#Daft Punk Tribute

[angelica-cj]

Frames from my tribute video for Daft Punk this year.

Used a lot of elements for this one. From editing, 3D animation, sound editing and digital art. Lots of fun.

My tribute Thank you, Daft Punk is in my YouTube channel.

#daft punk #epilogue #thomas bangalter #guy manuel de homem christo #tb3 #gm08 #daft punk tribute #daft punk fanart #edm #robots #fan art #my art #digital art #animation #3d modeling #3d animation #maya #angelicacj

[footrocket-blog]

What Daft Punk Means to Me

I personally never would have become a music producer if it wasn't for Daft Punk. It is not exaggeration when I say, I hated dance music as a kid. Techno, House, D&B, all of it I considered boring, repetitive and uninteresting.

One of my hobbies as a kid was to sit behind my brother as he played tracks on the family computer, and wait to tell him how much I disliked the song he had just played.

On one day such as this, my older brother played "Digital Love", and I honestly could not believe how beautiful a track it was. Imagine me, sitting there ready to speak my mind and validate my limited beliefs about dance music, and I had nothing bad to say about the song I had just heard.

Even more so, I wanted to hear more. Not only did I not have anything bad to say, I couldn't think of any other song I had ever heard that had made me feel like this one had.

From that day on, a hungry fan was born. It became my mission to find more music that sounded like that. Repetitive? Yes. Beautiful? Yes again. My world had been shaken.

It took a few years for me to sadly conclude that there wasn't really any other artist who sounded like Daft Punk did. Sure, Deadmaus had some great tunes, but they didn't feel the same. Royksop had a great sound too, but it was hardly comparable to French House. Ratatat was also making incredible music at the time, but they had developed a sound completely unique to them.

Many more and far too many artists to name were found along the way, but none who could measure up to that first magical moment that I experienced behind my brother.

It only took a moment to decide what I was going to try to make when my cousin gave me a copy of FL studio at the age of 12.

Fast forward to today, and I'm releasing my first cover of a Daft Punk song, from the album that inspired it all. I still have a lot to learn, and so much more that I want to accomplish with my music, but in light of their recent separation/conclusion I felt like I had to do something to honor their memory.

To Daft Punk, One More Time.

#music #daft punk #housemusic #spotify #daft punk tribute #producer #artist #Spotify

[t052ther0b0t]

T0 LIVE THE

0F Y0UR LIIIIIIIIFE

#daft punk #daft punk tribute

[oflgtfol]

ever since daft punk officially retired i'm living vicariously through twrp

#gawd dr sung's vocals in this new album are soooooooo daft punk-esque i love it. so good #brot posts #music #twrp #daft punk #studio recorded daft punk tribute album WHEN !!!!

[stardianblogs]

still tryna figure out firealpaca, so here are some flipnote tributes

#flipnote #flipnote tribute #flipnote hatena #gizmo #gizmo made the boo flipnote set to daft punk remix #really crappy art made in firealpaca #firealpaca

[rexwrendraws]

My contribution to the Daft Punk: ANTHROPOLOGY (insta / twt) , a retrospective zine following Daft Punk's history! 🥏 This is my tribute to Daft Punk's TRON: Legacy soundtrack :]

#rex draws #tron #tron legacy #daft punk #thomas bangalter #guy manuel de homem christo #rinzler #clu 2.0 #quorra #sam flynn #kevin flynn #i am so incredibly proud of this piece it cannot be understated #this zine has been absolutely wonderful to be a part of! #zine #daft punk anthropology zine #VERY very excited to post this its probably my favorite thing ive made all year

[lynnedrum]

NORMAL 4 GIRLS 4EVER - LYNNEDRUM'S "SOUND OF THE BEAST" MIX

A tribute to Baltimore and Jersey Club, classic trax deranged and rearranged. Performed LIVE for NORMAL 4 GIRLS 4EVER, Saturday, August 12th, 2023. ~ SETLIST BELOW ~

1.) Crystal Waters - Gypsy Woman (Sartana & Finesse Jersey Remix)

2.) MikeQ & DJ Sliink - The Bitch (feat. Miss Jay)

3.) KRS-One - Sound of da Police (Baltimore Club) (*)

4.) Keiska - Lil Frkk

5.) Three6Mafia - Lil Freak (K-Deucez Rmx)

6.) Mariah Lynn - Once Upon A Time (I Was A Hoe) (DJ Taj feat. Panic Remix)

7.) UNIIQU3 - LSD

8.) Jen Lasher - I Felt

9.) REPRIISE - TEMPLE [Intense Trip]

10.) C.Z. - STUCK

11.) XTV$ x Narvi - Crazy Frog

12.) JAVASCRIPT - Pinky Ring

13.) Drippy Dolphin - ♡-I Need To Drip-♡ (A Trippy Turtle Remix)

14.) Snap - The Power (Kodat Remix)

15.) Jenn Morel - Ponteme (LUNY "Latin Club" Remix)

16.) Constantine - Pena Aberta

17.) PrepTheProducer - Naughty Girl (Jersey Club Remix)

18.) DJ K. Millz & Tokyo - Earthquake

19.) DJ Smallz 732 & Big Shaq - Mans Not Hot ( Jersey Club )

20.) KANDY - afreakin (Eight40Eight Bootleg)

21.) DJ K. Millz - Get Busy [Sean Paul 2k10 Theme]

22.) @hikeii - BBY (@HIKEII FLIP)

23.) Daft Punk - One More Time (Kodat Remix)

24.) FISHER - Losing It (KAYVIAN Club Remix)

25.) Soulja Boy - Birdwalk (Zora Jones & Sinjin Hawke Bootleg)

26.) Jam City - The Courts

27.) TLC - No Scrubs (BBM REMIX)

28.) Kyle Edwards & DJ Bake - My Back (Jersey Club)

29.) SOPHIE - Immaterial (Gangsigns Bootleg)

30.) UNIIQU3 & Dos Flakos - Shake the Room

31.) Outkast - B.O.B. (Cool Hand Lex, Lemi Vice & Action Jackson Remix)

32.) DJ DEVILLE - Kulikitaka Pica (Deville Latin Jersey Club Fusion Edit)

33.) Linkin Park - Crawling (DJ Hood Remix)

34.) Tre Oh Fie - Pop 2 Da Bass

35.) @hikeii - Panic! At The Disco: I Write Sins Not Tragedies (Hikeii Remix)

36.) Utada Hikaru - Simple And Clean (Jersey Club "Ray of Hope" Remix By KNMN)

(*) denotes a track that entered my life fully untagged and unsourced. if you know the artist of this remix, please let me know immediately!

Assets by MinaSheep

NORMAL 4 GIRLS 4EVER (08-12-2023) - OTHER SETS

JulianaNRG: https://youtu.be/l5y442f-uq8

MinaSheep: https://youtu.be/H-JKRNqxQA8

SWIMMY: https://youtu.be/AZkC4W-PP6s

#lynnedrum #normal for girls #dj party #dj set #live music #dance music #jersey club #baltimore club #ass shaker chunes #Youtube #music

[twinprime]

at a daft punk tribute concert rn

#me^^ #also kinda drunk so if anything’s illegible don’t worry abt it 🙏 #strq.txt

[trashbaby1996]

Attended a daft punk tribute band concert with friends

#the closet I’ll ever get to see daft punk #it was a grand time

[angelica-cj]

Thank you, Daft Punk

Complete tribute because YouTube :(

#daft punk #epilogue #thomas bangalter #guy manuel de homem christo #tb3 #gm08 #daft punk tribute #daft punk fanart #edm #robots #fan art #my art #digital art #animation #3d modeling #3d animation #maya #angelicacj

[arrowcollarmen]

Bro I’m so fucking sad I almost got a gig w a daft punk tribute band but I can’t cause I’m not 21 I should start lying more

[canmom]

Animation Night 147: the music!

🎼♫♪ it’s animation niiiiighhhttttttt♫♪

Old hands at Animation Night may recall the two big playlists of animated music videos we used to draw from at the end of every night! Compiled by the indomitable @mogsk​ and scattermoon, they took us on a fascinating tour of visual and musical styles. Animation and music are good friends... at least in short form.

And occasionally, musicians get the idea of doing something a bit grander than a single music video. Like a whole movie. We’ve seen a couple of these before - funnily enough both British - with The Wall and Yellow Submarine on AN #86. For the other landmarks in this tiny genre, we gotta go to... Japan!

Let’s roll back to 2003! Anime is just entering its computer era, and household-name electronic music duo Daft Punk have decided that the thing their new album needs is an animated film by Toei, resulting in Interstella 5555: The 5tory of the 5ecret 5tar 5ystem. Or in Japanese, インターステラ5555, Intāsutera Fō Faibu, "Four Five".

Like Yellow Submarine, Interstella 5555 is largely a frame story to set up the band’s songs. It tells the story of a pop band of blue aliens kidnapped by a dastardly human aristocrat in a scheme to mind control them and exploit their special musical talent to sell records. A young alien astronaut goes on a mission to stop them and free the band.

The film’s animation takes after Leiji Matsumoto, the incredibly infuential mangaka and director behind Space Battleship Yamato, Space Captain Harlock, and Galaxy Express 999. Matsumoto is credited on the film as a ‘Supervisor’, although I’m not entirely sure what that means.

I wrote about Leiji Matsumoto last week, so you can read about his origins in WWII comics before becoming the creation of the Leijiverse. His works were a big hit in France, where for example Space Pirate Captain Harlock came over as Albator, and there a young Daft Punk got to meet the galaxy of tragic long women and little bean guys...

...and they had enough money in their pockets to make it possible to create a movie-length tribute to Matsumoto, with a style that’s a deliberate call back. I’m not sure if Interstella 5555 belongs in the Leijiverse proper, but it definitely hits the style of his designs, not to mention many of the recurring motifs - humanoid aliens, spaceships modelled on unlikely Earth objects, the tragic results of coercive force (in space!)...

I’ve seen it once before but I was honestly too tired to appreciate it. If you’ve seen Interstella before, I hope it will be fun to see it again; if you haven’t, I hope you’ll join me in witnessing it with fresh eyes!

Alongside that we have Sound & Fury! Thanks to @mogsk​ for investigating this one <3

Sound & Fury is so far as I can discern a compilation of music videos based on the songs of country musician Sturgill Simpson. However, I know next to nothing about Simpson, and only came across him through music videos excerpted from this film. Here’s how the music is described...

Breaking with Simpson's established country style, it featured a fuzzy hard rock sound augmented by extensive use of synthesizers, influenced by psychedelia, funk, and electronic rock.[60]

The film as a whole - just forty minutes long - is directed by Junpei Miyazaki of Kamikaze Douga, known for their work on the OPs to David Production’s Jojo adaptation, and on Pop Team Epic. Kamikaze Douga handled a good chunk of the episodes themselves (in both 2D and 3D), and pulled in other studios for the rest - these include some I’m not familiar with, like Grayscale Arts. But one name I definitely do recognise, Michael Arias of Tekkonkinkreet (see AN 52). Arias is an American who went to America to work in anime at 4C; his work on this film seems to be with a much smaller team, actually in live action.

Moreover, two episodes bring in Henry Thurlow and D’Art Shtajio, some of whose work I think I showed back on Animation Night 21. Their selling point is that they’re the only Black-owned anime studio in Japan, and they’ve previous worked a lot on music videos and short films as well as contributing to various TV shōnen anime. It’s cool to see these guys again - unfortunately I don’t think their crowdfunded projects were successful, but I bet what they put will be pretty stylish.

That’s a brief summary of the credits - but what’s it actually about? Samurai, post-apocalyptic landscapes, and a lot of aesthetic stuff. I’m not sure there’s really a unifying story as such; in Simpson’s own words it’s basically a competition to show off cool shit...

Simpson said that while in Detroit, he was inspired after listening to Eminem to write "a bunch of mad shit-talking songs about how fucking awesome we are" but later began to think that what he and his band had produced was not "weird" enough, so came up with the idea to travel to Japan and "get the five most legendary animation directors in history together and get them all drunk and put them to competition to see who can outdo one another, and we'll just animate the whole fucking album"

Not long after finishing the album and film, he cut ties with his record label, citing burnout and criticising the music industry. Basically ‘good luck selling this guys’. It seems like kind of a mess so I bet it will be intriguing to take a look into.

So that’s the subject for tonight! With such a late start I won’t have a ton of extra time, but I’d like to revisit some of our favourite animated music videos at the end, so if you’ve got requests, make note of em! We’ll be going live at twitch.tv/canmom now, and starting films in about 20 minutes - would love to see you there!!

#animation night

[cloevr]

Daft Punk tribute played by Malgosia Fiebig on the carillon of the Domtoren in Utrecht (27.02.21)

#FUUUUCKKKKK #daft punk #op

[daisiesandgiggles]

Please show some love to @acermice75 . He will be our new addition to Feature Friday. Every week you can catch up on all the latest news and gossip in the music industry. We are so happy he's decided to join Feature Friday and we hope you'll enjoy him as well. ❤️On that note....

THIS WEEK IN MUSIC

Hello everyone! Welcome to a new addition to Feature Friday! This post will sum up the weekly news in music, some interesting notes in music history and a few other surprises I may throw in from time to time! So without further ado, let’s get going!

Diddy confirmed this week that he pays Sting $5K per day for using “Every Breath You  Take” on his Notorious B.I.G. tribute song “I’ll Be Missing You”. Diddy did not ask Sting’s permission before he sampled and agreed afterward to pay him for use of the song. They remain good friends, according to Sting.

The amazing Questlove (The Roots, band leader for The Tonight Show w/ Jimmy Fallon) is auctioning off some of his amazing record collection including rare jazz albums for several charities. If you ever get a chance to hear him talk about music, jump at it because it will change your life. I highly recommend his two part interview with Rick Rubin on the Broken Record podcast.

Thomas Bangalter of Daft Punk fame revealed the reason for the breakup of the seminal electronic dance band was the ongoing development and proliferation of AI in music. They started the band to draw a line between humans and technology and with AI being prevalent that line has faded, according to him.

Ace Frehley stated that Paul Stanley called him up to say “fuck you” to Ace after Ace threatened to reveal “dirt” about KISS and Stanley/Simmons in particular if Stanley didn’t apologize for comments made on Howard Stern about why they didn’t perform for the RnR Hall of Fame induction. Stanley explained why they wouldn’t play with Frehley/Criss because “At this point, that would be demeaning to the band, and also would give some people confusion. ‘Cause if you saw people onstage who looked like KISS but sounded like that, maybe we should be called PISS.”

THIS WEEK IN MUSIC HISTORY

1956 - The world famous Capitol Records Tower opened it’s doors in Hollywood, CA, on Hollywood and Vine St intersection.

1964 - The Beatles owned the top 5 singles on the Billboard chart and 12 places in the Hot 100.

1987 - Drum legend Buddy Rich died on April 2nd. His influence is still heard to this day in regards to technical brilliance and pure showmanship.

2012 - The LA County Coroner released the final autopsy report for Whitney Houston which ruled she died of an accidental drowning.

2017 - Barry Manilow spoke publicly for the first time about be gay in an interview with People magaze, revealing his four decade long relationship with his manager.

I would like to thank the beautiful and charming @daisiesandgiggles for the opportunity to submit some thoughts and words to the Feature Friday theme! I appreciate you including me on this amazing theme! I'd also like to give a shoutout to @thedangeldorpher as well, filling in while @guardianw is all work and no play. 😏

I hope you enjoy this post and here's to many more in the future! 🍻

#daisiesandgiggles #feature friday

[musegnome]

4 and 6 for the music asks!!

🧡🧡

Laz my most darling, it's been a bit, but I hope you're ready for the answers to the music asks anyway!

4. A song that reminds you of someone you would rather forget about: The Sundays, "Summertime."

I like the song! But the strongest memory I have of it is being slightly drunk at a summer evening house party, sitting on a floor with purple shag carpet with a bunch of other people, all of us singing along to this song on the radio - and someone I didn't much care for came up and started singing along too, but in a way that was meant to take it over from everyone else. They were an incredible singer, truly, and it took the mood of the room from being very chill and tipsy-happy group fun to everyone fussing over this person (for an admittedly lovely performance) and demanding they sing more, which I found to be incredibly...not what I wanted/needed at the time. So while I like this song (and still sing along to it), it also immediately punts me back in time to the late 1990s and that drunken singalong on that purple shag carpet. 6. A song that makes you want to dance: This is a hard one - I've not been much for dancing these days - but I love the energy of Daft Punk's "Harder Better Faster Stronger." I'd kind of forgotten how much I liked it for a while, but after coming across the Pentatonix Daft Punk tribute relatively recently (which is also really danceable!) I remembered how much fun it is.

Thank you for the asks, Laz love! <3 <3 <3

[unicornery]

I think this person and I need to become best friends

YES meets Daft Punk Reviewed in the United States on June 2, 2013

Verified Purchase

I've been listening to this CD for the last 2 weeks while on vacation with family. Not only through my earphones at every chance, but also as playback in my head when I'm bored riding in a car with no tunes. Yes, the tunes are very memorable! When a friend turned me on to Justice a few weeks ago, I started by listening to Cool Cats and then Cross. But Audio, Video, Disco is bar far their best album even with the release of Access All Arenas. I'm old enough to remember the various stages that YES went through and enjoyed them all including 90125 and Tormato which were later releases. Justice reminds me very much of the post Wakeman era of YES, but with a bit of Daft Punk's electronic disco funk vibe added in. As I'm a big fan of all of YES regardess of who was singing or playing guitar. I enjoy Morgan Phalen's singing on selected tracks of Justice's AVD. He definitely has that John Anderson/Trevor Horn lyric tenor. The lyrics might not be as trippy as what was being written by YES or ELP in the era of LSD, but the tight sounds of Gaspard and Xavier of Justice really hit the acid house sweet spot. All said, the album is a tribute to legendary sounds I grew up on but with a electronic twist that makes them fresh and very enjoyable.

One person found this helpful

#Yes band #Justice band #Audio Video Disco