#Dhunu

[aashisheyeish]

SCRIPT 1

It was cold November, as soon as he woke up his mother who was on her 30s told him that his was coming. 'Hurry up Bhuwan, he may already have arrived in city. Go and pick him up' mother told the boy. Bhuwan is 11 years old. He woke up scratching his eyes and belly. There was fog that morning. He picked up the old by cycle that his father had left. He sprinted his bicycle towards the city road. His hand were freezing in that cold but the sense that he is seeing his father after two years, imagining gifts his father had bought for his made his heart warm as he sprinted more. 'Can't you see your eyes' the motorcycle guy shouted at him. ' I'm so sorry Dai' the boy said. He had crashed his cycle with the motorbike. First tyre of his bicycle went flat due to crash. He searched the market and couldn't found him. People were still staring at him. He thought for a second 'Maybe father is already home by Auto'. He paddled his cycle towards home. 'Dhog gare dady' bhuwan said. 'Bhaggemaani bhayes' his father blessed him. The house was filled with happiness and joy. His little sister about 6 years old asked on excitement 'Malai k lyaaidinu bhayo dady'. 'Chhori lai luga chha' father said as he handled his luggase to Bhuwan. 'Haat dhunu dady ma khaana paskhinxu' mother said. Bhuwan and his sister were searching there gits on each of the luggage. 'Yo ta malai thulo hunxa ni kaabaata leraw aaunu bhayo' bhuwan said to his father.

'Kathmandu ko dai ko chhora ko ho talai hunxa ki bhaneraw lyaaideko' his father told him. Bhuwan was happy that beacause he was wearing Denim jacket for the first time.  He had also a old calculator with alphabets on them. He had never seen those on his entire life. He was amazed and happy. He used to bring the calculator to show it to his friends. He had made more friends in his school more than he could before all because  of the calculator. He liked the coconut oil and Dates his father brought from Bangalore.

Bhuwan study in class 3. He ...enjoy playing marble, post card with pictures of wrestler

#reallife #lifestory #nepal #poem

[girlsrepresent]

Village Rockstars (dir. Rima Das, 2017)

Ten-year-old Dhunu (Bhanita Das) lives in poverty in a village in Assam, India. She dreams of owning a guitar and forming a band with the local boys.

#village rockstars #filmedit #indian film #girlsrepresent #bhanita das #dir: rima das #star: bhanita das #2010s #2017 #india #comedy #drama #girl rockers #south asian girls #indian girls

[luanmorina]

Se7en (1995)

Sa nga ne i dimë shtatë mëkatet e pafalshme pa marrë parasysh preferencat fetare? Ndoshta pse nuk i përmendim shumë mëkatet, kemi vjedhës serik, të korruptuar serik, dhunues serik, lakmues serik, e shyqyr Zotit nuk kemi vrasës serik. Si shumëçka tjetër me konotacion negativ, edhe mëkatet merren si të njohura për të gjithë, sa që harrohen me kalimin e kohës duke mos u përmendur. Por, edhe këto…

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#david fincher #Filma #se7en

[lokkesari]

LIBRA Rashifal - तुला राशि(रा,री,रे,रु,रो,ता,ती,तू,ते)Aaj ka rashifal - आज का राशिफल,24 जून 2021, ब्रहस्पतिवार,शुक्ल पक्ष,पूर्णिमा तिथि 24:11 तक,ज्येष्ठा नक्षत्र 09:11(एम) तक,चंद्रमा वृश्चिक राशि में 09:11(एम) तक पश्चात धनु राशि में,दिशा शूल - दक्षिण दिशा, Haridwar - Uttarakhand.

New Post has been published on https://lokkesari.com/libra-rashifal-libra-amount-ra-rey-rey-rowe-rowe-te-te-te-te-te-te-te-te-te-tue-24-june-2021-brahsprutivar-shukla-party-purnima-date-2411-jyeshtha-nakshatra-09-11-m-dhunu-in.html

LIBRA Rashifal - तुला राशि(रा,री,रे,रु,रो,ता,ती,तू,ते)Aaj ka rashifal - आज का राशिफल,24 जून 2021, ब्रहस्पतिवार,शुक्ल पक्ष,पूर्णिमा तिथि 24:11 तक,ज्येष्ठा नक्षत्र 09:11(एम) तक,चंद्रमा वृश्चिक राशि में 09:11(एम) तक पश्चात धनु राशि में,दिशा शूल - दक्षिण दिशा, Haridwar - Uttarakhand.

LIBRA – तुला राशि (रा,री,रे,रु,रो,ता,ती,तू,ते)

तुला राशि – Libra – राशिफल तुला (तुला) राशि के तहत पैदा हुए लोग आज साहस में वृद्धि करेंगे।आज और अधिक उत्साह और उत्साह रहेगा।आज ऑनलाइन कारोबार में सफलता मिलने की संभावना है।आमदनी बढ़ने का योग है।मेहनत के साथ-साथ स्मार्ट वर्क पर भी विशेष ध्यान देने की जरूरत है। विपरीत परिस्थितियों में खुद को शांत रखने की कोशिश करें काम में फायदा होगा।आज अपनी जिम्मेदारियों को ठीक से निभाने का प्रयास करना होगा।आज सहकर्मियों के साथ मिलकर काम करने की कोशिश करें।अपनी पूरी क्षमता से कम के लिए मत जाओ।स्वास्थ्य के प्रति सचेत रहें और भीड़-भाड़ वाली जगहों पर जाने से बचने की कोशिश करें। जो छात्र प्रतियोगी परीक्षाओं की तैयारी कर रहे हैं उनके लिए दिन बहुत अच्छा रहेगा।परिवार में खुशनुमा माहौल बना रहेगा। वैवाहिक जीवन साथी और प्रेम जीवन में लव पार्टनर के साथ संबंध आज मधुर रहेंगे और आप रोमांटिक समय बिता पाएंगे। कोई पुरानी याद आज मन को छू सकती है।

Libra – तुला राशि आज आपका शुभ रंग हरा है और आपका शुभ अंक 9 है। यदि आप आज किसी शुभ कार्य के लिए पूर्व दिशा में जाते हैं तो यह आपको शुभ फल देगा।

Thursday- गुरुवार गुरु ग्रह की शांति के लिए हल्दी ,सोना ,पीला कपड़ा, पीली वस्तुओ आदि दान करना शुभ माना जाता है । गुरु मन्त्र का जाप करना भी लाभ कारी होता है ।(मंत्र ;ॐ ग्रां ग्रीं ग्रौं सः गुरवे नमः ) गुरूवार को उपवास करना चाहिए।( पुखराज रत्न धारण करना शुभ होता है ) दरिद्र ब्राह्मण सेवा गौ सेवा मंगलकारी होती है

आज प्रातः काल सूर्योदय समय ग्रह स्थिति

Aaj ka greh gocher (आज का ग्रह गोचर) Thursday गुरुवार 24 जून 2021

सूर्य -मिथुन राशि ,चंद्र – वृश्चिक राशि में 09:21(एम) तक पश्चात धनु राशि में,मंगल – कर्क राशि, बुध – वृष राशि,गुरु- कुंभ राशि,शुक्र – कर्क राशि, शनि -मकर राशि,राहु -वृष राशि ,केतु -वृश्चिक राशि

24 JUNE 2021 Thursday

अशुभ समय – राहुकाल – १४:०५ से १५:५० तक

शुभ समय – अभिजीत नक्षत्र ११:५१ से १२:४७ तक लाभ चौघडिया – १२:१९ से १४:०५ तक शुभ चौघड़िया – ०५:१७ से ०७:०२ तक,१७:३६ से १९:२१ तक अमृत चौघडिया – १४:०५ से १५: ५० तक चर चौघडिया – १०:३४ से १२:१९ तक

केसरी ज्योतिष(9105886840)

[apelmedia]

Presidenti Ilir Meta ka përgëzuar gazetarin Adi Krasta për monologun e mbajtur në mbështetje të kauzës së mbrojtjes së Teatrit Kombëtar. Ai shprehet se Adrian Krasta është përfaqësuesi më i denjë i fjalës dhe i mendimit të lirë, një nga intelektualët më të shquar dhe zëdhënës i rëndësishëm i opinionit publik e kombëtar, i cili ka spikatur gjithmonë si kritik i pakompromis i abuzimeve me pushtetin në çdo kohë. “Monologu i tij i fuqishëm dhe brilant, në mbështetje të kauzës së mbrojtjes së Teatrit Kombëtar ka marrë dje duartrokitjet e merituara dhe ka bërë jehonë të madhe pikërisht për shkak të fuqisë së fjalës së lirë në mbrojtje të të vërtetave. Duke e falenderuar me mirënjohje Adrian Krastën për përfaqësimin dhe solidaritetin e shkëlqyer me kauzat qytetare e kombëtare, po ndaj me ju monologun e tij të mbajtur dje në skenën e Teatrit Kombëtar, simbolit frymëzues të rezistencës së popullit ndaj abuzimit me pushtetin”, shkruan Meta. MONOLOGU I ADRIAN KRASTËS NË SKENËN E TEATRIT KOMBËTAR Që nga koha kur u mendua gabimisht se shoqëria civile korri një fitore të madhe kundër sjelljes së plehrave kimike në fillim të kësaj qeverisjeje, nuk pati ndonjë betejë që të tregojë muskujt dhe zemrën e qytetarit të zakonshëm, që sillet tej pasionit politik. Qeverisja bëri atëherë një tërheqje të padëmshme për të dhe njerëzit lanë të lumtur sheshin drejt padijes së tyre. Sot, plehrat e rrezikshme, inceneratorët, drogat e forta, trafikantët, bashkiakë e deputetë me rekorde krimi, vrasës dhe dhunues të shëmtuar të grave, janë ulur këmbëkryq në trupin e një territori të vogël, që e quajmë me hipokrizi Atdhe i dashur e asnjë nerv lirie, reagimi apo dashurie nuk zgjohet më. Është vdekja e paguar e shoqërisë civile, për të cilën na u kërkua qysh në krye t’i rrëfenim atij varrin ku të vendoste lulen e triumfit. Por deri para dy vjetësh… askush nuk mendoi se do të ishte një ndërtesë e lodhur por e bukur e një kompleksi, ku do të lindte ndoshta kauza më domethënëse dhe komplekse e 30 viteve të fundit: ajo për ruajtjen nga prishja dhe plaçkitja e Teatrit Kombëtar të Tiranës dhe e gjithë Shqipërisë. Është ai çast kur është kauza që gjen njeriun dhe e kthen në një kudhër zemërate dhe q https://www.instagram.com/p/B9eXAsLJrh-/?igshid=ybcituizr6ji

[devlibrary]

Class 7 English Chapter - 6 Dhunu's Guitar Solution - ইংৰাজী

Class 7 English Chapter – 6 Dhunu’s Guitar Solution – ইংৰাজী

Class 7 English Chapter – 6 Dhunu’s Guitar Solution – ইংৰাজী download to each chapter is provided in the list so that you can easily browse throughout different chapter Class 7 English Chapter – 6 Dhunu’s Guitar Solution – ইংৰাজী Download and select needs one.

Class 7 English Chapter – 6 Dhunu’s Guitar Solution – ইংৰাজী Assam BoardAll subjects are available on our website for your convenience,…

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[vsplusonline]

https://timesofindia.indiatimes.com/

New Post has been published on https://apzweb.com/https-timesofindia-indiatimes-com-12/

https://timesofindia.indiatimes.com/

MUMBAI: Rima Das National Award-winning film “Village Rockstars”, which was Indias entry to Oscars 2019, has now been included as a chapter in the English textbook of schools in Assam.

“My dad was a school teacher and my mom ran a printing press. I was preparing to be a teacher. We’ve been a family that placed a lot of emphasis on education. Of all my achievements, my parents are most proud of this one and this has made me very happy. The entire ‘Village Rockstars’ team is very happy!” said Das.

The story of the film is now part of the standard VII English textbook in Assam. The chapter ‘Dhunu’s Guitar’ talks about the journey of the film and narrates its story.

In April 2019, the SCERT team was developing the new middle school textbooks under the leadership of Dr Mizo Prova Borah. Professor Padmini Baruah, the reviewer, felt that the children in Assam could learn from Rima Das’ journey, and become familiar with the slice of Assam her film had brought home.

They approached Rima and she agreed. Mizo Baidew, with the complete support of the SCERT director Dr Nirada Devi managed to put the official procedure in place, and so history was made.

“I feel blessed that the children of Assam will be exposed to new ideas and get a glimpse of my filmmaking journey. I hope to see a new generation of filmmakers from Assam. Many thanks to Toronto International Film Festival who premiered ‘Village Rockstars’ and believed in us”, Das added.

“Village Rockstars” tells the journey of 10-year-old Dhunu, who comes from a humble village background in Assam and dreams of owning a guitar. Das’ films “Village Rockstars” and “Bulbul Can Sing” premiered on Netflix earlier this year.

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#Career

[rrjetat-online]

Si është shkolla sot do tjtëetë shoqëria nesër nga Vladimir Duraj

Si është shkolla sot do tjtëetë shoqëria nesër nga Vladimir Duraj

Une, nje djale i rregullt, kurrsesi dhunues, nder me te miret e klases ne sjellje e mesime, ne vit te pare ne Politeknikum kam goditur me pellembe nje shoqe klase ne sy te te gjithe klases. Edhe pse me pas shoqja ime e mire pohoi me bindje se e kishte hak ate pellembe, mua m’u thye nota ne sjellje dhe shpetova per qime nga perjashtimi nga shkolla

Sa me siper ishte ngjarja me e rende qe ndodhte ne…

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#Shkolla

[ashoksoundrajkot]

[headlines-twentyfour]

It was raining when I ducked into a café to meet Rima Das in Oshiwara, Mumbai. She was sitting in a long brown dress against a pastel-green wall. Outside, rain was falling over grey buildings, autorickshaws and goats waiting for slaughter. Her feature film, Village Rockstars, glistens with rain: it is destructive and restorative, it ravages a village, it sticks to bodies like a second skin, it is the backdrop for a young girl, Dhunu, who plays with a Thermocol guitar and dreams of a real one in the languid greenness of Chhaygaon in Assam.While Village Rockstars is India’s official entry to the 2019 Oscars, Das’s latest film Bulbul Can Sing premiered at the Toronto International Film Festival (TIFF) in September.“I never thought in my wildest dreams that I would be making movies. I thought movies were to be watched, not made,” says Das, 38, who came to Mumbai to act, but stumbled on world cinema through a CD hawker who brought to her doorstep Satyajit Ray, Majid Majidi and Abbas Kiarostami. “That’s when I realised I could also make movies like that.” 66297217 She was not just the director but writer, cinematographer, editor and production designer of both the films. She is not professionally trained in any of it. She learned filmmaking from the internet — by watching movies and listening to interviews of filmmakers; cinematography from YouTube; and editing mostly by following the "rhythm of the story”."I haven't thought of myself as a woman filmmaker. We make films based on what we see and what we experience. Film is a mirror. So, of course, when I make movies, women’s issues will also be there,” says Das, whose Dhunu claims an equal earth, sky and music with the boys. Her poor, widowed mother stands by her as she climbs trees, swims in the river and dreams of a guitar. “Village Rockstars is a film that addresses feminist issues but in a very casual way,” says Meenakshi Shedde, South Asia consultant to the Berlin Film Festival.Bornila Chatterjee, who directed the film The Hungry, says, “It is important for women to tell their stories. For so long, women have played second fiddle to male characters. Village Rockstars is a very important film, because that little girl and her widowed mother are not characters you necessarily see onscreen.”Rima Das has begun her Oscars journey with Rs 1 crore she has got from the Assam government — she has hired a Los Angeles-based publicist and is flying down for the screenings early next month. Nandita Das’ Manto was screened at Cannes this year in Un Certain Regard section, and Meghna Gulzar’s Raazi was a sleeper hit, reportedly making Rs 100 crore at the box office.This is an extraordinary moment in Indian cinema when a wave of women filmmakers is making their mark. Never before, it seems, have so many women been making so many movies in this country. They include Rima in Assamese; Vidhu Vincent and Anjali Menon in Malayalam; Shital Shah in Gujarati; Sumitra Bhave (who co-directs with Sunil Sukthankar) and Pratima Joshi in Marathi; Nandita, Alankrita Shrivastava, Meghna Gulzar, Reema Kagti and Gauri Shinde in Hindi; Ananya Kasaravalli in Kannada; Sudha Kongara and Gayatri (one half of the Pushkar-Gayatri duo that directed Vikram Vedha) in Tamil; Churni Ganguly in Bangla and Konkona Sensharma in her multilingual film A Death in the Gunj. They have stormed a patriarchal industry and are chipping away at the tired old frames of women. Most of them are also shifting the camera away from his stories and a fetishisation and glorification of his heroisms. Their gaze is important — in the way they look at women. And men. And the world.A Fine BalanceAnjali Menon, for instance, seems to be looking for a more equal man-woman bond in her cinema — and she finds them outside romantic relationships. She is the first woman in the Malayalam film industry to direct a blockbuster: Bangalore Days (2014). It is about three cousins — a young woman and two young men finding themselves in a metropolis. It was Menon’s second feature, but a thread runs through all her three feature films so far, including her debut Manjadikuru (Lucky Red Seeds), a dark ode to childhood, and the recent Koode (Together), about a sister’s ghost taking a ride with her brother in a battered Volkswagen van. 66297411 Menon places an extraordinary emphasis on fraternal relationships where male-female relationship is on equal terms. Even when her films culminate in a celebration of romantic love, these brother-sister ties and childhood friendships are at their very heart. “I see immense potential in these relationships for drama and find it surprising that we don’t often see them portrayed. Besides romantic love, there are many equations that deserve to be on screen,” says Menon. When she writes a script, she says, she tries to maintain a balance that is more real when it comes to the strength and sensitivity of characters. “As someone has said, in real life we rarely see men as strong as our film heroes and women as weak as our film heroines. It is time for that to change. Let us have a more realistic portrayal.”Her films also hint at half-hidden scars: from domestic abuse to child sexual abuse (both are suggested in Manjadikuru and Koode). “I find it weird that in films we often see violence in a fantasy mode — for example, a male hero beating up 20 goons in some market — but shouldn’t we show it where it really happens? Inside our homes where the perpetrators are not some mean-faced villains from elsewhere but family members,” says Menon. She’s the HeroOne sees a de-machoisation in the works of most of these filmmakers. Konkona Sensharma’s movie simultaneously shows how destructive machismo can be and how misplaced are the binaries of strong man/ vulnerable woman.In some of the films, the hero is often the girl, the woman. While Rima was shooting her village rockstar Dhunu in Assam, in Kerala Vidhu Vincent was telling the story of a manual scavenger’s daughter, Shalini. That film, Manhole, rattles the viewer with a gritty genuineness. “Manual scavenging is usually done by men in Kerala. But I was also concerned about the stories of their wives and daughters. How do girls think of their identities?” says Vincent, 43, who adds, “I will only tell women’s stories. More than enough his stories have been told.” 66297364 The film won for Vincent the Kerala State Award for Best Director — the first for a woman — in 2016. The film was also the first by a woman director to be screened in the competition section of the International Film Festival of Kerala (IFFK) where it won awards for the Best Malayalam Film and the Best Debutant Director.Yet, she was at the receiving end of criticism when the aesthetics of her sparse film was questioned by male filmmakers. She asks: “When you watch a Mani Ratnam film, it is all beautiful — the frames, lighting, camera. The heroine’s face is perfect in every shot. But aesthetics doesn’t mean making everything pretty. Aesthetics created merely by technical expertise has to be questioned. When you are trying to say something hard-hitting, it should be done by frames that disturb. My film is about shit. It needs a different aesthetics.”The very presence of a female filmmaker is important in a space where men have called the shots, says Vincent: “There are very few women in this industry so we have to stay here. A movie set is also about power. The question that gets asked is, can a woman command the set? It is important for women to reach that power centre.”No Reservations, PleaseMeghna Gulzar says she is not comfortable with the label “woman filmmaker”. Her latest film Raazi has a woman in the lead — Alia Bhatt playing Sehmat, an Indian spy in Pakistan, whose tip-off saves INS Vikrant — while her earlier film Talvar is a layered, multiple-perspective, clinical look at a sensational double murder, based on the Aarushi Talwar case. Gulzar says gender has little to do with gender sensitivity. 66297580 “I wish the label of woman filmmaker wasn’t there. I don’t want a lady’s seat reserved for me. One should be known on the basis of one’s movie. Some of the most women-centric, progressive movies have been directed by men. 66297586 Lamhe, for instance. Sensitivity has little to do with gender and a lot to do with people’s individual sensibilities.” Marathi costume-designer-turned-filmmaker Pratima Joshi agrees: “A director has no gender. We have to stand amongst everyone else. There are no separate theatres where they only play women filmmakers’ movies.” 66297721 Numbers MatterIndia has had a significant number of women making feature films ever since Fatma Begum directed Bulbul-ae-Paristan in 1926.They have changed and challenged the norms in their own ways, confirmed in their own ways and sometimes done a little bit of both: Savitri, TP Rajalakshmi, Vijaya Mehta, Kalpana Lajmi, Sai Paranjpe, Aruna Raje, Prema Karanth, Santwana Bordoloi, Aparna Sen, Mira Nair, Deepa Mehta, Farah Khan, Kiran Rao, Anusha Rizvi, Revathi, Shonali Bose, Geetu Mohandas, Zoya Akhtar, Reema Kagti, Ruchika Oberoi, among many, many others.The growing numbers are facilitated in part by the digital camera that has reduced the cost and levelled the field and in part by the sheer determination of these women who follow their vision and ambition. These numbers matter.Writer and filmmaker Paromita Vohra says, “Sheer numerical representation creates a diversity of viewpoints and styles in art. It creates a critical mass of approaches that modifies the mainstream idea of how films should be made, and it impacts the taste of audiences.Women’s work as artists is not limited to their exposition of gender; it is their perspective on world, life and people. As audience, we gain if there are diverse voices. So it’s significant to have them there.” 66297711 Ananya Kasaravalli, whose debut feature film Harikatha Prasanga explores the internal conflicts of a male Yakshagana artist who plays female roles, says the dynamics is changing even in film schools. “When I studied in LV Prasad Film & TV Academy in Chennai, out of 10 direction students, four were women. Kannada cinema, too, is changing with women technicians and art directors coming up.” Women should make all kinds of films, says Vaishnavi Sundar, Chennai-based filmmaker and founder of the online forum Women Making Films.“Not all women need to make feminist films. It can be very stifling if we want to make the right film for the entire gender.” A lot of women must come forward even if they make bad films, she says. It is something Vohra stresses on. When three women and a hundred men are making films, women are under greater scrutiny and their failures are magnified and typecast in the most facile way.Beyond WomenWhen Shital Shah wrote and directed her first Gujarati movie, she did not look for a woman-oriented subject. Hu Tu Tu Tu, which was released in 2016, is about a scam in the Ahmedabad commodities market. “When I introduced the subject to producers and distributors, they were surprised that a woman was making a movie on the commodities market. ‘We thought you’d be making something on a woman-oriented subject,’ they said. It never struck me until then that people associated our gender with certain subjects,” says Shah. “My film didn’t have women in the lead. It was a story of two men in their 30s.” 66297690 Shah started her acting career with Hindi soaps over a decade ago. “I worked as a lead actor in 21 films: three in Tamil and the rest in Hindi. Only seven released,” says Shah, whose parents pushed her to make a movie — and act in it. “When it ran for 100 days in Gujarat’s theatres, I did not have to prove anything more to anyone.” It also won eight state awards, including for the second best film and the second best director.Shah has floated a studio to make Hindi and regional movies, and started a film school in Ahmedabad. She is also ready with her next script. “I just want to make films. I don’t think people go to the theatre looking at the gender of the filmmaker.”Nandita Das’ movies go beyond gender. In her first film Firaaq (2008), she looked at the worst communal violence of contemporary India — the Gujarat riots — while a decade later, in Manto, she searched for its roots through the greatest chronicler of its madness. 66297486 Her characters walk in the shadow of violence. “What intrigues me is how violence impacts us all. While both my films are set in times of great violence, there is no violence in the films. What is interesting, for me, is to see what violence leaves behind and how fear manifests because of it.”Even in this canvas, she is very careful in allotting space to women and men. In Firaaq, men and women are equally affected and unaffected by violence. Manto is as much about the writer as it is about the women around him — his wife Safia, his daughters, the writer Ismat Chughtai, the sexually exploited girl and the prostitutes who leap out of his stories and populate the screen. “Gender-sensitive films do not necessarily have to be women-centric,” says Nandita. “More importantly, the representation of women needs to reflect the diverse reality. I have often been asked why neither of my films is women-centric. For one, women are impacted by all things in the world just as men are. Therefore, I have chosen to respond to issues that concern me. Secondly, in both films, the characters of women need to be judged not by their screen time but by their layered portrayals.” 66297609 Even at industry events and meetings, people care for a woman’s point of view only when gender is discussed, says filmmaker Gauri Shinde. “I’ve been mansplained and interrupted in public forums because I haven’t been as loud as men. They only let you talk when the subject concerns gender. It’s sad.”It Ain’t EasyAlankrita Shrivastava’s Lipstick Under My Burkha has been lauded for the way it tries to capture women’s desire. It shows four women in Bhopal chafing against restrictions and savouring their delicious fantasies — a buaji reading erotica, a burkha-sewing girl wanting to turn into a small-town Miley Cyrus, a housewife moonlighting as a salesgirl and a beautician craving for bigger things. “I know people are not used to the stories I want to tell,” says Shrivastava. “There are female protagonists in Indian cinema, but women’s point of view is often missing because there are not enough of them behind the camera.” 66297598 You keep seeing women in movies as men see them, she adds, they are either virginal girls, or the vamp, or the Ma. “Popular culture needs to reflect the point of view of both men and women. 50% of the movies should be made by women. 50% of the movies should be about women. Only then will we have equal representation. Till then, the fight will remain about getting enough women in the room,” she says.Shrivastava was a long-time assistant of Prakash Jha, who has produced both Lipstick and her debut film Turning 30!!! She says Bollywood is not an easy place for women. “Indie cinema is much more open to women directors, but in mainstream Bollywood, you need a big male supporter. Most of the successful female directors have a strong male figure behind them — a famous father or husband. For a certain class of women, it’s almost impossible to make a movie here.”Shrivastava says it was tough to find a distributor for Lipstick. “I must have knocked on every studio’s door barring YRF and Dharma. Only Balaji supported me. Ekta Kapoor put her weight behind it. Balaji is also producing my next film. Apart from Ekta, Zoya Akhtar and Reema Kagti have supported me. It’s nice that women are looking out for each other.”There is only so much that mainstream Bollywood allows its women to do, says Shedde. “When it comes to feminist issues, it is not able to do what other regional movies are doing. The raw power is missing.”Those who have roots in Bollywood, like Farah Khan and Zoya Akhtar, have the luxury of getting half the industry to make a special appearance in their films. But it is not easy for many women to get superstars or big production houses involved in their ventures “Look at the budgets we work with,” cries Shrivastava. “A big film is considered more of a financial risk if it involves a woman filmmaker. Women often limit their ambitions in their head. It’s important that women make bigbudget films.” Vincent echoes her: “Producers are not very confident of women filmmakers.They seem to be wondering, will they finish the project?” Her first film was made on a shoestring budget of Rs 18 lakh, most of it funded by her father, and she is keeping her fingers crossed for her next which has a budget of Rs 80 lakh. The prejudice works at many levels. Shah says a pharma company, which was on board to do in-film branding, backed out four weeks before shooting. “I later found they were sceptical of a woman’s capability to pull off the project. I put all my earnings into it and my family pitched in. We spent Rs 1.25 crore in making and releasing the movie and made Rs 4.1 crore at the box office.”The filmmakers are relentless in proving many misgivings wrong and in claiming their share of screen and asserting their authority. Shinde says no one has ever been out of line on her sets. Vincent warned her crew against lewd or sexist jokes on the sets of Manhole. 66158205 #MeTooThis moment of more and more women filmmakers entering the industry is also marked by the #MeToo movement. Even before New York woke up to allegations of Harvey Weinstein’s sexual abuse, Kerala was shocked by the abduction and sexual assault of a leading heroine in February last year. Actor Dileep is accused of paying a gang to commit the act and make a video of it.Even before the first wave of #MeToo lashed Hollywood in October 2017, a handful of actors and filmmakers in Kerala had formed the Women in Cinema Collective (WCC) to fight for gender rights in the industry. Vincent and Menon are part of it. If WCC is a revolution by women, they are also made to pay a price for it.Vincent says, “WCC is a huge movement in a patriarchal society. Women are now pointing fingers in the film industry. People who invest in movies fear these fingers could turn against them as well. We are quietly being sidelined. Producers snidely say, ‘Oh you are with the big WCC. It’s better to keep our distance.’” Even Malayalam’s leading actor Parvathy, who acted in the Hindi film Qarib Qarib Singlle, told filmcompanion.in that roles are drying up for her and others in WCC: “See, none of us in the WCC are getting any offers. The minute WCC is attached to our name, we’re the odd ones out.”Vincent says, “I don’t know what will happen tomorrow. We are trying to make a mark in the industry; that should make it more women-friendly.”Some of the filmmakers are trying to balance work and family. Vincent has put her daughter, who is in Class IX, in boarding school before she gets neckdeep in her next film. Menon took a break of four years after the hit Bangalore Days to spend time with her young son.Says Vincent: “For women who call themselves feminists, personal is political. I will remain here. Our life is our statement.”(Additional reporting by Indulekha Aravind) 65699879 66242946 65935307 65865992 from Economic Times https://ift.tt/2PF1UEJ

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[cheapest-usps-eddm]

India's official entry to Oscars, Village Rockstar movie review is out now. Written, directed and produced, among other things, by Rima Das, Village Rockstars stars actors Bhanita Das and Basanti Das.

In a particularly subtle but heart-wrenching scene that depicts the aftermaths of flood, Basanti tells her daughter Dhunu that all their crop is ruined. The camera focuses on her face as she looks at her flooded land. Her dried up eyes and a lost sparkle in her voice move you because by now you have followed them in their day-to-day life and sort of lived in the world which is unfamiliar to most of us. You know how much it meant to the single mother. And when the curious Dhunu asks that the crop is ruined every year due to flood then why do farming again? Basanti replies, saying that it's their religion. There are many such gems that will leave a lasting impact on you. But, make no mistake, Rima Das' Village Rockstars doesn't demand your sympathy. In fact, it's a simple tale of finding beauty in simplicity, why it is important to dream and how a section of society, which we tend to ignore, live, rather survive, every day of its life. At 87 minutes, Village Rockstars sails smoothly. The storyline is simple. It's about a girl named Dhunu (Bhanita Das), who hails from a small village, Changaon, in Assam, and her dream of owning a guitar and forming her own rock band. The film has a lot of heart. For the most part, I found myself smiling watching the chronicles of Dhunu, her brother and his friends. The movie is almost a commentary on the several stereotypes in society. Our lead character, Dhunu, is an antithesis of all the norms a girl is expected to follow. She hangs out with boys, climbs trees, explores places, something which a girl is not allowed to do. In one scene, she is even scolded by village aunties who reprimand her to behave like a girl. What follows is a powerful scene where her mother Basanti rants about how it's no one's business how her daughter chooses to live her life. She goes on about how she is working hard for her kids so that they live the way they want. Basanti is a woman of substance who is doing everything in her capacity to fulfil her children's wishes. Even if it's to buy a guitar for her daughter. In another scene, Basanti is teaching Dhunu swimming but it is not for fun, leisure or desire but it's a necessity. Her husband and Dhunu's father had drowned during floods. It won't be wrong to call Village Rockstars a one-woman show, well sort of. The movie is produced, written, directed, edited by Rima Das and not just that, the cinematography, as well as the production design, is done by the talented filmmaker. The music is used very subtly throughout its narrative. Rima has beautifully captured the picturesque locales of this particular part of Assam. Another major win for the film is its star cast. It is surprising to see that all the actors in the film were untrained. Everyone is as natural as it gets, especially Bhanita Das and Basanti Das. Both their characters are two ends of a spectrum, Dhunu, full of dreams and hopes, for whom possibilities are endless. And Basanti who is making ends meet to make sure that her daughter can dream as big and as much as she wants. On the downside though more than Dhunu, the lead character, I was moved by Basanti, her mother and her life choices. Overall, Village Rockstars is like a poetry in motion. It is not everyone's cup of tea and demands you to completely surrender yourself to its world. But once you do, you will find yourself engrossed in it with a twinkle in your eyes. You will be transported back to the simpler times and will be charmed by its old world. By the end of it, you are bound to leave the theatre with a smile on your face. A beautiful tale of hope and dreams. Rating: 3.5 stars

#Village Rockstars Movie Review: India's official Oscar entry is a beautiful tale of hope and dreams

[rkbahuja]

Rima Das’ National Award winning film Village Rockstars to release Pan-India on 28th September 2018

Rima Das’ National Award winning film Village Rockstars to release Pan-India on 28th September 2018

After vowing critics and audience internationally, National Award winning filmmaker Rima Das’ Assamese feature, ‘Village Rockstars’ is slated for Pan-India theatrical release on 28th September 2018.

Village Rockstars is the story of Dhunu, a girl who grows up in poverty and learns to fend for herself. However, that does not prevent her from following her dream of forming a rock band and owning…

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#film release #PVR Pictures #Rima Das #BookMyShow #Village Rockstars #Kamaakhya Films #VKAAO

[lokkesari]

TAURUS Rashifal - वृष राशि(ई,ऊ,ए,ओ,वा,वी,वू,वे,वो) आज का राशिफल,24 जून 2021,ब्रहस्पतिवार,शुक्ल पक्ष,पूर्णिमा तिथि 24:11 तक,ज्येष्ठा नक्षत्र 09:11(एम) तक,चंद्रमा वृश्चिक राशि में 09:11(एम) तक पश्चात धनु राशि में,दिशा शूल - दक्षिण दिशा, Haridwar - Uttarakhand.

New Post has been published on https://lokkesari.com/taurus-rashifal-aries-e-u-o-o-o-wu-wu-wu-way-vo-todays-rashifruit-24-june-2021-brahsprutivar-shukla-para-purnima-date-2411-jyeshtha-nakshatra-09-11-m-dhunu-in-the-zodiac-disha-s.html

TAURUS Rashifal - वृष राशि(ई,ऊ,ए,ओ,वा,वी,वू,वे,वो) आज का राशिफल,24 जून 2021,ब्रहस्पतिवार,शुक्ल पक्ष,पूर्णिमा तिथि 24:11 तक,ज्येष्ठा नक्षत्र 09:11(एम) तक,चंद्रमा वृश्चिक राशि में 09:11(एम) तक पश्चात धनु राशि में,दिशा शूल - दक्षिण दिशा, Haridwar - Uttarakhand.

Taurus – वृष राशि (ई,ऊ,ए,ओ,वा,वी,वू,वे,वो)

वृष राशि – Taurus – राशिफल वृष राशि में जन्म लेने वाले लोग आज किसी समस्या का समाधान निकालने का प्रयास कर सकते हैं।मन में कुछ असंतोष रहेगा।व्यापार में आज उतार-चढ़ाव की संभावना है।लेकिन आज मनोबल बनाए रखने की कोशिश करें।निवेश से दूर रहें,आज आपको लाभ होगा। कार्यक्षेत्र में आज बॉस या अधिकारियों के साथ अच्छे संबंध बनाए रखने का प्रयास करें।आज सभी काम समय से पूरा करने का प्रयास करें।किसी के भरोसे मत रहो। आज ज्यादातर दिन मौन में काम करने की कोशिश करें।पीठ की समस्या, पैर की समस्या हो सकती है,इसलिए आपको स्वास्थ्य के प्रति काफी जागरूक रहने की जरूरत है।आज अपने माता-पिता की सलाह मानने का प्रयास करें और आपको लाभ होगा। आज आप कुछ खरीदारी कर सकते हैं,लेकिन ध्यान रहे कि बेवजह खर्च करने से अगली बार आर्थिक संकट आ सकता है। विद्यार्थियों को आज अपना अधिकांश समय पढ़ाई में लगाना चाहिए।अगर आप आलस्य को खत्म करते हैं तो आज आपको अच्छे परिणाम मिल सकते हैं।

Taurus – वृष राशि आज आपका लकी रंग भूरा है और आपका लकी नंबर 1 है। यदि आप आज किसी शुभ कार्य के लिए पूर्व दिशा में जाते हैं तो यह आपको शुभ फल देगा।

Thursday- गुरुवार गुरु ग्रह की शांति के लिए हल्दी ,सोना ,पीला कपड़ा, पीली वस्तुओ आदि दान करना शुभ माना जाता है । गुरु मन्त्र का जाप करना भी लाभ कारी होता है ।(मंत्र ;ॐ ग्रां ग्रीं ग्रौं सः गुरवे नमः ) गुरूवार को उपवास करना चाहिए।( पुखराज रत्न धारण करना शुभ होता है ) दरिद्र ब्राह्मण सेवा गौ सेवा मंगलकारी होती है

आज प्रातः काल सूर्योदय समय ग्रह स्थिति

Aaj ka greh gocher (आज का ग्रह गोचर) Thursday गुरुवार 24 जून 2021

सूर्य -मिथुन राशि ,चंद्र – वृश्चिक राशि में 09:21(एम) तक पश्चात धनु राशि में,मंगल – कर्क राशि, बुध – वृष राशि,गुरु- कुंभ राशि,शुक्र – कर्क राशि, शनि -मकर राशि,राहु -वृष राशि ,केतु -वृश्चिक राशि

24 JUNE 2021 Thursday

अशुभ समय – राहुकाल – १४:०५ से १५:५० तक

शुभ समय – अभिजीत नक्षत्र ११:५१ से १२:४७ तक लाभ चौघडिया – १२:१९ से १४:०५ तक शुभ चौघड़िया – ०५:१७ से ०७:०२ तक,१७:३६ से १९:२१ तक अमृत चौघडिया – १४:०५ से १५: ५० तक चर चौघडिया – १०:३४ से १२:१९ तक

केसरी ज्योतिष(9105886840)

[thepeterssite]

Kina Khelyau Piratiko Khel by Narendra Pyasi

Kina Khelyau Piratiko Khel is a new sentimentalNepali song by Narendra Pyasi. The music video features Manil Tamang, Subeena Rai and Rijan Chapagain. Kina Khelyau Piratiko Khel Nepali song which is directed by Priyajan Rai. The music video was Cinematographed by Jeevan Shrestha and was edited by Manish Karki.

The  music for this song was composed by Sanam Purush and lyrics was written by Tara Prasad Chapagain. The music video features versatile model Subeena Rai. She featured in more than 100 music videos and ads. Timi Aune Bato is a sentimental Nepali song which shows that never advertise your feeling because there is no market for your emotion. And also provide a lesson that love is not between a cute girl and handsome boy, it is between two real heart. When you once listen this song, I am sure you will keep repeating it.

The music video is released officially online by Music Nepal via Youtube. Hope that you will enjoy this melodious sentimental song Kina Khelyau Piratiko Khel.

Here is the lyrics for Kina Khelyau Piratiko Khel:

Kina Khelyau Piratiko Khel Timile malae dhati dhati

Kina Khelyau Piratiko Khel Timile malae dhati dhati Maile maya lakai theya Hoo bacha kasam khakai theya Gayau timi mutu sati Gayau timi mutu sati Kina Khelyau Piratiko Khel Timile malae dhati dhati……

Sajhayeka sara sapana hoo Sajhayeka sara sapana Adhuro nai hunu rayecha Dhukhiyeka bhagya lai Ashu le nai dhunu rayecha Kina Khelyau Piratiko Khel Timile malae dhati dhati Maile maya lakai theya Hoo bacha kasam khakai theya Gayau timi mutu sati Gayau timi mutu sati Kina Khelyau Piratiko Khel Timile malae dhati dhati……

Phula samjhe ridayema hoo Phula samjhe ridayema Sajhaye theya chokho maya Purnima ko juna bitra Hudo rayecha kalo chaya Kina Khelyau Piratiko Khel Timile malae dhati dhati Maile maya lakai theya Hoo bacha kasam khakai theya Tara Gayau mutu sati Tara Gayau mutu sati Kina Khelyau Piratiko Khel Timile malae dhati dhati

The post Kina Khelyau Piratiko Khel by Narendra Pyasi appeared first on etcNepal.com.

[ocha2424-blog]

Klosi: Në vitin 2016, 900 burra kanë denoncuar dhunën në familje

Klosi: Në vitin 2016, 900 burra kanë denoncuar dhunën në familje

Nga 3000 rastet e dhunës në familje që janë raportuar gjatë vitit të kaluar, 900 kanë qenë burra që janë dhunuar nga gratë. Kjo u deklarua nga Ministri i Mirëqenies Sociale dhe Rinisë Blendi Klosi, gjatë konferencës për “linjat bazë të shërbimeve në luftën kundër dhunës gjinore në Shqipëri: këshillimi me burrat dhunues.

Konferenca kishte për qëllim trajtimin e burrave dhunues, të cilët për vitin…

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[apelmedia]

Veliaj ironizon Bashën: Merr leje para se të hysh në godiat e studentëve, për të xhiruar klipet e tallavasë me taborin e figurantëve

Basha ka irrituar Veliajn ku ky i fundit i është përveshur, pasi nuk ka marrë fillimisht leje për te vizituar studentet ne godinen numer 4 ne QS. Bashkia e Tiranës, ka denoncuar për dhunë kreun e PD duke deklaruar se ka hyrë me forcë në QS. Por kjo deklarate ka ngjallur kersheri ne seline Blu e cila ka reaguar nepermjet zedheneses Ina Zhupa: As Ramiz Alia s’e bëri këtë!

Vizita e kryetarit demokrat, Lulzim Basha, në godinën numër 4, në qytetin Studenti, nuk është pritur aspak mirë nga Bashkia e Tiranës. Institucioni i pushtetit vendor ka vendosur ta padisë për dhunë kryetarin e opozitës, pasi nuk ka marrë leje për të hyrë në konvikt.

“Bashkia e Tiranës dënon dhunën e ushtruar ndaj recepsionistes së Godinës nr. 4 në Qytetin Studenti nga qytetari Basha dhe tabori i tij i figurantëve, që prej disa ditësh kanë nisur të xhirojnë klipe nëpër Tiranë, si këngëtarë tallavaje, dhe dëshiron të informojë qytetarët se ka nisur menjëherë procedurat për denoncimin e tij para organeve ligjzbatuese si dhunues.

Bashkia e Tiranës sqaron se në mjediset e godinave të Qytetit Studenti mund të hyhet vetëm duke marrë një leje paraprake pranë Drejtorisë së Konvikteve, procedurë e cila ndiqet rigorozisht edhe nga familjarët e studentëve që banojnë në ato godina. Lulzim Basha nuk ka kërkuar dhe nuk ka marrë leje për të hyrë në Godinën nr.4”, thuhet në njoftimin e bashkisë.

Por akuzat e bashkise sollen reagimin e zedhenes demokrate Ina Zhupa, e cila me doza ironie shprehet se Veliaj ndihet i frikesuar nga vizita qe Basha u ben disa te rinjve ne dhomat e konviktit ne qytet studenti.

“Atehere kur mendon se ka prekur limitet e qesharakes Erion Veliaj befason serish. Kete here, pertej fasades qe percjell ne videot dhe fotot e propagandes se tij, ndihet i frikesuar nga vizita qe kryetari i PD i ben disa te rinjve ne dhomen e tyre ne konvikt. Ate qe s’e ka bere dot Ramiz Alia ne grahmat e komunizmit ne qytetin Studenti, mundohet ta realizoje pinjolli i rilindjes ne krye te bashkise moniste. Ne asnje vend te botes se lire kryetari i opozites nuk pengohet te vizitoje nje ambjent publik apo te takoje studente. Kjo mund te ndodhe ne Korene e Veriut.

Ose ne Tiranen e Erion Velise. Ku thjesht nje vizite i tremb per vdekje se mos çjerr fasaden qe percjell propaganda. Edi Rama, Erion Veliaj dhe gjjthe te tjeret te jene te sigurt se Lulzim Basha do te vijoje te takoje qytetare cdo dite. Askush nuk mund ta ndaloje misionin e opozites. Te tregoje te verteten qe propaganda e stisur dhe e blere shtrenjte nga oligarket e qeverise perpiqet t’u servire shqiptareve.”, thotë Zhupa.

Partia demokratike e shoqeron reagimin me nje video gjate vizites se Bashes ne konvikt ku degjohet recepsionistja qe kerkon te ndaloje filmimin me argumentin se nuk eshte e lejuar.

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