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sy3ra · 3 months

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˚₊· ͟͟͞͞➳❥ lovestruck!

𖤐 description: love-struck/lovestruck (adj.) experiencing intense feelings of romantic love for someone; besotted or infatuated.

𖤐 ft. lovestruck/lovesick! satoru × yuji's sister! reader (fem)

𖤐 content: lovestruck/lovesick! satoru, fluff, sickeningly disgusting fluff, the gojo satoru falling in love, wholesome, feeding my delulu rn, cringe and cliche sorry, reader is described as very beautiful, almost angelic (the things lovestruck! satoru can see lol), reader is yuji's big sister here (obviously an au)

𖤐 author's note: my writing style is so inconsistent i'm so sorry, everything's just based on my mood lol & my grammar sucks. anyways i'm terribly down bad for a lovestruck satoru so, i'm bringing y'all with me. (p. s. reader is well versed in arts and crafts and runs a small business in australia)

(author from the future: heyy, since y'all agreed that i should post this piece of crap rotting in my drafts, so here it is! so sorry for the late post, i've been busy with school.)

masterlist | requests

reblogs are appreciated!

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"sensei, can we go to the airport?"

yuji suddenly asks, looking up at his teacher, who was seated beside him. "airport? why do we need to go there?" probed satoru. "my big sister's coming back from australia today. normally, she would only come back for vacation but...now that our grandpa has passed, i guess she just wanted to give me some support." yuji responded with a mellow smile at the thought of his big sis, he's missed her so much.

satoru pondered for a moment, before giving his student an accepting grin and a thumbs up. "i don't see why not! i mean if it's for my student of course i'll accept" he said, pearly whites showing as he stood up, which was soon followed by a gleeful yuji. "really? thank you, sensei!" yuji's smile widened, to which satoru returned with the same gleeful smile. seeing his students happy in this damned world was enough.

☆★☆★☆★☆☆★☆★☆★☆☆★☆★☆★☆★

"so, what's your sister like?" satoru asked curiously, hands gripping the steering wheel as they drove to the airport. (unfortunately, he had to drive) yuji's eyes lit up at this, finding this the best opportunity to ramble about his big sister.

"she's the best sister anyone could ever possibly ask for, except her teasing, she still treats me like a kid even now.." yuji started, obviously passionate about his beloved big sister. "she's well versed in arts and crafts, and even she even opened up a small shop in australia!" she's talented, satoru thought, feeling the gleefulness of his student from the driver's seat. "she sounds impressive," he nodded with a smile, a pause following soon after. "is she pretty?" satoru felt bold at the moment, not sure why. maybe he was just curious, yes that's it, right?

"very! she's basically the female version of me, sensei!" yuji replied, to which satoru chuckled imagining a vague image of yuji's sister in his mind. "can't wait to meet her then!" satoru nodded with a cheeky smile as they got nearer to the airport.

the weather was surprisingly pleasant, the sun shining down from the large patch of blue sky, covered slightly by white fluffy cumulus clouds creating a breezy atmosphere that isn't cold but not too hot. the traffic wasn't too much of a bother as well, they got to the airport as quickly as they left the jujutsu technical high school.

the only predicament was, the airport is jam packed with people. yuji frantically searched for his big sister, since her plane had landed thirty minutes ago. even with satoru's height, it's still quite hard to look around properly, he didn't quite know what yuji's big sister looked like in person, yuji just described her to be a feminine version of him.

that is until he sees his student's eyes light up, rushing towards someone, almost pushing everyone that was in the way, engulfing a shorter girl with the same pink hair as yuji in a bear hug.

"you've grown so much, yuji! you're taller than me now!" the pink haired woman said, stepping back to look at her little brother (that's not so little anymore). satoru couldn't see her very well, unfortunately. "i missed you lots, nee-san! i brought sensei with me, come meet him!" yuji takes his sister's hand and leads her to satoru, who was somewhere at the entrance of the airport, leaning against the wall.

to say he was infatuated by her was an understatement, hell, he was enamoured by the woman who stood before him. she was short, her hair shone a strawberry pink like her brother's, her eyes, oh her eyes were beautiful, they shone like a pair of gems, and her smile, they were so bright and warm, almost like the gentle rays of the sun. she stood out from the rest of the crowd.

"hi! you must be yuji's sensei. i'm (____) itadori, his big sister. nice to meet you..uhm, sorry what was your name again?" you greeted with a smile, small dimples showing on each side of your cheek as you held out your hand for him to shake.

your voice snapped him out of his euphoria, it sounded so angelic, he wanted to hear your voice everyday. satoru's mind felt absent as he looked down at you, you were really more beautiful than he had imagined you to be.

"sensei?" yuji queried with concern, making satoru shake his head, that same charming and handsome smirk appearing on his face (he was nervous). "sorry sorry, nice to meet you too, miss (____). i'm satoru gojo." he held his hand out as well, meeting yours, his hand was larger than your hand, almost swallowing it whole.

you smiled as you shook hands with him, feeling a small electric spark when your skin came in contact with one another, though you paid no mind to it.

"yuji has told me all about you, mr. gojo! thank you kindly for taking care of my brother. How could I possibly repay your kindness?" you said with a slight bow, making satoru feel slightly embarrassed (for the first time ever). "no need, i was just doing my job as a teacher." replies satoru, clearing his throat. his adam's apple bobbing up and down as he swallows. hard. why was he so nervous in the presence of this woman who he just met? he was so used to flirting with other girls (despite being a virgin) but.. you. you made him nervous.

"oh I insist, mr. gojo!" you chuckled, lifting your head up, straightening your posture. yuji tugged at your sleeves, making you look at your little brother. "what is it, yuji?" you ask, tilting your head sideways. cute: satoru thought. "i'll go to the bathroom for a bit" yuji says quietly, earning a nod of acknowledgement from his sister. "sensei" yuji gives him a thumbs up before rushing to the nearby restrooms of the airport.

"well that was something" satoru laughs as he stands there, quite awkwardly now that he's left alone with you out of all people. you on the other hand, only laughed at his awkward response. "now, back to my statement: how can i repay you for taking care of my brother, mr. gojo?" you ask once again, you were stubborn like your brother, almost.

satoru comes up with an absurd idea in mind, he hesitates, this was going to be a bad idea. "your number," satoru responds, his throat becoming dry from the sheer nervousness he was feeling. "you can repay me by giving me your number, miss (____)." he continues, it was insane how he was able to keep his smirk up despite his palms beginning to sweat.

you were silent for a moment, your cheeks becoming rosy by each passing second. it wasn't always you encountered a man who was bold and smooth enough to ask for your number, and actually become successful at it. you chuckled as a response, your chuckle coming out as embarrassed instead of happily as originally intended. "really now?" you whisper, your index finger scratching your cheek lightly, before you came up with an idea.

you rummaged through your backpack, finding a thin black marker in one of its pockets. "that's a pretty bold move you got there, mr. gojo" you bite back a smile as you take his left hand and begins to write your number on his palm, you looked so adorable in his eyes, with your half-lidded gaze concentrated on writing the numbers on his skin, your visibly rosy cheeks, and your hair that was annoyingly in the way of letting him see your face in all its glory.

slowly, satoru lifts his free hand up to tuck a thick strand of your pink hair behind your ear, since it was in the way. a seemingly harmless action yet it made you divert your attention from his palm, to his face with slightly wide eyes, and suddenly, your gaze felt like a spotlight, it was as if you were looking at him like he was the only man in the world.

you clear your throat, stepping back to give him his space, and then put your black marker back in your bag, eyes studying the numbers that you wrote on his palm. "there" you say simply, with a small smile. satoru stands there, seemingly in a state of euphoria for a moment before shaking his head, cerulean blue eyes looking down at the black ink drawn on his skin through his blindfold. a lopsided smirk appearing on his face. "now for some reason, i feel quite special to have a cute girl's number in my contact list. thank you, miss (____)." he responds, his smirk turning into a cheeky grin as he stuffs his left hand in his pocket, careful not to smudge the ink on his palm. after all this is a once in a lifetime opportunity.

in return, you huff out a laugh. "(____)'s fine, mr. gojo." you chime in, your voice seemed so soft to him.

"i'm back!" yuji yells, catching the attention of the two adults as her runs back from the restrooms. "why don't we grab a meal? my treat" you say, smiling at the two boys, in which yuji returns with an excited nod. "i don't mind, but it will be my treat, i insist." satoru offered, "oh no need, mr. gojo. i insist." you reply,

"i insist, miss (____)"

"no, i insist, mr. gojo!"

"why don't we just divide the bill?" chimed yuji, making the two adults that stood in front of him think for a moment before coming to a conclusion.

"oh alright, that seems fair." you nod, looking up at satoru, the man nods as well. "then it's settled, let's go!" satoru grins excitedly, staring down at yuji and back to you.

"let's go! i'm starving!" yuji groans, taking the first step forward, and you smile at your younger brother, a sweet, nostalgic smile.

satoru swears to himself that he was going to win your heart, your soul, all of you. you were perfect from head to toe.

and he sure as hell isn't gonna let someone like you go.

— Mayven.

#mayven.ִ ࣪𖤐 #jjk series.𖥔 ݁ ˖#syera's ficsִ ࣪𖤐 #gojo x reader #jujutsu kaisen #gojo satoru #jjk gojo #satoru x reader #satoru gojo #jjk headcanons #jjk satoru #jujutsu kaisen x reader #gojo satoru x you

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brucebocchi · 17 days

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Winter 2024 anime, Pt. 2: Mixed reactions, the bench, and the gems

hey y'all, this is also up on my ko-fi! it's free to read both here and there, but i'm struggling financially rn so i could appreciate if you'd throw a few bucks my way if you liked it! part 1 can be found here.

And we're back for part 2! Here's all the new stuff I finished this season, and one more I'll get back to later. As with before, these are sorted alphabetically within each category and are not ranked as of yet.

Also as before, the OP for each series is linked in the title. Check them all out if the header images aren't giving you the right feel for each show, but also check them out because most of them were actually pretty damn good this season.

[Solo Leveling OP voice] LET'S GET IT!

Mixed Bags:

Hokkaido Gals Are Super Adorable!

Your standard, quasi-harem “easily flustered Regular Guy wins over hot girls just by being really nice” shonen romcom. I really don’t have much to say about this one other than if you’ve seen My Dress-Up Darling, you’ve basically seen this already. The only thing that really sets it apart is the setting.

Tsubasa (voiced by Nobunaga Shimazaki, in a FAR cry from his turn as Mahito in Jujutsu Kaisen) is a straight-laced Tokyoite whose family situation lands him in a small city in the frozen boonies of Hokkaido. While looking for the bus to his new house, he runs into a gyaru in the snowy wild, the underdressed, hilariously-proportioned Minami, and they hit it off. It turns out they go to the same school, there are other cute girls there who take a shine to him as well, it’s nothing new.

I ultimately don’t have much to say about Hokkaido Gals, but I do have a soft spot for series like this, and after reading ahead in the manga I felt obligated to see it through. This is all junk food, but it’s all stuff you’ve seen done better in other series. I also have a soft spot for gyaru in anime and manga, and while I do like Minami just fine, she isn’t Marin Kitagawa or Rumiko Manbagi. I don’t really have it in me to recommend this show to many, though, at least not until another season rolls around, if that ever happens. The manga genuinely does get a lot better as it goes on, but the really worthwhile stuff may not happen until a third season, and I just don’t see that happening.

The manga has issues that the anime isn’t willing or able to solve, chief of which being the visuals. The art style of the manga is wildly inconsistent, and getting a mediocre animation team on this didn’t help matters at all. While the colors often pop nicely against the pretty, snowy backdrops, nobody looks all that great overall. The characters are recognizable, but they just plain don’t look great a lot of the time, nor do they look consistent from one cut to the next; I said that Minami’s proportions are hilarious, but just as hilarious is how wildly they vacillate from one scene to the next for the sake of trying to titillate the viewer.

My biggest takeaway from both the manga and anime was everything I learned about Hokkaido in the process, and if the series is taking subsidies from the island’s tourism bureau, then it’s a job well done. I want some goddamn jingisukan now. The OP is a great time, though. I’m shocked it took over a decade for us to get a proper “Uptown Funk” knockoff in an anime.

Metallic Rouge

I’ll be upfront in saying that this was my biggest disappointment of the season by far. This show had so much going for it, and what we got was… ugh.

There was an unbelievable amount of promise from the outset: This was Studio Bones’ commemorative 25th anniversary production, and coming from the studio that gave us all-timer adaptations like Fullmetal Alchemist Brotherhood and Mob Psycho 100, not to mention later works from Cowboy Bebop creator Shinichiro Watanabe (including the Cowboy Bebop movie), you can’t fault anyone for having high expectations. It looked to be a fitting production as well: Watanabe’s influence shines through immediately in the gorgeous, lived-in cyberpunk off-world locales and racially diverse cast. Action takes the form of dope robo-tokusatsu transformation fisticuffs, and it’s entirely in 2D animation to boot. The first couple of episodes were killer, too; everything looked and sounded amazing, and there were just enough plot threads teased out that I just had to see how they’d unravel.

It brings me no joy, then, to say that Metallic Rouge collapses into a jumbled mess. I don’t even want to bother talking about what happens in the show because I don’t fucking care anymore. There are few media experiences more sobering than to have it dawn on you over a span of several weeks that “oh… this isn’t actually all that good, is it?” Episode after episode piles on with sloppy lore, weak worldbuilding, warring factions whose names you immediately forget, pointless double-crosses, and the most predictable twist you’ve ever seen. For a while I was willing to accept the fact that I didn’t know what was going on half the time and expected things to become clearer, but now I’m not entirely sure the writers knew either. The stakes apparently kept rising and everything just kept getting more claustrophobic. I’m glad it’s over, if only because if I had to hear “Clair de Lune” one more fucking time, I was going to go ballistic.

There are several attempts at emotional beats, as the story is rife with tragedy and sacrifice, and every single one lands with a wet thud. Nobody gets enough time, motivation, or characterization for any of these things to feel like they actually matter, and that’s especially a shame because the finale might have been able to stick the landing if the previous episodes were less dense and better paced. Emphasis on “almost,” though, because just before the season ends, we get the absolute most pointless fakeout I’ve seen since The Rise of Skywalker, which is the lowest point of comparison you can make for any work of sci-fi.

This is especially frustrating because on paper, there is so much to like here. Rouge and Naomi are likable-enough deuteragonists with a fun dynamic, and they’d make easy yuri bait in a better show. The characters are all pretty and uniquely designed across the board, and the overall aesthetic, almost a pastiche of late-90’s anime futurism, is undeniable. The toku suit designs are neat and several of the action scenes are gorgeous. The score and soundtrack are outstanding (except for the aforementioned Debussy indulgence). I have few complaints about how the show looks and sounds; the style is great! All of my issues lie with the substance.

Metallic Rouge may have had all the ingredients, but it just needed more time to cook; whether that would have been by doubling the episode count or by more carefully planning the pacing and trimming some of the fat from the lore, I’m still not sure. Probably both. It probably needed better writers, too. Maybe it just isn’t as smart as it acts and there was no way to satisfyingly resolve the clumsy civil rights allegories that bring it uncomfortably close to the likes of Detroit: Become Human. So all of the above, I guess. I tend to adore stories that involve artificially-intelligent beings developing their own wills and emotions and learning to cut their own strings (the likes of Blade Runner, Nier Automata, even a couple of character arcs in the Persona series), but this ain’t it. I’m not even mad anymore. I’m just disappointed.

If there are two positives that will stick with me, though, they would be the absolute banger of an OP and, of course, Naomi Orthmann herself (pictured above, left). Outstanding character design. I’m mildly obsessed. She deserved a better show.

The Unwanted Undead Adventurer

This one isn’t even worth talking about, so here’s a brief synopsis, then I’ll add some commentary, and then we’ll all move on with our lives.

Rentt, a beloved but mediocre adventurer in a fantasy town, gets lost in the mysterious labyrinth that all adventurers explore for personal gain, gets waxed by a dragon, and awakens as a shitty-looking CGI skeleton. He notices, though, that he’s able to level up better as a skeleton than he did as a human, and with the more monsters he defeats, the more he evolves into something closer to human. The rest isn’t really worth discussing.

If I’m being honest, I should’ve dropped this show much sooner. It looks kinda lousy most of the time, the plot (inasmuch as there even is one) is boring, character designs are forgettable (except for Rentt’s closest ally, Lorraine, holy hell) and it seems wholly uninterested in actually building its own setting. If it returns for a second season, I won’t be there, nor will I feel like I’m missing anything. Each episode felt like a chore to watch. I probably only saw it through because 1) I liked looking at Lorraine, I know what I’m about, and 2) I didn’t want to lump it in with the shows I did drop. The Unwanted Undead Adventurer isn’t as patently upsetting or frustrating as those three, but it just plain isn’t a very good show.

The Witch and the Beast

This show could have been so much more. I was drawn in by the gorgeous character designs and intriguing blend of Victorian gothic aesthetics and architecture with modern infrastructure, and very quickly disappointed by just about everything else. The first episode is an exceptional proof of concept, and almost everything that follows is an upsetting showcase of what could have been.

The story centers around Ashaf, a languid, chain-smoking agent of the governing church with a big-ass coffin strapped to his back, and his partner Guideau, a snarling hyena in a young woman’s body, as they investigate abuses of magic across the continent in search of nefarious witches. Guideau in particular has a bone to pick with witches, as the body they presently inhabit is the result of a witch’s curse, and they remain in furious pursuit of the one who cursed them. The curse can be temporarily undone by a kiss with a witch, allowing Guideau’s true body, a hulking brute confined to the coffin, to escape and wreak havoc. Meaning that on a few occasions we get a girl-on-girl kiss followed by a big dude wrecking shit. There’s also other investigations of serial killings, necromancy, and a cursed sword, and here’s hoping you like those, because the coffin breaks are few and far between.

This wasn’t great! By the third episode I had the sneaking suspicion that the animation talent on hand just wasn’t enough to support the aesthetic. While the character designs are exceptional, almost everyone looks awful in any shot that isn’t completely focused on them. This is especially true of Guideau, who looks so inconsistently off-model from one shot to the next that I’m still not entirely sure what they’re supposed to look like, and that’s kind of unforgivable when we’re talking about a main character. Everything looks too dim and too shiny at the same time, and action scenes look like shit more often than they look interesting. I can see so many flickers of something excellent (or at least really good-looking) in Witch and the Beast, and everything else that keeps those flickers from actually igniting makes it so much more frustrating to watch. Maybe just read the manga instead; the panels I've seen from it were uniformly gorgeous.

Actually, yeah, you should probably just read the manga, because for a season of anime, the pacing is atrocious too. It’s clearly trying to angle for a monster-of-the-week format, but each of these mini-arcs is a little too dense for a single episode, so multiple episodes are dedicated to these one-off curiosities, most of which do nothing to advance the plot or show off what the show does best. And if one of them isn’t particularly interesting, you’re saddled with it for the next two weeks like you've been stuck munching on a mealy apple. And I know you can only adapt so much in a 12-episode season, but the decision to end the season on a flashback arc and a lore dump was baffling. That’s not world-building, that’s lazy, and it made the show’s existing pacing issues feel that much more inane.

I feel like I was sold a false bill of goods. I can only imagine how the mangaka feels about this. Dull and uninspiring all around. What a waste.

The Wrong Way to Use Healing Magic

Isekai, unassuming high school boy gains a unique power, impending war with the Demon Lord, yadda yadda yadda. The Wrong Way to Use Healing Magic isn’t anything new or special by any means, nor is it particularly well-animated or -paced, but at its best it’s silly and charming enough that it made a nice, brainless palate cleanser on Fridays.

Usato, your standard quiet high schooler, ends up walking home on a rainy evening with the popular, attractive student council president and VP, when an isekai portal happens. It turns out that it was just the seito-kai that was invited along for the ride (and President Suzune, as it turns out, is fucking psyched to get to be in an isekai), and Usato got caught along with them. When tested for magical aptitude, Suzune and VP Kazuki hit the jackpot with electric and light affinities, respectively, but things go awry when Usato’s reading turns up with healing magic. Terror strikes the palace as the intimidating dommy-mommy Captain Rose barges in to spirit Usato away from his new friends and into her squadron of goons to train him as a combat medic.

As character comedy goes, this one is actually pretty solid at times. Shogo Sakata is plenty of fun as the put-upon, lippy Usato (a much louder role than Chainsaw Man’s Aki Hayakawa), and Atsuko Tanaka (Major Kusanagi herself!) is a blast as the uncompromising Rose, a terrifying slave driver of a drill sergeant with a secret soft side. The dynamic between them is great, too; Usato is over Rose’s shit from the beginning and isn’t afraid to talk back to her, but before you know it, this transforms into friendly banter as Rose clearly takes a shine to Usato and knows he can handle any punishment she doles out. Suzune’s also a bunch of fun now that she’s broken away from having to be the competent, popular girl at school and gets to fully lean into being a complete dork.

Wrong Way also works decently as an isekai, because it makes an effort to stay rooted in high fantasy rather than fall back on JRPG mechanics, meaning there are no stat screens! It also avoids the trappings of wish-fulfillment isekai series by having Usato start out as a regular-ass guy; he’s not a Kirito type, just someone Rose sees as a rough gem in need of cutting. There are no cheat skills or OP weapons or anything, just a kid training every day to get stronger so he can protect the people close to him, and that’s the kind of anime protagonist you should want to be.

For better and for worse, I get serious mid-00s vibes from this one; watch the OP if you don’t believe me. Some of the colors pop uncannily in that early-digipaint-era way, and the animation is pretty middling; the most fluid animation we see is whenever Suzune is acting like a creep. Much like those mid-00s anime, though, Wrong Way may have benefited from being weekly (or twice as long) rather than seasonal. There’s a ton of planting with very little payoff, and it doesn’t feel like the actual scope of the story has even been addressed yet. We don’t even learn why the series has the name it does until someone literally says it aloud in the 11th episode. I may have to reevaluate this season after a possible second, if we ever get one, because this doesn’t stand too well on its own.

Of the anime in this “mixed bags” segment, I’d say I enjoyed Wrong Way the most, but it still had enough problems for me to keep it here. It’s not a particularly bad anime, but it’s not especially good either. I guess we can slot it into what Hazel refers to as “good mid.”

On Hold:

Cherry Magic! Thirty Years of Virginity Can Make You a Wizard?! (three episodes watched)

Man, what a title. That was the main draw for this BL series, which on paper is basically a gay version of the Mel Gibson vehicle What Women Want.

Adachi (a surname that will always make me laugh thanks to Persona 4), a gloomy salaryman, has hit the big 3-0 without getting any, and now he can somehow read anyone’s thoughts just by making physical contact with them. Just as he laments that this is his life now, he accidentally bumps into his handsome, popular coworker, Kurosawa, whom he learns has been harboring a massive crush on Adachi this whole time. Well dang, what now? Kurosawa’s a really nice, thoughtful dude, but Adachi’s never even thought about being with a man before! And isn’t there something wrong with already knowing this secret? How can he even go into the office and look Kurosawa in those big, handsome eyes… every single day…

What I’ve seen so far has been pretty solid, if not particularly well animated. The visuals are really my only gripe here; I just put it off for way too long and didn’t have it in me to finish it on time to actually get this thing written and published. Yaoi isn’t my forte, which feels like a shortcoming on my end as a fledgling bisexual, and I’ve already remarked on the solid LGBT representation this past season, so I do plan on hopping back on this one.

I gotta say, the co-leading voice actors put in serious work this season. Adachi is voiced by Chiaki Kobayashi, who continued his role as Stark in Frieren, returned to Mashle as Mash Burnedead, and contributed to Metallic Rouge’s cluttered cast as Noid. Kurosawa’s seiyuu, Ryota Suzuki (of whom I’ll always be a fan for his masterful turn as Yu Ishigami in Kaguya-sama), also held down leading roles in Bang Brave Bang Bravern and The Unwanted Undead Adventurer. They’ve been great in the few episodes of Cherry Magic! that I’ve seen so far, and they’ll be a huge part of what brings me back.

The Gems:

Bang Brave Bang Bravern

I feel like the mark of a perfectly audacious piece of media is in the moments where I find myself incredulously shouting “WHAT THE FUCK AM I WATCHING” at the screen, and Bravern made me do that at least once per episode. I have so many things to say about what makes this show great but all of it can be summed up as “it fucks so goddamn hard.”

A joint military exercise in Hawaii between Japanese and American mech pilots goes south as a sudden invasion by metalloid aliens portends certain doom for humanity. Just in the nick of time, though, a bombastic, autonomous mech named Bravern arrives from space and insists that ace pilot Isami Ao take his reins. Isami reluctantly agrees, and to his consternation, Bravern goes full tokusatsu on everyone’s asses, complete with fully-diegetic theme music, and keeps the threat at bay. With Bravern continuing to pester him to act as a pilot, Isami is forced to take up the mantle of a reluctant hero as everyone rallies around Bravern to save Earth. Tagging along is blond-haired, blue-eyed American pilot Lewis Smith, who gets to live out all of his Top Gun fantasies, right down to the latent homosexuality.

That last point isn’t a projection or anything: This show is legitimately gay as hell, and it rules. Bravern’s feelings towards Isami feel far more romantic than what you’d expect from a literal robot, and his description of how it felt to have Isami pilot him for the first time, as relayed to a grim-faced military council, is riddled with hilarious innuendo. Isami struggles not only with shouldering the burden of needing to be a hero to all of humanity, but also being beset on both sides by a loud, insistent mecha and a dewy-eyed gaijin, both of whom very well seem to want to get in his pants. Intricate rituals punctuate Isami and Lewis’ angsty relationship as these broad-shouldered, muscular men grow ever closer. It’s also worth reiterating that Isami is voiced by Ryota Suzuki, who also voiced Kurosawa in Cherry Magic!, and that may not have even been his gayest role this season. I’m not super well-versed in mecha as a genre, but I do know that there’s a lot of Warrior’s Bond-type stuff in these series, and Bravern lays it on thick. And hard.

This show looks killer, by the way. CGI implementation in 2D anime is still a touchy subject, but Bravern features some of the best I’ve ever seen. Simple cel-shading goes a long way to the point where, outside of some uncanny motion, Bravern himself feels perfectly blended into the hand-drawn animation. Mecha designs range from realistic military-style tech to otherworldly sentient robots, and battle sequences run the same gamut as the stakes rise. As goofy as all of the above may sound, it’s committed to being a grandiose, big-time mecha showcase.

This is as good as camp gets in anime; Bravern does for the mecha genre what Akiba Maid War did for yakuza film pastiche (I have also heard positive comparisons to Samurai Flamenco, which I’ll have to get on ASAP). It’s an excellent mecha show in its own right, and wildly hilarious to boot. Bravern himself is very genre-savvy and seemingly a bit of an otaku himself; he loves acting like a mecha hero, to everyone else’s chagrin. Several of the villains (also mechanical beings, voiced by an all-star seiyuu roster that includes Kenjiro Tsuda, the aforementioned Atsuko Tanaka, and Rie Kugimiya) are total dorks themselves. A CIA interrogator tries to waterboard a mecha at one point. Bravern is a deeply silly show, but the heart is as firmly on the sleeve as the tongue is in the cheek: For as wacky as it can get, the story still unfolds with a straight face and excellent emotional beats.

This show also has the most unskippable ED of any anime since Chainsaw Man dropped a new one every week. I will not say what happens. You cannot predict what it is. Just watch it. One of the top YouTube comments on that video says “When I saw this ending after episode 2, I thought I was going crazy.” That’s a ringing endorsement.

Chained Soldier

On the heels of 100 Girlfriends completely rewiring my brain, I was raring for some more good old-fashioned anime trash. I was told that there would be plenty this season, but you can consult the “dropped” section to see how well that worked out for me. Chained Soldier came with some significant hype, and soon enough into the first episode I realized that I’d actually skimmed through this manga before (don’t ask why), so I was on board immediately. Now here’s some nice trashy fun.

The world is in peril thanks to creatures called Shuuki that can advance on our world via portals from another dimension. Women primarily lead the charge against these monsters, as this dimension produces a special fruit that can lend them (and not men) otherworldly powers to help them in the fight. Yuuki, a perfectly normal young man, ends up in grave danger as he stumbles into a portal, where he is saved by the beautiful Kyouka, a commander who is able to subjugate Shuuki at will and use them to fight others. In a bind, she asks Yuuki if she can subjugate him, which he agrees to by licking her finger and transforming into a monster himself, at her beck and call. Because of his utility in battle, Yuuki is enlisted into her squad of baddies (and also an 11-year-old), living in their home as a caretaker and answering directly to Kyouka as her “slave.”

I know, I know, but let's settle down for a second. I put “slave” in scare quotes because Chained Soldier fortunately isn’t going full Shield Hero on us; this arrangement has a give-and-take baked in. See, every time Yuuki completes his service, Kyouka (or whomever else takes advantage of this anomaly) is compelled to carry out whatever suitable “reward” springs from his unconscious, and this is where the ecchi kicks in. Sometimes it’s a kiss, and sometimes it’s something a little more; the reward corresponds to the length and intensity of Yuuki’s contributions to battle, so the heat can turn up in the form of, say, clothed face-sitting, a good scrubbing in the bath, or some nice, casual CBT. All of this is to say that “slave” is a bit of a buzzword here: It’s more of a dom/sub situationship with a lot of extra steps.

Yes, just about everything that isn’t an action setup is full-on harem trash, and Chained Soldier lays it on thick, right down to full-on nudity. Nothing about this show resembles high art, but I can’t help but admire such a high level of commitment to its aesthetic, including the sleaze. It fully commits to the bit and doesn’t even bother lampshading its own trashiness. Chained Soldier knows what it’s about, and I respect that. It also has the good sense not to sexualize the youngest girl, which is a point in its favor that I can’t award a couple other shows previously discussed.

And while this show is plenty fun, the action sequences often excellent, and the character designs usually delightful, there’s not actually a whole lot going on here. As I said with Mashle, I know that battle manga like this can take a minute to really get cooking, and as I said with Witch and the Beast, 12 episodes may not always be a sufficient runtime to adapt enough to break ground, but the debut season feels more like a proof of concept than anything else. That being said, Chained Soldier’s manga has a very effusive audience, and its praises don’t seem to entirely be about the boobs and butts, so I’ll wait patiently for the second season. I think it’s earned that much.

Delicious in Dungeon

This is the one I’m having the hardest time writing about because it so confidently and so completely speaks for itself that anything I could add would feel like scattering sawdust at the beach. Dungeon Meshi (I refuse to call it by its official English name) is a widely beloved manga among those who’ve read it, and for Studio Trigger to do an honest-to-goodness manga adaptation for the first time might as well be front page news among anime fans.

The story follows Laios, the deeply weird human hero, as he delves back into a bizarre and mysterious dungeon to rescue his sister Falin from the belly of a dragon, along with his misfit party: the neurotic half-elven mage Marcille, the temperamental halfling rogue Chilchuck, and the dwarven warrior-slash-chef Senshi. The party is frequently low on supplies, so to survive the trip they’ll need to subsist on the most abundant resource in the dungeon: Monsters. Senshi’s aptitude in the kitchen helps ensure that everything is edible and sufficiently tasty, regardless of how nasty the monster it came from may have been. With monster obstructions out of the way and their bellies filled, our party delves deeper into the dungeon as the mysteries deepen in kind.

I love the character dynamics in this so goddamn much. Marcille and Chilchuck are frequently put off by the food presented to them, but their consternation is worsened by the fact that Laios’ fascination with monsters annoys the shit out of them. I referred to him as “deeply weird,” but that doesn’t begin to describe his absolute galaxy brain, and I mean it as a term of endearment. Laios is deeply knowledgeable and curious about the fauna in the dungeon, and not just how they taste: He is vocally curious about how certain monster attacks may feel, sings along with siren songs, and even keeps a hardcover bestiary inside his breastplate. He’s one of those people you turn to if you have a question on a hyperspecific subject, but you have to be careful how you ask it or else you’re trapped for the next two hours. And I love him for it.

Even putting the comedy aside, there is a fascinating human element at play in Dungeon Meshi, and I can tell that that surface has barely even been scratched yet. Marcille is just as dogged in her pursuit of saving Falin as Laios is, maybe even moreso (remember what I keep saying about LGBT representation this season?). Chilchuck continues to convince himself that he’s only in the job for his own personal gain, but you can see that mask slipping. And I still wanna know what Senshi’s deal is. Even with the five major players I listed, there’s an increasingly deep roster surrounding them—showcasing a broad spectrum of races and ethnicities, both real and fantastical—each with their own histories and motivations, and I cannot wait to see how they play out and interact with one another. There seem to be much deeper themes at play here as well as we learn more about perceptions and grudges between differing races, oppositional magics, clashing ideologies, and the monetary incentives that drive both the dungeon’s exploration and its very existence. I’m here for it.

I’ve been holding off on reading the manga until the season is up in June (though I could crack any day), but I know a loving adaptation when I see one. Not that Trigger ever slacks off in the animation department, but they absolutely brought their A-game here. As with Frieren, the action sequences aren’t frequent, nor are they entirely what the show is about, but they look incredible every single time. Everyone looks bouncy and cartoony in the way only Trigger can pull off while still looking as close as possible to Ryoko Kui’s source material (as far as I can tell). And the food, of course, looks incredible, no matter how weird. This is practically a cooking anime and a fantasy dungeon anime at the same time, and both aspects are visually on point at all times.

I’m obviously speaking from my own bubble as one of the six people who still uses Tumblr in 2024, but I rarely see new anime make a splash like this on social media every single week, and the ones that I do are usually the monster shonen hits like Chainsaw Man or Jujutsu Kaisen. Dungeon Meshi deserves the exposure and success it’s attained, and I’m excited to see it continue. I’d easily slot this right up there with Bravern as one of the best new anime of the season.

A Sign of Affection

I’ve seen a hell of a lot of shonen slice-of-life romances in the past year and change, so a nice fluffy shoujo like this was an excellent palate cleanser. There were a hell of a lot of Big Action Setpieces and panicky teens and grim dungeon crawlers this season, and at the end of the week I wanted to unwind with a bunch of pretty twenty-somethings falling in love with each other.

The show centers on Yuki, a college student living with congenital hearing loss, making do at a public college after growing up at a school for the deaf. Though she’s able to get by with LINE messages and lip reading, she’s unprepared when a foreigner asks for help, but she’s saved by a handsome and mysterious young man named Itsuomi. He’s able to help out, and takes an interest in her when he realizes his fellow undergrad is deaf, and Yuki takes an interest in kind because he’s really goddamn hot. It turns out that he’s a polyglot and an avid world-traveler, but sign language is not in his purview. This mutual interest sparks the concern of her childhood friend, Oushi, one of the few people in her life who already use sign language, who wants to be sure that nothing untoward is happening. And it isn’t, because this is just a really lovely, low-stakes romance story.

This is pure, unfiltered shoujo at its best. Yuki’s internal monologue is peppered with flowery prose, and everything and everyone looks soft and beautiful. Fashionable, doe-eyed women and pillowy-lipped ikemen abound (seriously, holy shit, the lips on these boys) as the scope widens and the main love interests’ friends explore their own possible love stories. Itsuomi is very much of the “mysterious boy” archetype you’ll find in romance stories in this demographic, but he’s not hiding any sort of dark past like you’d typically expect; he’s just an interesting guy who keeps his personal life close to the vest. He’s a self-appointed world citizen who loves learning about how people of all cultures live their lives, and in Yuki he sees someone within his home turf who happens to live in her own world entirely. And it’s easy to see his forward behavior with Yuki as infantilizing at first (Oushi sure does, and I’ll get back to him in a second), but as they grow closer he quickly becomes much more considerate of her boundaries and learns to accommodate her as he studies sign language and gestures that help ensure her comfort. This is a story about Yuki’s horizons broadening just as much as it is about Itsuomi wanting to be let into Yuki’s narrow world, and that sort of synergy makes for some exceptional romance.

A Sign of Affection deserves some credit for refusing to shy away from Yuki’s disability and making a point of depicting her world as one that does little to accommodate her. Very few people in her daily life ever bothered to learn sign language, she relies on a friend to take notes during lectures, and work is hard to come by. It’s an honest depiction that makes an effort not to be exploitative, which is a breath of fresh air. Not only that, but there’s some interesting meta-commentary in there: The only major conflict in the story stems from Oushi’s jealousy, and his reservations about Itsuomi possibly “taking advantage of” Yuki almost feel like he believes that he’s the only one who knows what’s best for her just because he’s done the bare minimum to accommodate her. He thinks he’s coming from a good place, but he winds up accidentally infantilizing her in exactly the way he thinks Itsuomi might. That’s a particularly interesting bit of irony!

I’ve seen enough shonen-oriented romcoms where an unassuming Regular Guy gets flustered as a way-too-casual girl pushes his boundaries (hell, I’ve already reviewed two of those this season), so it’s nice to see the formula flipped for a shoujo as Yuki and her best friend Rin blush and squee over Itsuomi and his coworker Kyouya, respectively. A Sign of Affection isn’t afraid to get a little silly with it, either; plenty of these moments are punctuated by characters’ faces going low-detail or full chibi, and they are cute as shit every single time.

This one was just cozy as hell. If you’re into this sort of thing, swaddle yourself in it and bask.

Solo Leveling

I let this one collect dust after the third episode and didn’t pick it back up until the season was almost up, and honestly, I was kinda dreading it: The trailers didn’t look too promising, the show was slow to start, and it looked like yet another derivative JRPG-style dungeon crawler that managed to get popular. Turns out, nah, this show actually kinda fucks and the web novel series and webtoon it’s based on are popular for a reason. The story is nothing special, don’t get me wrong, but it’s a perfectly serviceable turn-your-brain-off action spectacle with a bit more lying beneath the surface.

In a modern-day South Korea where portals to mysterious dungeons open up and threaten the populace, those who can brave the dungeons, known as hunters, are an invaluable human resource. Once someone is assigned a grade as a hunter, they have that grade for life, barring some rare occurrences. Sung Jinwoo is at the lowest rung on that ladder as an E-rank, incapable of improvement, assigned the epithet “the weakest hunter of all mankind.” He mostly shows up to portal raids as a warm body to fill a quota, and one such job goes haywire as a secondary dungeon within a portal brutally slaughters most of the raid party, Jinwoo included. He somehow wakes up in a hospital, unharmed, and able to access a digital menu before his eyes that exhorts him to do the One Punch Man workout every day, lest he incur punishment. He gets hilariously chadly in the span of a few days in the hospital, including an inexplicable haircut, and finds access to dungeons only he can enter and levels up within this new system.

This one gets off to a slow start and may have benefited from a longer premiere like Oshi no Ko or Frieren, but once the table is fully set, Solo Leveling really starts to cook. Jinwoo’s titular leveling process is a blast from one fight to the next, and as he moves to work in the dungeons that other hunters can access, it turns out he’s been training with the weights on. He’s suddenly fighting way above his pay grade, and after staving off attacks from hunters taking advantage of portals for nefarious ends, he is recruited by an ambitious corporate scion to make some real coin and establish an independent association of hunters.

While it can feel like there’s a whole bunch of table-setting between portal sequences, it’s some smart worldbuilding on Solo Leveling’s end to establish how portal hunting became a central pillar of this society, and doubly so how political and capitalist interests can leave a wide berth for corruption and bad actors. If there’s money to be made in hunting, of course people will find ways to make even more at the expense of others, both at the corporate and personal levels. There’s a lot of talk in there about “survival of the fittest” and “natural selection” and that… makes me nervous.

Those are terms that can be used to justify immoral actions in the name of money, sure, but Jinwoo also uses them to justify his own actions. To what end is he constantly improving himself? Sure, he's doing what he can to provide for his younger sister and their ailing mother, but I see less and less humanity in him as this goes on. There are constant hints at something far more sinister at play than just a dude getting stronger for himself, not the least of which being “the system,” the UI that implores him to keep taking on these “quests.” Someone, or something, seems to be guiding him. Whenever another hunter turns on Jinwoo, of course his self-defense instincts kick in, but system pop-ups instruct him to defeat X number of hostiles like it’s a normal video game scenario. There’s something eerily depersonalized about these encounters, despite them being full-on mortal combat, that gives me serious Ender’s Game vibes. Consider me intrigued.

I’d heard that the Solo Leveling manhwa’s main draw was its visuals, and though I had my doubts early on, I'm sold now. This is a pretty solid presentation! Hiroyuki Sawano turned in yet another banger soundtrack to punctuate all the action setpieces, helping to stitch together a fairly complete package. Said setpieces are exhilarating and almost impressively bloody, and while the animation is nothing impressive in the day-to-day, it goes absolutely batshit when the gloves come off. Movement is inhumanly fluid and the visuals can go into the same psychedelic territories we’ve seen in the likes of Mob Psycho and Jujutsu Kaisen. If this is the new meta for shonen action, I’m not complaining.

By all rights, this is a pretty decent show, but if I’m being honest, this one just hasn’t stuck with me much. And that’s fine! Sometimes I just wanna see some nutty action stuff and move on with my day. Solo Leveling hits that spot perfectly, and I'll be right back there when it returns for its next season.

‘Tis Time for “Torture,” Princess

I was surprised to learn that the gag manga this is based on, with such a seemingly simple premise, has been running for well over 200 chapters and counting. As the anime progressed, I was far more pleasantly surprised to learn that it actually works.

In a standard anime fantasy world where the forces of good are fighting the demonic Hellhorde, an unnamed warrior princess and her talking enchanted sword are taken prisoner and subjected to torture as they’re squeezed for intel. Said “torture,” as the title’s scare quotes would suggest, is mildly unconventional, as the demon baddie inquisitor, aptly named Torture Tortura, attempts to ply the princess by presenting her with tantalizingly delicious-looking food that she can only partake in if she coughs up some info. Naturally, the princess caves every single time, but her intel is often inane and useless, so the “torture” continues. It’s not all food, though: The princess is soon held out of arm’s reach of adorable baby animals by a gyaru beastgirl, pampered into submission by a spa-loving giantess, and is faced with a tsundere vampire faildaughter, who… tries.

And you’d think that would be it; the joke wears thin and you move onto something else. Before you realize it, though, something’s changed: The princess and her captors are quickly becoming friends. The premise almost feels perfunctory: These inquisitors are actual people just doing their jobs, and whatever happens after the princess’ myriad confessions is fair game. There’s no malice or animosity, even during the “torture” sessions themselves: Everyone will have a blast and grow closer as friends, and then the princess will voluntarily go back to her bedless cell. It’s like Sam and Ralph after they clock out, except they’re almost always off the clock. Everyone is genuinely looking out for each other in all directions, and the only thing that keeps the torture going is the need for a status quo to return to, even as it grows more elastic. If anything, Time for "Torture" is a good example of committing to the bit without having to necessarily rely on it.

The real irony in all of this is that it becomes increasingly apparent that the princess is having her needs met in captivity far better than she ever did back home. In her proud proclamations about how she’ll never cave to the temptations before her (shortly before she does just that), the princess often talks about her upbringing and her time as the head of an imperial legion, but these stories often betray her lack of friendship or any of the little things that make life worth living. Her life as royalty was one of isolation and deprivation, to the point where she finds more freedom and fulfillment as a prisoner. She truly lives in a society.

Hellholm, on the other hand, has a surprisingly healthy approach to things like work-life balance, food, and leisure, and its most valuable prisoner is no exception. The Hell-Lord himself is a surprising exemplar of this; for as much as he looks and talks like your standard terrifying JRPG demon king, he’s a surprisingly good dude! He looks after his family, employees, and even the captive princess as if they are all one and the same; he exhibits strong principles and an aversion to conflict, sees to his employees' needs and wants alike, and is a supportive, loving father to his unbelievably precious little daughter (who also serves as a “torturer,” to the princess’ delight). He’s also a big time anime dork, and even bonds with a knight attempting to rescue the princess over their shared otakudom before sending him off peacefully. As “villains” go, he’s top tier.

Time for "Torture" is nothing groundbreaking by any stretch, but it’s a cute, silly time and it plays with anime fantasy tropes in the same way a six-month-old German shepherd “plays” with a cheap stuffed toy. How long the premise holds up is entirely up to you, but I had a lot of fun with it. I have no idea how this ended up being one of the better shows this season, but I guess it just scratched the right itch for me.

#anime reviews

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ruelin024 · 23 days

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as a simp, I humbly request nightmare in your style (only if your comfortable) because damn your art is good.

@superbfirnacho My fellow certified simp, I've received your humble request. Now I shall serve you some drawings of Grandpapi Goopy Nootnoot. 🤭

*cough-cough* I dunno what art style I have, I'm inconsistent.

(There's also a suggestive one in there, yeah. (¬‿¬)

I also make drawing for your Main OC, Ivy. ヾ(•ω•`)o ✨💕

#answered #thank you for the ask!#i love undertale #undertale au #dreamtale #nightmare sans #suggestive #sans simp #ruelin024art #sorry for late reply #I'm late by like 3 days #haha oops #I got a wrist injury #but i'm okay #kinda sorta

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sheikfangirl · 7 days

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Positively adore your art!! Thank you for sharing it!! Also, would you happen to know of any fics that sort of resemble your art style or ones that inspired it? I’m right there with you I love the basic vanilla vibe and I have been trying to find a decent fic to get into before I finish totk

thank you!!

Thank you so much for your kind words for my art

🙏 I greatly appreciate!🙏

I have a confession to make dear friend! I hadn't read fanfictions in several years but beating Totk made me go FERAL for Zelda material and explore what's been written since BotW came out.... oh boy the rabbit hole is deep!

There is a lot of good stuff out there but I have read so many fanfics in a short time that the whole thing is a blurry mess in my brain. BUT! There is one in particular that really stood out and left a lasting impression on me: Displaced written by socksock https://archiveofourown.org/works/21128084/chapters/50279321 It was originally written in 2018, before the release of TotK so there are some small and harmless inconsistencies that can easily be ignored because, duh, it was written BEFORE totk. I particularly liked this fanfic because it has all the qualities I'm looking for!! Also several key moments and general ideas in that story are extremely close to my own headcanon to the point it almost scared me. The story focuses on Zelda trying to find her place in post-calamity Hyrule. The characters are very well written and credible, Link's personality is player behavior accurate (MORE OF THAT PLEASE!!!!!!!!) and obsessed with completing his quests backlog and I thought it was amazing. Damn i love a player accurate Link!!

It's a wholesome slow burn romance, lots of humor, it's sexy, does not take itself too seriously but can be very emotional at times. Also, I was amazed by one scene in particular....I don't want to spoil anything for you, but the Big Damn Kiss moment is *CHEF KISS*: the setting, the tone and the resolution HSGDKJS, I would've slow clapped if i could've (I was holding my phone lol)

Reading that scene, I thought to myself : F*** YES! This person gets it hahaha !!

My own Zelink Big Damn First Kiss moment shares a lot of similarities with that fic so, Im going to say it now: when 'll post the Zelink first kiss i'm currently crafting, be sure to know that Socksock and their fic Displaced did something in the same general vibe FIRST! They are awesome. I hope i answered your question haha Have a great day!

#zelink #legend of zelda

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rinadragomir · 4 months

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Ok, I want to start off by saying that I am a fan of all arts and am so appreciative of the time, passion, and work that goes into any kind of content creation.

I am also very particular about when it comes to art. There are mangas, comics, animated works that I have difficulty reading/watching or will not read/watch if I'm not a fan of the art style.

And as an artist I understand that art is subjective and not everyone likes it. Just as I recognize that not everyone likes my particular art style and that's ok. (Not trying to have people come for me like I’m trashing Charlie’s art cuz I am 10000% not.)

Charlie does amazing work and I like it, but it's clear that her style has changed (as most content creators do) since the TLH portraits she did and the pieces that are going in the journal for CC's new kickstarter. I'm a self- taught artist so terminology isn't my best, but her style now is giving semi cartoon realism, but airing on the side of the cartoon more now.

I feel that my unpopular opinion is that I'm not a huge fan of it. I really like the TLH portraits she did of Matthew, James, Christopher, Thomas, ect, but idk there is something about these new portraits in her style that I'm just not liking. Her lines are much sharper now, darker, more profound and it feels like all of the face shapes/ jaw lines are basically the same (and I know I have no room to talk since I draw in an anime style so one could argue all my lines look the same).

and I'm NOT saying that they are carbon copies. Jem clearly looks different from Will down to his eye shape which is amazing and looks great. But idk...maybe part of my disliking is also the inconsistencies? and I'm using that term lightly...but like

Clary's hair looking straight when it's very canonly curly. Alec and Magnus having basically the same haircut... (I’m not the best person to speak on Dru…but CJ’s flower card is different and feels more like how she’s described on the book). The lack of and absence of runes... and I know all of that can be personal preference/stylistic choice. After all, art is subjective and based off of the artist's interpretation (for the most part anyway) but I'm a stickler for details so it bugs me…

And I just liked the softness/ more realism style of the previous portraits Charlie has done for TSC than these newer ones. These new ones are nice and I do like them…just not as much…and there are some that I don’t like at all.

Thanks for reading my ramble 😂 I hope it made sense

Summary: I like Charlie’s work, but am not a huge fan of these new TSC portraits.

BESTIE I'M ABOUT TO CRY😭THE WAY I ASKED YOU MYSELF TO EXPRESS YOUR FEELING IN MY ASKBOX AND THEN FORGOT ABOUT IT

Okay okay, SO! You're so brave for saying this, LIKE YES WE'RE BEING FED, thank you for the content for our dying fandom, but damn...

Allow me to also start with: WE LOVE YOU CHARLIE, WE JUST LOVE TO COMPLAIN🥺

I can understand Clary's hair, she could have styled them, I understand few runes on James, maybe Cassie didn't clarify that BUT WHAT ABOUT THESE😫the first one looks like a dream and the second one... I'm not sure, it feels like sth is wrong about it but I'm not an artist and I can't say what exactly is off

BUT SOMETHING IS OFF RIGHT?

One time she nails the character completely and the next time BOOM JUMPSCARE

Is it Cristina? Is it... who's it😳 it can't be Dru

But also I can't blame Charlie, I mean I also prefer her old style, but I'm mostly confused by Cassie. Like...you paid for the work and had a chance to correct the artist or clarify some details about the characters but...you saw this and went YEAH THAT'S WHAT I WAS LOOKING FOR, NO, NO NEED TO FIX ANYTHING IT'S ALREADY PERFECT

Girl—

#cassandra clare #damn i love this woman but in case someone might say I'm hating EVEN THOUGH I'M NOT #I'll put this🫴🏻#anti cassandra clare #just in case #charlie bowater #nothing against you #we love you 🫶🏻#tsc #tlh #the last hours #twp #dru blackthorn #wessa #chain of thorns #malec

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kulai · 4 months

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I don’t know if it’s just me but I noticed a lot of artist will make Wednesday shades darker almost as to not make her seem to pale and risk being accused of “white washing”. To me as a Latina, the actress that plays Wednesday (Jenna Ortega) is on the lighter side of skin tones for Hispanics.

Also, Jenna is such a cutie and it makes drawing her as Wednesday so adorable to me. People will try to make her look completely different as in rugged but I wish people could draw her up as more feminine. At the end of the day she does have the cute nose, big brown eyes, and a beautiful smile. (Don’t get me started on the dimples) It’s damn near canon that when Wednesday lets her hair out of those braids she damn near makes Enid want to faint.

I love your art btw I just wanted to let my opinion out there and see if others agree without getting attacked.

omg thanks for loving my art!! your opinion on this is valid, and id like to share my own art in regards to how i personally draw wednesday and her colors bc i dont get asks often LMFAO PLS ask more (yapping ahead!!!!)

if you see all my fanart of wednesday side-by-side, i would say i have an inconsistent art style bc i heavily rely on visual iconic cues (her braids, dark clothes, glare) to draw wednesday!

and thats bc i dont heavily base wednesday off of jenna ortega. i don't really associate characters with their actors, i see a character they portray and then when drawing, i take the most basic elements. (costume, color scheme, overall character design)

this doesn't mean i don't draw weds based on Jenna Ortega at all. while i do draw her skin tone tanner than Jenna's (some will draw her darker, some maybe even very lighter) i still draw her relatively close to her shade as well as Jenna's dimples Jenna's height too lol

It's what makes drawing fun! I'm here for the concept of wenclair, wednesday and enid. this makes having headcanons less stressful and more freeing! it's also why im not comfy shipping jenna and emma T__T

thank you for sharing your opinion!! id like to hear what others think of this as well, from artists n the fellow fans :DD

#ask #wednesday 2022 #wednesday headcanons #wednesday addams #hc #headcanons #wednesday series #jenna ortega #art #fanart #k_ulai #kulai

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hyenafu · 5 months

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Chu, you ever have those moments where you're looking back at your comic and you see a little mistake? I get that all the time with my comic and I beat myself up for it like an idiot even though there's not really much of an issue at all.

Yes, I do. For the entire time I’ve been doing Slightly Damned, I tried my best to keep everything as consistent as possible. However, just like everyone else, I am an imperfect being. There’s a lot of clumsy wording, bad jokes, and dumb art mistakes that inhabit the archives of Slightly Damned.

But that’s okay. They’re not huge inconsistencies that make gaping plot holes (yet? 💦). They’re signs of growth. If I didn’t make those mistakes in the past, I don’t think I would have learned as much as I have. 20 years later, maybe my art isn’t superstar material to the comics world, but… well, I think my teenage self would think I’m pretty cool.

I just try to make every page reflect my best work. It doesn’t mean every page is better than the one that preceded it. There are ones that feel like they didn’t work out, or panels where I was just like “Aw hell, I don’t know!! at least the reader will know what’s happening! MISSION ACCOMPLISHED”.

Looking back at this massive, 1100+ page archive, it feels WILD to think that I could have made everything consistent. My drawing and writing styles have changed several times. I’m not even the same person I was when I started. My perception of the world and people around me is so different now. And they will probably keep changing as I get older.

If you’re feeling super stressed out because of your mistakes, try thinking of it less like “I have to make everything correct” and more like “I’m going to do my best to lay out a fantastic groundwork for the adaptation”.

That makes it sound like your comic being adapted is the goal, but I really don’t like that way of thinking. Comics are uniquely beautiful. What I mean is more like, even people reading your work will interpret it through their imagination. In this case, “the adaptation” would be what people think and feel from seeing your comic. Of course it’s fine to try to be consistent in order to avoid being confusing. But little bumps aren’t going to deter people from really enjoying what they like about your work.

I promise that your most favorite thing in the world is probably loaded with mistakes. They just don’t matter much to you because the part you like is way more important. I know it’s tough, but if we can forgive our favorite works for their shortcomings, then it makes sense that we should forgive ourselves, too. We’re all just doing the best we can.

Sometimes people like your work not just because of what you’ve done, but because they’re excited about what you’re going to do next.

#asks #slightly damned

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greenhappyseed · 1 year

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Very spicy salty and lengthy rant incoming. This is part 1 of 2, focusing on All Might (with Izuku and Katsuki), while part 2 will focus more on Ochako and the 1A reunion. I’m trying to help myself feel better about how deeply I dislike the “Dark Deku” and Star & Stripe arcs because I need to excise the real-life anxiety I’m feeling over this coming up in the anime. IMO, these arcs did not age well at all, and are absolutely no better in light of the ~35 subsequent chapters. It’s just that the subsequent chapters feel more cohesive and well thought-out despite Horikoshi’s physical pain and burnout.

While I’m not emotional over fictional characters, it is true that these arcs have impacted the fandom; namely, many people who were fans of All Might, Aizawa, Midnight, Mic, and the overall UA vibe dropped out. I get that sense from some LOV fans too. Overall, it means far fewer fics and art pieces with my blorbos, and it’s also meant far less interaction with my blog. (I don’t give a damn about “engagement” or followers, but I like talking about my hyperfixation with others who share it!). Obviously the story has to change as the series end draws near, but spending SO much time with Endeavor, Hawks, and Jeanist has worn me out, even if I think Horikoshi is handling Endeavor’s character growth well. (FWIW, I’m utterly disinterested in “Hawks the Optimist” who inexplicably became the expert on how OFA works, and Jeanist is…well…you know…a male model.)

Aside from everyone’s basic rant about how Horikoshi introduced two hot middle-aged women only to more or less fridge them (after killing Midnight!), my real complaint in this post is that the Dark Deku & Star arcs made a complete mess of All Might’s character arc and in-universe relationships. Don’t get me wrong — Chapter 326 with Stain seemed like something Horikoshi had planned since the early days of the manga, and that one hit HARD. But the rest felt like an improvisation. It’s horribly inconsistent on (1) when All Might speaks up and when he can’t bring himself to talk, and (2) how his relationship with 1A is handled compared to Star.

When it comes to All Might’s failure to speak up, it feels like Horikoshi was nerfing All Might and reducing what we know the former No.1 is capable of doing. I mean, in Chapter TWO he stops Izuku from overdoing his training. After Kamino, All Might helps Izuku develop Shoot Style by telling Izuku point blank that he’s trying too hard to imitate his mentor. In the Overhaul/Nighteye arc, All Might refuses to support Izuku’s desire to take on a work study because he thinks it unnecessarily exposes Izuku to villain activity AND Izuku needs to strengthen his Shoot Style first. (The awkwardness with Nighteye is his third reason.) When Izuku persuades him about getting stronger under Nighteye’s guidance, All Might carefully asks himself if Izuku is being impatient just because Izuku is his successor before agreeing to let Mirio do the introduction. When Izuku confronts All Might over Nighteye’s prophecy, All Might makes SURE Izuku is ready to hear an uncomfortable truth and then proceeds to tell him everything. In the next arc, All Might encourages Izuku to use whatever support items he needs, even though All Might always chose to fight with just his body. All Might is protective of Katsuki and Shoto too — when they want to jump out of the taxi and fight the Cider House gang, he tries to get them to slow down and “assess the situation first.” In all these situations, All Might can’t physically stop his students (and is usually on the losing end of the argument, as happens with argumentative teenagers™️), but he uses his voice to speak up and make his opinion known.

At the beginning of Dark Deku, things are looking okay. All Might gives up on the secrecy that defined him early on and tells Hawks and Jeanist everything when he realizes secrets didn’t keep people safe. That’s good, I think, but he didn’t seem to consult Izuku about it. Based on context clues, and how All Might initially wanted Izuku to stay at UA (again, he spoke up!) I think his motivation was to recruit the pro heroes to protect Izuku at the hospital and at UA. It sort of makes sense he would move fast and wouldn’t ask Izuku’s permission to do that…but in front of Inko after Izuku wakes up, All Might DOES ask Izuku’s permission to tell her. A minor inconsistency, but all right. It’s made clear All Might is worried sick about Izuku, warning him not to go overboard (once more speaking up!). Hawks even picks up on All Might’s hesitation, telling him that Izuku has the right strategy and it’s on All Might to keep the kid propped up. All Might does not look pleased about this as he looks up in the sky towards Izuku.

In helping Izuku, All Might fends off assassins and talks about how Izuku’s idolization of him weighs on him. It’s not just that he promised Inko he would live and look out for Izuku; he’s acutely aware his boy is just like him in ways good and bad.

Yet when All Might sees Izuku struggle and he begins to see why Nighteye wanted him to retire, he can’t bring himself to talk to Izuku. Even though he understands Izuku’s feelings, he just can’t say a word. You would think seeing Izuku get shot, or barely escaping AFO’s mansion explosion, would prompt a conversation. But no, he says nothing. (Then again, nobody seems to remember Izuku was shot; no mention in the bath scene either.)

At the same time, we see Nighteye pop up in All Might’s thoughts, but we don’t see All Might struggling with telling Izuku what Nighteye told him (that is, we have no idea if All Might still feels violated in some way by Nighteye’s actions). We also don’t see All Might worrying about Izuku realizing the Symbol of Peace was just a human being. All Might isn’t trying to keep up Izuku’s hope by hiding the real burden of being the symbol (besides, didn’t he pull back that curtain in, oh, CHAPTER ONE???) We aren’t given any solid motivation or thematic through line — he simply procrastinated on what he knew he had to do for an unsatisfying hodgepodge of invasive thoughts. That is inconsistent with the All Might we know.

Before anyone comes at me, All Might not telling Izuku about Nighteye’s prophecy is very different. In that situation, All Might honestly did not think Izuku needed to know because knowing would put MORE pressure on Izuku than necessary. In Dark Deku, it’s the opposite, and All Might knows talking to Izuku could help relieve pressure.

I understand this is supposed to be All Might’s low point to lead into the Stain conversation. All Might is supposed to feel like “doing his best” didn’t prevent society’s downfall and didn’t stop his boy from repeating his mistakes. But…it feels like Horikoshi tied his tongue because that’s what needed to happen for plot reasons, and Horikoshi just wanted it to happen quickly. We still don’t have a good character reason why. Would it have been so unbelievable that Izuku, in his panicked state, brushes off All Might’s advice to rest? Or would that “break” Izuku’s idolization of All Might in a way that Horikoshi is still saving for the finale, where Izuku finally becomes his own hero without imitating All Might at all? I don’t have an answer, but it feels like we still could have had the same basic story beats without the bizarre characterization.

The strangeness of All Might staying quiet also makes Katsuki’s argument to Endeavor in Chapter 319 feel funny to me. Katsuki is spot on that Izuku doesn’t take himself into account and All Might does the same thing. While Katsuki understands far better than Izuku that All Might is human, Katsuki doesn’t consider how protective All Might can be of Izuku. Katsuki doesn’t see (or understand, perhaps?) how All Might doesn’t want anyone else to be a Symbol of Peace the same way he was. Maybe that’s part of Katsuki’s idolization issues? Post-362, with Katsuki seeing All Might’s vestige and showing him the trading card, I think Katsuki never let himself appreciate that he had the former #1 in his corner, or that a person can, in fact, use their willpower to become a symbol that inspires a nation. Not to sound like Prince Harry in “Spare,” but maybe there’s also a tinge of lingering resentment over feeling left behind? There’s just something about Katsuki screaming to Endeavor, of all people, that you can’t leave Izuku and All Might alone together when Endeavor knows Izuku has already ditched All Might AND Endeavor and Hawks have already realized they’re “too slow” compared to Izuku. Of course it’s Hawks — who was saying Izuku made the right choice like Second and, uh, AFO — to announce that Izuku left All Might. There’s also Shoto yelling about how Endeavor “let them operate together,” but it’s not like Endeavor has enough credibility to control either Izuku or All Might.

How does a #2 protect their #1 when they’re too slow? Can you ever “run alongside” someone whose power vastly outpaces yours, or is idolization all you can do? I think these are fascinating thematic questions, and Dark Deku makes a mess of them.

These problems compound in the reunion chapter, 327, which is really cute when it comes to the bath scene and the 1A kids, but is inexplicably confounding when it comes to All Might + the kids. Izuku clearly calls All Might multiple times to reconnect, but the man doesn’t pick up his phone. (I think we’re supposed to assume All Might is talking to Stain when Izuku calls, but…he couldn’t use the Hercules speech-to-text feature to tell the kid he’s driving over?) Then All Might just happens to show up at UA as Izuku talks about him, and gives Izuku a deep bow while saying sorry “for being of so little help.” He says nothing aloud about how he feels towards Izuku, and nothing aloud about being proud of 1A (though he basically thinks that in this chapter and again in 335). When Mina asks for an apology because he just disappeared post-war and left 1A with the Wild Wild Pussycats, he briefly says he’s sorry for any anxiety he caused, but quickly pivots to the need to prepare for “the battle that will decide it all.”

Like the Stain conversation, I understand that this is supposed to be All Might stepping up and figuring out his place in the world post-retirement. He’s realized he passed the torch to Izuku and 1A, but that doesn’t mean he’s useless. He wants to join the fight with the kids; to catch up and run alongside them. And to do that, he….ditches them to join Tsukauchi and Endeavor. I do appreciate that All Might is open with Tsukauchi (and Sansa!!!) about his OFA experience. But he basically disappears from UA for two days to deal with Star and TomurAFO before coming back in 335 and then seemingly disappearing again before joining the UA faculty to discuss the Aoyamas. (As pictured above, Ochako and Tenya, then Katsuki, all rightfully call out All Might’s “I am not here” act in 335.) Are you really telling me that the man who cries over Aoyama’s reveal isn’t emotionally attached to the class and wouldn’t, you know, BE HERE for them?

What makes All Might’s absence from 1A even more problematic is that now he’s…Star’s mentor??? See, All Might sends out the call for help from his international super friends and Star comes riding in acting like she’s his successor. Chapter 364 later reinforces this, with Agpar’s monologue about “children observing adults and adults supporting the children as they pass it forward” showing a Prime All Might reach out out his hand to Star. It’s stupid because All Might has a direct successor already, plus two students (Katsuki and Shoto) that are direct heirs to other parts of his legacy, and another group of students that he’s been hands-on teaching for the past year. But Horikoshi decides to ignore all that setup and focus on “All Might + Star” rather than have him spend more time with 1A. Once again, if the point is to introduce thematic questions of inspiration and imitation, and how there’s a difference between someone imitating their idol based on their own interpretation vs actually receiving mentorship from the human behind the idol, it’s utterly lost in the execution. I just can’t bring myself to see Star as anything other than an interloper. I’m glad her pilot bros stayed in Japan to help out, and her sacrifice was heroic I suppose, but it suffered the same flaw as All Might. She tried to take on TomurAFO alone, and the best she could do is slow him down temporarily.

That’s all I can manage for now! In part 2, I’ll take a closer look at Ochako and the chain that leads to Izuku’s retrieval and where we are now.

#I just want a little Dadmight ok?#Maybe one last tea time with Izuku and Katsuki?#bnha spoilers #mha spoilers #bnha salt #bnha critical #all might #toshinori yagi #izuku midoriya #Deku #dark Deku #bnha meta #Mha meta

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