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stagefoureddiediaz · 4 days

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Costume Meta 7x05

Hello, Hey, how we all doing??

Ready for another super long meta post??

There is so much to talk about this week - admittedly mostly Buck and Eddie related, but there is also plenty going on for Hen and Karen as well.

No Bobby this week as we only see him in uniform, and only the one costume for Athena as well. I also want to say that I am not doing any of the costumes from the Madney wedding that we saw at the end of the epsiode - I want to give them the space they deserve and I will probably write a separate pre episode meta for those costumes specifically! All I will say is Maddie looks stunning, Buck in white - hello! and Eddie in a just a collar making him look like a pink priest - hilarious!

The rest is under the cut as always 😎

Let's start with some of the guest characters.

Alien Hand syndrome man continues to prove the check means bad things theme, which makes me happier than you can ever know!!

Then we have Deidra in her very bright pink coat. If you read my promo meta for this episode you will have read a fairly sizeable section at the end on my thinking about the use of pink in this season (going to make a separate post during this hiatus so its all in one place). All of the times we see it in this episode, play into (and I guess prove) my thinking. Deidra is acting with good intentions and while I don't think she's naive or innocent in the strictest sense of the word, she is perhaps continually being naive in thinking that not revealing Mara's past is the right way to go (don't come at me about child protection etc I am fully aware of what the real world laws state, but this story arc really highlights the fact that in trying to protect children who are at risk and in the system, they can also cause ongoing harm if things are not taken on a case by case basis - its a whole other essay that I am not getting into here).

Then we have Mara herself who is never without pink - namely her pink blanket. The pink plays into the theme of innocence especially with Mara and while she may not be innocent of the act of maiming Denny, her innocence goes much deeper. Its meant as a very clear signpost of the innocence of childhood - that pink blanket and her clinging onto it is a symbol of her clinging onto her childhood, despite the fact that she has gone through a terrible loss and trauma. she is still a child and the show is clearly going to play into the idea that as she settles into the Wilson home and is able to work through the trauma, her need to cling onto her childhood in this way will diminish and we'll see her slowly become less attached to the blanket. We already have signs of progress with the colour journey her tops have been on - lavender, pink and then the turquoise one at the end. Lavender is also a colour associated with childishness or lethargy, pink the colour of innocence, and childhood. While turquoise is a colour of calmness and clarity. its signalling HenRen's breakthrough with Mara and that she's growing and beginning to feel secure.

Hen and Karen

Hen and Karen go on a real colour journey this week - I'm doing them together (along with Denny) because they very much work in tandem clothing wise (and also because I was running out of pictures again - whats new there!)

So first up we have Karen in this beautiful dip dye ombre dress in purple, pink and mauve. it also has this drip staining pattern which has deliberately been created during the dying process. The lavender at the top of the dress is representative of hope and serenity, this is Karen in a great place - about to expand her family and fulfil a dream. The pink as I've said is all about innocence and naivety - more innocence in this case - both the new baby being innocent and Hen and Karens innocent hopes for their future. The dark mauve at the bottom of the skirt - eating into the pink is such a choice - gathering storm clouds, foreshadowing the turmoil about to come - taking away the innocent hope. mauve can be standoffish and withdrawn, and in this context those are great descriptors for Mara and her struggles that Hen and Karen will need to help her work through.

Hen's in cyan blue trousers - which is a colour associated with clarity and balance. whilst the cream, black and blue jacket with stars on is the beginning point for a theme that runs through the Wilsons arc this week - black is a power colour, associated with many things, but for Hen and Karen in this arc it is very much about protection and strength. Here for hen it is mostly about protection - protecting this new baby they are about to take in. The cream is warmth and tranquility.

Hen is wearing check - foreshadowing the upcoming struggles with Mara. Karens bronze and black Jacquard trousers are a symbol of strength - bronze as a colour means strength and support, it's also a symbol of faithfulness. It's telling us that Karen will take the lead on supporting Mara and being strong for her.

We see a lot of white on Karen in this episode, white, like pink is a colour of innocence, but it is more associated with purity and balance. It is also a colour of neutral refelction. By this I mean that it amplifies other colours by providing a neutral background - allowing other colours to shine. I find this a really interesting thing when connected with Karen - it amplifies her strength and supportive nature when the Wilsons meet Mara.

Hen adn Karen in bed are in dusty versions of blue and pink - Karen innocently tries to touch Mara and that is when the screaming starts. Putting Hen in blue is about relaying her trustworthiness and sets her up as a soothing and calming presence for Mara - hence the sleeping on the floor of her room!

At the hospital, We see Denny in red - he was wearing it when Mara woke the house up and its an indicator of what is about to befall them (in the same way Bobbys red in the cruise ship disaster adn Athenas red in relation to Harry, or Bucks back in s5 when Eddie broke down).

We again have Karen in white amplifying the other colour she is wearing, which in this instance is this buff/brown oversized sleeveless coat in teddy fleece. The brown is stability, dependability and responsibility - playing into the fact this episode really highlights Karen's position in the family as this stable rock which Hen and Denny lean on when they need support. Karen's unswerving and solid personality is once more being shown off. Its really a key thing for them to show as it feels like a set up for Mara and how she is going to bond and rely on Karen and that dependability as she unpacks her trauma.

The orange jumper is a really interesting choice. I do love the loose threads on the design of it - paying into the idea that Hen and Karen are at a loose end and unsure what to do going forward. But, the orange itself is generally an open minded colour, its energetic and its also a colour of transformation. These are all things we know are true of Hen and Karen and it hints at the fact that they will fin a way forward. Once again we have Karen in white amplifying Hen's orange and the energy and idea of transformation the colour brings.

Denim jacket and white tee. I love the distressed nature of this denim jacket and the way it plays into both scenes we see it in - playing into the distress Hen feels over finding out what Mara has gone through and how it explains why she has become non verbal and incredibly protective over her pink blanket.

Again the white of amplification and purity. Hen has pure intentions and the white amplifies Karens black when they are at dispatch listening to the 911 call.

We also have the Karen necklace back - once more showing this ism't about Hen - its about Karen and their family.

Black on Karen for this scene is such a choice. Black is a power colour, it means strength and protection. Here it is showing Karens determination, as she gains understanding, to protect Mara and support her through her trauma - it is representative of Karen choosing to use the power she has been given through gaining information. The gold highlights hint at success.

I love these lavender pyjamas on Karen - lavender is a soothing and sleep inducing colour (along with its scent which is possibly where the association came from for the colour) along with a Japanese print of mountains and trees, which plays into the idea of serenity and peacefulness.

Hen in contrast is wearing fairly bright and bold black and green. The green is all about that growth and learning once more, the growth of Hen and Karen, learning more about the issues Mara faces and seeking a solution, but also the growth of their family. The black is a reflection of power - much in the same way Karen wearing black when they heard the 911 call Mara made, here it is Hen, representing the protection that Hen and Karen are offering Mara.

Athena in green - again with the mesh open weave knit - this may be a theme for her this season - potentially something to do with feeling caged or caging someone/something - especially children as both scenes we've seen it so far have been to do with young people and the law in some respect - ending up in the system - Harry through is crime and Mara through her parents death.

Chim

This dark bottle green with a fawn brown (what I think is a polo) shirt underneath is Chimneys only non uniform costume this week . This kind of dark green, is as always a signal of growth, but its also a colour of harmony, and right now - everything in Chim's world is harmonious.

Maddie

I don't thinkI've said it yet, but I am so happy to have Alayna back dressing Jennifer - I feel like we're really back on track with Maddie's costuming after last season where they somehow managed to make Maddie look terrible. The costuming overall last year was fine - not as good as Alayna's work, but it was for the most part good - except for Maddie where it was all over the place!

Anyway - Maddie in black here is very much about focussing the attention on Hen and Karen - like with CHimney's muted green, in tandem they are making the viewers eye focus on Hen and Karen - especially Karen - who is the brightest in the room.

Maddie wearing this sage green colour when Buck comes out to her is sheer perfection from my perspective - we, once more have the green of growth and renewal, the green of learning - Maddie learning more about her brother - this new thing that he is realising about himself and choosing to share with her (even if inadvertently). But this green is also sage green - sage as in the play on sage advice - which we see Maddie give him. Buck needs that good advice - he needs to hear that its ok, that he can take the time to figure himself out and that its ok that he's only just uncovered this aspect of himself and that it doesn't invalidate him being an ally up to this point!

Ok not going to lie - I got a little carried away from here on out - so sorry in advance for the rambling mess you're about to read!

Marisol

I'm doing Marisol in a weird order - because I wanted to talk about her date night outfit in tandem with Eddies - because its relevant. So we start of with virgin Mary Marisol! Honestly this outfit is just perfection from the costume department - they saw the brief and went to town and I love it. Its so good to see what they can do when they get to play!

One of the things I really love about this costume is the blue that they chose. Because that blue - that is Bucks blue! the virgin Mary blue is usually a much brighter royal blue. It really helps to place Marisol in parallel to Buck and we get the play on t he fact that Eddie seeing Marisol in this way changes everything for him, whilst later on, whilst Buck is in the same blue, he reassures him that nothing will change between them.

Look, I'm not going to lie, when I saw Marisol in blue and yellow for this scene I laughed because Blue and yellow (as I've gone on a million times about) means queer coding so to blatantly put Marisol in it - in a washed out form, and very much connecting her to Catholicism - genius move. It marks her out as a roadblock, but also puts her into the role of beard (unknowingly on her part) because Eddie is still in the midst of his repression, even if it is beginning to unravel now.

The black top with spaghetti straps is clearly a theme they're going with on Marisol, as are the ditsy prints. The yellow high waisted trousers are interesting because of the specific shade of yellow. Yes the whole communication theme still applies here -and we see it in action, but this shade of yellow is sallow and sickly (one of the reasons its called sickly yellow is because its the colour of a lot of medications!!) - this relationship and its restart are ill and that automatically means its going to struggle to survive.

It plays into the more negative meanings around the colour - uncertainty and idleness and cowardice. For me the cowardice aspect is an interesting one in relation to Eddie - he has behaved cowardly up to this point - hiding out and not having the conversations that need to be had, and even in this scene it is Marisol who takes the lead.

It's really giving us an indication of things Eddie needs to work on in regards to himself - and once more it comes down to communication. Communication has always been Eddies major flaw - that he isn't good at it, unless really really pushed into it - essentially under duress. The other thing with communication is that it plays really well into the catholic guilt aspect - this idea that growing up catholic has taught him to repress part of who he is - to go along with what is expected of him, but that it also taught him not to ask for what he needs, to not communicate. We see it in this episode with his inability to say no to Marisol (the whole hiding out at Bucks so he doesn't have to have sex speaks volumes) even down to suggesting there's a third type of guy - who just needs a minute. Because, while that might be true to a certain extent, the fact that he says this off the back of her expressing her distress and upset about how all guys are one of two things, speaks volumes - its not him saying this because that's how he actually feels, its partly him saying it because he is pushed into a position where he doesn't want to be the bad guy. its really not a good place to be restarting a relationship from.

We also have the ditsy print of doom in play again - like I've said before, ditsy print on Eddies girlfriends - never a good sign - its really playing into this idea of Eddie jumping in headfirst with gay abandon (pun intended) and then regretting his life choices. Shannon wore ditsy print a fair amount - especially in the I think I'm pregnant' and 'we should get a divorce' scenes. Ana wore ditsy print A LOT - she was wearing it when Eddie had his panic attack in the shop and at other key moments that marked the death knell for their relationship. And so this appearance of ditsy print here marks the same - the relationship is not long for this world

OK date night Marisol. The way this outfit played out more or less as I expected, She was very much an 'innocent' bystander in this scene (whilst also creating one corner of a triangle with Buck and Eddie) , and the ditsy print very much played into this. Like I said in my promo meta, both Shannon and Ana were costumed in ditsy print as well as in lots of pink!!!

The other aspect of this outfit that is making me laugh is the fact that the skirt is giving me 1980's/early 1990's teen vibes (not to out myself as old but trust me I had some just like this back then and I wouldn't be caught dead in it now as a grown woman!!) and the baby pink handbag looks like something an 8 year old would have to play dress up with - its all very childish and immature - naive one could say, and while it didn't play out quite how I was expecting, her being a novice nun, sure explains a lot of why she comes over as pretty immature.

The other aspect of this childish style we're seeing on her plays into Eddies narrative of looking for magic and trying to recreate what he had with Shannon. He's attracted to Marisol because she is immature and childish - it reminds him of what he had with Shannon when he was young, and when you're trying to recapture that, its easy to fall into the trap of thinking someone behaving in a naive manner is you finding what you'd been looking for. Eddies journey, along side his catholic guilt, is about learning that he cannot recapture or recreate that magic he had when he was young - that the love of youth - in all its innocence is not something that is sustainable or actually what he wants in the present.

Then we have Eddie in white. I spoke in the promo meta about how the white set him and Marisol as opposites and that remains true - very true on more than one level. What I especially love about it and something I could not have predicted is how it plays into the novice nun aspect of their story this episode - truly this show is a comedy! Because nuns wear black and white this is an obvious play on that, but it is also a play on the fact that Marisol is still a practicing catholic, whilst Eddie is very much not. The other aspect of this white is that of Eddies two non uniform costumes, it is the first one and we get this black and white play on religion - the black and white of nuns and priests - the black and white of being religious or not. Eddie never questions if he wants to become a practicing catholic again - he is lapsed and that is how he intends to stay.

Eddie in uniform, with his green trainers, blue towel and water bottle. the blue towel and bottle play into the buck and Eddie blue green theming we see with them. But what is interesting is though is that Eddie is fulfilling all the colour theming on his own - he is both blue and green - to me this is about Eddies own struggles within himself as well as foreshadowing the Eddie Marisol break up down the line (green shoes suggest a road needs to be to walked before we get there) - it hints at Eddies internal struggles and implies that its will ultimately end in a break up a bit further down the line.

I also think it's only when in Uniform that Eddie can admit to his catholic guilt. Because we all know when Eddie is struggling with some form of emotional turmoil, he wears a black singlet - and he could've been wearing the same here, it would've been totally fitting with the situation - he is going through something emotionally and struggling with it.

But he's in his uniform. Part of it is to have him on a different level to Buck - they are both struggling with something in this scene. When we have previously had Buck and Eddie scenes like this one at work, the one dressed in uniform, tends to be the one offering advice to the one not in uniform. That isn't the case here. Part of it comes back to Buck not actually needing advice, but needing to reveal something about himself - to confess. Eddie is the one who needs advice.

This is a flipping of the traditional narrative for these scenes and is proof that even though Eddie might later tell Buck that nothing is going to change between them, that it has in fact already changed, it is just that neither of them are fully cognisant of that change at this moment in time. It is a key indicator to use the audience that this has happened before but that things are not going to play out the same way this time.

Put it this way - Eddie has form for doing something extreme with his relationships with women in the aftermath of Buck doing something dumb - its one of the manifestations of his repression. This time its asking Marisol to move in with him in the immediate aftermath of Buck going full green monster over Tommy.

Last time it was in the aftermath of Buck begins and then doubling down with Ana after the shooting when Buck had hooked up with Taylor and before that in the aftermath of Shannon's death and Buck suing the department he went and joined a fight club - but he has form. Its completely in character for him to pull this sort of a move. I know he says he's going with his gut but I argue he is in fact ignoring his gut - or at the very least confused about what his gut is telling him, because that would mean actually looking at why his gut reaction to Buck doing something dumb makes him do something dumb in turn connected to these women in his life.

Eddie in black - this is the same shirt as the white one - just the reverse colour - which is important. This shirt has several layered meanings to it. its about the reversal of what Eddie wants - from him being bubbly and excited about Marisol moving in, to the dread of her having moved in and wanting her to move out - his feelings go from white to black - light to dark - happy to unhappy and it all sums up the relaity of that relationship - while it was new and unserious, it was fun and light, when things got real - it becomes dark and oppressive.

I'll go into more detail about this shirt when I get to Bucks costume for this scene - because they are connected!

The other thing about this outfit is that the green trousers have been replaced with jeans. Now I see a couple of reasons for the wardrobe department doing this. Firstly is that it plays into the 'nothings is going to change between us' of it all. Its a visual indicator that in fact things have changed (along with Buck wearing a brighter shirt than we normally get in these buddie heart to hearts that take place in Bucks loft but more on that later) the Buck being bi and going on a date with Tommy of it all aside, this is the first time we've actively seen Eddie hiding out at Bucks to avoid his girlfriend - this was a barrier that had existed between them previously that has now been broken down. Then there is the fact that Eddie does go home to Marisol - and he couldn't be wearing green at that point because she was wearing blue and Eddie in green would've meant break up time - only the Marisol as a plot device arc isn't yet over (it will be soon I promise - all the costume signs are there!) so that couldn't happen.

Tommy

This dark olive green shirt that is almost brown. The brown undertones hint at the stability he represents while the green is hinting at his military past and once more paralleling him with Eddie. One of the things about green as a colour is that its not only a symbol of growth and renewal, but its also a colour of learning, and in an episode titled 'You don't know me' it feels like all the green is very much about education - learning about other people - and the growth that results from it. It feels especially important here for Tommy and Buck - that is after all what going on a date it all about - learning about one another and seeing if you're compatible.

The other fun thing about this green shirt is though that the green plays into the blue green colour theory when it comes to Buck and Eddie and their partners and the end of relationships. This one before its had chance to begin.

For Coffee we have a grey Henley and a blue zip front hoodie with a grey striped undertone to it (I am pretty sure this is actually a hoodie we've seen on Chimney but I can't remember when and I don't think it would be the very same one as pretty sure Lou would not be fitting into Kenneths clothes ever, but Chimney has definelty worn the same style!!). Again Henley's are an Eddie thing, so we once more have the parallel with Eddie being drawn.

The interesting thing here is that the grey blue is the same colour combo Buck wore on their first date attempt - the costume department played a lot with flipping colour in this episode, so to have it done here as well is really fun - the fact there is more grey than blue is also interesting. It's a neutral colour, it is seen as a colour of stability, but is also a colour of uncertainty. It really plays into that theme of uncertainty running through the Buck and Tommy arc. The blue hoodie is actually pretty important because we've had one of Buck and Tommy wearing something dark blue in every scene they've had together - usually the one on the back foot. Tommy in this scene is relatively neutral in terms of position for most of this scene - they are equals - but he is put onto the back foot by Buck asking him to be his date to Maddie and Chim's wedding.

Buck

Where to start with our beloved bi disaster!

I obviously spoke a fair amount about the date night shirt in my promo meta. The navy blue knit bowling shirt with these silver/grey close together pinstripes running down the front playing into the Buck wearing vertical stripes theme we've has running with him for at least the last 2 seasons.

What I said about false starts and this date absolutely played out - in the same way the sperm donation shirt represented a false start on that donation, this shirt also represents a false start on Bucks dating life as a bi man. The white trainers are also carrying on the theme of Bucks Journey towards happiness

What I find most interesting about this outfit though isn't colour theory related. its all about the fit of the clothes. Because these are ill fitting on Buck - not something we see from him very often - in fact I think the only time we see him in anything close to ill fitting to this extent is back in season 1 when he was figuring out who he was and if being a firefighter was the right for him and exploring relationships and what he was trying to find in that arena. The trousers are the most ill fitting of it all, but I'll come to the trousers later on as they are part o a wider Buck costume theme we have going on!

The shirt is a little roomie, but not overly so, it just stands out more because we're so used to his shirts fighting for their life, here this one is baggy and really helps to sell the idea of defeat, but also that h was trying on this new part of himself for size and that it doesn't quite fit. It's the only time this episode we see his clothes not fit him in this way and its a really small but expressive part of costuming that I love to see.

Then we have this blue broadcloth jacket over a white tee and with these plum/brown coloured trousers - they're a bit blink and you'll miss them so its hard to be sure what type of trouser they are, but I think they are essentially smart joggers - jersey material but trousers!

We all know that Buck in white means trouble, I'm putting him outing himself to his sister as the bad thing - along with the fact that the date didn't work out.

I'm really fascinated by the fact that we really seem to be leaning into navy blue and Buck being bi. Navy has always been a colour we've seen a lot of on Buck in general, but there is something about the fact we've seen him (or Tommy) wearing it in every single scene that is about his bisexuality. I'm talking from the kiss scene onwards, not anything before that as Buck wasn't aware of his bisexuality before the kiss. I can't wait to see if it continues!

The green shirt jacket is an interesting one. it obviously helps to play into the buck and Eddie blue green theory, but it does in a smaller way play into the blue green theming we see around Buck and Eddie and their relationships - specifically around issues arising. Both Buck and Eddie wear green when they break up with their significant others and while there is no break up here, there is a break of sorts. This was Buck about to try and tell his Best friend that he was actually out on a date with Tommy and that he's bi

symbol of growth - Buck went in with a goal - to tell Eddie he was on a date with Tommy, but changed tack when he saw Eddie needed to go through something - this is Buck growing as a person - not making something about him.

The other thing about this outfit is that its basically the same as the one Eddie wore at the airfield (even down to the badding of the trousers) - just in reverse - Eddie black trousers, black jacket, green top, and here Buck is black trousers, black top and green jacket - I find this fascinating as a metaphor for where the two of them are on their respective journeys.

Buck is now bi and out (he's told his sister) and has been on a date with a guy (regardless how successful it was - he cannot put it back into the box) - his growth is externalised and therefore expressed through the wearing of a green jacket. We get a lot of storytelling through the various Jackets Buck wears (we've seen him in over 35 at this point!)

While Eddie - who we could say was being taken on a date by Tommy - even if he didn't know it (because who flies someone to Vegas to a sold out fight if its not a date??) wearing a much brighter green that we've seen on him before now (pretty much all of his greens are more army green with a couple of exceptions - much darker greens akin to Bucks jacket in the below picture) - still in the army green wheelhouse, but much bolder. Eddie's queer status is still very much internalised - hence it being underneath the black jacket.

Buck coming out to Eddie from a costume perspective was a glorious parallel that I have already mentioned in the promo meta (I've run out of pictures so you'll have to go watch the scene yourself if you want to see what I mean). Its actually a bit deeper that I appreciated in that promo meta, but that is in part because at the time of writing the meta I wasn't 100% sure it was a coming out scene and I didn't get to see the way it was shot and how that also played into the paralleling.

Costume wise - I already spoke above about Eddies black shirt and how it is reversing him in the episode. But what I didn't mention is that fact that it parallels in colour terms, what he was wearing when Buck informed the firefam that Connor and Kameron were pregnant. Eddie wore a black marl henley - black with flecks of dark grey running through it, and Buck here is wearing a slightly darker blue version of the same top he wore in that same scene. He is standing in the same place at the counter of his kitchen, or sitting very close to the same position and we get similar camera angles. As a whole the parallel is very loud - Buck was happy and proud of something he had done and wanted to share it with his friends - wanted their approval. He was feeling good about himself and confident in his decision.

The biggest thing about the blue - this shade specifically is the way it play into the blue theme we saw last season with Buck - the theme that started in the 5x18 finale at Hen and Karens vow renewal, when he was free of Taylor and moving forward and essentially restarting his search for happiness. We saw it weave a thread through the entirety of season 6, being worn at key moments that played into that theme - after Lev died, at various points in the sperm donation arc, and a key points in the aftermath of his death and rebirth.

The successfully helping create life aspect of this is so interesting. It on a low key level plays into the you don’t find it you make it manifesto that’s been at the heart of bucks arc since s2. the whole year if yes was supposed to be about this very thing - about Buck creating the life he wants for himself - the sperm donation isn’t about the baby it’s about Buck and about him figuring out what he’s missing (which comes back to not only Thomas and Mitchell, but also Lev).

The other thing that ties into this theme is that Eddie isn't really changing but Buck is. Whenever we have a scene at the loft between Buck and Eddie Bucks costume and colour varies, but Eddies stays more or less the same. Bucks colour Palette for these scenes goes - dark grey in the you want to go for the title scene, then we have the grey blue on the balcony and now this much lighter blue. This is highlighting Bucks progression while Eddie who remains in his black shirt and that progression - while Eddie essentially remains steadfast - is key - it’s showing us that while buck is still doing dumb things, he is learning - he is listening to whatever Eddie is telling him - that he’s accepting Eddie’s absolution of his sins more and more - growing and understanding.

It’s building on his long running arc - his fear of being left behind, of not being important enough for people to stick around for - and showing us he’s increasingly understanding that that fear is unfounded - that he’s found his personal- the one who will stay and who is steadfast in that. That’s why we see Eddie unchanging in his black shirt green cargos while buck gets lighter - more unburdened by that fear.

Before you think all is lost on the Eddie front though, we are seeing change - the army green trousers are gone and have been replaced with jeans - perhaps, in the same way Bucks growth into his bisexuality began with his beginning to wear jeans again, Eddies own growth into his own queer identity also begins with jeans - moving him away from Eddie the soldier - fighting for others - being a rock for others and now into a position where he can do his own growing.

In the sperm donation arc, Buck was finally able to donate and was wearing that super pale mint green polo. we don't see the same with the outcome here at this point in the story (although the beige/mint green jacket from the bachelor party is making me👀👀👀 at this moment in time!) - we get this cream open weave linen shirt with black and terracotta and golden brown vertical stripes.

I love that they went with a shirt that has such an open weave - playing into the whole concept of Buck being open and embracing this newly revealed part of him that he's discovered. But what I love most about this shirt is the way it ties back into the Buck learning to accept himself and find his happiness.

Because this shirt is so similar to the one from 6x01 - when he decides he doesn't need a new couch, what he needs is to be ok on his own and with himself.

lets talk Buck and his trousers because the trousers are a whole thing this season and I am truly in love with the long game the wardrobe department have been playing on this one. They know that we have all been out here raising eyebrows at Bucks trousers for the past few seasons as they've gotten shorter and shorter and ill fitting. I know I've made comments in previous costume metas about the fact they must be doing something intentional with them being so short in the leg - that them doing this is giving the appearance of a child who is still in short trousers and isn't fully grown - hasn't moved on to wearing full length trousers yet.

Well it would seem I was right and thats exactly what they were doing, putting him in short trousers to show that he wasn't his fully formed self - that he was growing and learning and figuring things out. because - I've gone back through my spreadsheet and checked his trousers out for all of his scenes and there are only a handful where he has trousers on that are well fitted and the correct length. One of them is at the start of season 6 - at the end of the episode where he moves his armchair instead of getting a new couch - the one time in season 6 we see him most at peace with himself

I remarked in the 7x04 meta that we only saw Buck in his too short trousers in the one scene at the airfield, and from then on, he was was in jeans. Now the jeans are a mimicking thing - Buck hasn't worn stone wash jeans since Eddie appeared on the scene back at the start of season 2, so for him to start wearing them again as soon as he becomes jealous of Eddie and Tommy - and Tommy is wearing jeans - was pretty telling in its own right. It's Buck trying to get Eddies attention (not Tommys - Eddies) because, we do not see Eddie in jeans in 7x04 - but we do see Tommy in them - and in Bucks head he is loosing Eddies attention to a guy wearing stone wash jeans - so if he wears stonewash jeans then maybe he'll get Eddies attention back.

That obviously didn't work out how Buck thought it would, but it did lead to him figuring a new part of himself out.

We can see how his trousers are all now sitting at the correct length, I grabbed this still of the black ones, and you can see in the full length still from the date those are as well (even if they're too big more generally) but the others are all sitting at the correct length as well.

We also see the jeans back for his scene with Tommy - I truly am fascinated by the choice to put him back in stonewash jeans aafter so long as a theming choice for his bisexuality, I really am enjoying this more relaxed looking Buck from a costuming perspective - the journey we've been on with his costumes is great - the increasingly formal style thats just a little too small and tight we've seen over the seasons now slowly relaxing once more into something much more comfortable and well fitted - showing just how far he has truly come.

And thats me out for another week! Sorry it turned into another epic - it would seem `i cant stop myself! Not sure if this has come out longer than last weeks, I think it might've, but I can't be bothered to check! Thank you as always for reading this monster and I hope you enjoyed this deep dive into the costumes for 7x05. I'm off now to hyperfixate on Bucks bathroom door and get myself though this mini hiatus!

Tagged people below

@theladyyavilee @gracieryder @xxfiction-is-my-realityxx @bewilderedbuckley @spotsandsocks

@bewitchedbewilderedbisexual @rogerzsteven @wanderingwomanwondering @oneawkwardcookie @leothil @copyninjabuckley @shammers86 @crazyfangirlallert @missmagooglie @katyobsesses @radiation-run @gayandbifiremenofmine @bi-moonlight @crazyaboutotps @princesschez75 @alliaskisthepossibilityoflove @sherlocking-out-loud @satashiiwrites @lover-of-mine @yramesoruniverse @extasiswings @favouritealias @pop-kam

#kym costume meta #costume meta #911 costume meta #911 colour theory #eddie diaz #evan buckley #911 abc #hen wilsom #karen wilson #maddie buckley #chimney han #Tommy Kinard #long post #kym writes things #deep dive

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mumms-the-word · 27 days

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Shadow Curse Events Pt. 1

Ketheric, Selûne, Shar, and Aylin

I’ve played through the game a few times at this point and I always find myself struggling to understand the timeline or at least order of events that occurred with the Shadow Curse. I know some things conflict because there was one version of the story in Early Access (the version where Halsin accidentally killed Isobel) and it was heavily altered for the final version of the game, and some things just got *gestures vaguely* waved away, but I keep wanting to make sense of it anyway.

So that’s what this post (edit: I mean series) is going to do. After the cut, obviously. Long deep dive post ahead! Picture of a tired Ketheric for attention and because same bro c':

TLDR: These events happen either in the 1370s or the 1390s. Ketheric loses Melodia (his wife) and Isobel (his daughter) and turns to Shar. He captures Aylin, then builds a Big Dark Justiciar Army, training them and forcing them to kill Aylin over and over. Meanwhile, a Selûnite resistance is brewing in the town, and it's kind of making everything worse. One Selûnite rebel even goes so far as to make a deal with a devil. And all of that is BEFORE the Harpers and druids arrive as an army.

We don’t have dates, unfortunately, aside from knowing that the shadow curse itself was unleashed about a century ago, so “timeline” would be a loose term to use if/when I use it. But I have two theories about when it happened.

One theory is that because the Spellplague was happening between 1385-1395 DR (during which there was neither a true Weave nor a Shadow Weave, which is what the shadow curse is made of), the shadow curse likely started around 1396-1399, just shy of a full 100 years before the game’s events in 1492. But that’s just me conjecturing based on the idea that if the Shadow Weave is gone…how does the shadow curse stick around?

The other theory is that the shadow curse was unleashed sometime between 1371 and 1374. This is because a) Dark Justiciars were still being sent by Ketheric Thorm to destroy Moonhaven (the Blighted Village) in 1371 (Ketheric writes a letter about attacking Moonhave and a journal dated 1371 boasts that Ilyn Toth, the basement apothecary-necromancer dude, got killed by Dark Justiciars) and b) because Khelben Arunsun himself, the literal Blackstaff (super powerful and very old wizard), wrote a letter negotiating surrender on behalf of the Harpers.

We cannot be party to the suffering of the people of Reithwin, and indeed, of the great loss of life that this war will visit upon the Sword Coast - and, perhaps, beyond it. So it is written, and so let it be done, Khelben Arunsun, on behalf of the High Harper Council and its allies.

Wiki says Khelben broke his alliance with the Harpers in 1370 due to some disagreements, but it’s possible his splinter faction was at the battlefield with the other Harpers. I doubt he was there personally, but who knows. I wouldn’t go any earlier than 1371, though, because Baldur’s Gate II happens in 1369, and Jaheira would have been too busy dealing with those events to deal with Ketheric too. But it can’t be later than 1374, because Khelben Arunsun dies in 1374.

(I have questions about how the shadow curse survived the Spellplague and the loss of the Shadow Weave, but the answer to that could simply be All Magic Was Weird and Unstable at the time…plus Thaniel was already in the Shadowfell by this time, so the land couldn't heal.)

So it’s either 1371-1374 (because of the Khelben timeline, and I guess the Spellplague didn’t affect it) or it’s 1396-1399 (because of the Spellplague, but the writers just forgot Khelben was dead by that point, or maybe his ghost wrote the surrender notice idk). Both are good enough for Halsin and Jaheira to talk about things happening “a century ago,” but you can see why I’m avoiding dates.

But let’s push it back a few more decades. Back when Ketheric was a Selûnite and Isobel a very small child.

As we’re probably all well aware, during this time, Ketheric worships Selûne along with his wife, Melodia. At some point, he even commissions the local Mason’s Guild to build Moonrise as a testament to Selûne herself, according to Morfred the mason (who you can talk to in House of Hope, it’s pretty cool). Ketheric and Melodia have Isobel, but then Melodia dies while Isobel is still pretty young. Ketheric remains a Selûnite, mostly for Isobel’s sake, until she dies too.

Ketheric: I’ll tell you a story, True Soul. About a man who sold himself piece by piece. He had…everything. A wonderful wife. A brilliant daughter. They lived not far from here. His wife died too young. Grief tore through their home like a thief, snatching away the scent of her hair, the rustle of her skirts. But the man did not break. He could not break. His daughter needed him whole, after all. She grew up—grew strong. Challenged him. Filled his heart with such joy it supplanted all sorrow. When she was killed, the man…he tried to remain whole, but it wasn’t possible. Do you understand? Player: So the man fell to pieces. Ketheric: The pain was unbearable. All-consuming. He decided he’d do anything for reprieve. First, he sold himself to the goddess of loss. But the pain did not subside, no matter his obscene feats of devotion. Then a new god came—a god who promised the man something wonderful: his daughter. Her life returned. Imagine it. He would have to give everything: his body and soul entire. He did not hesitate. Not for a moment.

We know this story. Ketheric turns to Shar and everything goes Very, Very Badly. But the exact details/order of Ketheric's Sharran days are a little hazy. So here's what I've been able to piece together to sate my own curiosity.

While Ketheric is still a faithful (but waning) Selûnite, Dame Aylin visits as an emissary of Selûne. Moonrise/Reithwin is a Selûnite refuge and the Thorms are allegedly devout favorites of the moon goddess, so it's a big deal. While she's there, she and Isobel fall in love. Ketheric disapproves, in part because Aylin is immortal and Isobel is not (Isobel and Aylin both say this in dialogue).

Plus, and this is a personal opinion, I think Ketheric might have seen Aylin's interest in Isobel as another thing Selûne was trying to take from him. It isn't enough that Selûne let Melodia die, now her daughter is trying to woo his daughter and take her too.

But then Isobel dies. Somehow. The launch version of the game isn’t clear how. Aylin mourns but Ketheric spirals. He turns to Shar, hoping she will force him to forget about Isobel, but he doesn't. Nevertheless, he becomes a zealous Sharran.

[A journal spanning years, beginning with the birth of a child and ending with what appears to be a series of dateless tragedies.] How can she be gone? Where did she go? The Moonmaiden cannot be so unfeeling - so cruel. Not toward her most devoted servant. Not after Melodia. It makes no sense. It makes no sense. I won't survive it. That much I know. Forgetting is the only possibility. The embrace of oblivion. The reprieve of nothingness. It would not be possible for a man to survive knowing what he knows. Knowing what can be lost. Shar understands that. Hers is the only mercy I can comprehend. My mind is full of holes - yet not enough. The emptiness. The time. The nothingness. And still I remember. Still I remember it all. There is no mercy in this beating heart. There is no mercy in life at all.

He builds the Gauntlet of Shar (or maybe renovates and Shar-ifies it, maybe it was already there) beneath the Thorm mausoleum, connecting it to the much more ancient Grymforge area. Grymforge becomes a kind of base or stronghold for the Justiciar army while the Gauntlet is designed to test their mettle and prepare them for the task that will make them official Dark Justiciars—killing Aylin, though it's not clear when Ketheric and Balthazar lure her into the Shadowfell.

I'll get back to that later.

We know that Grymforge was used as a Dark Justiciar stronghold and possible training ground because of all the Sharran stuff we find there. It's like super obvious. The feasthall room, the dormitories, the weapons that lay everywhere. There's basically a whole Sharran city in the Underdark beneath and near Reithwin, some of which we can see from various points in Grymforge. In fact, if you go through the poisoned room where Nere is, you can see the Gauntlet down below.

(It's a little hard to see here 'cause I play on console but there's a glimpse of the giant Shar statue that takes up a ton of space in the Gauntlet. Somehow, the two places used to connect.)

Ketheric's new Sharran teachings are ruthless and vicious. He encourages his Dark Justiciars to kill a Selûnite once a tenday or more as part of their training and service to the Lady of Loss.

The Law of Nightfall: From the moon falls the foulest of lights. iIt peeks through cracks and fissures, illuminating the most remote recesses of the Underdark. Light bestows hope, a pernicious notion which must be extinguished. At the darkest hour, pray to your Lady and feast in Her honour. The second day after, slay a disciple of Selûne. If none may be found, a Lathanderian or Mystran are an acceptable offering. Do this once a tenday, and the Lady of Loss shall know you.

Reithwin and the surrounding village soon become a hunting ground. Most people convert. Those who don't get hung in the square as examples (according to a shadow memory). All faithful Selûnites are forced to practice their devotion to the Moonmaiden in secret, led by Morfred the mason and his brother Halfred the innkeeper of Last Light Inn. Halfred hides Selûnite relics beneath Last Light (you can still find them) while Morfred plots a true resistance.

[Hidden amidst columns detailing the income and expenditure of a tavern is an aside, written in tiny, urgent handwriting.] I have concealed the sacred relics of our revered goddess in the darkest corner of this place. Morfred, my loyal brother, seeks to forge a network of allies to stand against the oppressive reign of Ketheric Thorm. Sadly, fear has gripped the hearts of many, turning them away from our cause. I cannot truly blame them, for trepidation fills my soul as well - but I must put aside my own fears and reunite with Morfred in the bowels of the Mason's Guild. Together, we shall preserve what we can of the Moonmaiden's light, and hope that the banners of the faithful soon rise against that treacherous dog, Thorm.

But as time goes on, Morfred grows increasingly distressed with the events happening in Reithwin and the ease with which people are eager to switch faiths.

- How quickly things change. The Thorms are Selûnite through and through - or so I believed. Perhaps Ketheric only converted for Melodia, and with her death - and then his daughter's - his faith died too. But to turn to Shar? It beggars belief. - Ketheric's Justiciars are growing greater in number, and more determined to rout out any traces of Selûne in Reithwin. Why do they think this town was built? One cannot rip out the foundations of a building and expect it to remain standing. - Brother and I remain the last two bastions of Our Lady of Silver in the town. A few - the trusting few - come to worship in secret by moonlit nights. Others - converts, all. Whether they truly believe, I cannot say. Impossible, isn't it?

(Don't worry, the second page is further down lol spoilers!)

Life is not going well in Reithwin, even if you're not a Selûnite. Ketheric is determined to destroy all traces of Selûne and treason of any kind. His Dark Justiciars begin tormenting citizens to reveal pockets of Selûnite resistance. He also suffers no treasonous word against him, even if the citizens in question aren't Selûnite. We see a glimpse of this and of the Justiciars' cruel influence during the questline with He Who Was and Madeline, who ratted out her friends' innocent(?) complaints about Ketheric to some Justiciars, resulting in their brutal deaths.

Eventually Morfred realizes that the Dark Justiciars are too powerful to resist and turns to Raphael, offering his soul in exchange for something to destroy the Dark Justiciar army.

- Sick of standing idle while Justiciars gain power in our humble town. What will become of us if we allow it? I met a man who was no man. Touched by a devil. Or maybe worse. But he offered me something I couldn't refuse - help. - The time is now. Ketheric's Justiciars, their stronghold in the temple below - they will be wiped out. All of them. I didn't ask how. I just want them gone. Let the Harpers have at Ketheric now. They'll make short work of him.

You can ask Morfred about this in the House of Hope, actually, where he confirms the details. I mean, he's in Raphael's house, so it's pretty obvious the he did, in fact, make a deal with him.

Infernal Mason: When tragedy came, my master fell into darkness and despair. He marshalled a great army to ruin the world and bring all into shadow. I could not let it happen. I sought out the devil Raphael and signed an infernal pact with him. He promised to destroy my master’s army, and I promised him my soul in return. The devil was true to his word. Fiends slaughtered my master’s forces, but he endured somehow, and blighted the land.

The Fiend in question here is Yurgir, who ends up crashing through Grymforge and the Gauntlet to kill all Dark Justiciars in his path. (He misses one, because Raphael is a sneaky bastard who let one get away by turning him into a swarm of rats, but I digress.) We know Yurgir caused the destruction in Grymforge, too, because of the Merregon masks and hellbeasts we find around the area, and the fact that if you pass all the checks with the Duergar mason examining the stone, he helps you piece together this narrative:

Stonemason Kith: An ancient city, hewn from the stone by the disciples of Shar, later abandoned. Untold centuries later, a new tribe revives it. Fresh walls, fresh sculptures...until a great hellbeast charges through, toppling the walls and crushing the people! Heh - that explains the infernal plate I found. Perhaps you might have use of it.

Further proof that Grymforge and the Gauntlet were once connected...somehow.

Anyway, by the time Yurgir is called in, Morfred's already been found out. Thisobald overhears him drunkenly complaining about Ketheric in the Waning Moon and informs Ketheric of his treachery. Ketheric orders a raid on the mason's guild, leaving Halfred the lone source of Selûnite resistance. It's unknown what becomes of Halfred, but considering the fact that the inn was still taking guests (like Art Cullagh) and housing the Harpers right before the shadow curse descended (there's a shadow memory of a Harper toasting his comrades in Last Light right before the battle with Ketheric long ago), it's likely he's a victim of the curse and not Justiciar brutality.

I’m not sure which is worse, honestly.

It's unclear when Morfred dies, though he admits to witnessing the first part of the shadow curse (i.e., "...but he endured somehow, and blighted the land"). But Morfred's deal coincides in some ways with the arrival of the Harpers and druids. I think he probably makes the deal with Raphael before the Harpers officially march against Ketheric and then gets caught after he hears rumors of the Harpers.

Raphael makes good on his deal around the same the Harpers arrive, perhaps a little afterward. This means Yurgir's slaughter of Justiciars in the Underdark must happen concurrently with the battle happening topside between Ketheric's army and the Harpers/druids, meaning Ketheric is losing his army on two fronts at the same time. Victory seems assured for the Harpers and druids, but of course we know now that Ketheric had a way of cheating death already in place.

He had already imprisoned the Nightsong in a Shadowfell soul cage.

Again, we’re not sure exactly when this happens, but it’s after Isobel dies and before the shadow curse, which unleashes with Ketheric’s supposed death in the battle against the Harpers and druids. However, Aylin herself says that Ketheric and Balthazar lured her into the Shadowfell under the pretense of saving an innocent.

Dame Aylin: He and his loathsome advisor Balthazar lured me into the Shadowfell, claimed they'd found someone in need of my aid. There they trapped me in their infernal cage. I was killed, murdered, made dead, over and over and over by Justiciars of every make and kind. I was reborn, for it is my nature. And Ketheric fed upon my immortality all the while.

This makes me think that Aylin wasn’t aware of Ketheric’s conversion yet, so it must have been very soon after, because otherwise, why would she trust a known Sharran telling her to enter the Shadowfell, the realm that is entirely under Shar’s control? I also suspect Ketheric built (or renovated) the Gauntlet around Aylin after her capture, perhaps at the behest of Shar due to their collaboration in making up new Justiciar teachings, or perhaps out of a sick, vengeful desire to see Aylin tormented for daring to love his daughter.

If this is true, then there’s a very real chance that Ketheric was unkillable before he truly started to torment Reithwin town, and well before the Harpers stepped in to take him down.

Anyway we at least know that Ketheric trapped Aylin in the Shadowfell before the big battle against the Harpers because a) both Isobel and Aylin talk about her being there for a century and b) because Ketheric is already using her invulnerability to survive assassination attempts on his life prior to or during the actual battle against him and his army:

23 Elient The Harpers came too close - they poisoned Father Ketheric himself, yet he professes no ill effects. Malus insists it a fluke. Doctor he may be, but he is no less a fool for it: Father has achieved that of which I can only dream: immortality. I have long suspected. I can guess Father's purpose, but I cannot fathom the means.

This brings us to the eve of the battle itself. But this post is already hella long, so keep an eye out for part 2, all about the Harper and druid battle against Ketheric!

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stra-tek · 3 months

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More Roddenberry Archive musings...

This is supposedly the launch configuration of the Prime universe U.S.S. Enterprise NCC-1701's main bridge. It's based on the first piece of concept art for the TOS set, and is one of several weird not-quite-canon things the Roddenberry Archive has decided to consider canonical. 2 command chairs and the whole centre console and chairs spins to face the very minimalist 60's scifi perimeter consoles or viewscreen. Try to imagine Captain April and first officer Chris Pike on this bridge, it's weird.

Behold! The top of the Jeffries Tube.

FERENGI ATM MACHINE ON THE PROMENADE!!!!

The view from OG Captain Pike's bed, featuring his awesome TV, his laser gun and his Starfleet hat. We wouldn't get hats back in Trek for 50 years.

This is inside the Ringship Enterprise XCV-330, circa 2100. The Ringship in canon was seen only in picture form or a desktop model, we never saw inside. The ship was actually designed for a non-Trek Roddenberry scifi show called Starship which never came to be, and there was actually concept art made for the interior which the RA people decided to import to Trek too. Predating the transporter, here is the Metafier.

Discovery Season 2's U.S.S. Enterprise has a cool corridor running around it. Walk around it and... it goes nowhere😂 the Archive tries to balance the reality of everything being a television show with the fantasy of a 100% accurate in-universe museum, it'll give sets ceilings to make them into a believable spaceship but doesn't want to go nuts inventing too much of it's own stuff and that sometimes leads to weird stuff like this dead end

Speaking of ceilings, here's the ceiling and lights of the classic TOS Enterprise's corridors. I think they did a decent job keeping to the TOS aesthetic. The sets TOS was filmed on didn't have ceilings at all.

The Enterprise-B actually had a red carpet for special guests Kirk, Scotty and Chekov

Strange New Worlds has the coolest transporter room of all. Just look at it😍

The TNG Enterprise battle bridge has it's own ready room! And it's super tiny, ultra cramped and Picard probably never used it because there's no replicator in there and thus no access to tea.

The 1st version of TNG engineering's big Master Systems Display as seen in "Encounter at Farpoint". Ten Forward wouldn't be a thing until season 2, and you can see here an earlier deck layout and the original concept for the saucer rim, a corridor walkway with windows above and below. You'll also note Ten Forward would actually be on deck 11 had they not changed the diagram by then.

Kirk's quarters on the TOS Enterprise has dresser drawers full of uniforms for when his gets torn

Walking around the Roddenberry Archive ships is eerie as hell. You're the only one on board, exploring corridors and poking your head into rooms. These starships are liminal spaces. This for me adds to the atmosphere greatly.

Here's the link (enjoy before it vanishes again!):

Roddenberry.x.io

Here's my original post about the Roddenberry Archive:

Also a clarification, I was wrong when I said it won't be in VR. There is one VR setup it was designed for - the $3,000 Apple Vision Pro. More details here, although it appears to only show a 2D window rather than be fully immersive 3D, possibly confirming what I was told previously that no current 3D setup is capable of doing a true VR experience:

#star trek #star trek the original series #tng #starship design #behind the scenes #roddenberry archive #deep dive #ringship enterprise #the next generation #strange new worlds #apple vision pro #uss enterprise #enterprise

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dumblr · 1 year

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Am I afraid to love? Absolutely! I know how deep I dive, and everyone isn't worth drowning for.

#quotes #feelings #deep love #emotions #love #deep connection #deep dive #drown in my mind #love quotes #romantic quotes #wise words #thoughtful #hopless romantic #facts #sad reality #dumblr

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vicontheinternet · 2 years

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The way a deep dive documentary abt the bts drama of don’t worry darling would be the same length as one of those overanalyzed YouTube retrospective on a child’s show

#deep dive #retrospective #youtube #documentary #don’t worry darling #gemma chan #florence pugh #chris pine #harry styles #olivia wilde

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pixelpaladin · 1 year

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Deep dive to Spam bots on Tumblr (Spoiler: FSB mentioned)

(TL;DR: Russian business man is heavily investing into companies behind the bots, mentions of FSB, Shell companies in tax-evasion and weak business law countries, Huge industry and money laundering)

I got annoyed about the bots on tumblr, so I decided to do some investigation into who is behind them and funding the operation, here is my findings:

The graph shows how a network of “affiliate marketing” companies for “dating” services is connected and some of the key players behind said companies

The first “company” I ran into is called “Digital international Inc” and it is shown as the “legal entity” behind of many of the websites the bots tend to link to, it also has its address listed in the Marshall Islands.

By looking at trademarks owned/filed by that company, we find 2 more companies/trademarks that are/were owned by the same legal entity.

First of these is called “Mirelia Services Co.”, currently known as “Mirelia Networks”, which lists its main business as “advertising and marketing” and is registered at the same address as “Digital International”.

Where things get interesting is when we look at one of the trademarks that was passed between “Mirelia” and “Digital international”, a trademark for an LGBTQ+ dating app called “Hitwe”,

The trademark application for “Hitwe” is listed as “Rescinded/canceled” but from the original registration documents and later ownership transfer filings, we come across an interesting company

“Matar Trade & Invest Ltd.” This company has other similar “dating” and “marketing” companies linked to it, and is owned by “Vladimir Mnogoletniy”, a Citizen of Russia, who has lived in Ukraine for over 10 years and his runs his businesses there, but interestingly does not seem to have officially moved there, and maintains his Russian Citizenship as his only one.

He is also the CEO or a major of many other companies, the main one being “Genesis”, the company behind a controversial fitness app “BetterMe”, which has been shown to aggressively sell user data to less-than-reputable ad companies and affiliates, as well as being used to redirect money from scam dating sites and lessen the impact of credit card chargebacks from those sites [See footnote 1]

What makes him a particularly interesting individual is that his father, who is a Captain of the Second Rank in the Russian Navy, is doing security work for “Sevmash” - A Russian shipbuilding company, the only one that is making nuclear submarines in Russia. He also co-authored a research paper that talks about “Military Counterintelligence activities”, The other author of said paper is an FSB officer.[See footnote 2]

Sources and footnotes:

Footnote 1: “BetterMe steals traffic” - Article by SH[IT]HAPPENS on Medium Footnote 2: “Why don’t I no longer shake hands with Vladimir Mnogoletniy.“ - Article by SH[IT]HAPPENS on Medium

Tangent: one of the other companies that I came across that seems to be working with Mirelia is “Traffichunt”, which seems to be one of the companies selling bot spam advertisements as well.

Another interesting thing is that the lawyer who filed for most of the trademarks, has quite a repertoire of similar trademarks under his belt:

Most of these seem to have been rejected because the address he listed in the applications does not exist

If you read all the way to here, thank you and I hope that bot’s never bother you again.

#spam bots #deep dive #osint #spam #research #i hope i dont get merc'd #tumblr bots #please read #bots #spammers #opsec #phishing #cybersecurity #sex bots #fake accounts #long reads

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howaboutjude · 1 year

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Disclaimer: I am not an expert in combat, just sharing thoughts and observations.

While it delights me and makes my heart sings to watch Ava performing Bea's moves, the way Ava fights is quite different from Beatrice's. (Also I am itching to write about them, so here's a breakdown of scenes no one asked for.)

The street fight in the first episode is an excellent example of Ava's progress and the differences between her and Beatrice.

Let's do Ava first.

Throwing her body weight on the first thug to bring him down and later with a punch to incapacitate him.

Though Michael has warned her, it still takes good reflex and control, given the strike comes from behind. And this also shows Ava knows The Halo gives her an edge and when to use it.

She blocks most of the hits but doesn't land the punch here. So she can hold herself against multiple attackers, but not expertly.

She knows with her slight build, kicks, especially jumping kicks, carry more force than punches.

And there's Beatrice.

Wrist-grabbing, rotation to apply pressure on the wrist, elbow, and shoulder, causing pain and restricted movement, and end with a strike to level up the pain.

Block and arm-gripping, put her hand behind the opponent's back to lock the entire arm and push to stretch his shoulder.

A clean-cut punch follows wrist-grabbing and locking. Beatrice uses a lot of control techniques in combat.

Honestly, the stunt team deserves a round of applause for how they incorporate storylines and characterization into combat scenes.

Although Ava's movements are wild and sometimes off target, her reflex and strength more than make up for it. And the energetic and spirited way she fights is a perfect reflection of her traits.

The same can be said for Beatrice, who has mastered Aikido, uses joint locks to constrain mobility and often demonstrates excellent momentum redirection. That, too, echoes her self-control and restraint. Oh, and remember that precise punch and the clean dodge? *chef's kiss*

Both Alba and Kristina have done a superb job of stunt performing, and watching them fight is highly satisfying.

For real, Warrior Nun is a great show in many ways. And to people who skip episodes to get to the kiss, I highly recommend watching the entire season. You won't regret it.

#Avatrice #Ava x Beatrice #Ava Silva #Sister Beatrice #Warrior Nun #Warrior Nun Rewatch #Warrior Nun Meta #Alba Baptista #Kristina Tonteri-Young #my thoughts #deep dive #*mine #life is busy but i must do my duty

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littlepawz · 3 months

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Underwater shot of Kingfisher in action. Photo by nature photographer Jaap La Brijn

#kingfisher #diving birds #nature #fishing #bubbles #action shots #deep dive #wildlife #birds #wow #hunting and fishing #nature photography

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fantasyinallforms · 3 months

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Here we go again, good Bagginshield people. I need NEED to talk about this beauty of a scene. Now I will admit BOTFA can be hard to watch but it gives us the most obvious Bagginshild moments. I want to make you aware of some of the more subtle moments within those larger scenes. Let's dive in.

The absolute speed at which this dwarf whips around the moment he hears Bilbo's voice makes his hair spin. His eyes go wide, and his mouth pulls into a surprised smile. All this is combined with the sheer palpable relief in his voice when he breathes out Bilbo's name. He doesn't hesitate to walk toward Bilbo. He moves like it's natural. Like he's being pulled to Bilbo. There is intention in those steps because he stops abruptly when Bilbo moves. I completely think he meant to embrace him. Here is the slow-mo of Thorin's face. Look how happy he looks! His eyes, compared to the 15 seconds before this scene, might as well have stars in them.

Now, don't neglect Bilbo's reaction in this scene. He anticipates Thorin coming towards him, and he's walking too, stopping just as abruptly. His mind is, of course, more on delivering his crucial information.

Now, this part is interesting because, incredibly quickly, Thorin takes the defensive. His first act after getting the news is to pull his nephews back, a task you would think he would take on himself, but he sends Dwalin instead. The moment Bilbo walked into the picture, he was hesitant to leave him alone and wants to stay by his side. He had every intention of leaving with Bilbo, likely to be able to protect him. That is made crystal clear by the following gif.

They are on an active battlefield, but look at the easy way they look at each other and wordlessly convey their thoughts.

It's even more clear in slow motion that looks of relief and trust. With Thorin's look clearly saying will you follow me? Knowing what, not long ago, he was ready to dangle his hobbit over the rampart. There is an almost sheepish way Thorin looks at him. His face softens, and his eyes become kinder. Alternatively, Bilbo's responding nod and smile are permeated with its own relief. He likely suspected the gold sickness was broken, but Thorin's look proved it. His shoulders visibly relax when Thorin looks at him.

After everything that has happened between them, they snap back into this easy rapport as if it were second nature. But it is. The moment they met, everything about them became tangled together. Every scene that contains the two of them is just a treasure trove of these moments. I've made it my mission to ensure no one misses a single one.

More deep dives like this can be found by searching the pinned tag #deep dive on my page ❤️

#bagginshield #the hobbit #bilbo baggins #thorin oakenshield #thilbo #bilbo x thorin #Deep dive #I was going to sit on this until next Friday but I lost patience

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arcadebroke · 15 days

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#DEEP DIVE in sync with GHOST IN THE SHELL #GITS #Ghost in the Shell #deep dive #90s anime #anime #art #design #color #style

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reality-detective · 7 months

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* * * Las Vegas Shooting * * *

Part 3

On the Thursday night that followed, the White House press pool was unexpectedly called in to witness a “photo op” that was taking place with President Trump…and included various military officials & their spouses.

As cameras were rolling, President Trump said, “Maybe it’s the calm before the storm. Could be, the calm…the calm before the storm.”

As reporters shouted questions, he said,

“We have the world’s great military people in this room, I will tell you that. And uh, we’re gonna have a great evening.”

Then, when asked what he meant by “storm,” he ominously answered,

“You’ll find out.”

youtube

MEGANON, the anonymous 4chan poster that I referenced the other day posted this on 4Chan after Trump made his “Calm Before the Storm” warning...

Then 👇

It is interesting to point out that the very next day after Trump made his cryptic remark, a fire broke out at the Federal Reserve Bank Building.

Here is an excerpt from a 10/7/17 Zero Hedge article titled “Fire Breaks Out on the Roof of the NY Fed.”

“Dozens of firefighters are fighting a blaze which broke out on the top of the Federal Reserve Bank of New York, NBC New York reports.

Contrary to recurring rumors that the fire was created from excess money creation, the FDNY said that a generator on the roof of the building caused the fire in a chimney, although the severity of the damage to the building is not known.”

☝️ Was it possible that Trump’s warning “You’ll find out” was taken seriously enough…that it lead to an emergency bonfire of incriminating documents right on the roof of the Federal bank building?

Guess what happened after that???

On October 26th, 2017

The JFK FILES WERE RELEASED by PRESIDENT DONALD TRUMP!!!

Funny that he releases the files on October 26th!! That’s the birthdate of Hillary Rodham Clinton!!

Reversing the curse!!

By the way, October 28th is a date with a lot of significance.

By choosing this date,

God/Trump/The Alliance/White Hats are reversing the curses that were placed on our society by ((these)) people.

((THESE)) people are the Occult/Witches/Warlocks/Satanists/Luciferians/Illuminati/Jesuits/Crypto Jews/Khazarian Mafia/Banksters/Deep State/Cabal/Black Hats/Rothschilds/Rockefellers/Clintons/Bushes etc. etc.etc!!

Löök up famous people born on October 28th you'll get a better picture of what I'm saying. 🤔

FUN FACT: Remember, Q started posting on October 28, 2017.

Facebook was originally launched as FaceMash on... you guessed it... October 28, 2003, (before changing its name to Facebook on February 4, 2004).

THERE ARE NO COINCIDENCES!!!

The PHILADELPHIA EXPERIMENT began during the summer of 1943.

On OCTOBER 28th, 1943,

The Navy Destroyer—USS Eldridge—was placed in an electromagnetic field and disappeared…not only from the screens…but also from our reality.

During this second experiment, the ship disappeared from the Philadelphia Naval Shipyard.

Simultaneously, sailors stationed 375 miles south at the Norfolk Naval Base in Norfolk, Virginia, reported the ship’s appearance for several minutes before it vanished.

Many believe that the USS Eldridge traveled through time.

Time traveling is a real thing and so is "Project Lööking Glass"

I hope this sheds some light on the Las Vegas Shooting Event, it was no random solo shooter acting out. It was all a staged event.

All links connected 👇

#pay attention #educate yourselves #educate yourself #knowledge is power #reeducate yourself #reeducate yourselves #think for yourselves #think about it #think for yourself #do your homework #do your own research #do some research #ask yourself questions #question everything #las vegas shooting #rabbit hole #deep dive #Youtube

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feathertru · 21 days

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My Deep Dive on the map that is Starkids new banner

First landmark to talk about is the huge castle in the center

It is labeled as the old Kings castle. This suggests that there will be royalty in the new musical, likely where the royal family will be based. Interesting to note that it is the 'old king's' so we'll likely have lots of lore of the royal family. Also it looks like a port is relatively close to it.

With the sea around the South-West border of the map it seems the sea and water will be an important part of the setting. Speculation suggests that pirates are going to be major parts of the story and I think it's possible. Whether the story is fully focused on pirates I am unsure of because I think if the story was more focused on pirates there would be much more focus on the ocean in the map, with a shift further south and west with more landmarks. So seafaring probably is part of it, but not fully.

Interestingly there also seem to be two islands, the Isle of Sword and the Isle of Ruin, and also what appears to be a sea monster around the two. Maybe the characters will be travelling there and that is why they would be sailing.

There also seems to be another castle, the cheesemongers castle (though that may just be the field on the other side of the water) but this is also interesting as if the mouse or their relatives own this castle, is there more lore to this mouse? Also another sea monster can juuuust be seen at the edge of view.

Also something hard to spot but raises lots of questions for me. Look at the very bottom center in the water and you can see what looks like a mansion. There are no labels to this. Who lives here? Is this attached to more lands? If this is an island why is there a huge mansion just in the middle of the ocean?

Also lots to see from the East of the map.

The Wilderwoods seem to be one of the main forest areas, near the port. House Ashmore is a mentioned place. Maybe an important character lives there

The Ancient Oak seems to be an old tree, maybe with supernatural significance, or maybe it's just a home to a character.

The Orcy place seems to be somewhere in the mountains, maybe Orca live there?

The Castle that Was is juuuust at the edge of the map, in the mountains. This seems like there will be lots of lore at this place.

Also to the North there is a lake, the Rime lake.

Lastly the top left hand corner of lands.

The Glowering Towers are very near the Old Kings Castle. Maybe they are connected to forgotten royal history or royal lore.

The other Forest, the Forest where no one dwells, no one lives there. Maybe something happened there, maybe there could be deep lore in that area too.

The last thing to mention is the Weeping Keep. Interestingly it is in the north, very far away from any other castle. Is it connected to the royal family? Who lives there?

There is so much to speculate on just from this map, the next show seems so exciting, can't wait for April 6th!

#starkid #starkid musicals #starkid productions #deep dive #musicals

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mumms-the-word · 22 days

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Shadow Curse Events Pt. 2

Harpers, druids, and the battle against Ketheric

So in Part 1, I talked about Ketheric’s descent into Sharran zealotry and his attacks against all Selûnite faithful and anyone who so much as breathed a bad word about him. The TLDR is that Ketheric didn’t just become a follower of Shar, he basically became the Prophet-General of her new dark army, her Chosen, establishing new teachings and protocols for what defined a Dark Justiciar. It got so bad, and he became so powerful, that a leader of the Selûnite resistance, Ketheric's own master mason Morfred, made a deal with Raphael to take out his Justiciars just to hopefully give the Harpers a chance.

Because, to no one's surprise, all of this murder and fearmongering has captured the attention of the Harpers, who feel the need to step in and restore some balance.

The rest of this post is basically going to be about the Harper-druid battle against Ketheric and the siege of Reithwin, culminating in him getting sealed up in his tomb. Buckle up and be prepared for a couple of graphic war things (cw: animal death). Part 3 will be about the first few days of the shadow curse itself, because I just find that eerie and fascinating.

Full deep dive under the cut! Super long post ahead :'>

———

The moment is nigh; war has been brewing, and now it overflows. When Ketheric turned us toward Shar, I followed him - in appearance, if not in heart. This is my home, and I would not be removed from it, no matter what. I watched at a distance as the darkness here grew; as Ketheric's grief brought him farther and farther from life itself. As he gathered his army, I prayed for his defeat. As the Harpers march upon our little village - our little, beautiful village - I can only hope Ketheric will be felled at last, and Reithwin can begin to heal from this nightmare.

Let me briefly set the stage. Reithwin Town is under the governance of Ketheric Thorm, former Selûnite-turned-Chosen-of-Shar. All Selûnite worship has been driven underground. Dark Justiciars train in some elusive location outside and beneath town, only to return in order to interrogate the citizens of Reithwin about their loyalties to Shar and to Ketheric. Bodies are hanging in the square as an example to those who might think about dissenting or professing their faith in Selûne. People are going missing or being executed every day, and Ketheric's desire to expand Shar's influence beyond the borders of Reithwin is only growing stronger. Rumors abound that he's already completely destroyed a nearby village, another Selûnite refuge called Moonhaven. And now, the citizens of Reithwin hear whispers on the wind that the Harpers will soon arrive from the east...and they're bringing an army.

If a citizen were to wish to flee, they'd be nearly out of luck. The Harpers are coming from the east, but Baldur's Gate lies in the west, and the leadership in Baldur's Gate is already suspicious. Ketheric has drawn the attention of Grand Duke Eltan, the founder of the Flaming Fist and the good-aligned general who aided the heroes of BG1 (like Jaheira) during the Sarevok crisis. He's heard whispers of a Sharran enclave and has ordered a scout to go and investigate. That scout is Art Cullagh.

Incidentally, in the last post I suggested that these events are happening either between 1371-1374 or between 1396-1399. We don't know when Grand Duke Eltan died, so either theory still holds water (pick whichever you like best), but I do think his involvement moves the needle a little more towards the 1371-1374 theory. Eltan has just wrapped up the Sarevok adventure with Jaheira and the other heroes in 1368 and was dealing with other issues in 1369. He would still be in the height of his power as a leader of Baldur's Gate and the Grand Marshal of the Flaming Fist in the early 1370s. So he would have a vested interest in trying to maintain peace in his city, and that includes investigating rumors of civil unrest and strange darkness in a town just up the river from him to make sure that whatever is happening there doesn't come downriver.

Eltan sends Art Cullagh, a lieutenant/officer of the Flaming Fist (and virtuoso with a lute, as we well know). I won't post images of his orders here, since it's a letter most of us have likely read when trying to fix the shadow curse. But essentially, he's ordered to take lodgings in Last Light Inn and begin his investigation in the House of Healing to confirm rumors of corruption and Sharran influence in town. We know he attempts to fulfill these commands because he's seen at the inn and later his lute is left behind at the House of Healing.

Shadow Vestige: You see a man drain his tankard in an inn as he listens to a Flaming Fist play the lute. He's better than his uniform might suggest.

Around the same time that Art is preparing to travel down and begin investigating, the Harpers are already at work gathering an army. They're not just making Ketheric their convenient enemy—they're declaring all-out war.

They've gathered their evidence (after interrogating locals and possibly attempting to assassinate Ketheric from afar) and now they're ready to take the fight to him directly. But they need backup. So they write to the Emerald Enclave (not to be confused with the Emerald Grove) to arrange an alliance. Ketheric is going against nature, after all, and who better to call on for aid in preserving nature than the Emerald Enclave?

[The first few inches of this scroll are written in formal, elaborate script.] To the Emerald Enclave, and those deemed worthy to see this record, greetings from Those Who Harp. Know ye that the one known as Ketheric Thorm, a paladin of Shar, is guilty of crimes against body and spirit. They include, but are not limited to Murder, Slavery, and Desecration of Temples Most Holy. Let our intent be known: an alliance between the Harpers and the Emerald Enclave. United, we may end Thorm's reign of terror. The High Harpers eagerly await your good word.

The Emerald Enclave is massive, since it basically serves as the high council and umbrella organization for all druidic circles and groves that exist in Faerûn (or those who choose to align with the Emerald Enclave's tenants anyway). When the Harpers declare an alliance with the Enclave, those in charge of selecting allies make sure to enlist the druid circle that is local to that area, the Emerald Grove, since they will be the closest and have a stake in preserving the land around their grove. The Emerald Grove even immortalizes this alliance in their inner sanctum.

Image: Mural of Harpers and Druids shaking hands in front of an oak; Narrator reads: "In darkest hour, a concord made / 'Twixt harp and wild against the shade." Image: Mural of Harpers and druids stand back to back with the fallen armor of Dark Justiciars at their feet; Narrator reads: "The towers seized, the battle done / the moonrise broke the Darkest One."

It's possible that the Emerald Grove was the only circle that joined or was even asked to be in the battle, but perhaps the Enclave sent more. The Harpers needed an army, after all, and Jaheira says they numbered hundreds strong. Either way, the infamous Halsin Silverbough and his predecessor, the Archdruid in charge before him, are among the druids who join the army, though they never meet Jaheira in the battle.

Jaheira: The Archdruid Halsin. Do not be surprised that I know your name - you fit a rather singular description. And one survivor of the shadow curse's fall ought to know another. Halsin: We never actually got to meet, when fighting Ketheric that first time. Jaheira: No. We were a host hundreds strong, after all. Until we were not.

With the druids and Harpers finally aligned, they can at last march on Reithwin and begin their siege.

So let me pause for a moment to confess that the battle itself is...hard to track. Some characters (Halsin, Jaheira) and some accounts suggest that the battle only takes up about one day. The battle seems to either be contained to the banks of the Chionthar, or it spreads into the town to eventually reach Moonrise Towers. Other accounts, like the Harper's Testimonial, suggest the battle raged for three straight days outside of Moonrise alone before Ketheric descended personally into the field. Notes and letters from the House of Healing suggest the siege may have taken even longer, because supplies dwindled to dangerously low levels. Trying to reconcile all these accounts is tricky.

It's important to note that sieging a town doesn't always mean active fighting, it just means cutting off supplies and travel, keeping everyone out, or keeping everyone in, so it's possible the town was under siege for much longer than the battle that was actually fought. So the following is my best interpretation for the events, in an order that makes semi-logical sense to me. Some of this is complete conjecture. But feel free to come up with your own timelines!

Shadow Vestige: You sense a faded memory of marching in an army against Ketheric Thorm. Victory seemed possible back then.

The plan is to lay siege to Reithwin Town and force Ketheric to surrender. Failing that, siege the town until the army is too weak from hunger to fight well, then push forward into Moonrise Towers and kill Ketheric.

Part of the Chionthar divides Reithwin from the rest of the village outskirts (as you can see on the map), making three bridges the only access into town if you're approaching from the east as the Harpers and druids would have done (unless, of course, you want to get wet or you can fly). On one side of the river is the town proper. On the other, Last Light Inn and several farms.

If the Harpers barricade the bridges, or the Justiciars build barricades to keep them out, then Reithwin is cut off from everything on the east side of the river. Cut off the farms, and Reithwin loses food. Cut off travel and trade from the east, and Reithwin is forced to look to the west for supplies...but Baldur's Gate is to the west, and Grand Duke Eltan is already suspicious. He will not be a friend to Ketheric Thorm. Reithwin is essentially (if not literally) boxed in.

It's a good siege plan...in theory, anyway. And if the Harpers lay siege while waiting for their army to grow, waiting for the druids to join them, etc., then it helps them in two ways. It starves out and weakens the enemy and gives them time to increase their own strength.

For a while, the seige seems to be working.

Whether it was the Harpers or the Justiciars who built the barricades and pickets along the bridge, Reithwin is now officially under siege, and trade and supplies start to trickle nearly to a stop. The number of travelers through the tollhouse drastically dwindles, until eventually it seems to be cut off entirely. Reithwin begins to suffer food shortages, enough that the veterinarian in town is forced to butcher some of the stable's horses to provide food. And it's not just horses, judging by the evidence we find elsewhere in town, like the missing pets posters and the pile of bloodied cat and dog collars outside of the tollhouse.

(Ugh I hate it so much. But the Harpers are determined to win. And yes, while some of the food shortage stuff could have been Ketheric failing at governing his town appropriately, a siege makes more sense to me.)

At some point (days? weeks?) Ketheric likely says enough is enough. The battle must begin or he will lose his town and his army to starvation, especially with winter quickly approaching. Alternatively, the Harpers themselves grow tired of waiting. They see that their siege is doing little to sway Ketheric and decide that the only thing left to do is attack.

Either way, the battle will begin on the morrow.

On the eve of the first day of the battle, many Harpers and druids bunk at Last Light Inn, likely including Jaheira and Halsin (who both remember the inn as it was before the shadow curse). Art Cullagh is also staying there. Whether he has already visited the House of Healing and lost his lute there is uncertain, though I think it's likely. Perhaps he visited before Reithwin was sieged, or visited during the siege but before the fighting started. Perhaps he is there in the inn when the Harpers toast one another the night before the battle. The Harpers no doubt expect a hard-fought but certain victory. I can only wonder what Art must have thought, watching them, if he was there that same night.

Shadow Vestige: You glimpse a young Harper on the eve of battle against Thorm, long ago. He and his comrades toast each other in Last Light.

The next day, the battle begins.

Ketheric is a remarkable general who understands how to rouse his soldiers. Minthara describes him, even a century later, as "everything a general should be - a charismatic leader with a brilliant strategic mind." He knows his soldiers and those who would volunteer to join his army are going hungry and are fearful of what the winter might bring to their seiged town. Whether they are Dark Justiciars or not, they're mortal. More mortal than he is. So he gathers them together to bolster their morale before the battle.

[A record of Ketheric Thorm's speech to his troops before his victory over the druids and Harpers.] Take this. You there, take this from me. That is gold, friends. Let those who are coveters and cravens among you take my gold and go. There's enough to keep you warm in winter. But in those cold and lonely winters to come, you will look into the bought flames in the purchased hearth and see a bargained-for peace, and then you'll realise that such a retirement comes at the price of pride. Go on and take it. Take it and go. Those who are not afraid and me? We won't stop you. But neither shall we know a winter in which the coin of regret is idly spent. Instead we shall know blood, and fury, and a triumph worthy of a flame reconcileable only with heaven, I swear it! Against us arrayed is a group of fools - let them be our bank vault! Let us raid them, friends! Let us grow rich on screams!

The Harper Testimonial suggests that Ketheric himself did not enter the battle until day three. I can imagine Ketheric giving such a speech and then watching from the towers (a good vantage point to view the battle below) as his Dark Justiciar army descends on hundreds of Harpers and druids, knowing that victory is well in hand. His Justiciars have trained hard and ritually killed a celestial being, after all. They are an elite force.

~1~ A Harper's Testimonial: The Last Stand of Ketheric Thorm, Chosen of Shar. [The pursuant text describes a battle between Ketheric Thorm's faithful and magical Harper forces.] I do not know what magic the Dark Justiciars summoned to our plane. But if it came from the Weave, then let it be cursed for eternity. For three days, we sieged the Towers. For three days, their darkbolts cleaved our ranks. And on the third day, as his men and woman at last began to fall, Ketheric entered battle.

(The Harper might be conflating the Towers with Reithwin itself, or perhaps I'm wrong about this theory and the Harper is only talking about a secondary battle that happened right outside the Towers. Either way, putting it here because the information is extremely relevant, but here's your warning that there's plenty of conjecture ahead!)

The Harpers and druids clash with the Justiciars on the east banks of the Chionthar, slaughtering each other around ballistae, barricades, and battering rams, trying to push forward across the bridges and docks that connect the tollhouse with the village outskirts. This is no mere skirmish. The ground is slick with blood as Dark Justiciars fight to keep the Harpers and druids from advancing forward into town and reaching Moonrise. Dead and wounded soon begin to litter the ground. The battle is so brutal that vestiges of it remain even a century later, identifiable at a glance.

Character comments regarding the centuries-old remains of the battle around the main bridge into the tollhouse. Astarion: This battlefield must've ran slick with blood - I can taste it in the air, even after so long. Lae'zel: There was a great battle here. The ground stained red with blood long dried. Gale: The site of no ordinary skirmish. This was once a battlefield, and a bloody one, too, judging by the number of bodies. Shadowheart: These aren't the remains of some skirmish - whole armies clashed here once. Wyll: A great battle was fought here - I can practically hear the din of blade against blade, axe against shield. Karlach: This is a battlefield. An old one, but still. Jaheira: Forces from the Emerald Grove. Many stood against Ketheric - only we lucky few survived him. Halsin: A great many druids once stood here to fight Ketheric Thorm. Few ever left. Minthara: Remains of those who stood against Ketheric in the past.

Dark Justiciars rain down darkbolts on the Harpers and druids, bolts of pure darkness that deal moderate damage and can daze the victim. Healers among the Harper and druid ranks begin to get overwhelmed by the amount of wounded. Many of the dead are left abandoned on the field, the fighting too intense to stop and take them away for burial. Most are never recovered.

As the battle rages on for one day, two days, three days, things are growing dire for the citizens inside the town, some of whom are cowering as the battle gets closer and closer, spilling out onto the streets of Reithwin and surging toward Moonrise Towers. The House of Healing is trying to tend to the wounded and the sick, operating as both a regular clinic and a war hospital. Because the siege (and now the battle) has stopped all supplies from entering the town, their potions and tonics are running dangerously low. Additionally, though the House of Healing should technically be offering aid to any wounded person, no matter their faith or creed, Ketheric issues an order that all Selûnites or Harpers must be turned away and that all healing items must be focused on Dark Justiciars alone—an order that his surgeon uncle, Malus, strictly enforces.

[This exhaustive log lists each and every patient to have sought healing in Reithwin, along with their ailments. The minor injuries and common diseases of the early pages give way to critical wounds and deep lacerations - the repercussions of battle. Several unbound scrolls have been slid among the final pages, demanding that healers turn away wounded Harpers and Selûnites, and reserve their tonics for wounded Dark Justiciars - on the orders of General Ketheric Thorm.]

(If Art Cullagh hasn't visited the House of Healing already, he likely can't now.)

The House is still operating as a clinic, accepting patients who come in with ailments or injuries, but they're ordered to essentially ignore them. Malus even forbids the use of sleep aids and anesthetics to ease the pain or passing of the elderly and mortally wounded. Soon they begin turning away even Sharran citizen patients, or leaving them untreated, like the husband of one Cleric of Shar who comes to the House of Healing to be treated for an unknown malady. The husband never realizes that he is suffering the damage that his wife should be getting as she takes on "whole troops" of Harpers single-handedly and walks away without a scratch. He dies, forgotten, either a victim of the shadow curse or of his wife's warding bond.

Things grow so dire that at least one nurse, Sister Anna Lidwin, pens a note to the Chief Chirurgeon (surgeon) of Harbourside Hospital (which is itself kinda sketchy) requesting aid. Potions, herbs, clerics, anything that can help.

To: Chief Chirurgeon, Harbourside Hospital, Baldur's Gate From: Sister Anna Lidwin, Darkcloak, Reithwin House of Healing URGENT! Dear Sir or Madam, We have reached dire times in Reithwin. War has come. Do you not teach that it is our duty to mend all who break, comfort all who ail, without regard for the gods they worship or the champions they heed? Yet our surgeon Malus Thorm abides by his own creed. 'The will of Shar', he might say, and I dare not argue with him - or any Thorm. He allows supplies to dwindle, leaves some patients' injuries to fester so he may 'study', and commands me to nurse only Dark Justiciars that seek treatment. I beg you, Sir or Madam - please deliver us aid, so I might close every tear and cleanse every wound, even those of Harpers and Selûnites. We will humbly accept all you can offer: potions, herbs, sutures, even clerics. Help us to heal. With gratitude, Anna Lidwin

The letter is never sent. It lies abandoned in the House of Healing even a century later. Perhaps she wrote it on the final day of battle and was caught by the shadow curse as she was trying to tend to the wounded.

For the Harpers and druids, the battle has taken a turn for the worse. Ketheric's Dark Justiciars seem overwhelmingly powerful and the damage this battle is doing is only increasing, especially as it spills into town. Eventually, the Harpers weigh the cost of victory and elect to surrender. They get Khelben Arunsun, the Blackstaff himself, to write the surrender letter (whether he was physically there at the battle or not is uncertain).

Ketheric denies the surrender.

General Ketheric Thorm: It is with heavy heart that I must announce the surrender of the Harper forces and its allies to your Dark Justiciar army, under unanimous agreement. 'Harpers work against villainy and wickedness wherever they find it…' So states our code, and so here have we acted. But I also know, all too well, how the statement continues: '… but they work ever mindful of the consequences of what they do.' We cannot be party to the suffering of the people of Reithwin, and indeed, of the great loss of life that this war will visit upon the Sword Coast - and, perhaps, beyond it. So it is written, and so let it be done, Khelben Arunsun, on behalf of the High Harper Council and its allies. [Two words are slashed across the bottom of the scroll:] SURRENDER DECLINED

Ketheric rejects the surrender and clamps it in the jaws of some poor dead soul whose head or skull is then set on a pike at the battlefield (knowing him, it was probably the messenger who brought the surrender letter). The Harpers and druids keep fighting. They have no other choice. It's fight or be slaughtered.

It's the third day. Something has shifted in the ranks. Dark Justiciars are falling in battle, and for once, reinforcements aren't coming. Unbeknownst to the Harpers and druids, an infernal force is destroying Justiciars in Grymforge and in the Gauntlet of Shar. The Harpers and druids at last have a fighting chance.

And that's when Ketheric joins the battle.

The details of this part of the battle are lost to time. We know from Minthara that Ketheric is absolutely fearless in battle. She describes him as a man who leads his troops from the front and cuts through the enemy “like a scythe through stalks.” I suspect that even back then, when the blows and arrows rain down on him as they do when Minthara fights with him a century later, he does not readily fall or falter. With immortality practically guaranteed, he likely butchers more Harpers and druids than they dared imagine possible for one man. The hundreds that made up the original army of Harpers and druids have been winnowed and cut down until only, as Jaheira says, a lucky few remain. The dead number so high for Halsin that he says it would take him a day and night recite all the names of the friends he lost in this battle.

But eventually, somehow, the Harpers and druids at last defeat Ketheric and eliminate all the remaining Justiciars that are still fighting topside. Ketheric suffers a seemingly mortal wound and falls. He utters a "final curse" as he dies and then withers, according to one Harper at least. The effects of this spoken curse are not immediately apparent. For now, the Harpers and druids feel they have won a victory at last, but the curse, whatever it is meant to be, clearly spooks them. Perhaps they think that by sealing Ketheric in the mausoleum, they can avoid the effects of his last dying words.

The Harpers drag Ketheric's corpse from the battlefield and leave him in a tomb in the mausoleum. Jaheira (and possibly Halsin) personally helps other Harpers and Druids seal the mausoleum doors using arcane sigils.

Player: If he's back, perhaps you should have hit him harder in the first place. Jaheira: Believe me - he was well and truly dead. I locked his corpse in the Thorm mausoleum myself.

Halsin: These sigils...druids and Harpers alike tried to seal away Ketheric Thorm in his foul tomb. To no avail.

The remaining Harpers and druids think that this final act of sealing Ketheric away signals a hard-won victory. Jaheira and the other Harpers turn to the task of removing bodies from the battlefield to bury them at Last Light. Halsin and the other druids likely also focus on tending to their dead and wounded, while the surviving citizens of Reithwin breathe unsteady sighs of relief or resignation...until the late autumn air suddenly takes on a midwinter chill.

The shadow curse is only just beginning.

———

Tags for those who wanted the update! @fingons-rad-harp @stuffforthestash

Feel free to request a tag update for Part 3!

#bg3 #bg3 lore #bg3 meta #bg3 critical #bg3 discourse #my thoughts #deep dive #long post #super long post #ketheric thorm #halsin #halsin silverbough #jaheira #do not ask me how many times I rearranged sections and images #each post has me feeling more and more like that guy in always sunny in philadelphia #just red string and papers and pepe silvia but make it bg3

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