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#DEATH DOOM
evilsatisfaction · 3 months
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sorcerers-pledge · 22 days
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COFFINS - Sinister Oath (2024)
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cavedwellermusic · 1 year
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A Brief History of Doom Metal
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Four our latest Monster Riff republication, Patrick Schober takes a deep dive in to the history of one of metal's most widely enjoyed and influential genres, doom metal. He looks at the progression and expansion of the genre from 1970 to today, examining everything from Blue Cheer, Black Sabbath and Saint Vitus, to Candlemass, SLEEP, Electric Wizard, My Dying Bride, YOB and more. So if you want something heavy to listen to today why not explore this brief history lesson.
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biggi-666 · 1 year
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Phantom Slaughter of Worm
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drondskaath · 7 months
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Anharat | Deathcult Resurrection | 2023
American Death Doom Metal
Artwork by Arketipe
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onlyhurtforaminute · 3 months
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KONVENT-PURITAN MASOCHISM
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palaeolith-1 · 10 months
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𝖂𝖍𝖆𝖗𝖋𝖑𝖚𝖗𝖈𝖍 – 𝔅𝔬𝔤 𝔅𝔬𝔡𝔶 𝔅𝔬𝔩𝔢𝔱𝔲𝔰
Psychedelic Realms Ov Hell / Personal Records / 2021
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valleyofsacrifice · 1 month
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wolverineblues · 2 months
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Incantation - Unholy Deification artwork by Eliran Kantor
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evilsatisfaction · 1 year
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sorcerers-pledge · 1 month
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Mythic - Anthology (1998)
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Logo of the day
Slimelord
DeathDoom
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biggi-666 · 7 months
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Phantom Slaughter (Worm) performing in Miami, FL (9/21/23)
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doomedandstoned · 23 days
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VIGIL Offer Roaring Catharsis on EP ‘...And The Void Stared Back’
~Doomed & Stoned Debuts~
By Billy Goate
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Nothing is worse than the emotional burden of hurt, loss, betrayal, and grief. It is often overwhelming, consuming thoughts and giving rise to depression and physical distress that can last for months, years, even a lifetime. Music comes as a welcome respite, as it not only identifies with our pain but offers an outlet for mourning, insight, perhaps even healing.
Thus, death-doom was born, a melding of death metal with doom metal that began with groundbreaking acts such as Paradise Lost, My Dying Bride, Katatonia, and Draconian in the 1990s and continues strong well into the second decade of the new century. A hallmark of this style is slowed down tempos, gruff vocals, double kick drumming, and plaintive guitars, with the genre expanding into melodic realms as well. To onlookers it may seem harsh, morose, even distasteful. However, to those in the throes of misery it can come as a welcome salve to the soul.
Today, we introduce you to the grim New Hampshire blackened death-doom crew VIGIL, which rose from the ashes of another Kingston area band: Onera.
Justin Christian (bass, guitar) and Craig Simas (guitar, synth) have aimed not only for a heavier direction than their previous project, but also something "beautiful and emotional." Dave Petillo (vox), Joe Davis (bass), and Brandon Phinney (drums) round out the formidable ensemble on the band's debut EP, '...And The Void Stared Back' (2024), which Doomed & Stoned is premiering.
"One of the original building blocks of Vigil was to be as heavy as we could," the band says, "This led to the decision to have two bass players. As the songs started to take shape and each member was putting their own touches to the arrangements, we realized quickly that we succeeded in our goal. Combining that with our love for post-rock, thrash, and progressive metal, Vigil is a showpiece for all our influences filtered through our ears, hands, and emotions. We take the listener down a dark road of sorrow and anger."
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The four-track affair begins strong with one of my favorites of the record, "Descend To Extinction" -- a song that puts our mortality into perspective.
You must all face The truth of life We end in spite Of our strife All must pay A toll sometime Let our being Be a moment in time
A sanguine guitar lead greets, interlaced with dire growls personifying our great common enemy: Death. Juxtaposed to this is a melodic chorus with appealing vocal harmonies that address the cold, hard reality of human suffering. At 4:22 there is some arresting riffwork that harkens back to the metal glory days of the '80s. It feels as if the rushing winds of Fate are sweeping us away. The song closes with a return to the dissonant rhythms and the bittersweet riff of the start.
Next comes the "Words of a Dying Man". Rainy repeated chords set the stage and are soon contrasted with contemplative picking, spacey synthesizer, and dark octaves on the piano. This is accompanied by gnarling vocals and that both snarl and whisper. Emphatic bass and drums shake us awake from this dream state, and downtuned guitars embrace a return to reality.
After this, we're visited by "Erosion of the Soul". Gut-wrenching black metal vocals are reminscent of Enslaved and the tension increases with strumming chord progressions, tremeloes, and aggressive drumming. You can really feel the rumble of the dual basses here.
The pain you gave me rots inside I cannot tell you I can't believe The hatred still living blind I can't let it breed inside Spirits live fighting Right inside my head
"Convulse Ways From A World Beyond" finishes us off with a wild hailstorm of drumming, chugging groove rhythms, and flashes of dissonance, interrupted by some doomy moments on guitar that are genuinely moving. Twin guitars offer sorrowful strains that intersect and contrast. Solitary bass lines usher us to the EP's closing moments.
Vigil's ...And The Void Stared Back is available on compact disc, with singles available for download (get 'em here). Stick it on a playlist with Serpentine Path, Heavy Death, and Hooded Menace, and Marche Funèbre.
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onlyhurtforaminute · 3 months
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OCTOBER TIDE-LOST IN THE DARK (AND THEN GONE)
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