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davidmariottecomics · 4 months

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Goodbye IDW! Hello Something New!

Hi there!

After seven years and some change, today, 12/22/2023, is my last day at IDW Publishing. It's for good reasons. Things just timed out that my last day could be the last work day of the year for IDW and in the new year, I'll be starting a new job elsewhere. I'll still be in comics and once I can talk about the new gig, I'm really stoked to be letting you all know. So, today, I want to say my goodbye to IDW.

But first, before I get to that, I did have something else notable happen this week. I sent my last tweet! I'm officially shutting down my Twitter at the end of the year and if you see a Twitter account claiming to be me after January 1st, it's an imposter. If you'd like to keep up with me, however, I've got good news! There are lots of other ways to find me still. Here are a few!

Check out and bookmark my website! Get access to my blog, plus lots of behind the scenes stuff and new projects at my Patreon! Subscribe to a newsletter version of my blog for free at Buttondown! Follow my blog on Tumblr! Keep up with my main socials: Bluesky and Instagram (I'm @davidmariotte at both)!

Okay, with that out of the way, let's talk about it. This is not my first time saying goodbye. In fact, almost exactly a year ago, I said my farewells to Transformers, one of the hallmarks of my IDW run. I don't want to revisit that too much, so if you want to read about my early days at IDW or that part of my career or a big list of thank yous to my collaborators, you can! And while I've had significant runs with other books, most notably Sonic the Hedgehog which with January's Sonic: Fang the Hunter #1 will mark 100 issues of Sonic at IDW under my editorial eye, or my personally exciting, if shorter runs on stuff like Godzilla, Samurai Jack, the Hasbro Action books, Canto, Scarenthood, The Kill Lock, The October Faction, Wynonna Earp, Brynmore, Atomic Robo, or literally so many other books, I don't want this to just be a retrospective on the work. In fact, I'm largely not interested in talking about the past when I say goodbye this time.

IDW has afforded me a lot. They've helped me find my place in the industry. They let me do some writing. They let me do a lot of editing. I learned various other skills both through directly on the course of the job and through my own interest because of what I was doing and seeing there. I have made true lifelong friendships. And I have made comics. So leaving feels weird. I'm very bummed to be leaving a place that really has been my home (and for the past couple of years, has quite literally been mostly at my home) for so long. But I am even more excited about what's to come. On my side, I can't announce it just yet, but watch this space for some big news soon (after a couple weeks of much needed vacation).

Talking about the future I actually can say a little more about, I wanna tell you how excited I am for IDW. Yes, I'm leaving, but IDW remains home to so many people--both at the company and our freelance creators--and so many projects that are close to my heart. Next year is their 25th anniversary. That is an impressive feat in not just the world of comics, but any industry. For the milestone, they've got a lot of cool stuff planned.

I'm not going to blow up IDW's spot and say anything about what's coming up too early. Just to talk about the things that are already public knowledge, you've got things like the new TMNT: The Last Ronin sequel! The TMNT ongoing on it's road to issue #150! There are cool new originals like Golgotha Motor Mountain! There's the launch of the aforementioned Fang the Hunter which is IDW's first Classic Sonic mini-series and sees 100 unique issues of Sonic at IDW and is just laugh-out-loud funny and full of such good action! And I'll tease this, when the Sonic ongoing is back with issue #69 in May, you'll be in for an absolute treat as that series runs up to #75!

I know some readers of this blog don't read a ton of American direct market comics. You aren't "Wednesday Warriors" who go to the comic shop every week. You like the comics you like and I've been graced to be a person working on those comics. If you aren't as familiar with how these comics work, let me assure you of a couple things. The books I was editing and many unannounced projects that I set up will still be happening. Because of the timelines of comic production, you'll still see my name in IDW books for a few more months and, at the same time, you'll see new credits creeping in. And if we've done everything right, that'll be about the only thing you'll notice is different, at least at first. As the editors really take the reins and take over, we'll both be in for the treat of the unknown! I'll be reading them with a good sense of professional jealousy.

Now, there's one other book that has been announced for next year and I wanted to do a special call out for. Godzilla: Valentine's Day Special went to press this week. It's the last IDW book I saw all the way from inception to completion. And, in many ways, it's kind of a really good analogy of a comics editorial career. I think, genuinely, this may be the book that went from conception to reality the fastest in my career. I think it took... less than a week from a half-joking suggestion of doing a Godzilla Valentine's Day book to getting Zoe Tunnell's pitch in and approved by Toho and getting it on the publishing schedule. Usually these things take a bit--people are working on other projects, licensors need time to review things, whatever other bumps happen along the way--but this was like lightning. Everyone just got it instantly. And then Zoe turned in the script and it was great! Things continued, as they do, and then... we got a curveball or two. I won't go into too much detail, but major thanks to Sebastian Piriz and Rebecca Nalty for getting it done and having a book that we were all so proud of that I could send to press this week. And it struck me on that final press day that despite the curveballs we had been thrown, when it came to actually getting it approved, everything was so easy, straightforward, and smooth. When you read it in February, if I've done my job right, maybe you'll remember seeing somewhere that there were some curveballs. But mostly, you'll just have a really good book in your hands. (BTW, you did JUST MISS the final order cutoff on that, so do check in with your shop about still trying to get you a copy!)

Most of the time, after a book like that goes to press, an editor gets ready to do it again--maybe in a few minutes or days or the next week. For the first time in a long time, I won't be getting ready to do it again at IDW. That's a complicated feeling, but I'm so excited for the future.

The best metaphor I've been able to come up with for what is happening is it's like I've been working in a one room office constantly for the past seven years. It's got that dull office lighting, you know the kind. Each day, projects come and go across my desk, and as they otherwise disappear into the world, I put up one of those glow-in-the-dark stars as a memory of it. And each day, I work with so many people--my coworkers at IDW who've helped foster my growth, my collaborators as both a writer and editor who have made so many stories with me, all the folks where things never quite lined up but we kept trying, and the readers who are an inherent part of the ecosystem, the reason we make what we do. And so, for each of those people, I put up a little glow in the dark toy.

Now, for the first time, I'm going to get up and leave the office. As I flick the switch behind me, everything in there that has been soaking up light for years now glows. Some of the glows are slight. Some are so fantastically bright, it feels like they're drawing attention through the walls of the room. Together, they make the room brighter than it was when I left. Now, sometimes, I might sneak in to borrow a toy--make a copy of it for the new office I'm doing the same thing in. Other people will certainly do the same and make they've got their Evan Stanley figure on their shelf. If I ever return for a longer time, I'll be so glad to flick the light back on and let them all absorb even more light to glow an even longer time. If I don't, I rest happy that the glow goes on and forever people will be able to come back and discover some part of it. And I'll start working on a new office soon.

If I keep going, I'm a little afraid that I won't be able to stop. So, for now, I'll just say again, thank you. The future is about to be very exciting. Next year is for the creators you love or don't know you love yet, the books that are going to light you up that you've come to expect and the ones that will catch you by total surprise. While there are a lot of things I'm going to miss deeply and books that I'm going to wish I had gotten to do more on, I also have the really exciting experience of getting to see this stuff as a fan of IDW, just like you. And, hey, I hope you'll be a fan of the stuff I do next too!

As for next steps, like I've said, I'm not going far. I'll still be in comics. I'll share the news when I can.

Before that, I'm getting a little break. Not too long, just a few weeks, and obviously the holidays are part of those, but in my time between my jobs, I'm going to be working on some personal projects. I put together a little tracking list recently and I have something like 40 projects in various stages of gestation right now. Obviously, I'm not going to be working on all of those at once, and chances are, some of them will never see the light of day, but I'm going to be working on trying to bring a couple of them to you in the new year (and beyond). If you're an artist that I've had the pleasure of working with in the past and you think you might be interested in peeping the list and seeing what we could do together, let me know. You can reach me on my website contact page, through my email, or through Discord (feel free to ask if you don't have it!).

And if you read this blog, you'll see me hyping my last IDW projects up until we run out of what I left behind. Simultaneously, once I've got stuff to start hyping up for my personal projects and for the new gig, you'll see those start to pop up here too! I'll also keep talking about making comics and my thoughts on the state of the world and whatever else it is I blog about here on a regular basis!

Thanks for reading. Bye-DW! Next week, I'll be doing a little Best of 2023. But for now, onto our regular features.

What I enjoyed this week: Dungeons & Daddies (Podcast), Reverse 1999 (Video Game), Nancy (Comic), Lego Masters (TV show), Out There Screaming: An Anthology of New Black Horror (Short story collection), Yu-Gi-Oh: Duel Links (Video Game), Cunk on Earth (TV show), I'm a Virgo (TV show), The Boy and the Heron (Movie), an easy last week at IDW, all the well-wishes that've already poured in, leaving today to celebrate Christmas with my family and then have some downtime to work on my stuff, signing the paperwork for the new job, not being on Twitter anymore, getting all of our mail out in a timely fashion for the holidays, Chainsaw Man (Manga), I picked up Superman and Hawkgirl, so excited to get caught up on those, and knowing that in leaving this job, there are certain folks I just get to deepen my relationships with as friends, instead of co-workers.

New Releases this week (12/20/2023): Godzilla: The War for Humanity #3 (Editor) Godzilla Rivals: Jet Jaguar vs. Megalon (Editor)

Announcements: The Cartoonist Cooperative is still doing E-Sim cards for Gaza. You can donate a digital sim card so that residents can get access to the internet and have more functional phones and, in exchange, get some comics or a drawing or whatever else is available from the many participating artists. Additionally, the CC is hosting their mini-comic awards! It's a cool way to maybe get your mini-comic recognized and make some scratch!

You can also give more directly. If you don't have money, and I get it, you can call or fax or email or show up at the offices of your representatives. Keep your eyes open for actions too, whether they're another general strike or demonstrations and marches in your area. Given the nature of the things, they often come together fairly quickly, so do exercise your due diligence. Also, of course, being informed and just giving your time to Palestinian journalists and writers is incredibly valuable.

While Becca has got some things brewing for next year (and now on a schedule), you should reach out if you'd like to work on comics with them! You can find their gallery on their website and also, y'know, maybe pick up a few things for belated gifts while you're there!

Finally, I called out my Patreon earlier. You can support me (and boy, that would be cool during the time between paychecks because vacation is nice, but living is still expensive) and get not just this blog, but a lot of cool special features like extra posts, comics, infographics, and more! At the $10+ levels, you can also access stuff like a holiday gift guide I made, a podcast pilot for a spicy show with Becca, and a ton more!

Pic of the Week: Happy holidays from Becca and me! If you wanna full card in your inbox, lemme know!

#comics #godzilla idw #sonic idw #transformers idw #goodbye idw #comics news #david mariotte

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davidmariottecomics · 1 year

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Comics Job Security

Hello!

This week, Amazon gutted Comixology. Roughly 75% of staff was laid off in one fell swoop, with the remaining staff kept on with the knowledge that they are there to "mop up" and then will be let go. I've said it before, and we all live in the world and should be aware of this anyway, but Amazon sucks. And this is the latest in a series of bad practices that they've had.

Also this week, the HarperCollins Union hit their 50th day on strike. One of those "post your cancellable comics take" tweets did the rounds over on Twitter. I questioned what, if anything, ever happened with all the creators who took money from Substack and said they'd be following up with the company in light of the amount of transphobia, nationalism, fearmongering, and misinformation spread through their distribution system. In publishing at large, there's also a lot going on in terms of the relationship of the author/editor and the reviewer, particularly on Tiktok and conversations around the general disconnect between decorum and actual professional behavior in the industry. And across the larger landscape, there's a lot of job instability happening in entertainment/tech--from massive layoffs at big tech companies to continued layoffs and restructuring (often merger based) at some of the media conglomerates to the lingering concerns about increased use of AI.

This week, I want to talk about what that all means on a creator level and how you might be able to help cushion yourself from some of those blows.

State of the Industry Just using publicly available information, we can say 2022 saw a weaker year across the entertainment industry as a whole. Bloomberg reported it as the worst year in like 3 decades for some of the major media companies as the split between the idea of theaters, traditional TV, and streaming become more complicated with things being reopened and, generally, some amount of fatigue over streaming's big swing changes and increased segmentation. And this will always matter to comics because Warner Bros owns DC, Disney owns Marvel, and various other comics companies are owned by other big media corps.

In the book industry, overall book sales are understood to have fallen by about 6% last year. However, some categories still saw growth, one of which being adult graphic novels (which includes a lot of manga). That's an especially important number given that the previous year, 2021, may have been the greatest year of comic sales on record. Which is also very interesting given that comics sales records are getting increasingly hard to track.

So overall, it's kind of a weird landscape. While a lot of comics and book publishers themselves might in okay shape after last year, their parent companies might not be doing so hot. And when the parent company isn't doing so good and is looking to tighten purse strings, publishing is an easy target. But also, maybe publishing is in a good place because while book sales were softer in 2022, books remain one of the last bastions of physical media (go to your local Target, chances are GOOD that you now have a book section in what used to be the Movies and Music section--not that they're all gone, but that the ration has inverted).

Overall, I can't predict where publishing itself is going, but I think these factors are important to keep in mind, particularly when we're seeing things like the Comixology layoffs.

On Cancellation In terms of staying afloat and secure in this industry, a lot of that for a creator comes down on the personal level. To that end, I wanted to talk briefly about being "cancelled". Projects get cancelled, people don't. Everyone knows that J.K. Rowling is a transphobe who has decided to double-down on her public persona being an advocate for anti-transness. Folks have extensively gone over her works and pointed out when they are transphobic, racist, and otherwise inherently engaging in the language of oppression against different groups. By all means, were "being cancelled" a thing, she would and should be. And yet, the upcoming game based on her works (and based specifically on one of the most antisemitic aspects of her work) is apparently the top selling game on Steam of the year so far even though it won't release for a few more weeks.

There are also sooooooo many other celebrities we can look at, some of whom have not just been convicted in the court of public opinion, but LITERALLY CONVICED OF THEIR CRIMES who, uhh, lemme check my notes, continue to receive regular work, tour, and otherwise be hyped up and make money. The good news for dirt bags, I guess, is you can be a dirt bag and suffer relatively little punishment for it as long as there are people who enjoy your work, even if the work itself is also compromised by your dirt bag views.

Relatedly, I think when we're having the conversation of "cancellable opinions" and using that language instead of, lightly controversial opinions or hot takes or whatever, it normalizes the idea that both "cancelling" is a thing and that it doesn't/shouldn't actually have any effect. And as a result, it makes accountability that much harder.

So, no, you aren't going to get cancelled in comics. But there are a number of people who are in hiring positions who are paying attention to creators' behavior and who may want to hold those who are acting poorly accountable for their behavior. And I think that standard, largely, is like "hey, is this person fearmongering against a group of people" or "acting in a criminal manner" or "being a bully" or "closely associating with a person who does one of those things". So you should probably try to be a cool person to avoid losing work for being a dirt bag.

Positive Considerations to Make

With that all understood, not being a dirt bag does seem like a pretty good way to ensure future work. But with the changing landscape, that's not enough. What else can you do to keep yourself in a good place?

1. Be informed about this stuff. A big part of my personally following up about Substack is I still see a lot of people gravitating toward it and signing up and issuing their newsletters there. I understand that some of those people are being paid by Substack to be there--some are even receiving health benefits. I also know a lot of folks are defaulting to Substack because they've seen other people--including those who got paychecks from them--be successful there. It's similar to Patreon, right, where at least in the US comics community, it kind of blew up to be the standard quickly, and while there are definitely people using alternatives like pixiv fanbox or Subscribestar, there's some safety in name recognition of the platform, regardless of it's problems... This is not to say that I won't work with people who have a Substack, just that to be informed, it's worth pursuing and seeing if there was follow-up from people who theoretically were being courted and had some amount of power in that dynamic to make a change and whether or not anything came of it. I'll also say, Trung Le Nguyen shared a public Patreon post about declining Substack's offer that I think is worth reading.

2. Be considerate about who you work for. I feel for the people who've lost their jobs at Comixology. I am in solidarity with the folks on strike at Harper. I inherently dislike their parent companies (Amazon and News Corp) and unfortunately find those companies disrespect for their employees unsurprising. Which is not to blame the folks at Comixology or at at Harper--there are many lovely people working there and fighting the good fight within the larger corporate megastructure. But between, say, not crossing the picket line and signing a deal with Harper while the workers are on strike to, say, using the Creator Resource publisher page to check in on the latest about various comics publishers as organized and vetted by your peers, knowing who you're dealing with can go a long way for you.

3. Be considerate for those you work with. This is one of those things that gets repeated again and again, but comics is a collaborative medium. You can point at all the ways and times that isn't true, but, generally speaking, comics are often not made on an individual level. And a lot of us have very different takes on what behavior is acceptable--some folks are very comfortable producing NSFW work and some aren't, some are open with their political views and some only speak up occasionally, some people are very private and some are very open. It does you good to know the comfort levels of your peers and collaborators because sometimes a misstep might come off as a larger slight than it's meant to be, which is always unfortunate.

4. Last and not least, don't buy into NFTs or AI or whatever the latest criminal "art" fad is. Y'know, that one seems pretty easy, but boy howdy. Just avoid that stuff.

5. If you write a blog about the actions of various companies, know you may be putting yourself in a precarious position in the future, but feel secure in standing by your morals and the facts.

And, again, a lot of that all folds in to if you act nicely and respectfully and professionally, other people in the profession will meet you at that level, which can be helpful when things are uncertain. You certainly can find success in comics outside of the industry, and different people have different standards of what they're looking for, but not being a jerk is a good thing.

I think that wraps up this week. Next week: The brandification of nerd culture, or how Funko became the new Band-Aid.

What I enjoyed this week: Abbott Elementary (TV show), Blank Check (Podcast), Honkai Impact (Video game), House of Leaves by Mark Z. Danielewski (Book), Kaguya-Sama: Love is War (Manga), Drip Drip by Paru Itagaki (Manga, I actually read this a few weeks ago and think I just forgot to mention quite enjoying it), Coraline (Movie), 17-21 by Tatsuki Fujimoto (Manga, I've only read the first story so far, but quite looking forward to the rest), Dungeons & Daddies (Podcast) New Releases this week (1/18/2022): Sonic the Hedgehog: Scrapnik Island #4 (Editor)

New releases next week (1/25/2022): Godzilla Rivals: Round One TPB (Didn't work on this, but plugging Zilla)

Final Order Cutoff (1/23/2023): Sonic the Hedgehog #58 (Editor)

Announcements: Arizona Comic Book Arts Festival - 2/25! It's a one day comic-focused event in Phoenix, AZ. Tickets are only $10. Attending artists include me, Becca (who once again is dropping some new stuff on their Patreon, see below), Mitch Gerads, Steve Rude, John Layman, Henry Barajas, Jay Fotos, Jeff Mariotte, Marcy Rockwell, John Yurcaba, Andrew MacLean, Alexis Zirrit, Meredith McClaren, James Owen, Ryan Cody, and many more! Come and see us! Becca'll have some very cool new merch, too!

Becca contributed to Aradia Beat, a Magical Girl Anthology Magazine! It's now on Kickstarter! It's both a tribute to 90s magical girl stories and part of a larger project about the overall preservation of magical girl stories!

We're also waiting to hear back on if Becca got in to another con on their own, but may have another update soon.

And finally, happy Lunar New Year!

Pic of the Week: This is just our little banner pulled from the AZCAF site! It came out really well! See ya there in just over a month!