Talked about more than just—fucking politics, or whatever." Joel's eyes on you make you feel honored. You know he'd say that's a silly thought if you said it out loud. "It's really nice. And—the depressing part comes in now: I'm only here 'cause of my brother."
You tilted your hair. "You're here because... of Tommy?" you tried connecting those dots, but came up short.
Thankfully, Joel was here. With his smile, and his explanation.
"You see, before Sarah's mom and I decided she could spend some months here instead of just a few weekends, I was already... shutting in. His words, not mine," Joel picks up his glass for a sip, and you hang onto every word he says. "So when she came, he took me out one night. That little bar a few blocks from here—y'know Mr. O'Donovan's place?" when you shake your head, he waves a hand, "I'll take you someday—'s the only place around here that's worth a dime."
"I'll take your word for it." I hate bars. You'd go for him. With him.
"I think I know what beer you'd like," it comes off as a whisper, and you have to hide behind your glass again. "I only remember that talk because he made me promise. He's not one to ask for promises."
"What did he make you promise?"
"He was upset 'cause I kept turnin' him down every time he wanted to do his 'meet my friend and you'll be good friends' match-making shit, so he said, 'you promise that the next time someone invites you do somethin' you actually wanna do, you're not gonna turn 'em down? You'll actually fucking go, without makin' excuses to yourself'. And that sounded fair. So I promised."
You take note of the effort he's making.
The subtle 'this isn't just about what's about to happen'.
'I'll take you someday'.
'Next time someone invites you to do somethin' you actually wanna do'.
So more than just neighbors. You nod at that, smiling at him. "He seems like a good brother," you say. "Siblings can be a pain in the ass."
Joel stops his glass on the way to his lip to shake his head at you, "Oh, no no," he takes the sip first, and says, "one doesn't negate the other. He very much is a pain in my ass, trust me."
You laugh. "Older and younger?"
"Younger," he nods. "I had a lil' bit of peace here and there before he was born."
"Can't imagine you'd have it any other way nowadays."
He agrees with you.
When he doesn't, Joel scrunches his nose as he shakes his head.
He does silly faces. You wonder if he's aware of how unfair it is that he gets to look like that. Tender. Charming.
He proves your theory to be right with only half another bottle.
Put two or more adults plus a certain amount of alcohol in a closed environment, and sex will be on the table.
It makes you blush when you think... it could literally be on the table.
Joel pretends he doesn't see you growing hotter. He keeps his eyes on you as you take off the robe instead of looking at your arms. Listens to what you're saying without losing focus.
Only when you're done and asking him something in response that he looks.
It makes your throat dry when he does.
Joel has an unabashed, almost cocky tilt to his mannerisms.
You thought he'd be quieter than he is—more serious.
It's a welcomed contrast.
When sex is laid on the table, it comes because he brought up the joke you made at the beginning of the night about his lack of interest in your life, and decided to ask you things. Where you grew up. If you were always like this.
"Define 'like this'."
"Smart with the calculating glance, and sweet-talking."
"Is that me?"
"Sure is, Sunshine."
None of the questions that people usually ask.
It makes you bite your lip more than you wished—his manly, tall presence gets under your skin in ways that no previous partner managed to. Tucking your hair behind your ear, avoiding leading the conversation to the exact places you liked, giggling—those weren't things you did.
He pulled them from you.
When he does ask you the 'usual' questions, it lacks the malicious curiosity inflating others whenever they did.
Sex is laid on the table because Joel looks you in the eyes with that easiness in his shoulders and asks, "I'm not as private as you, though—all of my neighbors already know Tommy, and Sarah. You, on the other hand... the mysterious crime and horror novelist, who talks to her plants and moved from so, so far. I might not be the prying type, but I was curious about you long before my gremlin set her little claws on you. How come I never see anyone coming in or out of here? You tellin' me not one friend of yours followed you here to god-forsaken Texas?"
Your glass is almost empty, and you focus on the twirling of the red inside it to avert your mind from the way he's sitting. "The point of moving was getting away from them. All of them, as bad as that sounds," you cover your eyes with your free hand, and Joel's hand touches your forearm.
"Hey—it's fine. Don't feel bad. 'm happy you had the privilege of gettin' away. If you wanted to move away from all of it, I'm sure you had your reasons."
Looking between your fingers, you try appraising his face. "Really?"
"Really," he nods.
"Okay." You sit up straight. "And I do have people over, sometimes. You're just always at work."
"Yeah? You made friends already?"
"A few, yeah."
"Where?" he removes his hand from your forearm but drops it to your chair's armrest. The proximity is doing something to you. "I thought you worked from home."
"I do," you agree. "But I do other stuff. I'm not always here with my plants, Joel," you roll your eyes, smiling amusedly.
Joel laughs, "I wouldn't know. If I could work from home and stay with my tools and wood, I would."
"And I believe you," you nodded.
He bites on his smile before asking. "What other stuff d'you do?"
"I joined a book club," you reply, feeling all levels of boring.
From his look, he disagrees. "You got the patience for that?"
"Sure do," you nod again.
He nods, pouting in awe. "Nice," he says. "Are your book club friends givin' you the right impression of Texans?"
"I'm warming up to them," you smile.
Nodding, he asks, "Should I ask now the questions all my neighbors already know the answer to? 'Cause I am curious. Did you know Mr. Adler tried tellin' me what he 'discovered' about you? He tried looking blasé when he said that, but I'm sure he just wanted to gossip about the pretty girl who moved across from him."
"Ew, Joel," you laugh.
His eyes never leave you—you feel it even when you're not looking at him. He's laughing too. "What? It's true."
When you look back up at him, you wonder—when did you two get this close?
"You can ask," you say. "It's not that exciting, the answer. Actually, it's not exciting at all."
"Hmm, I'll be the judge of that," he sips his wine, and leaves the glass on the table. "You already know my backstory, so kill my curiosity now," he pierces with his eyes for a moment, "how on Earth is there no ring on this finger?" he points to your ring finger, then he leans in closer, and you can smell the wine in his breath; you want to kiss it until it's taste is gone, "and how is it that I never see anyone leaving here early in the mornings?"
Well. "No ring 'cause I didn't want one so far," you reply. To him, you give more honesty than anyone else who's asked. "And I have the luxury of living without it. I know many friends of mine who don't—and actually, that was part of..." don't go there. "Nevermind," you shake your head, pinning yourself to here.
"You just didn't want it?" he echos.
You nod, "Never did," there's no reason to lie to him. He smells so good—why would you lie to him? "Most men bore men, Joel."
"Wow," the smile that widens is a little baffled. A little dirty. "Should I be scared?"
At that, you burst out laughing. "Really?" You have no clocks outside, but the starry sky and the deep silence in the houses next to you are a good enough indicator. "It's been... a couple of hours, at least. We're one bottle and a half," you say, looking at your glasses shining on the table, "deep into conversation... and you wonder if you should be scared?"
Joel's still looking at you when you look back. His arm is around your chair, and your back touches it when you lean back against it. "I'll take that as a no."
"You are very far from boring."
"'m happy you think so," he smiles. He lets his eyes drop to your lips, without a care for the two palms of distance that separate your faces. It's meant to be blatant. Obvious. "Just another question..."
Here it comes, you thought. Why no kids? Why so alone? Do you feel lonely?
"Why me?" he asks.
It's nothing more than a breath.
You could ignore it. Give any answer, and close the gap. Instead, you give him honesty. "Honestly? I was so attracted to you, the second I saw you, that I was willing to even hear somethin' stupid coming out of your mouth if I could just—," do it, do it, do it. Seeing his eyes darken from up close is torture. You can feel the pulse of your heartbeat between your legs. "Now, if I were any smart, I'd be wishing for you to be bad at all the rest, because..."
This was amazing already.
Joel laughs, just a single, breathy laugh, and then does something you would never see it coming.
He pushes his chair back with the weight of his hips and drops to his knees.
The gasp you let out is enough to put the most insufferable smile on his face.
"Don't say that," he feigns hurt, as if he wasn't smiling with his eyes and lips. "It might've been a while, but I don't think I lost my touch just yet."
Joel's hands envelop your knees and slowly pull them apart. You feel like an open wire—aware of every breath your body takes and each minimum reaction to him.
You feel the wet pulse inside your panties when he kisses the skin of your inner thigh, right above your knee.
Joel smiles up at you, blinking his eyes.
Damn him, you think. His hands caress their way up your skin, and you wished you were naked already.
He seems like someone to enjoy the torture—when his hands reach the curve of your ass, they stop there, holding onto your waist.
"Have I?" he asks, kissing the other inner leg. You feel a hint of his tongue in the short kiss.
What could you say to that?
"You really haven't."
Feeling the hot breathing of his laughter on your inner thighs was not in your list for tonight.
"Do I get a kiss, then?"
He would never have to ask you twice.
Your legs wrap around his torso when you lean down to meet him for the kiss. Joel seems to love the position—he smiles at first, gripping you by the neck.
He takes his time to look at you before he dives in. A mental check-in. Maybe just admiring, just as you were from the second he kneeled.
His kiss comes from experience. A lot of fucking experience.
If you were weak in the knees before, you seal the notion that you're out of your depth there and then.
Joel kisses like no one's ever kissed you before—like he wants to explore, discover, conquer.
He licks his way inside of you with the first kiss.
His tongue isn't shy; he makes you adjust to his rhythm, to let go and open up, and when you, you're rewarded with it—he pulls up just an inch, just to whisper, "that's it," and then dives back in.
Joel wraps his arm around your shoulder and neck in a possessive manner. It's why he makes it so easy for you let him guide it—he's holding you, and you moan as you melt into him.
He wants to feel your body.
The more you press yourself against him, the more Joel grants you little sighs of his own pleasure.
He never pushes his hips against you. Never presses you towards him.
It makes you want to scream.
When he pulls away, Joel sighs happily. He presses his right thumb over your swollen bottom lip, and nodding, kneels on his heels again.
"Joel..."
Your face remains close to his, gravitating to where he does. He whispers, "Lift your hips up for me, Sunshine," wrapped around a smile.
You do as he says.
His hand takes off your shorts without your eyes ever leaving you, and when the item is on the floor, Joel releases the robe you foregone earlier tonight from your backrest to slide down where you sit.
To not make a mess, it says.
Your face is burning up, but not as much as the rest of you.
"Is this ok?" he asks.
He waits for your nod of approval before pulling you by your knees. "Good," he's strong enough to get you where he wants in one pull. Your hips are nearing the end of the chair and from this angle, Joel gets to look.
He eyes the underwear as if it's personally offending him.
"I like the color," he says. He traces a finger across the baby blue lace and looks up at you. "Suits ya," he says. That's when he hooks a finger on the fabric, pulling it to the side. "I dreamt about this."
That gets to you.
Joel's fingers are thorough—able. He uses his knuckles to spread the lips apart, uncaring about the whines you let out above him, still holding on to the shame of being the only one exposed.
It lasts until he places two knuckles on each side of your clit, stimulating it with back-and-forth movements.
You were right about the torture.
He enjoys it.
Joel waits for your clit to be hard between his fingers before he puts his mouth to it.
You can only cling onto his hair.
I dreamt about this, too.
"Fuck—I dreamt about this too," you confess.
His moan vibrating against the core of your pussy makes you clench.
Joel's only starting.
He takes his time in finding the rhythm you most feel pleasure on your clit. He never bites, never nibbles, and doesn't go softly, like other men.
He eats.
Joel's mouth is stuck to you—the way he laps and slurps and sucks on your hardened nub only makes your volume go from whines and pleas of his name to moans in very little time.
That's when he dips his tongue inside. When he uses it as muscle and proves to you why the idea of oral is so good for men.
Because it's good.
Joel gives no indicator that he wants to stop at any time, and it turns you into something that blossoms.
At some point between him almost making you cum just by sucking on your clit and fucking his tongue in and out of you, your legs made their way to his shoulders, and his hands have secured themselves groping your ass.
He pulls back for air, once.
His fingers enter you instead, two at once.
"So wet already," he says. You only hear it, until, "look at me," he asks.
As if his thick, long fingers dripping into places inside of you weren't enough, you get to look at him.
His face glistening on your back porch is something that burns behind your eyelids the second you see it. You feel incoherent, needy, and exposed in more than one way.
Joel looks like he could eat you like this.
"Joel—please. Please," you're begging, but for what, you're not sure.
"Cum for me first. I'll give you whatever you want later, just," he pumps his fingers inside of you, keeping a steady and strong pace, and then says, "You look so good like this, Jesus fuckin' Christ."
Profanities.
That's what he says before getting his mouth back on you—his tongue sucking and vibrating against your clit.
It's too much. Too fucking much, and, "Joel, Joel—"
He pulls back just to say it, "That's it, doin' so good, Sunshine—" and that's when you lose it. The coaxing. It's so earnest. Sounds so pleased, dipping in honey as if it's him who's feeling this good.
"'m gonna cum Joel, fuck me, just like that—"
"Like this? Hm? Show me. Cum on my mouth."
All it takes is for him to put it back on you. Joel knows how to push himself inside—knows how to explore the hot and tight confines of your cunt, because he coos a first orgasm out of you with the right pace only.
No strength. No speed. Just sucking, and curling right against your spot.
Your vision whites out.
The time you take to come back to yourself, he keeps playing with your pussy and the mess he made in it, seeming as satisfied with the result as you are. Somewhere in white land.
What a little death.
After that, it's more a mess and clashes of teeth and desires than you knew you were even capable of.
He pulls you in for a kiss, and you pull him inside the house.
The idea is to make it to your room, but you never make it past the living room.
When you press him against a wall to finish taking off his clothes, seeing him only in briefs makes gravity pull you in.
Nothing but black briefs.
You have to drop to your knees.
Joel curses under his breath and tries his best at keeping his posture, but you're with a mind entirely clouded by raw need.
To him, you want to do only your best.
You're addicted to the way he mutters, "atta girl," every time you discover something that brings him pleasure. It sounds so fucking dirty.
"That's it. Atta fuckin' girl, god."
With him, you use tricks your friends once told you that are buried in the back of your mind. You hold the part of his cock your mouth can't cover and move it in sync with your lips. You make it wet, make sloppy, make it whatever he leads it to be.
Joel hisses and moans louder when you find the special places hidden—the sensitive skin between his balls that leads up, you lick it from start to finish and are rewarded with a full-body shudder.
He shows you what strong body means.
"Where's your room?" he pulls you by the arms, and you somehow end up jumping on him. Exactly what you wanted.
"I'm not makin' that far," you tell him with a grin.
He has his thumb on your lips again—he seems to like your mouth.
"Didn't think you'd want my bare ass on your couch."
"That is exactly where I want your bare ass right now," you tell him.
He's good at following requests, just as he is at giving them.
Joel sits with you already straddling his lap, and bless his gentleman's heart, he says, "I left my pants outside—wait," he curses under his breath with your hips circling his shaft. Letting it slide between your pussy lips. "Fuckin' hell."
"Fuckin' hell indeed," you sigh. "Wait here."
You run outside for it, only because you're not on the pill. Maybe you'll start taking it. Maybe you shouldn't think that far.
Joel's waiting for you alright—he has his hand at the base of his cock, sitting on your couch like a modern-day Adonis.
A sluttier Adonis. Sexier, too.
"Stop starin' and c'mere," he demands;
And who are you to say no to that?
Joel does you the favor of putting it on as you make yourself comfortable on his lap again, taking all of your out of the way. He looks like he wants to eat you alive piece by piece, and you love it.
"Lemme know if you want me to take over," he tells you.
"Yes, sir," you whisper in a taunting manner.
Joel rests his forehead against yours when you line himself up with you, and it's a reward of your stupid, gigantic-ass window letting in the light from outside that allows you to see the pleasure on his face as you sink around him, burying him to the hilt.
His digits press so hard on your sides they'll brise.
You'll be bruised tomorrow morning.
Fingerprints on your hips, beard burns on your inner legs, palm shapes across your ass.
When you start moving, none of you say a word about how it feels.
It's criminal.
Only curses and your names are allowed in the thin space separating your wet bodies.
The thin layer of sweat makes you two glide on each other, and the drag of him inside of you is almost too good for words.
You're scared of the ones that'd make their way out, anyway.
So you let out what you can. You call for him, and he calls back. Joel slaps your ass, both sides of it, and urges you on to take him as you want it.
"Fuckin' christ, I'm never gonna—fuck—never gonna sleep again."
There it is. Being pussy-drunk makes him loose-lipped.
Your own are aching with how hard you bite on them.
Joel lets the reigns remain on your hands as you stay on top. He lets you ride him painfully slow, and faster, just because it feels good. He lets you climb all the way up only to slam back down, praising you through the fog in your brain.
"Does it feel good, Sunshine? Mm? My cock feels that good for you?"
You're sure it'll all come back to haunt you once your brain can be coherent.
He takes charge when you start begging him, and for what, you're unsure of. It's a mixture of please and his name, which Joel takes as his permission slip.
He flips you onto your back, hooks one of your legs on the middle of his back, and fucks you both into another orgasm.
It should be concerning the way he does it—like he's familiar with your body and your cues. He just follows your pace and moans until you're clawing at his back, and when his name comes out over and over again, he coaxes it again. Coos at you, holding your face in one hand. "You're gonna cum for me, aren't ya? Do it. I'll cum for you when I feel you shakin' around my cock, Sunshine. Cum for me."
It comes so hard you almost faint; blackout.
Joel takes care of you afterward.
Of course he does.
Even with the weakest legs and the minimum sense of reality around you, he manages. Joel leads you upstairs, tells you he's collected your clothes, and even lays down when you ask him.
"Just for a while," you ask.
He lays in front of you in bed, and pulls your arms around him. "I'm puttin' an alarm."
Little spoon. "You gotta be back here in the morning anyway."
"I know," he kisses your wrist. "Can't wait."
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🏷️ @sakuralikestars — @mostardentily — @thegreat-annamaria — @leiticia — @polyglot-noodle — @casssiopeia — @earthtocharlene
⚠️ if anyone being tagged would like to not be, just let me know in my inbox.
↳ my inbox 💌 | tip jar ♡ ↲
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old-lorarri · 4 months
Text
꒰꒰ ‧₊˚𝐇𝐎𝐓 𝐃𝐀𝐓𝐄 𝐎𝐑 𝐒𝐄𝐑𝐈𝐀𝐋 𝐊𝐈𝐋𝐋𝐄𝐑 ─ 𝐋𝐒𝟐 ˚₊· ꒱꒱
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─ summary . . . ❨ your friend forces you onto a dating app and to be honest you weren't expecting much but maybe it was worth it ❩ ─ pairing . . . ❨ logan sargent x fem! non-famous! reader ❩ ─ genre . . . ❨ social media file ❩ ─ author note . . . . ❨ now tbh I was meant to do this for a different driver but changed last min so I hope this is still good so enjoy! ❩
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❨ taglist | masterlist ❩
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WELCOME TO L♡VE LINE
the app where you are destined to find the one
create an account . . .
login
number: xxx-xxx-xxx
name: Y/N L/N
birthday: xx xx xxxx
nationally: british
idea type: funny, nice, and not a serial killer
about you: creeps stay away 🤺🤺🤺
add a profile picture . . .
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please wait while we find your matches
loading . .
thank you for being patient,
we have found 4 matches
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matt markson has requested to message you
accepted decline
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birthday: november 10th, 2002
nationally: american
ideal type: sexy, funny, and submissive
bio: best haircut in ohio
matt
hey baby girl 😮‍💨
how about you give me a show 😏
Y/N
no 🥰
also you hair is fucked
you have blocked this person
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try again
yes no
lukas morris has requested to message you
accepted decline
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birthday: january 21st, 2000
nationally: poland
ideal type: hot, horny, shy
bio: drug, drinking, sex 4 life
lukas
what are your thoughts on gun play?
Y/N
...
lukas
not a fan I see
how about blood play
has anyone told you
that you would make a beautiful corpse 🥵
Y/N
no
goodbye 👋
you have blocked this person
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try again
yes no
amir abbas has requested to message you
accepted decline
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birthday: july 19th, 1999
nationally: uae
ideal type: modest, kind, god fearing
bio: habibi come to dubai
amir
you are so beautiful ❤️
Y/N
aww thank you ☺️
your good looking to 👀
amir
I would love to bring you to dubai 😉
Y/N
bit soon don't you think?
amir
no
I think it would make it easier to get to know each other
you know face to face
Y/N
yeah ig
amir
great
just don't tell my wife
Y/N
your what?
amir
my wife
also you can't post me
and I can't post you
but I'll buy you channel and a ferrari ❤️
how does that sound habibi
Y/N
fucking awful
I am not some fucking side hoe
hope your wife finds out what a piece of shit you are mate 🖕
you have blocked this person
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yes no
logan sargent has requested to message you
accepted decline
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birthday: july 19th, 1999
nationally: usa
ideal type: funny, kind, honest
bio: american f1 driver
logan
oh thank god
this app has finally matched me with someone normal 😮‍💨
Y/N
right?!?!?
eveyone on this app is givning either serial killer or scum bag 😭
but I gotta ask dude
what's up with that pfp 💀
logan
my friend alex took it
he forced me to make this account
he said it was a good photo
is it not?
Y/N
wait you got forced on here too??????
same 😭
my friend megan said I needed to
"meet new people"
what ever tf that means
also
if I were you
I would sue alex for defamation of character 💀
cuz that photo does not do you justice
makes you look like a ✨ serial killer ✨
very ✨ted bundy✨
also question
american white man
which type of american are you 🤔
logan
florida baby
RAHHHHHHH 🦅🔥🇺🇸
Y/N
oh dear 😅
it's always florida or ohio...
but anyway
thoughts on taylor 🧐
logan
queen 👸
icon 💅
the moment ✨
mother 😌
Y/N
hummmm
you have passed the test ✅
logan
yessss
anyway question
Y/N
shoot
not literally florida
figuratively 😭
logan
florida really?
anyway
what do you do for a living?
Y/N
barista
I know I know
before you say it yeah customers can be a bitch sometimes
but I'm a sucker for free coffee
what about you
logan
f1 driver for williams racing
Y/N
oh cool
don't really know what that is sorry 😭
I only really watch football
liverpool fan till i die 🫡
logan
you mean soccer
Y/N
football
logan
soccer
Y/N
football
logan
soccer
Y/N
football
logan
soccer
Y/N
it's football you twat 🥰
listen we don't call american football
kick run catch and occasionally punt now do we
logan
okay speak your truth queen 👸
Y/N
thank u king 🤴
okay but why when I googled your name
this was the first thing that came up 😭😭😭
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logan
oh god
sorry you had to see that
Y/N
not a problem mate ☺️
logan
wow 💔
I just got mate zoned 😢
going dark 😞
Y/N
no no no no no
I'M SORRY 😭😭😭
I'M BRITSH IT'S IN MY DNA
logan
all I hear is excuses 😞
Y/N
WHAT CAN I DO TO MAKE IT BETTER
logan
I think you number would heal my broken heart rn 🫣
Y/N
smooth america real smooth 😭
logan
thank u thank u
Y/N
xxx-xxx-xxx
if you turn out to be a serial killer I'm going to be pissed 💀
logan
Is the photo really that bad 😭😭😭
Y/N
yes babe 😌
dw when we go on a date I'll take some yummy pic's of you
logan
bet
text me the deets
Y/N
will do mr miami 🫡
logan reacted with a ❤️
read
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─ inspired by . . .
@landitolover ─ dulce hotline
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─ requested by . . .
anon ─ Any driver of your choosing where the reader doesn’t know who they are and is just a regular person
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Photo
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dailyflicks · 10 months
Photo
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CATCH ME IF YOU CAN (2002) — dir. Steven Spielberg
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blackthornluce · 29 days
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Amy Adams and Leonardo DiCaprio as Brenda Strong and Frank Abagnale Jr. in Catch Me If You Can (2002) directed and produced by Steven Spielberg
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bogleech · 29 days
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Also going to finally make a pinned post for all my stuff:
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BOGLEECH - my tumblr blog is named after this website I created around 2002 and still update. Thousands of pages worth of content focusing on creature design as well as real biology. My review of the original Legend of Zelda monsters might be the most straightforward example of my articles. Links to some of the most popular content:
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POKEMON REVIEW ARCHIVE: - I rate and review each and every single Pokemon, in Pokedex order, on its merits as a creature design. I also do so as someone whose favorite animals are all parasites.
DIGIMON REVIEW ARCHIVE - same, but more chaotic.
CREEPYPASTA COOKOFF ARCHIVE - for several years I hosted a yearly writing contest before it grew too big for me to keep up with. There are over a thousand user submitted horror, fantasy, sci fi and surrealist stories here emphasizing unconventional, original ideas you seldom see from the "creepypasta" community!
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The original "MORTASHEEN" Monster Archive - since the early 2000's I've created and illustrated more than 800 creatures and counting for my own monster-catching world, now set for release as a tabletop RPG setting.
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AWFUL HOSPITAL: SERIOUSLY THE WORST EVER (page one): an interactive comedy-horror-sci-fi webcomic I started in 2014 about a medical facility that could maybe be better.
Some of my other internet stuff:
PATREON - constant work makes my patreon updates inconsistent, but the content backlog goes back years with a huge amount of exclusive art and writing. I try to put up new exclusive stuff whenever I can.
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ETSY - I design all sorts of original enamel pins like these, plus I sell zero-maintenance terrarium plants (just leave them in a jar!), original books and other things!
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COLOR THE ABYSS (available on the above etsy!) - a 30 page educational deep sea coloring book! Includes a few famous favorites like giant isopods and hagfish, but mostly focuses on less popular, often much weirder animals.
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UNBELIEVABLE BUGS - also regularly restocked in the etsy store, 30 of the strangest and most surprising arthropods most people have likely never heard of, illustrated by myself and @revretch, written for even the youngest kids to understand (but will likely teach you something new at any age)
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My Itch.io and Ko-fi - both sell digital versions of my books, including some creepypasta collections and my first novel, "Return of the Living," about a world of entirely ghosts suddenly dealing with the appearance of ghost-hunting monsters.
TWITCH CHANNEL - I now try to stream something at least monthly, sometimes weekly when possible, from horror games to books and art.
YOUTUBE CHANNEL - archives my twitch streams and other little things.
INSTAGRAM - look at pictures of my huge weird collection of toys and Halloween collectibles
BLUESKY - I'm going to put mainly just updates to my stuff on here. SEE ALSO:
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HUMANS-B-GONE - a science fiction animated series by my partner @revretch, about a world of kaiju-size, technologically advanced insects and arachnids to whom vertebrates like us are just pesky little "gubs." Also has a tumblr account @humansbgone
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Demon-haunted computers are back, baby
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Catch me in Miami! I'll be at Books and Books in Coral Gables on Jan 22 at 8PM.
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As a science fiction writer, I am professionally irritated by a lot of sf movies. Not only do those writers get paid a lot more than I do, they insist on including things like "self-destruct" buttons on the bridges of their starships.
Look, I get it. When the evil empire is closing in on your flagship with its secret transdimensional technology, it's important that you keep those secrets out of the emperor's hand. An irrevocable self-destruct switch there on the bridge gets the job done! (It has to be irrevocable, otherwise the baddies'll just swarm the bridge and toggle it off).
But c'mon. If there's a facility built into your spaceship that causes it to explode no matter what the people on the bridge do, that is also a pretty big security risk! What if the bad guy figures out how to hijack the measure that – by design – the people who depend on the spaceship as a matter of life and death can't detect or override?
I mean, sure, you can try to simplify that self-destruct system to make it easier to audit and assure yourself that it doesn't have any bugs in it, but remember Schneier's Law: anyone can design a security system that works so well that they themselves can't think of a flaw in it. That doesn't mean you've made a security system that works – only that you've made a security system that works on people stupider than you.
I know it's weird to be worried about realism in movies that pretend we will ever find a practical means to visit other star systems and shuttle back and forth between them (which we are very, very unlikely to do):
https://pluralistic.net/2024/01/09/astrobezzle/#send-robots-instead
But this kind of foolishness galls me. It galls me even more when it happens in the real world of technology design, which is why I've spent the past quarter-century being very cross about Digital Rights Management in general, and trusted computing in particular.
It all starts in 2002, when a team from Microsoft visited our offices at EFF to tell us about this new thing they'd dreamed up called "trusted computing":
https://pluralistic.net/2020/12/05/trusting-trust/#thompsons-devil
The big idea was to stick a second computer inside your computer, a very secure little co-processor, that you couldn't access directly, let alone reprogram or interfere with. As far as this "trusted platform module" was concerned, you were the enemy. The "trust" in trusted computing was about other people being able to trust your computer, even if they didn't trust you.
So that little TPM would do all kinds of cute tricks. It could observe and produce a cryptographically signed manifest of the entire boot-chain of your computer, which was meant to be an unforgeable certificate attesting to which kind of computer you were running and what software you were running on it. That meant that programs on other computers could decide whether to talk to your computer based on whether they agreed with your choices about which code to run.
This process, called "remote attestation," is generally billed as a way to identify and block computers that have been compromised by malware, or to identify gamers who are running cheats and refuse to play with them. But inevitably it turns into a way to refuse service to computers that have privacy blockers turned on, or are running stream-ripping software, or whose owners are blocking ads:
https://pluralistic.net/2023/08/02/self-incrimination/#wei-bai-bai
After all, a system that treats the device's owner as an adversary is a natural ally for the owner's other, human adversaries. The rubric for treating the owner as an adversary focuses on the way that users can be fooled by bad people with bad programs. If your computer gets taken over by malicious software, that malware might intercept queries from your antivirus program and send it false data that lulls it into thinking your computer is fine, even as your private data is being plundered and your system is being used to launch malware attacks on others.
These separate, non-user-accessible, non-updateable secure systems serve a nubs of certainty, a remote fortress that observes and faithfully reports on the interior workings of your computer. This separate system can't be user-modifiable or field-updateable, because then malicious software could impersonate the user and disable the security chip.
It's true that compromised computers are a real and terrifying problem. Your computer is privy to your most intimate secrets and an attacker who can turn it against you can harm you in untold ways. But the widespread redesign of out computers to treat us as their enemies gives rise to a range of completely predictable and – I would argue – even worse harms. Building computers that treat their owners as untrusted parties is a system that works well, but fails badly.
First of all, there are the ways that trusted computing is designed to hurt you. The most reliable way to enshittify something is to supply it over a computer that runs programs you can't alter, and that rats you out to third parties if you run counter-programs that disenshittify the service you're using. That's how we get inkjet printers that refuse to use perfectly good third-party ink and cars that refuse to accept perfectly good engine repairs if they are performed by third-party mechanics:
https://pluralistic.net/2023/07/24/rent-to-pwn/#kitt-is-a-demon
It's how we get cursed devices and appliances, from the juicer that won't squeeze third-party juice to the insulin pump that won't connect to a third-party continuous glucose monitor:
https://arstechnica.com/gaming/2020/01/unauthorized-bread-a-near-future-tale-of-refugees-and-sinister-iot-appliances/
But trusted computing doesn't just create an opaque veil between your computer and the programs you use to inspect and control it. Trusted computing creates a no-go zone where programs can change their behavior based on whether they think they're being observed.
The most prominent example of this is Dieselgate, where auto manufacturers murdered hundreds of people by gimmicking their cars to emit illegal amount of NOX. Key to Dieselgate was a program that sought to determine whether it was being observed by regulators (it checked for the telltale signs of the standard test-suite) and changed its behavior to color within the lines.
Software that is seeking to harm the owner of the device that's running it must be able to detect when it is being run inside a simulation, a test-suite, a virtual machine, or any other hallucinatory virtual world. Just as Descartes couldn't know whether anything was real until he assured himself that he could trust his senses, malware is always questing to discover whether it is running in the real universe, or in a simulation created by a wicked god:
https://pluralistic.net/2022/07/28/descartes-was-an-optimist/#uh-oh
That's why mobile malware uses clever gambits like periodically checking for readings from your device's accelerometer, on the theory that a virtual mobile phone running on a security researcher's test bench won't have the fidelity to generate plausible jiggles to match the real data that comes from a phone in your pocket:
https://arstechnica.com/information-technology/2019/01/google-play-malware-used-phones-motion-sensors-to-conceal-itself/
Sometimes this backfires in absolutely delightful ways. When the Wannacry ransomware was holding the world hostage, the security researcher Marcus Hutchins noticed that its code made reference to a very weird website: iuqerfsodp9ifjaposdfjhgosurijfaewrwergwea.com. Hutchins stood up a website at that address and every Wannacry-infection in the world went instantly dormant:
https://pluralistic.net/2020/07/10/flintstone-delano-roosevelt/#the-matrix
It turns out that Wannacry's authors were using that ferkakte URL the same way that mobile malware authors were using accelerometer readings – to fulfill Descartes' imperative to distinguish the Matrix from reality. The malware authors knew that security researchers often ran malicious code inside sandboxes that answered every network query with fake data in hopes of eliciting responses that could be analyzed for weaknesses. So the Wannacry worm would periodically poll this nonexistent website and, if it got an answer, it would assume that it was being monitored by a security researcher and it would retreat to an encrypted blob, ceasing to operate lest it give intelligence to the enemy. When Hutchins put a webserver up at iuqerfsodp9ifjaposdfjhgosurijfaewrwergwea.com, every Wannacry instance in the world was instantly convinced that it was running on an enemy's simulator and withdrew into sulky hibernation.
The arms race to distinguish simulation from reality is critical and the stakes only get higher by the day. Malware abounds, even as our devices grow more intimately woven through our lives. We put our bodies into computers – cars, buildings – and computers inside our bodies. We absolutely want our computers to be able to faithfully convey what's going on inside them.
But we keep running as hard as we can in the opposite direction, leaning harder into secure computing models built on subsystems in our computers that treat us as the threat. Take UEFI, the ubiquitous security system that observes your computer's boot process, halting it if it sees something it doesn't approve of. On the one hand, this has made installing GNU/Linux and other alternative OSes vastly harder across a wide variety of devices. This means that when a vendor end-of-lifes a gadget, no one can make an alternative OS for it, so off the landfill it goes.
It doesn't help that UEFI – and other trusted computing modules – are covered by Section 1201 of the Digital Millennium Copyright Act (DMCA), which makes it a felony to publish information that can bypass or weaken the system. The threat of a five-year prison sentence and a $500,000 fine means that UEFI and other trusted computing systems are understudied, leaving them festering with longstanding bugs:
https://pluralistic.net/2020/09/09/free-sample/#que-viva
Here's where it gets really bad. If an attacker can get inside UEFI, they can run malicious software that – by design – no program running on our computers can detect or block. That badware is running in "Ring -1" – a zone of privilege that overrides the operating system itself.
Here's the bad news: UEFI malware has already been detected in the wild:
https://securelist.com/cosmicstrand-uefi-firmware-rootkit/106973/
And here's the worst news: researchers have just identified another exploitable UEFI bug, dubbed Pixiefail:
https://blog.quarkslab.com/pixiefail-nine-vulnerabilities-in-tianocores-edk-ii-ipv6-network-stack.html
Writing in Ars Technica, Dan Goodin breaks down Pixiefail, describing how anyone on the same LAN as a vulnerable computer can infect its firmware:
https://arstechnica.com/security/2024/01/new-uefi-vulnerabilities-send-firmware-devs-across-an-entire-ecosystem-scrambling/
That vulnerability extends to computers in a data-center where the attacker has a cloud computing instance. PXE – the system that Pixiefail attacks – isn't widely used in home or office environments, but it's very common in data-centers.
Again, once a computer is exploited with Pixiefail, software running on that computer can't detect or delete the Pixiefail code. When the compromised computer is queried by the operating system, Pixiefail undetectably lies to the OS. "Hey, OS, does this drive have a file called 'pixiefail?'" "Nope." "Hey, OS, are you running a process called 'pixiefail?'" "Nope."
This is a self-destruct switch that's been compromised by the enemy, and which no one on the bridge can de-activate – by design. It's not the first time this has happened, and it won't be the last.
There are models for helping your computer bust out of the Matrix. Back in 2016, Edward Snowden and bunnie Huang prototyped and published source code and schematics for an "introspection engine":
https://assets.pubpub.org/aacpjrja/AgainstTheLaw-CounteringLawfulAbusesofDigitalSurveillance.pdf
This is a single-board computer that lives in an ultraslim shim that you slide between your iPhone's mainboard and its case, leaving a ribbon cable poking out of the SIM slot. This connects to a case that has its own OLED display. The board has leads that physically contact each of the network interfaces on the phone, conveying any data they transit to the screen so that you can observe the data your phone is sending without having to trust your phone.
(I liked this gadget so much that I included it as a major plot point in my 2020 novel Attack Surface, the third book in the Little Brother series):
https://craphound.com/attacksurface/
We don't have to cede control over our devices in order to secure them. Indeed, we can't ever secure them unless we can control them. Self-destruct switches don't belong on the bridge of your spaceship, and trusted computing modules don't belong in your devices.
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I'm Kickstarting the audiobook for The Bezzle, the sequel to Red Team Blues, narrated by @wilwheaton! You can pre-order the audiobook and ebook, DRM free, as well as the hardcover, signed or unsigned. There's also bundles with Red Team Blues in ebook, audio or paperback.
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/01/17/descartes-delenda-est/#self-destruct-sequence-initiated
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Image: Mike (modified) https://www.flickr.com/photos/stillwellmike/15676883261/
CC BY-SA 2.0 https://creativecommons.org/licenses/by-sa/2.0/
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kafus · 2 months
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over the weekend at the knoxville regional pokemon championships, i met up with a longtime internet friend in person for the first time, and he traded me a very special pokemon - a unique celebi that takes a bit of context to explain the significance of
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from november 2001 to january 2005, the building that is now a nintendo world store in new york city was actually an american pokemon center, which hosted the "Gotta Catch ‘Em All!" station, a large machine that you could pop your gold/silver/crystal cartridge into (or later ruby/sapphire/firered/leafgreen, but that's not relevant here) and get a special distribution pokemon unique to the store. often times these were normal pokemon in eggs with special moves they couldn't usually learn, but other times they ran distributions for shiny legendaries, and of course, the mythical celebi.
there's very few pictures of the machine and all of them are pretty low quality, but you can see an iteration of it here during the gen 3 era:
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when PCNY (pokemon center new york) shut down, the machine and its contents were presumed lost forever, but due to the preservation efforts and the good luck of a few individuals, some of the distributions have been preserved, as well as parts of the machine and its software. this is extra incredible because almost all gen 2 save files from the time the machine was actually functional are long since wiped due to the battery inside dying, meaning that very very few of the gen 2 event pokemon distributed from this machine at the time still exist. i won't go super in detail on that in this post but you can read an article about all of that here (julie, the person who runs this historical PCNY fansite is incredibly passionate and if you want to know anything about the PCNY store i absolutely recommend reading her writing!)
so, one day when i was rambling to my friend (his name is Venty!) about my fascination with the PCNY machine, and how i wish i had been born early enough to experience that, as well as wishing that i could have traded with anyone in gens 1-3 as a child but never got to due to isolation, venty told me that he's actually friends with a guy (Professor Rex) who knows the guy who owns the remnants of the PCNY machine (Gridelin), and he would love to reach out and ask if there's any way rex could distribute a celebi to himself and trade it to him sometime so that eventually when me and venty met in person one day, he'd be able to trade the celebi to me.
i pretty much burst into tears and very passionately explained how much that would mean to me - not just because owning a celebi actually distributed from the historical PCNY distribution station is just... insanely cool, but because like i said, i had never traded anyone in the old internet-less generations of pokemon, and having that be my first was just... a monumental thought. i am deeply fascinated with old gen event distributions because of the tactile, interpersonal nature of them, in direct contrast with my isolation and loneliness as a child. it might sound silly to be so worked up over a collection of bytes/pixels, but i really couldn't believe venty would offer me something so kind. and not only did he offer to ask - rex said yes!!
so on may 21st last year (2023) rex traveled out and distributed the celebi to his pokemon silver cartridge. specifically, the celebi is from the "Celebi Present Campaign" which ran from the 22nd of november 2002 to the 28th of november 2002. the display on the monitor is the same video that would have appeared on the screen in the PCNY store, but flipped sideways here haha. (the gen 2 distributions were special and had custom animations for the legendaries and stuff, which you can watch here in full quality on gridelin's channel - there's videos of the other distribution animations on his channel, too!)
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and then months later, during the weekend of august 11th 2023, rex and venty met up at the pokemon world championship in japan and rex traded the celebi to venty's gold cartridge...
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...then, finally, just this past weekend, on sunday (february 4th 2024) venty and i finally met in real life for the first time at the knoxville TN regional pokemon championships, and with link cable in hand the celebi finally made its way to me in my hotel room, after crossing the ocean twice and passing through canada to the US to japan and back to the US...!!
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gen 2 pokemon data isn't very complicated, but you can tell that my celebi is unique from the other PCNY celebis dumped online (here and here if you'd like to play with some of these historical pokemon yourself) because it has the trainer ID of 00204 which none of the publicly available celebis have - though of course to me, regardless of what becomes publicly available in the future (and i hope one day the common layperson can simply emulate the PCNY machine, video game preservation >>> unique collections always) this celebi will always be special and unique because of how it got to me, and because it represents my friendship with venty who i care so much about. it was an extremely kind gesture i will never forget and i can't believe how much traveling and how many people were involved with getting this tiny bundle of bytes and pixels to me. i hugged venty after the trade was done haha
oh, and by the way, don't worry, i have the hardware to back up my gen 2 save files so this celebi will never die even after my crystal cartridge battery eventually dies once more!! (also, while i don't think it would be an issue i do want to say please don't bother any of the people mentioned in this post...! gridelin & co are working on making the distribution machine in question available for anyone to use, it'll come out whenever it's out and for now there are dumps of the events that were recovered. i would not want them to receive any annoying requests for pokemon because of me. thank you!)
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guillotineman · 2 years
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Catch Me If You Can
(2002, dir. Steven Spielberg)
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