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#Chakotay
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I've been crediting the way Chakotay dismisses B'Elanna's vision in “Barge of the Dead” mostly to the events of “The Fight” and how Chakotay was (understandably) afraid of the barrage of images from the depths of his mind, and how this fed into the fears he has about his grandfather's condition and his own predisposition to it. As a result, he is more diffident about helping other people assigning meaning to their visions, not trusting himself as he used to any longer. After rewatching “Mortal Coil” though I think Chakotay is, also understandably, very wary of validating anyone's mystical experiences (or lack thereof) surrounding death, because one such experience very nearly brought Neelix to suicide and Chakotay almost didn't realize it in time. The way B'Elanna's talks about her own vision can't not recall what Neelix went through, in Chakotay's mind; B'Elanna almost died, and now she feels like she needs to die again. Add to this the history B'Elanna has with self-harm and unnecessary risk-taking behavior from “Extreme Risk”, a history that Chakotay knows all too well, and his mind is made up. He cannot allow this to happen on his watch, especially not to B'Elanna, so he dismisses her recollection of the vision, he downplays it even if it comes across as him not accepting B'Elanna's culturally-informed perspective on her own experiences. In short, I think a mix of fear and guilt is what makes Chakotay unable to appreciate the difference between Neelix' nihilism and his loss of purpose and B'Elanna's longing for meaning and closure through ritual.
I don't think the Voyager writers thought this through as much as I am here, mind you. They likely just had Chakotay play the 'voice of reason' because they couldn't have Janeway doing it, or the parallelism between B'Elanna finding peace with (the memory of) her mother and B'Elanna's acceptance of Janeway's trust would have collapsed, making the episode less incisive. (We can also talk about how yet again the show paints Janeway as a mother figure, in my opinion the lowest-hanging fruit possible, but I digress.) That it sort of contradicts Chakotay's pre-established characterization and background was likely not a big consideration, which is unfortunate. However if we don't take the 'reset button' for granted, this behavior from Chakotay can be taken a sign of the way he changed throughout the show, even it's sort of negative character development. He's more afraid, and more rigid in his understanding of others than at the beginning of the journey, especially when it comes to B'Elanna. The years of survival on Voyager have taken a toll on him. I obviously still think he was wrong to dismiss B'Elanna and that the show needed to handle that conversation between them with a lot more care for both characters, but keeping “Mortal Coil” and “Extreme Risk” in mind definitely helps with lessening the sting of a scene that otherwise seems to come out of nowhere.
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flappielxx123 · 2 days
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Janeway and Chakotay are having a little break in her ready room
I have a headcannon that if they would be together he would adore lovingly kissing her neck in between shifts
I couldn't choose between her being suprised or happy so now she is astonished at first but then she smiles
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homewrecking-lore · 1 year
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You think you can hurt me? I write star trek fanfiction knowing absolutely nothing about the medical and scientific fields
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ohmyoverland · 3 months
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Happy Threshold Day 2024!
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baylardian-1 · 3 months
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"I've thought about having children, but I must say I never considered having them with you."
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evviejo · 1 month
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STAR TREK: VOYAGER - S2E1 The 37's
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drmenma · 8 months
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The lower decks in the "Year of Hell" event.
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trekkiemage · 9 months
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Your honor, I love them
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altumvidetur · 3 months
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Janeway: You know what they say, go big or go home. Chakotay: I am begging you, Kathryn. For once in your life, go home. Please. Just this once. Janeway: Janeway: I'm going big.
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fortheloveoftrek · 3 months
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Happy belated Threshold Day Voyager fans!
I had intended on posting this on the 29th and forgot. Oops. What kind of Trek fan am I? A forgetful one it seems. Threshold won an emmy for outstanding makeup but is an episode hated by many Trek fans. I loved this cartoon version of a part of the episode living on YouTube channel: Gazelle Automations called "Star Trek: Voyager: The Animated Series" go give it a watch.
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catgirljaneway · 4 months
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Voy + Textposts 10
(1) + (2) + (3) + (4) + (5) + (6) + (7) + (8) + (9) + (11)
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spockvarietyhour · 3 months
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avoicefromthestars · 7 months
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this framing is so funny... excluded from the dyke huddle :(
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https-chaos · 2 years
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Jim and Spock are like. We were written in the 60s so we’re in love and repressed and looking at each other with the most painful, heart wrenching longing in the galaxy. We will find each other in every universe and every timeline. We are connected by a red string. You know that I know that you know. This is the best tragic love story you will ever see.
Geordi and Data are like. The symbolism inherent to the blind engineer and his mechanical best friend who glows for him and only him. Tearing ourselves apart because we both think the other deserves better. Our relationship is intimate by nature but I won’t inflict myself on you. You know that I know that you know. This is the best tragic love story you will ever see.
Julian and Garak are like. We’re supposed to be enemies and I’m supposed to be afraid of you. You’re ashamed of your past and I’m ashamed of mine. We’re arguing about nothing but it’s only because I’m in love with you. You know that I know that you know. This is the best tragic love story you will ever see.
Janeway and Chakotay are like. We’re stranded very far from home and we’re in love but we won’t do anything about it because it would be improper. We have a ship to run and a crew to take care of and our personal needs come last. I’ll keep you at arms length and you’ll never complain. You know that I know that you know. This is the best tragic love story you will ever see.
I love Star Trek for its ability to write these deeply painful, unresolved love stories. I love the actors for making it emotional. I love the writers for being transparent about the purpose of those raw moments.
You may find that having is not so pleasing a thing after all as wanting. It is not logical, but is often true.
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