#Character Building

[wisteria-lodge]

So my problem with most ‘get to know your character’ questioneers is that they’re full of questions that just aren’t that important (what color eyes do they have) too hard to answer right away (what is their greatest fear) or are just impossible to answer (what is their favorite movie.)  Like no one has one single favorite movie. And even if they do the answer changes.

If I’m doing this exercise, I want 7-10 questions to get the character feeling real in my head. So I thought I’d share the ones that get me (and my students) good results: 

What is the character’s go-to drink order? (this one gets into how do they like to be publicly perceived, because there is always some level of theatricality to ordering drinks at a bar/resturant)

What is their grooming routine? (how do they treat themselves in private)

What was their most expensive purchase/where does their disposable income go? (Gets you thinking about socio-economic class, values, and how they spend their leisure time)

Do they have any scars or tattoos? (good way to get into literal backstory) 

What was the last time they cried, and under what circumstances? (Good way to get some *emotional* backstory in.) 

Are they an oldest, middle, youngest or only child? (This one might be a me thing, because I LOVE writing/reading about family dynamics, but knowing what kinds of things were ‘normal’ for them growing up is important.)

Describe the shoes they’re wearing. (This is a big catch all, gets into money, taste, practicality, level of wear, level of repair, literally what kind of shoes they require to live their life.)

Describe the place where they sleep. (ie what does their safe space look like. How much (or how little) care / decoration / personal touch goes into it.)

What is their favorite holiday? (How do they relate to their culture/outside world. Also fun is least favorite holiday.) 

What objects do they always carry around with them? (What do they need for their normal, day-to-day routine? What does ‘normal’ even look like for them.) 

#writing #teaching #character questions #character building

[killin-kel]

second part of my Dream SMP character design analysis because a lot of people liked that in my animatic. and now it's Tommy's turn!

(you can find first part with Wilbur's design here)

#tommyinnit #tommyinnit fanart #dream smp #dsmp #character design #art analysis #dsmpblr #lmanberg #lmanburg #l'manberg #l'manburg #digital art #digital drawing #fan art #fanart #dsmp fanart #character concept #character creation #character building

[caninemotiff]

Fine then *changes my character design so that my hair that was previously tied back either to show youthful naivety or refined countenance is now hanging looser to signify the slackened grip I have on my emotions and moral compass* make me your villain

#tropes #writeblr #but also #this was inspired by wei wuxian's yiling patriarch look #wei wuxian #mdzs #character building #characterisation

[slayingfiction]

Character Flaws

When creating characters, it's all too easy to envision the most perfect people, especially when it comes to creating love interests. Even our loveable morally grey characters are mostly perfect, if only they would stop killing...

So, here are a list of some flaws (based on personality, not appearance) to help round out your characters. While it's nice to be good at everything, it's abnormal. No one is perfect, and your characters will be much more relatable if you knock them down a bit.

Please note, none of these are (specifically) mental disorders, as I don't consider those a character flaw.

The Good (aka little flaw):

Absent-minded, aimless, argumentative, audacious, awkward, blunt, bold, boring, capricious, childish, clumsy, competitive, complainer, cowardly, critical directionally-challenged, dubious, finicky, fixated, flake, flirty, foolish, gossipy, gruff, gullible, hedonistic, humourless, hypocritical, idealist, idiotic, ignorant, illiterate, immature, impatient, impetuous, impulsive, incompetent, inconsiderate, indecisive, indifferent, indomitable, irrational, lazy, lustful, materialistic, meddlesome, meek, mischievious, nagging, naive, nervous, nosey, obnoxious, overambitious, overconfident, overemotional, overprotective, overzealous, passive-aggressive, paranoid, peevish, perfectionist, pessimist, pest, predicatable, pretencious, prideful, rebellious, renege, rigorous, sarcastic, skeptic, seducer, selfish, self-righteous, shallow, slacker, solemn, spacey, spoild, squeamish, stubborn, supersticious, sycophant, tactless, tease, tempermental, tenacious, theatrical, thoughtless, timid, unpredictable, unsupportive, vain, workaholic

The Bad (aka big flaw):

Addiction, adulterous, aloof, anxious, apathetic, arrogant, belittling, belligerent, bigmouth, bitter, bully, callous, deceptive, dependant, deranged, dishonest, disloyal, disrespectful, egotistical, envious, erratic, exploitive, fanatical, fickle, fierce (at the extreme), gluttonous, greedy, harasser, hubris, impious, infamy, intolerant, judgemental, lewd, liar, meglomaniac, morally grey, narcissistic, negligent, obsequious, obsessive, offensive, prejudiced, quixotic, reckless, rigid, self-martyr, self-righteous, short-tempered, spiteful, squanderer, stingy, unethical, unforgiving, untrustworthy

The Ugly (aka cross the street when you see this person):

Abusive, bigot, controlling, cruel, explosive, immoral, inhumane, intolerant, machiavellian, manipulative, murderous, neglectful, oppressive, racist, remorseless, possessive, self-destructive, threatening, treacherous, vengeful, vindictive, violent

The seven chief features of ego: self-deprecation, self-destruction, martyrdom, stubbornness, greed, arrogance and impatience.

Some of these may not even be considered flaws, and some may jump from one category to the next. It's all about how you present these flaws in your characters.

Have any more to add? Did you find this useful? Let me know down in the comments :)

#creative writing #novel writing #writer #writing advice #writing community #tumblr writers #writing #writeblr #fiction #character flaws #character development #fictional characters #writing tips #writing resources #character building

[writingwithfolklore]

Writing Character Arcs

                Here’s an easy secret about character arcs—they fit the same structure as plots (that’s because your main character’s arc is the main plot, but I’ve already talked about that here).

                That means, your character arc will somewhat follow this structure:

Normal world

Inciting Incident

Big thing happens 1

Fun and Games

Midpoint

Things get worse

Big thing happens #2

Crisis

Climax

Resolution

It begins with your character in their ‘normal state’—who they are from their backstory. They have some sort of problem that they aren’t addressing, because why would they? Change is hard.

Then, inciting incident. Something happens that sends them into a “change spiral”. They’re forced to face something they’ve been ignoring or avoiding. This incident can be just about anything that turns their world upside down—a new person comes into their life, an old person they left behind reappears, a close one dies, or a friend moves on. Etc. Etc.

Big thing #1 is the first action they take to “right” what happened in the inciting incident. An old flame reappears in their life, maybe they decide to meet up with them. A close friend dies—maybe they decide to take a trip away for a little while. It is an action taken by your character because of what happened in the inciting incident.

Fun and Games is the part where things seem to be going okay for them. Or things can be going terribly for them—it’s up to you. Either way, it accumulates to…

The midpoint. Something happens and it’s terrible and probably their fault. The old flame reinforces why they stopped going out by breaking your character’s heart again. The funeral for the friend is happening and MC missed it. Etc.

Things get worse is just hammering home this point. From their actions, things are going downhill.

Big thing happens #2 is the second action they take to right things again. This time they’re changing strategies from the first thing they tried. Maybe if they tried avoiding their problem first, they’re going to confront it (for better or for worse).

The crisis is the recognition of their initial problem or flaw. Leading to:

The climax, in which the character either chooses to change or to stay the same. Grow and do the right thing knowing what we now know, or stay stagnant and do the thing they would have done in the beginning. What you choose here depends on if your story is a tragedy or a comedy—tragic characters don’t recognize their flaw and grow from them.

Resolution is the consequences of their actions. For tragic characters, things are probably bad and remain that way—we need to show the readers their choice was the one wrong. For characters who do grow, we see them begin to thrive for the first time in the story. They’ve achieved what they wanted, though maybe not in the way they thought they wanted it.

(Pair this post with Character is Plot to flesh out your characters.)

#writing #creative writing #writers #screenwriting #writing community #writing inspiration #books #film #filmmaking #writing advice #character arcs #writing character arcs #character development #character building #character journey

[m0ckest]

fiction.tools

Just discovered this site that links to all sorts of resources for writers/story tellers/etc!

Includes links to:

Idea generators

Map creators/generators

Story/world/character organizers

Mind-mapping tools

Word processors

Screenwriting software

Revision/formatting tools

Book cover makers

Free stock images

Submission & self-publishing tools

(Not everything they link to is 100% free but there's a handy search filter as well as labels on the posts to identify features.)

#m #resources #storytelling #writing resources #writing inspiration #writer stuff #world building #character building #character development

[thewriteadviceforwriters]

The Five Types of Readers That Read Your Fantasy Book (For Writers)

As a fantasy writer, understanding your target audience is crucial for the success of your book. Knowing the different types of readers who are drawn to the genre can help you tailor your writing to their preferences and create a more engaging experience. In this blog post, I'll help you explore the five types of readers that are likely to read your fantasy book and provide insights into their characteristics and expectations.

The Escapist Reader

The first type of reader is the Escapist. These readers are looking for a break from reality and crave immersion in a rich and imaginative world. They are drawn to epic quests, magical creatures, and fantastical settings. As a writer, you can capture their attention by crafting a vivid and detailed world, filled with intricate plotlines and larger-than-life characters. Engaging their sense of wonder and providing an escape from their everyday lives will keep them hooked from the first page to the last.

The World-Builder

The next type of reader is the World-Builder. These readers are fascinated by the intricacies of world-building and the lore that shapes the fantasy realm. They enjoy exploring the history, mythology, and geography of the fictional world you create. To captivate these readers, focus on developing a well-constructed and cohesive world that feels authentic and believable. Pay attention to the small details, establish consistent rules of magic, and provide glimpses into the rich tapestry of your universe.

The Character-Driven Reader

Another important type of reader is the Character-Driven reader. These readers are emotionally invested in the journeys and growth of the characters they encounter. They want to experience the highs and lows alongside the protagonists, forming deep connections with them. To engage these readers, focus on creating well-rounded and relatable characters with compelling arcs. Develop their motivations, flaws, and relationships to evoke empathy and resonate with your audience on a personal level.

The Plot-Oriented Reader

The fourth type of reader is the Plot-Oriented reader. These readers are primarily interested in the twists, turns, and surprises that unfold throughout the story. They enjoy intricate and well-paced plots that keep them guessing. As a writer, you can capture their attention by crafting a narrative with unexpected twists, clever foreshadowing, and satisfying resolutions. Keep the suspense high and deliver a satisfying payoff to keep these readers engaged and coming back for more.

The Theme-Seeker

The final type of reader is the Theme-Seeker. These readers are drawn to the deeper meanings and messages embedded within a story. They enjoy exploring philosophical, moral, or social themes that resonate with them on a personal level. As a writer, you can captivate these readers by weaving thought-provoking themes into your narrative. Explore complex issues, challenge societal norms, and offer unique perspectives to stimulate their intellect and leave a lasting impact.

Conclusion

Understanding the different types of readers that are drawn to your fantasy book can help you tailor your writing to their preferences and create a more immersive experience. Whether you are capturing the attention of Escapist readers, captivating the World-Builders with your intricate lore, evoking emotions in Character-Driven readers, surprising Plot-Oriented readers, or stimulating the intellect of Theme-Seekers, knowing your audience is key. By crafting a story that resonates with these reader types, you increase your chances of creating a loyal fan base and achieving success as a fantasy writer.

Blow your readers mind. Happy writing!

#thewriteadviceforwriters #writeblr #creative writing #writing #writing tips #on writing #writers block #how to write #writers and poets #writing plot #character building #character creation #writing resource #world building #narrative #novel writing #writing blog #writer #writing community #fantasy novel #fiction #author #self published #novella #self publishing #romance novels #fantasy fiction #fantasy #high fantasy #medieval fantasy

[creation-help]

Getting to know your character better

Here's some (hopefully) less basic things to think about when deepening your character.

- What would they be embarrassed to admit about themself? What would they deny about themself?

- Opposite to the above: What would they proudly admit, and what would they like to claim about themself?

- If caught in an inconsistency or a hypocrisy, how do they react? How would they go about fixing it, or alternatively, how would they go about denying and deconstructing it?

- How much, and how deeply do they think about other characters' opinions that aren't about them specifically? For example if they knew one of their friends liked or disliked another person, how much thought do they give it?

- Are they able to perform something 'Quick'? Do they prefer to sacrifice time over quality, or vice versa? How do they dispense effort per task?

- How patient are they with themself vs. Others? Why, and how so?

- How seriously do they carry other people's worries? How much does this impact their actions?

- What would make them focus on themself more?

- What would they Not want to change about themself? What parts of their self do they cling to, desperately? Even when those things would be already gone?

- Do they think of something as "Their thing", even though other people would disagree? Why so? Are they just not as open or upfront about it as they think? Or do they have gaps in self perception?

- Opposite of the above: Are there some things that others would consider "Their thing" in relation to your character, but they disagree? Why?

- How do they tread around controversial opinions? Is it case by case, or depending on company? In what way? Are they assured in their worldview or unsure? Are they open minded?

- How easily do they relate with other characters?

#Worldbuilding #story building #Oc exploration #character exploration #Imagine your oc #Rp muse #Writblr #Writing advice #Character advice #character building

[corvase]

character insecurities

insecurities are honestly a construct and the dumbest thing society has conditioned us to believe matter because i could literally make this a prompt of random things and it would probably be accurate but anyway! feel free to use <3

your character is insecure about:

how loud they speak

their accent

how passionate they get about certain things

their recent haircut

their height

their clothing style

their place in their friend group

their place in society… especially if they’re a minority

the way they think people perceive them

their hobbies

their lack of hobbies

their lack of friends

the fact that they have a lot of friends

their personality

their openness

how much they talk and who they talk to about it

their past

their future

their present… like they are insecure about where they’re at and wish they were in a better state

the place they live

their lack of confidence

their writing style… haha

their talents .. or lack thereof

their past lovers i.e. feeling like someone they were with didn’t value them

they think everyone is always making fun of them

hope this helps !!

#change of pace but i like this #characterization hello #writeblr #writing #writing tips #writing advice #writing insecurities #insecure characters #insecure prompts #imagine your otp #writing prompts #prompts #character building #character traits

[penandpaperdreams]

Are your characters too “perfect”? Struggling to give them negative traits?

I’ve definitely fallen into the trap of making my protagonists and side characters too “perfect” before. It’s an easy mistake to make, but it can lead to your characters feeling one-dimensional if you’re too afraid to make them seem morally grey.

Here’s a very simple method:

1. Take a character’s main positive trait. Let’s take Hermione Granger, for example - her intelligence is a defining aspect of her character.

2. Exaggerate it into a negative trait. In the instance of Hermione Granger, she can come across to the other characters as a know-it-all. She’s not always portrayed as perfect for her intelligence, which is what makes her character more interesting.

Using this method, we have a number of options for negative traits for an intelligent character - patronising, arrogant, smug - to name a few.

I use the Fatal Attraction theory for this, which suggests that we fall out of love with someone for the same reason we were initially attracted to them. So, if you grew to like someone because you liked how strong and dominant they are, you may become tired of that down the line when their behaviour is controlling.

I’ve illustrated a few examples for how to exaggerate common positive traits into negative ones in the image above, but I have a few more examples to share so you really get the idea:

1. Comic relief / funny - can’t be serious, humour as a coping mechanism

2. Dark and mysterious - emotionally distant

3. Creative - aloof

4. Loyal - neglects own needs, willing to hurt for those they love

5. Compassionate / empathetic - overstepping boundaries

6. Honesty - overly blunt

7. Responsible - too serious

8. Humility - lack of self-belief

9. Trusting - easy to manipulate, overshares personal information

10. Perceptive - rude

11. Flirtatious - inappropriate

12. Organised - controlling, “neat freak”

13. Easygoing - lack of care about serious matters

14. Flamboyant - can be too much for some

15. Spontaneous - puts self in danger

Of course, you don’t have to do this. You can just have a character be spiritual and creative without making them out-of-touch and aloof. It’s completely up to you!

Using a method such as this, even if you only apply it subtly, adds a touch of realism to your writing by making your characters feel more well-rounded. It means that their negative aspects are truly coming from a part of them, rather than selected at random and mashed together from a list online.

#writing #writing tips #writing advice #character design #character building #character traits #characterisation #characterization #characters #personality #character personality #writingblr #novel #novel writing

[quickhacked]

TOOL: OC QUESTIONS GENERATOR

a neat little generator that gives you a random question for your ocs! find it here // support me on ko-fi

>> FEATURES

over 600 different questions, covering every aspect of character building

easy to use, no unnecessary distractions, just a very straightforward generator

content warnings on the page itself, as well as in the first screenshot

>> NOTES

please send me a dm if there's a content warning missing, i'll add it to the page immediately!

if you have any ideas for questions, feel free to let me know and if they're not on the list already, i'll add them!

feel free to use this tool for personal projects or tell your friends about it, as long as you don't try to steal the code of the page or claim the generator as your own :)

i do not take credit for all the questions in this generator, i've gathered them at some point from both my own brain as well as stuff online

likes are always welcome, reblogs much appreciated!

#writeblr #oc questions #character development #character building #nuclearcoding #it's here besties. i'm relying on all my 25 followers to get this to 1 billion notes #anyway have fun with it!! let me know what y'all think <3

[killin-kel]

I've seen a lot of comments about my character design under the animatic, so I decided to do a little analysis of the shapes I use for Wilbur, enjoy hehe

(please ignore english mistakes it's not my native language so I'm struggling)

#wilbur soot #ghostbur #revivebur #dream smp #dsmp #dsmpblr #wilbur soot fanart #lmanberg #lmanburg #l'manberg #l'manburg #digital art #digital drawing #fan art #fanart #dsmp fanart #character design #character concept #character creation #character building #art analysis

[the-modern-typewriter]

Hey! Asking for some writing advice here.

How does one write a villain exactly. In a very simple world with no superpowers and stuff how do you give them motivation. How do you make them slowly descent into villainy. Somehow when the villain actually thinks they're doing the right thing until the very end?

Thx love

There are a few different questions here that I'm going to try to to unpick.

I'll start with a brief overview of the connections between protagonist + antagonist, just because recognising them can be really useful in shaping your own ideas. Then I'll dive into motivation. So.

Antagonist + Protagonist = CONFLICT

If you know your protagonist well, then you have all the ingredients you need to write a great villain/antagonist for them too. Here is why.

Your villain/antagonist is, at the most basic fundamental starting point, something that is between your protagonist and what the protagonist wants/needs. As a very simple example, if your protagonist wants to make sure that everyone is free, then your antagonist is going to in some way be involved with making sure they are not free. Once you know what your antagonist needs to do in a story, then it's a lot easier to pose the question to yourself of 'okay, why would someone do that?'

Villains often reflect an opposite or warped view of the values and motivations that your protagonist has. They mirror or foil your main character. So, your antagonist's motivation will often be either opposite to the protagonist (e.g, your protagonist is motivated by selflessness, so your antagonist is motivated by selfishness in some way) or they will be the same motivation or value gone twisted (e.g. we both have people we love who we would do anything to protect...it's the villains way of acting on that motivation that makes them the villain, not the motivation.)

Of course, you can not have your antagonist + protagonist connected in this way. This is often the case if the source of conflict in your story is not another actual character or if you have a more generic villain. Lots of great stories have generic villains. It typically just means the villain is not a focus. It might be, like, about the friendships made in the journey instead.

Motivations:

I find it helpful to think of all my characters having two motivations.

The external story-specific motivation. This is whatever the antagonist is trying to achieve in your particular story and where things like genre and superpowers etc come into play.

The internal motivation that is more universal. The internal motivation is, while still specific to the character, the driving emotions and values. With a villain, that is often hatred or fear or lust for power because they're villains, but as noted earlier it can be a twisted form of love, or a strong sense of an injustice committed against them. This shapes the external motivation (e.g. 'lust for power = I want the throne, 'fear' = I'm going to kill or belittle or control what scares me so I don't have to feel scared anymore', justice might equal revenge or gaining power to ensure that a wrong is corrected. ) It could also be a bias or a prejudice that they're raised on driving them, that they genuinely believe in. Lots of possibilities!

I think this is true of people as well. We have our foundational core beliefs and desires (to be loved, to succeed, to be accepted whatever) and then we have the things we try to get in the real world to meet those needs (whether they really will or not).

Either way, it's the second one that comes into play with the slow descent into villainy and the villain thinking that they're doing the right thing until the end. Because, initially, their heart genuinely is not in a villainous place. They may actually be doing the right thing at the start. And then bad things happen. They are changed by the journey. They are a protagonist gone tragic.

We all experience emotions that can drive us to behave poorly; the desire for revenge or recognition, to ensure that the people we care about are safe, to get money so that we can provide for ourselves and others etc. None of us are without prejudice or privilege. Those things do not make you a villain, but they can be an excellent starting place for one.

Think about times when you've messed up. A villain is often an exaggerated version of that. You start pushing your own boundaries because there is something you really want/need and, depending on how far you push that...do you feel like you can still go back? Or do you feel like you might as well finish it after everything. At what point do you breathe for air, look up at what you've done, and go shit.

That's the villain who realises way too late that they're the villain.

Final note: I've been using antagonist and villain pretty interchangeably here...but they have slightly different connotations. Your antagonist does not have to be a villain to be effective. They just have to be an obstacle to the protagonist. E.g. if two people are going for the same dream job or trying to win a competition, the other competitors are antagonists to a certain extent, but that doesn't mean they're villainous or bad people. Whether you have an outright villain will depend on your story.

I hope this helps!

Some going further questions to take with you.

Is your villain trying to stop your protagonist from reaching their goal? Or is your protagonist trying to stop the antagonist from reaching their goal?

How does the villain's external goal in the story reflect the inner need? Note. They are aware of their external goal. Most people are not aware of the inner goal in the same way.

Do you know what you want your stories themes to be? (This doesn't have to be complicated and it's fine if you don't, that's what editing is for). Your protagonist and antagonist often weigh in on these themes. For example, your antagonist might be a path the protagonist could have gone down, if they made a different choice or something happened differently in their past.

#villains #antagonist #writing advice #writing tips #writing talk #writing villains #writing tip #writing help #character creation #character building

[2soulscollide]

extensive list of character traits

hello hello, it's me! here's an extensive list of traits. note: if you're developing a character, check out this free workbook which has a complete character sheet :D

good character traits:

understanding

courageous

tenacious

resourceful

confident

diligent

persevering

empathetic

caring

respectful

patient

dependable

trustworthy

adaptable

charismatic

creative

innovative

encouraging

gracious

forgiving

generous

inquisitive

knowledgeable

modest

noble

optimistic

passionate

practical

principled

reliable

self-disciplined

selfless

strong-willed

thoughtful

wise

assertive

bold

decisive

dignified

disciplined

enthusiastic

faithful

friendly

humorous

imaginative

insightful

intuitive

open-minded

persuasive

practical

proactive

rational

self-confident

self-sufficient

sensible

sympathetic

tactful

team player

trusting

unassuming

visionary

well-rounded

bad character traits:

self-centered

rude

disrespectful

impulsive

greedy

arrogant

dishonest

manipulative

lazy

stubborn

moody

pessimistic

judgmental

aggressive

reckless

inconsiderate

paranoid

insecure

materialistic

irrational

vengeful

deceitful

disloyal

boastful

closed-minded

condescending

impatient

intolerant

narcissistic

obsessive

possessive

short-tempered

sneaky

suspicious

unpredictable

unreliable

wasteful

weak-willed

withdrawn

agonizing

cynical

possessive

aloof

intimidating

sadistic

bitter

passive-aggressive

evasive

procrastinating

irritable

dismissive

disrespectful

confrontational

overbearing

domineering

pompous

biased

inflexible

impetuous

misanthropic

overcritical

arrogant

hope this was useful! have a nice day <3

#writers #writeblr #writing advice #writing #writer tips #writerscommunity #writing help #writing resources #writing tips #writing reference #bullet list #adjectives #traits #character building #characterdevelopment #original character #character description #character traits #novel #novelist #author #authors #writer's block #on writing #masterpost #masterlist #long post #useful #helping writers #help post

[lyralit]

fifty ways to get to know your characters (and how to write them)

what is their name? and how does this fit their character?

last name?

do they have a middle name?

name a song that describes them

what are their pronouns?

gender and sexuality?

do they like someone romantically?

list five words to describe them

what about five dialogue tags to use consistently on this character?

what is their motivation?

do they consider themselves a good person?

colour that describes their personality

MBTI type

enneagram type

character they're based on

person they would bring down whilst dying

person they would kill if they had the chance

character they would get along with if they were in the same universe

character they would hate if they were in the same universe

artist they would listen to

artist they would hate

give them a theme song

make them a playlist! (see my other post for songs to put on that playlist, here)

make them a mood board

assign them an aesthetic

what are their strengths?

what about fatal weaknesses?

the one person who can convince them to do something they're stubbornly against

who would they kill for?

what tropes do they fall into?

fatal weakness (food edition)

book they would definitely read

language besides their mother tongue they would (have) learned

murder accomplice

thing that makes them go weak at the knees

most obscure thing they HATE

while we're there, biggest phobia

are they (would they be) a book or movie person?

are they a romantic

childhood experience that defines an aspect of their life

what is their age?

birth sign? / zodiac?

what constellation would they be

name a famous myth could they would have been the main character

old or new soul

assign them a smell

assign them a smell they like

can they swim?

street smarts or brain smarts?

what is this character's purpose to the plot?

#writing ideas #writerblr #creative writing #writblr #lyralit #writers #writers block #writing #writing prompts #readerblr #writing community #tropes #prompts #writing inspiration #prompt list #story ideas #writing prompt #writing tips #character building #original character #character analysis #character design #oc #wip

[em-dash-press]

Catalysts for Your Rising Action

Someone close to your protagonist dies

Your protagonist loses a memento

A challenge makes your protagonist run away from their life

Your main character accomplishes a goal and feels unsatisfied

The goal your protagonist has always wanted becomes suddenly impossible to achieve

Your main character wants to change someone's life for the better

Revenge is the only thing on your protagonist's mind

Your main character sees a community need and strives to solve it

Something morally or ethically changes in your protagonist that makes them interact with the world in a fundamentally different way

#plot #action #writing action #plot development #writeblr #writing advice #writing tips #writing inspiration #writing community #creative writing #writing help #writers of tumblr #writing #writing resources #plot device #character arc #character creation #character building #writing characters