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#Claudine
animefeminist · 5 months
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Transmasculinity and queer sexuality in the works of Ikeda Riyoko
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Content Warning: Discussion of transphobia and suicide
Spoilers for Dear Brother, The Rose of Versailles, and Claudine
Ikeda Riyoko—perhaps the most famous member of the “year 24 group” that played a large part in creating the foundations of the shoujo manga genre—is often credited with laying the groundwork for depictions of queer characters in shoujo, and in particular with creating the archetype of the gender-bending heartthrob heroine, or “girl prince.” Building on earlier representations of butch or transmasculine characters in early shoujo manga such as Princess Knight, and the Takarazuka theater tradition of the otokoyaku male role actor, Ikeda’s enormously popular gender non-conforming heroes—Lady Oscar from The Rose of Versailles, Rei from Dear Brother, Julius from the Window of Orpheus, and the titular character of Claudine—helped to establish that there was a major mainstream audience excited to cheer for a hotheaded, androgynous tomboy with a heart of gold. Lady Oscar in particular has fingerprints all over the history of anime and manga, from a gender-bending cameo in Pokémon to serving as the inspiration for iconic characters like Tenjou Utena.
When I first read The Rose of Versailles last year, I expected its depictions of queer and transmasculine characters to be somewhat limited—after all, the comic was written for mainstream audiences and a mainstream publisher in the 1970s. But across Ikeda’s work, I was deeply surprised with the level of care and nuance with which Ikeda approaches transmasculine love stories. While there is obviously a lot about Ikeda’s portrayal of transmasculine characters that feels dated to modern audiences (for example, her comics often do fall back on “biological” ideas of women’s weakness and emotionality, and sometimes psychologize her character’s genders in uncomfortable ways), I was surprised by how much of these comics still hit for me today. What makes them work for me is both the extreme pathos with which Ikeda writes transmasculine character’s experiences of rejection—and, at rare moments, gender euphoria —but also the fact that her trans characters are not simply given a one-size fits all born-in-the-wrong-body narrative. Instead, they are each portrayed as unique individuals with varied personal relationships to their gender, their sexuality, and the historical context of the society they live in.
Read it at Anime Feminist!
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thewomanwhoreads · 3 months
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Library finds x
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freshmoviequotes · 1 year
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Claudine (1974)
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blackhistoryalbum · 2 years
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Princess Diahann | Vintage Black Glamour & Grace
Diahann Carroll (born Carol Diann Johnson; July 17, 1935 – October 4, 2019) was an American actress, singer, model, and activist. She rose to prominence in some of the earliest major studio films to feature black casts, including Carmen Jones (1954) and Porgy and Bess (1959). In 1962, Carroll won a Tony Award for Best Actress in a Musical, a first for an African-American woman, for her role in the Broadway musical No Strings. In 1974 she starred in Claudine alongside James Earl Jones for which she was nominated for an Academy Award for Best Actress.
Her title role in Julia, for which she received the 1968 Golden Globe Award for Best TV Star – Female, was the first series on American television to star a black woman in a non-stereotypical role, and was a milestone both in her career and the medium. In the 1980s, she played the role of Dominique Deveraux, a mixed-race diva, in the prime time soap opera Dynasty. Carroll was the recipient of numerous stage and screen nominations and awards, including her Tony Award in 1962, Golden Globe Award in 1968, and five Emmy Award nominations. She died on October 4, 2019, from breast cancer.
Black History Album “The Way We Were”  Find us on Tumblr | Pinterest | Facebook  | Twitter  
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julia-loves-cupcakes · 8 months
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"If you're empty, then where is the soul that I sought?"
I ended up making five sketches before settling with the one for the previous drawing, but I just couldn't throw this one away so I finished it too X'33 Claudine is just one of my favorites, you can't blame me for wanting to draw her more X'D
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tonaaroy2203 · 6 months
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Old meme i made lol
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plumpudin · 4 days
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“Claudine…!” by Riyoko Ikeda, circa 1978.
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3xixeel · 24 days
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roses-n-chocolates · 1 year
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Diahann Carroll
The first Black Actress to represent, and elevate black affluent characters on screen.
21.26
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readyforevolution · 4 months
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Claudine, a great movie with a great soundtrack! 💕
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devilsrains · 5 months
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claudine...! (1978) illustrated by riyoko ikeda
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freshmoviequotes · 1 year
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Claudine (1974)
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jotarosexhusband · 7 months
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ANIME TBOY SWAG TOURNAMENT ROUND 1 MATCH 14
Claude (Claudine) VS Jesse Pinkman (Breaking Bad)
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antynous · 1 year
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But Claudine.. you’re a girl
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kushanna · 1 year
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Claudine | クローディーヌ…!
Riyoko Ikeda
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"You’re like the white tobacco flower that waits for the dark to release its scent. Once evening comes, you can’t smell anything else; it puts the roses to shame." — Colette, from The Complete Claudine Series; “Claudine Getting Married,” Art by Irene Gallo
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